Search results for ""Author Kenneth"

A native of northern Russia, Alexander Baranov was a middle-aged merchant trader with no prior experience in the fur trade when, in 1790, he arrived in North America to assume command over Russia’s highly profitable sea otter business. With the title of chief manager, he strengthened his leadership role after the formation of the Russian American Company in 1799. An adventuresome, dynamic, and charismatic leader, he proved to be something of a commercial genius in Alaska, making huge profits for company partners and shareholders in Irkutsk and St. Petersburg while receiving scandalously little support from the homeland. Baranov receives long overdue attention in Kenneth Owens’s Empire Maker, the first scholarly biography of Russian America’s virtual imperial viceroy. His eventful life included shipwrecks, battles with Native forces, clashes with rival traders and Russian Orthodox missionaries, and an enduring marriage to a Kodiak Alutiiq woman with whom he had two children. In the process, the book reveals maritime Alaska and northern California during the Baranov era as fascinating cultural borderlands, where Russian, English, Spanish, and New England Yankee traders and indigenous peoples formed complex commercial, political, and domestic relationships that continue to influence these regions today.

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A celebration of the lives and achievements of inspirational black people through history who made a differenceBlack Stories Matter: Groundbreaking Scientists explores the important contributions that black people have made to the field of science throughout history, as well as today. From astronomer and inventor Benjamin Banneker to agricultural science pioneer Dr Segenet Kelemu and father of the internet Philip Emeagwali, each has enriched our knowledge of the scientific world with their sheer talent and resilience. Black Stories Matter is a powerful illustrated collection of stories of inspiring black personalities through history. Perfect for readers aged 9 and above. Contents:Main biographiesBenjamin BannekerGeorge Washington CarverBessie ColemanKenneth & Mamie ClarkPhilip Emeagwali Mae JamisonDr Segenet KelemuMaggie Aderin-Pocock Mary SeacoleDaniel Hale Williams Mini biographiesMarie Maynard DalyDr Alan GoffeErnest E Just Wangari MaathaiJesse Russell SrDavid UnaiponRachel WatkinsGladys West

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In "Unoriginal Genius" Marjorie Perloff explores a new development in contemporary poetry: the repurposing of other people's words in order to make new works, by framing, citing, and recycling already existing phrases, sentences, and even full texts. Paradoxically, she argues, this 'unoriginal' poetry is more accessible and, in a sense, 'personal' than the hermetic poetry of the 1980s and '90s. Perloff traces this poetics of "Unoriginal Genius" from one of its paradigmatic works, Walter Benjamin's encyclopedic "Arcades Project", a book largely made up of citations. She discusses the processes of choice, framing, and reconfiguration in the work of Brazilian Concretism and Oulipo, two movements now understood to be precursors of such hybrid citational texts as Charles Bernstein's opera libretto "Shadowtime" and Susan Howe's documentary lyric sequence "The Midnight". "Unoriginal Genius" concludes with a discussion of Kenneth Goldsmith's conceptualist book "Traffic" - a seemingly "pure" transcript of one holiday weekend's worth of radio traffic reports. In these instances and many others, Perloff reveals 'poetry by other means' of great ingenuity, wit, and complexity.

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Immerse yourself in some truly festive magic with this brand-new collection of the finest Christmas stories, prose, songs and poetry from some of the greatest writers in the English language. Inspired by the approach and style of the British Library's 2018 bestseller A Literary Christmas, this carefully chosen anthology moves its focus to those most deeply involved in the wonders of Christmas, the Christmas girls and Christmas boys. Twenty-four seasonal chapters allow the excitement to build as parents and grandparents can share pages of unforgettable adventures, festive traditions, tales of elves, snowmen and reindeer, fairytales, folklore and family fun. Age-old pleasures from those essential Christmas favourites, including Dickens, Kenneth Grahame, George Mackay Brown, Robert L. May and Ezra Jack Keats, are presented alongside charming, but often more edgy, award-wining contemporary voices. This treasure trove of stories is brought to life by an equally beautiful selection of seasonal illustrations from the collections of the Library and the artwork of some of the great modern book illustrators.

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Tibetan culture revives in hidden Himalayan kingdom. Photographers Luigi Fieni and Kenneth Parker document the cultural revival of Tibetan Mustang “the hidden kingdom” of the Himalayas. A restoration project of its sacred temple murals directed by Luigi Fieni over more than 20 years has reawakened Buddhist traditions. Included is Mustang’s extraordinary landscape as well as the Lobas’ spiritual and secular way of life. The kingdom of Mustang, where Tibetan Buddhist tradition continues, is emerging as a beacon of community-directed art conservation and resurgent culture. Sacred temples dominate the medieval capital Lo Monthang. Following centuries of deterioration a mural restoration project has taken place over more then 20 years, directed by conservator/photographer Luigi Fieni. This included training the unskilled Lobas in Western conservation methods. This extraordinary initiative led to a vibrant cultural renaissance in the kingdom.

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Carrying On presents the complete story of the Carry Ons which have made Britain laugh for generations on film, television, and stage, and of the unique British filmmaking partnership of producer Peter Rogers and director Gerald Thomas. Writer and film historian Ian Fryer takes us on a journey into the glorious days of classic British humour, bringing to life the Carry On films and the vibrant, fascinating world of comedy from which they sprang. This lively and entertaining book presents detailed histories of the thirty Carry On films, revealing a cinematic legacy which is often more clever and complex than expected; from the post-war optimism of Carry On Sergeant and Carry On Nurse, via mini-epics such as Carry On Cleo, all the way to the smut-tinged seventies. Carrying On also turns the spotlight onto the host of other productions the Rogers and Thomas partnership brought to the screen along with detailed biographies of legendary Carry On stars such as Sid James, Kenneth Williams, Charles Hawtrey, Joan Sims, and Barbara Windsor who have brought fun and laughter to millions for decades.

