Search results for ""author joyce"

Waking to find himself shipwrecked on a strange shore before a dark wood, the pilgrim of the Divine Comedy realizes he must set his sights higher and guide his ship to a radically different port. Starting on the sand of that very shore with Dante, John Freccero begins retracing the famous voyage recounted by the poet nearly 700 years ago. Freccero follows pilgrim and poet through the Comedy and then beyond, inviting readers both uninitiated and accomplished to join him in navigating this complex medieval masterpiece and its influence on later literature. Perfectly impenetrable in its poetry and unabashedly ambitious in its content, the Divine Comedy is the cosmos collapsed on itself, heavy with dense matter and impossible to expand. Yet Dante’s great triumph is seen in the tiny, subtle fragments that make up the seamless whole, pieces that the poet painstakingly sewed together to form a work that insinuates itself into the reader and inspires the work of the next author. Freccero magnifies the most infinitesimal elements of that intricate construction to identify self-similar parts, revealing the full breadth of the great poem. Using this same technique, Freccero then turns to later giants of literature— Petrarch, Machiavelli, Donne, Joyce, and Svevo—demonstrating how these authors absorbed these smallest parts and reproduced Dante in their own work. In the process, he confronts questions of faith, friendship, gender, politics, poetry, and sexuality, so that traveling with Freccero, the reader will both cross unknown territory and reimagine familiar faces, swimming always in Dante’s wake.

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Waking to find himself shipwrecked on a strange shore before a dark wood, the pilgrim of the Divine Comedy realizes he must set his sights higher and guide his ship to a radically different port. Starting on the sand of that very shore with Dante, John Freccero begins retracing the famous voyage recounted by the poet nearly 700 years ago. Freccero follows pilgrim and poet through the Comedy and then beyond, inviting readers both uninitiated and accomplished to join him in navigating this complex medieval masterpiece and its influence on later literature. Perfectly impenetrable in its poetry and unabashedly ambitious in its content, the Divine Comedy is the cosmos collapsed on itself, heavy with dense matter and impossible to expand. Yet Dante’s great triumph is seen in the tiny, subtle fragments that make up the seamless whole, pieces that the poet painstakingly sewed together to form a work that insinuates itself into the reader and inspires the work of the next author. Freccero magnifies the most infinitesimal elements of that intricate construction to identify self-similar parts, revealing the full breadth of the great poem. Using this same technique, Freccero then turns to later giants of literature— Petrarch, Machiavelli, Donne, Joyce, and Svevo—demonstrating how these authors absorbed these smallest parts and reproduced Dante in their own work. In the process, he confronts questions of faith, friendship, gender, politics, poetry, and sexuality, so that traveling with Freccero, the reader will both cross unknown territory and reimagine familiar faces, swimming always in Dante’s wake.

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The deceptively simple lemon takes center stage in the second volume of TASCHEN’s collaboration with The Gourmand, masters of the rich intersection of food and art. The star of Renaissance gardens, that shaped the Medici dynasty, have the power to ward off scurvy, had a hand in forming the mob, and whose juice has been used as an invisible ink since 600 CE to pen covert messages, these joyful yellow orbs are ripe with intrigue. The Gourmand charts the fruit’s astonishingly intricate genealogy, explores its role as a literary device for the likes of Joan Didion, F. Scott Fitzgerald, Tom Wolfe, and James Joyce, and examines its unique representation of the American dream through lemonade stands. A favorite subject of art history’s giants, the lemon captivates in the still lifes of Old Masters and inspired the breakthroughs of modern visionaries like Picasso, Matisse, and Warhol. Lemons also find themselves at the cutting edge of design in Philippe Starck’s iconic Juicy Salif and the unassuming yet revolutionary Jif Lemon. Their presence extends to the decorative arts, gracing everything from Arts and Crafts wallpapers to mythological ceramics. Even the famed Bloomsbury Group found lemons entangled in their literary love affairs. Accompanying these citrus-centric anecdotes are a foreword by chef and acclaimed food writer Simon Hopkinson and an introduction by art critic and author Jennifer Higgie alongside more than 60 lemon-infused recipes across global cuisines and for every occasion—including perfect poultry, decadent sauces, classic cocktails, and indulgent desserts, with custom photography by Bobby Doherty.

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New and fresh assessments of Malory's Morte Darthur. The essays here are devoted to that seminal Arthurian work, Sir Thomas Malory's Le Morte Darthur. Developments of papers first given at the 'Malory at 550: Old and New' conference, they emphasise here the second part of its remit. Accordingly, several contributors focus new attention on Malory's style, using his stock phrases, metaphors, characterization, or manipulation of sources to argue for a deeper appreciation of his merits as an author. If, as others illustrate, Malory is a much better artist than his twentieth-century reputation allowed, then there is a renewed need to re-assess the vexed question of the possible originality of his 'Tale of Sir Gareth of Orkeney'. Similarly fresh approaches underlie those essays re-examining Malory's attitude to time and the sacred in 'The Sankgreal', the manner in which the ghosts of Lot and his sons highlight potential failures in the Round Table Oath, or the pleasures and pitfalls of Arthurian hospitality. The remaining contributions argue for new approaches to Malory's narrative gaps, Launcelot's status as a victim of sexual violence, and the importance of rejecting Victorian moral attitudes towards Gwenyvere and Isode, moralizing that still informs much recent scholarship addressing Malory's female characters. Contributors: Joyce Coleman, Elizabeth Edwards, Kristina Hildebrand, Cathy Hume, David F. Johnson, Megan Leitch, Andrew Lynch, Molly A. Martin, Cory James Rushton, † Fiona Tolhurst, Michael W. Twomey

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In this third volume of a planned five-volume series, David Roy provides a complete and annotated translation of the famous Chin P'ing Mei, an anonymous sixteenth-century Chinese novel that focuses on the domestic life of His-men Ch'ing, a corrupt, upwardly mobile merchant who maintains a harem of six wives and concubines. This work, known primarily for its erotic realism, is also a landmark in the development of narrative art--not only from a specifically Chinese perspective but also in a world-historical context. Written during the second half of the sixteenth century and first published in 1618, The Plum in the Golden Vase is noted for its surprisingly modern technique. With the possible exception of The Tale of Genji (ca. 1010) and Don Quixote (1605, 1615), there is no earlier work of prose fiction of equal sophistication in world literature. Although its importance in the history of Chinese narrative has long been recognized, the technical virtuosity of the author, which is more reminiscent of the Dickens of Bleak House, the Joyce of Ulysses, or the Nabokov of Lolita than anything in earlier Chinese fiction, has not yet received adequate recognition. This is partly because all of the existing European translations are either abridged or based on an inferior recension of the text. This translation and its annotation aim to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth. Replete with convincing portrayals of the darker side of human nature, it should appeal to anyone interested in a compelling story, compellingly told.

