Search results for ""author john"

John Wycliffe was someone who wanted everyone to have access to the Bible, not just the rich, powerful and well–educated. He was a Catholic priest who wasn’t happy with the way things were being done in the Church, and is considered an important forerunner of the English Reformation. David Luckman brings this giant of church history to life in this gripping addition to the Trail Blazer series.

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John Gaspard Le Marchant was born in France in 1766, his father from Guernsey, his mother French. He joined the British Army aged sixteen and despite his family's moderate wealth and lack of society connections, he rose through the ranks to become one of the most accomplished cavalry officers of his time. A master swordsman, he had seen how poor training with the sword resulted in numerous casualties amongst the British cavalry sometimes accidentally self-inflicted. Le Marchant set about designing a new cavalry sabre, writing instruction manuals on swordsmanship and training cavalry men throughout the country. Le Marchant's achievements did not go unnoticed and he enjoyed the patronage of George III and the Duke of York.He didn't stop there. His proposal for a military establishment for the professional training of army officers initially met with opposition. He persevered, and the Royal Military College was founded in 1801, where he served as its inaugural Lieutenant-Governor. Later

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John Stuart Blackie was one of the most impressive and influential figures of nineteenth-century Scotland, as well as one of the most striking and flamboyant. As an intellectual he translated Goethe's Faust and brought first-hand knowledge of German philosophy to Scotland as a means of keeping the Enlightenment tradition alive. As first Professor of Humanity at Aberdeen from 1839 to 1852 and then as Professor of Greek at Edinburgh until 1882, he played a, perhaps the, central role in modernising the Scottish university curriculum, removing the dead hand of theological orthodoxy, raising standards (and the entry age), introducing tutorial teaching and establishing new chairs (including the Edinburgh chair of Celtic). His role in the reform of secondary school teaching was equally central. But Blackie was also a great 'public man', corresponding with great and famous throughout Great Britain and Europe, from Goethe and Carlyle to Ruskin and Gladstone, and filling the pages of newspapers and journals with writings on the major issues of the day. For the last thirty years of his life he became closely involved in issues of Scottish nationalism and home rule, and as champion of the crofters is largely responsible for their contemporary survival and unique status. Despite the existence of a rich archive of his papers and letters, there has been only one book devoted to his life: The Life of Professor John Stuart Blackie, the most distinguished Scotsman of the day, edited by J. G. Duncan and published in 1895.

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Historians, biographers, and scholars of John James Audubon and natural history have long been mystified by Audubon’s 1843 Missouri River expedition, for his journals of the trip were thought to have been destroyed by his granddaughter Maria Rebecca Audubon. Daniel Patterson is the first scholar to locate and assemble three important fragments of the 1843 Missouri River journals, and here he offers a stunning transcription and critical edition of Audubon’s last journey through the American West.Patterson’s new edition of the journals—unknown to Audubon scholars and fans—offers a significantly different understanding of the very core of Audubon’s life and work. Readers will be introduced to a more authentic Audubon, one who was concerned about the disappearance of America’s wild animal species and yet also loved to hunt and display his prowess in the wilderness. This edition reveals that Audubon’s famous late conversion to conservationism on this expedition was, in fact, a literary fiction. Maria Rebecca Audubon created this myth when she rewrote her grandfather’s journals for publication to make him into a visionary conservationist. In reality the journals detail almost gratuitous hunting predations throughout the course of Audubon’s last expedition. The Missouri River Journals of John James Audubon is the definitive presentation of America’s most famous naturalist on his last expedition and assesses Audubon’s actual environmental ethic amid his conflicted relationship with the natural world he so admired and depicted in his iconic works.

