Search results for ""fordham university press""

The metaphor of the Church as a "body" has shaped Catholic thinking since the Second Vatican Council. Its influence on theological inquiries into Catholic nature and practice is well-known; less obvious is the way it has shaped a generation of Catholic imaginative writers. Cathedrals of Bone is the first full-length study of a cohort of Catholic authors whose art takes seriously the themes of the Council: from novelists such as Mary Gordon, Ron Hansen, Louise Erdrich, and J. F. Powers, to poets such as Annie Dillard, Mary Karr, Lucia Perillo, and Anne Carson, to the Pulitzer Prize-winning playwright John Patrick Shanley. Motivated by the inspirational yet thoroughly incarnational rhetoric of Vatican II, each of these writers encourages readers to think about the human body as a site-perhaps the most important site-of interaction between God and human beings. Although they represent the body in different ways, these late-twentieth-century Catholic artists share a sense of its inherent value. Moreover, they use ideas and terminology from the rich tradition of Catholic sacramentality, especially as it was articulated in the documents of Vatican II, to describe that value. In this way they challenge the Church to take its own tradition seriously and to reconsider its relationship to a relatively recent apologetics that has emphasized a narrow view of human reason and a rigid sense of orthodoxy.

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We are exorbitant, and rightly so, when we cut any link we may have to cosmological powers. Levinas invites us to be exorbitant by distancing ourselves from visions of metaphysics, epistemology, and theology. We begin to listen well to Levinas when we hear him inviting us to break completely with the pagan world in which the gods are simply the highest beings in the cosmos and learn to practice an adult religion in which God is outside cosmology and ontology. God comes to mind neither in our attempts to think him as the creator of the cosmos nor in moments of ecstasy but in acts of genuine holiness, such as sharing a piece of bread with someone in a time of desperate need. Levinas, in short, enjoins us to be exorbitant in our dealings with one another. This book asks how the "between" of Levinas's thinking facilitates a dialogue between Jews and Christians. In one sense, Levinas stands exactly between Jews and Christians: ethics, as he conceives it, is a space in which religious traditions can meet. At the same time, his position seems profoundly ambivalent. No one can read a page of his writings without hearing a Jewish voice as well a a philosophical one. Yet his talk of substitution seems to resonate with Christological themes. On occasion, Levinas himself sharply distinguishes Judaism from Christianity--but to what extent can his thinking become the basis for a dialogue between Christians and Jews? This book, with a stellar cast of contributors, explores these questions, thereby providing a snapshot of the current state of Jewish-Christian dialogue.

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The "place" in the title of Claudia Brodsky's remarkable new book is the intersection of language with building, the marking, for future reference, of material constructions in the world. The "referent" Brodsky describes is not something first found in nature and then named but a thing whose own origin joins language with materiality, a thing marked as it is made to begin with. In the Place of Language: Literature and the Architecture of the Referent develops a theory of the "referent" that is thus also a theory of the possibility of historical knowledge, one that undermines the conventional opposition of language to the real by theories of nominalism and materialism alike, no less than it confronts the mystical conflation of language with matter, whether under the aegis of the infinite reproducibility of the image or the identification of language with "Being." Challenging these equally naive views of language - as essentially immaterial or the only essential matter - Brodsky investigates the interaction of language with the material that literature represents. For literature, Brodsky argues, seeks no refuge from its own inherently iterable, discursive medium in dreams of a technologically-induced freedom from history or an ontological history of language-being. Instead it tells the complex story of historical referents constructed and forgotten, things built into the earth upon which history "takes place" and of which, in the course of history, all visible trace is temporarily effaced. Literature represents the making of history, the building and burial of the referent, the present world of its oblivion and the future of its unearthing, and it can do this because, unlike the historical referent, it literally takes no place, is not tied to any building or performance in space. For the same reason literature can reveal the historical nature of the making of meaning, demonstrating that the shaping and experience of the real, the marking of matter that constitutes historical referents, also defers knowledge of the real to a later date. Through close readings of central texts by Goethe, Plato, Kant, Heidegger, and Benjamin, redefined by the interrelationship of building and language they represent, In the Place of Language analyzes what remains of actions that attempt to take the place of language: the enduring, if intermittently obscured bases, of theoretical reflection itself.

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How have we thought “the body”? How can we think it anew? The body of mortal creatures, the body politic, the body of letters and of laws, the “mystical body of Christ”—all these (and others) are incorporated in the word Corpus, the title and topic of Jean-Luc Nancy’s masterwork. Corpus is a work of literary force at once phenomenological, sociological, theological, and philosophical in its multiple orientations and approaches. In thirty-six brief sections, Nancy offers us at once an encyclopedia and a polemical program—reviewing classical takes on the “corpus” from Plato, Aristotle, and Saint Paul to Descartes, Hegel, Husserl, and Freud, while demonstrating that the mutations (technological, biological, and political) of our own culture have given rise to the need for a new understanding of the body. He not only tells the story of this cultural change but also explores the promise and responsibilities that such a new understanding entails. The long-awaited English translation is a bold, bravura rendering. To the title essay are added five closely related recent pieces—including a commentary by Antonia Birnbaum—dedicated in large part to the legacy of the “mind-body problem” formulated by Descartes and the challenge it poses to rethinking the ancient problems of the corpus. The last and most poignant of these essays is “The Intruder,” Nancy’s philosophical meditation on his heart transplant. The book also serves as the opening move in Nancy’s larger project called “The deconstruction of Christianity.”

