Search results for ""Hatje Cantz""
Hatje Cantz Renée Green: Inevitable Distances
Since the late 1980s, Renée Green’s multifaceted practice has imagined and expanded the ways in which art can surface and give form to underwritten histories, collective memory, and circuits of cultural exchange. Her writing, installations, films, digital media, and sound works continue to trace and interrogate the power of cultural institutions and their relationships to language, knowledge, and constitutions of selfhood, while at the same time, indicating other ways of being and becoming. Green’s work came to prominence and circulated within the social and political flows between the world and the Americas, a concept that includes the United States, Central and South America, as well as the Caribbean. Her practice continues to investigate the distribution and relay of art and ideas, and how these are braided with histories of migration and legacies of displacement, and the aesthetic forms and poetics that stem from these. In one of most comprehensive catalogues of her work since 2010, Inevitable Distances presents recent writing on Green’s work with some of Green’s early texts and influences. Indicating the encounters and distances travelled in a life’s journey, both this publication and the exhibition it catalogues puts her artistic production into a speculative and, at times, fictional constellation. This book is co-published by DAAD Artists-in-Berlin Program, Berlin; Hatje Cantz; and KW Institute for Contemporary Art.
£39.60
Hatje Cantz anna kazianka / falk lennart kremzow (Bilingual edition): cekati / warten
This photo series captures moments of periphery in Croatian Istria with 26 bus stops. Documentary and conceptual, the photographic cartography approaches the different perceptions of the places. Ed Ruscha’s methodology, and in particular his photographic series Twentysix Gasoline Stations, serve as a method and inspiration to examine the stops and their identity in the urban fabric. With this photographic concept as well as the texts, the observations are presented analytically and at the same time unfold a greater poetic meaning. How does it feel to live in the environs of urban reality? The book transmits the fascination for simple building methods, locations as well as the aesthetics of decay.
£18.00
Hatje Cantz Doris Salcedo
FINDING A FORM FOR THE TRAUMAS OF LOSS AND VIOLENCE Experiences of violence and loss take shape in the work of internationally acclaimed Colombian artist Doris Salcedo. Although her sculptures and installations are often based on concrete events, feelings of grief, alienation and loss of home take on a universally valid, heartfelt expression in her works. Different materials such as stone and concrete, wooden furniture, grass, petals, hair or pieces of clothing are transformed and charged with meaning. Rarely do indi vidual pain and collective grief find such a touching form or has their social overcoming been formulated so forcefully. Created in close collaboration with the artist, the cata logue offers a comprehensive survey over Salcedo’s work from 1986 to 2022.
£52.20
Hatje Cantz Candide. Journal for Architectural Knowledge: No. 13
Candide 13 results of a joint effort of scholars, researchers and students who address the theme of “Experimental Architecture and Material Culture” from different perspectives. The issue reports on the outcomes of a transnational cooperation between the RWTH Aachen University (Department of Architecture) and the Indian Institute of Technology Roorkee (Department of Architecture and Planning). It gives voice to students and researchers who, traveling in Germany and India, have stored up intercultural experiences of intellectual and human growth. The issue features also scholarly contributions on experimental architecture, design-build procedures, and sustainable construction.
£21.60
Hatje Cantz Marie Tomanova: New York New York
"Her latest book, New York New York, focuses on youth in America’s cultural epicenter, documenting the wild nights and carefree days of the city’s young people in Tomanova’s vivid, spontaneous style." - AnOther Magazine Tomanova’s first book Young American (2019), featuring a foreword by acclaimed photographer Ryan McGinley, sold out shortly after its publication. Art and fashion magazines overflowed with enthusiasm. Tomanova now presents, with art historian Thomas Beachdel, her second volume on youth in New York City. Deftly entwining portraiture and landscape, the photographer expands and recontextualizes the significance and meaning of each. Tomanova shows us a powerful and vital panorama of identities of people and place, and a compelling future free of binary gender models and outmoded definitions of beauty.
