Search results for ""fordham university press""

What’s Queer about Europe? examines how queer theory helps us initiate disorienting conjunctions and counterintuitive encounters for imagining historical and contemporary Europe. This book queers Europe and Europeanizes queer, forcing a reconsideration of both. Its contributors study Europe relationally, asking not so much what Europe is but what we do when we attempt to define it. The topics discussed include: gay marriage in Renaissance Rome, Russian anarchism and gender politics in early-twentieth-century Switzerland, colonialism and sexuality in Italy, queer masculinities in European popular culture, queer national identities in French cinema, and gender theories and activism. What these apparently disparate topics have in common is the urgency of the political, legal, and cultural issues they tackle. Asking what is queer about Europe means probing the blind spots that continue to structure the long and discrepant process of Europeanization.

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This volume assembles essential essays—some published only posthumously, others obscure, another only recently translated—by W. E. B. Du Bois from 1894 to early 1906. They show the first formulations of some of his most famous ideas, namely, “the veil,” “double-consciousness,” and the “problem of the color line.” Moreover, the deep historical sense of the formation of the modern world that informs Du Bois’s thought and gave rise to his understanding of “the problem of the color line” is on display here. Indeed, the essays constitute an essential companion to Du Bois’s masterpiece published in 1903 as The Souls of Black Folk. The collection is based on two editorial principles: presenting the essays in their entirety and in strict chronological order. Copious annotation affords both student and mature scholar an unprecedented grasp of the range and depth of Du Bois’s everyday intellectual and scholarly reference. These essays commence at the moment of Du Bois’s return to the United States from two years of graduate-level study in Europe at the University of Berlin. At their center is the moment of Du Bois’s first full, self-reflexive formulation of a sense of vocation: as a student and scholar in the pursuit of the human sciences (in their still-nascent disciplinary organization—that is, the institutionalization of a generalized “sociology” or general “ethnology”), as they could be brought to bear on the study of the situation of the so-called Negro question in the United States in all of its multiply refracting dimensions. They close with Du Bois’s realization that the commitments orienting his work and intellectual practice demanded that he move beyond the institutional frames for the practice of the human sciences. The ideas developed in these early essays remained the fundamental matrix for the ongoing development of Du Bois’s thought. The essays gathered here will therefore serve as the essential reference for those seeking to understand the most profound registers of this major American thinker.

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After broadband access, what next? What role do metrics play in understanding “information societies”? And, more important, in shaping their policies? Beyond counting people with broadband access, how can economic and social metrics inform broadband policies, help evaluate their outcomes, and create useful models for achieving national goals? This timely volume not only examines the traditional questions about broadband, like availability and access, but also explores and evaluates new metrics more applicable to the evolving technologies of information access. Beyond Broadband Access brings together a stellar array of media policy scholars from a wide range of disciplines—economics, law, policy studies, computer science, information science, and communications studies. Importantly, it provides a well-rounded, international perspective on theoretical approaches to databased communications policymaking in the Americas, Europe, Asia, and Africa. Showcasing a diversity of approaches, this invaluable collection helps to meet myriad challenges to improving the foundations for communications policy development.

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In complex philosophical ways, theology is, should, and can be a “theopoetics” of multiplicity. The ambivalent term theopoetics is associated with poetry and aesthetic theory; theology and literature; and repressed literary qualities, myths, and metaphorical theologies. On a more profound basis, it questions the establishment of the difference between philosophy and theology and resides in the dangerous realm of relativism. The chapters in this book explore how the term theopoetics contributes to cutting-edge work in theology, philosophy, literature, and sociology.

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This book offers a novel account of grace framed in terms of Bruno Latour’s “principle of irreduction.” It thus models an object-oriented approach to grace, experimentally moving a traditional Christian understanding of grace out of a top-down, theistic ontology and into an agent-based, object-oriented ontology. In the process, it also provides a systematic and original account of Latour’s overall project. The account of grace offered here redistributes the tasks assigned to science and religion. Where now the work of science is to bring into focus objects that are too distant, too resistant, and too transcendent to be visible, the business of religion is to bring into focus objects that are too near, too available, and too immanent to be visible. Where science reveals transcendent objects by correcting for our nearsightedness, religion reveals immanent objects by correcting for our farsightedness. Speculative Grace remaps the meaning of grace and examines the kinds of religious instruments and practices that, as a result, take center stage.

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A comparative study of the representation of sovereignty in paradigmatic plays of early modernity, The Tears of Sovereignty argues that the great playwrights of the period—William Shakespeare, Lope de Vega, and Calderón de la Barca—reconstitute the metaphors through which contemporary theorists continue to conceive the problems of sovereignty. The book focuses in particular on the ways the logics of these metaphors inform sovereignty’s conceptualization as a “body of power.” Each chapter is organized around a key tropological operation performed on that “body,” from the analogical relations invoked in Richard II, through the metaphorical transfers staged in Measure for Measure to the autoimmune resistances they produce in Lope’s Fuenteovejuna, and, finally, the allegorical returns of Calderón’s Life Is a Dream and Shakespeare’s The Winter’s Tale. The “tears” of sovereignty are the exegetical tropes produced and performed on the English stages and Spanish corrales of the seventeenth century through which we continue to view sovereignty today.

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In Private Lives, Public Deaths, Jonathan Strauss shows how Sophocles’ tragedy Antigone crystallized the political, intellectual, and aesthetic forces of an entire historical moment—fifth century Athens—into one idea: the value of a single living person. That idea existed, however, only as a powerful but unconscious desire. Drawing on classical studies, Hegel, and contemporary philosophical interpretations of this pivotal drama, Strauss argues that Antigone’s tragedy, and perhaps all classical tragedy, represents a failure to satisfy this longing. To the extent that the value of a living individual remains an open question, what Sophocles attempted to imagine still escapes our understanding. Antigone is, in this sense, a text not from the past but from our future.

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The central aim of this book is to approach contemporary problems raised by technologies of life and death as ethical issues that call for a more nuanced approach than mainstream philosophy can provide. To do so, it draws on the recently published seminars of Jacques Derrida to analyze the extremes of birth and dying insofar as they are mediated by technologies of life and death. With an eye to reproductive technologies, it shows how a deconstructive approach can change the very terms of contemporary debates over technologies of life and death, from cloning to surrogate motherhood to capital punishment, particularly insofar as most current discussions assume some notion of a liberal individual. The ethical stakes in these debates are never far from political concerns such as enfranchisement, citizenship, oppression, racism, sexism, and the public policies that normalize them. Technologies of Life and Death thus provides pointers for rethinking dominant philosophical and popular assumptions about nature and nurture,chance and necessity, masculine and feminine, human and animal, and what it means to be a mother or a father. In part, the book seeks to disarticulate a tension between ethics and politics that runs through these issues in order to suggest a more ethical politics by turning the force of sovereign violence back against itself. In the end, it proposes that deconstructive ethics with a psychoanalytic supplement can provide a corrective for moral codes and political clichés that turn us into mere answering machines.

