Search results for ""author victoria"

What happens if we read nineteenth-century and Victorian texts not for the autonomous liberal subject, but for singularity—for what is partial, contingent, and in relation, rather than what is merely "alone"? Feminine Singularity offers a powerful feminist theory of the subject—and shows us paths to thinking subjectivity, race, and gender anew in literature and in our wider social world. Through fresh, sophisticated readings of Lewis Carroll, Christina Rossetti, Charles Baudelaire, and Wilkie Collins in conversation with psychoanalysis, Black feminist and queer-of-color theory, and continental philosophy, Ronjaunee Chatterjee uncovers a lexicon of feminine singularity that manifests across poetry and prose through likeness and minimal difference, rather than individuality and identity. Reading for singularity shows us the ways femininity is fundamentally entangled with racial difference in the nineteenth century and well into the contemporary, as well as how rigid categories can be unsettled and upended. Grappling with the ongoing violence embedded in the Western liberal imaginary, Feminine Singularity invites readers to commune with the subversive potentials in nineteenth-century literature for thinking subjectivity today.

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British photographer Julia Margaret Cameron (1815-1879) has been described as one of the Finest portraitists of the nineteenth century-in any medium. Raised in a well-connected and creative family, Cameron led an unconventional life for a woman of the Victorian age. After devoting herself to an artistic and literary salon at her home on the Isle of Wight and raising eleven children, Cameron took up photography in her late forties. Over the next fourteen years, she produced more than a thousand strikingly original and often controversial images. Her searching portraits of her friends and acquaintances, including Alfred Tennyson and Charles Darwin, have been called the world's first close-ups. This biography casts new light on the artist's links with the leading cultural figures of her time and on the techniques she used to achieve her distinctive style. It is published to coincide with a travelling exhibition of Cameron's photographs that will be on display at the National Portrait Gallery, London, and the National Museum of Photography, Film and Televison, Bradford, England, in spring 2003 and will open at the Getty Museum in October 2003.

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Designed for classroom use, The First Anglo-Afghan Wars gathers in one volume primary source materials related to the first two wars that Great Britain launched against native leaders of the Afghan region. From 1839 to 1842, and again from 1878 to 1880, Britain fought to expand its empire and prevent Russian expansion into the region's northwest frontier, which was considered the gateway to India, the jewel in Victorian Britain's imperial crown. Spanning from 1817 to 1919, the selections reflect the complex national, international, and anticolonial interests entangled in Central Asia at the time. The documents, each of which is preceded by a brief introduction, bring the nineteenth-century wars alive through the opinions of those who participated in or lived through the conflicts. They portray the struggle for control of the region from the perspectives of women and non-Westerners, as well as well-known figures including Kipling and Churchill. Filled with military and civilian voices, the collection clearly demonstrates the challenges that Central Asia posed to powers attempting to secure and claim the region. It is a cautionary tale, unheeded by Western powers in the post–9/11 era.

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Designed for classroom use, The First Anglo-Afghan Wars gathers in one volume primary source materials related to the first two wars that Great Britain launched against native leaders of the Afghan region. From 1839 to 1842, and again from 1878 to 1880, Britain fought to expand its empire and prevent Russian expansion into the region's northwest frontier, which was considered the gateway to India, the jewel in Victorian Britain's imperial crown. Spanning from 1817 to 1919, the selections reflect the complex national, international, and anticolonial interests entangled in Central Asia at the time. The documents, each of which is preceded by a brief introduction, bring the nineteenth-century wars alive through the opinions of those who participated in or lived through the conflicts. They portray the struggle for control of the region from the perspectives of women and non-Westerners, as well as well-known figures including Kipling and Churchill. Filled with military and civilian voices, the collection clearly demonstrates the challenges that Central Asia posed to powers attempting to secure and claim the region. It is a cautionary tale, unheeded by Western powers in the post–9/11 era.

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Many of London’s original power stations have either been demolished, converted for other use, or stand derelict awaiting redevelopment that is seemingly always just out of reach. However, in their prime these mighty ‘cathedrals of power’ played a vital role in London’s journey towards becoming the world’s most important city. Gasworks also played a key role, built in the Victorian era to manufacture gas for industry and the people, before later falling out of favour once natural gas was discovered in the North Sea. London’s Lost Power Stations and Gasworks looks at the history of these great places. Famous sites that are still standing today, such as those at Battersea and Bankside (now the Tate Modern gallery), are covered in detail, but so are the previously untold stories of long-demolished and forgotten sites. Appealing to anyone with even the slightest interest in London, derelict buildings or urban exploring, this book uses London’s power supply as the starting point for a fascinating hidden history of Britain’s capital, and of the more general development of cities from the era of industrialisation to the present day.

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David Fathers presents a unique and richly illustrated guide to the London section of the Thames Path, newly updated to reflect the city's ever-changing landscape. The iconic path, which stretches from the lost floodplains of Richmond all the way to the Thames Barrier, is a panoramic 40-mile walk through 2000 years of London's history. From the old docks and wharves that primed the Industrial Revolution, through the heart of British Government, Monarchy and Church to the City of London that took its very existence from the river. From the site of the Putney Debates at St Mary's Church to Wren's mighty baroque cathedral of St Paul's. From the great Victorian engineering works of Sir Joseph Bazalgette and his attempts to clean up a polluted London and the river to the Thames Barrier seeking to protect huge parts of London from rising sea levels. From London Bridge, site of the oldest crossing point, to the Millennium Bridge, the Thames' newest crossing. This book explains the panorama we see today, what came before and how the changes came about. Each double page shows the distance covered so you can plan your own tour of the river.

