Search results for ""author victoria"

"I do not say you are it, but you look it, and you pose at it, which is just as bad," Lord Queensbury challenged Oscar Wilde in the courtroom which erupted in laughter accusing Wilde of posing as a sodomite. What was so terrible about posing as a sodomite, and why was Queensbury's horror greeted with such amusement? In Oscar Wilde Prefigured, Dominic Janes suggests that what divided the two sides in this case was not so much the question of whether Wilde was or was not a sodomite, but whether or not it mattered that people could appear to be sodomites. For many, intimations of sodomy were simply a part of the amusing spectacle of sophisticated life.Oscar Wilde Prefigured is a study of the prehistory of this "queer moment" in 1895. Janes explores the complex ways in which men who desired sex with men in Britain had expressed such interests through clothing, style, and deportment since the mid-eighteenth century. He supplements the well-established narrative of the inscription of sodomitical acts into a homosexual label and identity at the end of the nineteenth century by teasing out the means by which same-sex desires could be signaled through visual display in Georgian and Victorian Britain. Wilde, it turns out, is not the starting point for public queer figuration. He is the pivot by which Georgian figures and twentieth-century camp stereotypes meet. Drawing on the mutually reinforcing phenomena of dandyism and caricature of alleged effeminates, Janes examines a wide range of images drawn from theater, fashion, and the popular press to reveal new dimensions of identity politics, gender performance, and queer culture.

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Through the impact of shops like Habitat and IKEA, and of the countless glossy magazines, books and catalogues that focus on the concept of 'interior design', we have all become familiar with the idea of our homes and public interiors containing items of modern furniture and decor. Yet design historian and critic Penny Sparke shows that, unlike designed buildings and artefacts, the fixed idea of the 'modern interior' has only ever been an abstract and idealized concept, promoted through exhibitions, retail contexts and the mass media, and that it rarely exists in an absolute form. "The Modern Interior" provides a persuasive account of the forces, conflicts and debates that have underpinned the emergence of something we now effortlessly refer to as the 'modern interior'. Offering fascinating and eloquent insights into the work of international designers including C.R. Mackintosh, Adolf Loos, Josef Frank, Frank Lloyd Wright, Marcel Breuer, Lilly Reich, Mies van der Rohe, Le Corbusier, Philippe Starck, and Charles and Ray Eames, Sparke focuses on the realities as well as concepts of the modern interior, whether in the hands of professional decorators and designers, or in those of its amateur inhabitants. By doing so, she deftly unravels the shift from Victorian to modern style, and demonstrates that the easy transition to the modern interior so frequently portrayed is little more than a mythology. "The Modern Interior" is essential reading for all students of modern design, architecture and culture, as well as anyone interested in why the interior spaces we inhabit look the way they do.

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In Spinning Tea Cups: A Mythical American Memoir, Alexandra Teague explores cycles of family trauma and both the dangerous and recuperative powers of fantasy. Teague attempts to understand and contextualize her “feral Victorian” family in terms of trauma and mental health, but also with deep love and humor. How did people who prided themselves on making everything from scratch take annual trips to Disney World? What did it mean that Teague’s mother claimed to have psychic abilities? How did her sensitive youngest nephew end up talking in a voice that wasn’t his own? Why did Teague, the daughter of educated non-conformist parents, marry as a teenager (with her parents’ blessing) and spend seven years in an abusive relationship? How do family legacies of grief and dysfunction and creativity intersect? How do any of us make meaning or escape our circumstances without replicating the fantasies or escapism with which we’ve been raised? Teague is carefully attuned to the vagaries of geographical cultures, and she weaves her family’s history and weighty explorations of trauma and psychology not just with pop culture but with the specific cultures of the places she and her family pass through: the Bay Area, a tiny college town in the Inland Northwest, a Southwest ghost town, a Texas city, an Arkansas hippie bubble, and Central Florida suburb. Spinning Tea Cups will appeal to readers interested in American cultural studies, those concerned with the ongoing crisis of mental illness in this country, and those who simply love strange, quirky, richly told stories.

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***Pre-order Hannah Dolby's next Historical rom-com, How to Solve Murders Like a Lady, now! Perfect for fans of cosy mysteries and female detectives*** *** Violet Hamilton is a woman who knows her own mind. Which, in Victorian Hastings, can make things a little complicated... At 28, Violet's father is beginning to worry she will never find a husband. But every suitor he presents, Violet finds a new and inventive means of rebuffing. Because Violet does not want to marry. She wants to work, and make her own way in the world. But more than anything, she wants to find her mother Lily, who disappeared from Hastings Pier 10 years earlier. Finding the missing is no job for a lady, but when Violet hires a seaside detective to help, she sets off a chain of events that will put more than just her reputation at risk. Can Violet solve the mystery of Lily Hamilton's vanishing before it's too late? A delightfully joyful, funny and gripping historical novel, perfect for fans of The Lady's Guide to Fortune Hunting and The Wisteria Society of Lady Scoundrels. *** 'Glorious... it's funny from the start.' – The Daily Mail 'Delightfully quirky, joyful and original... it will help you bounce exuberantly into spring' – Adele Parks 'If you loved Lessons in Chemistry by Bonnie Garmus, you'll love to snuggle up with this novel!' – Chat *** A delightfully joyful, funny and gripping historical novel, perfect for fans of The Lady's Guide to Fortune Hunting and The Wisteria Society of Lady Scoundrels.

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When Joanna Wolfarth was pregnant with her first child, she assumed she would breastfeed, as her mother had fed her. Yet she was unprepared for the startling realities of new motherhood. Then, just four weeks after the birth, she found herself back in hospital with an underweight baby, bewildered by inconsistent advice and overcome with feelings of guilt and isolation.Months later, her cultural historian's impulse led her to look to the past for guidance. What she discovered, neglected in the archives, amazed and reassured her. By piecing together cultural debris - from fragments of ancient baby bottles to eighteenth-century breast pumps, from the Palaeolithic Woman of Willendorf figurine to the poignantly inventive work of Louise Bourgeois and from mythical accounts of the creation of the Milky Way to advice found in Victorian medical manuals - Joanna began to understand how feeding our babies can be culturally, economically and physiologically determined as well as deeply personal and emotive.Using the arc of her own experience, Joanna takes us on an intimate journey of discovery beyond mother and baby, asking how the world views caregivers, their bodies, their labour and their communal bonds. By bringing together art, social histories, philosophy, folk wisdom and contemporary interviews with women from across the world, Milk reveals how infant feeding has been represented and repressed, celebrated and censured. In doing so, Joanna charts previously unexplored territory and offers comfort and solace to anyone who has fed or will feed a child.

