Search results for ""birkhäuser""

For students of design, professional product designers, and anyone interested in design equally indispensable: the fully revised and updated edition of the reference work on product design. The book traces the history of product design and its current developments, and presents the most important principles of design theory and methodology, looking in particular at the communicative function of products and highlighting aspects such as corporate and service design, design management, strategic design, interface/interaction design and human design.. From the content: Design and history: The Bauhaus; The Ulm School of Design; The Example of Braun; The Art of Design Design and Globalization Design and Methodology: Epistemological Methods in Design Design and Theory: Aspects of the Disciplinary Design Theory Design and its Context: From Corporate Design to Service Design Product Language and Product Semiotics Architecture and Design Design and Society Design and Technological Progress

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Buildings with wide spans, such as industrial plants and warehouses, are usually built with steel. The architect must understand the specific material properties and requirements of steel as a construction material, including its static properties, which influence dimensioning and profile selection. Step by step, Basics Steel Construction imparts the basic understanding needed for planning with steel as a building material.

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In formulating a design concept into a viable plan, architects oscillate constantly between two planes of observation: the actual design task in the context of planning typologies such as residential buildings, office buildings, museum, or airport, and the individual room, meaning the kitchen, office, classroom, sanitary rooms, storage rooms, and so on. Planning Architecture offers architects and students a thought-out planning tool, in which two main sections reciprocally complement one another: the “spaces” and the “typologies” between which the planner can flexibly oscillate depending on his or her plane of observation. All relevant planning information is presented in a detailed clear fashion, and in context. These two sections are flanked by an introductory chapter explaining the basis and framework for typological design, as well as a “reference section” at the end of the book that clearly lists general dimensions and units, regulations and standards.

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Wiel Arets: Autobiographical References opens up a unique and richly layered view of the architectural work and thinking of this internationally renowned Dutch architect. Underlying Arets’ practice, research and teaching is his concept of "a wonderful world", an optimistic outlook on how the world will evolve in the next 75 years.In addition to portfolios of 60 exemplary projects and designs by his studio, this book presents 5 lectures, and 5 debates between Arets and other thinkers and practitioners, as well as an extensive series of 10 interviews with Arets. More than simply presenting his work alongside essays and project descriptions, Wiel Arets: Autobiographical References reveals the interaction between Arets’ biography and his architectural thinking, teaching and design in the evolution of his distinguished career. As well as being a congenial interview partner, Robert McCarter, Professor of Architecture at Washington University (St. Louis), provides an insightful concluding essay on Arets’ dialogical practice. The multi-layered content finds perfect form and expression in the exceptional book design and layout by Irma Boom Office.

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The goal of advancing eco cities often remains confined to political or technological issues. This book establishes a focus on architectural and infrastructural design approaches to sustainable urban development. Taking as a basis the critical assessment of the five prototypical eco cities of Vauban/Freiburg, solarCity/Linz, Valdespartera, Sarriguren/Pamplona und Bo01/Malmø., the book identifies fields in which architectural and urban designers can use their creative skills and methods to achieve sustainable results on the urban scale. The themes of Materialize, Mobilize, Simulate and Transform highlight the shift from the manipulation of quantitative variables to interactive relationships effecting qualitative outcomes in design. For example, Materialize explores the potential of eco-design beyond the traditional palette of materials to show how spatial boundaries can be re-imagined as gradients of conditioned versus unconditioned space, working with climatic conditions rather than material boundaries to help generate new forms of urban architecture.

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The Graubünden-based architect Valerio Olgiati has become well-known outside Switzerland for such buildings as his school building in Paspels and the Atelier Bardill in Scharans, but not least for his Yellow House and his studio in Flims. In the form of a wellillustrated essay, the architect explains how he develops his projects, the parameters that influence his design process, and the intellectual context from which he works. In a reduced, clear language this iconographic autobiography offers a very personal view of the Valerio Olgiati’s activity and of his selfimage as an architect, thus supplementing with a personal statement the earlier publication DADO. Text (in French) and images complement each other to create a narrative thread that offers informative insights into the architect’s intellectual and visual imagination and expands our understanding of Olgiati’s oeuvre.

