Search results for ""author robert"

FROM THE AUTHOR OF THE SUNDAY TIMES NUMBER ONE BESTSELLER THE CALLER'Good job you didn't turn on the lights . . .' A student nurse has the shock of her life when she discovers her patient, prosecutor Derek Nicholson, brutally murdered in his bed. The act seems senseless - Nicholson was terminally ill with only weeks to live. But what most shocks Detective Robert Hunter of the Los Angeles Robbery Homicide Division is the calling card the killer left behind. For Hunter, there is no doubt that the killer is trying to communicate with the police, but the method is unlike anything he's ever seen before. And what could the hidden message be? Just as Hunter and his partner Garcia reckon they've found a lead, a new body is found - and a new calling card. But with no apparent link between the first and second victims, all the progress they've made so far goes out of the window. Pushed into an uncomfortable alliance with confident investigator Alice Beaumont, Hunter must race to put together the pieces of the puzzle . . . before the Death Sculptor puts the final touches to his masterpiece.PRAISE FOR CHRIS CARTER 'A touch of Patricia Cornwell about Chris Carter's plotting' Mail on Sunday 'Gripping . . . not for the squeamish' Heat 'A page-turner' Express

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Robert Frank’s and Todd Webb’s parallel 1955 projects to photograph America are considered in the context of mid-twentieth-century American culture In 1955 two photographers were awarded grants from the John Simon Guggenheim Foundation to embark on trips across the United States. Robert Frank (1924–2019) drove coast to coast, photographing the highways, bars, and people that formed the basis for his widely admired publication The Americans (1958). Todd Webb (1905–2000) walked across the country, searching for “vanishing Americana and what is taking its place.” Unaware of each other’s work, the photographers produced strikingly similar images of the highway, parades, and dim, smoky barrooms. Yet while Frank’s grainy, off-kilter style revealed many inequities of American life, Webb’s carefully composed images embraced clear detail and celebrated the individual oddities of Americans and their locales. This revelatory book is the first to publish Webb’s 1955 photographs and connects these parallel projects for the first time. More than one hundred images accompany text illuminating Frank’s and Webb’s different perspectives and approaches to similar subjects and places; the difference in reception of Frank’s iconic work and Webb’s relatively unknown series; and the place of the road trip in shaping American identity at midcentury. Published in association with the Museum of Fine Arts, Houston Exhibition Schedule: Museum of Fine Arts, Houston (October 8, 2023–January 7, 2024) Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts (February 10–July 30, 2024) Brandywine Museum of Art, Chadds Ford, Pennsylvania (February 8–May 4, 2025)

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Roberts and Zuckerman's Criminal Evidence is the eagerly-anticipated third of edition of the market-leading text on criminal evidence, fully revised to take account of developments in legislation, case-law, policy debates, and academic commentary during the decade since the previous edition was published. With an explicit focus on the rules and principles of criminal trial procedure, Roberts and Zuckerman's Criminal Evidence develops a coherent account of evidence law which is doctrinally detailed, securely grounded in a normative theoretical framework, and sensitive to the institutional and socio-legal factors shaping criminal litigation in practice. The book is designed to be accessible to the beginner, informative to the criminal court judge or legal practitioner, and thought-provoking to the advanced student and scholar: a textbook and monograph rolled into one. The book also provides an ideal disciplinary map and work of reference to introduce non-lawyers (including forensic scientists and other expert witnesses) to the foundational assumptions and technical intricacies of criminal trial procedure in England and Wales, and will be an invaluable resource for courts, lawyers and scholars in other jurisdictions seeking comparative insight and understanding of evidentiary regulation in the common law tradition.

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The French auteur Robert Bresson, director of such classics as Diary of a Country Priest (1951), The Trial of Joan of Arc (1962), The Devil, Probably (1977), and L’Argent (1983), has long been thought of as a transcendental filmmaker preoccupied with questions of grace and predestination and little interested in the problems of the social world. This book is the first to view Bresson’s work in an altogether different context. Rather than a religious—or spiritual—filmmaker, Bresson is revealed as an artist steeped in radical, revolutionary politics. Situating Bresson in radical and aesthetic political contexts, from surrealism to situationism, Neither God nor Master shows how his early style was a model for social resistance. We then see how, after May 1968, his films were in fact a series of reflections on the failure of revolution in France—especially as “failure” is understood in relation to Bresson’s chosen literary precursors, Dostoyevsky and Tolstoy, and Russian revolutionary culture of the nineteenth century.Restoring Bresson to the radical political culture from which he emerged—and to which he remained faithful—Price offers a major revision of the reputation of one of the most celebrated figures in the history of French film. In doing so, he raises larger philosophical questions about the efficacy of revolutionary practices and questions about interpretation and metaphysical tendencies of film historical research that have, until now, gone largely untested.