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SHORTLISTED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEAR.SUNDAY TIMES SPORT BOOK OF THE YEAR. From its late-Victorian flowering in the mill towns of the northwest of England, football spread around the world with great speed. It was helped on its way by a series of missionaries who showed the rest of the planet the simple joys of the game. Even now, in many countries, the colloquial word for a football manager is not 'coach' or 'boss' but 'mister', as that is how the early teachers were known, because they had come from the home of the sport to help it develop in new territories. In Rory Smith's stunning new book Mister, he looks at the stories of these pioneers of the game, men who left this country to take football across the globe. Sometimes, they had been spurned in their own land, as coaching was often frowned upon in England in those days, when players were starved of the ball during the week to make them hungry for it on matchday. So it was that the inspirations behind the 'Mighty Magyars' of the 1950s, the Dutch of the 1970s or top clubs such as Barcelona came from these shores. England, without realising it, fired the very revolution that would remove its crown, changing football's history, thanks to a handful of men who sowed the seeds of the inversion of football's natural order. This is the story of the men who taught the world to play and shaped its destiny. This is the story of the Misters.

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'Invigorating ... engaging ... thrilling' Samantha Ellis, GUARDIAN'An astonishing tour-de-force . . . Juliet has found the biographer she deserves' Marion TurnerA cultural, historical, and literary exploration of the birth, death, and legacy of the ultimate romantic heroine - Shakespeare's Juliet CapuletJuliet Capulet is the heartbeat of the world's most famous love story. She is an enduring romantic icon. And she is a captivating, brilliant, passionate teenage girl who is read and interpreted afresh by each new generation.Searching for Juliet takes us from the Renaissance origin stories behind William Shakespeare's child bride to the boy actor who inspired her creation onstage. From enslaved people in the Caribbean to Italian fascists in Verona, and real-life lovers in Afghanistan. From the Victorian stage to 1960s cinema, Baz Luhrmann, and beyond.Sophie Duncan draws on rich cultural and historical sources and new research to explore the legacy and reach of Romeo and Juliet far beyond the literary sphere. With warmth, wit, and insight, she shows us why Juliet is for now, for ever, for everyone.'Deeply researched and wryly written, Searching for Juliet makes us think again about a character and a story we thought we knew' Robert Douglas-Fairhurst'Original, stylish, and compelling . . . It's a marvellous book, and one that delivers a powerfully inspiring message to the young Juliets of our own troubled times' Miranda Seymour'A powerful, witty, and provocative exploration of sex and gender, youth and age, love and death' Anna Beer

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‘Beautiful and poignant' The Art Newspaper ‘Absorbing... a magnificent book' Mail on Sunday The first illustrated book on mudlarking that tells the captivating stories of forgotten people through objects recovered from the river Thames. Combining insights from 200 eclectic objects discovered on the Thames foreshore, meticulous historical research and contextual illustrations, Mudlark’d uncovers the hidden histories of forgotten people from all over the world. Beginning in each case with a particular find, Malcolm Russell tells the stories of the people who owned, made or used such objects, revealing the habits, customs and crafts not only of those living in London but also of those passing through, from continental Europe, the Americas, Africa, Asia and Australia. In the 18th and 19th centuries London was the busiest port in the world, exchanging goods, ideas, people and power with every continent. The Thames long acted as London’s water source, shipyard, thoroughfare and rubbish dump. Its banks have been densely packed with taverns, brothels, markets and workplaces, and scavengers – known as mudlarks - have scoured them since at least the 18th century. Consequently, the Thames today offers a repository of intriguing objects that evoke ways of life long forgotten. A delicate bone hair pin uncovers the story of Roman ornatrices - enslaved hairdressers. A counterfeit coin reveals the heritage of millions of Australians. Glass beads expose the brutal dynamics of the transatlantic slave trade. Clay tobacco pipes uncover the lives of Edwardian women parachutists and Victorian magicians. A scrap of Tudor cloth illuminates the stories of Dutch and French religious refugees. The book also includes a primer, giving step-by-step advice on how to mudlark on tidal rivers and how to identify commonly made finds.

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A study of the women who led the United States section of the Women's International League for Peace and Freedom in the interwar years, this book argues that the ideas of these women—the importance of nurturing, nonviolence, feminism, and a careful balancing of people's differences with their common humanity—constitute an important addition to our understanding of the intellectual heritage of the United States. Most of these women were well educated and prominent in their chosen fields: they included Jane Addams and Emily Greene Balch, the only two United States women to win Nobel Prizes for Peace; Jeannette Rankin, the first woman elected to the U.S. Congress; and Dorothy Detzer, the woman who prompted the investigation of the munitions industry in the 1930's. The ideas of these women were not usually expressed in forms conventionally studied by intellectual historians. On the whole, their ideas must be teased out of organizational records, statements of principle and policy, and personal correspondence. When combined with an understanding of the personal backgrounds of the WIL leaders and placed in the context of early-twentieth-century America, these documents tell us what these women thought was important and why. The ideas of the WIL leaders are also analyzed in the context of the intellectual themes of Victorianism and modernism. Our understanding of these themes has been based largely on the work of privileged European and American men, and the ideas of women often fit uncomfortably into these traditional categories. A reconstruction of the ideas of the WIL leaders suggests that historians have overlooked an important, alternative intellectual tradition in the United States. To understand and appreciate women's thoughts, we must dissolve the old constructs and let new, multifaceted ones replace them.

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A probing and holistic meditation on the key question: Why do we continue to make art, and thus beauty, out of war? Beautiful War: Studies in a Dreadful Fascination is a wide-ranging exploration of armed conflict as depicted in art that illustrates the constant presence of war in our everyday lives. Philip D. Beidler investigates the unending assimilation and pervasive presence of the idea of war in popular culture, the impulses behind the making of art out of war, and the unending and debatably aimless trajectories of war itself. Beidler's critical scope spans from Shakespeare's plays, through the Victorian battle paintings of Lady Butler, into the post–World War I writings of F. Scott Fitzgerald and Virginia Woolf, and up to twenty-first-century films such as The Hurt Locker and Extremely Loud and Incredibly Close. As these works of art have become ubiquitous in contemporary culture, the many faces of war clearly spill over into our art and media, and Beidler argues that these portrayals in turn shift the perception of war from a savage truth to a concept. Beautiful War argues that the representation of war in the arts has always been, and continues to be, an incredibly powerful force. Incorporating painting, music, photography, literature, and film, Beidler traces a disturbing but fundamental truth: that war has always provided an aesthetic inspiration while serving ends as various and complex as ideological or geopolitical history, public memory, and mass entertainment.Beautiful War is a bold and vivid account of the role of war and military conflict as a subject of art that offers much of value to literary and cultural critics, historians, veterans, students of art history and communication studies, and those interested in expanding their understanding of art and media's influence on contemporary values and memories of the past.