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Natural and human-made disasters are increasing around the world. Hurricanes, typhoons, earthquakes, tsunamis, droughts, and resultant famine, floods, and armed conflicts are constant reminders of the frailty of our human race. Global warming may cause whole island states to be submerged as the oceans rise. In the past these acute and recurring crises have been met by the international community responding to UN and media appeals. The economic collapse of nations is now a reality; some of those most affected had been traditional, generous donors to disaster relief operations. It is unlikely—probably impossible—that they will be able to continue to contribute overseas when their own domestic needs are unmet. A recent New York Times front page report suggested that one of the few domestic issues to have bipartisan support was to cut the foreign aid budget. This book analyzes the global economic forecast and the United Nations pattern of philanthropy, provides a case study of how one nation with a tradition of giving will cope in the face of a marked reduction in flexible funds and then provides thoughtful chapters on new approaches to disaster preparedness and disaster response.

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The 21st century might well be called the age of hatred. This is not because there is more violence in the world but because hatred has been transformed from a concept perceived to be a by-product of personal or collective violence into a discursive field. But what if longstanding antagonisms, especially those between social groups, turned out to involve desire rather than revulsion? The Ideology of Hatred develops a psychosocial framework for understanding this new phenomenon by interrogating unconscious mechanisms within national discourse. It opens new and timely venues for thinking about the paradoxes of love and hate while raising questions about social attachment and otherness. Is it possible that hatred operates by maintaining a safe closeness, enhancing the illusion of separateness as well as a sense of proximity at one and the same time? Could it be that love actually survives through the discourse of hatred as an invisible relation of attachment, necessary but unthinkable? A key term in the book is the “political unconscious,” a concept signifying the transformation of the unthinkable into a language that disavows the desire of and for the Other. Invoking this and other psychoanalytic concepts, the book proposes that at the heart of all national conflicts lies a riddle: the enigma of desire. The discourse of hatred works today as both a defense mechanism and as a political fantasy whose dream is to annihilate the Other of desire, that familial and different, threatening and intimate Other. Yet because love-in-hatred is denied but not erased, love can therefore also be reimagined. This suggests that untying and recognizing relations of intimacy and dependency can, under certain circumstances, change the discourse of hatred into relations of peace and even friendship. In addition to its strong theoretical component, the book is also based on extensive empirical research, especially into hate relations among Jews and between Jews and Palestinians in Israel.

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It has often been said that nowhere in the United States can one find a greater collection of magnificent and historic synagogues than on New York’s Lower East Side. As the ultimate destination for millions of immigrant eastern European Jews during the late 19th and early 20th centuries, it became the new homeland and hoped-for goldene medinah (promised land) for immigrants fleeing persecution, poverty, and oppression, while struggling to live a new and productive life. Yet to many visitors and students today these synagogues are shrouded in mystery, as documentary information on them tends to be dispersed and difficult to find. With The Synagogues of New York’s Lower East Side, Gerard R. Wolfe fills that void, giving readers unparalleled access to the story of how the Jewish community took root on the Lower East Side of Manhattan. Using archival photographs taken by Jo Renee Fine and contemporary shots taken by Norman Borden alongside his text, Wolfe focuses on the synagogues built or acquired by eastern European Ashkenazi Jewish immigrants during the great era of mass immigration, painting vivid portraits of the individual congregations and the new and vital culture that was emerging. For many, the Lower East Side became the portal to America and the stepping-stone to a new and better life. Today, the synagogues in which these immigrants worshiped remain as a poignant visual reminder of what had become the largest Jewish community in the world. Originally published in 1978, The Synagogues of New York’s Lower East Side became the authoritative study of the subject. Now completely revised and updated with new text, photographs, and maps, along with an invaluable glossary, Wolfe’s book is an essential and accessible source for those who want to understand the varied and rich history of New York’s Lower East Side and its Jewish population. Its readable and illuminating view into the diversity of synagogues—large and small, past and present—and their people makes this book ideal for teachers, students, museum educators, and general readers alike.

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The book aims at a new exposition of the basic idea of modern aesthetics by way of a reconstruction of its genesis in the 18th century, between Baumgarten’s Aesthetics and Kant’s Critique of Judgment. The claim is that the historical invention of aesthetics was not about expanding the range of legitimate objects of philosophical inquiry—these objects all existed before aesthetics. Rather, aesthetics, by introducing the category of the “aesthetic,” fundamentally redefined these objects. But most importantly, the reconstruction of the historical genesis of aesthetics shows that the introduction of the category of the “aesthetic” required nothing less than a transformation of the fundamental terms of philosophy. What begins in—or as—aesthetics is modern philosophy. More precisely, Force shows that in—or as—aesthetics modern philosophy began twice, in two different, even opposite forms. On the one hand, Baumgarten’s Aesthetics is organized around the new concept of the “subject”: the concept of the subject as the totality of faculties, as the agent defined by his capabilities; of the subject as one who is able. By conceiving sensible cognition and (re)presentation as the exercise of subjective faculties acquired in practice, Baumgarten has framed the modern conception of human practices (and of philosophy as the inquiry into the conditions that enable the success of these practices). That is why aesthetics, the reflection upon the aesthetic, is a central pillar of modern philosophy: in aesthetics, the philosophy of the subject or of the subject’s faculties assures itself of its own possibility. Yet here, in the aesthetic and the reflection on it, the aesthetics “in the Baumgartian manner” (Herder), as the theory of the sensible faculties of the subject, at once faces a different aesthetics: the aesthetics of force, which conceives the aesthetic not as sensible cognition but instead as a play of expression—propelled by a force that, rather than being exercised, like a faculty, in practices, realizes itself; a force that does not recognize or represent anything because it is “obscure” and unconscious; a force not of the subject but of man as distinct from the same man as subject. The aesthetics of force is a science of the nature of man: of his aesthetic nature as distinct from the culture, acquired by practice, of his practices. That is the hypothesis the six chapters of Force intend to unfold. The first chapter, analyzing the rationalist concept of the sensible, recollects the point of departure of aesthetics: the sensible is that which is without determinable definition or measure. The second chapter reconstructs Baumgarten’s aesthetics of sensible cognition as a theory of the subject and its faculties. The third and fourth chapters draw on writings by Herder, Sulzer, and Mendelssohn to develop the basic motifs of a counter-model, an aesthetics of force: the aesthetic, as the operation of an “obscure” force, is a performance without generality, divorced from all norm, law, and purpose—a play. And the aesthetic, as the pleasure of self-reflection, is a process of the transformation of the subject, of its faculties and practices—a process of aestheticization. The aesthetics of force founds an anthropology of difference: between force and faculty, between man and subject. The two concluding chapters explore the consequences: for the idea of philosophical aesthetics; and for ethics as the theory of the good. The fifth chapter engages Kant to show that an aesthetics conceived as an aesthetics of force is the scene of an irresolvable contention: aesthetics unfolds within philosophy the contention between philosophy and aesthetic experience. The sixth chapter draws on Nietzsche to demonstrate the ethical import of aesthetic experience as the experience of the play of force: it teaches us to distinguish between action and life; it teaches the other good of life. – “The last word of aesthetics is human freedom.”