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At the end of World War II, J. Robert Oppenheimer was one of America's preeminent physicists. For his work as director of the Manhattan Project, he was awarded the Medal for Merit, the highest honor the U.S. government can bestow on a civilian. Yet, in 1953, Oppenheimer was denied security clearance amidst allegations that he was "more probably than not" an "agent of the Soviet Union." Determined to clear his name, he insisted on a hearing before the Atomic Energy Commission's Personnel Security Board. In the Matter of J. Robert Oppenheimer contains an edited and annotated transcript of the 1954 hearing, as well as the various reports resulting from it. Drawing on recently declassified FBI files, Richard Polenberg's introductory and concluding essays situate the hearing in the Cold War period, and his thoughtful analysis helps explain why the hearing was held, why it turned out as it did, and what that result meant, both for Oppenheimer and for the United States. Among the forty witnesses who testified were many who had played vitally important roles in the making of U.S. nuclear policy: Enrico Fermi, Hans Bethe, Edward Teller, Vannevar Bush, George F. Kennan, and Oppenheimer himself. The hearing provides valuable insights into the development of the atomic bomb and the postwar debate among scientists over the hydrogen bomb, the conflict between the foreign policy and military establishments over national defense, and the controversy over the proper standards to apply in assessing an individual's loyalty. It reveals as well the fears and anxieties that plagued America during the Cold War era.

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Biography of a civil rights activist who worked tirelessly at the heart of two social and political revolutions A native Alabamian, Reverend Robert E. Hughes worked full-time in the civil rights movement as executive director of the Alabama Council of Human Relations, where he developed a close relationship with Dr. Martin Luther King Jr. After facing backlash from the Ku Klux Klan, spending four days in jail for refusing to disclose ACHR membership lists, and ultimately being forced to leave the state of Alabama, he served as a Methodist missionary in Southern Rhodesia. After two years of organizing Black liberation groups, he was banned as a “prohibited immigrant” by the Ian Smith government. His lifelong commitment to social justice, racial equality, and peaceful resolution of conflicts marks a fascinating career richly documented in this comprehensive biography.To Do Justice: The Civil Rights Ministry of Reverend Robert E. Hughes traces the life and career of an admirable and lesser-known civil rights figure who fought injustice on two continents. This account presents valuable new evidence about the civil rights movement in the United States as well as human rights and liberation issues in colonial Southern Rhodesia in the years leading up to independence and self-rule. Readers get a behind-the-scenes look at a courageous individual who worked out of the public spotlight but provided essential support and informational resources to public activists and news reporters. Randall C. Jimerson explores the interwoven threads of race relations and religious beliefs on two continents, focusing on the dual themes of the American civil rights movement and the African struggles for decolonization and majority rule. The life and career of Hughes provide insight into the international dimensions of racial prejudice and discrimination that can be viewed in comparative context to similar oppressions in other colonial lands.

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As Others See Us is based on a new photographic exhibition from Tricia Malley and Ross Gillespie, who together form the renowned partnership broad daylight. It forms part of Homecoming 2009, celebrating the 250th anniversary of Robert Burns' birth. The exhibition consists of 20 portraits of prominent and influential Scots, including Eddi Reader, Edwin Morgan, Peter Howson and Janice Galloway. The portraits capture a unique insight into the sitter, enhanced by the accompanying text, as each was asked to contribute their favourite poem from Robert Burns, and to explain why it is special to them and what they think it means to Scots today.

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As Others See Us is based on a new photographic exhibition from Tricia Malley and Ross Gillespie, who together form the renowned partnership broad daylight. It forms part of Homecoming 2009, celebrating the 250th anniversary of Robert Burns' birth. The exhibition consists of 20 portraits of prominent and influential Scots, including Eddi Reader, Edwin Morgan, Peter Howson and Janice Galloway. The portraits capture a unique insight into the sitter, enhanced by the accompanying text, as each was asked to contribute their favourite poem from Robert Burns, and to explain why it is special to them and what they think it means to Scots today.

