Search results for ""Stanford University Press""

In this, one of the last published books planned by one of the major cultural philosophers of our time, Lyotard addresses, in his powerful and allusive critical voice, Malraux's reflections on art and literature. The result, more than a sequel to Lyotard's acclaimed biography Signé Malraux, tells us as much about Lyotard and his critical concerns as it does about Malraux. It gives us Lyotard's final thoughts on his long study of the critical, disruptive possibilities of art and of the relation between aesthetics and politics. At first glance, Lyotard's sympathetic and generous analysis of Malraux might be surprising to some, for Malraux's metaphysics of art seems far removed from, if not diametrically opposed to, Lyotard's postmodern, experimental approach. But this is perhaps the book's greatest achievement, for Lyotard succeeds both in giving a compelling critical reading of Malraux (and through him of an entire era of art criticism) and in presenting, complicating, and developing his own position on art and aesthetics. In order to present Lyotard's exquisitely compact style in the best possible way, the original French text appears on facing pages with the English translation.

Read more less

This book focuses on local bossism, a common political phenomenon where local power brokers achieve monopolistic control over an area's coercive and economic resources. Examples of bossism include Old Corruption in eighteenth-century England, urban political machines in the United States, caciques in Latin America, the Mafia in Southern Italy, and today's gangster politicians in such countries as India, Russia, and Thailand. For many years, the entrenchment of numerous provincial warlords and political clans has made the Philippines a striking case of local bossism. Yet writings on Filipino political culture and patron-client relations have ignored the role of coercion in shaping electoral competition and social relations. Portrayals of a "weak state" captured by a landed oligarchy have similarly neglected the enduring institutional legacies of American colonial rule and the importance of state resources for the accumulation of wealth and power in the Philippines. The author, by contrast, argues that the roots of bossism in the Philippines lie in the inauguration of formal democratic institutions at a relatively early stage of capitalist development. Poverty and insecurity leave many voters vulnerable to clientelist, coercive, and financial pressure, and the state's central role in capital accumulation provides the basis for local bosses' economic empires and political machines. These contradictions have encouraged bossism in the Philippines, as well as in other countries. The book elaborates these arguments through case studies of bosses in two Philippine provinces, Cavite and Cebu. The contrast between single-generation gangster politicians in Cavite and enduring commercial dynasties in Cebu reveals variation in the forms of bossism that reflect variations in the local political economies of the two provinces. Comparisons between bosses over successive historical periods highlight the gradual transformation of bossism through capitalist development. In sum, Capital, Coercion, and Crime provides a comparative historical analysis of bossism, drawing conclusions of great interest not only to scholars of Southeast Asia but to students of comparative politics as well.

Read more less

Since the Weimar era, German cinema has played a leading role in the innovation of gay and lesbian cinema, with the tantalizing sexual illegibility and gender instability of German films of the 1920s anticipating the queer sensibilities of the 1990s. From such cross-dressing Weimar comedies as Viktor und Victoria to the transgender fantasies of Ulrike Ottinger, Monika Treut, and Hans Scheirl, this filmic tradition explores the unconventional erotic, its directors inventing a visual language that goes beyond the trivialization and sensationalism of mainstream representations of gays and lesbians. This cinema crosses the boundaries between such classifications as male and female, gay and bisexual, normal and pathological, insisting that such transgressions cannot be entirely tamed, regulated, or closeted. Previous scholarship, reading this national cinema as sociopolitical commentary, has tended to ignore what falls outside a realist, hetero-normative paradigm. In this book, the author aims to rectify this neglect by rewriting German cinematic history queerly. She reexamines the Nazi movie star Zarah Leander via her gay fandom, showing how this actress haunts the drag performance of femininity in the films of Rainer Werner Fassbinder. She argues not only for the persuasiveness of the gay underground in the New German Cinema but also for cinema's pivotal role in German gay liberation. Other topics include the queering of nationality in the films of Monika Treut and Rosa von Praunheim, the fetishistic medium of experimental filmmaking in the works of Michael Brynntrup and Matthias Müller, and the androgynous appeal of "dyke noir animation." In conclusion, The Queer German Cinema juxtaposes the voices of several German filmmakers as they reflect on their art in terms of a counter-politics.

Read more less

Studying a range of writers, genres, and disciplines, this book interrogates the status of geopolitics as a powerful twentieth-century fiction. The first part argues, through a reading of anarchist and imperialist geographers, that geopolitics emerged as a pseudoscience from the breakdown of nineteenth-century ideas of culture. The book’s second part addresses the fate of the European hypothesis of culture, beginning with a chapter that studies the novels of Wilkie Collins within the historical context of democratic reform and the formalization of Empire. The next chapter finds, in the affinities between Olive Schreiner and Friedrich Nietzsche, a shared diagnosis of the nihilist positivism and eurocentrism of the culture hypothesis. The third part examines the relation between the utopian globalism of international socialism and the geopolitical dystopia of world war. One chapter delineates the geography of politics in the 1890s through the medium of R. B. Cunninghame Graham’s political journalism and early modernist sketch-artistry. The final chapter traces the meaning of “sabotage” from its anarcho-syndicalist origins to its geopolitical significance in early films of Alfred Hitchcock. Charting the contours of the long turn of the century, from 1860 to 1940, the book moves back and forth from Victorian to modernist fields of study to show how the nineteenth-century European hypothesis of culture haunts the twentieth-century fiction of geopolitics.

Read more less

Language and culture are often seen as unique characteristics of human beings. In this book the author argues that our ability to use a wide array of emotions evolved long before spoken language and, in fact, constituted a preadaptation for the speech and culture that developed among later hominids. Long before humans could speak with words, they communicated through body language their emotional dispositions; and it is the neurological wiring of the brain for these emotional languages that represented the key evolutionary breakthrough for our species. How did natural selection work on the basic ape anatomy and neuroanatomy to create the hominid line? The author suggests that what distinguished our ancestors from other apes was the development of an increased capacity for sociality and organization, crucial for survival on the African savanna. All apes display a propensity for weak ties, individualism, mobility, and autonomy that was, and is today, useful in arboreal and woodland habitats but served them poorly when our ancestors began to move onto the African plain during the late Miocene. The challenge for natural selection was to enhance traits in the species that would foster the social ties necessary for survival in the new environment. The author suggests that the result was a development of certain areas of the primate brain that encouraged strong emotional ties, allowing our ancestors to build higher levels of social solidarity. Our basic neurological wiring continues to reflect this adaptive development. From a sociological perspective that is informed by evolutionary biology, primatology, and neurology, the book examines the current neurological bases of our emotional repertoire and their implications for our social actions.

Read more less

Not long ago, everyone knew that Judaism came before Christianity. More recently, scholars have begun to recognize that the historical picture is quite a bit more complicated than that. In the Jewish world of the first century, many sects competed for the name of the true Israel and the true interpreter of the Torah—the Talmud itself speaks of seventy—and the form of Judaism that was to be the seedbed of what eventually became the Christian Church was but one of these many sects. Scholars have come to realize that we can and need to speak of a twin birth of Christianity and Judaism, not a genealogy in which one is parent to the other. In this book, the author develops a revised understanding of the interactions between nascent Christianity and nascent Judaism in late antiquity, interpreting the two "new" religions as intensely and complexly intertwined throughout this period. Although the "officials" of the eventual winners in both communities—the Rabbis in Judaism and the orthodox leaders in Christianity—sought to deny it, until the end of late antiquity many people remained both Christians and Jews. This resulted, among other things, in much shared religious innovation that affected the respective orthodoxies as well. Dying for God aims to establish this model as a realistic one through close and comparative readings of contemporary Christian texts and Talmudic narratives that thematize the connections and differences between Christians and Jews as these emerged around the issue of martyrdom. The author argues that, in the end, the developing discourse of martyrology involved the circulation and exchange of cultural and religious innovations between the two communities as they moved toward sharper self-definition.