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When developing a design concept in a realizable plan, landscape architects oscillate between two different levels of criteria: the tangible design task in context with the planning typology of the park, playground, outdoor swimming pool, or sports facilities, and the individual elements such as steps, ramps, pathways, fenced-in enclosures, outdoor furniture, and so on. Planning Landscape is a well-conceived tool for the planner, which focuses on the two main aspects of “elements” and “typologies”. The planner can flexibly shift between these two according to the specific criterion. The publication presents all information relevant to the planning in a detailed, clear, and cohesive manner. These two main chapters are flanked by an introductory chapter explaining the basics and determining factors of designing in open spaces at the front of the book, andan appendix at the end of the book where general dimensions and units,directives and norms are all clearly compiled.

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Technical Drawing deals with the representation of plans throughout all phases of a project. For students, the primary focus is on the development and methodical construction of a technical drawing. Themes: Types of plan (from site plan and preliminary drawings to design and detail plans) Components of the plan (floor plan, section, elevation, detail) Line width, dimensioning, hatching, use of text, symbols Plan presentation and compilation

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This book offers a comprehensive introduction to the planning and implementation of this special kind of garden, taking the concrete planning process as its guide. From design fundamentals and concept development with different typology variants all the way to the choice of materials, the various construction principles, and building services, all subjects relevant to planning are comprehensively presented.The planning information is illustrated with numerous international examples, with projects ranging from a "green wall" as interior design element and private house gardens in Australia, New Zealand, and Germany all the way to award – winning ecological office buildings in the USA and the Netherlands, an old - age home in Sweden, and an indoor park in Canada.

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"Building for everyone" – that is the best definition of what lies behind the unwieldy concept of "barrier-free design": the complete and total usability of buildings, including for those with disabilities, for the integration of all of society’s members can only succeed when their environment is made accessible to them. Demographic changes demand new qualities of private and public space, qualities that are also required by new legislation. The Detail Practice volume "Barrier-Free Design" provides all planners and architects, but also interested building sponsors, with basic practical information and a range of possible planning implementations in the domain of barrier freedom. It shows how corresponding requirements can be turned into aesthetically distinguished architecture. And it demonstrates that taking barrier freedom into account in the early planning stages of a project need not lead to additional costs compared to "classical" construction and design. In addition to an overview of planning fundamentals, the book also includes the associated body of rules and regulations as well as examples of how they are embodied in actual projects and perspectives on their development in the larger European context.

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Architecture that is meant to have a sensuous connection to life calls forthinking that goes far beyond form and construction. In his texts, Peter Zumthor articulates what motivates him to design his buildings, which appeal to the visitor's heart and mind in so many different ways and possess a compelling and unmistakable presence and aura. Now in its second edition, this book has been expanded to include two new essays: „Architecture and Lanscape” deals with the relationship between the structure and its surroundings, with the secret of the successful placement and topographical integration of architecture. In „The Leis Houses,” Peter Zumthor describes the genesis of two wooden houses in the town of Leis in the Swiss canton of Graubünden, thus thematizing the special challenge of integrating contemporary architecture into a traditional architectural context.

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High-quality residential structures are much more than merely a series ofdifferent floor plans. First and foremost, the urban apartment house mediatesbetween the private refuge and the public space of the city. In theprocess, boundaries between inside and outside are negotiated on a widevariety of scales. Housing + focuses on investigating spatial and architecturalas well as social and communicative interfaces in residential construction.The publication is divided into four chapters – “Urban Planning,” “TheGround Floor,” “Building Structure,” and “Facade” – to which sixty-seveninternational projects are assigned. These four thematic focuses are discussedcomprehensively in the essays that introduce the chapters; the individualprojects are analyzed in brief texts in the catalog under these sameaspects. Comparable plans drawn especially for this book supplement thetypological descriptions. The spectrum of projects selected covers urbanapartment block construction from towers, block structures, row houses,and gaps between buildings to housing complexes in outlying urban areas.

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Architecture that is meant to have a sensuous connection to life calls forthinking that goes far beyond form and construction. In his texts, Peter Zumthor articulates what motivates him to design his buildings, which appeal to the visitor's heart and mind in so many different ways and possess a compelling and unmistakable presence and aura.Now in its third edition, this book has been expanded to include two new essays: „Architecture and Lanscape” deals with the relationship between the structure and its surroundings, with the secret of the successful placement and topographical integration of architecture. In „The Leis Houses,” Peter Zumthor describes the genesis of two wooden houses in the town of Leis in the Swiss canton of Graubünden, thus thematizing the special challenge of integrating contemporary architecture into a traditional architectural context.