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This pioneering new study of the Black megachurch phenomenon brings nuance and depth to the question, Are Black megachurches more focused on prosperity than on people? Black megachurches and their pastors are often accused of failing to use their considerable resources to help the poor; focusing on prosperity theology rather than on social justice; requiring excessive monetary and time commitments of members; and pilfering church coffers for the their personal use. The debate rages on about whether these congregations are doing all they can to address specific challenges facing African American communities. Live Long and Prosper is a refreshing, innovative study that reaches beyond superficial understandings of the Black megachurch phenomenon in a piercing interrogation of how powerful megachurches address (or fail to address) two social crises in the Black community: HIV/AIDS and poverty. Live Long and Prosper offers an intriguing examination of sixteen representative Black megachurches and explores some of their motivations and subsequent programmatic efforts in light of prosperity or “health and wealth” theology. Professor Barnes makes the case that the Black megachurch is a complex, contemporary model of the historic Black church in response to globalism, consumerism, secularism, religious syncretism, and the realities of race. She contends that many of these megachurches hold unique characteristics of adaptability and innovation that position them well to tackle difficult social issues. Prosperity theology emphasizes two characteristics—physical health and economic wealth—as examples of godly living and faith. This book considers whether and how efforts to address HIV/AIDS (a “health” issue) and poverty (a “wealth” issue) are influenced by church and clergy profiles; theology, in general; and prosperity theology, in particular. Frame analysis informs this mixed-methodological study to compare and contrast experiences, theological beliefs, pastoral profiles, and programs. Live Long and Prosper is a must-read for general readers, academics, and students alike—indeed, anyone interested in the contemporary Black megachurch’s response to social problems and the link between theology and social action. It is at once a fascinating, readable narrative and a rich piece of scholarship complete with extensively documented endnotes, statistics, informative charts and tables, and an exhaustive bibliography.

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The women of the Socialist/Communist Unione Donne Italiane (UDI) and the lay Catholic Centro Italiano Femminile (CIF) are the protagonists in this keen study of the relationship between national Italian women’s associations and international women’s movements from 1944, when the associations became active, to 1968, when another generation of activists led women’s movements in a new direction. By considering the reach and impact of these organizations in relation to Italian bipolarism (the nearly equal division of the Italian people into two camps, one pro-Communist and the other pro-Western) and world events, Dr. Wendy Pojmann demonstrates that women played a much larger role than Cold War histories tend to relate. Not just voters, women were active political participants during the tumultuous decades of the Cold War. Italian Women in International Cold War Politics, 1944–1968 pays particular attention to the UDI’s work with the largest international postwar women’s organization, the pro-Soviet Women’s International Democratic Federation (WIDF), and the CIF’s relationship with the global Catholic organization the World Movement of Mothers (WMM), to better understand the ways in which the Cold War affected both national and international agendas for women’s rights. The Italian case is particularly significant in placing women’s movements in a broader context because it exemplifies many of the political and ideological dichotomies that characterized this period. With the Christian Democrats at the helm of the Italian government and the powerful opposition of the Communists, the Italian women’s associations developed and used creative negotiation strategies to advance their visions of womanhood in a new era. They applied similar practices in their international work. This engaging, well-documented book draws on new and original material from archival collections and oral histories to develop a critical understanding of the important but often overlooked period in women’s activism between the 1940s and 1970s.

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This phenomenological study begins by presenting trust as a characteristic form of interpersonal and communal relationship. In the second chapter, the scope is narrowed to someone’s reliance on one or more trustworthy individuals. Chapters 3 to 5 explore specific aspects of trust, insofar as we confide in social structures or movements, the impersonal regularities and events of nature, or our own particular talents, motivations, and possibilities. In a world that is ravaged by the omnipresence of suffering and the most outrageous manifestations of evil, no philosopher can avoid the question of what kind of trust may be profound and strong enough to overcome the ultimate anxiety or despair that threatens all human existence. In the Western tradition of belief, thinking, faith, and searching for the first and ultimate, that question is approached here through reflection upon the radical difference between trust (or faith) in the universe (the totality) and faith (or trust) in God.

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The multi-author Essays in Later Mediaeval Metaphysics focuses primarily on 13th and 14th century Latin treatments of some of the most important metaphysical issues as conceived by many of the most important thinkers of the day. Thomas Aquinas, John Duns Scotus, William of Ockham, Walter Chatton, John Buridan, Dietrich of Freiburg, Robert Holcot, Walter Burley, and the 11th century Islamic philosopher Ibn-Sina (Avicenna) are among the figures examined here. The work begins with standard ontological topics—e.g., the nature of existence, and of metaphysics generally; the status of universals, form, and accidents. Here, a number of questions are considered. What is the proper subject matter of metaphysical speculation? Are essence and existence really distinct in bodies? Furthermore, does the body lose its unifying form at death? Can an accident of a substance exist in separation from that substance? Are universals real, and if so, are they anything more than general concepts? There is also an emphasis on metaphysics broadly conceived. Thus, discussions of theories of mediaeval logic, epistemology, and language are added to provide a fuller account of the range of ideas included in the later mediaeval worldview. Many questions are raised in this context as well. What are the objects of propositional attitudes? How does Aristotelian logic stand up against modern predicate calculus? Are infinite regress arguments defensible in metaphysical contexts? How are the notions of analogy and equivocation related to the concept of being? Contributors include scholars of mediaeval philosophy from across North America: Rega Wood (Indiana), Gyula Klima (Fordham), Brian Francis Conolly (Bard College at Simon’s Rock ), Charles Bolyard (James Madison), Martin Tweedale (emeritus, Alberta), Jack Zupko (Winnipeg), Susan Brower-Toland (St. Louis), Rondo Keele (Louisiana Scholars’ College), Terence Parsons (UC-Irvine), and E. J. Ashworth (emeritus, Waterloo).

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From Husserl’s account of protention to the recent turn to eschatology in “theological” phenomenology, the future has always been a key aspect of phenomenological theories of time. This book offers the first sustained reflection on the significance of futurity for the phenomenological method itself. In tracing the development of this theme, the author shows that only a proper understanding of the two-fold nature of the future (as constitution and as openness) can clarify the way in which phenomenology brings the subject and the world together. Futurity therefore points us to the centrality of the promise for phenomenology, recasting phenomenology as a promissory discipline. Clearly written and carefully argued, this book provides fresh insight into the phenomenological provenance of the “theological” turn and the phenomenological conclusions of Husserl, Levinas, and Derrida. Closely examining the themes of protention, eschatology, and the messianic, it will be essential reading for anyone interested in phenomenology, philosophy of religion, deconstruction, or philosophical theology.

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Süssen Is Now Free of Jews offers a close look at the legacy of a few Jewish families from Süssen—a village in the District of Göppingen, which is located in the state of Baden Württemberg in southern Germany. The author, Gilya Gerda Schmidt, looks at this rural region through the lens of two Jewish families—the Langs and the Ottenheimers—who settled there in the early twentieth century. As a child, she shared with the Langs the same living space for just a few months. She remembers her mother’s telling her of the Jews who lived in Süssen until the Holocaust. More than thirty years later, in a used bookstore in Knoxville, Tennessee, the author accidentally found documentation verifying the Jewish presence in a book about the surviving Jews of Württemberg. In it, she found confirmation that there had been Jews living in Süssen until the Holocaust. For the first time, she had the proof she needed to look into the reality behind this lingering mystery. Here began her detective-like journey to find out what happened to the Jews of Süssen. A decade of research into local and regional archives ensued, and this very penetrating study is the result. In it, the author attempts to shed light on not just the original question of what happened to the two families during the Holocaust but also on a host of other questions: What was it like to be Jewish in rural southern Germany a century ago? What were the Jewish traditions of this region? What were the relations between Jews and Christians before the Holocaust? And where did those family members who were able to escape or who survived the concentration camps go when they left Süssen or Göppingen? Few witnesses came forward, yet the documents in the archives spoke volumes. This micro-history records the not-so-romantic journey of two Jewish families who lived in the Fils Valley. The study also addresses issues of being an American prisoner of war; of resuming life after the Holocaust; of the bureaucratic nightmare of requisitions, restitution, and reparations; and of life in America. This unique book will be of interest to a general readership and is an important book for scholars in German and Holocaust studies.

