Search results for ""Hatje Cantz""

From Renoir to Monet to Gauguin – French Impressionism was not only appreciated by Western collectors at the beginning of the 20th century – it also found an early following in Japan. In 2022, on the occasion of its 100th anniversary, the Museum Folkwang will show its outstanding post-impressionist collection founded by Karl Ernst Osthaus (1874–1921). The museum collection will be supplemented by Impressionist highlights from the Kojiro Matsukata Collection (1865–1950), which laid the foundation for the National Museum of Western Art in Tokyo. This is the first time this collection will be presented comprehensively outside Japan since the 1950s. The catalog features a unique compilation of about 120 works and introduces two important collectors. Transnational collection history is combined with modern masterpieces. Featuring paintings, drawings and sculptures by Paul Cézanne, Paul Gauguin, Édouard Manet, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir and Auguste Rodin, among others, as well as a new installation by Tabaimo and Chiharu Shiota and a selection of East Asian works from the former holdings of Matsukata and Osthaus. Accompanied by a short story by Japanese bestselling author Sayaka Murata.

Read more less

When the European Fluxus group disbanded in 1964 after two eventful years, Tomas Schmit (1943–2006), who had participated in the group's actions as a performer, gradually withdrew from performing. From 1966 he devoted himself primarily to writing and drawing. But the idea of the stage as a place where an action is performed in front of and with an audience did not disappear from his art. From then on, Schmit staged "the performance of drawing" on paper. The close interlocking of performance and drawing practice that characterizes Schmit's entire oeuvre will be brought into focus for the first time in the exhibition of the Kupferstichkabinett, which will take place in the fall of 2021, and in the accompanying catalog. At the same time, the project reflects the manifold spectrum of Schmit's nearly 40 years of comprehensive drawing and language art.

Read more less

Following more than forty years of photographic storytelling of Jewish life around the world, Frédéric Brenner spent three years exploring Berlin -- a stage for a vast spectrum of expressions and performances of Judaism. In his new photographic essay he portrays individuals -- newcomers, old timers, converts, immigrants and others – who have made Berlin their home or are just passing through. Via a series of fragmentary insights into this incubator of paradox and dissonance, he reflects on conflicting narratives of redemption and gives light to an ever so present absence. Like a shattered mirror, these images offer a polyphonic, sometimes bizarre and disturbing reflection of and on a topography of displacement and estrangement in contemporary human condition, far beyond the story of Berlin or of Jews.

Read more less

Not only do we live in a period of rapid, exciting change, but we are also in the midst of the Anthropocene age. The environment and climate are changing in the wake of human-driven turbo-capitalism. Benedikt Partenheimer’s works make it possible to imagine—sensorily as well as contextually—the close connection and increasing imbalance between humans and the earth. Photographs of fascinating, impressive elegance reveal processes of ecological and cultural transformation. What makes these pictures so irresistible is the human influence factor: the painterly mist of air pollution floating above urban panoramas, the ambivalence of mountain reflections in melted glacier water. The price of beauty is inscribed into each image. It makes Partenheimer’s work aesthetically intriguing—but above all, existentially important and politically controversial.

Read more less

Marius Glauer focuses his attention on the borderline between photography and sculpture. With his sculptural-based photography, he traverses the entire material and discursive range of what can be considered photography today. Glauer's camera takes an intimate and revealing look at his protagonists: glittering surfaces, objets trouvés and flowers become hyperreal actors or monumental facades. As expansive, three-dimensional assemblages, his works simultaneously question the translatability of the world into the two-dimensional medium of photography. This monograph is the first to provide detailed insights into the artist's experimental oeuvre and presents the groups of works he produced over the course of the last decade. Concise texts accompany and position his oeuvre in the social and art-historical discourse. Texts by Clara Brender, Simon Elson, Christian Ganzenberg, Lydia Korndörfer, Josephine Pryde, Gernot Seeliger, Stephen A. Worsley, Diandra Donecker, Marius Glauer

Read more less

The Book of Optics, written by the Arab scholar Ibn al Haytham in 1021 AD, formed the conceptual framework of the Public Art Program of EXPO 2020 in Dubai. Eleven renowned artists were invited to create newly commissioned, permanent artworks in public space to explore this central work of medieval science. The publication presents the works together with numerous text contributions. They explore the philosophical definitions of vision, cognition, and the importance of imagination in constructing a coherent picture of reality. With over 190 countries participating, EXPO 2020 in Dubai brought together numerous cultural and artistic initiatives to build bridges between people, communities and nations.