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As relevant now as when it was first published, Elizabeth Gaskell's North and South skilfully weaves a compelling love story into a clash between the pursuit of profit and humanitarian ideals. This Penguin Classics edition is edited with an introduction by Patricia Ingham.When her father leaves the Church in a crisis of conscience, Margaret Hale is uprooted from her comfortable home in Hampshire to move with her family to the North of England. Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of local mill workers and develops a passionate sense of social justice. This is intensified by her tempestuous relationship with the mill-owner and self-made man John Thornton, as their fierce opposition over his treatment of his employees masks a deeper attraction. In North and South Gaskell skilfully fused individual feeling with social concern, and in Margaret Hale created one of the most original heroines of Victorian literature. In her introduction Patricia Ingham examines Elizabeth Gaskell's treatment of geographical, economic and class differences, and the male and female roles portrayed in the novel. This edition also includes further reading, notes and a useful glossary.Elizabeth Gaskell (1810-65) was born in London, but grew up in the north of England in the village of Knutsford. In 1832 she married the Reverend William Gaskell and had four daughters, and one son who died in infancy. Her first novel, Mary Barton, was published in 1848, winning the attention of Charles Dickens, and most of her later work was published in his journals, including Cranford (1853), serialised in Dickens's Household Words. She was also a lifelong friend of Charlotte Brontë, whose biography she wrote.If you enjoyed North and South, you might like Jane Austen's Persuasion, also available in Penguin Classics.'[An] admirable story ... full of character and power'Charles Dickens

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In 1897, Archibald Constable and Company published Bram Stoker's "Dracula", the most famous horror novel of all time. For reasons still debated by critics, the first chapter of "Dracula" was cut from the book just weeks before publication. Here, it becomes the central clue in a spine-tingling mystery - published in the same format as Quirk's "The Crimes of Dr Watson". "Dracula's Heir" begins ten years after the horrific events described in the original novel. Jonathon and Mina Harker are happily married and enjoying life in Bixby, England. Meanwhile, their friend Dr. John Seward is tracking a string of crime that seems eerily familiar; a 14-year-old girl sleepwalks out of her parent's house and disappears into the night. Two "accident victims" are found drained of their blood, yet there is no crime scene evidence to explain its loss. When Seward shares his discoveries with the famous vampire hunter Abraham Van Helsing, all the evidence points to Jonathon Harker.After all, Harker spent several months imprisoned in Castle Dracula as a guest of the Count - was he infected without anyone else realising it? Has the mild-mannered English solicitor spent the last ten years lurking in the shadows as a nosferatu? Or is someone (or something) else getting away with murder? As with "The Crimes of Dr Watson", "Dracula's Heir" features an original mystery novella plus 8 removable clues, including a newspaper, a journal, a death certificate, a Victorian calling card and more. Once you've solved the mystery, you can open the final signature (sealed at the printer) to test your sleuthing skills.

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Few writers have had a greater impact upon British society than Charles Dickens. His stories, and, in particular, his many memorable characters, highlighted the life of the forgotten poor and disadvantaged within society at a time when Britain was the leading economic and political power in the world. Dickens' portrayal of the poor, such as Oliver Twist daring to ask for more food in the parish workhouse, and Bob Cratchit struggling to provide for his family at Christmas, roused much sympathy and an understanding of the poor and the conditions in which they lived. This led to many people founding orphanages, establishing schools to educate the underprivileged, or to set up hospitals for those who could not afford medical treatment -one such was Great Ormond Street Children's Hospital where one of its wards was named after the great writer. Little wonder, then, that his legacy can be found across the UK. From the buildings where he lived, the inns and hotels he frequented, the streets and towns which formed the backdrop to his novels and short stories, to the places where he gave readings or performed his own amateur dramatic productions to raise funds for his philanthropic causes. Dickensian memorabilia also abound, including his original manuscripts to his famous works and letters to his wife. Many of these have been woven in a single volume which transports the reader magically through stories and images into the Dickensian world of Victorian Britain.

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Nellie Dowell was a match factory girl in Victorian London who spent her early years consigned to orphanages and hospitals. Muriel Lester, the daughter of a wealthy shipbuilder, longed to be free of the burden of money and possessions. Together, these unlikely soulmates sought to remake the world according to their own utopian vision of Christ's teachings. The Match Girl and the Heiress paints an unforgettable portrait of their late-nineteenth-century girlhoods of wealth and want, and their daring twentieth-century experiments in ethical living in a world torn apart by war, imperialism, and industrial capitalism. In this captivating book, Seth Koven chronicles how each traveled the globe--Nellie as a spinster proletarian laborer, Muriel as a well-heeled tourist and revered Christian peacemaker, anticolonial activist, and humanitarian. Koven vividly describes how their lives crossed in the slums of East London, where they inaugurated a grassroots revolution that took the Sermon on the Mount as a guide to achieving economic and social justice for the dispossessed. Koven shows how they devoted themselves to Kingsley Hall--Gandhi's London home in 1931 and Britain's first "people's house" founded on the Christian principles of social sharing, pacifism, and reconciliation--and sheds light on the intimacies and inequalities of their loving yet complicated relationship. The Match Girl and the Heiress probes the inner lives of these two extraordinary women against the panoramic backdrop of shop-floor labor politics, global capitalism, counterculture spirituality, and pacifist feminism to expose the wounds of poverty and neglect that Christian love could never heal.

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It’s the last months of the nineteenth century and twenty-two year old Euphemia Thorniwork, is out of step with the men’s world she lives in. A mathematical research student at Oxford, looked on with suspicion by her her tutor, Professor Milton, she is forced to collaborate with fellow-student, Leo Lazarus, also under suspicion—for being Jewish. At home in London, life is under pressure—for months a toxic fog has engulfed the city each evening, bringing illness to many, including Euphemia’s widowed mother. The fog has been accompanied by a wave of body-snatching and the body of Euphemia’s beloved cousin, Pearl, remains missing. Additionally, money is tight and Euphemia and her mother must move in with relatives who disapprove of her lifestyle. Haunted by dreams of Pearl in which numbers, a red heifer and Biblical purification rites provide insoluble clues, she discovers an article about communicating with the dead using sound waves. Determined to cling to rational explanations, Euphemia returns to Oxford, but when she begins to fall in love with Leo, and learns something of esoteric Judaism, their research takes an unconventional turn and the questions mount. Can Euphemia and Leo find the body snatchers? What is the origin of the toxic fog and can they find a way to defeat it? Will Leo and Euphemia’s love survive their religious divide? Blending Victorian romance and drama with a compelling supernatural story, The Sound of Gematria is an engaging debut novel not to be missed.

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A richly detailed history of Ashdown Forest -- home of Winnie-the-Pooh. The seeming tranquility of many rural landscapes can hide a combative history. This biography of one such landscape, Ashdown Forest in the Weald of Sussex, exemplifies the evolving conflicts that have taken place over many centuries. Wealth and poverty, power and exclusion, have all characterised this landscape through the ages. When a thirteenth-century boundary was erected to form a hunting park it was imposed upon a landscape which for centuries had provided sustenance for peasant families, for swine herds, for itinerant groups, all of whom had developed grazing and collecting rights and customary ties with the area. Conflict between manorial lords and commoners, "turbulent foresters", was born, and the evolution of this conflict over succeeding centuries is the recurring motif of this book. We move through the exploitation of iron ore and timber during the Tudor period, learn of the real threats of enclosure, of military occupation, to be followed by a landscape aesthetic bringing wealthy incomers, attracted by scenery easily reachable from London by train. All sides felt that the Forest was theirs by right. Victorian law-suits, twentieth-century protective legislation and a growing environmental consciousness have all left their mark. And the struggle for Ashdown continues amid ongoing development pressures. This book demonstrates that multi-layered conflict has been a characteristic feature of what still miraculously remains the largest area of internationally recognised heath in the South-East of England.