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One hundred years after his birth, J. K. Galbraith's The Great Crash 1929 is again on the bestseller lists. And in the current financial and economic tumult, familiar Galbraithian concernssuch as the power and dominance of overweening corporations, national and global poverty, and the careless destruction of the natural environmentonce again loom large in the public consciousness.Galbraith's contemporaries included such towering intellects as Paul Samuelson, Robert Solow, Milton Friedman, Wassily Leontief, Simon Kuznets, James Meade, Nicolas Kaldor, and Joan Robinson. These intellectual giants took Galbraith and his ideas seriously. Today, however, Galbraith remains professionally unpopular, and many economists have either forgotten his contribution, or fail sufficiently to acknowledge their intellectual debt to him.This new four-volume collection from Routledge remedies this failing by highlighting Galbraith's centrality to the crucial economic debates of the

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The master of the realist novel of nineteenth-century Spain, Benito Pérez Galdós, is the subject of these new studies. The master of the realist novel of nineteenth-century Spain, Benito Pérez Galdós, is the subject of New Galdós Studies, offered in memory of John Varey, author of Galdós Studies, the foundational text for contemporary Galdosian scholarship. Eamonn Rodgers describes Galdós's early readership and reception; James Whiston illustrates Galdós's creativity in Lo prohibido; Rhian Davies explores the enrichment of the novelist's language in Torquemada en la Cruz; Teresa Fuentes Peris demonstrates Galdós's radical critique of dominant social assumptions in Fortunata y Jacinta; Alex Longhurst deals with the representation of poverty in Misericordia while Lisa Condé detects a feminist intention in Tristana; Eric Southworth finds rich cultural and spiritual allusion in the same work; Nichols Round relates the deaths of children in the Torquemada novels and Angel Guerra to end-of-century ideological concerns.

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'The most compelling biography I have read in years . . . There has been a host of JFK biographies, but this one excels for its narrative drive, fine judgments and meticulous research . . . makes the story seem a cliffhanger even though we know what is coming' Max Hastings, Sunday Times'In his utterly absorbingJFK, Fred Logevall reconstructs not only a great man, but also his entire age' Brendan Simms, author of Hitler: A Global BiographyThe Pulitzer Prize-winning historian takes us as close as we have ever been to the real John F. Kennedy in this revelatory biography of the iconic, yet still elusive, thirty-fifth president.________________By the time of his assassination in 1963, John F. Kennedy stood at the helm of the greatest power the world had ever seen. Born in 1917 to a striving Irish American family that had become among Boston's wealthiest, Kennedy knew political ambition from an early age, and his meteoric rise to become the youngest elected president cemented his status as one of the most mythologized figures in modern history.Beckoned by this gap in our historical knowledge, Harvard professor Fredrik Logevall has spent much of the last decade combing through material unseen or unused by previous biographers, searching for and piecing together the 'real' John F. Kennedy -- resulting in a masterpiece that reviews have agreed will be the definitive work. This first volume of this sweeping two-part biography spans the first thirty-nine years of his life, revealing his early relationships, his formative and heroic experiences during World War II, and his deeply fascinating romance with Jackie Kennedy. In examining these pre-White House years, Logevall chronicles Kennedy's extraordinary life and times with authority and novelistic sensibility, putting the reader in every room where it happened. This landmark work offers the clearest portrait we have of a remarkable figure who still inspires individuals around the world.________________'A riveting study of young JFK. Logevall has written a superb book.' David Runciman, Guardian 'A brisk, authoritative, and candid biography, and a wonderfully compelling history of America's heady and troubled mid-century rise' Jill Lepore, author of These Truths: A History of the United States'[Fredrik Logevall] makes JFK as alive and compelling as if you were reading about him for the first time' George Packer, author of The Unwinding: An Inner History of the New America'A powerful, provocative, and above all compelling book' Jon Meacham, Pulitzer Prize-Winning author of The Soul of America'In this first volume of Fredrik Logevall's definitive biography, JFK is all too engagingly and amiably human . . . I hope Logevall's second volume will follow soon' Peter Conrad, Observer

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A Schools Edition of The Slab Boys by Scottish playwright John Byrne, a popular set text for SQA Higher English.A semi-autobiographical work, The Slab Boys is set in the slab room of A.F. Stobo & Co Carpet Manufacturers in Paisley and the action takes place on one day in 1957. It explores themes such as rebellion and conformity, social class and social mobility, youth, deception, and frustrated ambition and achievement.This edition includes:- An introduction by John Byrne, who was a 'slab boy' himself before becoming a playwright and artist- The full playscript- Notes, quotations and questions to improve students' understanding of the play and support study/revision- Tasks and activities that build the skills of analysis and evaluation that students must demonstrate in the exam- Assessment advice for the Critical Reading question paperThis is the only single-volume version of The Slab Boys, taken from The Slab Boys Trilogy.