Read more less

The Book of Optics, written by the Arab scholar Ibn al Haytham in 1021 AD, formed the conceptual framework of the Public Art Program of EXPO 2020 in Dubai. Eleven renowned artists were invited to create newly commissioned, permanent artworks in public space to explore this central work of medieval science. The publication presents the works together with numerous text contributions. They explore the philosophical definitions of vision, cognition, and the importance of imagination in constructing a coherent picture of reality. With over 190 countries participating, EXPO 2020 in Dubai brought together numerous cultural and artistic initiatives to build bridges between people, communities and nations.

Read more less

The title seems to announce a comprehensive encyclopedia: from A to Z, each and every object or material has the potential to become an element in one of Alexandra Bircken’s charged objects and installations. Whether it’s packaging materials, machine parts, or bones, everything finds a use—the organic as well as the inorganic, raw materials and industrially produced goods. The constant reference point in her artistic explorations is the human body and its contradictory relationship to the environment, as defenselessly at its mercy as it is dependent on it. This catalogue is the first to provide a comprehensive overview of Bircken’s sculptural practice from all creative periods, which here enter into a dialogue that explores the artist's multi-layered statements on surface, body, movement, shell, and skin.

Read more less

A cultural history of nature may sound like a paradox, but a second glance proves it to be a clever theme. For though we are used to perceiving nature and culture as opposites, they are actually closely interwoven. This is precisely what Klaus Littman shows us in his startling project Tree Connections. In 2019, around three hundred trees were planted in the pitch at the Wörthersee football stadium in Klagenfurt. The result is the extraordinary experience of witnessing a confrontation between two otherwise strictly separate kinds of spaces. Blending the natural and the constructed worlds blurs their boundaries, making them practically indistinguishable. At the same time, the breathtaking views of this unique project offer fascinating insights into our current, unecological ideas and activities. An exhibition curated by Littmann will take place at the Basel H. Geiger Kulturstiftung starting in May 2021, featuring works by Alexandre Calame, Joseph Beuys, Christo, Jannis Kounellis, Giuseppe Penone, Günther Uecker, Tony Cragg, Michael Sailstorfer, Miriam Cahn, and Sol LeWitt, among others.

Read more less

Korea is still a divided country that apparently never found its way out of the Cold War. The differences between the socialist North, which follows a dynastic leadership cult, and the capitalist South, with its developed democracy, could hardly be greater. Encompassing all areas of life, this divergence is also reflected in the art of the two countries: through the vibrant contemporary art scene in South Korea and the socialist-realist tradition of painting in North Korea, two diametrically opposed artistic attitudes exist in parallel, reflecting the incompatibility of the political systems and the stark differences in the way of life of the populations. To mark the exhibition of both North and South Korean works from the Sigg Collection at the Kunstmuseum Bern, a comprehensive, richly illustrated catalogue is being published, which sheds light upon the theme of the border in contemporary Korean art from both sides.

Read more less

Days In Between is Marianna Christofides’s decade-long project of multi-layered encounters with “the Balkans,” one of Europe’s historically and geopolitically most contested “fracture zones.” Initially realized as a 16mm essay film, the project has continued to evolve in various modes: as multi-channel analogue film projection, site-specific audio installation, silkscreen prints, light sculpture, geologic-photographic assemblage, text and 16mm film study. This book draws on Christofides’s recent solo exhibition at MNAC, Bucharest and gives, for the first time, a profound insight into her diverse aesthetic work and unique artistic practice. It assembles nine critical voices from the arts and academic world. Thinking with new materialism, Deleuzian film theory and philosophical studies on time and space, the contributors highlight the multiple ways in which the artist’s work opens up conversations around landscape and space in postcolonial contexts, essayistic film practice and forms of critical-emancipatory knowledge production in the arts.

