Search results for ""Stanford University Press""

As a form of power, subjection is paradoxical. To be dominated by a power external to oneself is a familiar and agonizing form power takes. To find, however, that what "one" is, one's very formation as a subject, is dependent upon that very power is quite another. If, following Foucault, we understand power as forming the subject as well, it provides the very condition of its existence and the trajectory of its desire. Power is not simply what we depend on for our existence but that which forms reflexivity as well. Drawing upon Hegel, Nietzsche, Freud, Foucault, and Althusser, this challenging and lucid work offers a theory of subject formation that illuminates as ambivalent the psychic effects of social power. If we take Hegel and Nietzsche seriously, then the "inner life" of consciousness and, indeed, of conscience, not only is fabricated by power, but becomes one of the ways in which power is anchored in subjectivity. The author considers the way in which psychic life is generated by the social operation of power, and how that social operation of power is concealed and fortified by the psyche that it produces. Power is no longer understood to be "internalized" by an existing subject, but the subject is spawned as an ambivalent effect of power, one that is staged through the operation of conscience. To claim that power fabricates the psyche is also to claim that there is a fictional and fabricated quality to the psyche. The figure of a psyche that "turns against itself" is crucial to this study, and offers an alternative to describing power as "internalized." Although most readers of Foucault eschew psychoanalytic theory, and most thinkers of the psyche eschew Foucault, the author seeks to theorize this ambivalent relation between the social and the psychic as one of the most dynamic and difficult effects of power. This work combines social theory, philosophy, and psychoanalysis in novel ways, offering a more sustained analysis of the theory of subject formation implicit in such other works of the author as Bodies That Matter: On the Discursive Limits of "Sex" and Gender Trouble: Feminism and the Subversion of Identity.

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As a form of power, subjection is paradoxical. To be dominated by a power external to oneself is a familiar and agonizing form power takes. To find, however, that what "one" is, one's very formation as a subject, is dependent upon that very power is quite another. If, following Foucault, we understand power as forming the subject as well, it provides the very condition of its existence and the trajectory of its desire. Power is not simply what we depend on for our existence but that which forms reflexivity as well. Drawing upon Hegel, Nietzsche, Freud, Foucault, and Althusser, this challenging and lucid work offers a theory of subject formation that illuminates as ambivalent the psychic effects of social power. If we take Hegel and Nietzsche seriously, then the "inner life" of consciousness and, indeed, of conscience, not only is fabricated by power, but becomes one of the ways in which power is anchored in subjectivity. The author considers the way in which psychic life is generated by the social operation of power, and how that social operation of power is concealed and fortified by the psyche that it produces. Power is no longer understood to be "internalized" by an existing subject, but the subject is spawned as an ambivalent effect of power, one that is staged through the operation of conscience. To claim that power fabricates the psyche is also to claim that there is a fictional and fabricated quality to the psyche. The figure of a psyche that "turns against itself" is crucial to this study, and offers an alternative to describing power as "internalized." Although most readers of Foucault eschew psychoanalytic theory, and most thinkers of the psyche eschew Foucault, the author seeks to theorize this ambivalent relation between the social and the psychic as one of the most dynamic and difficult effects of power. This work combines social theory, philosophy, and psychoanalysis in novel ways, offering a more sustained analysis of the theory of subject formation implicit in such other works of the author as Bodies That Matter: On the Discursive Limits of "Sex" and Gender Trouble: Feminism and the Subversion of Identity.

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This book explores the appropriation and transformation of classical mythology by French culture from the mid-twelfth century to about 1430. Each of the five chapters focuses on a specific moment in this process and asks: What were the purposes of transforming classical myth? Which techniques did poets use to integrate classical subject matter into their own texts? Was a special interpretive tradition created for vernacular texts? In Chapter 1, the author shows how Latin epic texts were reoriented for political purposes in the twelfth-century Anglo-Norman realm, gaining new depth by the addition of Ovidian elements that evoked threats of a disorder different from the struggles of classical epic. Chapter 2 analyzes the complex use of myth in the thirteenth-century Roman de la Rose, which offers new conjunctions and interpretations of myths related to language, artistic expression, and sexuality. Chapter 3 focuses on the interpretive techniques and vocabulary of the fourteenth-century Ovide moralisé, such as "allegory," "fable," and istoire, arguing that the Christianization of the Metamorphoses created a "new Ovid" in the form of a fourteenth-century friar. Chapter 4 reveals that, although Guillaume de Machaut questioned the usefulness of mythic fables, he turned to them to invoke artistic consolation and ward off threats to his poetic voice. It also describes how Jean Froissart produced new myths by combining existing fables with newly invented elements in an attempt to dramatize the poetic creativity of his age. Finally, Chapter 5 demonstrates how Christine de Pizan offered the full range of medieval possibilities for myth: playing with the mythographic tradition, inscribing herself into Ovidian myths, offering historical explanations, rewriting myths from a pro-woman stance, and finally creating mythic universes of her own.

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“The Declaration of the Rights of Man and the Citizen of 1789” is the French Revolution’s best known utterance. By 1789, to be sure, England looked proudly back to the Magna Carta, the Petition of Right, and a bill of rights, and even the young American Declaration of Independence and the individual states’ various declarations and bills of rights preceded the French Declaration. But the French deputies of the National Assembly tried hard, in the words of one of their number, not to receive lessons from others but rather “to give them” to the rest of the world, to proclaim not the rights of Frenchmen, but those “for all times and nations.” The chapters in this book treat mainly the origins of the Declaration in the political thought and practice of the preceding three centuries that Tocqueville designated the “Old Regime.” Among the topics covered are privileged corporations; the events of the three months preceding the Declaration; blacks, Jews, and women; the Assembly’s debates on the Declaration; the influence of sixteenth-century notions of sovereignty and the separation of powers; the rights of the accused in legal practices and political trials from 1716 to 1789; the natural rights to freedom of religion; and the monarchy’s “feudal” exploitation of the royal domain.