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Essays bring out the important and complex roles played by Anglo-Saxon churchmen, including Bede and lesser-known figures. Both episcopal and abbatial authority were of fundamental importance to the development of the Christian church in Anglo-Saxon England. Bishops and heads of monastic houses were invested with a variety of types of power and influence. Their actions, decisions, and writings could change not only their own institutions, but also the national church, while their interaction with the king and his court affected wider contemporary society. Theories of ecclesiastical leadership were expounded in contemporary texts and documents. But how far did image or ideal reflect reality? How much room was there for individuals to use their office to promote new ideas? The papers in this volumeillustrate the important roles played by individual leading ecclesiastics in England, both within the church and in the wider political sphere, from the late seventh to the mid eleventh century. The undeniable authority of Bede and Bishop Æthelwold is demonstrated but also the influence of less-familiar figures such as Bishop Wulfsige of Sherborne, Archbishop Ecgberht of York and St Leoba. The book draws on both textual and material evidence to show the influence (by both deed and reputation) of powerful personalities not only on the developing institutions of the English church but also on the secular politics of their time. Contributors: Alexander R. Rumble, Nicholas J.Higham, Martyn J. Ryan, Cassandra Rhodes, Allan Scott McKinley, Dominik Wassenhoven, Gale R. Owen-Crocker, Debby Banham, Joyce Hill.

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The autobiography of Eugene Jolas, available for the first time nearly half a century after his death in 1952, is the story of a man who, as the editor of the expatriate American literary magazine transition, was the first publisher of James Joyce’s Finnegans Wake and other signal works of the modernist period. Jolas’s memoir provides often comical and compelling details about such leading modernist figures as Joyce, Stein, Hemingway, Breton, and Gide, and about the political, aesthetic, and social concerns of the Surrealists, Expressionists, and other literary figures during the 1920s and 1930s. Man from Babel both enriches and challenges our view of international modernism and the historical avant-garde.Born in New Jersey of immigrant parents, Jolas moved back to France with them at the age of two. He grew up in the borderland of Lorraine and later lived in Paris, Berlin, London, and New York, where he pursued a career as a journalist and aspiring poet. As an American press officer after the war, Jolas was actively involved in the denazification of German intellectual life. A champion of the international avant-garde, he continually sought translinguistic, transcultural, and suprapolitical bridges that would transform Western culture into a unified continuum. Compiled and edited from Jolas’s drafts and illustrated with contemporary photographs, this memoir not only reveals the multicultural concerns of the man from Babel, as Jolas saw himself, but also illuminates an entire literary and historical era.

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A passionate, wry, and personal book about how the greatest works of literature illuminate our livesWhy do we read literature? For Arnold Weinstein, the answer is clear: literature allows us to become someone else. Literature changes us by giving us intimate access to an astonishing variety of other lives, experiences, and places across the ages. Reflecting on a lifetime of reading, teaching, and writing, The Lives of Literature explores, with passion, humor, and whirring intellect, a professor’s life, the thrills and traps of teaching, and, most of all, the power of literature to lead us to a deeper understanding of ourselves and the worlds we inhabit.As an identical twin, Weinstein experienced early the dislocation of being mistaken for another person—and of feeling that he might be someone other than he had thought. In vivid readings elucidating the classics of authors ranging from Sophocles to James Joyce and Toni Morrison, he explores what we learn by identifying with their protagonists, including those who, undone by wreckage and loss, discover that all their beliefs are illusions. Weinstein masterfully argues that literature’s knowing differs entirely from what one ends up knowing when studying mathematics or physics or even history: by entering these characters’ lives, readers acquire a unique form of knowledge—and come to understand its cost.In The Lives of Literature, a master writer and teacher shares his love of the books that he has taught and been taught by, showing us that literature matters because we never stop discovering who we are.

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‘Exhilarating to read - thoughtful, heart-warming and poignant, with a quiet intelligence and elegance that does its heroine proud’ Bridget Collins Two women Ten years A recipe for success Eliza Acton, despite never having boiled an egg, became one of the world’s most successful food writers, revolutionizing cooking and cookbooks around the world. Her story is fascinating, joyful and truly inspiring. The award-winning author of The Joyce Girl seamlessly intertwines recipes and meticulously researched history, serving up the most thought-provoking and page-turning historical novel you’ll read this year. Explore the enduring struggle for women’s freedom, the exhilarating power of friendship, and the creative joy of cooking, through the life of Eliza Acton – finally out of the archives and into the public eye. England, 1835. Eliza Acton dreams of becoming a poet, but when she takes her new manuscript to a publisher, she’s told that ‘poetry is not the business of a lady’. Instead, he demands a cookery book. Eliza is hesitant but when her bankrupt father is forced to flee the country, she has no choice but to comply. Although she has never cooked before, she is determined to learn and to bring her skills as a poet to the craft of recipe writing. She hires young, impoverished Ann Kirby as her assistant and, before long, the two women develop a radical friendship crossing the divides of age and class. Together, Eliza and Ann break the mould of traditional cookbooks, changing the course of food writing forever. But in the process of doing so, their friendship is pushed to its very limits.