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Gestaltung Denken brings together 40 essential texts on architecture and design theory. The first part contains texts by practitioners, i.e. architects and designers. The second features texts by theoreticians: cultural studies experts, philosophers, sociologists, historians of architecture and design. Each text represents a milestone in the history of/reflections on design and highlights design developments from early modernism to current debates. Each primary text is introduced and provided with commentary by a well-regarded specialist, who provides insights into the text’s author, genesis, and publishing context. Many of the selected texts are difficult to locate and/or are long out of print. This reader makes these texts – each crucial to theoretical discussion on architecture and design – accessible once again. This publication is ideal for teaching the history and development of the design disciplines at academies of architecture and design, but also offers practicing architects and designers a basis for reflecting on their own work against the background of historic debates.

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Today, careful energy planning and design has become an integral component of every building task. The second volume of the SCALE series, Heat | Cool, picks up at precisely this point, providing strategies for an energetically sensible and suitable approach to building conditioning as well as its design and constructional integration. In addition to building and facilities services, it places special emphasis on construction and design measures. How much the building itself can achieve in the context of the given climatic, topographical, and town-planning framework conditions and to what extent additional installations are required for conditioning, which construction measures are appropriate for which types of tasks within a sustainable and integrated planning approach – all of these topics are discussed on the basis of project examples. The book highlights both the currently available heating, ventilation, and cooling systems as well as the supporting aspects of material properties and the building lifecycle, thus enabling the reader to make a balanced and well-informed selection. Heat | Cool provides a foundation for efficient and optimal building conditioning and its integration into construction and design.

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Plastics are high-performance materials of wide use in the built environment. Their versatile technical properties are particularly fascinating. A broad range of form-giving and finishing processes makes plastic especially interesting for complex geometries in combination with digital planning processes. Following the pioneering plastic structures of the 1970s, a number of spectacular buildings have in recent years highlighted the outstanding technical and aesthetic potential of the material. Until now, however, there has been no systematic treatment of the use of plastic in architecture. This book seeks to fill that gap by providing an introduction to the structural and design possibilities of plastic. It introduces the material and its specific characteristics, describes various types of plastic in terms of their relevance for building, explains processing technologies and presents typical products and components. A concise presentation of twenty-five international built projects – organized by the type of application and the plastic involved – documents the broad range of plastic in architecture. Finally, a look ahead at the future describes the current state of the art in materials research.

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Water has been an important topic in architecture and urban planning for years. The revitalization of the waterfront has been a prevalent trend in cities around the world. On the other hand, architecture also had to respond to the threat of floods. The theme of Building with Water is the use of water in architecture. It presents buildings that explicitly refer to water in their design and form. It establishes a typology of building by the water: residential structures, recreation facilities, industry and infrastructure, buildings for culture and art. The various design parameters are explored in four essays. Subsequently, twenty-two international projects are presented, organized according to their locations by a river, a lake or the sea. The authors’ concern is not to show luxurious buildings in privileged locations but rather presenting projects that seriously grapple with the main criterion of the location—namely, water—in an ecologically sustainable way and respond to it with their design. Wasser ist seit Jahren ein wichtiges Thema in Architektur und Städtebau. «Building with Water» thematisiert die Verarbeitung von Wasser im architektonischen Entwurf; es werden Bauten vorgestellt, die sich in ihrer Gestaltung und Form ausdrücklich auf Wasser beziehen. Eine Typologie des Bauens am Wasser wird erstellt: Wohnbauten, Verkehrs- und Industriebauten, Bauten für Kultur und Freizeit. Ebenso werden einleitend klassische Beispiele des Bauens am/im/auf dem Wasser gezeigt, wie etwa Château de Chenonceaux an der Loire, Falling Water in Pennsylvania von Frank Lloyd Wright oder das Salk Institute in La Jolla,Kalifornien, von Louis I. Kahn. Geordnet nach ihren Standorten am Fluss, See oder Meer, werden dann etwa 20 internationale Projekte vorgestellt. Es geht den Autoren nicht darum, luxuriöse Bauten an privilegierten Plätzen zu zeigen, sondern Projekte darzustellen, deren Entwurf sich ernsthaft und ökologisch verträglich mit dem Hauptkriterium des Standortes – nämlich Wasser – auseinandersetzt und sich gestalterisch darauf bezieht