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Polari is a language that was used chiefly by gay men in the first half of the twentieth century. At a time when being gay could result in criminal prosecution – or worse – Polari offered its speakers a degree of public camouflage, a way of expressing humour, and a means of identification and of establishing a community. Its roots are colourful and varied – from Cant to Lingua Franca to prostitutes’ slang – and in the mid-1960s it was thrust into the limelight by the characters Julian and Sandy, voiced by Hugh Paddick and Kenneth Williams, on the BBC radio show Round the Horne (‘Oh Mr Horne, how bona to vada your dolly old eke!’). Paul Baker recounts the story of Polari with skill, erudition and tenderness. He traces its historical origins and describes its linguistic nuts and bolts, explores the ways and the environments in which it was spoken, explains the reasons for its decline, and tells of its unlikely re-emergence in the twenty-first century. With a cast of drag queens and sailors, Dilly boys and macho clones, Fabulosa! is an essential document of recent history and a fascinating and fantastically readable account of this funny, filthy and ingenious language.

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Oliver Williamson is one of the most important industrial economists of our time. He has made a major contribution to economic scholarship and remains at the forefront of research into transaction costs and the theory of the firm. In this volume he has provided a very careful selection of what he considers to be the most important articles and papers in industrial organization. Featuring 23 articles, dating from 1937 to 1987, this collection includes papers by Kenneth J. Arrow, Ronald H. Coase, Franco Modigliani, Michael Rothschild, Herbert A. Simon, George J. Stigler and Joseph Stiglitz.The first part presents classic articles which supplied the foundations upon which the field of industrial economics was built. The second and third parts present papers on the new economics of organization and a revitalized theory of strategic behaviour and competition. Professor Williamson submits that a new science of organisation is taking shape to which industrial economics has been both a principle contributor and beneficiary. Now available in paperback, this important volume will be indispensable to all teachers, researchers and students concerned with modern industrial economics and the theory of the firm.

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The appearance of this translation is a major event in English-language Hegel studies, for it is more than simply a replacement for Wallace's translation cum paraphrase. Hegel's Prefaces to each of the three editions of the Enzyklopädie are translated for the first time into English. There is a very detailed Introduction translating Hegel's German, which serves not only as a guide to the translator's usage but also to Hegel's. Also included are a detailed bilingual annotated glossary, very extensive bibliographic and interpretive notes to Hegel's text (28 pp.), an Index of References for works cited in the notes, a select Bibliography of recent works on Hegel's logic, and a detailed Index (16 pp.). The translation is guided by the (correct) principle that rendering Hegel’s logical thought clearly and consistently requires rendering his technical terms logically. . . . This ought immediately to become the standard translation of this important work. --Kenneth R. Westphal, in Review of Metaphysics

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'The most screamingly funny living writer' Barry Humphries, Mail on Sunday From the bestselling and award-winning author of Ma'am Darling and One Two Three Four, a selection of Craig Brown's finest writing collected together for the first time. What is James Bond's middle name? How does Jacob Rees-Mogg's nanny set about cleaning him up in the morning? When did Piers Morgan introduce his special guest Kim Jong-Un as “the straight-talking boy from North Korea who grew up to become a global superstar”? All these important questions, and a great many more, are answered in Craig Brown's Haywire. Featuring handy household tips from Mary Berry (‘When eating a boiled egg be careful to remove the shell first, or it can be a little crunchy’) and historic admissions from Queen Elizabeth 1st to Oprah Winfrey concerning her mother's beheading (‘Thank you for having the courage to share that with us’), Haywire presents a survival guide to the 21st century. In one chapter, Brown writes about the influence of Blackpool on Sigmund Freud and Les Dawson. In another, he unearths the Historical Online Archive and discovers that the invention of the wheel in Mesopotamia in 4000 BC drew fierce criticism on social media. “My mate tried it, says it's total rubbish” wrote Brian from Sumeria. The acclaimed biographer of Princess Margaret and The Beatles delivers essays on such diverse figures as Ronald Searle, John Stonehouse, Bruce Springsteen, Richard Dawkins, Katie Price, Stanley Spencer, Harry and Meghan, Brian Epstein, Kenneth Williams, Ronald Reagan, Simon Dee and the Marx Brothers. With the full battery of the humourist's armoury – clerihews, tongue-twisters, whimsy, parody, farce, satire, social observation, nonsense – Brown skewers the passing fads and delusions of the contemporary world. ‘Our greatest living satirist’ Sunday Times ‘Exquisitely naughty and hilarious’ Guardian ‘Craig Brown’s humour will outlive his victims … his journalism is one of the few compensations for being British now’ Sunday Telegraph