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Inspired by the Beats, Black Mountain, and the New York School, Lisa Jarnot emerged in the 1990s as one of the foremost poets of the post-Language avant-garde. Joie de Vivre draws on twenty years of work, from the bold fragmentation of her mixed media debut, Some Other Kind of Mission, to the experimental lyricism of her recent Night Scenes. Following the poet's evolution through her engagements with form and music, Joie de Vivre showcases Jarnot's restless virtuosity and relentless curiosity. The archaic, the surreal, the pastoral, the political--no register of language proves too recalcitrant for her expansive sense of song. Praise for Joie de Vivre: "Riveting ...Reading this work is truly a joy."--Publishers Weekly "This compilation includes the best of Jarnot's Whitmanesque reflections and Ginsbergian outcries, speech acts that list always toward an avant-garde."--Booklist "Her ideas meddle in the traditions of form, medium, sound, and arrangement to recall the modernism of Joyce and Stein ...This selection highlights her inventiveness." --Library Journal About the Author: Born in Buffalo, New York, in 1967, Lisa Jarnot studied with Robert Creeley at SUNY Buffalo and later earned an MFA at Brown University. The author of four full-length poetry collections and the former editor of the Poetry Project Newsletter, she has also just published Robert Duncan: The Ambassador From Venus (University of California Press, 2012), the definitive biography of the San Francisco poet. Since the mid-1990s, she has lived in New York City.

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The traffic is backed up, the kids are screaming, and the car is making a funny noise again. Any one of these challenges can test our temperament and rob us of joy. Our impulse is to write today off and hope for a better tomorrow. However, this creates a hard pattern to break. One terrible day easily turns into many-and soon we're living a life far from what God has in mind for us. A new, transforming sense of excitement, happiness, and contentment in our lives is possible when we pursue God's goodness each day. In 20 WAYS TO MAKE EVERY DAY BETTER, Joyce Meyer shares biblical illustrations, actionable advice, uplifting stories, and the encouragement we need to start enjoying the life God created for us.

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This provocative book examines crucial philosophical questions László Moholy-Nagy explored in theory and practice throughout his career. Why paint in a photographic age? Why work by hand when technology holds so much promise? The stakes of painting, or not painting, were tied to much larger considerations of the ways art, life, and modernity were linked for Moholy and his avant-garde peers. Joyce Tsai’s close analysis reveals how Moholy’s experience in exile led to his attempt to recuperate painting, not merely as an artistic medium but as the space where the trace of human touch might survive the catastrophes of war. László Moholy-Nagy: Painting after Photography will significantly reshape our view of the artist’s oeuvre, providing a new understanding of cultural modernism and the avant-garde.

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The origin stories of your favorite childhood heroes are revealed in this boxed set featuring all five of William Joyce’s Guardians chapter books.Of course you know the Guardians. You’ve known them since before you can remember: Santa, the Tooth Fairy, the Sandman, the Easter Bunny, Jack Frost. But...where did they come from? And what nefarious evil-doer forced to band together to protect the children of the world? Answers are revealed and imaginations unfurl in this treasure trove of a boxed set. This set includes all five titles in the Guardians chapter book series: Nicholas St. North and the Battle of the Nightmare King E. Aster Bunnymund and the Warrior Eggs at the Earth’s Core! Toothiana, Queen of the Fairy Army The Sandman and the War of Dreams Jack Frost: The End Becomes the Beginning

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Culture, 1922 traces the intellectual and institutional deployment of the culture concept in England and America in the first half of the twentieth century. With primary attention to how models of culture are created, elaborated upon, transformed, resisted, and ignored, Marc Manganaro works across disciplinary lines to embrace literary, literary critical, and anthropological writing. Tracing two traditions of thinking about culture, as elite products and pursuits and as common and shared systems of values, Manganaro argues that these modernist formulations are not mutually exclusive and have indeed intermingled in complex and interesting ways throughout the development of literary studies and anthropology. Beginning with the important Victorian architects of culture--Matthew Arnold and Edward Tylor--the book follows a number of main figures, schools, and movements up to 1950 such as anthropologist Franz Boas, his disciples Edward Sapir, Ruth Benedict, and Zora Neale Hurston, literary modernists T. S. Eliot and James Joyce, functional anthropologist Bronislaw Malinowski, modernist literary critic I. A. Richards, the New Critics, and Kenneth Burke. The main focus here, however, is upon three works published in 1922, the watershed year of Modernism--Eliot's The Waste Land, Malinowski's Argonauts of the Western Pacific, and Joyce's Ulysses. Manganaro reads these masterworks and the history of their reception as efforts toward defining culture. This is a wide-ranging and ambitious study about an ambiguous and complex concept as it moves within and between disciplines.

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Magnetic Resonance Imaging, not so long ago a diagnostic tool of last resort, has become pervasive in the landscape of consumer medicine; images of the forbidding tubes, with their promises of revelation, surround us in commercials and on billboards. Magnetic Appeal offers an in-depth exploration of the science and culture of MRI, examining its development and emergence as an imaging technology, its popular appeal and acceptance, and its current use in health care. Understood as modern and uncontroversial by health care professionals and in public discourse, the importance of MRI—or its supposed infallibility—has rarely been questioned. In Magnetic Appeal, Kelly A. Joyce shows how MRI technology grew out of serendipitous circumstances and was adopted for reasons having little to do with patient safety or evidence of efficacy. Drawing on interviews with physicians and MRI technologists, as well as ethnographic research conducted at imaging sites and radiology conferences, Joyce demonstrates that current beliefs about MRI draw on cultural ideas about sight and technology and are reinforced by health care policies and insurance reimbursement practices. Moreover, her unsettling analysis of physicians' and technologists' work practices lets readers consider that MRI scans do not reveal the truth about the body as is popularly believed, nor do they always lead to better outcomes for patients. Although clearly a valuable medical technique, MRI technology cannot necessarily deliver the health outcomes ascribed to it. Magnetic Appeal also addresses broader questions about the importance of medical imaging technologies in American culture and medicine. These technologies, which include ultrasound, X-ray, and MRI, are part of a larger trend in which visual representations have become central to American health, identity, and social relations.