£34.20
Hatje Cantz Romeo Alaeff
A journey into the mystical Berlin night
£39.60
Hatje Cantz Daniel Freeman: Midnight on Main
Night time has always captivated those who see the world differently. When everything has come to rest, lights go out, phones have gone silent and doors have been locked, the nocturnal quiet is embraced to transcend the beauty of the world to its own. This fascination with the way things appear at night is deeply embedded in Daniel Freeman's photography, and finds its way into Midnight on Main together with strong influences of American popular culture. Away from the frantic pace of large sleepless cities, Daniel Freeman explores the quieter side of the American night as a nocturnal flâneur, portraying the charm of small towns across the United States and of a lessershown America. Complemented by stars and moonlight, he follows what is still left of the American Dream and traces the special kind of American culture, that since its invention has not failed to amaze. Midnight on Main documents the silent grace and illuminated beauty amplified through the prolonged and peaceful interludes of calm that stretch between dusk and dawn. Urban landscape at its best. Daniel Freeman (1984) lives in Buckinghamshire, England and has specialized in night photography for over a decade. He was awarded a ‘Fellowship’ by the British Institute of Professional Photography, and ‘Qualified European Photographer’ by the Federation of European Professional Photographers for his nocturnal image capture. He currently lectures in Photography and holds night photography seminars and workshops on behalf of photographic institutes.
£39.60
Hatje Cantz Andre Romao Fauna
Portuguese artist Andre Romao has developed his practice over the past years to include a diversity of media, from poetry and sculpture to installations and video works. His work explores notions of violence, resistance, and eroticism, having the human body and its often problematic interaction with historical, environmental, and economical macrostructures at its core. Romao draws on a broad range of references, from classical antiquity to Surrealism, from modern literature to the Baroque. The richly illustrated catalogue accompanies Romao's solo exhibition at Museu Colecao Berardo, in Lisbon, and includes an in-depth essay on the artist's work by the curator, Pedro Lapa.
£23.39
Hatje Cantz Endangered Sky: Sean Scully & Kelly Grovier
An Ode to Vanishing Beauty It is estimated that, as a result of climate change, illegal trade, and habitat loss from the encroachments of technology and industrialization, as many as one in eight species of birds is heading towards extinction. Created in close collaboration between Sean Scully and Kelly Grovier, each pairing of poem and drawing is devoted to the beauty and mystery of an individual species of bird. Scully’s visual language, at once measured and impassioned, geometric and free-flowing, captures the essence of creatures that are, themselves, on the brink of becoming mere abstractions. Though his first series of iPhone drawings are consistent with his signature style, they reveal a fresh intimacy, playfulness, and exhilaration of gesture, color, and form that is in accord with the wonder of feathered flight. Created on a digital device, the drawings are, as Scully remarked, the ironic embodiment of “technology which is ruining nature turned inside out to protest its demise.” Yet taken together, these duets aim to offer something uplifting in the face of an accelerating tragedy. “Hope” is, after all as Emily Dickinson famously wrote, “the thing with feathers / That perches in the soul.”
£16.20
Hatje Cantz documenta fifteen Handbook
documenta fifteen is no ordinary art exhibition. Envisioned under the guiding concept of lumbung, the Indonesian collective ruangrupa is less concerned with individual works than with models of collaborative practice. The Handbook offers insights and orientation to the processes that evolved in the creation of the exhibition. A comprehensive resource both for visitors of documenta in Kassel as well as people interested in collective practices, this Handbook presents all documenta fifteen collectives and artists through profiles by international authors familiar with their different artistic practices and cultural contexts. Using the pivotal question of “what is lumbung?” as a vantage point, the book is an introduction to the mindset and cultural background of documenta fifteen, featuring numerous documents and photographs that trace the collectives’ working process. A chapter gathering all of the show’s locations and venues in Kassel as well as a large fold-out city map and an introduction to the exhibition’s “Public Program” will prove to be especially useful for all visitors.
£22.50
Hatje Cantz Strange Clay: Ceramics in Contemporary Art
Few materials have experienced a similar revaluation in contemporary art as clay has in the past few years. This timely publication accompanies a large-scale exhibition at the Hayward Gallery, London, exploring how contemporary artists are using clay and ceramics in inventive and surprising ways, and pushing the boundaries of the medium. Featuring the work of over 20 international artists—from Grayson Perry to Woody De Othello—an introductory essay by curator Cliff Lauson, a text on the history of fine art and ceramics by writer and critic Amy Sherlock, and a round table discussion with artists from the exhibition, this catalogue is a meaningful contribution to the ongoing conversation about the relationship between art and craft.