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A mere eighteen months after the Sandinistas came to power in Nicaragua in 1979, Miskitu Indians engaged in a widespread and militant anti-government mobilization. In late 1984, after more than three years of intense conflict, a negotiated transition to peace and autonomy began. This study analyzes these contrasting moments in Nicaraguan ethnic politics, drawing on four years of field research in a remote Miskitu community and in the central town of Bluefields. Fieldwork on both sides of the conflict allows the author to juxtapose Miskitu and Sandinista perspectives, to show how actors on each side understood the same events in radically different ways and how they moved gradually toward reconciliation. Since 1894, Miskitu people have faced an expansionist nation-state and have participated as well in a U.S.-controlled enclave economy and a civil society dominated by U.S. missionaries. The cultural logic of contemporary ethnic conflict, the book argues, can be found in the legacy of Miskitu responses to this dual subordination. While resisting the Nicaraguan state, Miskitu people drew closer to the Anglo-American institutions and worldview. These inherited premises of "Anglo affinity," combined with militant ethnic demands, motivated the post-revolutionary mobilization. Sadinista revolutionary nationalism, in turn, had little tolerance for ethnic militancy, and even less for Anglo affinity. Only with autonomy negotiations did both sides begin to address these underlying causes of the conflict. Though portraying autonomy as a major step toward peaceful conflict resolution and more egalitarian ethnic relations, the nook concludes that this new political arrangement did not, and perhaps could not, fully overcome the contradictions from which it arose. The book offers a critique of existing approaches to ethnic mobilization and to revolutionary nationalism in Central America, putting forward an alternative framework grounded in Gramscian culture theory. This permits a grasp of the combined presence of ethnic militancy and Anglo affinity in the Miskitu people’s consciousness, a previously unexamined key to Miskitu collective action. The same notion of "contradictory consciousness" illuminates the Sadinistas’ thought and practice: They too espoused a determined political militancy fused with assimilationist premises toward Indians, which created contradictions at the core of their egalitarian revolutionary vision.

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Pushkin and Romantic Fashion is about the interpenetration of culture and personality, specifically Alexander I's Russian Empire, a latecomer in post-Napoleonic European history, and Alexsandr Pushkin, virtuoso improvisor yet prisoner of the Golden Age discourses that now bear his name. It focuses on Pushkin's use of the Romantic fragment, especially the link between the fragment and Romantic irony's fundamental and modern questioning of the sources and intentionality of language. In the view of such irony's most eloquent formulator, Friedrich Schlegel, "identity" does not precede speech, but is forged in each improvisational interaction with interlocutor or reader. One finds out who one is by speaking, and all utterances and texts stand in a fragmentary, contingent relation to an accumulating life-text.

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This is an intellectual biography of Gabriel Bonnot de Mably (1709-85), who emerges as a central figure in the history of republican thought in the era of the Enlightenment and the French Revolution. This book has two related aims. The first is to fill an important gap in historical scholarship. Although Mably, whose career as a historian and political theorist stretched from 1740 to the eve of the French Revolution, clearly played a major role in the intellectual history of his era, there has been no study of his life and thought in English for nearly seventy years. At the same time, the book seeks to advance a novel interpretation of Mably's thought. He has most often been portrayed in two sharply contrasted ways, either as one of a handful of utopian communists and a precursor of nineteenth-century socialism, or as a deeply conservative enemy of the Enlightenment. This study sets forth a different reading of Mably's thought, one that shows him to be a classical republican, in the sense this term has acquired in recent years for students of early modern political thought. Mably was the author of the most comprehensive and influential body of republican thought produced in eighteenth-century France—a claim with implications that go beyond the merely biographical. These are explored in a final chapter, which draws some conclusions about the character of classical republicanism in France and about the French contribution to the republican tradition in Europe.

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Realist novels are usually seen as verisimilar representations of the world, and even when that verisimilitude is critically examined (as it has been by Marxist and feminist critics), the criticism has referred to extra-literary matters, such as bourgeois ideology or defects in the portrayal of women. This book takes as its thesis that the point defining realism is the point at which the processes of representation break down, a sort of black hole of textuality, a rent in the tissue. The author argues that our notions of continuity, of readability, of representability, or our ideas about unity and ideological shift—or even our notions of what is hidden, occulted, or absent—all come from the nineteenth-century realist model itself. Instead of assuming representability, the author argues that we should look at places where the texts do not continue the representationalist model, where there is a sudden falling off, an abyss. Instead of seeing that point as a shortcoming, the author argues that it is equal to the mimetic successes of representation. After an initial chapter dealing with the limits and ruptures of textuality, the book considers the work of Stendhal, from its early state as a precursor to the later realism to La Chartreuse de Parme, which shows how the act of communication for Stendhal is always made of silences, gaps, and interruptions. The author then reads several works of Balzac, showing how he, while setting up the praxes of continuity on which his oeuvre depends, ruptures the works at various strategic points. In a chapter entitled "Romantic Interruptions," works of Nerval and the younger Dumas, seemingly unrelated to the realist project, are shown to be marked by the ideological, representational, and semiotic assumptions that produced Balzac. The book concludes with Flaubert, looking both at how Flaubert incessantly makes things "unfit" and how critics, even the most perspicacious postmodern ones, often try to smooth over the permanent crisis of rupture that is the sign of Flaubert's writing.

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Starting from the minimal principle of generative anthropology—that human culture originates as "the deferral of violence through representation"—the author proposes a new understanding of the fundamental concepts of metaphysics and an explanation of the historical problematic that underlies the postmodern "end of culture." Part I begins with the paradoxical emergence of the "vertical" sign from the "horizontal" world of appetite. Two persons reaching for the same object are a minimal model of this emergence; their "pragmatic paradox" can be resolved only by substituting the representation of the object for its appropriation. The nature of paradox and the related notion of irony, as well as the fundamental concepts of being, thinking, and signification, are rethought on the basis of this triangular model, leading to an anthropological interpretation of the origin of philosophy and semiotics in Plato's Ideas. Part I concludes with an exploration of the psychoanalytic categories of the unconscious and the erotic. Part II develops the idea that material exchange originates in the sparagmos or violent rendering of the sacrificial victim from which each participant obtains a roughly equal portion. The dependence of the process on the central victimary figure culminates in the Holocaust, the extermination of the Jews, whose crucial role in Western culture is their rejection of the central image in favor of peripheral exchange. As a result, postmodern dialogue becomes dominated by the rhetoric of victimage, and the culture of centrality gives way to an aesthetic of the marginal.