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Die Architektur und der Städtebau der Nachkriegsmoderne werden zunehmend als baukulturelles Erbe einer jungen Vergangenheit verstanden. Die Qualität einzelner Bauten und Planungen aus den Jahrzehnten nach 1945 sind stark umstritten. Gleichzeitig ist ihr Stellenwert als Baudenkmal ein zentrales Thema. In lokalen und überregionalen Debatten werden planerische Strategien und neue Leitlinien für einen adäquaten, zeitgemäßen Umgang mit den Stadträumen der Nachkriegsmoderne erörtert. In dem Buch stellen Jürgen Tietz, Christian Welzbacher und andere ausgewählte Akteure aus Architektur, Gesellschaft und Politik die zentralen Fakten, Aspekte und Positionen heraus und vermitteln die Hintergründe der Auseinandersetzung. Zahlreiche Abbildungen und Pläne veranschaulichen und dokumentieren das Thema, unter anderem am Fallbeispiel Hannover.

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typology+ documents and analyzes roughly one hundred international housing structures. It uses diagrammatic drawings to elaborate a broad and varied range of residential types and present them systematically. In the process, it examines variants under the categories of access, space (ground plan and open space), and morphology, supplemented by detailed typological descriptions and the elaboration of the special qualities of each individual type. More general essays draw connections between the housing types and twentieth-century reference projects. All of the projects are newly drawn to uniform standards; every project is presented with its ground plan drawn to a scale of 1:200. Site maps, sections, elevations, and photographs illuminate the urban setting, the building structure and design, and the spatial and functional qualities of each residential structure. Thus, typology+ not only offers a broad range of sustainable approaches to apartment block construction, but also possibilities for using and transforming them in a practical planning context.

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To continue developing existing building types in an intelligent way is a crucial task in the field of residential building. For the success of the individual design, as well as for ensuring that tried and tested structures can be utilized, repeated, and varied, a deeper grasp of the underlying types is indispensable. For this typology of residential buildings, the authors have developed systematic new presentations of the most innovative types. Each individual volume lays out the possibilities for using and transforming a particular form of residential structure. The fourth volume deals with the types of freestanding houses, whose all-around orientation allows for the optimal arrangement of all dwellings. A presentation of the freestanding house as an isolated element and as a building block for larger structures is followed by discussions of topics such as self-sufficiency versus neighborhoods, "Raumplan" versus "plan libre," and individuality versus density. Within each type, variants are distinguished according to type of access, number of floors, etc. The range of possible solutions is presented in uniform ground plans and sections newly drawn to scale.

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Liliane Wong's latest volume on adaptive reuse in architecture presents 50 spectacular conversion and reuse projects worldwide, including buildings such as the TWA Hotel at NewYork's John F. Kennedy Airport, the CaixaForum in Madrid, and the New Museum in Berlin. The projects are presented using a new classification system that addresses practitioners as well as academics. The author's introductory essay provides a comprehensive overview and historical context for the enormous evolution and expansion of adaptive reuse over the past 50 years.

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Inverse Utopia looks at urbanism from the perspective of modernism and postmodernism, as well as at how commercialization has transformed the modern city. In his earlier book Ladders (1997), the author described the emergence of the cul-de-sac as a typical manifestation of this trend. In this new book, Inverse Utopia, Pope argues for the development of architectural and urban forms that respond to contemporary ecological and social challenges. The title refers to a statement by the philosopher Günther Anders: whereas utopians are unable to make the things they imagine, others are unable to imagine the things they make. This book is a stand-alone volume but may be read as a sequel to Ladders. Collection of essays and profiles of design projects The urban design project of modernism and postmodernism Connections between architectural morphology and the consumer economy

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The patient room is the smallest cell of the hospital organism. Its layout determines the structure of the ward and is therefore a decisive factor for the entire building. Many requirements have to be met. The patient's sense of well-being can be positively influenced by the design: homely materials, an attractive view and sufficient privacy are important objectives. Equally important are the working conditions for the staff, especially short distances and an efficient care routine. Finally, even the risk of infection can be reduced by a conscientiously planned room layout. This publication provides a systematic overview of the design task patient room and shows exemplary solutions: both typologically and in selected case studies.

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The Elbphilharmonie is Hamburg’s new landmark and is already an icon of contemporary architecture. In this book, Herzog & de Meuron document their project: extensive archive material, plans, and photographs are used to illustrate the process of the creation of this once-in-a-hundred-years building from the first sketch and the various design stages with their many challenges, through to completion of the finished building. The dialog between historical brick plinth and contemporary glass crystal, the combination of different functions, the development of the spectacular large concert hall, the design of a public plaza for the population are just some of the many aspects that contribute to the attractiveness of the building.