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Samuel Palmer (1805–1881) was one of the leading British landscape painters of the 19th century. Inspired by his mentor, the artist and poet William Blake, Palmer brought a new spiritual intensity to his interpretation of nature, producing works of unprecedented boldness and fervency. Pre-eminent scholar William Vaughan—who organized the Palmer retrospective at the British Museum and The Metropolitan Museum of Art in 2005—draws on unpublished diaries and letters, offering a fresh interpretation of one of the most attractive and sympathetic, yet idiosyncratic, figures of the 19th century. Far from being a recluse, as he is often presented, Palmer was actively engaged in Victorian cultural life and sought to exert a moral power through his artwork. Beautifully illustrated with Palmer's visionary and enchanted landscapes, the book contains rich studies of his work, influences, and resources. Vaughan also shows how later, enthralled by the Pre-Raphaelite movement, Palmer manipulated his own artistic image to harmonize with it. Little appreciated in his lifetime, Palmer is now hailed as a precursor of modernism in the 20th century.Published for the Paul Mellon Centre for Studies in British Art

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Artist, designer, and lifestyle entrepreneur, April Cornell, opens her home and her life, to reveal how she captures the beauty of nature and expresses it throughout her personal and private living space. Features April's own introspections and illustrations, homey sketches that perfectly punctuate each page. In this refreshingly eclectic and intimate assemblage of home design inspirations, April takes the reader on a walk through her world of colour, textures and style, using her charming Victorian-style family home in Vermont as the showcase for her personal approach to design and decorating. In doing so, she inspires readers to rethink their own relationship with the natural world and suggests ingenious ways to enhance any home using nature's perfect palettes. Beautifully illustrated throughout, the book is a cornucopia of refreshingly simple, yet sumptuous home decorating ideas. It is also the inspiring story of an artist who has "looked" at her life and has been so dazzled by its inherent beauty that her focus is unwaveringly uncomplicated. Readers need not mimic April's style to appreciated the sagacity and sensuality of her design philosophy; her serene approach to home decorating is both infectious and achievable.

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By the second half of the 1920s, old-fashioned Victorian morals had gone the way of starched collars and cruel corsets and a "no holds barred" attitude reigned in their place. "The Party of the Century" had begun in earnest and fashions responded by climbing to the knees! Using a combination of vintage images, professional photographs of existing garments, and period artists' illustrations, this comprehensive book presents a dazzling look at fashions from 1925 through 1929. Fashions for men, women, and children are featured, including evening andday wear, coats and jackets, lounge and resort wear, sports fashions, and lingerie. Whenever possible, styles are shown with their appropriate accessories, such as hats, shoes, purses, fans, parasols, and more. Fascinating timelines place the fashions in their proper settings describing each year's film, music, literary, and couture trends. Among the book's many highlights are rare French pochoir fashion plates and photos of an original haute couture Chanel evening gown. This in-depth look at one of our most exciting decades will appeal to fashion enthusiasts and history buffs alike. A companion volume covers the years 1920 to 1924.

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Whether you are visitor, vacationer, or resident, this tour book will be your indispensable guide to the history and charm of Cape May Point, New Jersey, as you stroll past its wonderful collection of nineteenth-century cottages. Three walking tours encompass more than 70 of Cape May Point’s earliest buildings – each illustrated in full color with engaging descriptions of their architectural features. Each tour is a delightful way to spend a leisurely hour or so. Additionally, two-dozen rare photographs portray handsome houses that did not survive the ravages of development and storms that devastated one-fifth of the original community. Ten “top pick” contemporary homes are also featured and described. If you cannot tell a baluster from a bargeboard, have no fear. The fully illustrated glossary interprets any professional jargon so that you will soon become knowledgeable about domestic Victorian architecture. Cape May Point attracts many for its delightful cottages, intimate scale, gracious town plan, and preserved natural beauty. How did this combination happen? And what are the distinctive architectural results? This book will tell you and present the magic of Cape May Point. Read and explore.

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Collecting toothpick holders is about to become easier and more rewarding than ever! Here is the only publication to focus exclusively on toothpick holders made of porcelain. Over 600 beautiful color photographs showcase toothpick holders from around the world, including major ceramics manufacturers from Austria, Bavaria, Czechoslovakia, England, Germany, and the United States. A large section on Prussian toothpick holders shows the many different molds used by the manufacturers located there, and includes line drawings to show mold details. The section on Royal Bayreuth shows examples of nearly every shape and decoration known from that company, and the Japanese (Nippon) section shows the wide range of shapes, hand-painted decorations, and quality that originated there. Many manufacturers’ marks are included. Information on contemporary and reproduction toothpick holders is also included, as well as tips on collecting, displaying, and insuring your collection. The book is organized to be easy-to-use and is an indispensable reference for everyone interested in ceramics from the late Victorian period through the 1930s. Current value ranges are given for all items pictured.

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Watercolour has an anomalous position in the visual arts. Its association with Victorian lady-amateurs, the (incorrect) idea that it is a fugitive medium and will fade over time, as well as the contradictory ideas that it is very difficult to use and that it is a beginner's medium, mean that it has long been sidelined in favour of oil and acrylic paints. But 'Watercolour', a recent blockbuster show at the Tate Britain, and the contemporary interest in less conventional media point to a renewed interest in this underrated art-form. Watercolour painting does have particular difficulties - it is transparent and therefore fairly unforgiving, for a start - but its advantages are huge. It is light and easy to carry the kit about, it is easy to clean and to prepare, it is unobtrusive, and a lot of the material you need you will already have around the house - a jam jar, water and don't forget the most important item: toilet tissue! Watercolour is also a great and constantly evolving challenge, and can be used in all sorts of ways. Within these pages a range of artists share their very diverse approaches to painting in watercolour, to give the reader an idea of how adaptable and enjoyable this medium really is.

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The first performance of Handel’s 'Messiah' in Dublin in 1742 is now legendary. Gentlemen were asked to leave their swords at home and ladies to come without hoops in their skirts in order to fit more people into the audience. Why then, did this now famous and much-loved oratorio receive a somewhat cool reception in London less than a year later? Placing Handel’s best-known work in the context of its times, this vivid account charts the composer’s working relationship with his librettist, the gifted but demanding Charles Jennens, and looks at Handel’s varied and evolving company of singers together with his royal patronage. Through examination of the composition manuscript and Handel’s own conducting score, held in the Bodleian, it explores the complex issues around the performance of sacred texts in a non-sacred context, particularly Handel’s collaboration with the men and boys of the Chapel Royal. The later reception and performance history of what is one of the most successful pieces of choral music of all time is also reviewed, including the festival performance attended by Haydn, the massed-choir tradition of the Victorian period and today’s ‘come-and-sing’ events.