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This study focuses on the politics of memory in the village of Dachuan in northwest China, in which 85 percent of the villagers are surnamed Kong and believe themselves to be descendants of Confucius. It recounts both how this proud community was subjected to intense suffering during the Maoist era, culminating in its forcible resettlement in December 1960 to make way for the construction of a major hydroelectric dam, and how the village eventually sought recovery through the commemoration of that suffering and the revival of a redefined religion. Before 1949, the Kongs had dominated their area because of their political influence, wealth, and, above all, their identification with Confucius, whose precepts underlay so much of the Chinese ethical and political tradition. After the Communists came to power in 1949, these people, as a literal embodiment of the Confucian heritage, became prime targets for Maoist political campaigns attacking the traditional order, from land reform to the “Criticize Confucius” movement. Many villagers were arrested, three were beheaded, and others died in labor camps. When the villagers were forced to hastily abandon their homes and the village temple, they had time to disinter only the bones of their closest family members; the tombs of earlier generations were destroyed by construction workers for the dam.

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Print and Politics offers a cultural history of a late Qing newspaper, Shibao, the most influential reform daily of its time. Exploring the simultaneous emergence of a new print culture and a new culture of politics in early-twentieth-century China, the book treats Shibao as both institution and text and demonstrates how the journalists who wrote for the paper attempted to stake out a “middle realm” of discourse and practice. Chronicling the role these journalists played in educational and constitutional organizations, as well as their involvement in major issues of the day, it analyzes their essays as political documents and as cultural artifacts. Particular attention is paid to the language the journalists used, the cultural constructs they employed to structure their arguments, and the multiple sources of authority they appealed to in advancing their claims for reform.

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To what extent do newly available case records bear out our conventional assumptions about the Qing legal system? Is it true, for example, that Qing courts rarely handled civil lawsuits—those concerned with disputes over land, debt, marriage, and inheritance—as official Qing representations led us to believe? Is it true that decent people did not use the courts? And is it true that magistrates generally relied more on moral predilections than on codified law in dealing with cases? Based in large part on records of 628 civil dispute cases from three counties from the 1760’s to the 1900’s, this book reexamines those widely accepted Qing representations in the light of actual practice. The Qing state would have had us believe that civil disputes were so “minor” or “trivial” that they were left largely to local residents themselves to resolve. However, case records show that such disputes actually made up a major part of the caseloads of local courts. The Qing state held that lawsuits were the result of actions of immoral men, but ethnographic information and case records reveal that when community/kin mediation failed, many common peasants resorted to the courts to assert and protect their legitimate claims. The Qing state would have had us believe that local magistrates, when they did deal with civil disputes, did so as mediators rather than judges. Actual records reveal that magistrates almost never engaged in mediation but generally adjudicated according to stipulations in the Qing code.

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In the Ming and Qing periods, the Chinese read fiction in editions with extensive commentary printed on the same page as the fiction itself. This commentary was concerned less with helping the reader understand the “letter” of the text than with drawing the reader’s attention to its more notable aspects through emphatic punctuation (similar to our underlining, italics, or highlighting) and evaluative comments. Authors developed four different approaches to the challenges this type of commentary presented: they wrote their own commentary, they modeled aspects of their narrators on fiction commentators, they left space in their texts for readers to compose their own commentaries, or they combined these approaches. This book is the first concerted effort to see how the existence of the commentary tradition affected the development of Chinese fiction. It aims to answer several questions, including: How prevalent were commentary editions of fiction? How important was the commentary in them? Were the comments actually read? What effect did they have on readers and future writers?

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Examining the AIDS pandemic and Japanese A-bomb literature, this book asks the question of how the experience of unimaginable and unrepresentable loss affects the experience and constitution of the social and the discourses of history. It argues that those objects which are presumptively given to thought under the rubrics of “AIDS” and “Hiroshima/Nagasaki” pose an essential threat, in their existentiality, to conceptual thought and, ultimately, to rationality altogether. It therefore argues that any serious thinking about AIDS and nuclear terror must think the essential insufficiency of thought to its putative objects—the insufficiency of “society” to think sociality, the insufficiency of “history” to think historicity. The author first attempts to think the incapacity of every invocation of historical consciousness (or, indeed, of “history” itself) to think the existential historicity of that event which is presumptively not only its object but its ground. Readings of works by Nishida Kitaro, Ota Yoko, and Takenishi Hiroko written in the aftermath of Hiroshima and Nagasaki attempt to mark the limit of historical consciousness. The author then considers erotic sociality in the time of AIDS, specifically as articulated in texts by David Wojnarowicz, focusing on the themes of vulnerability, anonymity, the erotic, and nomadism.

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This book explores, through a series of essays, a set of interrelated elements that define the literary culture of China in the late eighth and early ninth centuries. This period, known as the Mid-Tang, broke with many of the intellectual habits of the “middle period” of Chinese culture and adumbrated many of the characteristics of China in the Song and later periods. The first essay examines “singularity,” representations of identity as an assertion of superiority over others and as an alienation that brings rejection by others. The second essay addresses different ways of representing landscapes, showing the ways in which the underlying order of nature had become a problem in the Mid-Tang. The third essay discusses the tendency to offer hypothetical explanations for phenomena that either run contrary to received wisdom or try to account for situations usually thought not to require explanation. When carried out at the level of pure play, such subjective acts of interpretation are wit, and the fourth essay analyzes playfully inflated interpretations of domestic spaces and leisure activities as a discourse of private valuation, articulated against commonsense values.