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True disagreements are hard to achieve, and even harder to maintain, for the ghost of final agreement constantly haunts them. The Babylonian Talmud, however, escapes from that ghost of agreement, and provokes unsettling questions: Are there any conditions under which disagreement might constitute a genuine relationship between minds? Are disagreements always only temporary steps toward final agreement? Must a community of disagreement always imply agreement, as in an agreement to disagree? What is Talmud? rethinks the task of philological, literary, historical, and cultural analysis of the Talmud. It introduces an aspect of this task that has best been approximated by the philosophical, anthropological, and ontological interrogation of human being in relationship to the Other-whether animal, divine, or human. In both engagement and disengagement with post-Heideggerian traditions of thought, Sergey Dogopolski complements philological-historical and cultural approaches to the Talmud with a rigorous anthropological, ontological, and Talmudic inquiry. He redefines the place of the Talmud and its study, both traditional and academic, in the intellectual map of the West, arguing that Talmud is a scholarly art of its own and represents a fundamental intellectual discipline, not a mere application of logical, grammatical, or even rhetorical arts for the purpose of textual hermeneutics. In Talmudic intellectual art, disagreement is a fundamental category. What Is Talmud? rediscovers disagreement as the ultimate condition of finite human existence or co-existence.

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Jewishness and the Human Dimension is a leading scholar’s progress report on an effort to bring Jewishness broadly construed into dialogue with a wide range of thought in contemporary criticism, while linking those themes in turn to the question of planetary crisis. Each chapter emerges from and addresses the circumstances of its composition; a talk to New Jersey undergraduates inviting them to contemplate their lifespans vis-à-vis the life history of the species; a meeting to contemplate Jewish memory outside Europe and after 1945; an inaugural address as the author sought to make sense of leaving his home on the Lower East Side and making a new one in Kansas. Two chapters on research and teaching in Jewish cultural studies as academic practice develop the notion of Jewish studies as a human science and examine how Jewish historiography, once a deeply conservative discipline, has integrated insights from anthropology and literary cultural studies. Boyarin also shares a dialogue with the Jerusalem-based physicist Martin Land on physical and cultural ideas of futurity and redemption. The book ends with a stark challenge to those who work in the contemporary humanities and social sciences: in order to be able to contribute to the possibility of sustained human life on Earth, we need to interrogate rigorously now the status of human differences. Neither ethnography (though it relishes the particular), memoir (though a personal voice is readily audible), nor criticism (though the work and figures of Jacques Derrida and especially Walter Benjamin are indispensable to its project), this book attempts to put in place words of the late Moishe Fogel, vice president of the Eighth Street Shul, that have long stood as a watchword for the author’s writing: “Everything what you know you gotta use!”

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This book brings together an international roster of renowned scholars from disciplines including philosophy, political theory, intellectual history, and literary studies to address the conceptual foundations of the humanities and the question of their future. What notions of the future, of the human, and of finitude underlie recurring anxieties about the humanities in our current geopolitical situation? How can we think about the unpredictable and unthought dimensions of praxis implicit in the very notion of futurity? The essays here argue that the uncertainty of the future represents both an opportunity for critical engagement and a matrix for invention. Broadly conceived, the notion of invention, or cultural poiesis, questions the key assumptions and tasks of a whole range of practices in the humanities, beginning with critique, artistic practices, and intellectual inquiry, and ending with technology, emancipatory politics, and ethics. The essays discuss a wide range of key figures (e.g., Deleuze, Freud, Lacan, Foucault, Kristeva, Irigaray), problems (e.g., becoming, kinship and the foreign, "disposable populations" within a global political economy, queerness and the death drive, the parapoetic, electronic textuality, invention and accountability, political and social reform in Latin America), disciplines and methodologies (philosophy, art and art history, visuality, political theory, criticism and critique, psychoanalysis, gender analysis, architecture, literature, art). The volume should be required reading for all who feel a deep commitment to the humanities, its practices, and its future.

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Derrida and Lacan have long been viewed as proponents of two opposing schools of thought. This book argues, however, that the logical structure underpinning Lacanian psychoanalytic theory is a complex, paradoxical relationality that corresponds to Derrida's "plural logic of the aporia." Andrea Hurst begins by linking this logic to a strand of thinking (in which Freud plays a part) that unsettles philosophy's transcendental tradition. She then shows that Derrida is just as serious and careful a reader of Freud's texts as Lacan. Interweaving the two thinkers, she argues that the Lacanian Real is another name for Derrida's différance and shows how Derrida's writings on Heidegger and Nietzsche embody an attitude toward sexual difference and feminine sexuality that matches Lacanian insights. Derrida's "plural logic of the aporia," she argues, can serve as a heuristic for addressing prominent themes in Lacanian psychoanalysis: subjectivity, ethics, and language. Finally, she takes up Derrida's prejudicial reading of Lacan's "Seminar on 'The Purloined Letter,'" which was instrumental in the antagonism between Derrideans and Lacanians. Although acknowledging the injustice of Derrida's reading, the author brings out the deep theoretical accord between thinkers that both recognize the power of psychoanalysis to address contemporary political and ethical issues.