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The South African government gave no quarter to young people who joined the struggle against the apartheid state; indeed, it targeted them. Security forces meted out cruel treatment to youth who rebelled, incarcerated even the very young under dreadful conditions, and used torture frequently, sometimes over long periods of time. Little is known, however, from the perspective of young fighters themselves about the efforts they made to sustain the momentum of struggle, how that affected and was affected by their other social bonds, and what they achieved in terms of growth and paid in terms of harm. War in Worcester combines a study of the Truth and Reconciliation Commission (TRC)’s findings on the stand taken by South African youth with extended fieldwork undertaken with fourteen young men who, starting in their schooldays, were involved in the struggle in a small town in the Western Cape. Filling a gap in the ethnographic analysis of the role of youth in armed conflict, the book describes, from the perspective of the young fighters themselves, the tactics that young local leaders used and how the state retaliated, young peoples’ experiences of pain and loss, the effect on fighters of the extensive use of informers by the state as a weapon of war, and the search for an ethic of survival. The testimony of these young fighters reveals some limitations of the processes used by the TRC in its search to document the truth. War in Worcester problematizes the use of the term “victim” for the political engagement of young people and calls for attention to patterns of documenting the past and thus to the nature of the archive in recording the character of political forces and the uses of violence. It encourages a fresh analysis of the kinds of revolt being enacted by the young elsewhere in the world, such as North Africa and the Middle East.

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Shakespeare’s two Venetian plays are dominated by the discourse of embarrassment. The Merchant of Venice is a comedy of embarrassment, and Othello is a tragedy of embarrassment. This nomenclature is admittedly anachronistic, because the term “embarrassment” didn’t enter the language until the late seventeenth century. To embarrass is to make someone feel awkward or uncomfortable, humiliated or ashamed. Such feelings may respond to specific acts of criticism, blame, or accusation. “To embarrass” is literally to “embar”: to put up a barrier or deny access. The bar of embarrassment may be raised by unpleasant experiences. It may also be raised when people are denied access to things, persons, and states of being they desire or to which they feel entitled. The Venetian plays represent embarrassment not merely as a condition but as a weapon and as the wound the weapon inflicts. Characters in The Merchant of Venice and Othello devote their energies to embarrassing one another. But even when the weapon is sheathed, it makes its presence felt, as when Desdemona means to praise Othello and express her love for him: “I saw Othello’s visage in his mind” (1.3.253). This suggests, among other things, that she didn’t see it in his face.

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Decolonizing Epistemologies builds upon the contributions of liberation and postcolonial theories in both philosophy and theology. Gathering the work of three generations of Latina/o theologians and philosophers who have taken up the task of transforming their respective disciplines, it seeks to facilitate the emergence of new knowledge by reflecting on the Latina/o reality in the United States as an epistemic locus: a place from which to start as well as the source of what is known and how it is known. The task of elaborating a liberation and decolonial epistemology emerges from the questions and concerns of Latina/os as a minoritized and marginalized group. Refusing to be rendered invisible by the dominant discourse, the contributors to this volume show the unexpected and original ways in which U.S. Latina/o social and historical loci are generative places for the creation of new matrices of knowledge. Because the Latina/o reality is intrinsically connected with that of other oppressed groups, the volume articulates a new point of departure for the self-understanding not only of Latina/os but also possibly for other marginalized and oppressed groups, and for all those seeking to engage in the move beyond coloniality as it is present in this age of globalization.

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The history of tropical medicine is as dramatic as the story of humankind. It has its own myths and legends, including tales of epidemics that destroyed whole civilizations. Today, with silent stealth, tropical diseases still claim more lives than all the current wars combined. Having had the privilege of working throughout Africa, Asia, and Latin America, as well as in the great medical centers of Europe and the United States, the author presents the details essential for understanding pathogenesis, clinical manifestations, therapy, and prevention of the major tropical diseases. The text, now in its eighth edition, has been used for half a century by medical students, practicing physicians, and public health workers around the world. This fascinating book should also be of interest to a broad, nonmedical readership interested in world affairs. All royalties from the sale of this book go to the training of humanitarian workers.

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What is it about irony—as an object of serious philosophical reflection and a literary technique of considerable elasticity—that makes it an occasion for endless critical debate? This book responds to this question by focusing on several key moments in German Romanticism and its afterlife in twentieth-century French thought and writing. It includes chapters on Friedrich Schlegel, Søren Kierkegaard, Friedrich Nietzsche, Thomas Mann, Jean Paulhan, Maurice Blanchot, Jacques Derrida, and Paul de Man. A coda traces the way unresolved tensions inherited from Romanticism resurface in a novelist like J. M. Coetzee. But this book is neither a historical nor a thematic study of irony. To the degree that irony initiates a deflection of meaning, it also entails a divergence from historical and thematic models of understanding. The book therefore aims to respect irony's digressive force by allowing it to emerge from questions that sometimes have little or nothing to do with the ostensible topic of irony. For if irony is the possibility that whatever is being said does not coincide fully with whatever is being meant, then there is no guarantee that the most legitimate approach to the problem would proceed directly to those places where "irony" is named, described, or presumed to reside. Rather than providing a history of irony, then, this book examines particular occasions of ironic disruption. It thus offers an alternative model for conceiving of historical occurrences and their potential for acquiring meaning.

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What is it about irony—as an object of serious philosophical reflection and a literary technique of considerable elasticity—that makes it an occasion for endless critical debate? This book responds to this question by focusing on several key moments in German Romanticism and its afterlife in twentieth-century French thought and writing. It includes chapters on Friedrich Schlegel, Søren Kierkegaard, Friedrich Nietzsche, Thomas Mann, Jean Paulhan, Maurice Blanchot, Jacques Derrida, and Paul de Man. A coda traces the way unresolved tensions inherited from Romanticism resurface in a novelist like J. M. Coetzee. But this book is neither a historical nor a thematic study of irony. To the degree that irony initiates a deflection of meaning, it also entails a divergence from historical and thematic models of understanding. The book therefore aims to respect irony's digressive force by allowing it to emerge from questions that sometimes have little or nothing to do with the ostensible topic of irony. For if irony is the possibility that whatever is being said does not coincide fully with whatever is being meant, then there is no guarantee that the most legitimate approach to the problem would proceed directly to those places where "irony" is named, described, or presumed to reside. Rather than providing a history of irony, then, this book examines particular occasions of ironic disruption. It thus offers an alternative model for conceiving of historical occurrences and their potential for acquiring meaning.