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This compelling book uses 103 illustrations to argue that modes of visualizing science have profoundly determined “fetal politics” and the contemporary abortion debates. With its close interplay of visual and verbal texts, it traces both the history of fetal images from the sixteenth century onward (including the classic Life magazine photographs of Lennart Nilsson in 1965) and the consequences of how obstetrical and embryological knowledge was represented over time in Europe—to both specialists and the public—as medical knowledge came to be produced and understood through anatomical observation. As the abortion debates witness, perhaps no flesh is more overdetermined with cultural meaning than the female reproductive body. Language and rhetoric have had an important role in framing the debates and shaping attitudes: “pro-choice” versus “abortion,” “anti-abortion” rather than “pro-life,” “fetus” rather than “baby” or “unborn child,” “uterus” rather than “womb.” How visual modes of representing obstetrical and embryological information, which have similar consequences in forming both public and professional opinion, shape the politics of the abortion debates has until recently received very little attention.

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Beneath the cultural peaks of Ancient Greece lay the basic agricultural economy that made civilization possible. This book studies Greek country life from its earliest beginnings to the recent past, revealing a sequence of geological, geographical, cultural, and economic images spanning some 50,000 years of human settlement and land use.

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In the 1930's and 1940's, the prevalent American view of China was that of a friendly, democratic, and increasingly Christian state, in many ways akin to the United States. This view was fostered by a wide range of literary, political, and business leaders, including Pearl S. Buck, Franklin D. Roosevelt, Wendell Willkie, Joseph Stillwell, Claire Chennault, and most notably, the powerful publisher of Life and Time, Henry R. Luce. This book shows how the notion of the Chinese as aspiring Americans helped shape American opinions and policies toward Asia for almost twenty years. This notion derived less from the reality of Chinese historical or cultural similarities than from a projection of American values and culture; in the American view, fueled by various political, economic, and religious interests, China was less a geographical entity than a symbol of American hopes and fears. One of the more important consequences was the idealization of China and the demonization of Japan.

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Breaking the Codes is a cultural history of the fin-de-siecle that uses the "problem" of the criminal woman to examine both the debates around the appropriate place of women in French society and the ways in which issues of gender were central to the most important cultural transformations of the period. The author asserts that "female criminality" was a code that condensed and obscured larger concerns. For example, to what degree and in what ways did the symbolic overtones of female criminality connect to the substantive issues that appeared over and over again in the stories of women's crime? How were the crimes of domestic violence, infanticide, and abortion interpreted in the context of broader debates about divorce, depopulation, sexuality, and women's roles in the public sphere? What was the role of expert commentary - from the forensic psychiatrist, the criminologist, the legal scholar - in producing a normative code for female behavior? And how did this code accommodate or resist the newly recognized voice of popular opinion and changing notions of citizenship? This study demonstrates both the inadequacy of the categories of public and private as they have been conventionally used to segregate the subjects of historical inquiry and the artificiality of the boundaries between high and low culture. Instead, it moves between domestic life and public courtrooms, between social science literature and popular journalism, analyzing the complex responses to female crime among different constituencies and through different genres. In so doing, the author sheds light on various overlapping processes of cultural negotiation in a period of profound change.

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This study examines the emergence and evolution in China of a tradition of popular organization generally known under the rubric of “secret society.” The author suggests that the secret society is properly understood as one variety of the “brotherhood association,” a category that encompasses a range of popular fraternal organizations that flourished in the early and mid-Qing period. The book begins by describing the proliferation of brotherhood associations in the seventeenth and eighteenth centuries, particularly in Southeast China. It concludes in the early nineteenth century, as the Qing suppression of the Lin Shuangwen rebellion in late 1780’s forced members of the best-known brotherhood association, the Heaven and Earth Society (Tiandihui) to flee their homes in the Southeast, taking refuge in other parts of South China and Southeast Asia and, eventually, in Chinatowns throughout the world. This episode set the stage for the violent nineteenth-century confrontations between the Qing state and the secret societies.

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This is a wide-ranging inquiry into the forces that define the nations of North America and that, through convergence, are bringing North America's peoples and institutions closer together. These socio-cultural and regional forces form a web of factors that goes beyond trade and investment policy to articulate each nation's sense of identity through its history, values, and practices. Can some sort of functional community emerge from these disparate identities? Are there fresh opportunities for cooperation to be found in North America's value structures, social groupings, and institutions? If so, what are the costs and the benefits that might accompany interactions that touch upon each nation's culture and sense of self? Since no book at this early stage of continental consciousness can or should aspire to be definitive, this inquiry - by thirteen scholars from Canada, Mexico, and the United States - is an attempt to assess the dynamics of identities and to seek out ways in which the three nations can become more comfortable with their collective future on the continent. The book's underlying premise is not the inevitability of community in North America, but its possibility.

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The articulation of the unsayable, of negativity—that which has been excluded by what is sayable—is one of the most important areas of contemporary humanistic study. This volume brings together fifteen outstanding literary theorists and philosophers to examine ways to make the unsayable tangible.

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What does it mean to oppose AIDS, to be at odds with AIDS? What kind of rupture with history does AIDS represent? How does AIDS and what is said about AIDS relate to gay identity? How does AIDS relate to thinking and acting, particularly deconstructive thinking? The author confronts these questions from a broad philosophical background that ranges from Kant, Nietzsche, Kierkegaard, and Heidegger to contemporary thought concerning gay activism and AIDS research, all brought together in an effort to find a philosophical language capable of doing justice to the singularity of lived experience in the shadow of AIDS. In examining what AIDS reveals about the conditions of existence, García Düttmann develops the idea of the “dis-unity” or “at-odds-ness” of existence, of the “non-belonging” that characterizes the marginalized, outcast, or abandoned, and exposes human existence itself. He analyzes what AIDS reveals about the character of history through two intertwined issues. First, he examines arguments bearing on the epochal significance of AIDS, the idea that AIDS reveals something uniquely characteristic of our time, hence that the epidemic marks a historical caesura. Second, he develops a theory of historical witnessing suggesting that the phenomena of historical event and bearing witness are not at all separate, but instead are co-originary, inhering in the same complex.