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From Dr. Moreau’s Beast People to David Cronenberg’s Brundlefly, Stanislaw Lem’s robot constructors in the Cyberiad to Octavia Butler’s human/alien constructs in the Xenogenesis trilogy, Posthuman Metamorphosis examines modern and postmodern stories of corporeal transformation through interlocking frames of posthumanism, narratology, and second-order systems theory. New media generate new metamorphs. New stories have emerged from cybernetic displacements of life, sensation, or intelligence from human beings to machines. But beyond the vogue for the cyborg and the cybernetic mash-up of the organic and the mechanical, Posthuman Metamorphosis develops neocybernetic systems theories illuminating alternative narratives that elicit autopoietic and symbiotic visions of the posthuman. Systems theory also transforms our modes of narrative cognition. Regarding narrative in the light of the autopoietic systems it brings into play, neocybernetics brings narrative theory into constructive relation with the systemic operations of observation, communication, and paradox. Posthuman Metamorphosis draws on Bruno Latour, Donna Haraway, Niklas Luhmann, Cary Wolfe, Mieke Bal, Katherine Hayles, Friedrich Kittler, and Lynn Margulis to read narratives of bodily metamorphosis as allegories of the contingencies of systems. Tracing the posthuman intuitions of both pre- and post-cybernetic metamorphs, it demonstrates the viability of second-order systems theories for narrative theory, media theory, cultural science studies, and literary criticism.

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We hope—even as we doubt—that the environmental crisis can be controlled. Public awareness of our species’ self-destructiveness as material beings in a material world is growing—but so is the destructiveness. The practical interventions needed for saving and restoring the earth will require a collective shift of such magnitude as to take on a spiritual and religious intensity. This transformation has in part already begun. Traditions of ecological theology and ecologically aware religious practice have been preparing the way for decades. Yet these traditions still remain marginal to society, academy, and church. With a fresh, transdisciplinary approach, Ecospirit probes the possibility of a green shift radical enough to permeate the ancient roots of our sensibility and the social sources of our practice. From new language for imagining the earth as a living ground to current constructions of nature in theology, science, and philosophy; from environmentalism’s questioning of postmodern thought to a garden of green doctrines, rituals, and liturgies for contemporary religion, these original essays explore and expand our sense of how to proceed in the face of an ecological crisis that demands new thinking and acting. In the midst of planetary crisis, they activate imagination, humor, ritual, and hope.

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In this most recent of his seminal studies on Descartes, Jean-Luc Marion brings together essays on the topics of the ego and of God, most of them previously unavailable in English. More than any other of Marion’s works, the book illustrates the profound connection between his phenomenological concerns and his writings on Descartes. Liberating God and the self from the constrictions of metaphysics are fundamental tenets of Marion’s theological and phenomenological work. This book highlights the same topics in the philosophy of Descartes. In Part I (On the Ego), Marion explores the alterity of the Cartesian ego, arguing that it is not as solitary as has often been assumed, and shows how Descartes’ writings themselves are framed by dialogue. He explicates the status of the “rule of truth” in the Meditations, on the one hand highlighting how Descartes’ argument is not circular, on the other hand showing how Pascal responds to and alters Descartes. He also elucidates the ambivalent status of the concept of substance in Descartes by returning to its roots in the philosophy of Suarez. In Part II (On God), Marion returns to the important Cartesian thesis of the creation of the eternal truths, setting it in the context of the claims of earlier thinkers and showing its demise in philosophies following Descartes. The study closes with a careful delineation of the concept of causa sui and a detailed survey of the idea of God in seventeenth-century thought.

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Whether Aligned with the mechanism whereby the spirit is borne aloft through song comes again the question: whether. And not soothed so much as opened by the boy soprano’s Sanctus, what moves in the mind as the throat constricts in sympathy, one note peeled from the last, fine as paper slipped from a garlic bulb, veined, translucent, is whether—as if wound through the spiraling amplitude, purpled, fretted, one voice suspended in concentration of prayer or terror wills itself above faltering, more perfect since time must soon break it. And made it. Whether and by whatever impossible arrangement of stars, harmonies, correspondences through which the music finds the spirit and like a blade slits and releases, circulates the question through the phrase, the delicate engine—as if it matters: the song rises, everything goes with it. The poems in Crocus take as their starting points the interior universes created by myth, art, and memory, and through the exploration of these terrains create new ways of understanding the ordinary.