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The transaction that changed the course of U.S. history and gave America an undisputed outlet to the Pacific Ocean did not come without a certain amount of trepidation and negotiation. The second half of the 18th century found the newly formed nation with Spain as its primary neighbor. In 1763, after a disastrous war with Britain, France had ceded all of its North American mainland territory to Spain. Through Pinckney's Treaty of 1795, the Spanish guaranteed U.S. access to the Gulf of Mexico via the Mississippi River, providing a trade outlet for the westernmost states. The 1801 discovery of a secret treaty between France and Spain and the resultant possibility of Spain's retrocession of Louisiana to the French sent panic throughout American ranks, pushing the government to quick action to stop this change of neighbors and the possible hostile consequences. This work details the political maneuverings that took place between the United States and France during their negotiations over the Louisiana territory from 1801 to 1804. Through primary sources such as letters and memoranda, the book closely examines the role Robert Livingston, U.S. minister to France, and other politicians played in bringing the issue to a successful conclusion for the United States. Topics discussed include the economic and military ramifications that would have resulted from a French return to North America, the threat of domestic dissension and the ways in which a French Louisiana would have affected the international political landscape. Appendices provide summaries of Livingston's Louisiana memorandum and two Talleyrand-Napoleon memoranda as well as an analysis of Marbois's book on Louisiana.

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Robert N. Stavins has emerged as one of the most influential voices in environmental economics over the last decade and a half. These 23 essays on environmental economics and policy, written by Professor Stavins and his co-authors over the period 1988-1999, originally appeared in a diverse set of leading, scholarly periodicals and are here collected for the first time. The book is divided into seven parts: overview; benefits and costs of environmental regulation; normative analysis of policy instruments; positive analysis of policy instruments; environmental technology innovation and diffusion; causes and consequences of land-use changes; and global climate policy. The book begins with an introductory essay in which Stavins reflects on the professional path that led to his research and writing and identifies common themes that emerge from this period of research. Students, scholars, practitioners and policymakers will find this volume a valuable and very useful addition to their collection.

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Robert Lehman, one of the foremost art collectors of his generation, embraced traditional and modern masters. This work catalogues 130 nineteenth- and 20th-century paintings that are part of the Robert Lehman Collection at the Metropolitan Museum. It includes paintings by Ingres, Theodore Rousseau, and Corot among other early 19th-century artists.

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In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture. Volume XI of The Complete Works of Robert Browning contains two strikingly disparate long poems from the 1870s, Fifine at the Fair and Red Cotton Night-Cap Country. In Fifine at the Fair, Browning creates an idiosyncratic version of the Don Juan figure, a distinctly post-Romantic and intellectual Don Juan who derives little from any literary predecessor. The legendary character is realized in a modern French setting, the village of Pornic, a favorite vacation spot for Browning. The poem is a sustained exercise in self-justification and casuistry, with Don Juan persuading himself that he can reconcile his love of his wife with his carnal love for a gipsy girl. Though Red Cotton Night-Cap Country is similarly concerned with a struggle between spirit and flesh, the poem is entirely based in contemporary events. Using newspaper accounts and legal documents, Browning tells the strange and shocking tale of a rich and devout Frenchman who throws himself from the roof of his chateau, convinced that heaven will deliver him from death. Upon the question of his sanity hinges the disposition of his considerable estate, and the poet traces the claims and counterclaims to their settlement in court only a few months before he wrote the poem. As always in this series of critical editions, a complete record of textual variants is provided, as well as extensive explanatory notes.

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Robert Louis Stevenson, long recognized as a master storyteller and essayist, was also one of the finest and most delightful of letter writers. Yale University Press is now publishing the definitive edition of Stevenson's collected letters in eight handsomely produced volumes. The edition will contain nearly 2,800 letters, only 1,100 of which have been published before.Volumes III and IV cover the period from August 1879 to June 1884. The six hundred letters tell for the first time the full story of Stevenson's reckless journey to California as an "amateur emigrant," during which he gained a wife but wrecked his health. They describe his return to Europe and his futile search to improve his health in Scotland, Switzerland, and France and reveal interesting aspects of the writing of Treasure Island, Virginibus Puerisque (his first volume of collected essays), and many poems later collected in Underwoods and in A Child's Garden of Verses. Volumes V and VI cover the period from July 1884 to September 1890 and comprise over nine hundred letters. During this time, Stevenson lived as a chronic invalid for three years in Bournemouth, England; searched for improved health in the United States and the South Seas; and achieved fame and success with the Strange Case of Dr. Jekyll and Mr. Hyde, Kidnapped, and A Child's Garden of Verses. The letters convey Stevenson's courage and gaiety in the face of illness and his affection for his family and friends. They also reveal the devoted care given him by his wife, Fanny Stevenson.Ernest Mehew's detailed annotation provides all the background necessary to fully enjoy Stevenson's letters.