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Bringing local history to bear on major questions in Chinese social history and anthropology, this volume comprises a series of historical and ethnographic studies of the Pearl River Delta from late imperial times through the 1940's. The delta is a rich and socially complex area of south China, and the contributors - scholars from the People's Republic of China, Hong Kong, the United Kingdom, and the United States - have long-standing ties to the region. The contributors argue that local society in the Delta was integrated into the Chinese state through a series of changes that involved constant redefinition of lineages, territories, and ethnic identities. The emergence of lineages in the Ming and Qing dynasties, the deployment of deities in local alliances, and the shrewd use of ethnic labels provided terms for a discourse that reified the criteria for membership in Chinese local society. The ideology produced by these developments continued to serve as the norm for the legitimization of power in local society through the Republican period. In reconstructing the 'civilizing process' in the Delta, whereby local inhabitants, both elites and commoners, used symbolic and instrumental means to become part of Chinese culture and polity, the book confronts a central question in history and anthropology: How do we conceptualize the historical development of a state agrarian society with hierarchies of power and authority, attachment to which is both unifying and diversifying?

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This is an annotated and copiously illustrated edition of 24 baseball stories by Ring W. Lardner, including the six classic stories later collected as You Know Me Al. Two-thirds of the stories describe real teams, real players, and real situations, and the annotation and illustrations serve to identify the references of early twentieth-century major league baseball that Lardner covered as a reporter.

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This is a pioneering attempt to rearticulate the relationship between music and the problems of mimesis, between presentation and re-presentaion. Four "scenes" comprise the book, all four of them responses to Wagner: two by French poets (Baudelaire and Mallarme), two by German philosophers (Heidegger and Adorno). It is dificult to realize how profoundly Wagner affected the cultural and ideological sensibilities of the nineteenth century. Wagnerism rapidly spread throughout Europe, partly because of Wagner's propagandizing talent and the zeal of his adherents. But the main reason for his ascendance was the sudden appearance of what the century had desperately tried to produce since the beginnings of Romanticism - a work of art on the scale of great Greek and Christian art. At last, here it was: the secret of what Hegel called the "religion of art" rediscovered. The first two scenes of the book present a historical sequence that is punctuated by the Franco-Prussian War and the Paris Commune, in which the universal unbridling of nations and classes is prefigured. The second two register certain effects of Wagnerism that are not just ideological but make themselves felt in a new political configuration of the "national" and the "social."

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This is a collection of four essays on aesthetic, ethical, and political issues by Dieter Henrich, the preeminent Kant scholar in Germany today. Although his interests have ranged widely, he is perhaps best known for rekindling interest in the great classical German tradition from Kant to Hegel. The first essay summarizes Henrich's research into the development of the Kant's moral philosophy, focusing on the architecture of the third Critique. Of special interest in this essay is Henrich's intriguing and wholly new account of the relations between Kant and Rousseau. In the second essay, Henrich analyzes the interrelations between Kant's aesthetics and his cognitive theories. His third essay argues that the justification of the claim that human rights are universally valid requires reference to a moral image of the world. To employ Kant's notion of a moral image of the world without ignoring the insights and experience of this century requires drastic changes in the content of such an image. Finally, in Henrich's ambitious concluding essay, the author compares the development of the political process of the French Revolution and the course of classical German philosophy, raise the general question of the relation between political processes and theorizing, and argues that both the project of political liberty set in motion by the French Revolution, and the projects of classical German philosophy remain incomplete.

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This book explores desire between women as a form of "spiritual materialism" in writings by Luce Irigaray, Charlotte Brontë, and George Eliot. To begin with the study's underlying paradox, "spiritual materialism": the author wishes to understand why the act of grasping materialities—a sob in the body or the body itself—has so often required a spiritual discourse; why materialism, as a way of naming matter-on-its-own-terms, and material relations that still lie submerged, hidden from view, evoke the shadowy forms we call "spiritual."

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A systematic account of Brazil's historical development from 1798 to 1852, this book analyses the process that brought the sprawling Portuguese colonies of the New World into the confines of a single nation-state.

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A monumental achievement of scholarship, this volume on the Nahua Indians of Central Mexico (often called Aztecs) constitutes our best understanding of any New World indigenous society in the period following European contact. Simply put, the purpose of this book is to throw light on the history of Nahua society and culture through the use of records in Nahuatl, concentrating on the time when the bulk of the extant documents were written, between about 1540-50 and the late eighteenth century. At the same time, the earliest records are full of implications for the very first years after contact, and ultimately for the preconquest epoch as well, both of which are touched on here in ways that are more than introductory or ancillary.

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The Tale of Genji and The Tale of the Heike are the two major works of classical Japanese prose. The complete versions of both works are too long to be taught in one term, and this abridgement answers the need for a one-volume edition of both works suitable for use in survey courses in classical Japanese literature or world literature in translation and by the general reader daunted by the complete works. The translator has selected representative portions of the two texts with a view to shaping the abridgments into coherent, aesthetically acceptable wholes. Often called the world's earliest novel, The Tale of Genji, by Murasaki Shikibu, is a poetic evocation of aristocratic life in eleventh-century Japan, a period of brilliant cultural efflorescence. This new translation focuses on important events in the life of its main character, Genji. It traces the full length of Genji's relationship with Murasaki, the deepest and most enduring of his emotional attachments, and contains all or parts of 10 of the 41 chapters in which Genji figures, including the "Broom Tree" chapter, which provides a reprise of the themes of the book. In romanticized but essentially truthful fashion, The Tale of the Heike describes the late twelfth-century political intrigues and battlefield clashes that led to the eclipse of the Kyoto court and the establishment of a military government by the rival Minamotho (Genji) clan. Its underlying theme, the evanescence of worldly things, echoes some of the concerns of the Genji, but its language preserves many traces of oral composition, and its vigor and expansivelness contrast sharply with the pensive, elegant tone of the Genji. The selections of the Heike, about 40 percent of the owrk, are taken from the translator's complete edition, which received great acclaim: "this verison of the Heike is superb and indeed reveals to English-language readers for the first time the full scope, grandeur, and literary richness of the work."—Journal of Asian Studies For both the Genji and the Heike abridgments, the translator has provided introductions, headnote summaries, adn other supplementary maerials designed to help readers follow the sometimes confused story lines and keep the characters straight. The book also includes an appendix, a glossary, a bibliography, and two maps.