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“Our lives are Swiss,” Emily Dickinson wrote in 1859, “So still—so cool.” But over the Alps, “Italy stands the other side.” For Dickinson, as for many other writers and artists, Italy has been the land of light, a seductive source of invention, enchantment, and freedom. So it was for Helen Barolini, who, as a student in Rome after World War II, wrote her first poetry and gave birth to her own creative life, reinvigorating her mother tongue. In this book, Barolini celebrates the lives of other women whose imaginations succumbed to the lure of Italy. Here Barolini profiles six gifted women transformed by Italy’s mythic appeal. Unlike Barolini herself, they were not daughters of the great Italian diaspora. Rather, they were drawn to an idea of “Italy” and its gifts—in whose welcome a new self could be created. Or discovered. Emily Dickinson traveled to Italy only in the imaginative genius of her verse. Margaret Fuller struggled alongside her Italian lover in the political revolutions that gave birth to the Italian Republic, while the novelist and short-story writer Constance Fennimore Woolson found her home in Venice and Florence. Here, too, is the flamboyant artist Mabel Dodge Luhan, entertaining at her villa near Florence; and Marguerite Chapin of Connecticut, who married an Italian prince and in Rome founded the premier literary review of the mid-century, Botteghe Oscure. Finally, here is Iris Cutting Origo, the Anglo-American heiress who, with her Italian nobleman husband, built a Tuscan estate, where she wrote acclaimed biographies—and created a refuge from Mussolini’s fascism. Linking these lives, Barolini shows, is the transforming catalyst of change in a new land. Their Other Side is a wise, warm, and deeply felt literary journey that brilliantly captures the enduring effects of Italy as a place, a culture, and an experience.

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Exploring the risks, ambiguities, and unstable conceptual worlds of contemporary thought, Crossover Queries brings together the wide-ranging writings, across twenty years, of one of our most important philosophers. Ranging from twentieth-century European philosophy—the thought of Heidegger, Foucault, Derrida, Levinas, Janicaud, and others—to novels and artworks, music and dance, from traditional Jewish thought to Jain and Buddhist metaphysics, Wyschogrod’s work opens radically new vistas while remaining mindful that the philosopher stands within and is responsible to a philosophical legacy conditioned by the negative. Rather than point to a Hegelian dialectic of overcoming negation or to a postmetaphysical exhaustion, Wyschogrod treats negative moments as opening novel spaces for thought. She probes both the desire for God and an ethics grounded in the interests of the other person, seeing these as moments both of crossing over and of negation. Alert to the catastrophes that have marked our times, she exposes the underlying logical structures of nihilatory forces that have been exerted to exterminate whole peoples. Analyzing the negations of biological research and cultural images of mechanized and robotic bodies, she shows how they contest the body as lived in ordinary experience. “Crossover Queries brings together important essays on a remarkable range of topics by one of our most insightful cultural critics. Commenting on philosophical and theological issues that have shaped the recent past as well as scientific and technological questions that will preoccupy us in the near future, Wyschogrod consistently alerts us to the urgency of problems whose importance few recognize. To avoid the challenge these essays pose is to avoid responsibility for a future that appears to be increasingly fragile.”—Mark C. Taylor, Columbia University

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If anything marks the image, it is a deep ambivalence. Denounced as superficial, illusory, and groundless, images are at the same time attributed with exorbitant power and assigned a privileged relation to truth. Mistrusted by philosophy, forbidden and embraced by religions, manipulated as “spectacle” and proliferated in the media, images never cease to present their multiple aspects, their paradoxes, their flat but receding spaces. What is this power that lies in the depths and recesses of an image—which is always only an impenetrable surface? What secrets are concealed in the ground or in the figures of an image—which never does anything but show just exactly what it is and nothing else? How does the immanence of images open onto their unimaginable others, their imageless origin? In this collection of writings on images and visual art, Jean-Luc Nancy explores such questions through an extraordinary range of references. From Renaissance painting and landscape to photography and video, from the image of Roman death masks to the language of silent film, from Cleopatra to Kant and Heidegger, Nancy pursues a reflection on visuality that goes far beyond the many disciplines with which it intersects. He offers insights into the religious, cultural, political, art historical, and philosophical aspects of the visual relation, treating such vexed problems as the connection between image and violence, the sacred status of images, and, in a profound and important essay, the forbidden representation of the Shoah. In the background of all these investigations lies a preoccupation with finitude, the unsettling forces envisaged by the images that confront us, the limits that bind us to them, the death that stares back at us from their frozen traits and distant intimacies. In these vibrant and complex essays, a central figure in European philosophy continues to work through some of the most important questions of our time.

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This is the first full-length book in English on the noted French philosopher Philippe Lacoue-Labarthe. Martis introduces the range of Lacoue-Labarthe’s thinking, demonstrating the systematic nature of his philosophical project. Focusing in particular on the dynamic of the loss of the subject and its possible post-deconstructive recovery, he places Lacoue-Labarthe’s achievements in the context of related philosophers, most importantly Nancy, Derrida, and Blanchot.

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This volume offers original studies on the subject of medieval education, not only in the formal academic sense typical of schools and universities but also in a broader cultural sense that includes law, liturgy, and the new religious orders of the high Middle Ages. Its essays explore the transmission of knowledge during the middle ages in various kinds of educational communities, including schools, scriptoria, universities, and workshops.