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The Sisters of Our Lady of Christian Doctrine community was founded in 1910 by marion gurney, who adopted the religious name Mother Marianne of Jesus. A graduate of Wellesley College and a convert to Catholicism, Gurney had served as head resident at St. Rose’s Settlement, the first Catholic settlement house in New York City. She founded the Sisters of Christian Doctrine when other communities of women religious appeared uninterested in a ministry of settlement work combined with religious education programs for children attending public schools. The community established two settlement houses in New York City—Madonna House on the Lower East Side in 1910, followed by Ave Maria House in the Bronx in 1930. Alongside their classes in religious education and preparing children and adults to receive the sacraments, the Sisters distributed food and clothing, operated a bread line, and helped their neighbors in emergencies. In 1940 Mother Marianne and the Sisters began their first major mission outside New York when they adapted the model of the urban Catholic social settlement to rural South Carolina. They also served at a number of parishes, including several in South Carolina and Florida, where they ministered to both black and white Catholics. In Neighbors and Missionaries, Margaret M. McGuinness, who was given full access to the archives of the Sisters of Christian Doctrine, traces in fascinating detail the history of the congregation, from the inspiring story of its founder and the community’s mission to provide material and spiritual support to their Catholic neighbors, to the changes and challenges of the latter half of the twentieth century. By 1960, settlement houses had been replaced by other forms of social welfare, and the lives and work of American women religious were undergoing a dramatic change. McGuinness explores how the Sisters of Christian Doctrine were affected and how they adapted their own lives and work to reflect the transformations taking place in the Church and society. Neighbors and Missionaries examines a distinctive community of women religious whose primary focus was neither teaching nor nursing/hospital administration. The choice of the Sisters of Christian Doctrine to live among the poor and to serve where other communities were either unwilling or unable demonstrates that women religious in the United States served in many different capacities as they contributed to the life and work of the American Catholic Church.

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It is a truism that history is written by the victors, and perhaps this is doubly so of military history, where the tendency is to relate the biggest battles, the most victorious and heroic deeds, the very best (or worst) of men. This book stands as a corrective to this belief. Scraping the Barrel covers ten cases of armies’ using substandard manpower in wars from 1860 to the 1960s. Dennis Showalter and André Lambelet look at the changing standards in Germany and France leading up to World War I, while Peter Simkins chronicles what happened with the “Bantams,” special units of short men used by Britain in the Great War. Often the use of substandard men was to answer the sheer need for manpower in brutal, lasting conflicts, as Paul A. Cimbala writes of the U.S. Veteran Reserve Corps in the Civil War, or to keep war-damaged men active; sometimes this ethos was used to include men who wanted to fight but who otherwise would have been excluded, as Steven W. Short writes of the U.S. “colored troops” in World War I. In the second World War it was to answer more dire exigencies, as David Glantz relates how the USSR, having suffered enormous losses, threw away many pre-war standards, reaching for women, ethnic/national minorities, and political prisoners alike to fill units. Likewise, Nazi Germany, facing many fronts and a finite manpower pool, was compelled to relax both physical and racial standards, and Walter Dunn and Valdis Lumans look at these changing policies as well as the battlefield performance of these men. In relating the stories of the substandard (for the military), Scraping the Barrel is also a humanist history of the military, of the more average men who have served their countries and how they were put to use. It throws light on how militaries’ ideas of fitness reflect the underlying views of their societies. The idea of “disability” has been constructed based on a variety of physical, yes, but also social standards: as a value judgment on groups viewed as lesser—the aged, the lower classes, and those of different races and ethnic identities. From the American Civil War, through World Wars I and II, through the U.S. Project 100,000 in the Cold War, substandard men have been mobilized, have served, and have fought for their countries. These men are the inverse of the elites who get the lion’s share of our attention. This is their untold history.

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This book presents Daniel Berrigan’s contribution and challenge to catholic social thought. His contribution lies in his consistent, comprehensive, theoretical, and practical approach to issues of social justice and peace over the past fifty years. His challenge lies in his critique of capitalism, imperialism, and militarism, inviting Catholic activists and thinkers to undertake not just a reformist but a radical critique of and alternative to these realities. The aim of this book is, for the first time, to make Berrigan’s thought and life available to the academic Catholic community, so that a fruitful interaction takes place. How does this work enlighten and challenge such a community? To these ends, the editors have recruited scholars and thinker-activists already familiar with and sympathetic to Berrigan’s work and those who are less so identified. The result is a rich, engaging, and critical treatment of the meaning and impact of his work. What kind of challenge does he present to academic-business-as-usual in Catholic universities? How can the life and work of individual Catholic academics be transformed if such persons took Berrigan’s work seriously—theoretically and practically? Do Catholic universities need Berrigan’s vision to fulfill more integrally and completely their own missions? Does the self-knowing subject and theorist need to become a radical subject and theorist? Even though the appeal of academics is important and perhaps primary, because of the range and depth of Berrigan’s work and thought and the power of his writing there is a larger appeal to the Catholic community and to activists working for social justice and peace. This book has, therefore, not only a theoretical and academic appeal but also a popular and grassroots appeal. Given the current and ongoing U.S. military interventions in Iraq, Afghanistan, and Libya, Berrigan’s work invites us to think about the justice of such interventions or, given the destructiveness of modern weapons, whether the notion of just war makes any sense. Given the recent crisis on Wall Street, does it make sense any longer to talk about the possibility of a just capitalism? Given the most recent revelations about Guantánamo, Abu Ghraib, and Bagram, is it not imperative to think about how torture, preventative detention, and extraordinary rendition serve the ends of empire? In light of all of this, doesn’t Berrigan’s call for a pacific, prophetic community of justice rooted in the Good News of the Gospel make compelling sense?

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This book brings together process and postmodern theologians to reflect on the crucial topic of energy, asking: What are some of the connections between energy and theology? How do ideas about humanity and divinity interrelate with how we live our lives? Its contributors address energy in at least three distinct ways. First, in terms of physics, the discovery of dark energy in 1998 uncovered a mysterious force that seems to be driving the expansion of the universe. Here cosmology converges with theological reflection about the nature and origin of the universe. Second, the social and ecological contexts of energy use and the current energy crisis have theological implications insofar as they are caught up with ultimate human meanings and values. Finally, in more traditional theological terms of divine spiritual energy, we can ask how human conceptions of energy relate to divine energy in terms of creative power.

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In these pages Jonathan Boyarin invites us to share the intimate life of the Stanton Street Shul, one of the last remaining Jewish congregations on New York’s historic Lower East Side. This narrow building, wedged into a lot designed for an old-law tenement, is full of clamorous voices—the generations of the dead, who somehow contrive to make their presence known, and the newer generation, keeping the building and its memories alive and making themselves Jews in the process. Through the eyes of Boyarin, at once a member of the congregation and a bemused anthropologist, the book follows this congregation of “year-round Jews” through the course of a summer during which its future must once again be decided. The Lower East Side, famous as the jumping off point for millions of Jewish and other immigrants to America, has recently become the hip playground of twenty-something immigrants to the city from elsewhere in America and from abroad. Few imagine that Jewish life there has stubbornly continued through this history of decline and regeneration. Coming inside with Boyarin, we see the congregation’s life as a combination of quiet heroism, ironic humor, disputes for the sake of Heaven and perhaps otherwise, and—above all—the ongoing search for ways to connect with Jewish ancestors while remaining true to oneself in the present. Mornings at the Stanton Street Shul illustrates in poignant and humorous ways the changes in a historic neighborhood facing the challenges of gentrification. It offers readers with no prior knowledge of Judaism and synagogue life a portrait that is at once intimate and intelligible. Most important, perhaps, it shows the congregation’s members to be anything but a monochromatic set of uniform “believers” but rather a gathering of vibrant, imperfect, indisputably down-to-earth individuals coming together to make a community.