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A fresh, unstuffy guide to the stained-glass windows of England's churches, including a list of the top 50 places to see outstanding examples. The magical qualities of stained glass have an enduring appeal, but church windows tend to be ignored as a form of creative and artistic expression. Yet churches are accessible treasure trove of history, art and craftsmanship. No other set of historic buildings with such superb and important architectural and artists assets is as easy to visit. How to Look at Stained Glass is the companion guide that's needed to make sense of and enjoy the vast array of stained-glass windows in the churches of England. This fresh, unstuffy guide: - Uses an A-Z format to reveal a multitude of fascinating details - all the way from apples to zig-zags - Explores stained glass by themes, patterns, designs and effects - Requires no previous historical, artistic or religious knowledge - Covers all the major periods and styles, from medieval to modern, Victorian to postwar, eighteenth century to Arts and Crafts, figurative to abstract - Examines the fascinating and evolving iconography of stained glass - Makes looking at gloriously colourful, artistically important windows both entertaining and rewarding - Features a list of the top 50 places to see outstanding examples - Offers a useful index of churches by county

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This book follows on from Volume 1 and concludes the route history and development of the many interesting routes on the hills in Bradford. These are beautifully illustrated and show the ranges from sooty dark Victorian buildings to rural termini and the attendant changes with city redevelopment. Indeed, the redevelopment of the city in the 1960s also provides a historical pictorial backdrop to the trolleybuses seen at work in the city. The renaissance of Bradfords trolleybuses is described along with the reasons why it was such special system. After every rise, there must come a fall, and this started in Bradford soon after 1961. Whilst the future had looked good in 1960, with capital development planned, the fall and the final closure resulted from management changes, city centre development, major road changes and, finally, a definite close policy. Although the decline was a slow one, it did, however, gather momentum as final closure approached. All of the closures and attendant fleet losses are fully covered, however there is no final day' coverage, as this the book (and Volume 1) seek to principally give light to the best and peak times of the system.

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'Excellent - I inhaled it, I absolutely loved it!... it's moving, and funny...It's a beautiful, beautiful read...for anyone who wants to laugh and be charmed'CLAUDIA WINKLEMAN, BBC Radio 2'Wonderfully funny, utterly charming and sharp as all Hell'SARAH MILLICAN'Tom Allen is one of the funniest comedians in the UK, the best dressed man I know and now it turns out he is a superb writer. I hate him'JOSH WIDDICOMBE~~~~~'When I was 16 I dressed in Victorian clothing in a bid to distract people from the fact that I was gay. It was a flawed plan.'No Shame is a very funny, candid and emotional ride of a memoir by one of our most beloved comedians. The working-class son of a coach driver, and the youngest member of the Noel Coward Society, Tom Allen grew up in 90s suburbia as the eternal outsider.In these hilarious, honest and heart breaking stories Tom recalls observations on childhood, his adolescence, the family he still lives with, and his attempts to come out and negotiate the gay dating scene. They are written with his trademark caustic wit and warmth, and will entertain, surprise and move you in equal measure.

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Unsolved crimes have a special fascination, none more so than unsolved murders. The shock of the crime itself and the mystery surrounding it, the fear generated by the awareness a killer on the loose, the insight the cases give into outdated police methods, and the chance to speculate about the identity of the killer after so many years have passed - all these aspects of unsolved murder cases make them compelling reading. In this companion volume to his bestselling Unsolved Murders of Victorian and Edwardian London, Jonathan Oates has selected over 20 haunting, sometimes shocking cases from the period between the two world wars. Included are the shooting of PC James Kelly in Gunnersbury, violent deaths associated with Fenian Conspiracies, the stabbing of the French acrobat Martial Lechevalier in Piccadilly, the strychnine poisoning of egg-seller Kusel Behr, the killing by arsenic of three members of a Croydon family, and, perhaps most gruesome of all, the case of the unidentified body parts found at Waterloo Station. Jonathan Oates describes each of these crimes in precise, forensic detail. His case studies shed light on the lives of the victims and summon up the ruthless, sometimes lethal character of London itself.

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'A rollercoaster of glorious, criminal wordplay' - Ian Martin, writer of VEEP, THE DEATH OF STALIN'Shit Literary Siblings celebrates the mundane figures, and the characters that, until now, were destined to lurk in the wings - Donna Quixote, Todd Gatsby, Hubert Humbert included' - The FaceThe imagined worlds of books are populated by some of the most loved and recognisable characters we know. But for every famous detective, Victorian heroine and beloved children's character there often exists an overlooked, often rubbish, and frequently downright sh*t sibling. These unfortunate nobodies have never had the spotlight turned upon them. Until now. Meet the likes of...Euston Bear - currently living off Burger King wrapper sandwiches after ending up at the wrong stationWalter Wonka - a Kettering dentist with a phobia of dwarvesGandalf the Greggs - beardy, pastry-covered piss wizard who spends long periods of time in the highstreet bakery chainThe Honourable Jeremy Dracula - younger brother of the Count. Vegetarian.And many more. With illustrations to help you spot these oddballs hanging around on the streets, SH*T LITERARY SIBLINGS is a must have slice of humour for the book lover in your life.

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Scotland Yard's Inspector Ben Ross and his wife Lizzie return in Ann Granger's gripping ninth Victorian mystery.It is the summer of 1871 when Scotland Yard's Inspector Ben Ross pays a visit to Jacob Jacobus, the old rogue of Limehouse: infamous antiquarian, friend to villains and informer to the police. Ben hopes to glean information about any burglaries that might take place now that the wealthiest echelons of society are back in London for the Season. Little does he realise that an audacious theft has already occurred - a priceless family heirloom, the Roxby emerald necklace, has been stolen from a dressing table in the Roxby residence, and the widowed Mrs Roxby is demanding its immediate return. Ben's day gets worse when he and his wife Lizzie are interrupted that evening by the news that Jacob Jacobus has been found dead in his room with his throat slit from ear to ear ... Surely the two crimes cannot be connected? But with Ben's meticulous investigative skills and Lizzie's relentless curiosity, it is only a matter of time before the tragic truth is revealed . . .