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Robert Koehl has long considered processions to have played an integral role in Aegean Bronze Age societies. Therefore, when assembling a volume to honor his retirement from Hunter College, contributing authors were asked to focus attention on this subject. Processions are a unique social phenomenon in that they engage large groups with a singular purpose or outcome, acting as a cohesive force in societies. Yet they are elusive both in Aegean art and texts, which has challenged the participants in this volume to approach the subject from various viewpoints, providing evidence of ritual and ceremonial places, pathways and practices, based on archaeological and, in one instance, textual evidence. Artistic depictions in a variety of media provide a means of identifying settings, participants and the possible roles they play, while specific ritual objects are the subject of some contributions, their context and imagery offering another means of enhancing our picture of processions. Papers concentrate mainly on evidence from Crete, the Cyclades and the Greek mainland, with additional perspectives from abroad, these geographic divisions forming the basic outline of the volume.  Download the following paper in Open Access: The Pylos Ta Series and the Process of Inventorying Ritual Objects for a Funerary Banquet - Thomas G. Palaima: Download

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Paradise, Massachusetts, is gearing up for the busy summer season when a spate of car thefts places its quiet, tourist-friendly reputation in jeopardy. Jesse Stone fears an automobile theft gang has set up shop in town, and the silver-tongued, heavy-handed police chief vows to put a stop to their activity. Almost as soon as he starts tackling this threat, another materializes: one of a more personal nature. An old enemy, hell-bent on revenge, is fresh out of prison. Thus begins a tale of proactive policing and personal paranoia, in which Stone finds himself defending himself, his patch and - before long - his latest squeeze. In Killing the Blues, Michael Brandman combines all of Parker's tried and tested ingredients to create a highly enjoyable and authentic Jesse Stone thriller.

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These Studies in Eighteenth-Century French Literature presented to Robert Niklaus were written by former students and colleagues and by his friends, to mark his retirement in 1975. The articles all relate to the French Enlightenment, Professor Niklaus's main academic interest, but vay in approach and subject. Six articles deal with aspects of the works of Diderot: his philosophy, aesthetics, narrative art and style. There are articles on Voltaire - his social, political and philosophical attitudes - and on Montesquieu, among others. The book as a whole is evidence of the continuing vitality of the Enlightenment and makes a fitting complement to Professor Niklaus's own important and lively contribution to eighteenth-century studies.

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Since 1972, The Robert Wood Johnson Foundation has been the nation's largest philanthropy devoted exclusively to health. To further its mission of improving the health and health care of all Americans, it provides funds for demonstration projects, educational and communications activities, training, policy analysis, and research. As part of the Foundation's efforts to inform the public, To Improve Health and Health Care, the fifth volume in The Robert Wood Johnson Foundation Anthology series, provides an in-depth look into the programs it funds. Written for policy makers and practitioners as well as interested members of the public, the series offers useful lessons for leaders and educators developing plans for the coming years. This volume includes chapters on: * The Nurse Home Visitation Program * Strategies to treat tuberculosis * Health of Native Americans * Service credit banking * Consumer choice in long-term care * The Health Policy Fellowships Program * Recovery High School * On Doctoring, an anthology of literature and medicineAIDS * Program-related investments * The Robert Wood Johnson Foundation's grantmaking in New Jersey

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Cruising with Robert Louis Stevenson: Travel, Narrative, and the Colonial Body is the first booklengthstudy about the influence of travel on RobertLouis Stevenson’s writings, both fiction and nonfiction.Within the contexts of late-Victorian imperialism andethnographic discourse, the book offers original closereadings of individual works by Stevenson while bringingnew theoretical insights to bear on the relationshipbetween travel, authorship, and gender identity in theVictorian fin de siècle. Oliver S. Buckton develops “cruising” as a criticalterm, linking Stevenson’s leisurely mode of travelwith the striking narrative motifs of disruption andfragmentation that characterize his writings. Bucktontraces the development of Stevenson’s career from hisearly travel books to show how Stevenson’s majorworks of fiction, such as Treasure Island, Kidnapped, andThe Ebb-Tide, draw on innovative techniques and materialsStevenson acquired in the course of his globaltravels. Exploring Stevenson’s pivotal role in the revivalof “romance” in the late nineteenth century, Cruisingwith Robert Louis Stevenson highlights Stevenson’s treatmentof the human body as part of his resistance torealism, arguing that the energies and desires releasedby travel are often routed through disturbingly resistantor darkly comic corporeal figures. Buckton gives extensiveattention to Stevenson’s writing about the SouthSeas, arguing that his groundbreaking critiques ofEuropean colonialism are formed in awareness of thefragility and desirability of Polynesian bodies and islandlandscapes. Cruising with Robert Louis Stevenson will be indispensableto all admirers of Stevenson as well as of greatinterest to readers of travel writing, Victorian ethnography,gender studies, and literary criticism.