£36.00
Hatje Cantz Alexandra Bircken: A-Z
The title seems to announce a comprehensive encyclopedia: from A to Z, each and every object or material has the potential to become an element in one of Alexandra Bircken’s charged objects and installations. Whether it’s packaging materials, machine parts, or bones, everything finds a use—the organic as well as the inorganic, raw materials and industrially produced goods. The constant reference point in her artistic explorations is the human body and its contradictory relationship to the environment, as defenselessly at its mercy as it is dependent on it. This catalogue is the first to provide a comprehensive overview of Bircken’s sculptural practice from all creative periods, which here enter into a dialogue that explores the artist's multi-layered statements on surface, body, movement, shell, and skin.
£43.20
Hatje Cantz Thomas Pihl: Sight Specific
The history of monochrome painting goes back more than a century. Since Kazimir Malevich revolutionized the art world in 1915 with his "Black Square," which was based on a single colour surface, this artistic form of expression has taken many different paths and never lost its fascination. The distinctive works of Norwegian painter Thomas Pihl join this tradition: they do not tell a story about a motif, but nevertheless, occupy the physical and mental spaces that surround them. They invite the viewer to interact, provoke thought, and give rise to discussion. In his works, Pihl applies the colours to the canvas in many layers, allowing a view of the traces of the working process. The resulting visual world, which in its play of light and colour shows us the nature of perception, is now summarized for the first time in a comprehensive publication.
£34.20
Hatje Cantz Ornament & Identity: Neuteling Riedijk Architects
Ornament and Identity is the successor of the well-received At Work, a publication by renowned Rotterdam based architecture firm Neutelings Riedijk. In their new book they convincingly demonstrate that buildings with a powerful expression create new local identities in a globalised world. In twelve themed chapters Moiré, Image, Seam, Emblem, Letter, Pattern, Frame, Ridge, Grid, Diamond, Relief and Filigree, readers are guided on the exploration of the connection between form, meaning and contemporary ornaments. Realised buildings, intriguing scale models, material samples and unique ornaments designed by Neutelings Riedijk Architects illustrate the craftsmanship and their search for expression and identity.
£57.52
Hatje Cantz Gerhard Richter Catalogue Raisonné. Volume 3: Nos. 389-6511976-1987
Gerhard Richter’s oeuvre embraces in excess of three thousand individual works. Over a period of five decades he has created a stylistically heterogeneous, complex body of work that testifies to his status as the most important living artist of our time. This long-awaited first volume of the catalogue raisonné was released on the occasion of the artist’s eightieth birthday in February 2012.Dietmar Elger, director of the Gerhard Richter Archive at the Staatliche Kunstsammlungen Dresden, has spent years resear-ching and preparing this publication. The six-volume catalogue raisonné of all of Richter’s paintings and sculptures will be pu-blished over the next seven years. Aside from the richly colored illustrations, many of them full-page, it includes full technical details, information about the artist’s handwritten notes, and the provenance, bibliography, and exhibitions of each individual work. This information is supplemented by commentary, quotes, and comparison images.Subscription price for complete set: € 198.00 per volume. You will be invoiced with each delivery.
£202.50
Hatje Cantz Elisabeth Neudörfl: Out in the Streets
Hong Kong in 2020: It is a medical, economic and, above all, political state of emergency – all at the same time. The complexity of this crisis is difficult to put into words. But it can be expressed in pictures. Elisabeth Neudörfl set off for the lively metropolis to capture the situation on the ground in photographs. She encountered a city deeply marked by protests and its struggle for democracy, the intransigence of power, and the onset of the Covid 19 pandemic. Neudörfl's images were taken, for example, on the demonstration routes and at the universities. Signs of dystopia are everywhere: closed stores, streets without traffic, deserted metro stations. The graffiti alone reflect the conflicts and the changes in the city. With these images, viewers are in a position to form their picture of the catastrophe.
£36.00
Hatje Cantz Julien Guinand: Two Mountains
Social and ecological developments are closely intertwined in our present day. To what extent, however, is usually revealed too late and only at the moment of catastrophe. This is precisely what Julien Guinand’s spectacular documentary photographs show. His camera focuses on two mountain ranges in Japan: the Kii Mountains, on the peninsula of the same name, and the Ashio in northern Tokyo. Both are places that have suffered greatly from man-made climate change, whether through the destructive power of a gigantic typhoon season or the immense stress of industrial copper mining. Guinand has tracked the massive environmental destruction that continues to leave its traces. His pictures are impressive evidence of past disasters, which at the same time open up a warning view of the future.