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Does the philosophy of Martin Heidegger represent the emergence of a secular anthropology that requires religious thought to redefine the religious dimension in human existence? In this critical response, Lacoste confronts the ultimate definition of human nature, the humanity of the human. He explores that definition through an analysis of the “absolute” as a phenomenological datum. Lacoste establishes a conception of human nature that opens possibilities for religious experience and religious identity in view of Heidegger’s profound challenge. He develops a phenomenology of the liturgy, and subjects the categories of “experience,” “place,” and “human existence” to careful examination. Making a strong case for the affective nature of religious experience, he sides with Schleiermacher against Hegel in associating religion with affectivity rather than logic. Such affectivity, he claims, can be more rational than reason as framed in Hegelian logic.

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In the aptly titled The Call and the Response, renowned philosopher and theologian Jean-Louis Chrétien revisits a favorite theme: how human life is shaped by the experience of call and response, explored using art as a context. For Chrétien, art is about acts in response to what the artist sees or hears and how these acts provoke responses from viewers. Deeply spiritual and intellectual without being academic, his arguments are unique, in both style and content.

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Brian Cudahy offers a fascinating tribute to the world the subway created. Taking a fresh look at one of the marvels of the 20th century, Cudahy creates a vivid sense of this extraordinary achievement—how the city was transformed once New Yorkers started riding in a hole in the ground.

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Probably no theologian has exercised so profound an influence on Catholic theology during the last half century as Karl Rahner. Patrick Burke examines the structure of dialectical analogy as it appears in each of the major themes of Rahner’s theology—as an indispensable key to the correct interpretation of his thought. He also exposes a tension within the system that needs to be addressed if the complex balance of Rahner’s vision is to be fully understood

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“Philosophy of religion,” in recent decades, has been the study of the rationality, coherence, and truth-claims of classical theism. Yet philosophical reflection on religion has included much more than this: it has been the creative construction of a religious philosophy; it has critically examined claims for religious authority and certainty; it has explored the principles underlying religious thought and life; it has exposed domination, deception, and illusion, it has explored the subjective, practical, and spiritual dimensions of religion. This collection brings together essays by a variety of contemporary philosophers who are working in this broader tradition: Pamela Sue Anderson, Gary Banham, Bettina Bergo, John Caputo, Matthew Haltman, Wayne Hudson, Grace Jantzen, Donna Jowett, Greg Sadler, Graham Ward, and Edith Wyschogrod.

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What does it mean to give a “gift”? In this timely collection, distinguished anthropologists—Maurice Godelier, George Marcus, Stephen Tyler—and philosophers—Mark C. Taylor, John D. Caputo, Jean-Joseph Goux and Adriaan Peperzak, explore an enigma that has disturbed contemporary philosophers from Marcel Mauss to Jacques Derrida. The essays included in the volume: Some Things You Give, Some Things You Sell, But Some Things You Must Keep for Yourselves: What Mauss Did Not Say about Sacred Objects by Maurice Godelie. The Gift and Globalization: A Prolegomenon to the Anthropological Study of Contemporary Finance Capital and Its Mentalities by George Marcus Capitalizing (on) Gifting by Mark C. Taylor “Even Steven” or “No Strings Attached” by Stephen Tyler Mothering, Co-muni-cation and the Gifts of Language by Genevieve Vaughan The Time of Giving, the Time of Forgiving by John D. Caputo Seneca against Derrida: Gift and Alterity by Jean-Joseph Goux Giving by Adriaan Peperzak

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From First to Last is a complete life story of one of the most controversial yet least well known generals on either side during the Civil War. The number one graduate of the West Point class of 1843, William Buel Franklin served in the U.S. Army's Corps of Topographical Engineers and contributed greatly to the building of the nation's internal improvements, including a stint as chief engineer in charge of construction of the U.S. Capitol's dome and extension from 1859 to 1861. During the Civil War Franklin ascended rapidly in rank and command authority, from command of a Union brigade at Bull Run, to leadership of the Sixth Corps of the Army of the Potomac on the Peninsula and during the Maryland Campaign, to command of the Left Grand Division, of that army at the terrible Battle of Fredericksburg. In the wake of Fredericksburg, Franklin was unjustly blamed for the Union army's defeat, not so much because of his generalship-or lack thereof-but because of his politics and the highly-charged political nature of high-level leadership in the Army of the Potomac. Censured by the notorious Joint Congressional Committee on the Conduct of the War, Franklin was banished to the Department of the Gulf, where he participated in the ill-fated Sabine Pass Expedition and Red River Campaign. Wounded during the Red River Campaign and captured by Confederate partisan rangers Franklin would escape his captors but could not escape the wrath of the Lincoln administration, which refused to place him back in command even though his old West Point classmate-U. S. Grant-personally requested his services. Franklin resigned his commission in 1866 and began a highly successful post-war career as Vice President and General Manager of Colt's Firearms Company in Hartford, Connecticut. A respected citizen of that city, Franklin continued to serve his country in a number of public positions, including leadership of a government bureau that eventually became the U.S. Veterans Administration. Snell's study of Franklin is evenly balanced, correctly pointing out Franklin's flaws and lapses of judgment-such as the Battle of Crampton's Gap on September 14, 1862-but giving him credit where he received none in the past. Snell provides readers with a complete picture of Franklin: brilliant engineer, doting husband, respected businessman, and controversial Union general. From First to Last will change the way historians interpret this important figure of American history.