Read more less

Abu Dhabi, Doha, Dubai, Kuwait City, Manama, and Riyadh—as metropolises of the Arabian Peninsula, all of these cities are connected by more than just geography. They also stand for a booming economy and rapid urban development with avant-garde architecture set amid breathtaking landscapes. And last, but not least, these cities boast a bustling everyday life defined by immigrants from all over the world. Traditions meets western modernity. What is home to one person is a stopover for another. Busy working life collides with a partying mentality. As gigantic places of transit, these metropolises represent transience, but also opportunity and dazzling encounters. Michele Nastasi has captured them all with a distinctive sense of presence, shaping an engaging journey through the cultural diversity and pulsating life of these cities.

Read more less

A close look transforms even the most ordinary things into fascinating objects full of idiosyncracies and magic. With charming tongue-in-cheek, the photographer Pascale Weber shows this through a very special object: the cat tree. Photographed as a still life against a colored background, we see the multifaceted and sometimes frivolous architectural capers of this extraordinary type of structure. Weber depicts them with their four-legged owners proudly presenting their homes. A particularly subtle humor characterizes these aesthetic studio images. Readers may suddenly wonder how this unique variety of forms could have been overlooked until now. And everyone may smile and ask themselves where they themselves would prefer to live. Languages: German and English

Read more less

Landscape architecture is a form of high art for Erik Dhont, who has brought both nuance and sensitivity to various sites. Playing with flowers, grasses, shrubs or trees, he creates unique spaces, structures and textures. His timeless green paradises which are the result of true craftsmanship, are deeply rooted in the European garden tradition. They stand for longevity, evolution, dreams, and life. In this second monograph, Dhont presents his creations from over the last twenty years, combining photographs with abstract drawings, colorful planting plans, and sculptural models that reflect on his artistic approach. Intimate views of seminal creations such as the garden of fashion designer Dries van Noten immerse one into Dhont’s creative and sensual universe.

Read more less

In recent years, visual urbanism has emerged as a new research field. Photographers and researchers had been experimenting with critical visual methodologies in anthropology, cultural studies, sociology, and cultural geography. They underlined the importance of reflexivity and questioned the uncritical use of both cameras and images. Yet, until now, a discussion of incorporating visual research methods into the knowledge of architectural design and urban planning has been very minimal. Candide N° 12 gathers voices of a cross-disciplinary dialogue between theoreticians and practitioners of urbanism and photography. The authors of the forthcoming issue provide answers to a number of key questions: What can architects, urban planners and designers learn from photographers and visual artists and vice versa? How can we define a new common ground between making photography and designing urban spaces?

Read more less

This catalogue presents the first comprehensive study of the Italian architectural drawings in the Cronstedt Collection in the Nationalmuseum Stockholm, discussing 181 drawings dating from around 1570 to around 1620. Among them are works by Francesco da Volterra, Carlo Maderno and other Roman architects, executed for churches, chapels, palaces, gardens, and fountains—many constituting primary and almost unknown sources for late Mannerist and early Baroque architecture. Also included are plans and architectural details by French draughtsmen, meticulously documenting ancient monuments, as well as buildings by the Renaissance masters Bramante, Antonio da Sangallo, Michelangelo, and Vignola. Italian Architectural Drawings proposes new attributions in the light of recent scholarship, based on close examination of the drawings’ material (paper, medium, technique, mounting). Comparative illustrations and a photographic catalogue of the watermarks complete the volume..

Read more less

Photography started out as black and white and analog. Today, these are conscious choices a photographer makes, with the camera, eye, and hand forming a unique symbiosis. Aram Dikiciyan’s pictures arise from the interplay of the extremely light-sensitive film he chooses to use, the many layers of motifs his finely-tuned eye selects, and a well-practised process of development. It all works together to create an inimitable cosmos of images. The photographs are just this side of overexposed, capturing in black and white a fragile world hovering between the figural and the abstract. This volume of photos collects the masterpieces from the past decade and presents them in a splendid show: skilled craftsmanship becomes a feast for the eyes.