£30.60
Hatje Cantz Angelika Platen (Bilingual edition): Meine Frauen
For half a century, Angelika Platen has been photographing mainly black and white portraits of artists, including Georg Baselitz, Josef Beuys, Hanne Darboven, Bridget Riley, Marina Abramovi?, Katharina Grosse, and Andy Warhol. Platen’s third monograph, Meine Frauen (My Women), is the first to gather together the female art scene (in an art world still dominated by men). With her unmistakable character studies as part of her photo series, Platen Artists—taken in studios and galleries—and in a congruence of image and work, the artist devotes herself this time exclusively to female visual artists. Here, she shows an exciting, varied, photographic panorama of over one hundred female artists. Languages: German and English
£36.00
Hatje Cantz Beethoven Moves
Ludwig van Beethoven’s universal, unique reception, the epic significance of his music, and the perception of his iconic, stylized personality allow for a vast number of starting points. This book develops a network of interdisciplinary possibilities and associations, opening up room for fascinating thoughts about Beethoven. Paintings by Caspar David Friedrich, William Turner’s sketchbooks, prints by Francisco de Goya and Jorinde Voigt, and sculptures by Auguste Rodin, Rebecca Horn, and John Baldessari are brought into the conversation and set in relation to the music of Beethoven, as well as to the man himself. These works of art are supplemented by a number of voices from around the world: texts that alternate between science and literature, proximity and distance, expertise and fandom. They demonstrate that this incomparable musician continues to move us in very different ways, even 250 years after his birth. Partisipating artists: John Baldessari, Jan Cossiers, Ayşe Erkmen, Caspar David Friedrich, Francisco de Goya, Rebecca Horn, Idris Khan, Anselm Kiefer, Auguste Rodin, Tino Sehgal, J.M.W. Turner, Jorinde Voigt, Guido van der Werve.
£43.20
Hatje Cantz Beethoven bewegt
Ludwig van Beethoven’s universal, unique reception, the epic significance of his music, and the perception of his iconic, stylized personality allow for a vast number of starting points. This book develops a network of interdisciplinary possibilities and associations, opening up room for fascinating thoughts about Beethoven. Paintings by Caspar David Friedrich, William Turner’s sketchbooks, prints by Francisco de Goya and Jorinde Voigt, and sculptures by Auguste Rodin, Rebecca Horn, and John Baldessari are brought into the conversation and set in relation to the music of Beethoven, as well as to the man himself. These works of art are supplemented by a number of voices from around the world: texts that alternate between science and literature, proximity and distance, expertise and fandom. They demonstrate that this incomparable musician continues to move us in very different ways, even 250 years after his birth. Partisipating artists: John Baldessari, Jan Cossiers, Ayşe Erkmen, Caspar David Friedrich, Francisco de Goya, Rebecca Horn, Idris Khan, Anselm Kiefer, Auguste Rodin, Tino Sehgal, J.M.W. Turner, Jorinde Voigt, Guido van der Werve.
£43.20
Hatje Cantz Doyeon Gwon: Flashbulb Memory
Initially, it is the quiet elegance of these photos that fascinates. With his camera the Korean photographer Doyeon Gwon creates concentrated visual worlds of refined clarity. Upon second glance, it is the narrative density of his style that keeps viewers lingering in front of his pictures. The photographs are either planned and arranged in the studio, or are snapshots of the moment. Sometimes Gwon uses the accentuated contrast of black-and-white, and at other times he plays with the delicacy of discreet colors. But what always distinguishes the pictures is the fact that they draw their narratives directly from the photographer’s life and memory. This exquisite book of photographs contains five complete series by this exceptional artist. From Traveller Novice, the series that drew attention to Gwon, to the current study, Bukhansan, this volume provides a comprehensive look at Gwon’s clever and sensual work.