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Winner, LGBT Studies Lammy Award presented by Lambda Literary Neither queer theory nor queer activism has fully reckoned with the role of race in the emergence of the modern gay subject. In A Taste for Brown Bodies, Hiram Pérez traces the development of gay modernity and its continued romanticization of the brown body. Focusing in particular on three figures with elusive queer histories—the sailor, the soldier, and the cowboy— Pérez unpacks how each has been memorialized and desired for their heroic masculinity while at the same time functioning as agents for the expansion of the US borders and neocolonial zones of influence. Describing an enduring homonationalism dating to the “birth” of the homosexual in the late 19th century, Pérez considers not only how US imperialist expansion was realized, but also how it was visualized for and through gay men. By means of an analysis of literature, film, and photographs from the 19th to the 21st centuries—including Herman Melville’s Billy Budd, Anne Proulx’s “Brokeback Mountain,” and photos of abuse at the Abu Ghraib prison—Pérez proposes that modern gay male identity, often traced to late Victorian constructions of “invert” and “homosexual,” occupies not the periphery of the nation but rather a cosmopolitan position, instrumental to projects of war, colonialism, and neoliberalism. A Taste for Brown Bodies argues that practices and subjectivities that we understand historically as forms of homosexuality have been regulated and normalized as an extension of the US nation-state, laying bare the tacit, if complex, participation of gay modernity within US imperialism.

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No self-respecting Victorian lady would enter a British pub, a florid drinking den where working men guzzled pints of beer. When brewers, inspired by the Progressive belief that the physical environment influenced moral behavior, turned to the problem of working-class drinking during the interwar years, they set to work reinventing the pub itself. Acting on a genuine belief in the possibility of social betterment, reformers found ready allies among not only government officials but religious leaders, social workers, journalists, the landed classes, even the royal family. In the process, brewers sought to undermine the stigma against pubic drinking and attract a broader clientele. Their Progressive ideas shaped the emergence of an "improved public house" that blurred distinctions among pubs, on one hand, and up-market hotels, restaurants, and roadhouses, on the other. Outside, cheerful gardens, children's playgrounds, and bowling greens greeted delighted customers. Inside, brewers wooed new patrons with meals, music, dancing, and live entertainment. Tea or entertainment rooms beckoned men, women, and even families; couples found intimacy in the new stylish lounge. In this astonishing story of the transformation of the pub, Gutzke draws on an array of sources and methods from gender studies, cultural history, literature, architecture, and urban planning, without neglecting the crucial role of ideology, economics, and politics. This broad-based study, which includes numerous illustrations, will appeal not just to specialists but to anyone interested in the history of a pivotal English social institution.

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Devizes began as the satellite town of a great Norman castle built in the twelfth century by Bishop Roger of Salisbury to defend the boundaries of his church's domain. Roger was Chancellor to Henry I and a powerful man in the land while the king was fighting in France. The castle in Devizes, by all accounts an impressive structure, played an important role in military and political events as Stephen and Matilda vied for the English throne following Henry's death. At the end of the Middle Ages the importance of the castle declined and Devizes became primarily a market town, trading in leather, corn and wool. Surviving merchants' houses from the fifteenth century are evidence of the town's flourishing trade at that time.Just as the existence of many Georgian houses reflect a 'Golden Age' of Devizes in the eighteenth century when wool was the major source of the town's wealth. Today the town preserves many fine buildings including two Norman churches, a medieval street plan and one of the largest and most attractive market places in the country. The medieval castle has gone but a Victorian replacement built by a Devizes businessman picturesquely occupies the castle site. A feature of the book is a guided tour of the town that can be used independently of the main text of the book, enabling the reader to embark straight away on a journey into Devizes' past through its existing streets and buildings. Lorna Haycock lives in Devizes and is currently the Sandell Librarian at Devizes Museum in Long Street.

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From 1934 to 1954 Joseph I. Breen, a media-savvy Victorian Irishman, reigned over the Production Code Administration, the Hollywood office tasked with censoring the American screen. Though little known outside the ranks of the studio system, this former journalist and public relations agent was one of the most powerful men in the motion picture industry. As enforcer of the puritanical Production Code, Breen dictated "final cut" over more movies than anyone in the history of American cinema. His editorial decisions profoundly influenced the images and values projected by Hollywood during the Great Depression, World War II, and the Cold War. Cultural historian Thomas Doherty tells the absorbing story of Breen's ascent to power and the widespread effects of his reign. Breen vetted story lines, blue-penciled dialogue, and excised footage (a process that came to be known as "Breening") to fit the demands of his strict moral framework. Empowered by industry insiders and millions of like-minded Catholics who supported his missionary zeal, Breen strove to protect innocent souls from the temptations beckoning from the motion picture screen. There were few elements of cinematic production beyond Breen's reach--he oversaw the editing of A-list feature films, low-budget B movies, short subjects, previews of coming attractions, and even cartoons. Populated by a colorful cast of characters, including Catholic priests, Jewish moguls, visionary auteurs, hardnosed journalists, and bluenose agitators, Doherty's insightful, behind-the-scenes portrait brings a tumultuous era--and an individual both feared and admired--to vivid life.

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The regular Mounted Infantry was one of the most important innovations of the late Victorian and Edwardian British Army. Rather than fight on horseback in the traditional manner of cavalry, they used horses primarily to move swiftly about the battlefield, where they would then dismount and fight on foot, thus anticipating the development of mechanised infantry tactics during the twentieth century. Yet despite this apparent foresight, the mounted infantry concept was abandoned by the British Army in 1913, just at the point when it may have made the transition from a colonial to a continental force as part of the British Expeditionary Force. Exploring the historical background to the Mounted Infantry, this book untangles the debates that raged in the army, Parliament and the press between its advocates and the supporters of the established cavalry. With its origins in the extemporised mounted detachments raised during times of crisis from infantry battalions on overseas imperial garrison duties, Dr Winrow reveals how the Mounted Infantry model, unique among European armies, evolved into a formalised and apparently highly successful organisation of non-cavalry mounted troops. He then analyses why the Mounted Infantry concept fell out of favour just eleven years after its apogee during the South African Anglo-Boer War of 1899-1902. As such the book will be of interest not only to historians of the nineteenth-century British army, but also those tracing the development of modern military doctrine and tactics, to which the Mounted Infantry provided successful - if short lived - inspiration.