Read more less

Berlin’s Gemäldegalerie is known for its outstanding collection of European paintings from the thirteenth to eighteenth century. Each chapter in this book is dedicated to one painting from the collection. In the breadth of this idiosyncratic selection, painting, as it discovers itself becomes a medium for the formulation of modern subjectivity. Each painting in focus unfolds its own making and its artistic concerns as they reflect contemporary issues, today. What are the paradoxes within which art is made by women? How does the primordial drive to destroy works of art affect today's art discourse? Where did the modern struggle of painting against the picture begin? Why does the Wild Man from early German Renaissance still haunt us? And why doesn’t it matter whether Jan Vermeer used an optical device for his paintings? Twelve Paintings highlights the currentness of the Old Masters.

Read more less

For a long time only slightly noticed, modernist movements in Chinese art history are gaining more and more recognition. One of its key fi gures is Ting Yin Yung, whose art is essential to understanding Western-style art in China. Ting was one of the fi rst to turn to his own cultural history to inform the Western-style paintings he and others aspired to master, primarily to breathe life into what many considered a stagnant art tradition. It is difficult to gauge the full extent of Ting’s impact and influence on modern and contemporary Chinese art, but this comprehensive catalogue raisonné of his oil paintings brings us in a position to see how his vision, through both his art and his teachings, inspired and nurtured many.

Read more less

What happens when you not only observe one of the most famous artists of our time, but do so in the company of one of the best art historians, as well? You get an unusual publication, the reading of which opens the eyes in the truest sense of the phrase. In this book the American art historian Richard Shiff—with his gaze schooled in phenomenology and his sense of detail—joins readers for a look at the exceptional art of Donald Judd. These essays open up a multi-layered, sumptuous panorama of the American artist’s oeuvre. Without drawing attention to themselves, the essays completely aid in the perception of Judd’s art. Shiff’s rich framework allows it to shine brightly in constantly new, yet unique ways.

Read more less

Images are the cornerstone of culture. At a single glance, a society’s understanding of itself is crystallized in them; they are the agents of a common perspective, as well as witnesses to it. At the same time, there is a whiff of ideology and distorted perception about them. In between the two poles of the crucifi x and the gold calf, there is a field of tension where Christianity and Islam dwell. The histories of both religions fluctuate between the extremes of idolatry and iconoclasm. Sometimes they lean in one direction, and sometimes in the other, while at other times they seek a conciliatory balance. Outside of theological debates, this opens up an area full of aesthetic distinctions and approaches. This exhibition catalogue offers a richly illustrated, thoroughly informative look at these unusual histories of art and their currency in the world today.

Read more less

The photographers Inez van Lamsweerde and Vinoodh Matadin have been inseparable from the fashion and art scene since the 1990s. Very early on they made use of digital processing and distortion. Sometimes a delicate retouch was enough, and sometimes they took it to the apex of gross contortion. Through their strongly expressive manipulations, the couple developed a pictorial vocabulary of their own, and they continued to develop it in their themes. Their work is extravagant and gaudy. At the same time, however, they deal with cryptic questions about superficiality, gender, and identity. This book of photos presents a kind of retrospective “director’s cut,” as it were. On the occasion of their exhibition at The Ravestijn Gallery, the artists have selected their favorites from a rich collection. Despite the variety of themes, each photograph bears the inimitable signature of its creators. Presented in a magazine-like style, this publication celebrates the authentic diversity of this outstanding couple of artists.

Read more less

The small city of Anjar lies about sixty kilometers east of Beirut, in Lebanon. Its history borders on the miraculous. In 1939 a group of Armenians from the area Musa Dagh, who had survived the massacre and persecution perpetrated by the Young Turks, found each other. With support from the French colonial government, they managed to buy the land. Not only did the city planning that ensued foresee giving each family some land and a house, they also built three confessional schools in Anjar—apostolic, catholic, protestant. In celebration of the city’s eightieth anniversary, the architects Vartivar Jaklian and Hossep Bahovan discuss this utopia, which is devoted to social and individual life, in this illustrated volume containing historical sketches and current photographs, as well as companion texts. The film accompanying the book also features interviews with today’s residents of Anjar.

