Search results for ""author john"

John Muir wrote many wonderful books about his travels, but one story—about his long walk from San Francisco to Yosemite—is one book he did not author himself. In April 1868, a very young John Muir stepped off a boat in San Francisco and inquired about the quickest way out of town. “But where do you want to go?” was the response, to which Muir replied, “Anywhere that is wild.” Using Muir’s personal correspondence and published articles, Peter and Donna Thomas have reconstructed the real story of Muir’s literal ramblings over California hills and through dales, with lofty Sierra Nevada peaks, Englishmen, and bears mixed in for good measure. The trip is illustrated by charming cut-paper illustrations that take their inspiration from Muir's love of nature. John Muir’s story-telling is so compelling that even 150 years later, seeing the world through his eyes makes us want to head out into the wild.

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Although his film career extended from the early days of sound to the British New Wave and beyond, Sir John Mills is nonetheless remembered as the archetypal hero of the Second World War. Regarded as an English 'everyman', his performances crossed the class divide and, in his easy transition from below decks to above, he came to represent a newly democratic masculine ideal. But what was this exemplary masculinity and what became of it in the aftermath of war? John Mills and British Cinema asks how was it possible for an actor to embody national identity and, by exploring the cultural contexts in which Mills and the nation became synonymous, the book offers a new perspective on 40 years of cinema and social change. Through detailed analysis of a wide range of classic British films, John Mills and British Cinema exposes the shifting constructions of 'national' masculinity, arguing that the screen persona of the actor is a fundamental, and often overlooked, dimension of British cinema. Features * Provides the first critical examination of the film career of Sir John Mills. * Uses contemporary feminist and gender theories to examine the body of the actor as a crucial dimension of the film text. * Explores the concept of a 'national cinema' from an innovative new perspective. * Provides stimulating new readings of key British films, including Forever England, The Way to the Stars, Great Expectations, Scott of the Antarctic, Hobson's Choice, Ice Cold in Alex, Tunes of Glory, The Family Way and Ryan's Daughter.

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*A BBC Radio 4 Book of the Week* ‘Carefully observed, rich in detail, imaginative, compassionate and angry. A raw, unexpected portrait of Britain’s grandeur, wealth, energy, cruelty and hypocrisy in the age of liberalism’ RORY STEWART 'A shocking story of prejudice and injustice, told in meticulous detail' KEIR STARMER From award-winning historian and Sunday Times bestselling author Chris Bryant MP, James and John tells the story of what it meant to be gay in early 19th-century Britain through the lens of a landmark trial. They had nothing to expect from the mercy of the crown; their doom was sealed; no plea could be urged in extenuation of their crime, and they well knew that for them there was no hope in this world. When Charles Dickens wrote these tragic lines he was penning fact, not fiction. He had visited the condemned cells at the infamous prison at Newgate, where seventeen men who had been sentenced to death were awaiting news of their pleas for mercy. Two men stood out: James Pratt and John Smith, who had been convicted of homosexuality. Theirs was ‘an unnatural offence’, a crime so unmentionable it was never named. That was why they alone despaired and, as the turnkey told Dickens, why they alone were ‘dead men’. The 1830s ushered in great change in Britain. In a few short years the government swept away slavery, rotten boroughs, child labour, bribery and corruption in elections, the ban on trades unions and civil marriage. They also curtailed the ‘bloody code’ that treated 200 petty crimes as capital offences. Some thought the death penalty itself was wrong. There had not been a hanging at Newgate for two years; hundreds were reprieved. Yet when the King met with his ‘hanging’ Cabinet, they decided to reprieve all bar James and John. When the two men were led to the gallows, the crowd hissed and shouted. In this masterful work of history, Chris Bryant delves deep into the public archives, scouring poor law records, workhouse registers, prisoner calendars and private correspondence to recreate the lives of two men whose names are known to history – but whose story has been lost, until now.