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The female leg is a sexual oddity. Non-genital, and nearly identical in structure to the corresponding male body part, there is no obvious reason why it’s eroticized. Yet, through much of history, across many cultures, the female leg was hidden from sight and treated as such a taboo topic that it became an object of intense sexual obsession. In the Victorian era the word “leg” was so forbidden that it couldn’t be uttered in polite society, lest men be driven wild with lust. Even now, 100 years after women’s legs came out of hiding, their allure remains strong. In this third book of Dian Hanson’s wildly successful body parts series she explores how freeing the female leg became central to women’s liberation, beginning with the post-French Revolution cancan and ending with the 1960’s Sexual Revolution miniskirt. Over 400 photos document the first burlesque “leg shows” of the 1800s, the silk-stockinged flappers of the 1920s, the nylon-mania of the 1940s, the dawn of the stiletto heel in the 1950s, all leading to the golden age of leg magazines in the 1960s. Learn who wore the first high heels, how nylons became a weapon of war, why Betty Grable’s were the million dollar legs, where Elmer Batters got his start, and just what the deal is with feet, while enjoying great vintage photos by Irving Klaw, Batters and other masters of leg art.

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The 1890s have become legendary: the period of Wilde, Beardsley and the Yellow Book; a decadent twilight at the close of the Victorian century, when young poets weary of life sat about drinking absinthe and talking of strange sins. The provenance of this beguiling picture is peculiar, for the myth of the Decadent Nineties was created during the period itself. It was an age of artistic self-consciousness, during which writers and painters believed that they had to create not only their works but also their personalities. In Passionate Attitudes, Matthew Sturgis examines the varying extents to which ambitious poets, penurious painters, canny publishers and a controversialist press all conspired to promote the notion of decadence. He explores in detail the cataclysmic effect upon English decadence of the spectacular trial and subsequent conviction of Wilde in 1895, a fall which was to cast a blight over the whole generation. As well as the luminaries Wilde, Beardsley and Beerbohm, Sturgis portrays Arthur Symons, the poet of the music halls, who divided his energies between promoting Verlaine and chasing after chorus girls; Ernest Dowson, the demoralised romantic of the Rhymers Club; Count Erik Stenbock, who kept a snake up his sleeve and went mad; and John Gray, who may have been the model for Wilde's Dorian. John Lane published most of their books; Owen Seaman and Ada Leverson parodied their manners. Elegantly written, Passionate Attitudes provides a hugely informative and richly entertaining account of the zeitgeist behind the glorious decade of excess.

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This easy-to-use easel format book is ideal for both complete beginners and more experienced artists who want to expand their skills. It contains clear instructions, reliable advice and friendly encouragement to unleash your creativity. It features over 600 illustrations and photographs lead you step by step through each project. It features carefully planned lessons that teach you how to draw the detailed features of people and pets. It offers easy-to-follow guidance on composition, perspective, medium, and the best sitting position for drawing. In this title, projects include household objects, winter tree, Victorian house, portrait of a girl, and ducks on the pond. From flowers and still lifes to landscape and family portraits - you can learn how to draw in just 15 simple, fun lessons. All you need to get started is some basic equipment and a sketchbook. Then just follow the step-by-step directions to learn time-tested techniques for using pencils, pens, pastels and charcoal, and watch your artwork form before your eyes. A useful introduction contains guidance on types of easel, sitting positions, basic equipment and choosing a sketchbook, as well as simple instructions for basic shapes. The chapters that follow cover Still Life, Flowers and Trees, Landscape, People and Portraits, and Animals. Each project is illustrated with detailed stage-by-stage pictures, including close-ups of difficult sections. The practical easel format makes this book easy to use by any aspiring artist.

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The pre-eminent political and spiritual leader of India's independence movement, pioneer of non-violent resistance to tyranny through mass civil disobedience (satyagraha), honoured in India as 'father of nation', Mohandas K. Gandhi has inspired movements for civil rights and political freedom across the world. Jad Adams offers a concise and elegant account of Gandhi's life: from his birth and upbringing in a small princely state in Gujarat during the high noon of the British Raj, to his assassination at the hands of a Hindu extremist in 1948 only months after the birth of the independent India which he himself he had done so much to bring about. He delineates the principal events of a career that may truly be said to have changed the world: his training as a barrister in late Victorian London; his civil rights work in Boer War-era South Africa; his leadership of the Indian National Congress; his focus on obtaining self-government and control of all Indian government institutions, and the campaigns of non-cooperation and non-violence against British rule in India whereby he sought to achieve that aim (including the famous 'Salt March' of March/April 1930); his passionate opposition to partition in 1947 and his fasts-unto-death in a bid to end the bitter and bloody sectarian violence that attended it. Jad Adams's accessible and thoughtful biography not only traces the outline of an extraordinary life with exemplary clarity, but also examines why Mahatma Gandhi and his teachings are still profoundly relevant today.

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The County Durham town of Darlington has a long and interesting history. In medieval times it was a market town for the surrounding area, with records of the market dating back to the twelfth century. The Victorian covered market is an iconic feature at the heart of Darlington today but was hugely controversial when built in the 1860s and its floor collapsed when it opened, killing a local farmer. By this time Darlington had been transformed by the opening of the world’s first passenger railway in the town, built with the wealth acquired by the Pease family’s wool mills. Secret Darlington explores the lesser-known episodes and characters in the history of the town through the centuries, including scandals such as the Cheese Affair involving the Bishop of Durham, war heroes, sporting stars such as the dentist who won the town’s first Olympic gold medal as a football goalkeeper but who died while making a save, a Quaker-born adventurer who fled to Easter Island, a global screen star engaged to Fred Perry who died in an air raid during the Second World War, campaigners for women’s suffrage, industries that have disappeared today including the forge that built the rudder for the Titanic, and forgotten places of entertainment, not least the largest number of cinemas per head of population in the country in the 1930s. With tales of remarkable people, unusual events and tucked-away historical places, Secret Darlington will appeal to all those with an interest in the history of this town in County Durham.

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t’s Halloween in Vermont, winter is coming, and five humans, two dogs, and a cat are a crowd in Mercy Carr’s small cabin. She needs more room - and she knows just the place: Grackle Tree Farm, with thirty acres of woods and wetlands and a Victorian manor to die for. They say it’s haunted by the ghosts of missing children and lost poets and a murderer or two, but Mercy loves it anyway. Even when Elvis finds a dead body in the library. There’s something about Grackle Tree Farm that people are willing to kill for - and Mercy needs to figure out what before they move in. A coded letter found on the victim points to a hidden treasure that may be worth a fortune - if it’s real. She and Captain Thrasher conduct a search of the old place - and end up at the wrong end of a Glock. A masked man shoots Thrasher, and she and Elvis must take him down before he murders them all. Under fire, she and Elvis manage to run the guy off, but not before they are wounded, leaving Thrasher fighting for his life in the hospital, Mercy on crutches, and Elvis on the mend. Now it’s up to Mercy and Troy and the dogs to track down the masked murderer in a county overflowing with leaf peepers, Halloween revelers, and treasure hunters and bring him to justice before he strikes again and the treasure is lost forever, along with the good name of Grackle Tree Farm….