Read more less

Drawing on Nietzsche's prolific early notebooks and correspondence, this book challenges the polarized picture of Nietzsche as a philosopher who abandoned classical philology. It traces the contours of his earliest philological thinking and opens the way to a fresh view of his later thinking. The book's primary aim is to displace the developmental logic that has been a controlling factor in Nietzsche's reception, namely the assumption that Nietzsche passed from a precritical phase to an enlightened phase in which he liberated himself from metaphysics. A subsidiary aim is to decenter the view that fastens onto The Birth of Tragedy as a dramatic turning point in Nietzsche's thought. For Nietzsche, questions about the religion, art, and history of the classical world are bound up with fundamental questions about knowledge, culture, history, and the status of the subject. From his early writings, Nietzsche finds it difficult to separate questions about modernity from those about antiquity. Nor are the problems of classical philology ever far from his mind, even toward the end of his career. By showing how frequently the "later" Nietzsche appears in the early writings, the author hopes to provoke reflection on the adequacy of current characterizations of Nietzsche, and not just to raise questions about the periodization of his life and thought. The book traces Nietzsche's efforts, throughout his career, to determine the ways in which philosophy and philology are symptomatic of modern cultural habits, ideologies, and imaginings. In the form of a cultural anthropology, he may even have outlined the most trenchant model still available for confronting the ghostly specters that haunt Western society. Nietzsche's incessant preoccupation with the symptomatology of the modern subject—its ailments, its allusions, and the signs of its irrepressible presence—unifies his oeuvre more than any other single question. The author argues that Nietzsche arrived at this inquiry from a philological perspective, according to which subjective identity is viewed as part of a historical process. Embodied in practices, habits, and institutions, these inheritances of culture—of which classical antiquity is a crucial part—undergo the vicissitudes of transmission, decipherment, reconstruction, reception, and especially falsification (whether through unwilled or deliberate misunderstanding). All of these factors are intimately bound up with the ways in which subjects form themselves.

Read more less

This book tells the story of how small farmers responded to a free-market onslaught that devastated one of the Western Hemisphere’s most advanced social-democratic welfare states. In the early 1980s, the Latin American debt crisis struck Costa Rica, leading to major cutbacks in the social programs that had permitted the rural poor to attain an acceptable standard of living and a modicum of dignity. Peasants were in the forefront of movements against these cutbacks, marching, blocking highways, and occupying government buildings. In the struggle to preserve their livelihood, the rural poor also formed alliances with wealthy farmers, negotiated with politicians, and embraced and then repudiated charismatic outsiders who came to live among them and to speak in their name. These rural activists combined class-bound politics with concerns about threatened peasant identities, practical analysis with sentimentality, grassroots democracy with conspiratorial secrecy, and selfless sacrifice with opportunism. The small farmers portrayed in this book are worldly, outspoken, exuberant, future-oriented, and fiercely proud. They could hardly be less like the unsophisticated and stoic rustics so prominent in the development literature or those contemporary peasants whose imminent disappearance is endlessly predicted by both right- and left-wing social scientists. The author argues that the experience of rural activism in Costa Rica in the 1980s and 1990s calls into question much current theory about collective action, peasantries, development, and ethnographic research. The book invites the reader to rethink debates about old and new social movements and to grapple with the ethical and methodological dilemmas of engaged ethnography.

Read more less

Of Minimal Things is an exploration and reassessment of the philosophical notion of relation. In contrast to the scholastic, ontological conception of relation as a thing of diminished being, this book views relation as the minimal and elemental theme and structure of philosophy. Drawing radical conclusions from the classical understanding of relation as a being-toward-another, it argues that rethinking relation engages the very possibility and limits of philosophical discourse. In the author's studies of Nietzsche and Benjamin, Husserl and Heidegger, Derrida and Blanchot, relation is shown to be central to their thought and to undergo elaborations that escape the ontological, categorial, and formalist ways in which the concept has traditionally been interpreted. Comprehending relation in terms of determination, foundation, mediatization, translation, or communication, these authors are shown to draw out and refine a host of structural implications of the notion that unseat its formalist and categorial conception. Studying the writings of Mallarmé and Kafka, the author argues that rethought from, and in light of the other to which a relation tends, philosophy necessarily opens up to and is implicated in its others, one such possible other being literature.

Read more less

This book explores the ambivalent and often contradictory ways in which English and French writers of the seventeenth and eighteenth centuries represented relations of intimacy between women. These representations included both a sexualized model of the “lesbian” tribade and an “idealized” model that portrayed female friendship as devoid of sexual expression. Although these two perceptions of female intimacy may seem mutually exclusive, the author argues that both operate as defining parameters, not only for literary representations of relations between women but also for cultural responses to those institutions in which women could gather—salon, convent, theater, or brothel. Despite increasing evidence of female homosocial and homosexual bonds during this period, representations of female intimacy have remained largely invisible within critical discourse. They are overshadowed either by a dominant heterosexual understanding of such institutions as marriage or prostitution or by historical patterns of male homosexual behavior, to which they often do not correspond. By broadening the concept of intimacy to include relations between women that may evade or subvert the boundaries of “compulsory” heterosexuality, the author argues, one can locate a duality of “polite” and eroticized models of female intimacy in the cultural discourses of both France and England. Analyzing a variety of legal, medical, and historical materials, as well as literary texts—by Aphra Behn, Katherine Philips, Madeleine de Scudéry, Catherine Descartes, Delarivier Manley, and John Cleland—the author outlines a combination of cultural and historical circumstances that contributed to or were symptomatic of increasing consciousness and concern about female homosexuality in England and France. Relating this sexualized model of female intimacy to idealized images of female friendship in mainstream literary texts allows the author to recover an incipient discourse of female homosexuality. She also delineates cultural fantasies about the outcome of unregulated contact between women, as well as underlying fears that such intimacy could foster aberrant social and political behavior in addition to unauthorized sexual relations between women.

Read more less

This is the third volume to appear in an edition that will be the first complete, critical, and annotated English translation of all of Nietzsche's work. Volume 2: Unfashionable Observations, translated by Richard T. Gray, was published in 1995; Volume 3: Human, All Too Human (I), translated by Gary Handwerk, was published in 1997. The edition is a new English translation, by various hands, of the celebrated Colli-Montinari edition, which has been acclaimed as one of the most important works of scholarship in the humanities in the last half century. The present volume provides for the first time English translations of all of Nietzsche's unpublished notebooks from the summer of 1872 to the end of 1874. The major works published in this period were the first three Unfashionable Observations: "David Strauss the Confessor and the Writer," "On the Utility and Liability of History for Life," and "Schopenhauer as Educator." Translations of the preliminary notes for these pieces are coordinated with the translations of the published texts printed in Volume 2: Unfashionable Observations. The content of these notebooks goes far beyond the notes and plans for published and unpublished Unfashionable Observations, encompassing numerous sketches related to Nietzsche's major philological project from this period, a book on the pre-Platonic Greek philosophers. The ideas that emerged from Nietzsche's deliberations on these early Greek thinkers are absolutely central to his thought from this period and contribute in significant ways to the development of several of his major themes: the role of the philosopher vis-à-vis his age and the surrounding culture; the relationships among philosophy, art, and culture; the metaphorical nature of language and its relationship to knowledge; the unmasking of the modern drive for absolute "truth" as a palliative against the horror of existence; and Nietzsche's "unfashionable" attack on modern science and modern culture, especially on the Germany of the Bismarck Reich. These notebooks represent important transitional documents in Nietzsche's intellectual development, marking, among other things, the shift away from philological studies toward unabashed cultural criticism.