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In 1801, a 45-year-old Revolutionary War veteran and politician, slovenly, genial, brilliant, and persuasive, became the fourth chief justice of the United States, a post he would hold for a record thirty-four years. Before John Marshall joined the Court, the judicial branch was viewed as the poor sister of the federal government, lacking in dignity and clout. After his passing, the Supreme Court of the United States would never be ignored again. John Marshall is award-winning and bestselling author Richard Brookhiser's definitive biography of America's longest-serving Chief Justice.Marshall (1755-1835) was born in Northern Virginia and served as a captain during the Revolutionary War and then as a delegate to the Virginia state convention. He was a friend and admirer of George Washington, and a cousin and enemy of Thomas Jefferson. His appointment to the Supreme Court came almost by chance-Adams saw him as the last viable option, after previous appointees declined the nomination. Yet he took to the court immediately, turning his sharp mind toward strengthening America's fragile legal order.Americans had inherited from their colonial past a deep distrust of judges as creatures of arbitrary royal power; in reaction, newly independent states made them pawns of legislative whim. The result was legal caprice, sometimes amounting to chaos. Marshall wanted a strong federal judiciary, led by the Supreme Court, to define laws, protect rights, and balance the power of the legislative and executive branches. However, America's legal system, he believed, was threatened by specific individuals-namely Thomas Jefferson and the early Republican Party-who were intent on undermining the Constitution and respect for law in order to empower themselves.As a Federalist and a follower of Washington and Hamilton, he also wanted a strong national government, favorable to business. In his three decades on the court, Marshall accomplished just that. As Brookhiser vividly relates, in a string of often-colorful cases involving businessmen, educators, inventors, scoundrels, Native Americans, and slaves, Marshall clipped the power of the states vis-à-vis the federal government, established the Supreme Court's power to correct or rebuke Congress or the president, and bolstered commerce and contracts. John Marshall's modus operandi was charm and wit, frequently uniting his fellow justices around unanimous decisions in even the most controversial cases. For better and for worse, he made the Supreme Court a central part of American life.John Marshall is the definitive biography of America's greatest judge and most important early Chief Justice.

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This important new edition of one of Shakespeare's more neglected plays offers a wide-ranging critical introduction, concentrating on its relevance to Elizabethan political issues and on the role played in it by women, the family, and the law. There is a comprehensive stage history, and full and helpful annotation pays special attention to the play's language and staging. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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John Lennon, 1980: The Final Days in the Life of Beatle John tells the story of the legendary musician’s incredible last year. For Lennon, 1980 had begun as a ceaseless shopping spree in which he and wife Yoko Ono fell into the doldrums of purchasing blue-chip real estate and indulging their every whim. But for John, that pivotal year would climax in several moments of creative triumph as he rediscovered his artistic self in dramatic fashion, only to be cut down by an assassin’s bullets on Monday, December 8th, 1980, in the prime of a new life that was only just beginning to blossom.

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Writer, poet, lecturer, broadcaster and man-of -letters, John Jordan (1930-88) was a distinguished scholar-critic in the Dublin of his day, teaching English at University College Dublin (1955-66) and at the Memorial University of Newfoundland at St John’s (1966-7). A true cosmopolitan, and formidably read, his interests ranged from drama to literature in all its forms. This gathering of prose essays and reviews are taken from the columns of the Irish Press, Hibernia, The Crane Bag and Irish University Review and Poetry Ireland (a magazine he refounded in 1962), as well as from private unpublished papers. They focus on the mid-century canon of Irish and Anglo-American writing: Joyce, Yeats, Lawrence, Eliot, Kavanagh, O’Casey, Behan, Clarke, Stuart, Bowen, Gregory, Synge, Shaw and Wilde, as well as on the new voices of a succeeding generation: Kinsella, Cronin, Hutchinson, Heaney, and Durcan. With occasional literary detours to Russia, France and Spain, Jordan brings a continental sensibility to bear on his literary milieu.

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Winner, Best First Monograph, British Association of Film, Television and Screen Studies In the 1980s and 1990s, John Hughes was one of Hollywood's most reliable hitmakers, churning out beloved teen comedies and family films such as The Breakfast Club and Home Alone, respectively. But was he an artist? Hughes, an adamantly commercial filmmaker who was dismissed by critics, might have laughed at the question. Since his death in 2009, though, he has been memorialized on Oscar night as a key voice of his time. Now the critics lionize him as a stylistic original. Holly Chard traces Hughes's evolution from entertainer to auteur. Studios recognized Hughes's distinctiveness and responded by nurturing his brand. He is therefore a case study in Hollywood's production not only of movies but also of genre and of authorship itself. The films of John Hughes, Chard shows, also owed their success to the marketers who sold them and the audiences who watched. Careful readings of Hughes's cinema reveal both the sources of his iconic status and the imprint on his films of the social, political, economic, and media contexts in which he operated. The first serious treatment of Hughes, Mainstream Maverick elucidates the priorities of the American movie industry in the New Hollywood era and explores how artists not only create but are themselves created.