£36.00
Hatje Cantz Alex Katz Catalogue Raisonné: Prints 1947-2022
Before the rise of Pop Art proper, Alex Katz developed an iconic style of figurative painting in the early 1960s— influenced by film, television, and billboard advertising. Seemingly detached and incredibly stylish, he created portraits of the New York scene as well as idyllic landscapes. Printmaking plays an equally central role in Katz’s work. He uses lithographs, etchings, silkscreens, woodcuts and linocuts to reproduce, reflect and further reduce his bold aesthetic, while retaining the radiant color characteristic for his paintings. Since the first edition in 2011, Katz has almost doubled his output of prints—this timely new edition includes his complete prints, cutout editions, artists’ books, and also lists his works of applied art like book illustrations and public art projects. New essays and interviews with the artist give profound insights into the work of one of the foremost American artists of the present.
£133.20
Hatje Cantz Franz Gertsch Bilingual edition
A time of new beginnings
£39.60
Hatje Cantz Clemens Ascher: There is no Release from the Brain Police
What might seem on the surface like pleasing eye candy actually negotiates some of the most relevant and distressing topics of our times. Societal control through generated desires, alienation from nature, and other uncomfortable contemporary truths build the superstructure of Clemens Ascher’s surreal photography. While these constructed scenarios are reminiscent of theatrical stages, his characters always stay tangible but with an uncanny touch. He combines various styles and elements from art history and our collective visual memory to form new contemporary statements. Therefor he often utilizes an exaggerated advertising aesthetic that he contrasts with calm and detached minimalism. For more than seven years Ascher has continued to build this body of work—a world as constructed as the belief systems he satirizes. This book is the first time all his best works are brought together.
£30.60
Hatje Cantz Christian Maillard
When the world was still black and white: the first photo book by the French photographer
£31.50
Hatje Cantz Sean Scully
Scully's early figurative works in dialogue with his abstract oeuvre
£35.00
Hatje Cantz Annemarie Sauzeau: Alighiero Boettis One Hotel
“As I see it, creativity includes things like opening a hotel in Kabul,” explained Alighiero Boetti, and he went on to realize this plan in 1971 on his second stay in Afghanistan, during which he opened the One Hotel with his friend Gholam Dastaghir. The hotel remained open for six years. Annemarie Sauzeau was married to the Italian artist for more than twenty years, and in her personal reminiscence, she recounts Boetti’s time in Kabul, where she occasionally accompanied him. How was it possible to open a hotel in Afghanistan? Who were the hotel guests? What happened on a typical day in the hotel? She also describes the close relationship Boetti had with this country, where he spent at least four weeks twice a year, and which assumed a significant role in his oeuvre.Annemarie Sauzeau is an art critic and writer and currently Director of the Archivio Alighiero Boetti in Rome.
£7.59
Hatje Cantz Bettina Lockemann: Thinking the Photobook: A Practical Guide
The photobook visually and materially contextualizes arrangements of photographs and brings them into a sensually tangible form. The book format, the materiality of the paper, and the type of binding have just as much effect on the viewer as the selection of images, their positioning in the layout, typography, and texts. The artist and theorist Bettina Lockemann provides an approach to the medium from a research perspective: considering the photobook as an independent subject of art studies, phenomenological discussions complement methodological lines of thought. An important contribution to the photobook as an independent field of research, Lockemann elaborates precise terms for analyzing this medium of renditions. Through a practice-based examination of contemporary photobooks, this reader gets to the root of the field of photo books.
£21.60
Hatje Cantz Basquiat: The Modena Paintings
The Show that never Was Numerous publications and exhibitions have examined Jean-Michel Basquiat's extensive oeuvre that consists of more than 3000 works, this catalogue though focuses on eight paintings only: In the summer of 1982, Basquiat traveled to Modena, Italy, for one of his first solo exhibitions in Europe at the gallery of Emilio Mazzoli. Within just a few days, he painted a group of large-format paintings that surpassed his previous work not only in terms of their scale. Each at least two by four meters in size, they mark the transition from graffiti spraying in the streets of Manhattan to painting on canvas. At the same time, they reflect an artist coming into his own. The paintings - including masterpieces that today are considered pivotal and among the most outstanding of his oeuvre - have never been shown together. This catalogue revisits this crucial moment of Basquiat's career some 40 years ago and reunites them for the first time.