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Considered to be one of the best Irish writers of the twentieth century, Aidan Higgins has earned a reputation throughout Europe as an unusual and astringent prose stylist. This omnibus of selected short fiction is the perfect introduction to the talents of this Irish successor to James Joyce and Samuel Beckett (although Higgins's work is perhaps more reminiscent of his Welsh contemporary Dylan Thomas), and displays Higgins's warmth of language and character. From a melancholy tale of suicide in "North Salt Holdings" to a colorful depiction of J. J. Catchpole's escapades in "Catchpole, " Higgins builds his characters into touching failures who both attract and repulse the reader.

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Unlike other readers, this book takes eight important literary texts and provides some of the most significant post-colonial readings of them published in the last fifteen years. Topics include cannibalism, slavery, the harem, missionary work, gender, nationalism and the Rushdie affair. The book offers practical examples of applying theoretical arguments to specific texts. Key features: * Provides three or four cutting edge essays on each of the following texts: Shakespeare's The Tempest; Defoe's Robinson Crusoe; Bronte's Jane Eyre; Kipling's Kim, Conrad's Heart of Darkness; Joyce's Ulysses; Forster's A Passage to India; Rushdie's The Satanic Verses

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As technology increases your accessibility, it becomes harder to mute the background noise of your life and receive God's guidance. Joyce Meyer calls this OVERLOAD, when the demands of your busy life become all-consuming and overwhelming. But to experience the joyful life God has planned, you must make time to focus on His Word. Then you'll receive His healing calmness and gain the strength to take on life's challenges, from physical ailments to problems in relationships. Through the practical advice and Scriptural wisdom in this book, you'll learn how to unplug and free yourself from burdens that weigh you down. You'll gain simple, effective tips for better rest and stress management and discover the fulfilling life you were meant to lead.

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Are you enjoying every day of your life? Or do you tell yourself and others that you will find happiness once you have achieved a specific goal or position? Jesus came so that you might have and enjoy life (John 10:10). In this compact abridgment, Joyce Meyer combines biblical principles with personal experiences to explain how you can enjoy every day on your journey through life. You will learn such lessons as how to make the decision to enjoy life, how to rid yourself of regret, how to experience simplicity in life, how to find joy during times of waiting, and much more! Enjoying life is an attitude of the heart, and you can learn how to enjoy where you are on the way to where you are going.

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Everyone who has ever lived has known the torment of fear. Fear will try to push you back and is always ready to attack you through your thoughts. But you can live free from it!God's promise is that you will be able to overcome this powerful emotion. In this book, Joyce Meyer shows that even though fear will surely challenge you, the Holy Spirit can still help you walk in faith. Find out:- How to keep fear from controlling your life- How to move forward in spite of your fears- How God stays faithful regardless of what you're feeling- The one basic fear underneath all fears.You can act on God's Word and defeat this enemy. Now is the time to seize victory, by stepping out to do it afraid!

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In this book, a group of prominent scholar-teachers meditate on how to read, in the context of a specifically Christian university or college education, some of the greatest texts of the Western tradition. Each author devotes himself or herself to a single text. In many cases, the authors have been reading, rereading, marking, ruminating, inwardly digesting, teaching, and discussing their text for several decades, so that they offer here a distillation of years of familiarity and reflection. The texts span nearly 3,000 years. They are pre-Christian, Christian, and post-Christian. Each kind of text – indeed, each individual text – offers its own special opportunities and challenges for Christian interpretation. From these diverse readings emerges a sense that these texts all belong to a single great tradition, one to which Christianity made and continues to make enormous contributions. Medieval Christian writers exploit and transform pagan texts, and post-Christian writers like Nietzsche and Joyce are often preoccupied with Christian themes. In one way or another all the texts are about what it is to be a human being and what a good human life might look like. Thus “common threads” bind one text to the next, creating countless resonances among them. The authors of the essays in this book all address the question, “How shall we read these texts from the vantage point of faith in God and Jesus Christ? Moreover, how shall we read them as members of a community with a common vision of the human good, aiming to nurture our students in that vision by reading with them some of the profoundest and most delightful things the human hand has penned?” As the Introduction suggests, the volume hopes to contribute to a renewal of the original intention of university education: to cultivate minds and hearts formed and informed by wisdom, the highest of intellectual goods.

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THE INTERNATIONALLY BESTSELLING NOVELADAPTED INTO A FEATURE FILM WITH ELIJAH WOODFrom the bestselling author of Here I Am, Extremely Loud and Incredibly Close and We are the Weather - a hilarious, life-affirming and utterly original novel about the search for truth'Gripping, hilariously funny and deeply serious. An astonishing feat of writing' The Times'One of the most impressive novel debuts of recent years' Joyce Carol Oates, Times Literary Supplement'A first novel of startling originality' Jay McInerney, Observer'It seems hard to believe that such a young writer can have such a deep understanding of both comedy and tragedy' Erica Wagner, The TimesA young man arrives in the Ukraine, clutching in his hand a tattered photograph. He is searching for the woman who fifty years ago saved his grandfather from the Nazis. Unfortunately, he is aided in his quest by Alex, a translator with an uncanny ability to mangle English into bizarre new forms; a "blind" old man haunted by memories of the war; and an undersexed guide dog named Sammy Davis Jr, Jr. What they are looking for seems elusive -- a truth hidden behind veils of time, language and the horrors of war. What they find turns all their worlds upside down...

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Encuadernación: CartonéColección: Sillón orejero.Premio Nacional del Cómic 2012.Dublinés es una obra llena de detalles, está centrada en la vida de James Joyce y recorre con el autor los momentos, las conversaciones, las penurias y las aventuras con las que se fue construyendo una de las grandes figuras del siglo XX. Es, además, un divertidísimo viaje en tren por las ciudades por las que fue pasando la vida de este irlandés universal.