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This first full-length biography of the Nobel Laureate to appear in a quarter century explores John Steinbeck’s long apprenticeship as a writer struggling through the depths of the Great Depression, and his rise to greatness with masterpieces such as The Red Pony, Of Mice and Men and The Grapes of Wrath. His most poignant and evocative writing emerged in his sympathy for the Okies fleeing the dust storms of the Midwest, the migrant workers toiling in California’s fields and the labourers on Cannery Row, reflecting a social engagement—paradoxical for all of his natural misanthropy—radically different from the writers of the so-called Lost Generation. A man by turns quick-tempered, contrary, compassionate and ultimately brilliant, Steinbeck took aim at the corrosiveness of power, the perils of income inequality and the growing urgency of ecological collapse, all of which drive fierce public debate to this day.

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THE DEFINITIVE SINGLE-VOLUME BIOGRAPHYRobert Skidelsky's three-volume biography of John Maynard Keynes has been acclaimed as the authoritative account of the great economist-statesman's life. Here, Skidelsky has revised and abridged his magnum opus into one definitive book, which examines in its entirety the intellectual and ideological journey that led an extraordinarily gifted young man to concern himself with the practical problems of an age overshadowed by war. John Maynard Keynes offers a sympathetic account of the life of a passionate visionary and an invaluable insight into the economic philosophy that still remains at the centre of political and economic thought.ROBERT SKIDELSKY is Emeritus Professor of Political Economy at the University of Warwick. His three volume biography of John Maynard Keynes (1983, 1992, 2000) received numerous prizes, including the Lionel Gelber Prize for International Relations and the Council on Foreign Relations Prize for International Relations. ('This three-volume life of the British economist should be given a Nobel Prize for History if there was such a thing' - Norman Stone.) He was made a life peer in 1991, and a Fellow of the British Academy in 1994.'A masterpiece of biographical and historical analysis' - New York Times

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Prine on Prine definitively presents the iconic American songwriter’s songwriter across the many eras of his celebrated life, career, and songs in his own words. John Prine hated giving interviews, but he said much when he talked. Embarrassed by fame, delighted by the smallest things, the first songwriter to read at the Library of Congress, and winner of the Pen Award for Literary Excellence, Prine saw the world unlike anyone else. The songs from 1971’s John Prine remain spot-on takes of the human condition today, and his writing only got richer, funnier, and more incisive. The interviews in Prine on Prine trace his career evolution, his singular mind, his enduring awareness of social issues, and his acute love of life, from Studs Terkel’s radio interviews from the early ’70s to Mike Leonard’s Today Show packages from the ’80s, Cameron Crowe's early encounter to Ronni Lundy's Shuck Beans, Stack Cake cookbook, and Hot Rod magazine to No Depression’s cover story, through today. Editor Holly Gleason enjoyed a longstanding relationship with Prine and his longtime co-manager, and she often traveled with him on tours in the late 1980s and represented him in the 2000s.

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This new volume in Shakespeare: The Critical Tradition increases our knowledge of how Shakespeare’s plays were received and understood by critics, editors and general readers. Updated with a new introduction providing a survey of critical responses to the plays since the late 1930s to the present day, the volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. Thus the volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.

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John Napier (1550-1617) is celebrated today as the man who invented logarithms--an enormous intellectual achievement that would soon lead to the development of their mechanical equivalent in the slide rule: the two would serve humanity as the principal means of calculation until the mid-1970s. Yet, despite Napier's pioneering efforts, his life and work have not attracted detailed modern scrutiny. John Napier is the first contemporary biography to take an in-depth look at the multiple facets of Napier's story: his privileged position as the eighth Laird of Merchiston and the son of influential Scottish landowners; his reputation as a magician who dabbled in alchemy; his interest in agriculture; his involvement with a notorious outlaw; his staunch anti-Catholic beliefs; his interactions with such peers as Henry Briggs, Johannes Kepler, and Tycho Brahe; and, most notably, his estimable mathematical legacy. Julian Havil explores Napier's original development of logarithms, the motivations for his approach, and the reasons behind certain adjustments to them. Napier's inventive mathematical ideas also include formulas for solving spherical triangles, "Napier's Bones" (a more basic but extremely popular alternative device for calculation), and the use of decimal notation for fractions and binary arithmetic. Havil also considers Napier's study of the Book of Revelation, which led to his prediction of the Apocalypse in his first book, A Plaine Discovery of the Whole Revelation of St. John--the work for which Napier believed he would be most remembered. John Napier assesses one man's life and the lasting influence of his advancements on the mathematical sciences and beyond.