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What “really constitutes an architectural atmosphere”? Peter Zumthor says, is “this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way.” Zumthor’s passion is the creation of buildings that produce this kind of effect, but how can one actually set out to achieve it? In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has on his mind as he sets about creating the atmosphere of his houses. Images of spaces and buildings that affect him are every bit as important as particular pieces of music or books that inspire him. From the composition and “presence”‎ of the materials to the handling of proportions and the effect of light, this poetics of architecture enables the reader to recapitulate what really matters in the process of house design.

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the Roof Construction Manual is a comprehensive reference work on the construction of pitched roofs, containing over 1800 plans and 220 photographs. Thirteen fundamental roof types and the relevant materials including thatch, wood, slate, tile, concrete, fibrous cement, bitumen, glass, metal, membranes, and synthetic materials are documented in detail. Essential topics such as ventilation, vapour and wind seals, insulation and drainage, renovation and energy conservation are examined. As with all the Construction Manuals, some 38 built examples illustrate the theoretical details, paying particular attention to important features such as the ridge, hip, eaves, roof valley, verge, and penetration. A compact presentation of the load-bearing physics and structures as well as current norms and standards make this volume an indispensable standard work for all architects and engineers.

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Diagrids are load-bearing structures made of steel diagonal grids. They were first used in the great buildings of the turn of the millennium, such as the Swiss Re Tower in London (“The Gherkin”) and the Hearst Magazine Tower in New York City. Dagrids owe their ensuing popularity not only to their stunning aesthetic value, but also to their very tangible benefits: lateral loading capacity, a massive saving of material, a significant gain in open, usable floor area, and increased flexibility. At its opening in 2014, the Leadenhall Building in London will be the first skyscraper without a bearing inner core—thanks to a diagrid structure.This book explains comprehensively for the first time all of the aspects involved in this new bearing structure. The author, experienced in teaching, research, and practice (recent publication: Understanding Steel Design. An Architectural Design Manual, 2011), has tracked the development of this technology from its beginnings and employs photographic documentation of the construction phases of many diagrid structures.

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Claude-Nicolas Ledoux (1736-1806) is today regarded as chief representative of French revolutionary architecture. With his extraordinary inventiveness he projected the architectural ideals of his era. Ledoux’s influential buildings and projects are presented and interpreted both aesthetically and historically in this book. His best-known projects – the Royal Saltwords of Arc-et-Senans, the tollgates of Paris, the ideal city of Chaux – reveal the architect’s allegiance to the principles of antiquity and Renaissance but also illustrate the evolution of his own utopian language. With the French Revolution, Ledoux ceased building as his contemporaries perceived him as a royal architect. He focused on the development of his architectural theory and redefined the vision of the modern architect.

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Creative and social entrepreneurs are at the forefront of building a new economy and shaping our future by being highly visionary and following their path persistently. Visions are the driving force for social innovation. But, without a strategy on how to achieve our vision, the vision stays a vision and consequently will have zero impact. Therefore, visions need strategies. Vice versa, strategies need to be based on visions in order to be powerful. Business development without following a visionary strategy leaves the future to chance. In times where complexity and the pace of change is constantly rising this does not work anymore. This book helps to understand the connection between strategy and vision, strategy and creativity. It follows an approach to strategy as a meaningful, playful, experimental and therefore creative way to design a sustainable and impactful future. Included are a selection of effective tools and methods on how to develop a strategic thinking.

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The space we live in, reduced to a minimum, has been fascinating us for generations – the writer Thoreau lived in a self-built hut in the forest from 1845 –1847. In 1952, Le Corbusier built a hut at the Côte d'Azur for himself and his wife. Inspired by this, Urs Peter Flückiger, together with his students, built an ecologically and economically sustainable cabin in the Texan prairie. All three projects share the idea of minimal space and its relationship with the surrounding nature. In text, drawings, and photographs, this book analyses the three projects and shows parallels and similarities. Inspired by Tolstoy’s story How Much Land Does A Man Need?, the author asks: "How much house does a man need?", thereby providing a pointed contribution to the current discussion on the requirement for housing.