Read more less

In 1958 at the Werkkunstschule in Offenbach, Franz Erhard Walther devised a typographical font without any diagonals. In this artist’s book he uses so-called Work Sets to form a letter on each page, facing a scene from his life between 1954 to 1973 on the opposite page—an encounter with Reiner Ruthenbeck and Jörg Immendorff, for example, or his first show at the Museum of Modern Art in New York. Paging through, four se-quential Work Sets make an appearance, including “The Body Draws” and “Sculptural Memory”: on the left side, a hand-drawn letter in a mutable yellow, and on the right a drawing of a recollection originating in his photographic memory. This book, conceived and designed by the artist himself, is itself a work of art.LIMITED EDITION OF 750 COPIES. Bilingual: German and English.

Read more less

Inspired by Chinese landscape painting, Sandra Kantanen digitally processes her photographs to produce dreamlike tableaux of softly dappled, slightly blurry prospects of forests, meadows full of flowers, and lakes. They are aesthetic excursions into a world of illusion oscillating between painting and photography. The pictures in More Landscapes were taken in a wood in the south of Finland, where landmines were buried during the war. As a reminder of the history of the site, Kantanen tosses small, colorful smoke bombs before shooting photographs. The motifs are then processed with a digital brush, creating various layers that the viewer can only decipher upon closer inspection. On one hand, the pictures recall the past, but they also raise questions about the nature of photography and the construction of landscape.

Read more less

For many artists, overcoming the two-dimensional canvas is a central point of reference. The exhibition Tutto and its accompanying catalogue provide insight into various artistic approaches that combine the concepts of opening up, expanding, or overcoming the traditional panel painting. Here, the artists on display range from Carla Accardis, an artist who experiments with canvas, to Enrico Castellanis and Agostino Bonalumis, all the way to Piero Manzoni and his experiments with materials. Other focal points are the relationship between image and text and the visual poetry in experimental works on paper, as well as conceptual photography.

Read more less

Landscape painters were not only the fi rst to visualize the gran- deur of Alpine glaciers but were also pioneering researchers. Aside from their artistic qualities, the paintings provide valuable information on the appearance and distribution of glaciers from even before they were systematically observed. Particularly the paintings of Thomas Ender and Ferdinand Runk from early nine- teenth-century depict Alpine glaciers with exacting attention to detail. The Austrian geographer and Alpine researcher Gernot Patzelt (b. 1939) examines Ender’s and Runk’s glacier paintings in this book and juxtaposes them with present-day photographs, making the consequences of global warming evident. The results of Patzelt’s research are summarized here along with a chronol- ogy of glacier and climate dev elopment over the past 50,000 years.

Read more less

The photographs, videos, installations, sculptures, and new VR works by Louisa Clement (*1987) deal with phenomena related to a sense of disturbance in times of political and social inse- curity. Clement’s investigations prove to be as seductive as they are cryptic: What is a human being in a digital age in which the body’s integrity is increasingly questioned through vehement medical and technological interventions? In an almost surreal manner, Clement’s detailed photographs conjure up a new image of the body that also represents the ambivalent vision of a “new human being.” With the help of her photographs, taken with smartphone cameras, she examines not only the medium’s ability to reproduce images, but also the reality of the technologically modifi ed human. This publication is a companion to Louisa Clem- ent’s fi rst museum exhibition.

Read more less

With his pictures, Günter Fruhtrunk (1923-1982) created an autonomous, uncompromising oeuvre that made him one of the outstanding representatives of German painting in the post-war era. He became famous for his vector-like, diagonal stripes: impressive paintings of parallel, diagonal bundles of stripes in yellow, orange, green, black, and white, whose geometrical, abstract vocabulary of forms he derived from constructivism. This catalogue raisonné—the result of extensive scientific research over a period of three years— contains all of the paintings he produced between 1952 and 1982. Along with several essays that explore Fruhtrunk’s work and its significance, while also defining its place in art history, the catalogue raisonné contains texts by the author never published before and an extensive biography. The work is organized into two volumes according to chronology and visual motif.EXHIBITIONMunich, Galerie Walter Storms15.09.2018 - 13.10.2018