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'I am not here, then, as the accused; I am here as the accuser of capitalism dripping with blood from head to foot' – John Maclean, Speech from the Dock, 1918. Feared by the government, adored by workers, celebrated by Lenin and Trotsky; the head of British Military Intelligence called John Maclean 'the most dangerous man in Britain'. This new biography explores the events that shaped the life of a momentous man – from the Great War and the Great Unrest, to the Rent Strike and the Russian Revolution. It examines his work as an organiser and educator, his imprisonment and hunger strike, and how he became the early hero of radical Scottish Independence.

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“Once more after an Interruption of ten Years, I pronounce myself a happy Man, and pray Heaven to continue me so.” Thus wrote John Adams in late August 1784 after the arrival in Europe of his wife Abigail and daughter Nabby. Adams and his family were living together in the pleasant Paris suburb of Auteuil. There Adams, with Benjamin Franklin and Thomas Jefferson, formed a joint commission to conclude commercial treaties with the nations of Europe and North Africa. For the first time since he had left America in 1778 on his first diplomatic mission, Adams was no longer engaged in “militia diplomacy.”Volume 16 of the Papers of John Adams chronicles fourteen months of Adams’ diplomatic career. As minister to the Netherlands he raised a new Dutch loan to save America from financial ruin. As joint commissioner he negotiated a commercial treaty with Prussia, proposed similar treaties with other European nations, and prepared to negotiate with the Barbary states. The commissioners also sought to resolve Anglo-American differences left over from the peace negotiations and arising from the two nations’ burgeoning trade. Volume 16 thus forms a prelude to the next phase of John Adams’ diplomatic career, for his February 1785 appointment as minister to the Court of St. James meant that the management of Anglo-American relations would be his responsibility alone.

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In September 1962, John Vassall, a clerk at the Admiralty in London, was unmasked as a Soviet spy. After being photographed in compromising positions while working at the British embassy in Moscow, Vassall was blackmailed into handing British defence secrets over to his Soviet handlers for seven years. While there have been several successful books and film adaptations about the Profumo, Jeremy Thorpe and Duchess of Argyll affairs, the story of John Vassall, who was responsible for a more serious intelligence breach, is ripe for retelling. It has everything: a honey trap, industrial-scale espionage, journalists jailed for not revealing their sources and the first modern tabloid witch-hunt, which resulted in a ministerial resignation and almost brought down Harold Macmillan’s government. With access to newly released MI5 files and interviews with people who knew Vassall from the 1950s until his death in 1996, this book sheds new light on a neglected spy scandal. Despite having been drugged and sexually assaulted by the KGB in Moscow, as a gay man John Vassall was shown no mercy by the British press or the courts. Sentenced to eighteen years in jail, he served ten years, despite telling MI5 everything. Once released, he found that many of his old friends and lovers had been persecuted or dismissed from the civil service in Britain, America and Australia. Unlike the Cambridge Five, who courted attention, after leaving prison Vassall changed his name to avoid the media and lived quietly in London. Including atmospheric detail about Dolphin Square – a hotbed of political intrigue but also a safe haven for members of the LGBT community – in the 1950s and ’60s, this is an explosive tale of sexual violence, betrayal, conspiracy, snobbery, homophobia and hypocrisy that blows apart some of the British establishment’s darkest secrets.

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A new approach to the visual arts in the work of John Donne

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Are 'Dear John' letters lethal weapons in the hands of men at war? Many US officers, servicemen, veterans, and civilians would say yes. Drawing on personal letters, oral histories, and psychiatric reports, as well as popular music and movies, Susan L. Carruthers shows how the armed forces and civilian society have attempted to weaponize romantic love in pursuit of martial ends, from World War II to today. Yet efforts to discipline feeling have frequently failed. And women have often borne the blame. This sweeping history of emotional life in wartime explores the interplay between letter-writing and storytelling, breakups and breakdowns, and between imploded intimacy and boosted camaraderie. Incorporating vivid personal experiences in lively and engaging prose – variously tragic, comic, and everything in between – this compelling study will change the way we think about wartime relationships.

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Commander Edward John Smith's career had been a remarkable example of how a man from a humble background could get far in the world. Born to a working-class family in the landlocked Staffordshire Potteries, he went to sea at the age of 17 and rose rapidly through the ranks of the merchant navy, serving first in sailing vessels and later in the new steamships of the White Star Line. By 1912, he as White Star's senior commander and regarded by many in the shipping world as the 'millionaire's captain'. In 1912, Smith was given command of the new RMS Titanic for her maiden voyage, but what should have been among the crowning moments of his long career at sea turned rapidly into a nightmare following Titanic's collision with an iceberg. In a matter of hours the supposedly unsinkable ship sank, taking over 1,500 people with her, including Captain Smith.