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The third volume of Vincent Lenti's history of the Eastman School of Music Nurturing the Love of Music is the third volume of Vincent Lenti's history of the Eastman School of Music, being preceded by For the Enrichment of Community Life: George Eastman and the Founding of the Eastman School of Music (2004) and Serving a Great and Noble Art: Howard Hanson and the Eastman School of Music (2009). This most recent addition to the written history of the school is mainly concerned with the period of time when Robert Freeman served as the school's fourth director (that is, dean). Freeman was recruited to lead the Eastman School in the fall of 1972 and officially assumed responsibilities as director on July 1, 1973. He served as director until his resignation in 1996. His was the second longest tenure in the school's history, only being surpassed by that of Howard Hanson. That tenure allowed him to exercise great influence over faculty recruitment, program development, and fundraising, as well as presiding over the most significant expansion of the school's physical presence in downtown Rochester since the original construction of 1921 and 1922. The publication of Nurturing the Love of Music coincides with the celebration of the Eastman School's one-hundredth anniversary. Because of that anniversary celebration, the book includes as its final chapter a brief summary of the post-Freeman years, a story that will no doubt be told in greater detail sometime in the future.

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The fruits of sixteen years of discriminating acquisition on the international art market, Robert Smith's is one of the most important collections of European bronzes in private hands today. The collection embraces the Renaissance in Italy and northern Europe in such a way that its components complement and enhance the appreciation of each other. Central to the collection is a group of thirteen pieces that illustrate the legacy of Giambologna in Florence. Also assembled are pieces by independent contemporaries: Alessandro Vittoria and Francesco Segala in the Veneto, and the younger Genoese-born Niccolo Roccatagliata, whose surviving work is of the utmost rarity. A selection of fine early North Italian bronzes serves as an introduction to the collection; the Netherlands and France are also well represented. Many pieces have distinguished provenances, and all have been exhaustively researched. The book comprises not just a catalogue but an important and original contribution to scholarship in its own right. This new and extended version of the first edition retains the entries written by Anthony Radcliffe with a few additions or corrections, and an entry that he drafted on the miniature cannon signed by Orazio Antonio Alberghetti has also been incorporated. New entries have been supplied by Marietta Cambareri, currently Curator of Sculpture in the 'Arts of Europe' section of the Museum of Fine Arts, Boston, by Fabio Barry, Mellon intern for 2004 in the Department of Sculpture at the National Gallery of Art, Washington D.C., and by Nicholas Penny.

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'No musician or music lover should be without it.' BBC Music MagazineRobert Schumann was far ahead of his time: his music anticipated a multitude of trends that would spread in the 150 years after his death, and almost every major composer who followed him acknowledged his influence. He was also revolutionary in his attitude to young people; in 1848 he wrote his famous Advice to Young Musicians, a book that is still deeply relevant today. In this volume, celebrated cellist Steven Isserlis has taken Schumann's words of wisdom and set them in a modern context with his own extensive commentary. By turns practical, humorous and profound, this book is a must for aspiring musicians and music-lovers of all ages.

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The first full-length study of one of the most controversial figures of later fourteenth century England.

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When the author bought a falling down fortified house on the Staffordshire moorlands, he had no reason to anticipate the astonishing tale that would unfold as it was restored. An increasingly mysterious, set of relationships emerged amongst its former owners, revolving round a now almost forgotten artist. Robert Bateman, in his youth was a prominent Pre-Raphaelite and friend of Burne Jones. The son of a local millionaire, he was to marry the granddaughter of the Earl of Carlisle, and to be associated with both Disraeli and Gladstone, and other prominent political and artistic figures. But he had abandoned his life as a public artist in mid-career for no obvious reason, to live as a recluse, while his father lost his money, and his rich and glamorous wife-to-be had married the local vicar, already in his sixties and shortly to die. The discovery of two paintings by Bateman, both clearly autobiographical, led to an utterly absorbing forensic investigation into Bateman's life. The story moves from Staffordshire to Lahore in India, to Canada, to Wyoming, and then, via Buffalo Bill to Peru and back to England. It leads to the improbable respectability of the Wills (now Imperial Tobacco) cigarette business in Bristol, and then, less respectably, to a car park in Stoke on Trent. En route the author pieces together, and illustrates, an astonishing and deeply moving story of love and loss, of art and politics, of morality and hypocrisy, of family secrets, concealed but never quite completely obscured. The result is a page-turning combination of detective story and tale of human frailty, endeavour and love. It is also a portrait of a significant artist, a reassessment of whose work is long overdue