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AS RECOMMENDED BY LYN ANDREWS Liverpool, 1861.Annie Shaw longs to be taken seriously. At 14, she's fed up of being babied by her big sister Delilah. It's true that Delilah has been the closest thing to a mother that Annie or any of her siblings have ever known, but she's secretive about the past and won't let her little sister out of her sight. When Annie's old friend Clara visits with tales of the good money that can be made at the cotton mill outside Ormskirk, she sees her chance at adventure and runs away.The work is gruelling and Annie is shocked to witness children as young as eight working long days around dangerous machinery. But it seems that, as long as the cotton is produced on time, the mill owners turn a blind eye to the very real human toll to be paid. The children from the workhouse are treated especially poorly and Annie can't help but make it her responsibility to rescue them.Soon Annie finds herself caring for three young orphans, now a makeshift mum herself. As hard times hit the mill and hundreds of jobs are lost, will Annie be able to keep her young charges warm, fed and safe? In order to face a turbulent future, Annie needs to first dig into the secrets buried in the past . . .PRAISE FOR JUDY SUMMERS:'I thoroughly enjoyed this book... The characters are well drawn and believable' - Lyn Andrews'Fascinating insights into Victorian Liverpool and a heart-warming story make for an inspiring read' - Mollie Walton

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Although Birmingham’s history goes back beyond the Middle Ages, there are only a few fragments of medieval Birmingham left, some of which have been moved from their original site as the city expanded. The city expanded rapidly in the industrial age and although Birmingham has many properties from the eighteenth and nineteenth centuries, it was radically transformed by the bombing raids of the Second World War and the subsequent rejuvenation by city planners. Some 1960s and 1970s buildings like the Rotunda have become icons of the city, but in recent years much of the mid-twentieth-century building, often in concrete brutalist style, has in turn been replaced by new structures like Beetham Tower and Birmingham Library. As England’s second city, Birmingham was a major centre of manufacture, and many of the buildings still stand today. It was also the home of a significant art and architecture movement, the Arts and Crafts movement, which has left its mark on the architectural legacy of Birmingham. Birmingham in 50 Buildings explores the history of this fascinating West Midlands metropolis through a selection of its most interesting buildings and structures, showing the changes that have taken place over the years. It uncovers the earliest churches and dwellings in the city, unique pieces of industrial architecture, the amazing heritage of Victorian religious and municipal structures, art deco cinemas, modernist high-rise blocks and iconic shopping centres. This book will appeal to all those who live in Birmingham or have an interest in the city.

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Gross explores our complex fascination with uncanny children in works of fiction. Ranging from Victorian to modern works—Lewis Carroll’s Alice in Wonderland, Carlo Collodi’s Pinocchio, Henry James’s What Maisie Knew, J. M. Barrie’s Peter and Wendy, Franz Kafka’s “The Cares of a Family Man,” Richard Hughes’s A High Wind in Jamaica, Elizabeth Bowen’s The Death of the Heart, and Vladimir Nabokov’s Lolita—Kenneth Gross’s book delves into stories that center around the figure of a strange and dangerous child. Whether written for adults or child readers, or both at once, these stories all show us odd, even frightening visions of innocence. We see these children’s uncanny powers of speech, knowledge, and play, as well as their nonsense and violence. And, in the tales, these child-lives keep changing shape. These are children who are often endangered as much as dangerous, haunted as well as haunting. They speak for lost and unknown childhoods. In looking at these narratives, Gross traces the reader’s thrill of companionship with these unpredictable, often solitary creatures—children curious about the adult world, who while not accommodating its rules, fall into ever more troubling conversations with adult fears and desires. This book asks how such imaginary children, objects of wonder, challenge our ways of seeing the world, our measures of innocence and experience, and our understanding of time and memory.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year.BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table.PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy.THE ARTIST. The Royal Botanic Gardens, Kew has a gallery dedicated to the paintings of the remarkable Victorian artist Marianne North, who had a great eye for botanical detail. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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A landmark illustrated history of rural church monuments - the forgotten national treasures of England and WalesDeep in the countryside, away from metropolitan abbeys and cathedrals, thousands of funerary monuments are hidden in parish churches. These artworks - medieval brasses and elegant marble effigies, stone tomb chests and grand mausoleums - are of great historical and cultural significance, but have, due to their relative inaccessibility, faded from accounts of our art history.Over twenty-five years, C. B. Newham FSA has visited and photographed more than eight thousand rural churches, cataloguing the monumental sculptures encountered on his quest. In Country Church Monuments, he presents 365 of the very best, each accompanied by detailed photographs, biographies of both the deceased and their sculptors and a wealth of contextual material. Many of these works commemorate famous historical figures, from scheming Tudor courtier Richard Rich to Victorian prime minister William Ewart Gladstone. But more moving are the countless others - minor aristocrats, small-time industrialists, much-loved mothers, fathers and children - who, if not for their memorials, would wholly be lost to time.As Newham blows the dust off these artworks and breathes life into the stories they tell, a new aesthetic history of rural England and Wales emerges. Country Church Monuments is a poignant record of the art we make at the borders of life and death, of our ceaseless human striving for eternity.

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Nowadays most of us think of the Manchester Ship Canal as that bit of water under the Thelwell Viaduct as we sit in one of England's traffic jam black spots but in the days before the M6, the Manchester Ship Canal was an important route from the docks at Salford and industrial Manchester to the world. From banana boats to cattle carriers, from tramp steamers to pleasure steamers, all sorts of ships used this busy thoroughfare.It wasn't always like this - at one time the docks at Birkenhead and Liverpool received the goods that Manchester needed and everything travelled by railway, canal or road to the North's industrial metropolis. In the 1880s, construction on Britain's largest man-made inland waterway and soon sizable ships sailed to Salford. A stunning engineering project in its own right, the 'Big Ditch' also spawned smaller marvels such as the Barton Aqueduct and it remained busy for almost a century. Now little used, it still remains a marvel of Victorian engineering.

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Art for art''s sake is a vile catchword, but I confess it appeals to me''Gentleman by day and thief by night, A. J. Raffles lives a double life. Taking ''Art for art''s sake'' as his motto, Raffles supports his debonair lifestyle by performing lucrative, artistic, and ingenious burglaries of the wealthy elite of Victorian London. Dedicated to his brother-in-law Arthur Conan Doyle, Hornung''s first collection of Raffles stories, The Amateur Cracksman (1899), can be seen as an inverted spin-off of the former''s celebrated detective stories. But it is Raffles'' outlaw status that has drawn generations of readers to these swift-paced tales of a charismatic and cool-headed thief and his less worldly partner, Bunny. Hornung had Oscar Wilde in mind as much as Sherlock Holmes when he created Raffles, and the account of their double life offers one of the turn of the century''s most touching accounts of a same-sex couple. Frequently adapted for stage and screen, Hornung''s original stories have

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William Morris - poet, designer, campaigner, hero of the Arts & Crafts movement - was a giant of the Victorian age, and his beautiful creations and provocative philosophies are still with us today: but his wife Jane is too often relegated to a footnote, an artist's model given no history or personality of her own. In truth, Jane and William's personal and creative partnership was the central collaboration of both their lives. The homes they made together - the Red House, Kelmscott Manor and their houses in London - were works of art in themselves, and the great labour of their lives was life itself: through their houses and the objects they filled them with, they explored how we all might live a life more focused on beauty and fulfilment.In How We Might Live, Suzanne Fagence Cooper explores the lives and legacies of Jane and William Morris, finally giving Jane's work the attention it deserves and taking us inside two lives of unparalleled creative artistry.