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Kiberd - one of Ireland's leading critics and a central figure in the FIELD DAY group with Brian Friel, Seamus Deane and the actor Stephen Rea - argues that the Irish Literary Revival of the 1890-1922 period embodied a spirit and a revolutionary, generous vision of Irishness that is still relevant to post-colonial Ireland. This is the perspective from which he views Irish culture. His history of Irish writing covers Yeats, Lady Gregory, Synge, O'Casey, Joyce, Beckett, Flann O'Brien, Elizabeth Bowen, Heaney, Friel and younger writers down to Roddy Doyle.

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This collection of essays, comprised of research first presented at the seventh annual Louisiana Conference on Literature, Language, and Culture, explores one of the most pervasive, vexing, and alluring concepts in the Humanities, that of place. Including essays which encompass a broad range of research fields and methodologies, from Geography to Cybernetics, it presents a cross-section of approaches aimed revealing the complex cultural machinations behind what once may have seemed a static, one-dimensional topic.Investigations into the function of place as a force in contemporary culture inevitably reveal a long history of the interplay between place and cultural product, between 'context' and 'text'. Just as traditional cultures mythologize sacred spaces, so too has Western culture sanctified its own places through its literature. Imagined places such as Faulker’s Yoknapatawpha or Joyce’s Dublin become the focus of conferences and festivals; authors’ homes, birthplaces, and gravesites are transformed into sites of pilgrimage; locales created for television shows and movies become actual businesses catering to a public for whom the line between fantasy and reality is increasingly blurred; and persisting through the great cultural shifts of the past two hundred years is the popular and romantic notion that words, performances, narratives, and even national identities are always in some way an expression of the places in which they are created and set. With the idea of place foregrounded in so much contemporary discourse, this collection promises to enter into an already lively debate and one which, due to its relevance to where we live and how we make sense of our own “places” within them, does not show any signs of flagging.

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The phenomenon of celebrity burst upon the world scene about a century ago, as movies and modern media brought exceptional, larger-than-life personalities before the masses. During the same era, modernist authors were creating works that defined high culture in our society and set aesthetics apart from the middle- and low-brow culture in which celebrity supposedly resides. To challenge this ingrained dichotomy between modernism and celebrity, Jonathan Goldman offers a provocative new reading of early twentieth-century culture and the formal experiments that constitute modernist literature's unmistakable legacy. He argues that the literary innovations of the modernists are indeed best understood as a participant in the popular phenomenon of celebrity. Presenting a persuasive argument as well as a chronicle of modernism's and celebrity's shared history, Modernism Is the Literature of Celebrity begins by unraveling the uncanny syncretism between Oscar Wilde's writings and his public life. Goldman explains that Wilde, in shaping his instantly identifiable public image, provided a model for both literary and celebrity cultures in the decades that followed. In subsequent chapters, Goldman traces this lineage through two luminaries of the modernist canon, James Joyce and Gertrude Stein, before turning to the cinema of mega-star Charlie Chaplin. He investigates how celebrity and modernism intertwine in the work of two less obvious modernist subjects, Jean Rhys and John Dos Passos. Turning previous criticism on its head, Goldman demonstrates that the authorial self-fashioning particular to modernism and generated by modernist technique helps create celebrity as we now know it.

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**As read on BBC Radio Four**Uplifting, joyous, hopeful - a novel about late love and second chances, shortlisted for the Costa First Novel Award and winner of the Paul Torday Memorial Prize'A moving tribute to friendship and love, to the courage of the ordinary, and to starting again' RACHEL JOYCE, author of Miss Benson's Beetle'Full of grace and humanity' Sunday Times________________________This story begins with a letterFrom a housewifeto the gentle curatorOf an extraordinary museumWhere lies peacefullyAn ancient exhibitThat holds the keyTo EverythingWe are.Meet Me at the Museum tells of a connection made across oceans and against all the odds. Through intimate stories of joy, despair, and discovery, two people are drawn inexorably towards each other, until a shattering revelation pushes their friendship to the very edge.This deeply affecting debut novel by seventy-three year-old Anne Youngson won the Paul Torday Memorial Prize and was dramatized on BBC Radio 4 Woman's Hour*******************************'Tender, wise and moving, Meet Me at the Museum is a novel to cherish.' JOHN BOYNE'Insightful, emotionally acute and absorbing' DAILY EXPRESS'Beautiful and affecting' NINA STIBBEWhat readers are saying:'I loved this book. It was so different from anything else I have read'*****'I just loved this book and read it in one sitting. There were times when I felt like underlining the sentences that resonated with me'*****'I read this book one letter at a time, just to let the contents sink in. Tears came to my eyes'*****

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'A thoroughly modern love story' Guardian, Book of the YearKate Battista is stuck.How did she end up running house and home for her eccentric scientist father and infuriating younger sister Bunny?Dr Battista has other problems. His brilliant young lab assistant, Pyotr, is about to be deported. And without Pyotr, his new scientific breakthrough will fall through...When Dr Battista cooks up an outrageous plan that will enable Pyotr to stay in the country, he's relying - as usual - on Kate to help him. Will Kate be able to resist the two men's touchingly ludicrous campaign to win her round?Anne Tyler's brilliant retelling of The Taming of the Shrew asks whether a thoroughly modern woman like Kate would ever sacrifice herself for a man. The answer is as surprising as Kate herself.**ANNE TYLER HAS SOLD OVER 8 MILLION BOOKS WORLDWIDE**'Anne Tyler takes the ordinary, the small, and makes them sing' Rachel Joyce'She knows all the secrets of the human heart' Monica Ali 'A masterly author' Sebastian Faulks'I love Anne Tyler. I've read every single book she's written' Jacqueline Wilson

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This is the eighth book of a series published with The Political Quarterly. Expert contributors including Joyce Macmillan, Michael Brunson, Karen Evans, John Maxton, Matthew Taylor, Neal Acherson, Yasmin-Alibhai Brown and Anthony Everitt. Asks how a radically more participative citizenship culture could be achieved - one where people think of themselves as citizens and act like citizens. Concerned with long-term proposals rather than short-term issues. Looking towards the middle years of the new century it offers a practical vision of a more democratic and genuinely inclusive society.