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Willis Salier investigates the use of the term semeia and the narratives this term refers to in the rhetorical strategy of John's Gospel. The three poles of author, text and reader are considered. The study is more literary and socio-historical in flavour and bypasses previous discussions regarding sources, which have tended to dominate research on the semeia in the Fourth Gospel.First, he investigates the resonances that the term might have with an audience in the late first century. This part of the investigation concludes that the term helps to build a bridge between the conceptual background of the Gospel and the broader cultural foreground of its audience. It is also suggested that the term both draws on, and contributes to the prominent trial motif in the Gospel itself.Second, the semeia narratives are investigated for their place in the rhetorical strategy of the Gospel. It is concluded that they point to the identity of Jesus as the divine Messiah of God, illustrate the life that his ministry brings, and provide a subtle critique of other 'would be' lifegivers in the surrounding cultural milieu.

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King John ruled England for seventeen and a half years, yet his entire reign is usually reduced to one image: of the villainous monarch outmanoeuvred by rebellious barons into agreeing to Magna Carta at Runnymede in 1215. Ever since, John has come to be seen as an archetypal tyrant. But how evil was he? In this perceptive short account, Nicholas Vincent unpicks John's life through his deeds and his personality. The youngest of four brothers, overlooked and given a distinctly unroyal name, John seemed doomed to failure. As king, he was reputedly cruel and treacherous, pursuing his own interests at the expense of his country, losing the continental empire bequeathed to him by his father Henry and his brother Richard and eventually plunging England into civil war. Only his lordship of Ireland showed some success. Yet, as this fascinating biography asks, were his crimes necessarily greater than those of his ancestors - or was he judged more harshly because, ultimately, he failed as a warlord?

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The renowned scholar-poet John of Garland wrote the Integumenta Ovidii (“Allegories on Ovid”) in early thirteenth-century Paris at a time of renewed interest in Classical Latin literature. In this short poem, John offers a series of dense, highly allusive allegories on various Greek and Roman myths in Ovid’s Metamorphoses. This important but difficult work has fascinated and challenged generations of modern students and scholars. The text is here edited and translated for the first time in 90 years, drawing on the evidence of over two dozen manuscripts. Comprehensive explanatory notes help readers to understand John’s condensed allegories in their medieval context. Textual notes discuss the various difficulties in the transmitted text of the poem, and offer several improvements on the texts of the older editions.

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John is a Gospel of abundant truth, life, and love. David Ford, one of the world's leading Christian theologians, invites readers into a fresh, profound encounter with Jesus through the Gospel of John in this comprehensive theological commentary. This commentary will appeal to a wide audience, including pastors, church leaders, and other readers interested in the intersection of theology and spirituality. It will also be of interest to professors and students doing research on John and the reception of the Gospel in Christian theology.

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John Ormond was a poet and documentary filmmaker from Swansea, south Wales. His early poetry was published while he was a student in the 1940s and, upon graduation, Ormond moved to work as a journalist in London where he soon secured a job at the celebrated photojournalist magazine Picture Post. Having learned there to `think like a camera', he was employed by the BBC in Cardiff during the early days of television, and went on to become a pioneer of the documentary film form. In a uniquely dualistic creative career spanning five decades, Ormond made major contributions both to English-language poetry and documentary filmmaking. This book is the first in-depth examination of the fascinating correspondences between Ormond's twin creative channels: viewing his work against the backdrop of a changing Wales, it constitutes an important case study in the history of documentary filmmaking, in the history of British television, in inter-artistic creativity, and in the cultural history of Wales.