Read more less

Wenxin diaolong by Liu Xie (ca. 465-ca. 521) is arguably the most complex and comprehensive work of literary criticism in ancient China. For centuries it has intrigued and inspired Chinese literati, and modern English-speaking scholars have also found it an important source for inquiries into traditional Chinese poetics and aesthetics. The present volume of ten essays is the first book-length study in English of this classic work. The first two parts of the book focus on cultural traditions, showing how Liu canonized the Chinese literary tradition, assessing where Liu's work stands in that tradition, and demonstrating his debts to the intellectual currents of his time. The third part explores Liu's theory of literary creation by using contemporary critical perspectives to analyze Liu's conception of imagination. The fourth part presents three detailed studies of Liu's views on rhetoric: a close reading of his chapter on rhetorical parallelism, a discussion of his own use of parallelism as a means of analysis and textual production, and an investigation of his views on changes and continuities in Chinese literary styles. The book concludes with a critical survey of Asian-language scholarship on Wenxin diaolong in this century. The contributors are Zong-qi Cai, Kang-i Sun Chang, Ronald Egan, Wai-yee Li, Shuen-fu Lin, Richard John Lynn, Victor H. Mair, Stephen Owen, Andrew H. Plaks, Maureen Robertson, and Zhang Shaokang.

Read more less

This is the long-awaited second part of the author’s meticulously researched and scrupulously impartial study of the complicated and anguished history of Yugoslavia during the years of World War II. The previous volume dealt with the Chetniks, the resistance movement formed by officers of the defeated Yugoslav army who came to regard the Communist-led Partisans as their chief enemy, and who reached accords with the occupying powers—first with the Italians and then with the Germans. The present volume deals with the rule of the Axis powers in occupied Yugoslavia, along with the role of the other groups that collaborated with them—primarily the extremist Croatian nationalist organization known as the Ustashas. The book begins by briefly describing the establishment of Yugoslavia in 1918 and its internal history during the interwar period. It then discusses the breakup of the state in April 1941, the annexation or occupation of parts of its territory by its neighbors, and the establishment by the Ustashas of the independent state of Croatia as a German-Italian quasi protectorate, focusing on its governmental policies and its problems with the Bosnian Muslims. The book also examines the role of religion during the occupation, the destruction of the Yugoslav Jewish community, and the economic exploitation of Yugoslav territory by the Axis powers. The work concludes by discussing the wartime population losses of the country and the ultimate fate of the collaborationist forces.

Read more less

Parages brings together four essays by Derrida on the fictions of Maurice Blanchot. Three of the essays—"Living On," "Title To Be Specified," and "The Law of Genre," are by now canonical. The fourth, "Pace Not(s)" as well as Derrida's 1986 introduction to the French edition of the book, appear here in English for the first time. This was a breakthrough publication in the analysis of Blanchot, a notoriously difficult writer. It is safe to say Derrida contributed much to that writer's reputation in both French and English, always insisting on the philosophical pertinence of Blanchot's work to any discussion of the relationship between literature and critical thought. Through patient citation, and an ample collocation and readings of Blanchot's various motifs, Derrida explores a variety of questions, including the limits of genre, the procedure of crossing out, and the evocation of a non-dialectical and non-privative negativity. The book marks a crucial stage in Derrida's itinerary and provides a context for his later writings on apophatics in such works as On the Name (SUP, 1995) and his response to Heidegger on death in Aporias (SUP, 1993).

Read more less

In this collection of short meditations on various topics, Hans Blumenberg eschews academic ponderousness and writes in a genre evocative of Montaigne's Essais, Walter Benjamin's Denkbilder, or Adorno's Minima Moralia. Drawing upon an intellectual tradition that ranges from Aesop to Wittgenstein and from medieval theology to astrophysics, he works as a detective of ideas scouring the periphery of intellectual and philosophical history for clues—metaphors, gestures, anecdotes—essential to grasping human finitude. Images of shipwrecks, attempts at ordering the world, and questions of foundations are traced through the work of Goethe, Schopenhauer, Simmel, Husserl, Thomas Mann, and others. The book's reflections culminate in a rereading of the fable "Care Crosses the River" that lies at the center of Heidegger's analysis of Dasein in which the fable's elided Gnostic center is recovered: Care creates the human in its own image, as a reflection of its narcissism. At stake throughout are two inextricable elements of Blumenberg's thought: a theory of nonconceptuality as essential to philosophizing and an exploration of culture understood as humanity's unceasing attempts to relieve itself of the weight of the absolutism of reality.

Read more less

Museums today are more than familiar cultural institutions and showplaces of accumulated objects; they are the sites of interaction between personal and collective identities, between memory and history. The essays in this volume consider museums from personal experience and historical study, and from the memories of museum visitors, curators, and scholars. Representing a variety of fields—history, anthropology, art history, and museum scholarship—the contributors discuss museums across disciplinary boundaries that have separated art museums from natural history museums or local history museums from national galleries. The essays range widely over time (from the Renaissance to the second half of the twentieth century), and place (China, Japan, the United States, and Germany), in exhibitions explored (photography, Native American history, and “Jurassic technology”), and institution (the Chinese Imperial Collection, Renaissance curiosity cabinets, and modern art museums). Memory operates thematically among the essays in diverse and provocative ways. The papers are organized according to three suggestive themes: experimental ways of theorizing and designing contemporary museums with an explicit interest in history and memory; discussions of personal encounters with historical exhibits; and the professional risks at stake for collectors and curators who shape the institutional presentation of history and memory. The contributors are Susan A. Crane, Wolfgang Ernst, Michael Fehr, Paula Findlen, Tamara Hamlish, Alexis Joachimides, Suzanne Marchand, Julia A. Thomas, and Diana Drake Wilson.

Read more less

Generally considered the least lively and most bleak of casts, gray is the taint of vagueness and uncertainty. Marking the threshold region where luminous life seems suspended but death has not yet darkened the horizon, it belongs to an evasive and evanescent world, carrying the tint of smoke, fog, ashes, and dust. As the ambiguous space of thought and remembrance where things blend and blur, gray measures the difference between distance and proximity, shading into tinges of hesitation, hues of taciturnity, tones of time past and lost. Thus it may also be the spectral medium of literature itself—that grainy gas of language. Written with a lead pencil akin to those found in Nabokov, Rilke, Svevo, Poe, and Dickinson, The Gray Book chronicles the vicissitudes of such equivocal articulation—registering the graphite traces it leaves behind but also recording the dwindling span of its life. The book situates itself in a region beyond criticism but this side of literature, characterized by forgetting and finitude, and investigating important yet seemingly inaccessible "gray areas" in texts as old as those of Homer, and as recent as those of Beckett. Loosely arranging these literary finds according to a revision of the four elements, The Gray Book distances itself from tradition and treats not water but tears, not fire but vapor, not earth but grain, not air but clouds. The narrative thus construed, proceeding in the meandering movements of volatile thought rather than in the prudent steps of a treatise, appears gradually affected by its subject. Themes and facts previously confined to the realm of quoted texts leak into the narrative itself. The border between fiction and fact slowly dissolves as the book approaches the curious void that the author locates at the heart of "gray literature." Shaped by an omnipresent though increasingly unreliable narrator, The Gray Book may thus ultimately yield a poetics cast in the form of a ghost story.

Read more less

Toward the end of Henry James's career, Charles Scribner's Sons offered him the opportunity to publish his collected works in a single edition under the overall title The New York Edition of the Novels and Tales of Henry James (1907-1909). Rather than simply reprint his fictional oeuvre, James entered into a massive work of self-monumentalization: revising the texts extensively; writing prefaces that have become classic texts on prose aesthetics and the novelist's art; and omitting many works, among them some major novels. The thirty illustrations include all twenty-four frontispiece photographs made, under James's supervision, for the edition.