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This masterful, richly illustrated account of the planning and building of the most important and influential early American railroad, the Baltimore and Ohio, is an essential contribution not only to railyway history but also to the broader history of the development of the United States in the first half of the nineteenth century. There was no precedent for the building of the B&O. The construction of the 380-mile line from Baltimore to the Ohio River over a period of 25 years is an epic story of astute planning and innovative engineering that overcame many formidable obstacles, notably the arduous traversing of 200 miles of mountain wilderness. Its successful inauguration provided a spur to internal improvements throughout the United States. Railroads, and certainly the B&O, epitomized progress, not only in the development and extension of the Western frontier but in the revelation that personal travel and the delivery of freight could be dramatically faster, better, and cheaper. The railroad deeply affected the development of Baltimore's port, industry, and urban geography, as well as its financial, educational, and cultural institutions. George Peabody, Enoch Pratt, William Walters, and Johns Hopkins—the city's most prominent philanthropists—were involved with the B&O, some intimately; the Johns Hopkins University was founded on B&O Railroad stock. The B&O also contributed by aiding in the growth of the state's iron and coal industries. The B&O came to be called "the Railroad University of the United States." Its civil engineers formed the core of the railroad engineering profession in America. The company's annual reports during the building of the line were, according to the American Railroad Journal in 1835, "a textbook and their road and workshops have been as a lecture room to thousands." Throughout, the author highlights the many types of men who were involved in that history: promoters, financiers, politicians, lawyers, newspaper editors, fixers and bagmen, civil engineers, inventors and mechanics, foremen, contractors, and feuding Irish laborers, who together built the first long-distance, general-purpose railroad in the United States. The book is illustrated with 80 photographs and drawings and 5 maps.

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This is a history of the California prison movement from 1950 to 1980, focusing on the San Francisco Bay Area's San Quentin State Prison and highlighting the role that prison reading and writing played in the creation of radical inmate ideology in those years. The book begins with the Caryl Chessman years (1948-60) and closes with the trial of the San Quentin Six (1975-76) and the passage of California's Determinate Sentencing Law (1977). This was an extraordinary era in the California prisons, one that saw the emergence of a highly developed radical convict resistance movement inside prison walls. This inmate groundswell was fueled at times by remarkable individual prisoners, at other times by groups like the Black Muslims or the San Quentin chapter of the Black Panther Party. But most often resistance grew from much wider sources and in quiet corners: from dozens of political study groups throughout the prison; from an underground San Quentin newspaper; and from covert attempts to organize a prisoners' union. The book traces the rise and fall of the prisoners' movement, ending with the inevitably bloody confrontation between prisoners and the state and the subsequent prison administration crackdown. The author examines the efforts of prison staff to augment other methods of inmate management by attempting to modify convict ideology by means of "bibliotherapy" and communication control, and describes convict resistance to these attempts as control. He also discusses how Bay Area political activists became intensely involved in San Quentin and how such writings as Chessman's Cell 2455, Cleaver's Soul on Ice, and Jackson's Soledad Brother reached far beyond prison walls to influence opinion, events, and policy.

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This pathbreaking work argues that the major intellectual trend in China from the seventeenth through the early nineteenth century was Confucian ritualism, as expressed in ethics, classical learning, and discourse on lineage. Reviews "Chow has produced a work of superb scholarship, fluently written and beautifully researched. . . . One of the landmarks of the current reconstruction of the social philosophy of the Qing dynasty. . . . Chow's book is indispensable. It has illuminating analyses of many mainstream writers, institutions, and social categories in eighteenth-century China which have never previously been examined." —Canadian Journal of History "Chow's monograph moves ritual to center stage in late imperial social and intellectual history, and the author makes a powerful case for doing so. . . . Because the author understands the intellectual history of late Ming and Qing as the history of a movement, or successive movements, of fundamental social reform, he has also made an important contribution to social and political history as these were related to intellectual history." —Journal of Chinese Religion "Chow's book is an excellent contribution to recent scholarship on the intellectual history of the Confucian tradition and provides a balance for other studies that have emphasized ideas to the exclusion of symbols." —The Historian

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This collection of seventeen essays deals with the metaphysical, as opposed to the moral issues pertaining to death. For example, the authors investigate (among other things) the issue of what makes death a bad thing for an individual, if indeed death is a bad thing. This issue is more basic and abstract than such moral questions as the particular conditions under which euthanasia is justified, if it is ever justified. Though there are important connections between the more abstract questions addressed in this book and many contemporary moral issues, such as euthanasia, suicide, and abortion, the primary focus of this book is on metaphysical issues concerning the nature of death: What is the nature of the harm or bad involved in death? (If it is not pain, wha is it, and how can it be bad?) Who is the subject of the harm or bad? (if the person is no longer alive, how can he be the subject of the bad? An if he is not the subject, who is? Can one have harm with no subject?) When does the harm take place? (Can a harm take place after its subject ceases to exist? If death harms a person, can the harm take place before the death occurs?) If death can be a bad thing, would immorality be a desirable alternative? This family of questions helps to fram ethe puzzle of why—and how—death is bad. Other subjects addressed include the Epicurean view othat death is not a misfortune (for the person who dies); the nature of misfortune and benefit; the meaningulness and value of life; and the distinction between the life of a person and the life of a living creature who is not a person. There is an extensive bibiography that includes science-fiction treatments of death and immorality.