£34.20
Hatje Cantz Rainer Fetting: Blumen &
Rainer Fetting achieved international recognition with the “New Wild Ones” in the early 1980s. With its elements of Expressionist painting, his art formed in opposition to the conventions of Abstract and Conceptual Art toward the end of the 1970s is highly topical again today. Fetting’s painting is a significant precursor for the “queer” discourses on gender, identity, the individual, and power that not only shape the works of younger generations in our globalized art world but also current mainstream debates. His “expressive” portraits, cityscapes, and landscapes as well as the still lifes and flower paintings on which this publication focuses capture psychosocial energies that are evident in every painterly decision he makes. Works from four decades are presented here, some of them unpublished, early drawn studies and paintings from the time Fetting was commuting between New York and Berlin the 1980s and 1990s in addition to recent paintings, works on paper, and sculptures. The illustrated book is published in conjunction with the exhibition in the spaces of the Miettinen Collection in Berlin.
£34.20
Hatje Cantz Anni and Josef Albers: By Lake Verea
They were not only two of the outstanding artists of the Bauhaus, but also a well-known couple. Their many famous works and the artists they influenced as teachers and role models bear witness to their life and work. But that is not all, as another ingenious couple literally shows us. The photographer duo Lake Verea has joined forces with the Josef and Anni Albers Foundation to trace the material and intellectual traces of their artistic creativity in their estate. Correspondence with Bauhaus colleagues, tubes of paint and fabric fibers are captured with an extraordinary feel and vividness. Seeing the objects gives wings to the imagination. For inevitably, one sees the hands of the artists at work, who formed their very own contribution to 20th century art history from these objects, conversations and trains of thought.
£21.60
Hatje Cantz Erwin Olaf: Strange Beauty
For his photographs and films, the Dutch photographer Erwin Olaf creates a world that has been staged down to its smallest detail. It seems very similar to ours, but its artificiality give it an enigmatic sense. Still, with their visuals borrowed from the film and advertising industries, the works are only flawlessly striking on the surface; in fact, they deal with questions of democracy, equality, or self-determination. Marking Olaf’s first comprehensive solo exhibition in Germany, the companion publication deals with essential aspects of Olaf’s art and offers an attractive survey of his multifaceted oeuvre from the past forty years. Olaf’s most recent works, some of which were created especially for the exhibition at the Kunsthalle Munich, will also be shown.
£36.00
Hatje Cantz Late Gothic: The Birth of Modernity
Hardly any other epoch in art history has been marked by as many profound changes as the Late Gothic was in the fifteenth century. Inspired by Netherlandish role models, depictions of light and shadow, body and space, became increasingly more realistic. Everyday life found entry into the arts. With the invention of printing, images and texts were distributed to an extent previously unheard of. Artists such as Nicolaus Gerhaert and Martin Schongauer became widely known and influenced the development of the visual arts throughout Europe and across all genres. Featuring a wide selection of works, the Staatliche Museen zu Berlin present the first extensive exhibition of Late Gothic art in the German-speaking regions. Its comparison and contrast of the various genres turns the catalogue into a handbook for the arts at the threshold of the modern era.
£43.20
Hatje Cantz IMAGE BANK 1969 – 1977
Can You Dig It?Digital—even before this word signified research-based proces-sing, its original meaning referred to the fingers. The same goes for the artists Michael Morris and Vincent Trasov, whose Image Bank, founded in 1969, did not consist of ones and zeros but en-tirely of postal handwork. With the intent of a decentralized and network-based circulation and exchange of images, they antici-pated the structures of today’s image databases on the Internet. Moreover, from sending, receiving, and collecting, a multifaceted and expansive oeuvre formed, whose creator is no longer a single person, but a collective movement. Away from established insti-tutions such as museums and galleries, a utopia of non-hierarchi-cal and free exchange of images first took shape here, which has lost nothing of its topicality even from today’s perspective.Exhibition: KW Institute for Contemporary Art, 22.6.–1.9.2019
£31.50
Hatje Cantz More Women in Trees
Climbing up again|The continuation following the great sucess of the first volume
£17.90
Hatje Cantz Fred Herzog: Modern Color
Fred Herzog is known for his unusual use of colour in the fifties and sixties, a time when art photography was almost exclusively associated with black and white imagery. The Canadian photographer worked almost exclusively with Kodachrome slide film for over 50 years, and only in the past decade has technology allowed him to make archival pigment prints that match the exceptional color and intensity of the Kodachrome slide. In this respect, his photographs can be seen as a pre-figuration of the New Color photographers of the seventies.This book will bring together over 230 images, many never before reproduced, and will feature essays by acclaimed authors David Campany and Hans-Michael Koetzle. Fred Herzog will be the most comprehensive publication on this important photographer to date.