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In New Orleans, Texas Ranger John Q is out of his jurisdiction, and possibly out of his depth. After a series of murders it seems that every time he asks questions there's trouble. But who could be trying to set him up, and why, and who can he turn to in a city where loyalties and family ties rule? Infused with the rhythms of its iconic setting, The Contract is a thriller which keeps you gripped and guessing all the way to its endgame.

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The political collages of John Heartfield (1891–1968) have earned him a reputation as one of the most innovative graphic artists of the Weimar Republic. His photomontages and book covers based on collages which had their origins in Berlin’s Dada scene were directed against Fascism and made him internationally famous. Their explosive power has lost none of its impact today.

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The fundamental article of my political creed, declared John Adams, is that despotism, or unlimited sovereignty, or absolute power is the same in a majority of a popular assembly, an aristocratical council, an oligarchical junto, and a single emperor. Equally arbitrary, cruel, bloody, and in every respect diabolical. The consequences of this article for Adams' thought are nowhere better articulated than in this anthology, which presents his remarkable attempts at constructing a complete political system based on constitutional, balanced, representative government.

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A Stanford University Press classic.

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Did God call the Church to be an institution? The Reformation gave Europe national churches, but these came to disappoint enthusiastic believers as lacking commitment. Was the right exit policy simply to join 'free' presbyterian or congregational-type churches, as found say in America? By the 1820s, the more strategic thinkers felt not. Some followed Newman into Catholicism: other pre-charismatics advocate an ongoing apostolate that would recapture prophetic gifts: J N Darby was led to the fierce conclusion that all churches, as man-made institutions, were bound to fail. The believer's true hope was the return of Jesus Christ. With others, Darby pioneered a less formal association of believers, free of clergy and founded on radical holiness. Darby was a tireless traveler, talented linguist and Bible translator. His influence is still felt in systematic theology, missionary societies, para- and house-church movements, possibly even in US foreign policy towards the state of Israel.

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Christopher Armitage considers previous theological perception of 1 John as a text advocating that God abhors violence, contrasted with biblical scholarship analysis that focuses upon the text’s birth from hostile theological conflict between ‘insiders’ and ‘outsiders’, with immensely hostile rhetoric directed towards ‘antichrists’ and those who have left the community. Armitage argues that a peace-oriented reading of 1 John is still viable, but questions if the commandment that the community loves each other is intended to include their opponents, and whether the text can be of hermeneutic use to advocate non-violence and love of one’s neighbour. This book examines five key words from 1 John, hilasmos, sfazo, anthropoktonos, agape and adelphos, looking at their background and use in the Old Testament in both Hebrew and the LXX, arguing that these central themes presuppose a God whose engagement with the world is not assuaging divine anger, nor ferocious defence of truth at the expense of love, but rather peace and avoidance of hatred that inevitably leads to violence and death. Armitage concludes that a peacemaking hermeneutic is not only viable, but integral to reading the epistle.

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Rebecca John was born into a family of painters, the most famous among them being her grandfather, Augustus John, and her great-aunt, Gwen John. And the last thing she wanted was to become a painter herself. So how did this happen? In Thinking the Plant she traces the path that led to her beautiful botanical watercolours. She takes us through her childhood – the cottage in the Cotswolds ‘where I first became intensely aware of nature in its wild state’, her grandfather’s home at Fryern Court in Hampshire and her parents’ London house, both of them forever associated in her mind with ‘growing things’; the Fine Jewellery course where ‘I learned to draw – and to concentrate on things close up’, her days as a picture researcher and her growing delight in botanical paintings. Rebecca John was in her thirties when she began to ‘make tentative pencil studies of flowering plants’. In 1994 she enrolled for the new Botanical Painting course at the Chelsea Physic Garden. Soon after, she began to spend more time at her mother's cottage in Wales where she could work close to nature. She achieved recognition as an artist when she was in her 50s. Drawing on contemporary diary entries and notes Thinking the Plant is a unique record, illustrated with Rebeccca John's exquisite watercolours.

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The Progressive-era idea that a public university should improve the lives of people beyond the borders of its campus had its origins in nineteenth-century German idealism, liberal Protestantism, and evolutionary theory, and in the mind of brilliant American educator John Bascom.