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ARACHNE is an almanac of clothing, fashion, lifestyle, popular culture, music and art in Vienna. It explores happenings in the city – including the work of the fashion design class at the University of Applied Arts – and beyond, offering a unique mix of fashion editorials, illustrations, essays, art, short stories, reviews and interviews. The publication owes its name to the ancient Greek myth of Arachne, a weaver so talented that she challenged Athena, the goddess of wisdom and crafts, to a weaving contest. Athena punished Arachne for her hubris by turning her into a spider.

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Herzog & de Meuron gehören zu den international bedeutendsten Architekten unserer Zeit. Der jüngste Auftrag für die neue Tate Gallery in London hat das einem breiteren Publikum ebenso signalisiert wie große Ausstellungen in Tokio, New York und Paris. Die Gesamtausgabe im Birkhäuser Verlag für Architekturträgt diesem herausragenden Stellenwert Rechnung und stellt das Werk in seinem Zusammenhang vor. Nach Band 2 im letzten Jahr werden in Band 1 nun die ersten elf Jahre von Herzog & de Meuron dokumentiert. ln diesem Zeitraum von 1978-88 wurde eine methodologische Basis erarbeitet, auf der die Großprojekte der darauffolgenden Jahre aufbauen konnten. Waren Bauten wie das «blaue Haus» bei Basel durch eine naturbezogene Bildhaftigkeit geprägt, so traten Herzog & de Meuron fast gleichzeitig mit Entwürfen hervor, die so verdichtet waren, dass Erscheinungsweise, Funktion und Struktur zusammenfielen. Das Lagerhaus für die Firma Ricola in Laufen ist mit seiner Hülle aus geschichteten Eternitplatten hierfür exemplarisch. Ein weiteres zentrales Thema der ersten Werkdekade ist denn auch die grundsätzliche Neubewertung von Materialien. Ein Haus in einem Garten bei Basel wurde innen und außen ganz aus verschiedenen Sperrhölzern gefügt, die Außenwände eines Wohnhauses im ligurischen Tavole sind aus Bruchsteinen geschichtet. Für ein Laborgebäude in Basel war eine Glashülle vorgesehen, die sich teilweise vom Baukörper ablöst; ein Wohnhaus mit Galerieraum lebt aus der vielfältigen Verwendung von Beton. Bereits bei den Frühwerken ist also ein ausgesprochenes Interesse an der Gestaltung der Fassade erkennbar. Die Auseinandersetzung mit übergreifenden stadtplanerischen Aspekten manifestierte sich erstmals deutlich in der Siedlung Pilotengasse am Stadtrand von Wien, die Herzog & de Meuron zusammen mit Adolf Krischanitz und Otto Steidle 1987-92 entwarfen und realisierten. Das pragmatische Denken für einen spezifischen Ort und Zweck in der sich rasch wandelnden Gegenwart, das den architektonischen Diskurs von Herzog & de Meuron in besonderer Weise auszeichnet, wird im Buch durch verschiedene theoretische Beiträge abgestützt. Wie im bereits erschienenen Band 2 werden auch im Band 1 die zentralen Projekte ausführlich vorgestellt. Im Anhang befindet sich eine Chronologie aller 47 Werknummern von 1978-1988 mit präzisen technischen und bibliografischen Angaben.

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The comfort of interior rooms depends on temperature, humidity, and an adequate supply of fresh air. Depending on use and climatic conditions, technical systems of varying complexity are required to achieve it.Basics Room Conditioning provides a basic understanding of these relationships and uses diagrams to explain the different possible levels of space conditioning – from simple principles of housing construction to totally air-conditioned systems that are fully independent of outside air.

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The task of design is to integrate functional requirements, contextual conditions and technological means into the creation of a work of architectural culture. After twenty years of practice, a team involving Ignacio Dahl Rocha, Kenneth Ross, Christian Leibbrand, Manuela Toscan and others of the Lausanne-based Swiss office of Richter ∙ Dahl Rocha & Associés has undertaken to formulate the knowledge behind their architectural practice in a comprehensive manual. Covering the full span from initial design, building typology, technology to the cooperation with other professions in four extensive sections, this book conveys the concepts, methods and details that constitute the tools of state-of-the-art architectural projects. The material used is completely first-hand, with the technical drawings redrawn to this purpose, coming from projects like the much-acclaimed integral renovation of Nestlé Headquarters, from residential, office and healthcare buildings to the groundbreaking Swiss Tech Convention Center on the Lausanne Polytechnic Campus. Written with the editorial collaboration of Denise Bratton, this book sets new standards for architectural publications as tools for design.