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This book, comprising approximately 300 letters, provides access to the voice of Robert Sobukwe via the single most poignant resource of Sobukwe’s voice that exists: his prison letters. Not only do the letters evince Sobukwe’s storytelling abilities, they convey the complexity of a man who defied easy categorization. More than this: they are testimony both to the desolate conditions of his imprisonment and to Sobukwe’s unbending commitment to the cause of African liberation.The memory of Robert Mangaliso Sobukwe, inspirational political leader and first President of the Pan-Africanist Congress, has been sadly neglected in post-apartheid South Africa. In 1960, Sobukwe led the Anti-Pass Protests, which culminated in the Sharpeville Massacre, which proved a crucial turning point in the eventual demise of apartheid. Nevertheless, Sobukwe – a man once thought to hold greater promise for the liberation of South Africa than even Nelson Mandela – has been consistently marginalised in histories of the liberation struggle. Jailed for nine years, including a six-year period of near complete solitary confinement on Robben Island, Sobukwe was silenced throughout his life, a condition that has been extended into the post-apartheid present, so much so that we can say that Sobukwe was better known during rather than after apartheid.Given Sobukwe’s antagonistic relations both to white liberalism and to the African National Congress (whom he felt had betrayed the principles of African Nationalism), it is unsurprising that he has been subjected to a ‘consensus of forgetting’. With the changing political climate of recent years, the decline of the African National Congress’s hegemonic hold on power, the re-emergence of Black Consciousness and Africanist political discourse, the growth of student protests, Sobukwe is being looked to once again.

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With a strong, vibrant use of Scots, McLellan intermingles comedy with serious moral and political content. McLellan's collected works brings together previously unpublished plays like Jeddart Justice with acknowledged classics such as Jamie the Saxt and a selection of his prize-winning poems. Also included are a Foreword by playwright and poet Donald Campbell and an Epilogue by drama producer Alastair Cording.

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The Life and Works of Robert Wood (1717-1771) commemorates the Irish classicist and traveller on the 250th anniversary of his death and provides the general reader with a study that can be regarded as a source book for the fascinating life and career of a much-neglected figure in the realm of Irish eighteenth-century travels and antiquarianism. The book starts by setting the context of eighteenth-century travels to the east and then examines the primary sources emanating from Wood’s own eastern voyages, as well as the relevant literary sources available to him before, during, and after his travels. It then provides an extensive and much-needed biographical account of Robert Wood, with particular reference to his Irish and English patrons, before examining the main results of the second tour (1750-1751), namely his three pioneering books: Ruins of Palmyra (1753), Ruins of Balbec (1757), and The Original Genius of Homer (1775). It ends by considering the enormous legacy of Robert Wood, in terms of the popularity of his books; the variety and quality of portraits commissioned by his friends and associates; his contribution to the study of classical literature; his influence on architectural drawing in late eighteenth- and nineteenth-century Europe; and the cultural significance of his work on building design. The text also reflects on the somewhat questionable nature of his works, in terms of the fact that his second voyage of the east, and the entire production of the first two books, were financed by his friend Dawkins, whose wealth derived from a slave plantation in Jamaica.

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Robert Knox is now remembered chiefly as the Edinburgh doctor who dissected corpses supplied by Burke and Hare. His contemporaries knew him as the most celebrated anatomist in Britain, the author of a controversial book on race, and a radical natural philosopher with revolutionary ideas, who taught a generation of medical students that species and races were produced by the operation of biological laws, independent of design or providence. Though he did not achieve the theoretical breakthrough he hoped for, his writings offered a challenging alternative to Darwinism that anticipated later theories of rapid evolution. This academic biography is the first to examine the influence of Knox's radical upbringing, Parisian training and ethnological studies in the Cape Colony on the development of his 'higher' anatomy, which traced the multifarious forms of the animal kingdom to an ideal body plan supposedly common to all. New evidence is presented that the subsequent decline in his career, often attributed to the murder for dissection scandal, was a consequence of his opposition to the 1832 Anatomy Act and his refusal to comply with state regulation of anatomy schools. His uncompromising position is shown to have inspired the portrayal of anatomy in fiction -- where Knox appears more often than any other British doctor -- as a savage and ungovernable science. The book will appeal to all those interested in the far-reaching influence of Knox's anatomy on nineteenth-century medicine, evolutionary theory, aesthetics, physical anthropology, and the representation of anatomical science in popular culture.