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Studies in John Gower is a translation of Maria Wickert’s Studien zu John Gower, the book that began the modern study of the Vox Clamantis. It is a monograph in six chapters, the first five on various aspects of the Vox — textual development, the vision of the Peasants’ Revolt, influence of the medieval sermon, the open letter to Richard II, world view — and the sixth a penetrating study of Gower’s narrative technique in the Confessio Amantis.

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Canadian-born filmmaker and photographer John Cook (1935-2001) was one the key figures in the "Austrian New Wave" of the 1970s. A maverick, Cook almost single-handedly introduced a type of freewheeling auteur cinema reminiscent of both Italian neorealism and the works of the French nouvelle vague. This volume offers a German-language section of essays, interviews, and an annotated filmography, and a brief autobiography by Cook in English.

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I love anything by artist John Derian, whose decoupage pieces can be kinda pricey. Get in on the action with these adorable John Derian Jigsaw Puzzles. Bonus: With some puzzle glue and a frame, it's ready to hang.Rachael Ray In Season John Derian is an artist and designer whose work with printed images from the past transports the viewer to another world. In Calm Cat, get lost in the mesmerizing gaze of its regal subject, perched on a silk cushion like an artist's model and utterly indifferent to the two going at each other in the background, backs and tails raised in an attitude familiar to every cat lover. Adapted from a nineteenth-century print, the image has the delight and mystery of a scene half remembered from an old children's book.Featuring: 750 full-color interlocking pieces Art print with puzzle image Finished puzzle is 26 3/8 x 18 7/8

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First published in Latin in 1699, John Craige's Theology represents a rare early attempt to introduce mathematical reasoning into moral and theological dispute.Craige's effort to determine the earliest possible date of the Apocalypse earned him ridicule as an eccentric and a crank. Yet, Richard Nash argues, the intensity of the response to Craige's work testifies to how widely felt the conflict was between the old and newly emergent notions of probability.

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The Great Recession of 2008 restored John Maynard Keynes to prominence. After decades when the Keynesian revolution seemed to have been forgotten, the great British theorist was suddenly everywhere. The New York Times asked, “What would Keynes have done?” The Financial Times wrote of “the undeniable shift to Keynes.” Le Monde pronounced the economic collapse Keynes’s “revenge.” Two years later, following bank bailouts and Tea Party fundamentalism, Keynesian principles once again seemed misguided or irrelevant to a public focused on ballooning budget deficits. In this readable account, Backhouse and Bateman elaborate the misinformation and caricature that have led to Keynes’s repeated resurrection and interment since his death in 1946.Keynes’s engagement with social and moral philosophy and his membership in the Bloomsbury Group of artists and writers helped to shape his manner of theorizing. Though trained as a mathematician, he designed models based on how specific kinds of people (such as investors and consumers) actually behave—an approach that runs counter to the idealized agents favored by economists at the end of the century.Keynes wanted to create a revolution in the way the world thought about economic problems, but he was more open-minded about capitalism than is commonly believed. He saw capitalism as essential to a society’s well-being but also morally flawed, and he sought a corrective for its main defect: the failure to stabilize investment. Keynes’s nuanced views, the authors suggest, offer an alternative to the polarized rhetoric often evoked by the word “capitalism” in today’s political debates.

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Vice President John Adams and the US government faced a turbulent world of rebellion in this volume of the Papers of John Adams, which chronicles the period from March 1791 to January 1797. The grim shadow of the French Revolution and the whirlwind of a massive European war left political leaders like Adams struggling to uphold the young nation’s neutrality. “I Suffer inexpressible Pains, from the bloody feats of War and Still more from those of Party Passions,” he observed. With the federal system newly in place, fresh challenges crept in on all sides. Adams and his colleagues sought to bolster the government against the effects of the Whiskey Rebellion, a seething partisan press, a brutal yellow fever epidemic in Philadelphia, and violent clashes with Native peoples on the Ohio frontier. Working with George Washington and an increasingly fractious cabinet, Adams approached a set of issues that defined US foreign policy for decades to come, including the negotiation, ratification, and funding of the controversial Jay Treaty, as well as the awkward cultivation of ties with France. Revealing exchanges to Adams from son John Quincy, a junior statesman who sent rich reports from war-torn Europe, underline the family’s enduring commitment to public service. Pausing on the cusp of his presidency, John Adams amplified his lifelong dedication to sustaining democracy, amid bouts of internal and external crisis: “I am happy that it has fallen to my share to do some thing towards setting the Machine in motion,” he wrote.