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In recent years, Baumschlager Eberle architectural practice has successfully continued its international trajectory. Between 2010 and 2020, around 600 buildings, projects and competitions have been completed, including housing projects, hospitals, company headquarters, university campuses, and the 2226 building: an office building without heating system. The book documents in chronological order in the form of an annotated and commented catalogue of works all projects, competitions, and studies of these years. Over 50 completed buildings are comprehensively presented. 14 of the most important projects have an in-depth presentation: with images, plans, and other material as well as a detailed text. In addition, three essays and three interviews deal with the central issues of density, resources and open building.

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While Mies van der Rohe’s pavilion at the International Exposition in Barcelona in 1929 went unnoticed by most of the visitors to the fairgrounds, contemporary critics enthusiastically hailed it as the most convincing statement of the Modern Age. This book presents 100 selected texts about this much discussed building, written then and now: from the opening speech by the Spanish king, to newspaper articles and private letters, voices of contemporary architects, architecture critics and historians, and even a text by artist Ai Weiwei, who created an installation in the outdoor area of the pavilion in 2010. Thus the history of this building’s reception depicts a dazzling picture and inconceivable breadth, including statements by such eminent authors as Frank Lloyd Wright, Leonardo Benevolo, Rem Koolhaas, Peter Eisenman.

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A roof over one’s head is a basic need – it provides shelter from rain, wind and the cold. In addition to these requirements, the structure must be load bearing and stable. Out of traditional craftsmanship, roof shapes and typologies have developed that fulfill these tasks and endure to this day. Basics Roof Construction describes the different kinds of roofs and which advantages and disadvantages each of them has. It explains which tasks are performed by the structural elements and layers and how to account for these in planning construction. The objective is to provide students with the principles, properties and technical terms of construction so that they can implement this knowledge in concrete design plans: from building, to insulation and sealing, all the way to the basics of drainage.

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The dimensions of the core elements of office workplaces – desk and chair – together with the necessary circulation areas determine the design of office buildings. Starting with the module of the individual workplace, larger space configurations result from adding these workplaces in a variety of arrangements, resulting in different office layout typologies. In addition to the space required for desk and chair, it is necessary to provide the required distances as well as floor area for cupboards, movement, and circulation routes within the office rooms. Basics Office Design explains the parameters of this common design task in a clear and easy-to-understand way, placing as much emphasis on ergonomics, comfort, and orientation as on the space requirements, functional relationships, and the different types of offices.

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Every garden is an imagined paradise – a garden paradise that incorporates the personality of the individual who created it, but also the long history of horticulture. The book recounts the history of gardens from their likely origins in Mesopotamia to today; in chronological order and in sections with keywords, it introduces the most important styles as well as the people that have influenced developments in Europe. Although the famous and influential gardens often needed extensive funds for their creation, gardens are not designed for the privileged of this world. Whether it is an allotment, a landscape park, a cemetery, or a city park – small and large gardens interweave with the built landscape and are an inspiration for all of us.

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　 Der Grundrissatlas Wohnungsbau gehört seit Jahrzehnten zu den Grundlagenwerken der Architektur. In seiner 5., überarbeiteten und erweiterten Auflage dokumentiert und analysiert er rund 160 internationale Wohnungsbauten seit 1945. Im Zentrum stehen Beispiele, die vorbildlich und übertragbar, und Konzepte, die innovativ und wegweisend sind. Die systematische Darstellung aller Projekte ermöglicht es dem Leser, die Grundrisse zu vergleichen und zu bewerten – um sich so durch die Ideen und Strategien bei der eigenen Arbeit am Grundriss anregen zu lassen. Die einleitenden theoretischen und historischen Essays sind neu verfasst beziehungsweise aktualisiert worden und bieten ein übersichtlich strukturiertes Bild der Wohnungsbautypologie und ihrer Entwicklung.

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Architecture is an experience – with the intellect and with all our senses, in motion, and in use. But in order to actually discuss and assess it with relevance, a clarification of terms is essential in order to avoid the vagueness that often prevails when talking about architecture. This dictionary provides a vocabulary that allows the architecture discourse to go beyond the declaration of constructive relationships or the description of architectonic forms in familiar terms like “roof,” “base,” “wall,” and “axis” or “proportion”. The point is to describe the experience of architecture: how exactly does it contribute to the experience of a situation? For instance, the staging of an entrance situation, or the layout and visitor routes through a museum. From “context,” through “guidance,” “readability,” “patina,” “spatial structure,” “symmetry” and “tectonics,” to “width” (and “narrowness”) or “window,” the most important terms in architectural language are explained precisely and in detail.