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This volume presents current research on a variety of questions related to Roman emperors' uses of images and architecture. Drawing mainly on sculpture, coinage, and architecture, the papers consider topics ranging from the beard of Nero to Antonine funeral pyres to the roles of arches in shaping urban landscapes. Chronologically, the volume covers the reigns of Augustus through Constantine, and it examines the use of imagery by empresses as well as emperors. The contributors are Fae Amiro, Steven Burges, Laura L. Garofalo, Evan Jewell, Lillian Joyce, Jacob A. Latham, and Rosa Maria Motta, Gretel Rodriguez.

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The inspiration for A Haunting in Venice – now a major motion picture.When a Hallowe’en party turns deadly, it falls to Hercule Poirot to unmask a murderer… During a night of party games, Joyce Reynolds boasts that she once witnessed a murder. No one believes her, but then she is found drowned, face down in an apple-bobbing tub. Set against a night of trickery and the occult, Hercule Poirot and Ariadne Oliver must race to uncover the real evil responsible for this ghastly murder. Hallowe’en Party is the sensational Agatha Christie novel that inspired the brand new feature film directed by and starring Kenneth Branagh. This special edition is introduced by its screenwriter, Michael Green.

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Peering into life's cringe-worthy moments, best-selling author Beth Lisick excavates territory that most would rather ignore. Funny, odd, deeply personal, yet somehow universal, these are the kind of memories that haunt us all, the small awful moments of shame and humiliation that we'd rather forget than relive. Beth Lisick has made a career of opening her life to her readers in all of its messy, smart hilarity, but this type of story doesn't usually find its way into a memoir. With her trademark humor and sly intelligence, writing in short flashes the way these episodes tend to pop up in memory, Lisick recounts her most embarrassing moments with gusto. From a trick she played on a neighbor thirty years ago to what she accidentally blurted out at last night's dinner party, she explores the bad judgments and free-floating regrets that keep her up at night, and the result is a daring, candid, and wickedly funny collection of embarrassment embraced, the triumph of humor and perspective over everyday mortification. Writer, performer, and independent film actress Beth Lisick is the author of the New York Times best-selling comic memoir Everybody Into the Pool and the gonzo self-help manifesto Helping Me Help Myself. Praise for Yokohama Threeway: "The ultimate joyride for those of us who enjoy cringe-worthy embarrassment, genuine pathos, and an overdosing amount of schadenfreude."--Michael Ian Black "This book is fucking great."--Kathleen Hanna, of Bikini Kill and The Julie Ruin "A strangely touching and engaging portrait of the artist as a young screwup."--Booklist "Yokohama Threeway blends the funny and the painful into an elixir more closely resembling cough medicine than soda pop--a little bitter, made up of strange ingredients, not real pretty, but necessary if you want to get better. In the end, you are happy you took it, even if it leaves a funky aftertaste."--World Literature Today "Speaking as someone who hates everything, I love this book."--James Greer, musician & author of The Failure "Hilarious, heartbreaking, compassionate, pitch perfect, utterly original." --Joyce Maynard, author of After Her and Labor Day "A laugh-out-loud series of short, revelatory confessions propelled by curiosity and an acute desire to experience the world. It is not now and perhaps never will be quite in vogue for people to share their shames, but Lisick does it with aplomb and even exuberance."--Evan Karp, SF Weekly "Beth Lisick's new essay collection Yokohama Threeway made me laugh out loud more than anything else I have read all year, she is a master at sharing her life experiences with self-deprecating yet honest humor."--David Gutowski, Largehearted Boy "Beth Lisick, divulges the most embarrassing moments in a series of short essays dripping with wicked humor."--7x7 Magazine

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An anthology featuring contemporary masters of the short story around the globe, including Margaret Atwood, Salman Rushdie, Joyce Carol Oates, Martin Amis, and moreFollowing the immense success of The Art of the Tale, Daniel Halpern has assembled the next generation of short-story writers—those born after 1937—to create a companion volume, The Art of the Story. Attesting to the depth, range, and continued popularity of short fiction, this collection includes seventy-eight contributors from thirty-five countries. The Art of the Story combines the best of the established masters as well as the fresh, new voices of writers whose work has seldom been translated into English.

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In his most ambitious endeavour since Freud, acclaimed cultural historian Peter Gay traces and explores the rise of Modernism in the arts, the cultural movement that heralded and shaped the modern world, dominating western high culture for over a century. He traces the revolutionary path of modernism from its Parisian origins to its emergence as the dominant cultural movement in world capitals such as Berlin and New York, presenting along the way a thrilling pageant of hereitcs that includes Oscar Wilde, Pablo Picasso, James Joyce, Walter Gropius and Any Warhol. The result is a work unique in its breadth and brilliance.Lavishly illustrated, Modernism is a superb achievement by one of our greatest historians.

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Finalist in the General Business Book of the Year category of the 2023 Australian Business Book AwardsMacquarie is everywhere. As an investment bank, a commodities player and an international leader in infrastructure fund management, Macquarie has inserted itself into your life somehow, no matter where in the world you're reading this book.The Millionaires' Factory lifts the lid on this unique banking success story, from its origins in Australia in 1969 to its presence in 33 markets today. It identifies the big decisions that have allowed the bank to thrive where others have floundered, and the unique Macquarie ability to spot a niche few others can see. It also uncovers the dramas, the turf fights, the scandals and the failures, as well as the supercharged salaries and bonuses that earned them the nickname 'the millionaires' factory'.Drawing on their interviews with Macquarie CEOs and senior managers past and present, journalists Joyce Moullakis and Chris Wright explain the culture that drives Macquarie: its unique 'loose-tight' approach to risk, its empowerment of individual staff to try new things, and its knack for turning market calamities into opportunities. Markets move and Macquarie has reinvented itself time and again as they do so, but one thing never changes: it's seldom on the wrong side of a deal.'For readers who want to understand a fascinating financial institution and how it succeeds where so many rivals falter, The Millionaires' Factory comes recommended.' - The Financial Times'The Millionaires' Factory lays bare the good and bad about Australia's millionaire manufacturer.' - The Conversation'A fascinating account of how a successful financial institution with a global footprint can grow through good and bad times, because of the quality of its people.' -Don Argus AC, Member of the Australian Advisory Council of Bank of America'Joyce and Chris have brilliantly captured and woven together an exceptional account of an Australian and global financial success story.'-Steve Harker AM, former CEO of Morgan Stanley Australia