£36.00
Hatje Cantz Hiroshi Sugimoto: Time Machine
Magical images that defy time from the grand master of conceptual photography. Through his expansive exploration of the possibilities of still images, the internationally renowned artist and photographer Hiroshi Sugimoto has created some of the most alluringly enigmatic photographs of our time; pictures that are meticulously crafted and deeply thought-provoking, familiar yet tantalisingly ambiguous. Hiroshi Sugimoto: Time Machine is a comprehensive survey of work produced over the past five decades, featuring selections from all of Sugimoto’s major photographic series, as well as lesser-known works that illuminate his innovative, conceptually-driven approach to making pictures. Texts by a collection of international writers, artists and scholars - including Geoffrey Batchen, Edmund de Waal, Mami Kataoka, Ralph Rugoff, Lara Strongman and Margaret Wertheim - will highlight his work’s philosophical yet playful inquiry into the nature of representation and art, our understanding of time and memory, and the paradoxical character of photography as a medium suited to both documenting and invention.
£43.20
Hatje Cantz Ulrich Vogl (Bilingual edition): Cutting the Sky with Scissors
This publication provides a comprehensive overview of Ulrich Vogl’s current artistic practice. The starting point of his work is his fascination with everyday objects and places, their stories and moods. In his works, Vogl either integrates them unchanged, reshapes them, or leaves them only as references. Some of Vogl’s pieces are movable, some work with shadows, sound and projections, often they are cinematic or time-based, low-tech, revealing their mode of production. They are always part of a playful, experimental, and conceptual process, at the end of which is a work reduced to its essentials. The book presents a large amount of what Vogl calls “cognitive catalysts.”
£34.20
Hatje Cantz Lipp & Leuthold: I licked the yellow suit of the sun
The nature of art is—also—a dialectical one. This statement usually tends to apply to the conversation between the work and its viewer. Lipp & Leuthold, however, do not leave it at that but explode the boundaries between painting and sculpture with inexhaustible wit and elan. It begins with the authorship, which must always be considered in the plural, since it involves two artists. From the first to the last detail, they work closely together, blending and complementing each other in unique ways. The resulting openness of the creative process is reflected in the congenial diversity of form and color as well as in their choice of materials. Each piece is evidence of genuine autonomy and a dynamism that electrifies the process of observation. At the same time each work is the product of an accomplished sense of humor that reveals the aesthetic experience as an exciting process of thinking about art and the market, sense and nonsense.
£34.20
Hatje Cantz Armin Mueller-Stahl: Rockets to the Moon
Armin Mueller-Stahl, the internationally famous German actor, has long been known as a gifted poet and painter as well. With this sequel to Der wien Vogel fliegen kann and The Blue Cow, we now have yet another one of his political songs, which the artist combines with expressive painting to produce a powerful, overall work of art. The lyrics were written in the mid-1960s. In strongly rhythmic and onomatopoeic words, Mueller-Stahl protested the insanity of the weapons-dealing, warmongering nations. Accompanied by his compelling, expressive, and inventive visuals, the lyrics and illustration combine to form splendid compositions. A pleasure for both the eyes and ears of all generations.
£25.20
Hatje Cantz Andreas Schmidt The City
£10.71
Hatje Cantz World Press Photo Yearbook 2024
The Images That Matter Independent photojournalism and documentary photography are indispensable tools of political education for a democratic society and an essential part of shaping public opinionespecially in our so-called post-factual' times. In recognition of this, the independent non-profit organization World Press Photo Foundation, based in Amsterdam, has been presenting the World Press Photo Award for the best photo, the best story, the best longterm project of the year for more than six decades. The winning images in the various categories tell bold stories and provide invaluable insights into the state of our world. A photograph by Mohammed Salem for Reuters from the Gaza war is the press photo of the year and also the cover illustration - it shows a Palestinian woman holding her five-year-old niece, who was killed when a missile hit her home in Khan Younis, Gaza, tightly on her lap.