Read more less

The Journal of Socho is one of the most individual self-portraits in the literary history of medieval Japan. Its author, Saiokuken Socho (1448-1532)—the preeminent linked-verse (renga) poet of his time—was an eyewitness to Japan's violent transition from the medieval to the early modern age. Written between 1522 and 1527, during the Age of the Country at War (Sengoku jidai), his journal provides a vivid portrayal of cultural life in the capital and in the provinces, together with descriptions of battles and great warrior families, the dangers of travel through war-torn countryside, and the plight of the poor. The journal records four of Socho's journeys between Kyoto and Suruga Province, where he served as the poet laureate of the Imagawa house, as well as several shorter excursions and periods of rest at various hermitages. The diverse upbringing of its author—a companion of nobles and warlords, a student of the orthodox poetic neoclassicism of the renga master Sogi, and a devotee of the iconoclastic Zen prelate Ikkyu—afforded him rich insights into the cultural life of the period. The Journal of Socho is remarkable for its breadth and freshness of observation, whether of the activities of literary men and the affairs of great courtiers and daimyo or of the daily lives of local warriors and commoners. This variety of cultural detail is matched by the journal's wealth of prose genres: travel diary, eremitic writing, historical chronicle, conversation, and correspondence. In addition, Socho has given us more than 600 verses that together illustrate most of the principal poetic genres of the time: renga, waka, choka, wakan renku, and comic or unorthodox haikai verses.

Read more less

Tales from the Freudian Crypt is a fundamental reassessment of the Freud legend that aims to shake the very foundations of Freud studies. Writing from the perspective of intellectual history, the author traces the impact that Freud's essay Beyond the Pleasure Principle has had, and continues to have, on twentieth-century thought. Designed as both an introduction and a corrective to the vast literature on Freud, the book explores the trail left by Freud's late theory of the death drive, paying special attention to its ramifications in the fields of biography, biology, psychotherapy, philosophy, and literary theory. The author ironically concludes that if there were such a thing as a death drive, it would look like this seemingly endless and in many ways arbitrary proliferation of the literature on Freud. After first undertaking to demystify the pretensions of this literature, from the works of Sandor Ferenczi to those of Jacques Lacan, the author proposes a theory that sheds new light on the so-called cultural works of Freud's final years. He argues that the death drive theory was an elaborate ruse that Freud adopted to insulate his "findings" against criticism directed from outside the field of psychoanalysis—that Freud's troubling recourse to metapsychology was closely tied to his lifelong fear of suggestion. The author delivers a carefully reasoned, sustained blow to the culture of psychoanalysis—theoretical, therapeutic, institutional—which is driven by what it desires and fears most: death. In sum, Tales from the Freudian Crypt is offered as a kind of bankbook, audit, and investment plan for future work in Freud studies.

Read more less

This book studies Oxford University's transformation—and the political hazards for academics that ensued—when, after World War II, it changed from a private liberal-arts club with aristocratic pretensions into a state university heavily committed to the natural sciences, and with a middle-class constituency and a meritocratic ethos. Despite these changes, the author shows that Oxford has not been able to elude its long-standing Brideshead Revisited reputation. This antiquated image became a source of difficulties when the Labour Party in the 1960's sought to expand educational opportunities to promote the cause of social justice. In the 1980's the University again came under attack, this time for its supposedly anti-industrial ethos, as Margaret Thatcher's Conservative Party attempted to reverse Britain's economic decline. The largely unrecognized process of internal change at Oxford is shown to have been driven by two distinct dynamics: its scientists took advantage of huge increases in government funding to build departmental empires, while an informal alliance of reform-minded arts dons strove to renew Oxford's collegiate traditions of scholarly excellence and self-governance. When the scientists and reformist dons revitalized the University in the light of changed social and economic conditions, they inadvertently eroded the foundations of its autonomy. During its transformation, Oxford lost its upper-class ties, its financial self-sufficiency, and its deferential friends in government. As a result, it was at its weakest when the Thatcher government sought to harness universities to the goals of economic competition. Consequently, Thatcherites successfully rewrote the compact between the state and universities, including the abolition of tenure for new faculty and the elimination of block grant funding. Thus, paradoxically, Oxford's internal renewal coincided with a surrender of its institutional independence.

Read more less

The devotion to Our Lady of Guadalupe is one of the most important elements in the development of a specifically Mexican tradition of religion and nationality over the centuries. The picture of the Virgen morena (Dark Virgin) is to be found everywhere throughout Mexico, and her iconography is varied almost beyond telling. Though innumerable books, both historical and devotional, have been published on the Guadalupan legend in this century alone, it is only recently that its textual sources have been closely studied. This volume makes available to the English-reading public an easily accessible translation from the original Nahuatl of the story itself and the entire book in which the story is embedded. The study also provides scholars with new perspectives on a text long at the center of Mexican intellectual currents. Through the use of technical philological methods, it indicates that the text may have been authored in the mid-seventeenth century by a Spanish-Mexican priest, based on an earlier text by a colleague of his, and that it was not the product of Nahuatl oral tradition. The story of the apparition of the Virgin of Guadalupe to a poor indigenous man less than fifteen years after the Spanish conquest of Mexico did not come into prominence until the mid-seventeeth century. The first known telling of the tale appeared in a book published in Spanish in 1648 by the priest Miguel Sánchez. On the heels of the Sánchez version, the story was included in the book Huei tlamahuiçoltica published in 1649 by Luis Laso de la Vega, the vicar of the Guadalupe chapel and a friend of Sánchez. It had little impact initially, but by the twentieth century, with indigenism triumphant, it had become the best known version. There have been a few translations of Laso de la Vega's apparition story into English but only on a popular or devotional level. The present edition offers a translation and transcription of the complete text of the 1649 edition, together with critical apparatus, including comparisons of the Sánchez and Laso de la Vega texts, and various linguistic, orthographic, and typographical matters that throw light on the date and manner of composition.

Read more less

This is a broad-ranging and ambitious attempt to rethink aesthetic and literary studies in terms of an “anthropology” of symbolic media generally. Central to the author’s argument is the proposition that the idea of literature—at least as it has been understood in the West since the eighteenth century—as the paradigm for artistic experience is both limited and limiting. In its place, the author offers a more general theory of aesthetic experience appropriate to a wide range of media (in the term’s broadest sense) and geared toward performativity and bodily experience. The author develops the idea of the “protoliterary” as a cultural-aesthetic discourse prior to and external to the “literary” as traditionally conceived in Western aesthetics. Manifestations of the protoliterary tend to occur within forms of multimedia theatricalization in which suggestive images of the body loom large. The appeal of the protoliterary lies in its ability to function on both cognitive and somatic levels, thereby neutralizing such distinctions as self/society and reality/fiction. The author’s argument is indebted to John Dewey’s belief in a basic human need for aesthetic experience, a need that can be met in a variety of ways, from tattoos and scarification, through sports, parades, and cosmetics, to literature, opera, and film. From this basis the book theorizes a history of the development of separate, hierarchical arts in the West while suggesting that independent histories of single arts and artistic experience are no longer desirable or even possible. Although the genesis of particular forms of media are inextricably linked to specific historical, sociological, and technological conditions, their potential functions and effects are not tied to those conditions, nor should they be.

Read more less

This book transcends the boundaries of Chinese studies and scholarship on Western literature and critical theory, bringing together the two fields in a way that questions both the application of Western theory to Chinese materials and the resistance to theory in sinological scholarship. Recognizing that social and historical reality is external to discourse and that knowledge has an inevitable ethical import, the author argues for the importance of reality and lived experience in understanding a culture as well as the moral responsibility of such understanding. The book examines the discrepancies between various Western representations of China and the reality of China; inquires into the cultural, historical, and political contexts within which such discrepancies arise; and points out the distortion of reality in the tendency toward cultural dichotomies, the tendency to view China as the conceptual opposite of the West. From a comparison of biblical exegesis and commentaries on the Confucian classics to the contemporary assimilation of Western critical theories in China, this book discusses a wide range of topics that situates the understanding of China and Chinese literature and culture in the broad perspective of East-West comparative studies. It studies not only the Confucian tradition, modern Chinese literature, and the students' movement for democracy in China, but also such Western topics as Origen and biblical interpretation, Montaigne and cultural critique, Jameson and postmodern theory, and the reception of Said's Orientalism in China.