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A Guardian Guide Cultural Book of the Year 2023An Irish Times Music Book of the Year 2023'A deep, engrossing history' The Observer'A fascinating deep dive' Jeremy DellerFrom the illicit reggae blues dances and acid-rock free festivals of the 1970s, through the ecstasy-fuelled Second Summer of Love in 1988, to the increasingly corporate dance music culture of the post-Covid era, Party Lines is a groundbreaking new history of UK dance music, exploring its pivotal role in the social, political and economic shifts on which modern Britain has been built.Taking in the Victorian moralism of the Thatcher years, the far-reaching restrictions of the Criminal Justice Act in 1994, and the resurgence of illegal raves during the Covid-19 pandemic, Party Lines charts an ongoing conflict, fought in basement clubs, abandoned warehouses and sunlit fields, between the revolutionary potential of communal sound and the reactionary impulses of the British establishment. Brought to life with stunning clarity and depth, this is social and cultural history at its most immersive, vital and shocking.____'Excellent' The Sunday Times'Reminds us why the dance floor matters . . . fascinating' Telegraph

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A study of the women who led the United States section of the Women's International League for Peace and Freedom in the interwar years, this book argues that the ideas of these women—the importance of nurturing, nonviolence, feminism, and a careful balancing of people's differences with their common humanity—constitute an important addition to our understanding of the intellectual heritage of the United States. Most of these women were well educated and prominent in their chosen fields: they included Jane Addams and Emily Greene Balch, the only two United States women to win Nobel Prizes for Peace; Jeannette Rankin, the first woman elected to the U.S. Congress; and Dorothy Detzer, the woman who prompted the investigation of the munitions industry in the 1930's. The ideas of these women were not usually expressed in forms conventionally studied by intellectual historians. On the whole, their ideas must be teased out of organizational records, statements of principle and policy, and personal correspondence. When combined with an understanding of the personal backgrounds of the WIL leaders and placed in the context of early-twentieth-century America, these documents tell us what these women thought was important and why. The ideas of the WIL leaders are also analyzed in the context of the intellectual themes of Victorianism and modernism. Our understanding of these themes has been based largely on the work of privileged European and American men, and the ideas of women often fit uncomfortably into these traditional categories. A reconstruction of the ideas of the WIL leaders suggests that historians have overlooked an important, alternative intellectual tradition in the United States. To understand and appreciate women's thoughts, we must dissolve the old constructs and let new, multifaceted ones replace them.

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A probing and holistic meditation on the key question: Why do we continue to make art, and thus beauty, out of war? Beautiful War: Studies in a Dreadful Fascination is a wide-ranging exploration of armed conflict as depicted in art that illustrates the constant presence of war in our everyday lives. Philip D. Beidler investigates the unending assimilation and pervasive presence of the idea of war in popular culture, the impulses behind the making of art out of war, and the unending and debatably aimless trajectories of war itself. Beidler's critical scope spans from Shakespeare's plays, through the Victorian battle paintings of Lady Butler, into the post–World War I writings of F. Scott Fitzgerald and Virginia Woolf, and up to twenty-first-century films such as The Hurt Locker and Extremely Loud and Incredibly Close. As these works of art have become ubiquitous in contemporary culture, the many faces of war clearly spill over into our art and media, and Beidler argues that these portrayals in turn shift the perception of war from a savage truth to a concept. Beautiful War argues that the representation of war in the arts has always been, and continues to be, an incredibly powerful force. Incorporating painting, music, photography, literature, and film, Beidler traces a disturbing but fundamental truth: that war has always provided an aesthetic inspiration while serving ends as various and complex as ideological or geopolitical history, public memory, and mass entertainment.Beautiful War is a bold and vivid account of the role of war and military conflict as a subject of art that offers much of value to literary and cultural critics, historians, veterans, students of art history and communication studies, and those interested in expanding their understanding of art and media's influence on contemporary values and memories of the past.

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Could she be everything you aren't, but somehow—still be you? It’s the year 2015 and Sonnet McKay is the daughter of a globe-trotting diplomat, home for the summer from her exotic life. Everything would be perfect if not for her stunning sister, whose bright star has left her in the shadows. In 1895, Emma Sweetwine is trapped in a Victorian mansion, dreaming of wings to fly her far from her mother, who gives her love to her sons, leaving nothing for her daughter. Fate puts them in the same house at the same moment, 120 years apart, and the identical fifteen-year-olds are switched in time. In their new worlds, Sonnet falls in love with a boy, Emma falls in love with a life, and astonishing family secrets are revealed. Torn, both girls want to still go home— but can either one give up what they now have? But Not Forever is an enchanting story of love and longing, and the heart's ultimate quest to find where it belongs.

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Six funny and perceptive monologues about the stresses of modern female life. Meryl Davenport – A mother who tells the story of her non-stop day in a rapid-fire internal monologue. Tiggy Entwhistle – A cactus lover bravely attempting to rise above her relationship crisis. Mary O'Donnell – A feisty teenage schoolgirl competing in a talent quest. Theresa McTerry – An increasingly disillusioned bride on her wedding day. Winsome Webster – A widow with an appetite for the unexpected. Zoe Struthers – An American cabaret singer who's had her fair share of personal problems. Joanna Murray-Smith's play Bombshells was first performed by Caroline O'Connor at the Fairfax Theatre, Victorian Arts Centre, Melbourne, Australia, in December 2001. It was revived at the same venue in 2004, transferring to the York Theatre in Sydney in April 2004. A reduced version consisting of four monologues was performed by Caroline O'Connor as part of the Edinburgh Festival Fringe at the Assembly Rooms, Edinburgh, in 2004. This production – now consisting of all six monologues – transferred to the Arts Theatre in the West End in September 2004.

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Explore 31 of Connecticut's most haunted sites along with a clairvoyant with first hand knowledge of the spirits of whom she speaks! On this spectral tour encounter ghosts in famous homes, including the residences of Mark Twain and Harriet Beecher Stowe. The lively spirits in Hartford, Fairfield, Litchfield County, Middlesex, New Haven, New London, Tolland, and Windham County are all revealed. Meet the ghost of a young murder victim haunting the Pettibone Tavern, the prisoners who never left the mines of Old New-Gate prison, and visit an abandoned town so cursed local residents have changed the name of the road leading to it to keep the curious away. Connecticut's history of witchcraft and the Victorian séances of Hartford are also revealed. Fascinating text provides details of ghost-hunting methods used during research, useful methods for cleansing negative spirits, and directions to the sites. Everyone intrigued by ghosts and life beyond death will enjoy the thirty-two images that provide evidence of spirits moving among us.