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Interpretation is an integral part of all qualitative research, yet relatively little has been written about its process. In her new book, Carla Willig, author of international bestseller Introducing Qualitative Research Methods in Psychology, sheds light on the role of interpretation in qualitative research in psychology and describes the different approaches for practice.Packed with case studies, two full interview transcripts and worked examples from psychology, health sciences and the arts, Willig skilfully guides you to conduct qualitative research which is interpretative and based upon a clear rationale and interpretative position. You will also learn how to evaluate interpretative research and to acquire an understanding of what constitutes best ethical practice. Carla’s transcribed conversations with Stephen Frosh, Christine Griffin and Jonathan Smith about the meaning and practice of interpretation provide a fascinating insight into the ways in which highly experienced researchers engage with the challenge of interpreting qualitative data. This book will be valuable reading for all psychology students, researchers and practitioners and a useful reference for students across the social sciences and related health disciplines.“This new book by Carla Willig closes a gap in qualitative research in psychology and beyond.”Uwe Flick, Alice Salomon University, Berlin and Vienna Universities“In this work Carla Willig takes on one of the most pressing challenges in qualitative inquiry: how are we to confront multiplicity in interpretation? I began reading with great curiosity; I came away feeling that this is the best treatment of this complex subject I have yet encountered.”Kenneth Gergen, Senior Research Professor, Swarthmore College, USA“This book offers a distinctively human and affective vision of interpretative work. There is much here for both dedicated qualitative researchers and curious empiricists of every stripe. Students of psychology, read on: you have nothing to lose but your prejudices.”Steven Brown, Professor of Social and Organisational Psychology, University of Leicester, UK“At last! This is the book that qualitative researchers in psychology have required for some time, and it fills a significant gap for the field.”Kerry Chamberlain, Professor of Social and Health Psychology, Massey University, New Zealand

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In this young readers' edition, a rising New York Times reporter tells the compelling story of the Compton Cowboys, a group of African-American men and women who defy stereotypes and continue the proud, centuries-old tradition of black cowboys in the heart of one of America’s most notorious cities.In Compton, California, ten black riders on horseback cut an unusual profile, their cowboy hats tilted against the hot Los Angeles sun. They are the Compton Cowboys, their small ranch one of the very last in a formerly semirural area of the city that has been home to African-American horse riders for decades. To most people, Compton is known only as the home of rap greats NWA and Kendrick Lamar, hyped in the media for its seemingly intractable gang violence. But in 1988 Mayisha Akbar founded The Compton Jr. Posse to provide local youth with a safe alternative to the streets, one that connected them with the rich legacy of black cowboys in American culture. From Mayisha’s youth organization came the Cowboys of today: black men and women from Compton for whom the ranch and the horses provide camaraderie, respite from violence, healing from trauma, and recovery from incarceration.The Cowboys include Randy, Mayisha’s nephew, faced with the daunting task of remaking the Cowboys for a new generation; Anthony, former drug dealer and inmate, now a family man and mentor, Keiara, a single mother pursuing her dream of winning a national rodeo championship, and a tight clan of twentysomethings—Kenneth, Keenan, Charles, and Tre—for whom horses bring the freedom, protection, and status that often elude the young black men of Compton. The Compton Cowboys is a story about trauma and transformation, race and identity, compassion, and ultimately, belonging. Walter Thompson-Hernández paints a unique and unexpected portrait of this city, pushing back against stereotypes to reveal an urban community in all its complexity, tragedy, and triumph.In addition to reading about the Compton Cowboys, kids will get to see them and the horses that saved their lives. This book includes an 8-page insert of color photos by the author, Whiting Grant winner and New York Times reporter Walter Thompson-Hernández.

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Cinematic Shakespeare takes the reader inside the making of a number of significant adaptations to illustrate how cinema transforms and re-imagines the dramatic form and style central to Shakespeare's imagination. Cinematic Shakespeare investigates how Shakespeare films constitute an exciting and ever-changing film genre. The challenges of adopting Shakespeare to cinema are like few other film genres. Anderegg looks closely at films by Laurence Olivier (Richard III), Orson Welles (Macbeth), and Kenneth Branagh (Hamlet) as well as topics like 'Postmodern Shakespeares' (Julie Taymor's Titus and Peter Greenaway's Prospero's Books) and multiple adaptations over the years of Romeo and Juliet. A chapter on television looks closely at American broadcasting in the 1950s (the Hallmark Hall of Fame Shakespeare adaptations) and the BBC/Time-Life Shakespeare Plays from the late 70s and early 80s.

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This comprehensive volume documents the work of the Argentine architect, graphic designer, and industrial designer Emilio Ambasz. Ambasz's main concern is to integrate nature and construction into architectural design, which is why he is regarded as one of the most important pioneers of Green Architecture. In his work a combination of landscape and architecture emerges, in which his respect for the environment and ecological sustainability becomes clear. A prime example of this is the Fukuoka Prefectural International Hall in Japan: a building that houses more than 100,000 m2 of exhibition spaces, theaters, and offices is also an open green area in the form of a hanging garden.In addition to the documentation of Ambasz's architectural, graphic, industrial, and exhibition design, this publication contains essays by Barry Bergdoll, Kenneth Frampton, and Peter Buchanan, as well as three interviews with Emilio Ambasz, conducted by Michael Sorkin, James Wines, and Hans Ulrich Obrist.