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New essays demonstrate Gower's mastery of the three languages of medieval England, and provide a thorough exploration of the voices he used and the discourses in which he participated. John Gower wrote in three languages - Latin, French, and English - and their considerable and sometimes competing significance in fourteenth-century England underlies his trilingualism. The essays collected in this volume start from Gower as trilingual poet, exploring Gower's negotiations between them - his adaptation of French sources into his Latin poetry, for example - as well as the work of medieval translators who made Gower's French poetry availablein English. "Translation" is also considered more broadly, as a "carrying over" (its etymological sense) between genres, registers, and contexts, with essays exploring Gower's acts of translation between the idioms of varied literary and non-literary forms; and further essays investigate Gower's writings from literary, historical, linguistic, and codicological perspectives. Overall, the volume bears witness to Gower's merit and his importance to English literary history, and increases our understanding of French and Latin literature composed in England; it also makes it possible to understand and to appreciate fully the shape and significance of Gower's literary achievement and influence, which have sometimes suffered in comparison to Chaucer. ELISABETH DUTTON is Fellow of Worcester College, Oxford. Contributors: Elisabeth Dutton, Jean Pascal Pouzet, Ethan Knapp, Carolyn P. Collette,Elliot Kendall, Robert R. Edwards, George Shuffleton, Nigel Saul, David Carlson, Candace Barrington, Andreea Boboc, Tamara F. O'Callaghan, Stephanie Batkie, Karla Taylor, Brian Gastle, Matthew Irvin, Peter Nicholson, J.A. Burrow,Holly Barbaccia, Kim Zarins, Richard F. Green, Cathy Hume, John Bowers, Andrew Galloway, R.F. Yeager, Martha Driver

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A fresh look at this astute, likably quirky statesman, by the author of the Pulitzer Award-winning Founding Brothers and the National Book Award winning American Sphinx.

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Flat edition of Ordnance Survey's Landranger Map.Scale 1:50,000. Covers area :-THURSO & WICK, JOHN O'GROATS.

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Focusing on John Hilliard’s fascination with the monochrome and visual obstruction, this career-spanning volume draws together the artist’s diverse engagement with photography. Perhaps best known for iconic ‘photo-conceptual’ works produced during the 1970s, this British artist’s work explores the limits of the photographic medium. Using new and pioneering processes, such as overlaying prints and incorporating projector screens, the artist aims to disrupt the viewer’s relationship to the photograph. Hilliard’s focus on the monochrome ‘blanks out’ the picture to undermine the photograph’s usual expectations and draw the viewer’s attention to the context of its creation. Duncan Wooldridge provides a survey on Hilliard’s continuous challenge to photographic convention throughout his 40-year career, accompanied by texts by the artist and over 60 illustrations.

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By an expert with over twenty-five years' experience interviewing more than thirty of the most dangerous male and female serial killers of contemporary times, this latest book from the bestselling author explores the darkest corners of these thrill-killers' minds.As all law-enforcement authorities, including the FBI's elite Behavioral Science Unit, will confirm, the majority of sexual psychopaths gain most of their perverse thrills from the stalking of their unsuspecting victims, often in so many different ways.For them, the actual kill is frequently something less, after which the dead body is treated like so much garbage and simply abandoned or thrown away. Yet as these cases show, a victim has often been unwittingly followed, watched, or even visited before they are attacked, sometimes for weeks or even months.Having exhaustively studied the case histories of more than sixty modern-day sexually motivated serial murderers - some still alive, others subsequently executed - the author zeros in on the Internet porn industry as one of the main motivating drivers in cultivating fantasy stalking, which can lead to rape, multiple rapes, and homicide graduating to serial murder. Even more chillingly, anyone who is active on social media is a potential stalker's victim.

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This volume joins new editions of both texts of John Lydgate's The Dance of Death, related Middle English verse, and a new translation of Lydgate's French source, the Danse macabre. Together these poems showcase the power of the danse macabre motif, offering a window into life and death in late medieval Europe. In vivid, often grotesque, and darkly humorous terms, these poems ponder life's fundamental paradox: while we know that we all must die, we cannot imagine our own death.