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The Interval offers the first sustained analysis of the concept grounding Irigaray’s thought: the constitutive yet incalculable interval of sexual difference. In an extension of Irigaray’s project, Hill takes up her formulation of the interval as a way of rereading Aristotle’s concept of topos and Bergson’s concept of duration. Hill diagnoses a sexed hierarchy at the heart of Aristotle’s and Bergson’s presentations. Yet beyond that phallocentrism, she points out how Aristotle’s theory of topos as a sensible relation between two bodies that differ in being and Bergson’s intuition of duration as an incalculable threshold of becoming are indispensable to the feminist effort to think about sexual difference. Reading Irigaray with Aristotle and Bergson, Hill argues that the interval cannot be grasped as a space between two identities; it must be characterized as the sensible threshold of becoming, constitutive of the very identity of beings. The interval is the place of the possibility of sexed subjectivity and intersubjectivity; the interval is also a threshold of the becoming of sexed forces.

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Since the mid-1970s, Lebanon has been at the center of the worldwide rise in sectarian extremism. Its cultural output has both mediated and resisted this rise. Standing by the Ruins reviews the role of culture in supporting sectarianism, yet argues for the emergence of a distinctive aesthetic of resistance to it. Focusing on contemporary Lebanese fiction, film, and popular culture, this book shows how artists reappropriated the twin legacies of commitment literature and the ancient topos of “standing by the ruins” to form a new “elegiac humanism” during the tumultuous period of 1975 to 2005. It redirects attention to the critical role of culture in conditioning attitudes throughout society and is therefore relevant to other societies facing sectarian extremism. Standing by the Ruins is also a strong intervention in the burgeoning field of World Literature. Elaborating on the great Arabist Hilary Kilpatrick’s crucial insight that ancient Arabic forms and topoi filter into modern literature, the author details how the “standing by the ruins” topos—and the structure of feeling it conditions—has migrated over time. Modern Arabic novels, feature films, and popular culture, far from being simply cultural imports, are hybrid forms deployed to respond to the challenges of contemporary Arab society. As such, they can take their place within a World Literature paradigm: they are cultural products that travel and intervene in the world.

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In this book, the author argues that certain modern literary texts have apocalyptic futures. Rather than claim that great writers have clairvoyant powers, he examines the ways in which a text incorporates an apocalyptic event into its future reception. He is thus concerned with the way in which apocalyptic works solicit their future receptions. Apocalyptic Futures also sets out to articulate a new theory and textual practice of the relation between literary reception and embodiment. Deploying the double register of “marks” to show how a text both codes and targets mutilated bodies, the author focuses on how these bodies are incorporated into texts by Kafka, Conrad, Coetzee, and Spiegelman. Situating “In the Penal Colony” in relation to the Holocaust, Heart of Darkness to the Rwandan genocide, and Waiting for the Barbarians to the revelations of torture in apartheid South Africa and contemporary Iraq, the author argues for the ethical and political importance of reading these literary works’ “apocalyptic futures” in our own urgent and perilous situations. The book concludes with a reading of Spiegelman's Maus that offers a messianic counter-time to the law of apocalyptic incorporation.

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One of the most complicated and ambiguous tendencies in contemporary western societies is the phenomenon referred to as the “turn to religion.” In philosophy, one of the most original thinkers critically questioning this “turn” is Jean-Luc Nancy. Re-treating Religion is the first volume to analyze his long-term project “The Deconstruction of Christianity,” especially his major statement of it in Dis-Enclosure. Nancy conceives monotheistic religion and secularization not as opposite worldviews that succeed each other in time but rather as springing from the same history. This history consists in a paradoxical tendency to contest one’s own foundations—whether God, truth, origin, humanity, or rationality—as well as to found itself on the void of this contestation. Nancy calls this unique combination of self-contestation and self-foundation the “self-deconstruction” of the Western world. The book includes discussion with Nancy himself, who contributes a substantial “Preamble” and a concluding dialogue with the volume editors. The contributions follow Nancy in tracing the complexities of Western culture back to the persistent legacy of monotheism, in order to illuminate the tensions and uncertainties we face in the twenty-first century.

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The Animal Side is a manifesto on the importance of animals for human thought. It attempts to characterize the importance, for human beings, of the fact that animals exist. Adopting a philosophical and poetic approach, the book seeks to show that animals’ ways of inhabiting the earth are, for human consciousness, an expansion and an exploration of what philosophers and poets have tried to name by speaking of the Open. Beginning with the story of an encounter with a deer on a road at night, the book proceeds by showing that, beyond the diversity of animal life and the ways animals differ from human beings, there is a “layer of the perceptible” on which we all draw, humans and animals alike, in our own ways. At present, however, this layer itself is at risk. Thus the book can also be read as a defense and illustration of animals’ modes of being, and as a plea for their survival.

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The four talks collected here transcribe lectures delivered to an audience of children between the ages of ten and fourteen, under the auspices of the “little dialogues” series at the Montreuil’s center for the dramatic arts. Modeled on Walter Benjamin’s “Aufklärung für Kinder” radio talks, this series aims to awaken its young audience to pressing philosophical concerns. Each talk in God, Justice, Love, Beauty explores what is at stake in these topics as essential moments in human experience. (Indeed, the book argues that they are constitutive of human experience.) Following each, Nancy’s audience is given a chance to engage with him in a process of philosophical questioning; the texts of these touching and probing exchanges are included in the volume. Despite the fact that these lectures were delivered to an audience of children, the intellectual level they achieve—while remaining easily comprehensible—is astounding. No attempt is made to simplify Nancy’s positions or to resolve the complexities that arise in the course of the talks or the question periods that follow. The work of opening performed here is fully in keeping with the strategy of Nancy’s philosophy as a whole. Thus, for readers unfamiliar with his work, God, Justice, Love, Beauty will function as an excellent introduction to Nancy’s larger corpus. As varied as the individual talks are, they share the motif of incalculability or the immeasurable. Broadly speaking, one could say that the various ways in which Nancy approaches this motif exemplify his deconstructive approach to think of human existence. As well, those treatments exemplify his conviction that the task of thinking is to develop original ways of communicating the incalculable. God, Justice, Love, Beauty is thus a skillful reminder that philosophy is important to all of us. The book is also a model of intellectual generosity and openness. Seamlessly moving from Schwarzenegger to Plato, from Kant, Roland Barthes, and Caravaggio to Caillou, Harry Potter, and the pages of Gala magazine, Nancy’s wide-ranging references bear witness to his commitment to think of “culture” in its broadest sense.