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Legacies of the Left Turn in Latin America: The Promise of Inclusive Citizenship contains original essays by a diverse group of leading and emerging scholars from North America, Europe, and Latin America. The book speaks to wide-ranging debates on democracy, the left, and citizenship in Latin America. What were the effects of a decade and a half of left and center-left governments? The central purpose of this book is to evaluate both the positive and negative effects of the Left turn on state-society relations and inclusion. Promises of social inclusion and the expansion of citizenship rights were paramount to the center-left discourses upon the factions' arrival to power in the late 1990s and early 2000s. This book is a first step in understanding to what extent these initial promises were or were not fulfilled, and why. In analyzing these issues, the authors demonstrate that these years yield both signs of progress in some areas and the deepening of historical problems in others. The contributors to this book reveal variation among and within countries, and across policy and issue areas such as democratic institution reforms, human rights, minorities’ rights, environmental questions, and violence. This focus on issues rather than countries distinguishes the book from other recent volumes on the left in Latin America, and the book will speak to a broad and multi-dimensional audience, both inside and outside the academic world. Contributors: Manuel Balán, Françoise Montambeault, Philip Oxhorn, Maxwell A. Cameron, Kenneth M. Roberts, Nathalia Sandoval-Rojas, Daniel M. Brinks, Benjamin Goldfrank, Roberta Rice, Elizabeth Jelin, Celina Van Dembroucke, Nora Nagels, Merike Blofield, Jordi Díez, Eve Bratman, Gabriel Kessler, Olivier Dabène, Jared Abbott, Steve Levitsky

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In 1956 John Osborne's Look Back in Anger changed the course of English theatre.'Look Back in Anger presents post-war youth as it really is. To have done this at all would be a significant achievement; to have done it in a first play is a minor miracle. All the qualities are there, qualities one had despaired of ever seeing on stage - the drift towards anarchy, the instinctive leftishness, the automatic rejection of "official" attitudes, the surrealist sense of humour... the casual promiscuity, the sense of lacking a crusade worth fighting for and, underlying all these, the determination that no one who dies shall go unmourned.' Kenneth Tynan, Observer, 13 May 1956'Look Back in Anger... has its inarguable importance as the beginning of a revolution in the British theatre, and as the central and most immediately influential expression of the mood of its time, the mood of the "angry young man".' John Russell Taylor

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In Coming Together, Ryan Powell captures the social and political vitality of the first wave of movies made by, for, and about male-desiring men in the United States between World War II and the 1980s. From the underground films of Kenneth Anger and the Gay Girls Riding Club to the gay liberation era hardcore films and domestic dramas of Joe Gage and James Bidgood, Powell illuminates how central filmmaking and exhibition were to gay socializing and worldmaking. Unearthing scores of films and a trove of film-related ephemera, Coming Together persuasively unsettles popular histories that center Stonewall as a ground zero for gay liberation and visibility. Powell asks how this earlier generation of movie-making--which defiantly challenged legal and cultural norms around sexuality and gender--provided, and may still provide, meaningful models for living.

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'Believe me, my young friend, there is absolutely nothing half so much worth doing as simply messing about in boats. In them or out of them, it doesn't matter. Whether you get away or you don't, whether you arrive at your destination or whether you never get anywhere at all, you're always busy.'Ever since the publication of Kenneth Grahame's novel in 1908, the characters of Ratty, Mole, Toad and Badger have delighted generations of readers. Now Alan Bennett has written an adaptation for the stage, a version which is both true to the original and yet carries that distinctive Bennett hallmark.Alan Bennett introduces this edition, writing about the history of the project and the staging of the production.'Bennett is even able to inject the odd sly joke for the adult without bewildering the tots... the result is a delightful evening, a treat for anyone.' The Times

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Curriculum-based measurement (CBM) has been adopted by growing numbers of school districts and states since the publication of this definitive practitioner guide and course text. The second edition presents step-by-step guidelines for using CBM in screening, progress monitoring, and data-based instructional decision making in PreK-12. It describes the materials needed and all aspects of implementation in reading, spelling, writing, math, and secondary content areas. Twenty sets of reproducible CBM administration and scoring guides and other tools are provided; the large-size format facilitates photocopying. Purchasers get access to a webpage where they can download and print the reproducible materials. New to This Edition: *Broader grade range--now has a chapter on secondary content areas. *Chapter on early numeracy; expanded content on early reading. *Nearly twice as many reproducible tools, including new or revised administration and scoring guides. *Key updates on graphing and on using online CBM databases. This book is in The Guilford Practical Intervention in the Schools Series, edited by Sandra M. Chafouleas. See also The ABCs of Curriculum-Based Evaluation, by John L. Hosp, Michelle K. Hosp, Kenneth W. Howell, and Randy Allison, which presents an overarching problem-solving model that utilizes CBM.

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Peter Gregory (1887-1959), Director and then Chairman of Lund Humphries, was at the heart of the avant-garde British art world for nearly thirty years of major change in society, politics, and culture. A pioneering art publisher who produced scholarly and richly illustrated monographs on living artists, he was also a discerning patron and collector, the founder of new arts organisations, and a loyal supporter of young artists. Valerie Holman's new book is the first to situate Gregory's life and career within the wider context of printing and publishing history, war, and changing perceptions of modern and contemporary art. Gregory's intimate circle included many leading artists, architects and writers: Henry Moore considered him his closest friend, Kenneth Clark sought out his committee expertise, Ben Nicholson and Barbara Hepworth respected his professionalism and invited him into their family circle, and he had a warm friendship with Edward McKnight Kauffer, Herbert Read, Jane Drew

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Ben Woolfitt begins each day by drawing. Using graphite, silver and metal leaf and selected objects for frottage, Woolfitt plumbs the depths of his unconscious as he draws on each page of his books. Although best known for his large-format paintings, Woolfitt has completed hundreds of drawings which showcase his signature process: taking a pre-existing sign -- a piece of bamboo, for example -- and imbuing it with subjective energies through the act of recording and accentuating its impression on the page. The drawings in Ben Woolfitt: Rhythms & Series are charged with rich psychological meaning; they speak where language fails. Distributed randomly in his drawing books, Woolfitt's work transforms the linear structure of the bound volume into a nonlinear repository of his sensations and feelings, offering a special glimpse into his psyche. Ben Woolfitt: Rhythms & Series contains more than 65 reproductions of Woolfitt's distinctive drawings along with an interview with the artist by AGO curators Kenneth Brummel and Alexa Greist.