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World-renowned visionary artist John Harris'' unique concept paintings capture the Universe on a massive scale, featuring everything from epic landscapes and towering cities to out-of-this-world science fiction vistas. This collection focuses on his wide variety of futuristic art, as well as his striking covers for a variety of esteemed SF authors, including Arthur C Clarke, John Scalzi, Ben Bova, Hal Clement, Jack McDevitt, Frederik Pohl, Orson Scott Card''s Enders books and many more.

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A lifetime of letters, collected for the first time, from the legendary The Beatles musician and songwriter John LennonJohn Lennon is one of the world's greatest-ever song writers, creator of 'Help!', 'Lucy in the Sky with Diamonds', 'Imagine' and dozens more. Now, his letters have been collected and published, illuminating as never before the intimate side of a private genius.Hunter Davies, author of the only authorised biography of The Beatles, has tracked down almost three hundred of Lennon's letters and postcards - to relations, friends, fans, strangers, lovers and even to the laundry. Some of the letters are tender, informative, funny, angry and abusive, and some are simply heart-breaking - from his earliest surviving thank-you note, written when he was ten, to his last scribbled autograph given on 8 December 1980, the day he was shot, aged forty.

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Drawing on published and previously unpublished manuscript sources in poetry and prose, John Berryman's Public Vision offers an original reappraisal of an important twentieth-century American poet's work. Challenging the confessional labelling of him that has dominated his critical reception and popular perception for decades, the book argues that Berryman (1914-72) had a far greater concern for developments in the public sphere than has previously been acknowledged. It reassesses the poet's engagements with W.B. Yeats and Robert Bhain Campbell in the 1940s and offers radical re- contexualisations of Berryman's work from every stage of his career. Concluding with an account of Berryman's influence on contemporary writing on both sides of the Atlantic, John Berryman's Public Vision provides a detailed and comprehensive reconsideration of the poet's achievement in his centenary year.

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Unconquerable is John Milton Oskison’s biography of John Ross, written in the 1930s but unpublished until now. John Ross was principal chief of the Cherokees from 1828 to his death in 1866. Through the story of John Ross, Oskison also tells the story of the Cherokee Nation through some of its most dramatic events in the nineteenth century: the nation’s difficult struggle against Georgia, its forced removal on the Trail of Tears, its internal factionalism, the Civil War, and the reconstruction of the nation in Indian Territory west of the Mississippi. Ross remains one of the most celebrated Cherokee heroes: his story is an integral part not only of Cherokee history but also of the history of Indian Territory and of the United States. With a critical introduction by noted Oskison scholar Lionel Larré, Unconquerable sheds light on the critical work of an author who deserves more attention from both the public and scholars of Native American studies.

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Unconquerable is John Milton Oskison’s biography of John Ross, written in the 1930s but unpublished until now. John Ross was principal chief of the Cherokees from 1828 to his death in 1866. Through the story of John Ross, Oskison also tells the story of the Cherokee Nation through some of its most dramatic events in the nineteenth century: the nation’s difficult struggle against Georgia, its forced removal on the Trail of Tears, its internal factionalism, the Civil War, and the reconstruction of the nation in Indian Territory west of the Mississippi. Ross remains one of the most celebrated Cherokee heroes: his story is an integral part not only of Cherokee history but also of the history of Indian Territory and of the United States. With a critical introduction by noted Oskison scholar Lionel Larré, Unconquerable sheds light on the critical work of an author who deserves more attention from both the public and scholars of Native American studies.

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More widely studied and more frequently performed than ever before, John Webster's The Duchess of Malfi is here presented in an improved, accessible and throughly up-to-date edition. Starting with the authoritative Revels Plays edition of 1964, John Russell Brown has augmented the notes and collations, and casts new light on Webster's dramatic dialogue and on the stage action. An entirely new introduction encompasses a stage history from its well-documented early performances right through to recent productions in the twenty first century. The bibliography has also been expanded.Students, actors, directors, academics and theatre-goers will find here a reappraisal of Webster's artistry in the greatest age of English theatre.

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The fantastical story of Sir Elton John's life, through his influential and enduring partnership with his songwriting collaborator Bernie Taupin. Rocketman, an epic musical fantasy from Paramount Pictures, Marv Studios and Rocket Pictures, stars Taron Egerton (Elton John), Jamie Bell (Bernie Taupin), Richard Madden (John Reid) and Bryce Dallas Howard (Sheila Eileen). Rocketman is written by Lee Hall (Billy Elliot, War Horse) and directed by Dexter Fletcher (Eddie the Eagle). This is the official book of the movie and features on-set and behind-the-scenes photos, quotes and more.

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