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The theory of liberty here propounded by Simon, along with his analysis of authority, democracy, and practical wisdom, contains the elements of a political philosophy that can provide direction to other contemporary political theorists of our times. While the latter have gathered great masses of political facts, they have lacked a normative set of ideas that can make these facts meaningful and useful to political society. Simon’s position as a philosopher rather than as a political scientist, is that while there is a science of social and political facts, a normative moral philosophy that knows the ends of human action is necessary because people make good or bad use of their freedom. As always, Simon here writes with a lucidity and moderation that will be satisfying to reasonable people looking for a way out of skepticism and uncertainty. He was no dogmatist, but he knew what he knew and what he did not know. This is the beginning of wisdom and a model for philosophers.

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Marked sharply by its time and place (Paris in the 1970s), this early theological text by Jean-Luc Marion nevertheless maintains a strikingly deep resonance with his most recent, groundbreaking, and ever more widely discussed phenomenology. And while Marion will want to insist on a clear distinction between the theological and phenomenological projects, to read each in light of the other can prove illuminating for both the theological and the philosophical reader - and perhaps above all for the reader who wants to read in both directions at once, the reader concerned with those points of interplay and undecidability where theology and philosophy inform, provoke, and challenge one another in endlessly complex ways." "In both his theological and his phenomenological projects Marion's central effort to free the absolute or unconditional (be it theology's God or phenomenology's phenomenon) from the various limits and preconditions of human thought and language will imply a thoroughgoing critique of all metaphysics, and above all of the modern metaphysics centered on the active, spontaneous subject who occupies modern philosophy from Descartes through Hegel and Nietzsche.

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When the Civil War erupted, more than 1,000 Irish Americans formed the North Massachusetts Volunteer Infantry regiment, the first of the state’s ethnic regiments. This book is a history of the regiment, told by Daniel Macnamara, who served as its commissary sergeant and rose to become regimental quartermaster.

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The Trespass of the Sign offers a clear and thorough account of the relations between deconstruction and theology. Kevin Hart argues that, contrary to popular thought on the topic, deconstruction does not have an antitheological agenda. Rather, deconstruction seeks to question the metaphysics of any theology. Hart pays particular attention to mystical theology as nonmetaphysical theology.

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This work examines the career of Lloyd Morrisett - a television executive who developed the successful children's television programme Sesame Street, with the aim of teaching pre-school children the basics of literacy. His other media and journalistic achievements are also listed.

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The Essential William H. Whyte offers the core writings of a great observer of the postwar American scene. Included are selections from The Organization Man, Securing Space for Urban America: Conservation Easements, The Last Landscape, The Social Life of Urban Spaces, and City: Rediscovering the Center, as well as many of Whyte’s articles from Fortune Magazine.

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Abner Small wrote one of the most honest, poignant, and moving memoirs to come out of the Civil War. He served as a non-commissioned officer in the Third Maine Infantry during the summer of 1861, experiencing battle for the first time at First Bull Run. As a recruiting officer, he helped to raise the Sixteenth Maine Infantry and served as its adjutant. The Sixteenth Maine gained fame for its heroic delaying action on July 1 at Gettysburg, where it lost 180 of its 200 men. It went on to serve in Grant’s Overland Campaign in Virginia. Small was an articulate observer of all this. He wrote his memoirs with a keen sense of the irony of life during wartime, and with a gift for expression. His descriptions of the dead at Gettysburg, his characterizations of famous men such as Major General Oliver Otis Howard, and his reflections on the emotions of men under fire are outstanding. Small was captured in the battle of Globe Tavern on August 18, 1864. His account of prison life at Libby, Salisbury, and Danville is gripping. Small was exchanged just in time to lead his regiment in the final days of the war. His book reveals more of the inner soldier than almost any other account written by a Union veteran.

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Guides for an Age of Confusion compares and contrasts the views of the two great Jewish philosophers Avraham Y. Kook and Mordecai M. Kaplan. Although these two thinkers stand at opposite ends of the spectrum of Jewish thought, they are united in their love for the Jewish people and in their belief in the need for Jewish unity. Following an introduction to both men, the author, a disciple of Kaplan’s, explores their views regarding some of the most important issues confronting the Jewish people today. These include traditions such as Israel’s chosenness; the status of the Halakhah, traditional Jewish law, in today’s society; prayer and its revitalization; repentance (Teshuvah) leading to the return to God; and the role of Eretz Yisrael in the life of the Jewish people. Other topics covered are the idea of and the search for God, the position of women in Jewish society, and philosophies of education, along with an exploration of esthetics in Jewish life and the challenges of democracy. Each chapter provides an overview of the subject and then discusses the divergent views of the two thinkers, as well as their areas of agreement. Finally, the book endeavors to portray the future of Jewish life as envisaged through the eyes of these two great men. In the author’s view, a dialogue must be established between the followers of both Kook and Kaplan. Only in this way can Jewish solidarity be maintained and the Jewish future secured. This book is an effort to open that dialogue.