Read more less

Giving the reader a unique window into the inner workings of U.S. diplomacy in President Bill Clinton’s first term, this book highlights the major foreign policy challenges faced and decisions made in a turbulent era. The book is organized around thirty seven key speeches by the Secretary of State, each introduced by an extensive essay that describes its policy context and purpose, and includes anecdotes, local color, and brief sketches of some of the leading figures on the world stage. These introductions, which constitute more than half the book, not only give the who, what, when, and where behind the speeches, but most important, explain the why and how. For example, the group of speeches on Bosnia is preceded by an incisive account of the twists and turns of U.S. policy leading up to the Dayton Conference and the intense negotiations, involving several volatile personalities, that led to the historic Dayton agreement. Among the other subjects covered by the essays are our relations with China, Russia, Japan, Vietnam, Korea, Haiti, the Middle East, Africa, and South America; international organizations such as NATO and the United Nations; and the global issues of human rights, terrorism, nuclear threat, and the environment. The book begins with a Prologue that emphasizes Secretary Christopher’s long-standing interest in speeches as an instrument of public policy and the decision making behind this often overlooked aspect of statecraft. It also describes how the Secretary was offered the position by President-elect Clinton, the state of affairs as he found them when he took office, and his strategy and plans for U.S. foreign policy in the post-Cold War period. An epilogue recounts the Secretary’s decision to return to private life, offers his insights on the challenges facing the United States in the international arena in the years ahead, and sets forth some suggestions for future policy makers. Above all, this book provides ample evidence that the author took seriously the advice that United States Supreme Court Justice William O. Douglas gave him when he served as the justice’s law clerk in the 1949 term: “Get out in the stream of history, and swim as fast as you can.”

Read more less

In Ecuador, every year since 1990 Indian protestors have brought the country to a standstill; in Mexico, Zapatista indigenous guerillas rose up in arms to protest North American free trade. In Brazil, shamans faced down bulldozers to block World Bank dams, while in Bolivia, peasants attacked U.S. troops for the right to grow coca. These are a few examples of the rise of a transnational human rights movement among the hemisphere’s most isolated and powerless people, Latin American Indians. This book tells the story of the unexpected impact of the Indian rights movement on world politics, from reforming the United Nations to evicting oil companies. Using a constructivist theoretical approach that synthesizes international relations, social movement theory, ethnic politics, and work on democratic transitions, the author argues that marginalized people have responded to globalization with new, internationalized forms of identity politics that reconstruct power relations. Based on case studies from Ecuador, Mexico, Brazil, Nicaragua, and Bolivia, this book analyzes the implications of these human rights experiences for all of Latin America’s 40 million indigenous citizens, and the 300 million native people throughout the world. The thematic organization of the book allows the author to trace distinctive dynamics of interstate relations, global markets, and transnational civil society. The book concludes with an analysis of the movement’s impact and policy recommendations.

Read more less

Piero della Francesca's Madonna del Parto, a celebrated fifteenth-century Tuscan fresco in which the Virgin gestures to her partially open dress and her pregnant womb, is highly unusual in its iconography. Hubert Damisch undertakes an anthropological and historical analysis of an artwork he constructs as a childhood dream of one of humanity's oldest preoccupations, the mysteries of our origins, of our conception and birth. At once parodying and paying homage to Freud's seminal essay on Leonardo da Vinci, Damisch uses Piero's enigmatic painting to narrate our archaic memories. He shows that we must return to Freud because work in psychoanalysis and art has not solved the problem of what is being analyzed: in the triangle of author, work, and audience, where is the psychoanalytic component located?

Read more less

Dead Hands traces the fascinating career of a curious imaginative device: the wandering, disembodied, or ghostly hand. The author situates this familiar gothic convention in its richer literary and intellectual contexts, from early modern English drama through American fiction. Dexterously threading historical, theoretical, and formalist questions through readings of the plays of Shakespeare and Webster and the haunted tales of Maupassant, Le Fanu, and Twain, the book illuminates the complex social fictions invested in the faculties of the hand and tested by this evocative device. The book brings together a broad and eclectic array of "manual" iconography: from sixteenth-century religious imagery, medical anatomies, emblem books, witchcraft and folklore, to the popular metaphors of nineteenth-century industrialism, contemporary labor movements, and forensic science. Literary "dead hands" draw on and elaborate these varied traditions, to sometimes humorous and sometimes chilling effect. Across such disparate fields, the author argues, the figure of the "dead hand" represents a specific set of ideas about human agency: particularly, concerns about the fraught relationship between intentions (individual and collective) and meaningful action in the world. Severed and wandering, fictional dead hands challenge prevailing assumptions about bodily autonomy and control, directing us instead to the dependent, disabling, and self-alienating experiences of the acting self. In the process, they illuminate the changing assumptions about bodily experience—that "sense" of acting self—that sustain legal and political definitions of person in these different periods. Outlining the dynamic history of this device—first as it migrates from visual art onto the Elizabethan and Jacobean stage, and later as it prospers in Anglo-American gothic fiction—Dead Hands advances a comparatist reading of early modern and modern concepts of bodily action and its relation to interiority, authority, and identity.

Read more less

Elisha ben Abuya is one of the most intriguing figures in early rabbinic literature, consistently capturing the Jewish imagination as the arch-heretic, apostate, and great sinner. Because of the vague nature of the rabbinic sources relating to him, later generations, particularly in modern times, have been able to project upon him the visions of whatever they saw as either negative or ideal in the figure of the rebel apostate. This book systematically analyzes all sources referring to Elisha ben Abuya, and in so doing, confronts the difficulties of deriving reliable information from rabbinic materials and of writing the biography of a rabbinic hero. The author argues that we have no way of discovering the historical Elisha ben Abuya; he is the product of the creative handling of traditions by later generations. Later generations do not fancifully invent the figure of Elisha but interpret and transmit earlier traditions, trying to resolve the contradictions and to interpret the enigmas they encounter. In the context of this interpretive process, a unique historical image is created, a sage who is born out of tradition, not historical memory. The book also studies Rabbi Eleazar ben Arach. Here, too, the image of the sage does not stem from a historical memory of the sage but from an ideological function which the image of the sage fulfills. Eleazar has come down to us as one who forgot his Torah. Thus, both the sage who is said to have become the greatest of rabbinic sinners and the sage who is said to have forgotten his Torah are products of the literary creativity of rabbinic storytellers, who convey a particular ideology through the image of the rabbinic heroes they portray.