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Match Holders for Tabletops and Walls, by Jean and Franklin Hunting, is destined to be a major source of information for the collector as well as the antiques dealer. The Huntings, of Hunting House Antiques, have been in the antiques business for over twenty-five years, and have participated in major antiques shows from coast to coast. They put their years of experience and love for collecting into a much needed book on match holders. From the common kitchen tin match holder to the elaborate Victorian porcelain piece for the parlor, Match Holders for Tabletops and Walls contains 541 photographs with descriptions as well as information on the history of matches and match holders, and tables of information on United States invention and design patents and their time frames. This up-to-date value guide is an invaluable reference for those wishing to insure their collections, for dealers doing appraisals, and for the novice who is just beginning the pleasurable hobby of collecting.

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This is the perfect book for fans of Journal 29, and those who want to re-create an exciting escape-room experience in their own home!You are Adam Parkinson, an intrepid journalist who has recently been employed by the time-travelling Wexell Corporation. Adam is invited to an unusual art gallery, filled with objects and artworks donated by a mysterious figure. It will be up to you to help Adam unravel the mysteries of the Gallery, and you will travel from Ancient Egypt to Victorian England – and beyond – to do it. And, quite possibly, to save the world!Escape from the Gallery is an immersive escape-room experience that provides a visual feast as well as a tricky puzzle adventure. Featuring artworks ranging from Ancient Egyptian hieroglyphs to Mexican masterpieces, you will need to solve visual riddles and discover the hidden secrets that lie within the artworks if you want to figure out what is going on, and why this might be the most important visit to a gallery you have ever made.

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This Companion provides an engaging and expansive overview of gustation, gastronomy, agriculture and alimentary activism in literature from the medieval period to the present day, as well as an illuminating introduction to cookbooks as literature. Bringing together sixteen original essays by leading scholars, the collection rethinks literary food from a variety of critical angles, including gender and sexuality, critical race studies, postcolonial studies, eco-criticism and children's literature. Topics covered include mealtime decorum in Chaucer, Milton's culinary metaphors, early American taste, Romantic gastronomy, Victorian eating, African-American women's culinary writing, modernist food experiments, Julia Child and cold war cooking, industrialized food in children's literature, agricultural horror and farmworker activism, queer cookbooks, hunger as protest and postcolonial legacy, and 'dude food' in contemporary food blogs. Featuring a chronology of key publication and historical dates and a comprehensive bibliography of further reading, this Companion is an indispensible guide to an exciting field for students and instructors.

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The thirteenth novel in the magical alternate history Elemental Masters series continues the reimagined adventures of Sherlock Holmes in a richly-detailed alternate Victorian England.The threat of Moriarty is gone—but so is Sherlock Holmes. Even as they mourn the loss of their colleague, psychic Nan Killian, medium Sarah Lyon-White, and Elemental Masters John and Mary Watson must be vigilant, for members of Moriarty’s network are still at large. And their troubles are far from over: in a matter of weeks, two headless bodies of young brides wash up in major waterways. A couple who fears for their own recently-wedded daughter hires the group to investigate, but with each new body, the mystery only deepens. The more bodies emerge, the more the gang suspects that there is dangerous magic at work, and that Moriarty’s associates are somehow involved. But as they race against the clock to uncover the killer, it will take all their talents, Magic, and Psychic Powers—and perhaps some help from a dearly departed friend—to bring the murderer to justice.

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Theorist, practitioner, educator and arguably the father of professional economics, Alfred Marshall's life and career have long required a full scale biography to put his work into context and reveal the extent of his influence.Peter Groenewegen's outstanding new book places the major features of Marshall's life and work within the rich institutional setting of late nineteenth and early twentieth century Britain. This biography sheds new light on Marshall's decision to study economics - after dropping mathematics, philosophy and psychology in turn - and the background to his important books, including the Principles of Economics, as well as his government advice over three decades. More than just the life of a major economist, it also deals with economics and mathematics education at Cambridge, contemporary controversies over socialism, imperialism, free trade, eugenics, religious belief, social welfare and the women's movement.As the first biography of Alfred Marshall, A Soaring Eagle contributes to the history of economics, the social sciences and education while also offering a series of insights into Victorian and Edwardian society.

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What is heritage? When was it invented? What is its place in the world today? What is its place tomorrow? Heritage is all around us: millions belong to its organisations, tens of thousands volunteer for it, and politicians pay lip service to it. When the Victorians began to employ the term in something approaching the modern sense, they applied it to cathedrals, castles, villages and certain landscapes. Since then a multiplicity of heritage labels have arisen, cultural and commercial, tangible and intangible – for just as every era has its notion of heritage, so does every social group, and every generation. In Heritage, James Stourton focuses on elements of our cultural and natural environment that have been deliberately preserved: the British countryside and national parks, buildings such as Blenheim Palace and Tattershall Castle, and the works of art inside them. He charts two heroic periods of conservation – the 1880s and the 1960s – and considers whether threats of wealth, rampant development and complacency are similar in the present day. Heritage is both a story of crisis and profound change in public perception, and one of hope and regeneration.

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'Wonderfully funny, utterly charming and sharp as all Hell' SARAH MILLICAN'Tom Allen is one of the funniest comedians in the UK, the best dressed man I know and now it turns out he is a superb writer. I hate him'JOSH WIDDICOMBE'A delightful, touching side-splitter'JO BRAND'An absolute joy! Funny, witty and totally charming'ALAN CARR~~~~~'When I was 16 I dressed in Victorian clothing in a bid to distract people from the fact that I was gay. It was a flawed plan.'No Shame is a very funny, candid and emotional ride of a memoir by one of our most beloved comedians. The working-class son of a coach driver, and the youngest member of the Noel Coward Society, Tom Allen grew up in 90s suburbia as the eternal outsider.In these hilarious, honest and heart breaking stories Tom recalls observations on childhood, his adolescence, the family he still lives with, and his attempts to come out and negotiate the gay dating scene. They are written with his trademark caustic wit and warmth, and will entertain, surprise and move you in equal measure.