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Interlocking Basins of a Globe is a fascinating new study of the first Caribbean writer to win the Nobel Prize for Literature, Derek Walcott. The essays range from critical discussion of Walcott's earliest poetry in Twenty-Five Poems (1948) to his most recent collections exploring the approach of old age, The Prodigal (Faber, 2006) and White Egrets (Faber, 2011).The reflections also extend beyond his poetry, to include his drama, rhetoric, essays and criticism. The contributors are: Patrick Anthony, Jean Antoine-Dunne, Edward Baugh, Rhonda Cobham Sander, Rachel Friedman, George B. Handley, Harold McDermott, Antonia McDonald, Kenneth Ramchand, Louis Regis and Gordon Rohlehr.Jean Antoine-Dunne is a Senior Lecturer in Literatures in English at the University of the West Indies, St Augustine. She is a former Unilever Newman Scholar in Film and Modern Literature at University College, Dublin. She is one of the editors of the Journal of West Indian Literature, and a practicing painter.

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In thirteen original essays, eminent scholars of the history of philosophy and of contemporary philosophy examine weakness of will, or incontinence - the phenomenon of acting contrary to one's better judgment. The volume covers all major periods of western philosophy, from antiquity through the Middle Ages and the modern period down to the present.Alfred Mele and Alasdair MacIntyre examine weakness of will from a contemporary perspective. Mele addresses the issue from the vantage point of Libertarianism. MacIntyre argues against the widespread view that actions that are out of character require special explanation, and reinterprets weakness of will as a failure to use moral lapses for moral progress. The other authors critically engage accounts of weakness of will by past philosophers: Kenneth Dorter writes on Plato, Terence H. Irwin on Aristotle, Lloyd Gerson on Plotinus, James Wetzel on Augustine, Denis J. M. Bradley on Aquinas, Tobias Hoffmann on Henry of Ghent, Giuseppe Mazzotta on Dante, Ann Hartle on Montaigne, John C. McCarthy on Descartes, Thomas E. Hill Jr. on Kant, and Tracey B. Strong on Nietzsche.The philosophical examination of weakness of will highlights central problems of action theory, such as the connections between desire, conviction, and action, between intellect and will, and between rationality and emotions. It also addresses important ethical issues such as the diversity of character dispositions, moral progress and moral education, the limits of virtue, and moral responsibility.The historical and contemporary perspectives offered in this volume will enrich current debates, not only by suggesting answers, but also by broadening the usual range of questions about weakness of will. Owing to the intimate connection of the topic with other key themes in moral philosophy, the historical and thematic studies contained in this book also provide an overview of moral philosophy as a whole.

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Few regions of the country produced such a distinctive group of artists with such a particular view on the modern world as did the Pacific Northwest in the 1930s and 1940s. Capitalizing on their particular geographical position at what was a modern art outpost — working free from the strong influences of New York and Europe, and sitting at the portal to the Far East — a close-knit group of artists sought to address the global political, social, and economic ills of their time. The seminal figures in this group — Mark Tobey and Morris Graves especially — quickly garnered critical attention in New York for their uncommon imagery and expressive technique, which drew upon spiritual tenents ranging from Zen Buddhism to the Persian Baha’i faith and their mastery of Asian calligraphy. Modernism in the Pacific Northwest presents an overview drawn from SAM’s unparalleled collection of the key figures of this generation: Mark Tobey, Morris Graves, Guy Anderson, Kenneth Callahan, Leo Kenney, Paul Horiuchi, George Tsutakawa, Phil McCracken, James Washington Jr., and Tony Angell.

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Designed for the pastor and Bible teacher, the Zondervan Exegetical Commentary on the Old Testament features today's top Old Testament scholars and brings together commentary features rarely gathered together in one volume. With careful discourse analysis and interpretation of the Hebrew text, the authors trace the flow of argument in each Old Testament book, showing that how a biblical author says something is just as important as what they say.Commentary on each passage follows a clear structure to help readers grasp the flow and meaning of the text: The Main Idea of the Passage: A one- or two-sentence summary of the key ideas the biblical author seeks to communicate. Literary Context: A brief discussion of the relationship of the specific text to the book as a whole and to its place within the broader argument. Translation and Exegetical Outline: Commentators provide their own translations of each text, formatted to highlight its discourse structure and accompanied by a coherent outline that reflects the flow and argument of the text. Structure and Literary Form: An overview of the literary structure and rhetorical style adopted by the biblical author, highlighting how these features contribute to the communication of the main idea of the passage. Explanation of the Text: A detailed commentary on the passage, paying particular attention to how the biblical authors select and arrange their materials and how they work with words, phrases, and syntax to communicate their messages. Canonical and Practical Significance: The commentary on each unit will conclude by building bridges between the world of the biblical author and other biblical authors and with reflections on the contribution made by this unit to the development of broader issues in biblical theology--particularly on how later Old Testament and New Testament authors have adapted and reused the motifs in question. The discussion also includes brief reflections on the significance of the message of the passage for readers today. The Zondervan Exegetical Commentary on the Old Testament series is the go-to resource for pastors and Bible teachers looking for deep but accessible study that equips them to connect the needs of Christians today with the biblical text.