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This timely work shows how and why the dramatic collapse of the Soviet Union was caused in large part by nationalism. Unified in their hostility to the Kremlin's authority, the fifteen constituent Union Republics, including the Russian Republic, declared their sovereignty and began to build state institutions of their own. The book has a dual purpose. The first is to explore the formation of nations within the Soviet Union, the policies of the Soviet Union toward non-Russian peoples, and the ultimate contradictions between those policies and the development of nations. The second, more general, purpose is to show how nations have grown in the twentieth century. The principle of nationality that buried the Soviet Union and destroyed its empire in Eastern Europe continues to shape and reshape the configuration of states and political movements among the new independent countries of the vast East European-Eurasian region.

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First published in 1987, this rich variety of essays confronts the changes in theories of the text and textuality that have seen a shift in focus from the author as a controlling agent to the scene of writing itself and the historical forces that produce that scene.

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This work is an important addition to the rather limited literature on the social history of China during the first half of the twentieth century. It draws on abundant sources and studies which have appeared in the People's Republic of China since the early 1980s and which have not been systematically used in Western historiography. China has undergone a series of fundamental political transformations: from the 1911 Revolution that toppled the imperial system to the victory of the communists, all of which were greatly affected by labor unrest. This work places the politics of Chinese workers in comparative perspective and a remarkably comprehensive and nuanced picture of Chinese labor emerges from it, based on a wealth of primary materials. It joins the concerns of 'new labor history' for workers' culture and shopfloor conditions with a more conventional focus on strikes, unions, and political parties. As a result, the author is able to explore the linkage between social protest and state formation.

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Founded in 1794 as a frontier city on the Black Sea, Odessa soon grew to be one of Russia's busiest seaports. Settlers of all nationalities went there to seek their fortune, among them Jews who came to form one of the largest, wealthiest, and most culturally fertile Jewish communities in Europe. This history of Jewish Odessa traces the rise of that community from its foundation in 1794 to the pogroms of 1881 that erupted after the assassination of Alexander II. Zipperstein emphasizes Jewish acculturation: changes in behavior, attitude, and ideology as reflected in schools, synagogues, newspapers, and other institutions of the period. The patterns set then affected the community's cultural development well into the second decade of the twentieth century. More a modern metropolis than any other Russian city with a significant Jewish population, Odessa offers a window into the diversity of Russian Jewish experience.

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The idea of abolishing death was one of the most influential myth-making concepts expressed in Russian literature from 1900 to 1930, especially in the works of writers who attributed a "life-modeling" function to art. To them, art was to create a life so aesthetically organized and perfect that immortality would be an inevitable consequence. This idea was mirrored in the thought of some who believed that the political revolution of 1917 would bring about a revolution in basic existential facts: specifically, the belief that communism and the accompanying advance of science would ultimately be able to bestow physical immortality and to resurrect the dead. According to one variant, for example, the dead were to be resurrected by extrapolation from the traces of their labor left in the material world. The author finds the seeds of this extraordinary concept in the erosion of traditional religion in late-nineteenth-century Russia. Influenced by the new power of scientific inquiry, humankind appropriated various divine attributes one after the other, including omnipotence and omniscience, but eventually even aiming toward the realization of individual, physical immortality, and thus aspiring to equality with God. Writers as different as the "decadent" Fyodor Sologub, the "political" Maxim Gorky, and the "gothic" Nikolai Ognyov created works for making mortals into gods, transforming the raw materials of current reality into legend. The book first outlines the ideological context of the immortalization project, notably the impact of the philosophers Fyodorov and Solovyov. The remainder of the book consists of close readings of texts by Sologub, Gorky, Blok, Ognyov, and Zabolotsky. Taken together, the works yield the "salvation program" that tells people how to abolish death and live forever in an eternal, self-created cosmos—gods of a legend that was made possible by creative artists, imaginative scientists, and inspired laborers.

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This is the untold story of the small group of men who have devised the plans and shaped the policies on how to use the Bomb. The book (first published in 1983) explores the secret world of these strategists of the nuclear age and brings to light a chapter in American political and military history never before revealed.

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What can reason (or more broadly, thinking) do for us and what can't it do? This is the question examined by Herbert A. Simon, who received the 1978 Nobel Prize in Economic Sciences "for his pioneering work on decision-making processes in economic organizations." The ability to apply reason to the choice of actions is supposed to be one of the defining characteristics of our species. In the first two chapters, the author explores the nature and limits of human reason, comparing and evaluating the major theoretical frameworks that have been erected to explain reasoning processes. He also discusses the interaction of thinking and emotion in the choice of our actions. In the third and final chapter, the author applies the theory of bounded rationality to social institutions and human behavior, and points out the problems created by limited attention span human inability to deal with more than one difficult problem at a time. He concludes that we must recognize the limitations on our capabilities for rational choice and pursue goals that, in their tentativeness and flexibility, are compatible with those limits.

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The discipline of rhetoric—adapted through a wide range of reformulations to the specific requirements of Greek, Roman, Medieval, and Renaissance societies—dominated European education and discourse, whether public or private, for more than two thousand years. The end of classical rhetoric's domination was brought about by a combination of social and cultural transformations that occurred between the seventeenth and ninteenth centuries. Concurrent with the "theory boom" of recent decades, rhetoric has reappeared as a center of discussion in the humanities and social sciences. Rhetorical inquiry, as it is thought and practiced today, occurs in an interdisciplinary matrix that touches on philosophy, linguistics, communication studies, psychoanalysis, cognitive science, sociology, anthropology, and political theory. Rhetoric is now an area of study without accepted certainties, a territory not yet parceled into topical subdivisions, a mode of discourse that adheres to no fixed protocols. It is a noisy field in the cybernetic sense of the term: a fertile ground for creative innovation. This volume embodies the interdisciplinary character of rhetoric. The essays draw on wide-ranging conceptual resources, and combine historical, theoretical, and practical points of view. The contributors develop a variety of perspectives on the central concepts of rhetorical theory, on the work of some of its major proponents, and on the breaks and continuities of its history. The spectrum of thematic concern is broad, extending from the Greek polis to the multi-ethnic city of modern America, from Aristotle to poststructuralism, from questions of figural language to problems of persuasion and interaction. But a common interdisciplinary interest runs through all the essays: the effort to rethink rhetoric within the contemporary epistemological situation. In this sense, the book opens new possiblities for research within the human sciences.