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This delightful book examines the graphics found on all kinds of children's alphabet ware, along with fascinating histories of the firms that produced it. Primarily made in nineteenth century Britain, America, and Germany, these ceramic plates, metal table and flatware, glass dishes, and mugs are considered a reflection of the technologies, values, and styles of the Victorian era. Alphabetically arranged, the twenty-six lettered chapters each tell part of the story: A begins the tale with a bit of American history, B tells of the early bonfires and nineteenth century bottle ovens, C discusses commercialism, D displays deep dishes, E reviews the role of the ware in educating the young … and so on, all the way to Z. The extensively researched text is accompanied by over 1000 stunning photographs of these historic pieces, with detailed captions providing measurements, information on manufacturers and marks, circa dates, and current values. A must for every enthusiast's library, this unique and comprehensive text guides readers through every aspect of collecting alphabet ware.

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Gross explores our complex fascination with uncanny children in works of fiction. Ranging from Victorian to modern works—Lewis Carroll’s Alice in Wonderland, Carlo Collodi’s Pinocchio, Henry James’s What Maisie Knew, J. M. Barrie’s Peter and Wendy, Franz Kafka’s “The Cares of a Family Man,” Richard Hughes’s A High Wind in Jamaica, Elizabeth Bowen’s The Death of the Heart, and Vladimir Nabokov’s Lolita—Kenneth Gross’s book delves into stories that center around the figure of a strange and dangerous child. Whether written for adults or child readers, or both at once, these stories all show us odd, even frightening visions of innocence. We see these children’s uncanny powers of speech, knowledge, and play, as well as their nonsense and violence. And, in the tales, these child-lives keep changing shape. These are children who are often endangered as much as dangerous, haunted as well as haunting. They speak for lost and unknown childhoods. In looking at these narratives, Gross traces the reader’s thrill of companionship with these unpredictable, often solitary creatures—children curious about the adult world, who while not accommodating its rules, fall into ever more troubling conversations with adult fears and desires. This book asks how such imaginary children, objects of wonder, challenge our ways of seeing the world, our measures of innocence and experience, and our understanding of time and memory.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year.BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table.PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy.THE ARTIST. The Royal Botanic Gardens, Kew has a gallery dedicated to the paintings of the remarkable Victorian artist Marianne North, who had a great eye for botanical detail. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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A landmark illustrated history of rural church monuments - the forgotten national treasures of England and WalesDeep in the countryside, away from metropolitan abbeys and cathedrals, thousands of funerary monuments are hidden in parish churches. These artworks - medieval brasses and elegant marble effigies, stone tomb chests and grand mausoleums - are of great historical and cultural significance, but have, due to their relative inaccessibility, faded from accounts of our art history.Over twenty-five years, C. B. Newham FSA has visited and photographed more than eight thousand rural churches, cataloguing the monumental sculptures encountered on his quest. In Country Church Monuments, he presents 365 of the very best, each accompanied by detailed photographs, biographies of both the deceased and their sculptors and a wealth of contextual material. Many of these works commemorate famous historical figures, from scheming Tudor courtier Richard Rich to Victorian prime minister William Ewart Gladstone. But more moving are the countless others - minor aristocrats, small-time industrialists, much-loved mothers, fathers and children - who, if not for their memorials, would wholly be lost to time.As Newham blows the dust off these artworks and breathes life into the stories they tell, a new aesthetic history of rural England and Wales emerges. Country Church Monuments is a poignant record of the art we make at the borders of life and death, of our ceaseless human striving for eternity.

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How has Paris, the world's fashion capital, influenced Milan, New York, and Tokyo? When did the Marlboro Man become a symbol of American masculinity? Why do Americans love to dress down in high-tech Lycra fabrics, while they wax nostalgic for quaint, old-fashioned Victorian cottages? Fashion icons and failures have long captivated the general public, but few scholars have examined the historical role of business and commerce in creating the international market for style goods. Producing Fashion is a groundbreaking collection of original essays that shows how economic institutions in Europe and North America laid the foundation for the global fashion system and sustained it commercially through the mechanisms of advertising, licensing, marketing, publishing, and retailing. The collection reveals how public and private institutions—from government censors in imperial Russia to large corporations in the United States—worked to shape fashion, style, and taste with varying degrees of success. Fourteen contributors draw on original research and fresh insight into the producers of fashion—advertising agents, architects, corporate executives, department stores, designers, editors, government officials, hairdressers, haute couturiers, and Web retailers—in their bid for influence, acclaim, and shoppers' dollars. Producing Fashion looks to the past, revealing the rationale behind style choices, while explaining how the interplay of custom, invented traditions, and sales imperatives continue to drive innovation in the fashion industries.

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A Washington Post Book of the YearWinner of the Merle Curti AwardWinner of the Jacques Barzun PrizeWinner of the Ralph Waldo Emerson Award“A masterful study of privacy.”—Sue Halpern, New York Review of Books“Masterful (and timely)…[A] marathon trek from Victorian propriety to social media exhibitionism…Utterly original.”—Washington PostEvery day, we make decisions about what to share and when, how much to expose and to whom. Securing the boundary between one’s private affairs and public identity has become an urgent task of modern life. How did privacy come to loom so large in public consciousness? Sarah Igo tracks the quest for privacy from the invention of the telegraph onward, revealing enduring debates over how Americans would—and should—be known. The Known Citizen is a penetrating historical investigation with powerful lessons for our own times, when corporations, government agencies, and data miners are tracking our every move.“A mighty effort to tell the story of modern America as a story of anxieties about privacy…Shows us that although we may feel that the threat to privacy today is unprecedented, every generation has felt that way since the introduction of the postcard.”—Louis Menand, New Yorker“Engaging and wide-ranging…Igo’s analysis of state surveillance from the New Deal through Watergate is remarkably thorough and insightful.”—The Nation

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Recent scholarship has revealed that pioneering Victorian scientists endeavored through voluminous writing to raise public interest in science and its implications. But it has generally been assumed that once science became a profession around the turn of the twentieth century, this new generation of scientists turned its collective back on public outreach. "Science for All" debunks this apocryphal notion. Peter J. Bowler surveys the books, serial works, magazines, and newspapers published between 1900 and the outbreak of World War II to show that practicing scientists were very active in writing about their work for a general readership. "Science for All" argues that the social environment of early twentieth-century Britain created a substantial market for science books and magazines aimed at those who had benefited from better secondary education but could not access higher learning. Scientists found it easy and profitable to write for this audience, Bowler reveals, and because their work was seen as educational, they faced no hostility from their peers. But when admission to colleges and universities became more accessible in the 1960s, this market diminished and professional scientists began to lose interest in writing at the nonspecialist level. Eagerly anticipated by scholars of scientific engagement throughout the ages, "Science for All" speaks to our own era and the continuing tension between science and public understanding.