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The Toronto Beaches Lions Club Easter Parade of April 8, 2012 leading off with Toronto Transit Commission historic Presidents' Conference Committee car No. 4500, vintage Peter Witt car No. 2766, and Canadian Light Rail Vehicle No. 4074 in this view on Queen Street at Woodbine Avenue was witnessed by thousands of people. Kenneth Springirth, with a lifelong interest in rail transportation, has made numerous trips to Toronto to ride, research, walk, and photograph the streetcar lines. Born and raised in the United States, he commuted to the Drexel Institute of Technology (now Drexel University) in Philadelphia by streetcar, subway, and sometimes commuter train. His father was a streetcar motorman in Philadelphia and his grandfather was a streetcar motorman in Washington D.C. This book is a photographic essay documenting Toronto's extensive streetcar system that during 2012 on an average Monday to Friday work day carried an average of 285,000 passengers with its 11 routes, 671 stops, and 247 cars. From the urban residential area of Kingston Road to the commercial district of Spadina Avenue where between King and Bloor Streets there is a streetcar in peak periods every 2 to 3 minutes, this book provides an insight to an amazing streetcar system.

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Haberdasher to the stars, famed designer Kenneth King brings his Belle Epoque sensibilities to the world of custom doll clothing construction in Doll Couture. Inspired by his viral social media stories of Crazy Bella and her high-fashion friends, Doll Couture showcases King's one-of-a-kind designs for clothes that fit the likes of Barbie, Ken, and other posable dolls. Doll fashion has a long history within the tableau of clothing construction as the first way many constructionists started their sewing journeys. What sewing-crazy kid doesn't remember making their first outfits for a Barbie? Doll clothing was the entry point for so many, and it remains a craft that speaks to the intricacies of detail work that go into all clothing construction. The recently renewed interest in doll culture thanks to the upcoming Barbie movie, new special edition Barbies, nostalgic focus on collectables, and renewed interest in the fiber arts make this the perfect time to step into this space. Guided by King, an expert in couture sewing who threads the needle between the mechanics of garment construction and the visual feast of rich fabrics and design, Doll Couture will be a one-of-a-kind project that both delights and inspires.

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The appearance of this translation is a major event in English-language Hegel studies, for it is more than simply a replacement for Wallace's translation cum paraphrase. Hegel's Prefaces to each of the three editions of the Enzyklopädie are translated for the first time into English. There is a very detailed Introduction translating Hegel's German, which serves not only as a guide to the translator's usage but also to Hegel's. Also included are a detailed bilingual annotated glossary, very extensive bibliographic and interpretive notes to Hegel's text (28 pp.), an Index of References for works cited in the notes, a select Bibliography of recent works on Hegel's logic, and a detailed Index (16 pp.). The translation is guided by the (correct) principle that rendering Hegel’s logical thought clearly and consistently requires rendering his technical terms logically. . . . This ought immediately to become the standard translation of this important work. --Kenneth R. Westphal, in Review of Metaphysics

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Filled with devotion and lust, sensuality and eroticism, fevers and overtures, these poems showcase some of the most passionate verses in the French language. From the classic sixteenth-century love sonnets of Louise Labé and Maurice Sceve to the piercing lyricism of the Romantics and the dreamlike compositions of the Surrealists, French Love Poems is the perfect, seductive gift for anyone who makes your heart flutter. This collection includes poems by Guillaume Apollinaire, Charles Baudelaire, Claude Cahun, René Char, Marceline Desbordes-Valmore, Paul Éluard, Louise Labé, Stéphane Mallarmé, Anna de Noailles, Joyce Mansour, Arthur Rimbaud, Paul Verlaine, and many others; as well as translations by Mary Ann Caws, Robert Duncan, Lawrence Ferlinghetti, Denise Levertov, Ezra Pound, Kenneth Rexroth, Frederick Seidel, Richard Sieburth, and William Carlos Williams.

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This first volume of the Getty Conservation Institute's "Readings in Conservation" series presents a comprehensive collection of texts on the conservation of art and architecture. Designed for students of art history as well as conservation, the book consists of 46 texts, many originally published in obscure or foreign journals. The 30 art historians and scholars represented raise questions such as when to restore, what to preserve and how to maintain aesthetic character. Excerpts have been selected from the following books and essays: John Ruskin "The Seven Lamps of Architecture"; Bernard Berenson "Aesthetics and History in the Visual Arts"; Clive Bell "The Aesthetic Hypothesis"; Cesare Brandi "Theory of Restoration"; Kenneth Clark "Looking at Pictures"; Erwin Panofsky "The History of Art as a Humanistic Discipline"; E.H. Gombrich "Art and Illusion"; Marie Cl. Berducou "The Conservation of Archaeology: and Paul Philipott "Restoration from the Perspective of the Social Sciences".