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The first survey in nearly two decades of the work of John McAslan + Partners. Making Architecture both provides an up-to-date account of the work of John McAslan + Partners, one of Britain’s most respected and dynamic architectural practices, and analyses the culture of a studio that has made a remarkable contribution to architecture, place-making and the lives of individuals for four decades. A series of thematic chapters includes detailed, fully illustrated descriptions of many recent and ongoing international projects, from Central and Waterloo stations in Sydney and ten new stations for Delhi Metro to the transformation of King’s Cross station in London; from the sensitive restoration of the De La Warr Pavilion in Bexhill-on-Sea, East Sussex, to the new Doha Mosque and nearby Msheireb Museums in Qatar. It also includes the pioneering initiatives for which the McAslan studio has become well known and that underline the practice’s humanity and sense of social responsibility: the urgent restoration of the Iron Market in Port-au-Prince, Haiti, after the devastating earthquake in 2010; the Hidden Homelessness initiative, begun in 2017; the N17 project that provided a pop-up design studio in Tottenham, London, after the riots of 2011, with the aim of inspiring young people to become engaged in the regeneration of their own community; and many others. Edited by Chris Foges, with a foreword by Kenneth Frampton and an introduction by Alan Powers, and with contributions by architectural specialists, this beautifully designed book offers the key to understanding the development and philosophy of one of the world’s most socially engaged architectural practices.

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John Pearce faces a court martial, but will cowardly Toby Burns, chief witness, stand up to questioning? With the matter unresolved, HMS Hazard is put under the command of Horatio Nelson, with whom no cruise can be without incident. Sure enough, battle is joined with two Spanish frigates, though success is short-lived and flight in the face of a superior foe becomes the only option.In London, the government denies prize money for the cargo of silver Pearce took off the Santa Leocadia, claiming it as property of the Crown. Pearce’s prize agent seeks to fight this, only to be outmanoeuvred by devious Henry Dundas. Worse, some very bad pennies from the past have come back to haunt the life of Emily Barclay and the thief-taker Walter Hodgson.From Elba, Pearce is sent on a mission to collect fleeing members of the Corsican government: an assignment which looks simple but is anything but. Seeking a solution which will not risk his ship, he seeks the aid of a local clan chief, inadvertently putting himself, his crew, and his rescued charges in jeopardy. Pearce finds himself trapped in a deep Corsican bay, facing odds of two to one, which he can only overcome by employing devious tactics. And even successful, he will be forced to make a decision: to follow his instincts or to obey his orders.

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On September 3, 1783, John Adams, Benjamin Franklin, and John Jay signed the definitive Anglo-American peace treaty. Adams and his colleagues strived to establish a viable relationship between the new nation and its largest trading partner but were stymied by rising British anti-Americanism. Adams’ diplomatic efforts were also complicated by domestic turmoil. Americans, in a rehearsal for the later Federalist-Antifederalist conflict over the United States Constitution, were debating the proper relationship between the central government and the states. Adams, a Federalist as early as 1783, argued persuasively for a government that honored its treaties and paid its foreign debts. But when bills far exceeding the funds available for their redemption were sent to Europe, he was forced to undertake a dangerous winter journey to the Netherlands to raise a new loan and save the United States from financial disaster.None of the founding fathers equals the candor of John Adams’ observations of his eighteenth-century world. His letters, always interesting, reveal with absolute clarity Adams’ positions on the personalities and issues of his times.