Read more less

The Elusive Modernist revisits the history of the Modern movement through the legacy of one of its protagonists, Gabriel Guevrekian (c. 1900—1970). Born in Istanbul, Guevrekian grew up in Tehran and then moved to Vienna to study architecture at the Kunstgewerbeschule; he later worked with Oskar Strnad, Josef Hoffmann, Adolf Loos, Henri Sauvage, and Robert Mallet-Stevens and among his famous designs are the Cubist garden for Villa Noailles in France and two houses for the Vienna Werkbund exhibition. Not yet 30, Guevrekian was recognized as one of the protagonists of the European Avant-garde in Paris. During the 1930s, he spent a few years in Iran to design public buildings and later, after the Second World War, he took teaching responsibilities in Europe and America. All his various pursuits, and the homes and nationalities he held in Asia, Europe and then America, led to a serial adoption of personae. He made every discipline meaningful, every city central, every period epochal simply by his own very tangible engagement with it.

Read more less

Unwired combines two concurrent projects from the Dutch photographer Jacqueline Hassink (*1966 in Enschede), both of which sharpen our eye for an increasingly digitally connected world. In Unwired Landscapes she has sought out places where it is impossible to build a network, where there is pure radio silence, so to speak—remote areas like the Japanese island of Yakushima, the Norwegian group of islands Svalbard known as Spitsbergen, or the uninhabitable volcanic desert of Iceland are caught by her lens, as are artificially created dead zones in urban spaces, such as a Digital Detox Hotel in Baden Baden.Initially, her second project, iPortrait, seems to be the exact opposite of her first. In this project Hassink portrays people immersed in their smartphones in the subways of big cities such as New York, Paris, London, Moscow, Shanghai, Seoul, and Tokyo. Here, she reveals the other side of digital networking, which interferes with direct contact between human beings.

Read more less

Juan Grimm is considered the father of landscape architecture in Chile. His designs persistently underscore the sublimities of nature and incorporate the environments surrounding them. Although he works mainly with local flora, he creates breathtakingly new landscape textures. As South America’s most important landscape architect, he has designed and built nearly one thousand hectares of garden, as well as private and public parks in Chile, Argentina, Peru, and Uruguay, including the gardens of the Bahá’í Temple in Santiago and of a Benedictine abbey.Featuring drawings, photographs, interviews, and extensive companion essays, this book presents Grimm’s body of work, his methods, his sources of inspiration, and his artistic aims. Selected examples, ranging from small gardens to large parks, illustrate Grimm’s development over the course of thirty years. At the same time, it is not only Grimm’s work that is on display, but the model of Chilean landscape architecture of which his work is exemplary.

Read more less

On the occasion of the Beyeler Fondation's 20th anniversary, this richly illustrated publication gathers quotes, letters, interviews and writings from Arp, Bourgeois, Cezanne, Degas, Dubuffet, Kandinsky, Klee, Malevich, Matisse, Mondrian, Monet, Picasso, Rousseau, Tillmans, Van Gogh, Wolfson and others.

Read more less

The urban research projects of Estudio Teddy Cruz + Fonna Forman made the Tijuana-San Diego border region a global laboratory for engaging the central challenges of urbanization. The projects engage urban and political confl ict as a creative tool, and demonstrate the capacity of architecture and design to confront exclusion and homogenization in the city, and propose alternative strategies for more inclusive urban development.

Read more less

Jan Tove's photographs of his home region are lyrical dabs of memory, the wide-eyed absorption of changes. For a period just short of ten years, the Swedish photographer and publicist returned to the Swedish countryside, at different points during the year, portrayed landscape as well as inhabitants, and discovered an individual rhythm.

Read more less

Today’s urban environments face ever-increasing flows of human movement, natural disasters, and iterative economic crises. In response, city planning has developed innovative, hybrid forms that go beyond conventional ways of planning. Integrating practices of other disciplines, planning has become increasingly intricate and at the same time dependent on the cross fertilization of data, ideas, and actions across economies, societies, and geographies.This richly illustrated book of edited essays aims at introducing new approaches towards the planning of cities across the world, including Central and South America, Europe, the Middle East, and East Asia. Covering demographically, politically, culturally, and socially diverse regions, it not only examines the use of conventional planning tools, but also explores more experimental and cross-disciplinary approaches of urban planning.