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The later poetry of William Wordsworth, popular in his lifetime and influential on the Victorians, has, with a few exceptions, received little attention from contemporary literary critics. In Wordsworth's Poetry, 1815-1845, Tim Fulford argues that the later work reveals a mature poet far more varied and surprising than is often acknowledged. Examining the most characteristic poems in their historical contexts, he shows Wordsworth probing the experiences and perspectives of later life and innovating formally and stylistically. He demonstrates how Wordsworth modified his writing in light of conversations with younger poets and learned to acknowledge his debt to women in ways he could not as a young man. The older Wordsworth emerges in Fulford's depiction as a love poet of companionate tenderness rather than passionate lament. He also appears as a political poet—bitter at capitalist exploitation and at a society in which vanity is rewarded while poverty is blamed. Most notably, he stands out as a history poet more probing and more clear-sighted than any of his time in his understanding of the responsibilities and temptations of all who try to memorialize the past.

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David Livingstone has gone down in history as a fearless explorer and missionary, hacking his way through the forests of Africa to bring light to the people - and also to free them from slavery. But who was he, and what was he actually like? "He was an extraordinary character," according to biographer Stephen Tomkins, spectacularly bad at personal relationships, at least with white people, possessed of infinite self-belief, courage, and restlessness. He was an almost total failure as a missionary, and so became an explorer and campaigner against the slave trade, hoping to save African lives and souls that way instead. He helped, however unwittingly, to set the tone and the extent of British involvement in Africa. He was a flawed but indomitable idealist. Fascinating new evidence about Livingstone's life and his struggles have come to light in the letters and journals he left behind, now accessible to us for the first time through spectral imaging. These form a significant addition to the source material for this excellent biography, which provides an honest and balanced account of the real man behind the Victorian icon.

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What is heritage? When was it invented? What is its place in the world today? What is its place tomorrow? Heritage is all around us: millions belong to its organisations, tens of thousands volunteer for it, and politicians pay lip service to it. When the Victorians began to employ the term in something approaching the modern sense, they applied it to cathedrals, castles, villages and certain landscapes. Since then a multiplicity of heritage labels have arisen, cultural and commercial, tangible and intangible – for just as every era has its notion of heritage, so does every social group, and every generation. In Heritage, James Stourton focuses on elements of our cultural and natural environment that have been deliberately preserved: the British countryside and national parks, buildings such as Blenheim Palace and Tattershall Castle, and the works of art inside them. He charts two heroic periods of conservation – the 1880s and the 1960s – and considers whether threats of wealth, rampant development and complacency are similar in the present day. Heritage is both a story of crisis and profound change in public perception, and one of hope and regeneration.

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**THE NUMBER ONE SUNDAY TIMES BESTSELLER**A compulsively readable account of an African country now virtually inaccessible to the outside world and one journalist's daring and adventurous journey.When war correspondent Tim Butcher was sent to cover Africa in 2000 he quickly became obsessed with the idea of recreating H.M. Stanley's famous nineteenth century trans-Africa expedition - but travelling alone. Despite warnings that his plan was 'suicidal', Butcher set out for the Congo's eastern border with just a rucksack and a few thousand dollars hidden in his boots. Making his way in an assortment of vessels including a motorbike and a dugout canoe, helped along by a cast of unlikely characters, he followed in the footsteps of the great Victorian adventurers. Butcher's journey was a remarkable feat, but the story of the Congo, told expertly and vividly in this book, is more remarkable still.‘A masterpiece’ John Le Carré‘Extraordinary, audacious, completely enthralling’ William Boyd‘A remarkable marriage of travelogue and history, which deserves to make Tim Butcher a star for his prose, as well as his courage’ Max Hastings

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A look at the dark side of life, Victorian-style, when nothing was quite as it seemed and a public execution could be an entertaining family day out. Murderers, poachers, thieves, pickpockets and vagabonds all went about their business with impunity. Crime took place on the streets, on public transport, in homes, pubs, prisons, asylums, workhouses and brothels - it was all part of everyday life in Brighton and Hove in the late 1800s. Read about the notorious railway murderer, Percy Lefroy, who appeared at his trial in full evening dress and went to the gallows in an old brown suit. Gasp at the audacity of a temptress who fell in love with a doctor and tried to poison his wife, with strychnine laced chocolate. Then there's little Emily, a girl who received imprisonment with hard labour for stealing a few tempting pieces of gingerbread while a gaggle of disruptive young women loved causing a riot, flirting with men and smashing windows. It was madness and mayhem in those weird and wonderful times - and it's brought vividly to life by Janet Cameron in Brighton and Hove - Murder and Misdemeanours.

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Michelle Gomez, who last played the Doctor’s best friend and wicked enemy, Missy, in the Doctor Who television series in 2017, returns to her role in some brand new audio adventures from Big Finish Productions made in arrangements with BBC studios. 1.1 Spoonful of Mayhem by Roy Gill. In a spot of bother in Victorian London, Missy is forced to take on governess duties but she has another scheme in mind, and her charges are simply in the way. She’s going to have to teach the children some rather harsh lessons about getting what you want. And there will be tears before bedtime. 1.2 Divorced, Beheaded, Regenerated by John Dorney. Missy arrives in Tudor England, throwing the plans of another renegade Time Lord into chaos.King Henry VIII is on the throne, and aliens are stomping through the countryside. Missy just wants to be Queen. And the Monk? Once he knows who else is on the scene, he’ll be glad just to stay alive. 1.3 The Broken Clock by Nev Fountain. Tonight, on Dick Zodiac’s America’s Most Impossible Killers, Detective Joe Lynwood hunts the most impossible killer of his career. There’s a trail of bodies. Impossible bodies. And Joe has one long night to solve the case. Luckily, D.I. Missy Masters from Scotland Yard in England, London, England is here to help. 1.4 The Belly of the Beast by Jonathan Morris. Missy’s scheme nears completion. All she must do is subjugate one little planet and bend the inhabitants to her will. Not too much to ask. But slaves will keep rebelling. It’s almost as if they don’t want to unearth an ancient artefact to fulfil Missy’s plans for universal domination.She’ll have to do something about that. CAST: Michelle Gomez (Missy/Matis), Rufus Hound (The Monk), Oliver Clement (Oliver Davis), Bonnie Kingston (Lucy Davis), Simon Slater (Montague Davis / Moses Walker / Coachman), Dan Starkey (Mr. Cosmo / Park Keeper / Old Man / Sphinx), Beth Chalmers (Djinn / Housemaid), Maggie Service (Catherine Parr), Leighton Pugh (Sir Foxcroft / Gramoryan 1 / Priest), Graham Seed (Gramoryan 2 / Taverner / Squire), Kenneth Jay (Dick Zodiac), Guy Paul (Joe Lynwood), Ryan Forde Iosco (The Actor Playing Joe Lynwood), Daniel Goode (Mark /Roy), Rachel Verkuil (Frankie and The Actress Playing Missy), Abbie Andrew (Aleyna), John Scougall (Cort / Guards), Lucy Goldie (Sath / Mother), Jason Nwoga(Doctor Goodnight), Jamie Laird (Mister Bryce / Father). Other parts played by members of the cast.

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