Read more less

The foundational question this book explores is: What happens when portraits are interpreted as imitations or likenesses not only of individuals but also of their acts of posing—when the observer's attention is redirected so that the primary object the portrait imitates becomes the likeness not of a person but of an act, the act of sitting for one's portrait? This shift of attention involves another: from the painter's to the sitter's part in the act of (self-)portrayal. At the ground level, Fictions of the Pose develops a hypothesis about the structure and meaning of portraiture. That foundation supports a first story devoted to the practices and politics of early modern Italian and Dutch portraiture and a second story devoted to Rembrandt's self-portraits, especially those in which he poses in fancy dress as if he were a patron. The author approaches the Rembrandt/Renaissance relation not as an art historian but as an interpreter trained in literary studies, taunted by the challenge of extending the practice of "close reading" from verbal to visual media and fascinated by the way this practice can show how individual works "talk back" to their contexts. The context for Rembrandt, the object and target of his "looking-glass theater," is the structure of patron/painter relations that developed during the Renaissance and influenced the very different conditions of patronage that emerged in the Dutch Republic around the turn of the seventeenth century. The book is in four parts. Parts One and Two comprise an interpretive study of the technical and sociopolitical conditions within which portraiture becomes an important if problematic medium of self-representation in early modern Europe. The major portion of these two sections considers the structure and the consequences of a system of practices and conventions that governs poses in commissioned portraits. In Part Three the scene shifts from Italian to Dutch portraiture. Part Four is devoted to self-portraits by Rembrandt that are interpreted as responses to the conditions depicted in the first three parts. Through a series of close readings of individual works, the author demonstrates the ironic, polemical, and political force of Rembrandt's self-portraits.

Read more less

Sarah Kofman (1934-1994), Professor of Philosophy at the Sorbonne in Paris and the author of over twenty books, was one of the most significant postwar thinkers in France. Kofman's scholarship was wide-ranging and included work on Freud and psychoanalysis, Nietzsche, feminism and the role of women in Western philosophy, visual art, and literature. The child of Polish Jewish immigrants who lost her father in the Holocaust, she also was interested in Judaism and anti-Semitism, especially as reflected in works of literature and philosophy. This book is an anthology of some of Kofman's most significant writings on these and other topics. Its purpose is to provide a general introduction to Kofman's thought, which has been highly influential in both Europe and America. Although some of the selections have been published previously, the majority of the books contents appear in English translation for the first time.

Read more less

How did psychoanalytic knowledge attain a dual status both as common sense about the "inner life" among the educated and as seemingly indispensable psychological expertise during the first half of the twentieth century? Combining approaches from literary studies and historical sociology, this book provides a groundbreaking cultural history of the strategies Freud employed in his writings and career to orchestrate public recognition of psychoanalyis and to shape its institutional identity. The author argues that a central element of Freud's institutionalization project was his theoretical appropriation of Greek tragedy. He derived cultural authority and legitimacy for psychoanalysis by adopting the generic conventions and "universal" relevance of Sophoclean tragedy, as well as the prestige of classical education, in his elaboration of the Oedipus complex. As the author shows, Lacanian psychoanalysis has followed Freud's lead in purveying an ahistorical reading of Sophocles' Oedipus plays to authorize its reimagining of the Oedipal subject. The cultural salience of psychoanalytic knowledge also emerged in the contexts of the social prominence of professionalism and the academic consolidation of the social science disciplines at the turn of the century. Through a detailed examination of Freud's writings on culture, psychoanalytic technique, and the history of the psychoanalytic movement, the book delineates his attempts to establish psychoanalysis both as a profession and as an epistemologically essential master discipline by competing directly with research in philosophy, anthropology, sociology, and academic psychology. In the current controversy over Freud's legacy, the author offers a critical assessment of the institutional opportunities and constraints that have conditioned the cultural fate of psychoanalytic knowledge in the twentieth century.

Read more less

This book challenges the accepted view of the early Royal Society of London that holds that its fellows did not seriously attempt to implement Francis Bacon’s program for the methodological reform of the sciences. Instead, the book shows that Bacon’s program shaped the Society’s earliest work in important, if often contradictory, ways as fellows wedded Bacon’s ideas to their various interests and problem areas. Developing Bacon’s program in different directions resulted in a richer understanding of his method than the undirected empiricism often associated with his name. The author demonstrates that Bacon’s call for a focus on “things themselves” was built upon three distinct images of objects of knowledge, in opposition to recent accounts that focus on the collective witnessing of matters of fact. He identifies at the core of Bacon’s method a threefold metaphorical ontology of objects of knowledge and corresponding objectivities. The book reveals a picture of the Royal Society as more sophisticated and unified than previously depicted, while simultaneously demonstrating how the fellows’ development of Bacon’s legacy ultimately pulled in different directions. Specular objects of knowledge privileged passive observation and justified an empiricist objectivity. Manipulated objects of art or manual objects emphasized an engaged, constructivist objectivity in which knowing is doing. And, a vision of underlying forms as generative objects of knowledge, which could be combined like letters of the alphabet to produce phenomena at will, defined a theoretical concept of objectivity. These components of Bacon’s method inform in varying ways the early publications of the Royal Society by John Evelyn, Robert Hooke, John Wilkins, Thomas Sprat, and John Graunt, which are examined in detail to demonstrate the collective negotiation of an ambitious inductive program employing hypotheses, active powers, and the disciplined use of analogy. Examining the Royal Society’s activity in the areas of horticulture, experimentation, language reform, cultural criticism, and political arithmetic, the author synthesizes philosophical and sociological approaches to science in developing a new understanding of the Royal Society and its legacy for science, culture, and politics.

Read more less

This volume contains the speech given by Derrida at Emmanuel Levinas's funeral on December 27, 1995, and his contribution to a colloquium organized to mark the first anniversary of Levinas's death. For both thinkers, the word adieu names a fundamental characteristic of human being: the salutation or benediction prior to all constative language (in certain circumstances, one can say adieu at the moment of meeting) and that given at the moment of separation, sometimes forever, as at the moment of death, it is also the a-dieu, for God or to God before and in any relation to the other. In this book, Derrida extends his work on Levinas in previously unexplored directions via a radical rereading of Totality and Infinity and other texts, including the lesser-known talmudic readings. He argues that Levinas, especially in Totality and Infinity, bequeaths to us an "immense treatise of hospitality," a meditation on the welcome offered to the other. The conjunction of an ethics of pure prescription with the idea of an infinite and absolute hospitality confronts us with the most pressing political, juridical, and institutional concerns of our time. What, then, is an ethics and what is a politics of hospitality? And what, if it ever is, would be a hospitality surpassing any ethics and any politics we know? As always, Derrida raises these questions in the most explicit of terms, moving back and forth between philosophical argument and the political discussion of immigration laws, peace, the state of Israel, xenophobia—reminding us with every move that thinking is not a matter of neutralizing abstraction, but a gesture of hospitality for what happens and still may happen.

Read more less

This volume contains the speech given by Derrida at Emmanuel Levinas's funeral on December 27, 1995, and his contribution to a colloquium organized to mark the first anniversary of Levinas's death. For both thinkers, the word adieu names a fundamental characteristic of human being: the salutation or benediction prior to all constative language (in certain circumstances, one can say adieu at the moment of meeting) and that given at the moment of separation, sometimes forever, as at the moment of death, it is also the a-dieu, for God or to God before and in any relation to the other. In this book, Derrida extends his work on Levinas in previously unexplored directions via a radical rereading of Totality and Infinity and other texts, including the lesser-known talmudic readings. He argues that Levinas, especially in Totality and Infinity, bequeaths to us an "immense treatise of hospitality," a meditation on the welcome offered to the other. The conjunction of an ethics of pure prescription with the idea of an infinite and absolute hospitality confronts us with the most pressing political, juridical, and institutional concerns of our time. What, then, is an ethics and what is a politics of hospitality? And what, if it ever is, would be a hospitality surpassing any ethics and any politics we know? As always, Derrida raises these questions in the most explicit of terms, moving back and forth between philosophical argument and the political discussion of immigration laws, peace, the state of Israel, xenophobia—reminding us with every move that thinking is not a matter of neutralizing abstraction, but a gesture of hospitality for what happens and still may happen.