Read more less

American artist Michelle Stuart (*1938 in California) is internationally known for a rich and diverse body of work stemming from her lifelong interest in the natural world and the cosmos. Working in drawing, sculpture, photography, video, installation and site-specific earthworks, she has pursued a subtle and responsive dialogue with nature, distinct from the epic gestures of American Land Art. Spanning the period from the late 1960s to the present day, this publication encompasses a varied and unconventional range of media, while highlighting Stuart’s major contribution to the practice of drawing. During the seventies she won recognition for her monumental drawings made outdoors, which have the characteristics of specific sites ingrained in their surfaces. Other works respond to the Nazca Lines in Peru, the Uffington White Horse in the UK and New Mexican petroglyphs, pushing our understanding of drawing beyond the page. Featuring three new essays and an interview with Stuart, this publication will be the definitive resource on the pioneering artist’s work to date. Exhibition schedule: Djanogly Art Gallery, Lakeside Art Centre, University of Nottingham, February 16–April 14, 2013 | Parrish Art Museum, Water Mill, New York, July 21–October 27, 2013 | Santa Barbara Museum of Art, January 26–April 20, 2014

Read more less

Earth’s atmosphere is steadily warming due to greenhouse gas emissions. While experts discuss the possible consequences and politicians are apparently powerless to do anything about it, untold numbers of people are already struggling with the devastating impact of a climate gone haywire. One of the greatest floods in the history of the region destroyed the home and business owned by Yang Gengbao and his wife in the Chinese province of Guangxi. The drying up of Lake Chad means that Abakar Maydocou Mahamat can no longer earn his livelihood as a fisherman. Margaret Aliurtuq Nickerson from western Alaska will soon have to leave her village, Newtok, since the ground is thawing, causing homes and streets to sink.In 2009, Mathias Braschler (*1969 near Aarau) and Monika Fischer (*1971 near St. Gallen) traveled to sixteen countries around the world, taking photographs of and conducting interviews with people whose existence is threatened by the consequences of climate change.

Read more less

American artist Jean-Michel Basquiat (1960–1988) quickly became one of art history’s most luminescent personalities; his friendships with Andy Warhol, Keith Haring, and Madonna, as well as his tragic death at the age of twenty-seven, are the stuff of legend. This retrospective publication traces the artist’s unique career and pinpoints his important position in art history. Basquiat’s works are marked by the kind of intensity and energy that also determined the course of his brief life. In just eight years—comparable to the career of Egon Schiele—Basquiat not only managed to create an extensive oeuvre, but also to establish new figurative and expressive elements alongside Conceptual and Minimal Art. At the age of twenty-one, he became the youngest artist ever to be invited to the documenta, while his work also anticipated that of Germany’s Junge Wilde movement and the art of the nineties. (German edition ISBN 978-3-7757-2592-7) Exhibition schedulde: Fondation Beyeler, Riehen/Basel, May 9–September 5, 2010

Read more less

The enormous, photorealistic charcoal drawings by American artist Robert Longo (*1953 in Brooklyn, New York) show the beauty and horror of the present day and age. His large-format works contrast the innocence of sleeping toddlers, the tranquil grandiosity of Earth and the planets, roses in bloom, and Gothic cathedrals with threatening images of atom bomb explosions, fighter pilots, monster waves, sharks, and the muzzles of revolvers. Inexorably and seismographically precise, the winner of the 2005 Goslar Kaiserring and 2010 inductee into the French Order of Arts and Letters records the state of our world. Longo’s powerful motifs give form and expression to the feelings of fear and longing felt by people in the twenty-first century, and affect the viewer with the full force of the medium.This large-format, elaborately designed book, printed on natural paper using a tritone process, bound in half cloth and distributed in four different cover designs, has been created in close collaboration with the artist and affords a comprehensive overview of his charcoal drawings from the past decade. Exhibition schedule: Kunsthalle Weishaupt, Ulm, November 28, 2010–September 25, 2011

Read more less

Photography is not only a medium, it is an artistic profession. Behind the mechanics of the camera is the sensitive eye of the master. It would hardly be possible to find a clearer expression of this than Frank Horvat’s current illustrated book. From 1979 to 1986, New York was a kind of refuge for the photographer. Here he surrendered himself to the hustle and bustle of the streets, capturing their multifaceted lives. At the same time, he reflected in diary entries on his personal method of finding images and the significance of photography itself. The photographs and writings were created for himself personally, in between commissions. Many of them have never been published before and are presented in this illustrated publication for the first time. Horvat’s texts on thin Munken offset paper and his photographs on deep matte photo paper form the two sides of an oeuvre consisting of true photographic art.