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'A hugely entertaining Victorian mystery' New York Times 'I enjoyed this - properly creepy and Gothic' Ian Rankin_______________A CASE FOR FREY & McGRAY The Scottish Highlands, 1889. When a young heir receives a sinister death threat, Inspectors Frey and 'Nine-Nails' McGray answer a desperate plea to offer him protection. The detectives travel north to the remote and misty Loch Maree, site of an ancient burial ground. They must stay with the mysterious Koloman family - any one of whom might be a suspect. But Frey and McGray have little time to get their bearings. Even before they arrive the boy's guardian is brutally murdered, and one thing becomes clear to the two detectives: Someone is willing to kill to protect the secrets of Loch Maree._______________Praise for the Frey & McGray series: 'This is wonderful. A brilliant, moving, clever, lyrical book - I loved it. Oscar de Muriel is going to be a name to watch' Manda Scott 'Fun to read and a fast page-turner. Love and murder - they go together like strawberries and cream' Independent 'A brilliant mix of horror, history, and humour. Genuinely riveting with plenty of twists, this will keep you turning the pages. It's clever, occasionally frightening and superbly written ... Everything you need in a mystery thriller' Crime Review 'Fast-paced, well-researched and thoroughly spellbinding. The mismatched pair is as entertaining as Holmes and Watson at their best' Historical Novel Society

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Cleopatra. Nefertiti. Hatshepsut. All of them are ancient Egyptian female rulers who rose above their predominantly patriarchal societies to become controllers of a great empire. Missing from this list, however, is Sobekneferu, ancient Egypt’s first female ruler. Why was the reign of this powerful woman all but forgotten? Piecing together the lost history of the first female pharaoh, Andrew Collins presents the first comprehensive biography of Sobekneferu. Using every text and monument that concerns Sobekneferu and her time in power, he examines her achievements as ruler, the political and religious issues of her age, the temples and ruins associated with her, and her continuing impact on ancient Egypt after her reign. He explores her relationship with her brother Amenemhet IV, her sister Neferuptah, and their father Amenemhet III, regarded as one of the most beloved pharaohs of the Middle Kingdom. He examines Sobekneferu’s untimely end, the fate of her body, and the cult that developed in her name. Discussing Sobekneferu’s magical beliefs and practices, Collins shows how they centred on the crocodile god Sobek, the hippo goddess Neith, and the circumpolar stars of the night sky in which they were personified. He also reveals how the setting of the Crocodile Star (Eltanin), the brightest star in the constellation of Draco, aligns with Sobekneferu’s suspected pyramid. Examining the modern-day resurrection of Sobekneferu among the occultists and mystics of Victorian London, Collins shows how she is the true inspiration behind every ancient Egyptian female queen who comes back to life after her tomb is found--as featured first in Bram Stoker’s shocking 1903 novel The Jewel of the Seven Stars and later in several modern blockbuster movies. Revealing how Sobekneferu has left a lasting impact on culture and occulture through the ages despite being nearly erased from history, Collins shows how her continuing legacy is perhaps, ultimately, her true resurrection.

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Winner of the Publication Award for Popular Culture and Entertainment for 2009 from the Metropolitan Chapter of the Victorian Society in America Named to Pop Matters list of the Best Books of 2009 (Non-fiction) From the lights that never go out on Broadway to its 24-hour subway system, New York City isn't called "the city that never sleeps" for nothing. Both native New Yorkers and tourists have played hard in Gotham for centuries, lindy hopping in 1930s Harlem, voguing in 1980s Chelsea, and refueling at all-night diners and bars. The slim island at the mouth of the Hudson River is packed with places of leisure and entertainment, but Manhattan's infamously fast pace of change means that many of these beautifully constructed and incredibly ornate buildings have disappeared, and with them a rich and ribald history. Yet with David Freeland as a guide, it's possible to uncover skeletons of New York's lost monuments to its nightlife. With a keen eye for architectural detail, Freeland opens doors, climbs onto rooftops, and gazes down alleyways to reveal several of the remaining hidden gems of Manhattan's nineteenth- and twentieth-century entertainment industry. From the Atlantic Garden German beer hall in present-day Chinatown to the city's first motion picture studio—Union Square's American Mutoscope and Biograph Company—to the Lincoln Theater in Harlem, Freeland situates each building within its historical and social context, bringing to life an old New York that took its diversions seriously. Freeland reminds us that the buildings that serve as architectural guideposts to yesteryear's recreations cannot be re-created—once destroyed they are gone forever. With condominiums and big box stores spreading over city blocks like wildfires, more and more of the Big Apple's legendary houses of mirth are being lost. By excavating the city's cultural history, this delightful book unearths some of the many mysteries that lurk around the corner and lets readers see the city in a whole new light.

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Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field and represent a major contribution to international film studies. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year. Particular attention is also paid to the ways in which the cinema of other countries affected the English industry. Volume 4 examines how in 1899 two major events influenced British cinema. The Boer War created a boom in film production as a result of an insatiable demand for news and pictures of the campaign brought on my fervent patriotism. Though actual battle could not be filmed, ‘fake’ war films based on incidents from the campaign began to be produced by English filmmakers. The University of Exeter Press editions of Volumes 2, 3, 4 are re-jacketed re-issues of the first editions. The long-awaited fifth and final volume in the series is published for the first time by UEP, and edited and introduced by Richard Maltby, Professor of Screen Studies, Flinders University, Australia. Describing in detail one of the most inventive periods in the history of English cinema, this series represents a major contribution to international film studies. Each illustrated volume details a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors, as well as a comprehensive filmography of English films, fiction and non-fiction, for the year. The previous volumes are aready established as classics in their field and have recently been re-jacketed and re-issued by University of Exeter Press.The fifth and final volume documents the year 1900, when the conflict in South Africa against the Boers and the Boxer uprising in China proved popular subjects for news films and fictional representations. It includes a full Introduction by Richard Maltby which places Victorian cinema in its cultural, social and historical context