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Three kids venture to the North Pole to help Santa defeat an army of evil elves in this holiday classic from the brilliant mind that brought you The Fantastic Flying Books of Mr. Morris Lessmore.Art Atchinson Aimesworth—inventor, crime fighters, and all-around whiz kid—journeys north with his sister, Esther, and his pal Spaulding, by special invitation from Santa himself. Why did Santa call them to the North Pole? Art wants to know. But when Esther is taken by the Queen of the Dark Elves, Art must put his questions aside and save his sister. This reissue of William Joyce’s epic Christmas adventure now comes complete with lift-the-flap letters from Santa himself!

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The inspiration for A Haunting in Venice – now a major motion picture.When a Hallowe’en party turns deadly, it falls to Hercule Poirot to unmask a murderer… During a night of party games, Joyce Reynolds boasts that she once witnessed a murder. No one believes her, but then she is found drowned, face down in an apple-bobbing tub. Set against a night of trickery and the occult, Hercule Poirot and Ariadne Oliver must race to uncover the real evil responsible for this ghastly murder. Hallowe’en Party is the sensational Agatha Christie novel that inspired the brand new feature film directed by and starring Kenneth Branagh. This special edition is introduced by its screenwriter, Michael Green.

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‘Sebald is the Joyce of the 21st Century’ The TimesWhat begins as the record of W. G. Sebald’s own journey on foot through coastal East Anglia, from Lowestoft to Bungay, becomes the conductor of evocations of people and cultures past and present. From Chateaubriand, Thomas Browne, Swinburne and Conrad, to fishing fleets, skulls and silkworms, the result is an intricately patterned and haunting book on the transience of all things human.‘A novel of ideas with a difference: it is nothing but ideas… Formally dexterous, fearlessly written (why shouldn't an essay be a novel?), and unremittingly arcane; by the end I was in tears’ Teju Cole, Guardian

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Accurate and literally faithful, the Donaldson translation conveys the full meaning and spirit of the original. "Backgrounds and Contexts" provides readers with the historical, linguistic, and literary settings of Beowulf, including Robert C. Hughes on the origins of the Old English language, E. Talbot Donaldson’s presentation of the major features of Old English poetry, new material on Beowulf’s tribes and genealogies, three maps, and a facsimile illustration of the manuscript. "Criticism" collects seven new and wide-ranging interpretations of Beowulf by Fred C. Robinson, Roberta Frank, John D. Niles, Michael Lapidge, Joyce Hill, Helen Bennett, and Nicholas Howe. A Glossary of Proper Names and a Selected Bibliography are included.

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She lifted up her granddaughter from the cot, clutched her to her chest and, without looking at her beautiful daughter lying dead on the floor of her bedroom, ran from the house. Only when she was outside did she let a wail escape her lips, frightening the baby who joined in her screams.When Isabel Gallagher is found murdered on the floor of her baby's nursery by her mother, it's a gruelling case for Detective Lottie Parker. Isabel's pyjamas have been ripped, her throat cut and an old-fashioned razor blade placed in her hand. As Lottie looks at the round blue eyes and perfect chubby cheeks of Isabel's baby daughter, she can't understand who would want to hurt this innocent family.That very same day she receives a call with devastating news. Another young mother, Joyce Breslin, has gone missing, and her four-year-old son Evan has been abducted from daycare. Lottie is sure that the missing mother and son are linked to Isabel's death, and when she finds a bloody razor blade in their house, her worst fears are confirmed.Desperate to find little Evan, Lottie leaves no stone unturned as she delves into Isabel and Joyce's pasts and when she realises the two women have been meeting in secret, she knows she must find out why.But when Joyce's body is found in a murky pond and some little bones are found on a windy hillside, it feels as if this merciless killer will stop at nothing. The bones aren't Evan's but can they give Lottie the final clue to find the innocent child before more lives are taken?What everyone's saying about Little Bones:'Wow ! Wow ! Wow ! Just Brilliant !!! This book is a REAL kick in the belly! A disturbing and heartbreaking story that you won't soon forget ! Loved it and highly recommend!' Netgalley reviewer, FIVE STARS'Patricia Gibney's books never disappoint and this one is a really gripping story. The suspense builds and builds until the shocking conclusion, I don't think I drew breath for the last couple of chapters' Goodreads reviewer, FIVE STARS'Twisty and fast paced and had me guessing throughout...I found the story absolutely gripping. Highly recommend' Netgalley reviewer, FIVE STARS

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"Literature, Moderns, Monsters, Popsters and Us" is a selection from more than one hundred articles, reviews and essays written by George Stade and first published in journals such as "Partisan Review", "Hudson Review", "Paris Review", "Harper's", "The Nation", "The New Republic" and "The New York Times Book Review". Stade challenges with his controversial contention that "womanism" has triumphed over "manism" and his wit flies with a rip-roaring excursion into "snot, navel-fluff and toe-jam" in an examination of James Joyce's "Ulysses". The collection includes: Psychoanalysis and the horror genre; Popular fiction; Poetry, including e.e. cummings and Sylvia Plath; Frisch and Durrenmatt; McCarthyism; and Modern British fiction.

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First written down in the eighth century AD, these early Irish stories depict a far older world - part myth, part legend and part history. Rich with magic and achingly beautiful, they speak of a land of heroic battles, intense love and warrior ideals, in which the otherworld is explored and men mingle freely with the gods. From the vivid adventures of the great Celtic hero Cu Chulaind, to the stunning 'Exile of the Sons of Uisliu' - a tale of treachery, honour and romance - these are masterpieces of passion and vitality, and form the foundation for the Irish literary tradition: a mythic legacy that was a powerful influence on the work of Yeats, Synge and Joyce.