Read more less

This book examines the development of France’s male and female homosexual communities and its gay liberation movements after 1968. The book focuses on the construction of social institutions, treating gay activist organizations and their relation to post-1968 French feminism, gay ghettos in French cities, the gay press, the impact of AIDS on political identity, and the renewed militancy of the 1990s. While acknowledging the influence of America’s gay liberation movement on the French situation, the author emphasizes the differences arising from the fact that homosexuality has not historically been criminalized in France as it has been in the United States. The book is divided into four parts. Part I, “The Revolution of Desire (1968-79),” which examines the activism of the early post-1968 gay liberation movement, is preceded by a historical summary that traces French cultural, political, and social attitudes toward homosexuality. It also explores the relations between the movements for gay and women’s liberation in their various incarnations. Part II, “The Time of Socialization (1979-84)” describes the development of gay ghettos and the dissemination of gay institutions (media, countercultural venues, bars, baths, and the like). The pivotal year is 1981, which saw the advent of François Mitterrand’s government, with its pro-gay policies, as well as the first tracking of AIDS in the United States. Part III, “End of the Carefree Life (1981-89),” deals with initial reactions in France to the AIDS epidemic, reactions that included the realization of its ubiquity, first with the death of Michel Foucault in 1984, and then with the media spectacle of Rock Hudson’s death in 1985. The author describes the French government’s response to the epidemic, the role of French medical researchers in searching for the causes of the infection, and the development of Aides (meaning helpers), a social, medical, and political-action group dedicated to raising public and personal awareness of AIDS. Part IV, “The Time of Contradictions (1989-96),” focuses on the changing social institutions of homosexuality in the 1990s: the development of ACT-UP, based on the American model, in France; the campaign to promote safer sex; the integration of seropositive individuals into the homosexual community; and the acceptance of homosexuality almost as a given. The book concludes with a thoughtful epilogue on the integration of minority communities into French society.

Read more less

One of today’s foremost art historians and critics presents a strikingly original view of architecture and the city through the twin lenses of cultural theory and psychoanalysis. Hubert Damisch—whose work on the history of perspective, the notion of imitation, and the question of representation has emerged as the most important body of critical thought on painting since, perhaps, Meyer Shapiro’s collected essays—here engages a subject that has been of continuing interest to him over the last thirty years. In the field of architecture, this book has been awaited for a long time; in the fields of art history and cultural studies, it will be welcomed as a powerful argument for utilizing in an urban context interpretive approaches developed for the analysis of spatial and visual phenomena. Though architecture has served since Descartes as a structural analogy for philosophical discourse and has played a similar role in literature, contemporary studies on architecture have tended to be very specialized, with little regard for their accessibility to scholars in the humanities and social sciences. This book, however, with its solid grounding in architecture and urban theory and its profoundly humanistic approach, will prove deeply rewarding to specialist and generalist alike. The book engages a wide range of subjects, including reconstructions of the Egyptian labyrinth, architectural museums, European visions of New World cities, the great spaces and national parks of the American West, and landscape gardening in the United States. These subjects work together to develop a unique way of looking at the city and its architecture, the landscape and its spaces.

Read more less

How did foreign investment in infrastructure affect a relatively backward Latin American economy? The author engages this long-standing issue in Latin American history by applying the methods of the “new economic history” to the study of Brazilian railway development. Railroads have long been viewed as having intensified Brazil’s dependence on foreign product and capital markets in the second half of the nineteenth century. Because steam locomotion in Brazil relied heavily on British finance in an age of export-led economic growth, many scholars have viewed railroads as magnifying economic dependency in ways that benefited foreign investors and export agriculture at the expense of the Brazilian economy as a whole. This study combines extensive archival research in Brazil and Britain with cliometric methods to present a new and provocative picture of the impact of railroads on the Brazilian economy. The book’s findings reveal that the savings on transport costs provided by the railroad accounted for a large share of the Brazilian economy’s gains before 1914. Indeed, thanks largely to the savings generated by railroad investments, in the early twentieth century Brazil emerged from decades of stagnation to become one of the Western world’s fastest growing economies. Moreover, foreign investors in Brazilian railroads failed to reap profits commensurate with the benefits their investments produced within Brazil: government policies on subsidy and regulation enabled Brazil to capture and retain most of the gains resulting from transport improvements. Combined with other significant changes of the era, railroad development favored immigration, the expansion of agriculture, and the growth of manufacturing in an economy that had long been laggard. In addition to drawing substantive conclusions about the Brazilian case, this book demonstrates that the techniques of the new economic history provide Latin American specialists with a rich array of tools to identify and assess the various consequences of technological and institutional change in historical perspective.

Read more less

This book is about four writers—Sartre, Eluard, Blanchot, and Céline—whose works confront and respond to the purge of collaborationist intellectuals in postwar France. It investigates how their writing argues for or against the different positions outlined during the purge and how it reflects or distorts the competing theories about literature to emerge from the trials. These writers were themselves involved in the trials to varying degrees: Céline was accused of treason, though eventually condemned on a lesser charge; Eluard, one of the leading Resistance poets and a Communist, published in the clandestine Resistance press and devoted a number of his poems to condemning collaborators; Sartre’s theory of committed literature reiterates the theme of the writer’s responsibility as presented during the trials; as for Blanchot, if his work never directly comments upon the purge, its arguments for the autonomy of literature are both a response to Sartre and a commentary on what Blanchot called the “trial of art.” In their reactions to the purge, these writers mobilized a number of discourses, ranging from the historical, economic, and literary to the sexual, medical, and corporeal. To understand their views on the trials, it is useful to read their texts as allegories of the purge. At one point or another they all speak about the purge through a series of metaphoric substitutions maintained through an extended narrative—whether this narrative is a critical essay, a novel, or a collection of poems. The texts also give the reader a code for reading them allegorically, and this code is the purge archive, whose records, debates, and arguments reshaped the way writers understood their craft.

Read more less

The aim of this book is to carefully reconstruct Marx and Engels's theory of freedom, to highlight its centrality for their vision of the communist society of the future, to trace its development in the history of Marxist thought, including Marxism-Leninism, and to explain how it as possible for it to be transformed at the height of its influence into a legitimization of totalitarian practices. The relevance of the Marxist conception of freedom for an understanding of communist totalitarianism derives from the historical fact that the latter came into being as a the result of a conscious, strenuous striving to realize the former. The Russian Revolution suppressed "bourgeois freedom" to pave the way for the "true freedom" of communism. Totalitarianism was a by-product of this immense effort. The last section of the book gives a concise analysis of the dismantling of Stalinism, involving not only the gradual detotalitarization but also the partial decommunization of "really existing socialism." Throughout, Marxism is treated as an ideology that has compromised itself but that nevertheless deserves to be seen as the most important, however exaggerated and, ultimately, tragically mistaken, reaction to the multiple shortcomings of capitalist societies and the liberal tradition.

Read more less

Narrating the Self examines the historical formation of modern Japanese literature through a fundamental reassessment of its most characteristic form, the 'I-novel, ' an autobiographical narrative thought to recount the details of the writer's personal life thinly veiled as fiction. Closely analysing a range of texts from the late nineteenth century through to the present day, the author argues that the 'I-novel' is not a given form of text that can be objectively identified, but a historically constructed reading mode and cultural paradigm that not only regulated the production and reception of literary texts but also defined cultural identity and national tradition. Instead of emphasising, as others have, the thematic and formal elements of novels traditionally placed in this category, she explores the historical formation of a field of discourse in which the 'I-novel' was retroactively created and defined.

Read more less

This is a history of student protests in Shanghai from the turn of the century to 1949, showing how these students experienced and help shape the course of the Chinese Revolution.