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This publication compiles actor John Cairney's theatrical interpretations of the poet Robert Burns and his life. Since 1959, he has been involved with Burns as actor, director and writer. Over the years, Cairney has taken the opportunity to investigate different aspects of Burns as they relate to performance in the theatre. For the first time he has brought all these working playscripts, which have already been tested before a live audience, together in book form. Others interested in the prismatic attraction that is Scotland's Bard can now see how one Scottish actor-writer has dealt with a national icon theatrically. The scripts, written by Cairney, look at Burns' creative work, his everyday life, and his relationships, to build a full picture of the man so important to Scotland's cultural heritage. The plays are followed by an appendix which features a selection of plays written about Burns' life since his death at the age of 37.

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The first extensive examination of Robert Barnes, his career, misconstrued theology and wide-ranging influence beyond England. By the time of his death at the stake in 1540, Robert Barnes was recognized as one of the most influential evangelical reformers in Henrician England. Friend and foe alike judged him the most popular and persuasive preacher of the'new learning'. He enjoyed the patronage of King, Archbishop, and Vicegerent at home, and the praise of evangelical princes and theologians abroad. He wrote what would be the closest the Henrician reformers came to a systematic theology, as well as the first Protestant history of the papacy. Then his dramatic, and not entirely explicable, execution quickly ensured his lasting place in the century's popular propaganda. In this first extensive examination of Robert Barnes and his reformation significance the author provides a comprehensive survey of the reformer's stormy career, a clear and convincing analysis of his often misconstrued theology, and a persuasive argument that the influence of Barnes and his novel polemical programme extended not only into the century following his death, but was as prominent on the continent as it was in his native England. KOREY MAAS is Associate Professor of Church History, Concordia University, Irvine, California

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Robert Wall began his teaching career at Seattle Pacific University in 1978. Now, forty years later and in celebration of his seventieth birthday, colleagues and former students have gathered to produce this volume in honor of their friend and teacher. The results are sure to delight all of those who have studied under or been friends of Professor Wall.The essays are grouped under two general themes: theology and methodology (with an emphasis on Wesleyan biblical hermeneutics, canonical perspectives, and the implications of these approaches for church life and work) and biblical texts/themes, especially with a view to the relationship of the study of Scripture to the life of the Christian. In both of these areas, the contributions bear in mind Wall’s conviction that academic study and spiritual life need not—in fact, should not—be kept apart.The contributors to this volume include Frank Anthony Spina, Andrew Knapp, Shannon Nicole Smythe, Daniel Castelo, Anthony B. Robinson, Eugene E. Lemcio, Sara M. Koenig, Jack Levison, Laura C. S. Holmes, John Painter, and Stephen E. Fowl.

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The first study to utilize the Klagenfurt Edition of Musil's Nachlass offers a close reading of textual variations, emphasizing Musil's commitment to the artist's role in re-creating the world. Robert Musil, known to be a scientific and philosophical thinker, was committed to aesthetics as a process of experimental creation of an ever-shifting reality. Musil wanted, above all, to be a creative writer, and he obsessively engaged in almost endless deferral via variations and metaphoric possibilities in his novel project, The Man without Qualities. This lifelong process of writing is embodied in the unfinished novel by a recurring metaphor of self-generating de-centered circle worlds. The present study analyzes this structure with reference to Musil's concepts of the utopia of the Other Condition, Living and Dead Words, Specific and Non-Specific Emotions, Word Magic, and the Still Life. In contrast to most recent studies of Musil, it concludes that the extratemporal metaphoric experience of the Other Condition does not fail, but rather constitutes the formal and ethical core of Musil's novel. The first study to utilize the Klagenfurter Ausgabe (Klagenfurt edition) of Musil's literary remains (a searchable annotated text), The World as Metaphor offers a close reading of variations and text genesis, shedding light not only on Musil's novel, but also on larger questions about the modernist artist's role and responsibility in consciously re-creating the world.

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NOW WITH EXCLUSIVE BONUS MATERIALFrom author and scholar Michael Livingston, Origins of The Wheel of Time is an authorised exploration of the inspirations behind the acclaimed series, including the first biography of its creator, Robert Jordan. With an introduction by Jordan's editor and widow, Harriet McDougal. Explore never-before-seen insights into The Wheel of Time, including:- A brand-new, redrawn world map by Ellisa Mitchell using change requests discovered in Robert Jordan’s unpublished notes- An alternate scene from an early draft of The Eye of the World- An exclusive interview with the authorThis companion to the internationally bestselling series will delve into the creation of Robert Jordan’s masterpiece, drawing from interviews and an unprecedented examination of his unpublished notes. Michael Livingston tells the behind-the-scenes story of who Jordan was (including a chapter that is the very first published biography of the author), how he worked, and why he holds such an important place in modern literature.The second part of the book is a glossary to the ‘real world’ in The Wheel of Time. King Arthur is in The Wheel of Time. Merlin, too. But so is Alexander the Great and the Apollo Space Program, the Norse gods and Napoleon’s greatest defeat – and so much more.Origins of The Wheel of Time will provide exciting knowledge and insights to both new and long-time fans looking either to expand their understanding of the series or unearth the real-life influences that Jordan utilized in his world-building – all in one accessible text.‘Jordan has come to dominate the world Tolkien began to reveal’ – The New York Times on The Wheel of Time series