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What is it that makes us human, yet makes each of us different? Joyce Kloc McClure offers three defining features—we are all finite (limited), contingent (dependent), and free. McClure explains that finitude and contingency are common to all humans, but are also the two characteristics that create differences among us. We make ethical decisions based on our own distinct natures. Finite, Contingent, and Free is a Roman Catholic perspective on ethics written for everyone, not just Roman Catholics. McClure develops an ethical framework for the finite, contingent, and free human being. We begin with self-acceptance—understanding that our reactions to finitude and contingency contribute heavily to who we are. McClure says we then extend that same acceptance to others, making acceptance the proper response to the conditions of human existence, and the foundation for ethics.

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With a concise, yet comprehensive overview of the topic, Social Marketing and Behaviour Change features a review and analysis of the most validated models of behavior change, using case studies to illustrate these models in practice.Divided into nine sections, the authors and contributors of this unique book discuss in detail the functions of various models including: cognitive, conative, affective, social-cultural and multi-theory - along with consumer behavior decision and social change models.This visual and comprehensible multi-disciplinary book is accessible to professionals in a wide range of fields. In particular researchers and students in the field of social marketing will find the book an invaluable resource.Contributors: T. Aleti, W. Binney, B.J. Biroscak, B. Broome, L. Brennan, C.A. Bryant, A.H. Courtney, O. Daly, M. Devaney, C. Domegan, S. Duane, K.M. Ekström, M.-L. Fry, D. Gallegos, R. Hamilton, M. Howick, J. Joyce, M. Khaliq, R.C. Lefebvre, J.H. Lindenberger, A.B. Mayer, R.J. McDermott, P. McHugh, Z. McQuilten, D. Murphy, D. Nguyen, A.D. Panzera, L. Parker, M.J. Polonsky, J. Previte, A.M.N. Renzaho, R. Russell-Bennett, J. Scott, A.Shahriar Ferdous, M.A. Swanson, A.P. Wright, W. Wymer

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Encuadernación: RústicaColección: Sillon OrejeroJoyce Farmer, una de las pioneras del cómic underground de los EE.UU., finalizó la novela gráfica Un adiós especial con 72 años, tras una década de trabajoUn adiós especial es la crónica de los cuatro últimos años de las vidas de Lars y Rachel, un pareja de ancianos que pasan el tiempo que les queda en su pequeña casa del sur de Los Ángeles. Una historia que aborda los retos, humillaciones, terrores, frustraciones y derrotas de la vejez y la muerte, pero también honra el valor, el humor, el amor y la resistencia de esta pareja y de su familia.Realizado durante una década por Joyce Farmer, una de las pioneras del cómic underground de los Estados Unidos, Un adiós especial cuenta el final de las vidas del padre de la autora y de su madrastra tanto en sus detalles más conmovedores como en los más patéticos y dolorosos.De la misma manera que sus cómics contribuyeron a cambiar los puntos de vista sobre el sexismo en los años 70,

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Lucan's great poem, Pharsalia, recounts events surrounding the decisive battle fought near Pharsalus in 48 B.C. during the civil war between the forces of Pompey and Julius Caesar. Though the subject of this unfinished masterpiece is historical, many of its features are characteristic of epic poetry: Rousing battle scenes; tales of witches, monsters, and miracle; detailed catalogues; intricate similes; and speeches with a high degree of rhetorical elegance. However, Lucan's deft mix of humor and horror, of political satire, literary parody, history, and epic is entirely his own. Jane Wilson Joyce's superb translation conveys the drama and poetry of the original. Her use of natural English rhythms in a loose six-beat line comes close to matching the original Latin hexameters, wile her language preserves Lucan's sequence of images. An enlightening introduction, notes, and a full glossary augment the translation.

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In this generously illustrated volume, the distinguished teacher, author, and critic Joyce Brodsky brings together works by the expatriate Chinese painter Yun Gee and his Chinese American daughter, Li-lan, exploring connections between each artist's life and paintings. Yun Gee (1906-1963) was born in China, emigrated as a young man to San Francisco, and after living there and in Paris, spent the latter part of his life in New York City. Li-lan was born in New York to Yun Gee and Helen Wimmer Gee. She still lives and works in and near the city of her birth but has also spent long periods in Japan and more recently in China. Father and daughter alike exemplify the desire to live and work in freedom from the restrictions of national identity, a choice that permits openness to different cultures. For Yun Gee and Li-lan, this openness was never a reflection of trends in the art world but was an element of life itself, fully embraced and therefore embodied in each artist's paintings. Both artists can be understood as cosmopolitan and transnational figures - citizens, in Homi Bhabha's terms, of contemporary culture's “middle passage.” This book, then, although not primarily theoretical, is informed by ideas of hybridity, transnationalism, and cosmopolitanism. As artists who have embraced multinational, multicultural, and multiracial experiences, Yun Gee and Li-lan have combined those experiences intrinsically, sometimes in spite of the pain that such a complex passage may entail. Li-lan was exposed to Yun Gee's paintings and his cultural sophistication when she was a child, and this exposure was crucial to her artistic being. In turn, she has broadened and deepened the audience for her father's art through her archival work, her conservation of and her efforts to encourage exhibitions of his work. For more about Li-lan visit: http://www.li-lan.com

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Today is no ordinary day. You may perform simple routines, feel uninspired, or lack the excitement of hope. But, depending on how you choose to spend it, today could be the most important one of your life. There is something special in each day, and regularly asking God to reveal it will renew your outlook and unlock your own wonderful purpose. Letting God direct you opens your world to greater happiness and blessings than ever before. This study guide companion to SEIZE THE DAY shares how to achieve a purposeful, fulfilling life with God's help. It explores the main book chapter-by-chapter and delves more deeply into key scriptural passages and themes. With engaging illustrations and thought-provoking questions, this book will help you put Joyce's tested principles into practice and discover the joy-filled life that's meant for you!

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