Read more less

Divided Sun is the story of the methods and machinations that have driven Japan's high-tech industrial policies over the last two turbulent decades. It focuses on MITI and Japan's giant electronics firms - their ambitions and conflicts - in the context of the core of MITI's high-tech strategy since the 1970's, the so-called "cooperative" technology consortia. The author finds that despite widespread claims to the contrary, MITI's industrial policy in high technology has proved to be neither cooperative nor successful. He shows that the policymaking process is torn by conflict and competition: between MITI and other bureaucracies, between MITI and powerful Japanese companies, and between the different companies. As a result, the elaborate structures created to promote cooperation are in many cases a public show masking the underlying reality of fierce competition and conflict. Equally important is the fact that recent technologies emerging from Japanese high-tech consortia have been sadly disappointing. The author's detailed explanation of MITI's internal decisionmaking processes reveals that much of MITI's decline in effectiveness is caused by its rigid insistence on targeting technologies in accordance with long-term plans even when the technologies are soon rendered obsolete in the rapidly changing high-tech marketplace. In the shadow of these new realities, MITI finds itself at a turning point. The author argues that it will have to redefine itself and carve out a new role in the Japanese political economy and the bureaucracy. MITI's primary focus cannot be what once worked so successfully, i.e., the promotion of Japanese companies in international competition. If it does not find a new role, and soon, MITI faces a slow but inevitable decline in influence and effectiveness.

Read more less

Bold, flamboyant, extravagant, devious, visionary, Agoston Haraszthy (1812-1869) is one of the most fascinating—and elusive—figures in the history of American agriculture. Apart from his pioneer efforts to establish a world-class wine industry in California, he holds other important distinctions: he was the first Hungarian to permanently settle in the United States, author of only the second Hungarian-language book about the United States, founder of one of the earliest towns in Wisconsin, and owner and operator of the first steamboat to engage in regularly scheduled traffic on the upper Mississippi River. Lured by the discovery of gold to cross the plains to California in 1849, Haraszthy became the first sheriff of San Diego, a member of the California legislature, and the first assayer of the United States Mint in San Francisco. Long fascinated with the possibility of growing fine European grapes in America, he moved in 1856 to northern California’s Sonoma Valley, where he built the first stone wineries in California, introduced more than 300 varieties of European grapes, and planted (or helped his neighbors plant) more than a thousand acres of choice wine vineyards. He made a well-publicized wine tour of Europe in 1862, wrote the first notable book on California wine growing, and built his Sonoma estate into what was widely advertised as “the largest vineyard in the world.” In this book, the first full-length biography of one of nineteenth-century America’s most interesting and influential immigrants, the author examines Haraszthy’s amazing life, dispels many of the myths that have gathered around him, and makes a careful assessment of his contributions to American immigration and agricultural history.

Read more less

Bold, flamboyant, extravagant, devious, visionary, Agoston Haraszthy (1812-1869) is one of the most fascinating—and elusive—figures in the history of American agriculture. Apart from his pioneer efforts to establish a world-class wine industry in California, he holds other important distinctions: he was the first Hungarian to permanently settle in the United States, author of only the second Hungarian-language book about the United States, founder of one of the earliest towns in Wisconsin, and owner and operator of the first steamboat to engage in regularly scheduled traffic on the upper Mississippi River. Lured by the discovery of gold to cross the plains to California in 1849, Haraszthy became the first sheriff of San Diego, a member of the California legislature, and the first assayer of the United States Mint in San Francisco. Long fascinated with the possibility of growing fine European grapes in America, he moved in 1856 to northern California’s Sonoma Valley, where he built the first stone wineries in California, introduced more than 300 varieties of European grapes, and planted (or helped his neighbors plant) more than a thousand acres of choice wine vineyards. He made a well-publicized wine tour of Europe in 1862, wrote the first notable book on California wine growing, and built his Sonoma estate into what was widely advertised as “the largest vineyard in the world.” In this book, the first full-length biography of one of nineteenth-century America’s most interesting and influential immigrants, the author examines Haraszthy’s amazing life, dispels many of the myths that have gathered around him, and makes a careful assessment of his contributions to American immigration and agricultural history.

Read more less

This is a comprehensive collection of readings from the work of Theodor Adorno, one of the most influential German thinkers of the twentieth century. What took place in Auschwitz revokes what Adorno termed the “Western legacy of positivity,” the innermost substance of traditional philosophy. The prime task of philosophy then remains to reflect on its own failure, its own complicity in such events. Yet in linking the question of philosophy to historical occurrence, Adorno seems not to have abandoned his paradoxical, life-long hope that philosophy might not be entirely closed to the idea of redemption. He prepares for an altogether different praxis, one no longer conceived in traditionally Marxist terms but rather to be gleaned from “metaphysical experience.” In this collection, Adorno's literary executor has assembled the definitive introduction to his thinking. Its five sections anatomize the range of Adorno's concerns: “Toward a New Categorical Imperative,” “Damaged Life,” “Administered World, Reified Thought,” “Art, Memory of Suffering,” and “A Philosophy That Keeps Itself Alive.” A substantial number of Adorno’s writings included appear here in English for the first time. This collection comes with an eloquent introduction from Rolf Tiedemann, the literary executor of Adorno’s work.

Read more less

Asserting that litigation in late imperial China was a form of documentary warfare, this book offers a social analysis of the men who composed legal documents for commoners and elites alike. Litigation masters—a broad category of legal facilitators ranging from professional plaintmasters to simple but literate men to whom people turned for assistance—emerge in this study as central players in many of the most scandalous cases in eighteenth- and nineteenth-century China. These cases reveal the power of scandal to shape entire categories of law in the popular and official imaginations. The author characterizes litigation masters as entrepreneurs of power, intermediaries who typically emerge in the process of limited state expansion to provide links between local interests and the infrastructure of the state. These powermongers routinely acted in the interests of the local elite and the male lineage. But cases preserved in criminal archives also reveal a clientele surprisingly composed of the subordinate actors in legal disputes—widows fighting in-laws and other men, debtors contesting creditors, younger brothers disputing older ones, and common people charging the rich. Challenging earlier scholarship claiming that the Chinese legal system simply maintained the hegemony of elites and the patriarchal order, this study shows how the legal tools of domination were often transformed into weapons of social resistance and revenge. The book also examines the manifold ways in which legal practice, Confucian ideology, and popular entertainments like opera and storytelling coalesced into Chinese legal culture. Popular traditions in particular did not simply reflect legal culture but actively influenced it, shaping common presumptions about law that transcended differences of class and region. Exploring Chinese legal culture in the structural contexts of commercialization, changes in property transactions, and ineradicable litigation backlogs, the author explains why litigation was condemned by all classes of Chinese men and women even as all classes litigated.

Read more less

Analyzing the protracted cultural debate in modern China over what and how women should write, this book focuses on two concepts of great importance in Chinese literary modernization—the new, liberated woman and the new, autonomous writing. Throughout the Ming and Qing dynasties, women's moral virtue, or de, developed as a physical ordeal that meant sacrifices in the areas of freedom of movement (seclusion in either the father's or husband's house) and the body (chastity, fidelity, widow suicide). While physical concepts of virtue existed for men, they were not canonized nearly as extensively as they were for women and did not constitute a marker of masculinity. Posed against de was cai, or literary talent, a male-gendered practice that contained a variable content of profound lyricism, deep intellectuality, and analytical skill. The debate that began at the beginning of the twentieth century over the roles of women and literature was grounded in these traditional views. The author argues that in many modernizing countries traditional constrictions of women became a focus of struggle, and improvements in the treatment of women were considered a sign of national health. In China, however, the traditional emphasis on female virtue and male talent led to protests by women writers against the virtuous woman. Their writings emphasized not the modernizing virtues of equality in love and marriage, nor the mother as educator of a generation of nation-builders, but unconventional relationships and the refusal to marry. Moreover, although national strength demanded a strong female body to represent it, much fiction by women presented the female body as an obstacle to fulfillment or as a form weakened by sickness or death. Rather than emerging as a personal indicator of national health, as the modernizing discourse demanded, the female body in Chinese women's fiction reflected the old, anti-modern meaning of moral virtue through physical ordeal, which must be effaced.

Read more less