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The living and the dead cohabited Paris until the late eighteenth century, when, in the name of public health, measures were taken to drive the latter from the city. Cemeteries were removed from urban space, and corpses started to be viewed as terrifyingly noxious substances. The dead had fallen victim to a sustained reflection on the notions of life and death that emerged from the two new medical fields of biology and hygiene. In large part, the Paris of the nineteenth century—the Paris of modernity—arose, both theoretically and physically, out of this concern over the relations between the animate and the inanimate. As the dead became a source of pervasive and intense anxiousness, they also became an object of fascination that at once exceeded and guided the medical imagination attempting to control them. Human Remains examines that exuberant anxiety to discover the irrational, indeed erotic, forces motivating the medicalization of death. Working across a broad range of disciplines, including history, literature, the visual arts, philosophy, and psychoanalysis, the book seeks to understand the meaning of the dead and their role in creating one of the most important cities of the contemporary world.

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What are the sources of the commonly held presumption that reading literature should make people more just, humane, and sophisticated? Rendering literary history responsive to the cultural histories of reading, publishing, and education, The Pleasures of Memory illuminates the ways in which Dickens’s serial fiction shaped not only the popular practice of reading for pleasure and instruction but also the school subject we now know as “English.” Winter shows how Dickens’s serial fiction instigated specific reading practices by reworking the conventions of religious didactic tracts from which most Victorians learned to read. Incorporating an influential associationist psychology of learning founded on the cumulative functioning of memory, Dickens’s serial novels consistently led readers to reflect on their reading as a form of shared experience. Dickens’s celebrity authorship, Winter argues, represented both a successful marketing program for popular fiction and a cultural politics addressed to a politically unaffiliated, social-activist Victorian readership. As late-nineteenth century educational reforms consolidated British and American readers into “mass” populations served by state school systems, Dickens’s beloved novels came to embody the socially inclusive and humanizing goals of democratic education.

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Hart Crane's long poem The Bridge has steadily grown in stature since it was published in 1930. At first branded a noble failure by a few influential critics— a charge that became conventional wisdom—this panoramic work is now widely regarded as one of the finest achievements of twentieth-century American poetry. It unites mythology and modernity as a means of coming to terms with the promises, both kept and broken, of American experience. The Bridge is also very difficult. It is well loved but not well understood. Obscure and indirect allusions abound in it, some of them at surprisingly fine levels of detail. The many references to matters of everyday life in the 1920s may baffle or elude today’s readers. The elaborate compound metaphors that distinguish Crane’s style bring together diverse sources in ways that make it hard to say what, if anything, is “going on” in the text. The poem is replete with topical and geographical references that demand explication as well as identification. Many passages are simply incomprehensible without special knowledge, often special knowledge of a sort that is not readily available even today, when Google and Wikipedia are only a click away. Until now, there has been no single source to which a reader can go for help in understanding and enjoying Crane’s vision. There has been no convenient guide to the poem’s labyrinthine complexities and to its dense network of allusions—the “thousands of strands” that, Crane boasted, “had to be sorted out, researched, and interwoven” to compose the work. This book is that guide. Its detailed and far-reaching annotations make The Bridge fully accessible, for the first time, to its readers, whether they are scholars, students, or simply lovers of poetry.

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Paul Ricoeur's entire philosophical project narrates a "passion for the possible" expressed in the hope that in spite of death, closure, and sedimentation, life is opened by superabundance, by how the world gives us much more than is possible. Ricoeur's philosophical anthropology is a phenomenology of human capacity, which gives onto the groundless ground of human being, namely, God. Thus the story of the capable man, beginning with original goodness held captive by a servile will and ending with the possibility of liberation and regeneration of the heart, underpins his passion for the more than possible. The essays in this volume trace the fluid movement between phenomenological and religious descriptions of the capable self that emerges across Ricoeur's oeuvre and establish points of connection for future developments that might draw inspiration from this body of thought.

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Amid radical transformation and rapid mutation in the nature, transmission, and deployment of information and communications, Around the Book offers a status report and theoretically nuanced update on the traditions and medium of the book. What, it asks, are the book’s current prospects? The study highlights the most radical experiments in the book’s history as trials in what the author terms the “Prevailing Operating System” at play within the fields of knowledge, art, critique, and science. The investigations of modern systems theory, as exemplified by Gregory Bateson, Anthony Wilden, and Niklas Luhmann, turn out to be inseparable from theoretically astute inquiry into the nature of the book. Sussman’s primary examples of such radical experiments with the history of the book are Sei Shonagon’s Pillow Book (both the text and Peter Greenaway’s screen adaptation), Stéphane Mallarmé’s “Un coup de dés,” Walter Benjamin’s Arcades Project, Jacques Derrida’s Glas, Maurice Blanchot’s Death Sentence, and Franz Kafka’s enduring legacy within the world of the graphic novel. In the author’s hands, close reading of these and related works renders definitive proof of the book’s persistence and vitality. The book medium, with its inbuilt format and program, continues, he argues, to supply the tablet or screen for cultural notation. The perennial crisis in which the book seems to languish is in fact an occasion for readers to realize fully their role as textual producers, to experience the full range of liberty in expression and articulation embedded in the irreducibly bookish process of textual display.

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Memory has never been closer to us, yet never more difficult to understand. In the more than thirty specially commissioned essays that make up this book, leading scholars survey the histories, the theories, and the faultlines that compose the field of memory research. The volume reconstructs the work of the great philosophical and literary figures of the last two centuries who recast the concept of memory and brought it into the forefront of the modernist and postmodernist imagination—among them, Bergson, Halbwachs, Freud, Proust, Benjamin, Adorno, Derrida, and Deleuze. Drawing on recent advances in the sciences and in the humanities, the contributors address the question of how memory works, highlighting transactions between the interiority of subjective memory and the larger fields of public or collective memory. The public, political life of memory is an increasingly urgent issue in the societies we now inhabit, while the category of memory itself seems to become ever more capacious. Asking how we might think about the politics of memory, the closing chapters explore a number of defining instances in which the troubled phenomenon of memory has entered and reshaped our very conception of what makes and drives the domain of politics. These include issues of slavery, the Soviet experience, the Holocaust, feminism and recovered memory, and memory in post-apartheid South Africa.

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The initial provocation for The Truth of Democracy was the fortieth anniversary of May ’68 and the recent criticism (some by French President Nicolas Sarkozy himself) leveled against the ideals and actors at the center of this important but still misunderstood moment in French history. Nancy here defends what he calls simply “68” without apology or equivocation, calling it an essential stage in the search for the “truth of democracy.” Less a period within time than a critical moment or interruption of time, 68 needs to be understood, Nancy argues, as an “event” that provided a glimpse into the very “spirit of democracy,” a spirit that is linked not to some common vision, idea, or desire (such as the nation, the republic, the people, or humanity) but to an incommensurability (the infinity of man or man’s exceeding of himself ) at the origin of democracy. Written in a direct and accessible, almost manifesto-like style, The Truth of Democracy presents a forceful plea that we rethink democracy not as one political regime or form among others but as that which opens up the very experience of being in common. By rearticulating many of the themes and terms he has developed elsewhere (from community and being in common to the singular plural) in relationship to an original analysis of what was and still is at stake in May ’68, The Truth of Democracy is at once an eloquent summary of much of Nancy’s work and a significant development of it. It is as if, forty years after being first scrawled across university walls and storefronts in France, one of the most famous slogans of May ’68 has received in The Truth of Democracy its most eloquent and poignant theoretical elaboration: “Be realistic, demand the impossible!”