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This volume brings together a diverse group of Reformation scholars to examine the life, work, and enduring significance of John Jewel, bishop of Salisbury from 1560 to 1571.A theologian and scholar who worked with early reformers in England such as Peter Martyr Vermigli, Martin Bucer, and Thomas Cranmer, Jewel had a long-lasting influence over religious culture and identity. The essays included in this book shed light on often-neglected aspects of Jewel’s work, as well as his standing in Elizabethan culture not only as a priest but as a leader whose work as a polemicist and apologist played an important role in establishing the authority and legitimacy of the Elizabethan Church of England. The contributors also place Jewel in the wider context of gender studies, material culture, and social history. With its inclusion of a short biography of Jewel’s early life and a complete list of his works published between 1560 and 1640, Defending the Faith is a fresh and robust look at an important Reformation figure who was recognized as a champion of the English Church, both by his enemies and by his fellow reformers.In addition to the editors, contributors to this volume are Andrew Atherstone, Ian Atherton, Paul Dominiak, Alice Ferron, Paul A. Hartog, Torrance Kirby, W. Bradford Littlejohn, Aislinn Muller, Joshua Rodda, and Lucy Wooding.

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John Lennon, 1980: The Final Days in the Life of Beatle John tells the story of the legendary musician’s incredible last year. For Lennon, 1980 had begun as a ceaseless shopping spree in which he and wife Yoko Ono fell into the doldrums of purchasing blue-chip real estate and indulging their every whim. But for John, that pivotal year would climax in several moments of creative triumph as he rediscovered his artistic self in dramatic fashion, only to be cut down by an assassin’s bullets on Monday, December 8th, 1980, in the prime of a new life that was only just beginning to blossom.

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Although his film career extended from the early days of sound to the British New Wave and beyond, Sir John Mills is nonetheless remembered as the archetypal hero of the Second World War. Regarded as an English 'everyman', his performances crossed the class divide and, in his easy transition from below decks to above, he came to represent a newly democratic masculine ideal. But what was this exemplary masculinity and what became of it in the aftermath of war? John Mills and British Cinema asks how was it possible for an actor to embody national identity and, by exploring the cultural contexts in which Mills and the nation became synonymous, the book offers a new perspective on 40 years of cinema and social change. Through detailed analysis of a wide range of classic British films, John Mills and British Cinema exposes the shifting constructions of 'national' masculinity, arguing that the screen persona of the actor is a fundamental, and often overlooked, dimension of British cinema. Features * Provides the first critical examination of the film career of Sir John Mills. * Uses contemporary feminist and gender theories to examine the body of the actor as a crucial dimension of the film text. * Explores the concept of a 'national cinema' from an innovative new perspective. * Provides stimulating new readings of key British films, including Forever England, The Way to the Stars, Great Expectations, Scott of the Antarctic, Hobson's Choice, Ice Cold in Alex, Tunes of Glory, The Family Way and Ryan's Daughter.

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A brilliant new Scandinavian noir series from Sweden introducing Agent John Adderley, already sold in 15 countries—now in paperbackThe Bucket List is the gripping debut novel by writing team Peter Mohlin and Peter Nyström, launching a stunning new Nordic noir series featuring Swedish-American FBI Agent John Adderley. Like the best writers of the genre, such as Henning Mankell and Jo Nesbø, Mohlin and Nyström combine a strong crime story with a novel of psychological richness and depth for an irresistible read. The Bucket List starts when undercover FBI Agent John Adderley wakes up in a hospital bed in Baltimore with extensive gunshot wounds. He knows he’s lucky to be alive. And just a few beds away is the man who 24 hours ago pointed a gun to his head. Ten years earlier in Sweden, Emelie, the young heiress to (an H&M-esque) clothing empire AckWe has gone missing. When local police find blood and semen in a deserted area, they arrest a teenage boy. He denies the charges, and since the body is never found, he can’t be prosecuted. Back to the present, Emelie’s high-profile cold case file is sent to Agent Adderley, now living in Sweden (where he’s not lived since he was a boy) in witness protection, hiding until he can testify against the drug cartel he infiltrated back in the States. Adderley is determined to solve Emelie’s case, but, at the same time, he knows that the drug cartel has a price on his head . . .

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