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Part-goat, part-man, Pan bridges the divide between the human and animal worlds. In exquisite prose, Paul Robichaud explores how Pan has been imagined in mythology, art, literature, music, spirituality and popular culture through the centuries. At times, Pan is a dangerous, destabilizing force; at others, a source of fertility and renewal. His portrayals reveal shifting anxieties about our own animal impulses and our relationship to nature. Always the outsider, he has been the god of choice for gay writers, occult practitioners, and New Age mystics. Though ancient sources announced his death, he has lived on through the work of Arthur Machen, Gustav Mahler, Kenneth Grahame, D. H. Lawrence and countless others. Pan: The Great God’s Modern Return traces his intoxicating dance.

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The United States Census 2000 presents a twenty-first century America in which mixed-race marriages, cross-race adoption, and multiracial families in general are challenging the ethnic definitions by which the nation has historically categorized its population. Addressing a wide spectrum of questions raised by this rich new cultural landscape, Mixing It Up brings together the observations of ten noted voices who have experienced multiracialism first-hand.From Naomi Zack's "American Mixed Race: The United States 2000 Census and Related Issues" to Cathy Irwin and Sean Metzger's "Keeping Up Appearances: Ethnic Alien-Nation in Female Solo Performance," this diverse collection spans the realities of multiculturalism in compelling new analysis. Arguing that society's discomfort with multiracialism has been institutionalized throughout history, whether through the "one drop" rule or media depictions, SanSan Kwan and Kenneth Speirs reflect on the means by which the monoracial lens is slowly being replaced.Itself a hybrid of memoir, history, and sociological theory, Mixing It Up makes it clear why the identity politics of previous decades have little relevance to the fluid new face of contemporary humanity.

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Serial killer Alistair Ashcroft is back and more terrifying than ever. He sends a sinister warning to DS Marie Evans and breaks into DI Rowan Jackman’s uneasy domestic bliss. Now everyone Jackman cares about is in danger. Yet for all Ashcroft’s taunts, he is nowhere to be found. Meanwhile, a seemingly routine break-in at the home of gun-club owner Kenneth Harcourt becomes complicated when the man long held responsible for killing Harcourt’s young daughter is shot dead in a car park — by a sniper. A killer is on the loose in the quiet streets of Saltern-le-Fen, and he isn’t going to stop. And the sniper, like Ashcroft, takes to taunting the police: they’ll never catch him, they need to respect him, they shouldn’t be sidetracked looking for their old adversary. Jackman and Evans find themselves in a lethal game of cat-and-mouse, but are they the cats or the mice?

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The kingdom of Scotland has had a turbulent history, at points the site of a tribal contest and of a far-reaching political controversy. This guide traces the history of the Scottish crown from Kenneth MacAlpin in 843 AD to Jame VI in 1603 when the crown became one with England. This informative guide is filled with family trees and colour photographs of fascinating portraits and artefacts from Scotland's history. It provides an accessible and informative introduction to the story of the country's monarchy and the complex and dangerous competition that surrounded the crown. This well-researched guide covers each Scottish house and ruler in separate comprehensively detailed sections, all the way until George III was acknowledged as the Stuart successor in 1807. Look out for more Pitkin Guides on the very best of British history, heritage and travel, including others in a series of historical titles about Scotland.

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What happens when we vote? What are we counting when we count ballots? Who decides what an election should look like and what it should mean? And why do so many people believe that some or all elections are rigged? Moving between intellectual history, literary criticism, and political theory, The Electoral Imagination offers a critical account of the decisions before the decision, of the aesthetic and imaginative choices that inform and, in some cases, determine the nature and course of democratic elections. Drawing on original interpretations of George Eliot and Ralph Ellison, Lewis Carroll and Kenneth Arrow, Anthony Trollope and Arthur Koestler, Richard Nixon and Jean-Jacques Rousseau, the Palm Beach Butterfly Ballot and the Single Transferable Vote, The Electoral Imagination works both to understand the systems we use to move between the one and the many and to offer an alternative to the 'myth of rigging.'

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Nacida en parte de los cuentos que Kenneth Grahame (1859-1932) contaba por la noche a su hijo, ?El viento en los sauces? (1908) no tardó en adquirir categoría de clásico. La naturaleza arquetípica de su escenario ?por una parte, la Orilla del Río, encarnación de lo conocido y seguro; por otra, el Ancho Mundo, trasunto de lo desconocido y peligroso, pero también de la libertad? y el carácter idílico de la existencia de sus habitantes ?la Rata, el Topo, el Tejón, el enloquecido señor Sapo?, son rasgos, en efecto, que aproximan mucho este escenario al de una infancia feliz. Así, la obra de Grahame y el mundo acogedor que levantó en sus páginas han llamado y siguen llamando tanto a jóvenes como adultos, habiéndose consolidado como uno de esos pequeños paraísos de ficción a los que se puede volver una y otra vez seguro de nunca verse defraudado.