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My book aims to help readers understand and appreciate O'Connor's novels and short stories. It weaves together her "place"-Milledgeville, Georgia; her purpose-to write a good story; and her preoccupations-belief, death, grace, and the devil. I explicate the influences that give depth to her fiction: her understanding and respect for the mores of the South ( including relationships between races), the books she read and marked that reveal links to her own philosophy and literary skill, and her deep religious convictions. Today, our encounters with the "other," the different one, elicit fear and lead to violence from us, as individuals and as nations. For O'Connor, the "other" is a distorted image of God. Her stories show how this distortion calls forth God's grace, and the violence in her stories enables her characters to discover their true selves. Her unique blend of talent and convictions allows her to create stories with long extensions of meaning. In our era of "quick reads," O'Connor's fiction leads us to a more contemplative mode of reading. When we finish one of her stories, we have experienced the intellectual pleasure of a finely-wrought artifact, and we also have much to think about: belief, death, grace, and the devil. Not a bad combination, that!

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Children have a fundamental right to education, and to the protection that schools uniquely provide in the chaos that characterizes life for refugees and internally displaced persons. This book is grounded in the personal experiences of children, aid workers, and national leaders involved in post-conflict resolution. Experts from many troubled parts of the world consider the scope of the problem, as well as the tools needed to address the crisis.

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Augustine’s Confessions is a text that seduces. But how often do its readers respond in kind? Here three scholars who share a longstanding fascination with sexuality and Christian discourse attempt to do just that. Where prior interpreters have been inclined either to defend or to criticize Augustine’s views, Virginia Burrus, Mark Jordan, and Karmen MacKendrick set out both to seduce and to be seduced by his text. Often ambivalent but always passionately engaged, their readings of the Confessions center on four sets of intertwined themes—secrecy and confession, asceticism and eroticism, constraint and freedom, and time and eternity. Rather than expose Augustine’s sexual history, they explore how the Confessions conjoins the erotic with the hidden, the imaginary, and the fictional. Rather than bemoan the repressiveness of his text, they uncover the complex relationship between seductive flesh and persuasive words that pervades all of its books. Rather than struggle to escape the control of the author, they embrace the painful pleasure of willed submission that lies at the erotic heart not only of the Confessions but also of Augustine’s broader understanding of sin and salvation. Rather than mourn the fateful otherworldliness of his theological vision, they plumb the bottomless depths of beauty that Augustine discovers within creation, thereby extending desire precisely by refusing satisfaction. In unfolding their readings, the authors draw upon other works in Augustine’s corpus while building on prior Augustinian scholarship in their own overlapping fields of history, theology, and philosophy. They also press well beyond the conventional boundaries of scholarly disciplines, conversing with such wide-ranging theorists of eroticism as Barthes, Baudrillard, Klossowski, Foucault, and Harpham. In the end, they offer not only a fresh interpretation of Augustine’s famous work but also a multivocal literary-philosophical meditation on the seductive elusiveness of desire, bodies, language, and God.

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This book, the first themed volume in the series The Future of the Religious Past, elaborates the manifold and fascinating interconnections between power and religion. It carries forward the work of the series in bringing together scholars from many disciplines and countries to research forms of religion in a way unfettered by the idea that religion is solely or even primarily a matter of belief in specific tenets or intellectual systems—it is also a matter of multiple particulars in individual and social life, such as powers, things, gestures, and words. Dealing with the nexus of religion and power, the present volume radically undermines the idea that the political relevance of religion is a thing of the past. Its essays treat power as a central aspect of religion on many levels, from that of macro-politics through the links between religion and nationhood to the level of personal empowerment or its obverse, disempowerment. Power and religion are both omnipresent in human action and interaction. There is no human act that does not include some kind of faith in a positive outcome and no deed in which power does not play some role. People obviously can attempt to use religion as an instrument to enhance their power or improve their status, whether personally or at the level of the nationstate. Yet religion is in principle ambiguous in relation to power: It can disempower as well as empower, and it can even function as a critique of existing power relations. Moreover, there is the consolatory function of religion, offering ways of compensation, of healing, and of enduring feelings of powerlessness. Like the first volume in the series, Religion: Beyond a Concept, the essays in this volume strike a balance between broad analyses of the nature of religion and power in their modes of emergence today and specific case studies from anthropology, sociology, and the arts. It is noteworthy for the breadth of the material it treats and its reach outside the Christian West, while not taking anything in that Western tradition for granted, given the astonishing changes of supposedly familiar religious phenomena we are viewing in the contemporary world.

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The ancient doctrine of negative theology or apophasis—the attempt to describe God by speaking only of what cannot be said about the divine perfection and goodness—has taken on new life in the concern with language and its limits that preoccupies much postmodern philosophy, theology, and related disciplines. How does this mystical tradition intersect with the concern with material bodies that is simultaneously a focus in these areas? This volume pursues the unlikely conjunction of apophasis and the body, not for the cachet of the “cutting edge” but rather out of an ethical passion for the integrity of all creaturely bodies as they are caught up in various ideological mechanisms—religious, theological, political, economic—that threaten their dignity and material well-being. The contributors, a diverse collection of scholars in theology, philosophy, history, and biblical studies, rethink the relationship between the concrete tradition of negative theology and apophatic discourses widely construed. They further endeavor to link these to the theological theme of incarnation and more general issues of embodiment, sexuality, and cosmology. Along the way, they engage and deploy the resources of contextual and liberation theology, post-structuralism, postcolonialism, process thought, and feminism. The result not only recasts the nature and possibilities of theological discourse but explores the possibilities of academic discussion across and beyond disciplines in concrete engagement with the well-being of bodies, both organic and inorganic. The volume interrogates the complex capacities of religious discourse both to threaten and positively to draw upon the material well-being of creation.

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The metaphor of the Church as a "body" has shaped Catholic thinking since the Second Vatican Council. Its influence on theological inquiries into Catholic nature and practice is well-known; less obvious is the way it has shaped a generation of Catholic imaginative writers. Cathedrals of Bone is the first full-length study of a cohort of Catholic authors whose art takes seriously the themes of the Council: from novelists such as Mary Gordon, Ron Hansen, Louise Erdrich, and J. F. Powers, to poets such as Annie Dillard, Mary Karr, Lucia Perillo, and Anne Carson, to the Pulitzer Prize-winning playwright John Patrick Shanley. Motivated by the inspirational yet thoroughly incarnational rhetoric of Vatican II, each of these writers encourages readers to think about the human body as a site-perhaps the most important site-of interaction between God and human beings. Although they represent the body in different ways, these late-twentieth-century Catholic artists share a sense of its inherent value. Moreover, they use ideas and terminology from the rich tradition of Catholic sacramentality, especially as it was articulated in the documents of Vatican II, to describe that value. In this way they challenge the Church to take its own tradition seriously and to reconsider its relationship to a relatively recent apologetics that has emphasized a narrow view of human reason and a rigid sense of orthodoxy.

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