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Based on papers delivered at a conference held at Georgetown University in Fall 1993, The Question of Christian Philosophy Today proves different issues confronting Christian philosophy at the brink of the twenty-first century, from traditionalism to postmodernism. Together with excerpts from the question and answer session, each paper and the concluding round table discussion are here preserved in five distinct sections. The work, taken as a whole, is an exemplar of the meaning and spirit of where we can locate Christian Philosophy today, and what we can expect for its future.

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Rhonheimer applies moral theology to practical questions, such as, what does it mean to violate the natural law, or to be “unnatural”?

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"For a Vast Future Also": Essays from The Journal of the Abraham Lincoln Association, brings together the most informative and thoughtful articles by fourteen accomplished scholars in the Lincoln field. The essays provide compact, detailed treatments concerning different facets of three general themes: Lincoln and the problems of emancipation; Lincoln and presidential politics; and the Lincoln legacy. Readers of the collection will understand why the Civil War profoundly changed the nation. These essays give insight into how Lincoln and his administration dealt with the profound issues of war and slavery and the continuing legacy of Lincoln and the war. No book or essay collection brings together the writings of such luminaries in the field as John Hope Franklin, James M. McPherson, Don E. Fehrenbacher, T. Harry Williams, Phillip S. Paludan, Harold Hyman, John Niven, William A. Gienapp, Norman B. Ferris, John T. Hubbell, Arthur Zilversmit, Eugene H. Berwanger, Christopher N. Breiseth, and Michael Vorenberg. Researchers now have these valuable essays available in one volume. It offers the general public the distillation of scholarship supported by the Abraham Lincoln Association over the past twenty-five years. And college and university introductory courses will find this book a valuable summary of, and introduction to, the major issues of the Civil War period.

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Katharine Tekakwitha is the first Native American to be declared a Blessed. This book introduces the cause for her beatification and canonization.

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This book provides a comprehensive, critical study of the oldest and most famous argument for the existence of God: the Cosmological Argument. Professor Rowe examines and interprets historically significant versions of the argument from Aquinas to Samuel Clarke and explores the major objections that have been advances against it. Beginning with analyses of the Cosmological Argument as expressed by Aquinas and Duns Scotus in the thirteenth century, the author seeks to uncover, clairfy , and critically explore the philosophical concepts and theses essential to the reasoning exhibited in the principal versions of the Cosmological Argument. The major focus of the book is on the form that the argument takes in the eighteenth century, principally in the writings of Samuel Clarke. The author concludes with a discussion of the extent to which the Cosmological Argument may provide a justification for the belief in God. In a new Preface, the author offers some updates on his own thinking as well as that of others who have grappled with this topic.

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Marx, Nietzche, and Freud are among the most influential of modern atheists. The distinctive feature of their challenge to theistic and specifically Christian belief is expressed by Paul Ricoeur when he calls them the "masters of suspicion." While skepticism directs its critique to the truth or evidential basis of belief, suspicion asks two different, intimately intertwined questions: what are the motives that lead to this belief? and what function does it play, what work does it do for the individuals and communities that adopt it. What suspicion suspects is that the survival value of religious beliefs depends on satisfying desires and interests that the believing soul and the believing community are not eager to acknowledge because they violate the values they profess, as when, for example, talk about justice is a mask for deep-seated resentment and the desire for revenge. For this reason, the hermeneutics of suspicion is a theory, or group of theories, of self-deception: ideology critique in Marx, genealogy in Nietzsche, and psychoanalysis in Freud. Suspicion and Faith argues that the appropriate religious response ("the religious uses of modern atheism") to these critiques is not to try to refute or deflect them, but rather to acknowledge their force in a process of self-examination.

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What is Imagination? What is the relationship between aesthetics and ethics in a contemporary civilization dominated by the image? How can we reconcile the right to imagine with the right to justice? Are the claims of artistic creativity and moral responsibility compatible? With an extended foreword and an afterword chapter, and fascinating new material on the narrative imagination, Poetics of Imagining: Modern to Post-modern provides a critically developed and accessible account of the major theories of imagination in modern European thought. It analyses and assesses the decisive contributions made to our understanding of the imaginary life by phenomenology (Husserl, Sartre, Merleau-Ponty, Bachelard), hermeneutics (Heidegger, Ricoeur), and post-modernism (Vattima, Kristeva, Lyotard). Richard Kearney achieves this with a coherent and committed approach, which displays his own passionate concern for the claims of imagination in our post-modern world of fragmentation and fracture. This is essential reading for those interested in current leading debates on the role of imagining in continental philosophy, ethics, psychoanalysis, art theory and literary criticism.

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Affairs of party, Jean Baker asserts, were a central feature of public life in nineteenth-century America. In this book she explores the way in which the Northern Democrats of the mid-eighteen hundreds lived their public lives. She begins with a psychobiographical explanation of how people became Democrats, weighing the importance of such influences as education and family life. She then discusses two major elements that set Democrats apart from members of other political organizations: a modified Republican ideology tailored to the circumstances of the Civil War, and a mordant racism conveyed most strikingly through minstrelsy. Finally, Baker studies the neglected subject of partisan behavior, concentrating on the significance of parades, voting, and other rituals. In Affairs of Party Jean Baker brings together the three basic components of a political culture—education, thought, and behavior—and provides an understanding of the collective values of Northern Democrats and an insight into the elusive meaning of party experience. In her new preface, Professor Baker places her book in the context of both recent scholarship and recent political and cultural developments.