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Alexander Pushkin (1799-1837) is best known for his great achievments in poetry, but the fixtion he wrote in the last decade of his life was to have a tremendous impact on the subsequent development of Russian prose, influencing such later writers as Gogol, Dostoevsky, and Tolstoy. This is a new translation of all his prose fiction, from his famous story "The Queen of Spades" down to unfinished stories and fragments that appear in English for the first time. Pushkin's non-fictional A History of Pugachev, also translated into English for the first time, is included because it furnished the historical background of his novel The Captain's Daughter. The translator has taken care to achieve a balance between faithfulness to the original and readability in English, and several Russian editions have been collated to establish an accurate text. The translations are annotated to place each work in its historical context, and to eluvidate passages not easily understandable to today's reader. Appendixes present a chapter that Pushkin deleted from The Captain's Daughter; fictional fragments; Pushkin's outlines of projected works; and the apocryphal novella The Lonely Cottage on Vasilev Island.

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By articulating a general theory of crime and related behavior, the authors present a new and comprehensive statement of what the criminological enterprise should be about. They argue that prevalent academic criminology—whether sociological, psychological, biological, or economic—has been unable to provide believable explanations of criminal behavior. The long-discarded classical tradition in criminology was based on choice and free will, and saw crime as the natural consequence of unrestrained human tendencies to seek pleasure and to avoid pain. It concerned itself with the nature of crime and paid little attention to the criminal. The scientific, or disciplinary, tradition is based on causation and determinism, and has dominated twentieth-century criminology. It concerns itself with the nature of the criminal and pays little attention to the crime itself. Though the two traditions are considered incompatible, this book brings classical and modern criminology together by requiring that their conceptions be consistent with each other and with the results of research. The authors explore the essential nature of crime, finding that scientific and popular conceptions of crime are misleading, and they assess the truth of disciplinary claims about crime, concluding that such claims are contrary to the nature of crime and, interestingly enough, to the data produced by the disciplines themselves. They then put forward their own theory of crime, which asserts that the essential element of criminality is the absence of self-control. Persons with high self-control consider the long-term consequences of their behavior; those with low self-control do not. Such control is learned, usually early in life, and once learned, is highly resistant to change. In the remainder of the book, the authors apply their theory to the persistent problems of criminology. Why are men, adolescents, and minorities more likely than their counterparts to commit criminal acts? What is the role of the school in the causation of delinquincy? To what extent could crime be reduced by providing meaningful work? Why do some societies have much lower crime rates than others? Does white-collar crime require its own theory? Is there such a thing as organized crime? In all cases, the theory forces fundamental reconsideration of the conventional wisdom of academians and crimina justic practitioners. The authors conclude by exploring the implications of the theory for the future study and control of crime.

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The author presents a convincing new interpretation of the origins and nature of the agrarian crisis that gripped the North China Plain in the two centuries before the Revolution. His extensive research included eighteenth-century homicide case records, a nineteenth-century country government archive, large quantities of 1930's Japanese ethnographic materials, and his own field studies in 1980. Through a comparison of the histories of small family farms and larger scale managerial farms, the author documents and illustrates the long-term trends of agricultural commercialization, social stratification, and mounting population pressure in the peasant economy. He shows how those changes, in the absence of dynamic economic growth, combined over the course of several centuries to produce a majority, not simply of land-short peasants or of exploited tenants and agricultural laborers, but of poor peasants who required both family farming and agricultural wage income to survive. This interlocking of family farming with wage labor furnished a large supply of cheap labor, which in turn acted as a powerful brake of capital accumulation in the economy. The formation of such a poor peasantry ultimately altered both the nature of village communities and their relations with the elites and the state, creating tensions that led in the end to revolution.

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What goes into the translating of a poem? Usually that process gets forgotten once the new poem stands intact in translation. Yet a verse translation derives from historical, biographical, and philosophical research, interpretive analysis of the original poem, and continuous linguistic and prosodic choices that parallel those the poet made. Taking as a text Pablo Neruda's brilliant prophetic sequence Alturas de Macchu Picchu (1945), the author here re-creates the entire process of translation, from his first encounter with the poem to the last shaping of a phrase that may never come right in English. This many-faceted book forms an essay on the theory and practice of literary translation, a study of Neruda's career through 1945, and an interpretation of his major poem, all of which lead to a striking new poem in English, Heights of Macchu Picchu, printed along with the original Spanish. This genesis of a verse translation also includes little-known biographical data, hitherto untranslated poems and prose from the years 1920 to 1945, and new translations of key poems from Neruda's Residence on Earth and Spain in My Heart.

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"It's not what she said, it's the way that she said it," is a complaint we have all heard (or made) some time or another. What does it refer to? It obviously relates to the various forms of wordless communication, but especially to the speaker's use of intonation—the rise and fall of the pitch of the voice—to convey sarcasm or resignation, anger or apprehension, or any of scores of other moods. In this summation of over forty years of investigation and reflection, the author analyzes the nature, variety and utility of intonation, using some 700 examples from everyday English speech. The work looks at both accent (pitch shift that points up individual words) and overall configurations (melodies that shape the meaning of whole sentences). It shows that most easily understood utterances employ one or another of a surprisingly small stock of basic melodies, and it shows both intonation and visible gesture to be parts of a larger complex that conveys grammatical as well as emotional information. Though it is one of the major divisions of the science of linguistics, intonation is of great interest to others outside of linguistics—to actors and lawyers who must use the voice to assert, to downplay, or to emote; to English teachers as an essential ingredient of idiomatic speech; to musicians for its many common elements in music theory; and to psychologists and anthropologists as a gauge of emotional tension and a clue to behavior.

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