£27.00
Hatje Cantz The Seventh BMW Art Guide by Independent Collectors
The revised and extended BMW Art Guide by Independent Collectors presents more than 270 private collections of contemporary art accessible to the public—featuring large and small, famous and the relatively unknown. Succinct portraits of the collections with countless colour illustrations take the reader to more than 40 countries, often to regions or urban districts that are off-the-beaten-path. This practical guide is a collaborative publication stemming from the partnership between BMW and Independent Collectors, the international online platform for collectors of contemporary art. To date, neither the Internet nor any book has ever contained a comparable assembly of international private collections, including several that have opened their doors to art lovers and connoisseurs for the first time.
£16.20
Hatje Cantz Christine Turnauer
A magnificent volume and a journey through time: This is Christine Turnauer's black and white photo series from 1986, first published in book form. North American indigenous peoples travel thousands of miles to participate in traditional dance contests called powwows. Christine Turnauer visited them from northern Alberta to southern Montana with her mobile studio tent. The result was very authentic and extraordinary portraits. The dancers were completely themselves and when they wear their traditional costumes, it becomes a spontaneous expression of pride and inner freedom. It seems as if they have a connection to their ancestors. What at first glance may seem like the black-and-white photographs of an Edward S. Curtis and other classics of Indian portrait photography of the late 19th and early 20th centuries, is experiencing a new perspective with Turnauer. For the poses are not posed by the photographer, but arise from the active participation of those photographed.
£34.20
Hatje Cantz Xiaowen Zhu. Oriental Silk (bilingual)
Can corporate history be art? This question can only be asked if one is not familiar with the fascinating long-term project by the Chinese artist Xiaowen Zhu. Anyone who has experienced Oriental Silk will answer this question with a clear “yes.” The project’s title is also the name of a company founded in Los Angeles in the early 1970s. Specialising in trading and distributing silks, it was headed for decades by Kenneth Wong and his family. Through her multi-sensory works Zhu opens up a multifaceted view of a firm that is distinguished, like its silk products, through its own haptics, style, colours, and values. The people, places, and stories that make up the phenomenon of Oriental Silk form a fascinating, vivid tapestry in which the past and present, art and life, are closely interwoven.
£36.00
Hatje Cantz Marcel Duchamp (Bilingual edition): Die Erfindung der Gegenwart / Inventing the Presence
Marcel Duchamp: one of his themes was the boundary between works of art and everyday objects, and with it, he set the art world in an uproar. Surely one of his most brilliant strokes of genius was the Fountain, a urinal he put on display. There are, of course, many more works that bear his signature, and the Duchamp Collection in Schwerin has ninety-two of them. Founded in 2009, the research centre has succeeded in establishing an interdisciplinary, globally connected network of researchers in Schwerin. Under the title Marcel Duchamp: Inventing the Presence, individual as well as groups of artworks from the Schwerin collection are examined from philosophical, art historical, and literary perspectives in volume five of the series Poiesis.
£27.00
Hatje Cantz Orlando
If I'd realized what a wonderful photographer you were, and how nice McCalls was about doing a story -- I never would have been the jittery subject I was.-- Jackie Kennedy 1954 (from a letter to Orlando Suero)
£36.00
Hatje Cantz Frank Horvat: Please Don't Smile
A photograph by Frank Horvat always shows a very individual view. Shining in numerous genres, Horvat (*1928 in Abbazia, today’s Opatija, Croatia) likes to transgress boundaries, and he also does not care about the comme il faut in his fashion photographs either: as early as the fifties, he goes out onto the street, brazenly positions a model in the middle of a vegetable market (1959) for Jours de France, or shortly afterwards experiments with boldly cropped motifs or amusing film quotes. In doing so, Horvat mostly dispenses with artificial light and shoots many of his fantastic pictures with a 35mm Leica from the hip, so to speak. He works for Elle, Vogue, Harper’s Bazaar, and other major magazines, with famous models and celebrities, and he is the first photographer ever to use Photoshop for his work. Respect for the portrayed women and palpable endearment distinguish Horvat’s sensual, elegant pictures from those by all other photographers on the fashion scene.
£40.50