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Kuwabara Payne McKenna Blumberg Architects, founded in 1987 in Toronto, is one of most innovative architectural offi ces in North America today. They have made a name for themselves both for their integrated design process embodying collaboration with experts, clients and future users as well as the diversity of their aesthetically refined and finely detailed designs. The work ranges from cultural institutions such as the Toronto International Film Festival and Orchestra Hall in Minneapolis to ecologically innovative concepts such as Manitoba Hydro Place in Winnipeg, developed with leading climate engineers Transsolar of Stuttgart. A respectful approach toward the integration of heritage buildings is also a characteristic feature, illustrated by the designs for the Royal Conservatory and the Gardiner Museum in Toronto. Finally, educational and research facilities are also a strong focus in KPMB’s work exemplified by the Centre for Innovation and Governance Campus in Waterloo, Ontario, and the Joseph L. Rotman School of Management in Toronto, as well as future projects for the Massachusetts Institute for Technology (MIT) and Princeton University in the United States.

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In larger projects these days, architects are often merely service providers: under the control of those responsible for the project or the general contractors the architecture is cut and trimmed for reasons of costs - with consequences we can increasingly observe in our cities. There is a way out of this dilemma, one that strengthens the position of the architect and at the same time permits higher quality architecture, as impresively demonstrated by the architects Geninasca Delefortrie in Neuchâtel, Switzerland. They are their own clients; they identify properties with potential for development and work with the cities in question to develop building plans and concepts. They are also actively involved in financing and finding investors and hence they are able to realize architecture that is as powerful as it is sensitive to the complex urban situations in which it stands. This monograph does not so much focus on the projects as it does on showing, based on the example of Geninasca Delefortrie's particular approach, the opportunities that architecture and architects have to influence in a positive way project development, the awarding of contracts, and urban planning in general. Interviews and conversations with the architects establish the basic thematic structure. Each of the projects, including the multipurpose hall La Maladière in Neuchâtel, is assigned to a theme.

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these days a computer is as much a part of every household's standard equipment as a refrigerator, and yet the explosion of computer technology in the last several decades has transformed the daily life of every member of society far more than even utopians would ever have allowed themselves to dream. No wonder, then, that from design to production, architecture too is becoming more and more subject to digital influences. The range of those influences stretches from the classical computer programs used in design and presentation to media-supported design processes all the way to computerized production techniques, to say nothing of industrialized bricklayer "robots." From measurement to planning and production, architecture is the product of a closely coordinated digital process chain. What influence do digital design digital design and production methods have on contemporary architecture? How are these methods changing architecture and the way it ist created? Where does the potential of digital media for architecture lie? What are the areas in which every individual firm can begin to use them? What are the advantages of working electronically? How and at what cost can these methods be integrated into the day-to-day work of the professional architect? This publication offers answers to these and many other questions on all aspects of the digital design and construction process.

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Organized by the department for Graphics & Printmaking at the University of Applied Arts Vienna, the exhibition “Thought Machines” includes student work from Vienna as well as from the Hungarian University of Fine Arts, Budapest; the Academy of Fine Arts and Design, Bratislava; the Academy of Visual Arts, Leipzig and the Royal College of Art, London. All participants in the exhibition share a platform in being students of printmaking. From this point of departure they develop projects which inhabit the whole range of contemporary art-making possibilities. What binds these projects together is that they all address the concept of “Thought Machines” which is discussed by Jan Svenungsson in an introductory text.

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A growing part of the public is concerned about cities being designed and governed in a responsible way. In the contemporary information society, however, the democratic obligation of the citizens to inform themselves thoroughly, so that they can participate in public affairs has become impossible to fulfill. Rather than submitting to the opinions of self-proclaimed experts, citizens need new ways to make sense of what is going on around them. Accountability technologies stand for new innovative approaches to bottom-up governance: technologies to monitor those in power and hold them accountable for their actions. Accountability technologies are designed to coordinate citizen-led data collection, visualization and analysis in order to achieve social change. This book takes a close look at initiatives that have succeeded in making an impact on the reality of the city, as well as the motivations, strategies and tactics of the people who create and use these technologies. How can data generated by citizens be put into action?

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