Read more less

This photo series captures moments of periphery in Croatian Istria with 26 bus stops. Documentary and conceptual, the photographic cartography approaches the different perceptions of the places. Ed Ruscha’s methodology, and in particular his photographic series Twentysix Gasoline Stations, serve as a method and inspiration to examine the stops and their identity in the urban fabric. With this photographic concept as well as the texts, the observations are presented analytically and at the same time unfold a greater poetic meaning. How does it feel to live in the environs of urban reality? The book transmits the fascination for simple building methods, locations as well as the aesthetics of decay.

Read more less

FINDING A FORM FOR THE TRAUMAS OF LOSS AND VIOLENCE Experiences of violence and loss take shape in the work of internationally acclaimed Colombian artist Doris Salcedo. Although her sculptures and installations are often based on concrete events, feelings of grief, alienation and loss of home take on a universally valid, heartfelt expression in her works. Different materials such as stone and concrete, wooden furniture, grass, petals, hair or pieces of clothing are transformed and charged with meaning. Rarely do indi vidual pain and collective grief find such a touching form or has their social overcoming been formulated so forcefully. Created in close collaboration with the artist, the cata logue offers a comprehensive survey over Salcedo’s work from 1986 to 2022.

Read more less

Candide 13 results of a joint effort of scholars, researchers and students who address the theme of “Experimental Architecture and Material Culture” from different perspectives. The issue reports on the outcomes of a transnational cooperation between the RWTH Aachen University (Department of Architecture) and the Indian Institute of Technology Roorkee (Department of Architecture and Planning). It gives voice to students and researchers who, traveling in Germany and India, have stored up intercultural experiences of intellectual and human growth. The issue features also scholarly contributions on experimental architecture, design-build procedures, and sustainable construction.

Read more less

"Her latest book, New York New York, focuses on youth in America’s cultural epicenter, documenting the wild nights and carefree days of the city’s young people in Tomanova’s vivid, spontaneous style." - AnOther Magazine Tomanova’s first book Young American (2019), featuring a foreword by acclaimed photographer Ryan McGinley, sold out shortly after its publication. Art and fashion magazines overflowed with enthusiasm. Tomanova now presents, with art historian Thomas Beachdel, her second volume on youth in New York City. Deftly entwining portraiture and landscape, the photographer expands and recontextualizes the significance and meaning of each. Tomanova shows us a powerful and vital panorama of identities of people and place, and a compelling future free of binary gender models and outmoded definitions of beauty.

Read more less

A journey into the mystical Berlin night

Read more less

Night time has always captivated those who see the world differently. When everything has come to rest, lights go out, phones have gone silent and doors have been locked, the nocturnal quiet is embraced to transcend the beauty of the world to its own. This fascination with the way things appear at night is deeply embedded in Daniel Freeman's photography, and finds its way into Midnight on Main together with strong influences of American popular culture. Away from the frantic pace of large sleepless cities, Daniel Freeman explores the quieter side of the American night as a nocturnal flâneur, portraying the charm of small towns across the United States and of a lessershown America. Complemented by stars and moonlight, he follows what is still left of the American Dream and traces the special kind of American culture, that since its invention has not failed to amaze. Midnight on Main documents the silent grace and illuminated beauty amplified through the prolonged and peaceful interludes of calm that stretch between dusk and dawn. Urban landscape at its best. Daniel Freeman (1984) lives in Buckinghamshire, England and has specialized in night photography for over a decade. He was awarded a ‘Fellowship’ by the British Institute of Professional Photography, and ‘Qualified European Photographer’ by the Federation of European Professional Photographers for his nocturnal image capture. He currently lectures in Photography and holds night photography seminars and workshops on behalf of photographic institutes.

Read more less