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‘A delightful compendium of the kind of facts you immediately want to share with anyone you encounter’ New York Times ‘An ebullient, irrepressible spirit invests this book. It is erudite and sprightly’Sunday Times From the creation of the first encyclopedia to Wikipedia, from ancient museums to modern kindergarten classes—here is award-winning writer Simon Winchester’s brilliant and all-encompassing look at how humans acquire, retain, and pass on information and data, and how technology continues to change our lives and our minds. With the advent of the internet, any topic we want to know about is instantly available with the touch of a smartphone button. With so much knowledge at our fingertips, what is there left for our brains to do? At a time when we seem to be stripping all value from the idea of knowing things – no need for maths, no need for map reading, no need for memorisation – are we risking our ability to think? As we empty our minds, will we one day be incapable of thoughtfulness? Addressing these questions, Simon Winchester explores how humans have attained, stored and disseminated knowledge. Examining such disciplines as education, journalism, encyclopedia creation, museum curation, photography and broadcasting, he looks at a whole range of knowledge diffusion – from the cuneiform writings of Babylon to the machine-made genius of artificial intelligence, by way of Gutenberg, Google and Wikipedia to the huge Victorian assemblage of the Mundaneum, the collection of everything ever known, currently stored in a damp basement in northern Belgium. Studded with strange and fascinating details, Knowing What We Know is a deep dive into learning and the human mind. Throughout this fascinating tour, Winchester forces us to ponder what rational humans are becoming. What good is all this knowledge if it leads to lack of thought? What is information without wisdom? Does René Descartes’ ‘Cogito, ergo sum’—'I think, therefore I am’, the foundation for human knowledge widely accepted since the Enlightenment—still hold? And what will the world be like if no one in it is wise?

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This is the first biography of a remarkable writer and incorrigible rebel. Evelyn Sharp’s story encapsulates the shifts in opportunities for talented Victorian women who survived into the mid-twentieth century.She was born into a privileged family in 1869 and became a very popular writer of schoolgirl fiction. Extremely versatile, she also produced fairy tales alongside stories for the infamous ‘Yellow Book’. A Manchester Guardian journalist for over four decades, Evelyn Sharp became the first regular contributor to its iconic Women’s Page. Before and during the First World War she was a leading suffragette, editing the newspaper, ‘Votes for Women’.This biography draws on Evelyn Sharp’s publications, as well as letter and diaries vividly describing experiences such as famine relief in Soviet Russia and daily life in wartime Kensington for and elderly woman. It will be of interest to gender and social historians as well as to those interested in children’s and women’s literature.

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This delightful compendium of American pocket mirrors showcases more than 500 miniature treasures of early 20th century design. Small celluloid round, oval, and rectangular mirrors were designed as advertising premiums, giveaways, favors, mementoes of weddings and anniversaries, souvenirs from historic sites, and so on. Today they are greatly admired for their exquisitely designed graphics, charming Victorian language, and romanticized--indeed often humorous--depiction of commercial products. Organized by subject matter, these colorful mirrors feature period advertising, political and patriotic themes, babies and children, beautiful women, portraiture, brides and grooms, historic sites, transportation, farm machinery and tools, and much more. Many icons of advertising are represented, including Coca Cola, Pepsi, Hires Root Beer, Lydia Pinkham's Pills, RCA Victor, even early Pop Art examples from Campbell's Soup! A history of pocket mirrors, manufacturer information, value guide, and tips for determining authenticity are all provided. Collectors, artists, devotees of advertising history, designers, and students will all appreciate these diminutive gems of graphic design.

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The English are often confused about who they are. They say ‘British’ when they mean ‘English’, and ‘English’ when they should say ‘British.’ But when England, more than the rest of the UK, voted to leave the EU, polls showed national identity was a big concern. So it’s time the English sorted out in their minds what it means to be English. A nation’s character is moulded by its history. And in Who Do the English Think They Are? historian and journalist, Derek J. Taylor travels the length and breadth of the country to find answers. He discovers that the first English came from Germany, and then in the later Middle Ages almost became French. He tracks down the origins of English respect for the rule of law, tolerance and a love of political stability. And, when he reaches Victorian times, he investigates the arrogance and snobbishness that have sometimes blighted English behaviour. Finally, Taylor looks ahead. He asks – faced with uncharted waters post-Brexit, what is it is in their national character that will help guide the English people now?

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Covering the major social and political events of British history from the late Victorian era through to the present day, the 6th edition of this landmark textbook helps students critically examine the relationship between the British state and its citizens. With accessible and engaging prose, the book guides students through a mix of chronological and thematic coverage connecting key political, economic and social changes, helping them examine the main themes and trends in British political history. Newly featuring definitions of key terms, and with 20 additional illustrations, the 6th edition has also been updated to cover events since the 2015 general election, including: - The 2017 and 2019 general elections - The Brexit vote and negotiations - The COVID-19 pandemic - The resignation of David Cameron, the fall of Theresa May, and the rise of Boris Johnson - The rise of cultural politics, including feminism, Black Lives Matter, the centralisation of government and identity politics This book is essential for anyone looking to for an introduction to modern British social and political history.

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For centuries inventors have been dreaming up schemes to allow people to submerge beneath the waves, stay a while then return again unharmed. The Resurgam was designed for this purpose, as a stealthy underwater weapon which was the brainchild of an eccentric inventor realised in iron, timber, coal and steam. The inventor was George William Garrett, a curate from Manchester who designed and built the Resurgam submarine in 1879 using the limited technology available to a Victorian engineer on a small budget. This is not the story of Garrett himself as this story has already been told, instead this book tells the story how the Resurgam was built, how she may have worked and what happened to her. The book introduces Garrett the inventor then puts the creation of Resurgam in context by considering similar submarines being developed at the end of the 19th century. Garrett’s relationship with the Royal Navy is related here as they were his intended client and the tale continues with a description of how the submarine was built and how it may have worked. The end of the story relates how the Resurgam came to be lost in 1880 pieced together from documents and newspaper reports. Curiously, aspects of the tale do not fit with what was found by underwater archaeologists recording the wreck so other ideas are explored about how and why the submarine was lost.