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Using private papers, government records and interviews and correspondence with politicians and a large number of officers who served with him in Africa and Cyprus, Professor Baker carefully and sensitively traces Robert Armitage's colonial service career. He served in four colonies and Baker meticulously follows Armitage's career in each. In Kenya, as a district officer Armitage outstandingly set up the massive Isiolo refugee camp and as a secretariat officer his onerous finance work stood Kenya, and his own future, in good stead. As Nkrumah's finance minister he conscientiously helped the Gold Coast's rapid progress to independence. He was Governor of Cyprus when violence broke out and attempts were made on his life in 1955, and Governor of Nyasaland during the Central Africa Federation's middle years and the 1959 state of emergency. Baker examines Armitage's dealings with those responsible for colonial policy and changes in it - Churchill, Eden, Macmillan, Home, Perth, Amery, Lennox-Boyd and Macleod - and the conflicts which resulted.

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Since it was first published in 1972, "Learning from Las Vegas" has become a classic in the theory of architecture and one of the most influential architecture texts of the twentieth century. The treatise by Robert Venturi (*1925), Denise Scott Brown (*1931), and Steven Izenour (1940 2001) enjoys a reputation as a signal work of postmodernism in architecture and urban planning. Yet none of the book s editions have ever featured high-quality color images of the field research the authors conducted to illustrate their argument. "Las Vegas Studio "is the first book ever to present these significant photographs in large color reproductions. Now available again in a new paperback edition, this unique book features 102 of these iconic images and film stills, alongside essays by Swiss scholars Stanislaus von Moos Martino Stierli that explore how the pictures contemplate the phenomenon of the modern city. Also included is a discussion by curator and critic Hans Ulrich Obrist with Dutch architect Rem Koolhaas and Swiss artist Peter Fischli that speaks to the strong and lasting influence these images still have on contemporary art and movies.A unique opportunity to experience the full intent and import of the Learning from Las Vegas project, "Las Vegas Studio" continues to appeal to architects, architectural historians, and scholars alike. "

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Robert D Biggs joined the staff of the Chicago Assyrian Dictionary (CAD) in 1963 after receiving his Ph.D. from Johns Hopkins University. In June 2004, he celebrated his 70th birthday and retired from the University of Chicago as Professor of Assyriology in the Department of Near Eastern Languages and Civilizations; his service to the CAD, however, will continue until the final volume appears. To acknowledge and honour his forty-one years of extraordinary service to the Assyrian Dictionary as collaborator, associate editor, and editorial board member, contributions from some of his former and current CAD colleagues are assembled into the volume. It is fitting to revive this series, as the first volume, From the Workshop of the Chicago Assyrian Dictionary: Studies Presented to A Leo Oppenheim , appeared forty years ago, in June 1964, and Biggs's contribution there was his first published article.

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Between the death of Ricardo in 1823 and the publication of J.S. Mill's Principles of Political Economy (1848) there flourished a generation of minor but occasionally highly original English economists. Chief amongst these were Ramsay McCulloch, Nassau Senior and Robert Torrens. McCulloch was Ricardo's most zealous disciple and was perhaps more responsible than anyone for Ricardo's enormous influence, which he propagated through a series of newspaper articles and pamphlets. He was also the originator of much new and important research about the British Economy and his Discourse on the Rise of Political Economy (1824) was virtually the first attempt in any language to project a formal history of Economic Doctrines. Robert Torrens was to produce almost 100 books and pamphlets in a lifespan of 84 years. In his own time he was renowned for his work on banking and currency, but he is also notable for discovering the law of diminishing returns at the same time as Ricardo, Malthus and West. Nassau Senior, twice Drummond Professor of Political Economy at Oxford, made significant, if highly individualistic, contributions to the theories of value, rent, population, money and international trade. Throughout the 1830s he was active as a policy maker on behalf of the Whig Party and served on four Royal Commissions, including the Poor Laws 1834 and the Factory Acts 1837.This careful selection of articles brings home the central place that these thinkers occupy within English Classical Political Economy.

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