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This collection of essays examines the issue of norms and social practices both in epistemology and in moral and social philosophy. The contributors examine the issue across an unprecedented range of issues, including epistemology (realism, perception, testimony), logic, education, foundations of morality, philosophy of law, the pragmatic account of norms and their justification, and the pragmatic character of reason itself.

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Silent Music breaks down the barriers between science and religion, as well as between religions themselves, in order to extrapolate a comprehensive understanding of the "science of meditation." Johnston explores the concept of meditation from all perspectives in a rich account that runs the gamut from friendship to biofeedback. Understanding all approaches and incorporating them into a united vision, Silent Music reveals as new way of understanding the mystical and our search for wisdom in the modern world. Included is a glossary of terms and an index.

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A great thinker once said that "all philosophy is merely footnotes to Plato." Through Plato, Father O'Connell provides us here with an introduction to all philosophy. Designed for beginning students in philosophy, Plato on the Human Paradox examines and confronts human nature and the eternal questions concerning human nature through the dialogues of Plato, focusing on the Apology, Phaedo, Books III-VI of the Republic, Meno, Symposium, and O'Connell presents us here with an introduction to Plato through the philosopher's quest to define "human excellence" or arete in terms of defining what "human being" is body and soul, focusing on Plato's preoccupations with the questions of how and what it means to have a "good life" in relation to or as opposed to a "moral life."

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As the discourse of contemporary cultural studies brings questions of race, nationality, and gender to the center of critical attention nowadays, there is a strong sense that religious, or perhaps religious experience, should command the attention of the academic and wider reading community. Seeing into the Life of Things is a response to that need. By combining the theoretical and the practical, this book serves as both a pioneering scholarly contribution to a devleoping field and a valuable guide for those who read, reflect on, and discuss points of intersection of religion and literature. The contributors to this pioneering study represent a range of voices and viewpoints, some of them established leaders in their fields, others in the process of becoming new leaders. E. Dennis Taylor, Joseph Appleyard, Philip Rule, John Boyd, and Jane and Charles Rzepka work toward the development of a discourse that can take its place with discourses that have developed around a New Historicism and Feminism. Robert Kiely, Stephen Fix, Keven Van Anglen, J. Robert Barth, Richard Kearney, Henry Louis Gates Jr., Judith Wilt, John L. Mahoney, David Leigh, Melinda Ponder, John Anderson, and Michael Raiger offer more focused approaches to writers as varied as Gerard Manley Hopkins, Katherine Lee Bates, Flannery O'Connor, Wallace Stevens, T.S. Eliot, and Seamus Heaney and to special genres like spritual autobiography and film.

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The Man Who Rode the Tiger is the dramatic story of the biggest investigation of political corruption in American municipal history.

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In Edmund Burke: A Bibliography of Secondary Studies to 1982 Clara Gandy and Peter Stanlis write, "One of the large unanswered questions is how Burke's economic theory is related to his political theory, and whether they are complementary or contradictory." Canavan is the first to offer a book-length treatment of this question, and in so doing, he places the strength of his argument largely on primary sources rather than a patchwork of previous interpretations. Canavan aims to show that Burke's own emphasis was no on capitalistic laissez-fair economics, as has been assumen, but that his goals were primarily political and cultural. Namely, Burke sought the preservation and development of an aristocratic and Christian civilization supported economically by a leading class of landed property owners. This study projects a new profile of Burke which challenges C.B. Macpherson's sketch of him as a bourgeois capitalist, or, as depicted by J.B. Plumb and Frank O'Gorman, as a hired philsopher of the Whig Oligarchy. Nor does Canavan's study present the philosopher as one who would "declare war on the poor," as Gertrude Himmelfarb charged in her The Idea of Poverty. Burke emerges from Canavan's treatment as a Whiug who admired paternalistic government by the rich and virtuous whom he felt would govern as trustees for the benefit of the whole people. Burke did not support the notion that property by monopolized by any one class in society, but wanted the wealthy to empower intermediary institutions which would hold in check the control of the expansive state, whether that meant the Crown in Britain or the revolutionary state in France.

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This book explores the background of the NRA, the most important economic measure of the first hundred days of Franklin D. Roosevelt's New Deal. It also is the history of the business community's efforts during the 1920s and '30s to emasculate the federal policy of maintaining a competitive enterprise system.

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A collection of some 600 excerpts from contemporary essays and letters, plus numerous b&w photos and reproductions, capturing a panoramic picture of the city from Dutch days to the 1950s. Pieces by authors such as James Fenimore Cooper, Charles Dickens, and Mark Twain are organized chronologically, covering eras such as the early national period, the emergence of the modern city (1870-1900), and the golden generation (1900-1930). A new introduction by James F. Richardson brings the account up to date.

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