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The loss of reason, a sense of alienation from the commonsense world we all like to imagine we inhabit, the shattering emotional turmoil that seizes hold and won't let go--these are some of the traits we associate with madness. Today, mental disturbance is most commonly viewed through a medical lens, but societies have also sought to make sense of it through religion or the supernatural, or by constructing psychological or social explanations in an effort to tame the demons of unreason. Madness in Civilization traces the long and complex history of this affliction and our attempts to treat it. Beautifully illustrated throughout, Madness in Civilization takes readers from antiquity to today, painting a vivid and often harrowing portrait of the different ways that cultures around the world have interpreted and responded to the seemingly irrational, psychotic, and insane. From the Bible to Sigmund Freud, from exorcism to mesmerism, from Bedlam to Victorian asylums, from the theory of humors to modern pharmacology, the book explores the manifestations and meanings of madness, its challenges and consequences, and our varied responses to it. It also looks at how insanity has haunted the imaginations of artists and writers and describes the profound influence it has had on the arts, from drama, opera, and the novel to drawing, painting, and sculpture. Written by one of the world's preeminent historians of psychiatry, Madness in Civilization is a panoramic history of the human encounter with unreason.

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This is the fourth part of a successful facsimile series which reprints The Modern Traveller, originally published in 30 volumes between 1825 and 1829. Edited by Josiah Conder, the editor of journals like The Eclectic Review or The Patriot, The Modern Traveller was a successful series of travel books published just prior to Britain’s transport revolution which saw the development and rapid expansion of roads and railways. Reflecting Britain’s imperial ambitions and the expansion of its Empire around the globe, the series had global range, including coverage of the Middle East, Africa, North & South America, and Asia. It provided general readers with the latest information on each country’s geography, history, political situation, culture, customs, major cities, travel routes along historic sites, scenic spots, and so on. Each volume contains illustrations and foldout maps which are all faithfully reproduced in the reprint. The fourth part of the series is from the 20th to the 25th volume. It covers Africa and North America, which were both of geopolitical and of commercial interests to Britain in the early nineteenth-century, particularly in view of the slavery trade. Including very interesting descriptions and pre-Victorian British views of the area, these newly available volumes are a valuable source for any researcher interested in the history of the relationships between Britain and those new continents.

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At its heart, this book is an examination of how a new structural material – mass-produced steel – came to be first applied to the buildings of one of the world’s great cities. The focus is evolution and change in London’s buildings and architecture in the late Victorian and early Edwardian period; its emphasis is unashamedly constructional. A great deal has been written about the shape, style and ornament of metropolitan buildings of the period, but comparatively little on their structural anatomy and physiology. The first part examines the technological developments and economic forces that brought structural steel into being. Central to this was the invention of the Bessemer and Siemens-Martin processes which revolutionised steelmaking and enabled the mass production of a metal which outmatched both cast and wrought iron. Steel became the pillar of a new phase of industrialisation and urbanisation throughout the world, and London, where Henry Bessemer had conducted his initial steelmaking experiments, was one of the first cities to make use of it. The second part of the book is an examination of how structural steel was exploited in different types of London building before 1910. As steel construction developed, and buildings became larger and more complex, structure was forced back onto the architectural agenda. Techniques of framing evolved to make buildings more open, better lit, more stable, or to give them stronger floors or wider roofs.

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A new approach to the mysterious ballads, and their relationship with the past. Katharine Briggs Award 2018: Runner Up The ballad genre, and its material, are frequently backward-looking in terms of subject and style: it is ideally suited to the reimagining of past events, both real and fictional. This volume addresses the past of the ballad and the past in the ballad. It challenges existing scholarship by embracing discontinuity rather than continuity, seeing the ballad as belonging to a culture of cheap printand imaginative literature rather than the rarefied construct of a mythical "folk". It finds a conscious antiquarianism and medievalism reinterpreting the genre at different stages of its literary history, at the same time as theballad itself is continually adapting to the needs of readers, singers, and audience. Chapters cover the few remaining examples of the medieval ballad, and Thomas Percy's medievalism; David Mallet's "William and Margaret" andthe beginnings of the gothic mode early in the eighteenth century; ballads of "Sir James the Rose" and the culture of cheap print in Scotland from the late eighteenth through to the early twentieth century; shipwreck ballads on the loss of the Ramillies and "Sir Patrick Spens", and the reimagining of the past in the present, with a diversion into Coleridge's "Dejection: An Ode"; murder ballads, special providence, and the history of mentalities from earlymodern to Victorian times. DAVID ATKINSON is Honorary Research Fellow at the Elphinstone Institute, University of Aberdeen.

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Jack the Ripper's London...an eerily quiet dining room on the Titanic...and a series of murders that covers two decades.1912. Locked in an eerily quiet dining room on the Titanic, a mysterious man tells a young girl his life story as the ship begins to sink. It all starts in Whitechapel, London in 1888...In the small hours of the night in a darkened Whitechapel alley, young Mary Kelly stumbles upon a man who has been seriously injured and is almost unconscious in the gutter. Mary - down on her luck and desperate to survive - steals his bag and runs off into the night.Two days later, an American gentleman wakes in a hospital bed with no memory of who he is or how he got there. He has suffered a serious head injury, and with no one to help him remember who he is he starts to wonder how he will ever find his way home.One terrible truth links these two lost souls in the dark world of Victorian London - a truth that could ruin the name of the most influential man in the land...Back in 1912, as the Titanic begins its final shuddering descent to the bottom of the frozen, black Atlantic, one man is about to reveal the truth behind a series of murders that have hung like a dark fog over London for more than two decades...the identity of Jack the Ripper.

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In this first study to address women in Thackeray's fiction, Clarke draws on the writer's biography as well as his novels, tales, and nonfictional writings to place him in the context of the women's movement. Approaching her analysis from a feminist-sociological perspective, Clarke connects Thackeray's novels to historical developments in nineteenth-century feminism and identifies an evolution in Thackeray's fictional treatment of women. Contrary to traditional representations of the writer as conventional and even hostile to "the Cause, " the portrait of Thackeray that emerges is of a man both of his age and far ahead of it. Clarke explores the relationship of Thackeray's depiction of women to the prevalent discourse on gender that energized nineteenth-century literature. She synthesizes recent Thackeray studies and examines writers and works Thackeray knew - writers including Judith Drake and Sidney Owenson and works including An Essay in Defense of the Female Sex and Woman and Her Master. The life and works of Caroline Norton serve as a particularly important influence and thread throughout Thackeray's writing. Establishing a strong tie between Thackeray's novels and the nineteenth-century women's movement, Clarke offers a new perspective on the complex, distinctive voice of the writer. Because her study demonstrates the views on women of a major nineteenth-century writer as they are reflected in his novels, the study will appeal to scholars of women's studies, the novel, and Victorian literature and history.

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