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In this young readers' edition, a rising New York Times reporter tells the compelling story of the Compton Cowboys, a group of African-American men and women who defy stereotypes and continue the proud, centuries-old tradition of black cowboys in the heart of one of America’s most notorious cities.In Compton, California, ten black riders on horseback cut an unusual profile, their cowboy hats tilted against the hot Los Angeles sun. They are the Compton Cowboys, their small ranch one of the very last in a formerly semirural area of the city that has been home to African-American horse riders for decades. To most people, Compton is known only as the home of rap greats NWA and Kendrick Lamar, hyped in the media for its seemingly intractable gang violence. But in 1988 Mayisha Akbar founded The Compton Jr. Posse to provide local youth with a safe alternative to the streets, one that connected them with the rich legacy of black cowboys in American culture. From Mayisha’s youth organization came the Cowboys of today: black men and women from Compton for whom the ranch and the horses provide camaraderie, respite from violence, healing from trauma, and recovery from incarceration.The Cowboys include Randy, Mayisha’s nephew, faced with the daunting task of remaking the Cowboys for a new generation; Anthony, former drug dealer and inmate, now a family man and mentor, Keiara, a single mother pursuing her dream of winning a national rodeo championship, and a tight clan of twentysomethings—Kenneth, Keenan, Charles, and Tre—for whom horses bring the freedom, protection, and status that often elude the young black men of Compton. The Compton Cowboys is a story about trauma and transformation, race and identity, compassion, and ultimately, belonging. Walter Thompson-Hernández paints a unique and unexpected portrait of this city, pushing back against stereotypes to reveal an urban community in all its complexity, tragedy, and triumph.In addition to reading about the Compton Cowboys, kids will get to see them and the horses that saved their lives. This book includes an 8-page insert of color photos by the author, Whiting Grant winner and New York Times reporter Walter Thompson-Hernández.

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Musiek and Chermak's two-volume, award-winning handbooks are back in newly revised editions. Extensively revised and expanded, Volume I provides comprehensive coverage of the auditory neuroscience and clinical science needed to accurately diagnose the range of developmental and acquired central auditory processing disorders in children, adults, and older adults. Volume II provides expanded coverage of rehabilitative and professional issues, detailing intervention strategies for children and adults. Building on the excellence achieved with the best-selling 1st editions - which earned the 2007 Speech, Language, and Hearing Book of the Year Award - the second editions include contributions from world-renowned authors detailing major advances in auditory neuroscience and cognitive science; diagnosis; best practice intervention strategies in clinical and school settings; as well as emerging and future directions in diagnosis and intervention. Exciting new chapters for Volume I include: Development of the Central Auditory Nervous System, by Jos J. Eggermont Causation: Neuroanatomic Abnormalities, Neurological Disorders, and Neuromaturational Delays, by Gail D. Chermak and Frank E.Musiek Central Auditory Processing As Seen From Dichotic Listening Studies, by Kenneth Hugdahl and Turid Helland Auditory Processing (Disorder): An Intersection of Cognitive, Sensory, and Reward Circuits, by Karen Banai and Nina Kraus Clinical and Research Issues in CAPD, by Jeffrey Weihing, Teri James Bellis, Gail D. Chermak, and Frank E. Musiek Primer on Clinical Decision Analysis, by Jeffrey Weihing and Sam Atcherson Case Studies, by Annette E. Hurley The CANS and CAPD: What We Know and What We Need to Learn, by Dennis P. Phillips

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An iconic symbol and sound of the Lucumí/Santería religion, Afro-Cuban batá are talking drums that express the epic mythological narratives of the West African Yoruba deities known as orisha. By imitating aspects of speech and song, and by metaphorically referencing salient attributes of the deities, batá drummers facilitate the communal praising of orisha in a music ritual known as a toque de santo.In The Artistry of Afro-Cuban Batá Drumming, Kenneth Schweitzer blends musical transcription, musical analysis, interviews, ethnographic descriptions, and observations from his own experience as a ritual drummer to highlight the complex variables at work during a live Lucumí performance.Integral in enabling trance possessions by the orisha, by far the most dramatic expressions of Lucumí faith, batá drummers are also entrusted with controlling the overall ebb and flow of the four- to six-hour toque de santo. During these events, batá drummers combine their knowledge of ritual with an extensive repertoire of rhythms and songs. Musicians focus on the many thematic acts that unfold both concurrently and in quick succession. In addition to creating an emotionally charged environment, playing salute rhythms for the orisha, and supporting the playful song competitions that erupt between singers, batá drummers are equally dedicated to nurturing their own drumming community by creating a variety of opportunities for the musicians to grow artistically and creatively.

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Over the past two centuries, industrial societies hungry for copper – essential for light, power, and communication – have demanded ever-increasing quantities of the metal. Born with a Copper Spoon examines how the metal has been produced, distributed, controlled, and sold on a global scale. However, this is not simply a narrative of ever-increasing and deepening global connections. It is also about periods of deglobalization, fragmentation, and attempts to sever connections. Throughout history, copper production has spawned its own practices, technologies, and a constantly changing political economy. Large-scale production has affected ecologies, states, and companies, while creating and even destroying local communities dependent on volatile commodity markets. Former president of Zambia Kenneth Kaunda once remarked that Zambians were “born with a copper spoon in our mouths,” but few societies managed to profit from copper’s abundance.From copper cartels and the futures market to the consequences of resource nationalism, Born with a Copper Spoon delivers a global perspective on one of the world’s most important metals.

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Movements, Motions, Moments shows how African Americans have negotiated their participation and engagement in religious spaces. The book is divided into three sections—Movements, Motions, and Moments. Images of figures including Rev. Henry Highland Garnett, Noble Drew Ali, Father Divine, Prophet Elijah Muhammad, Rev. Dr. Martin Luther King Jr., Rev. Pauli Murray, Bishop Myokei Cain-Barrett, and others are depicted next to photographs of religious celebrations, ritual practices, and individual moments of faith and spirituality. Photographers include Lola Flash, Chester Higgins, Jason Miccolo Johnson, Jeanne Moutoussamy-Ashe, Kenneth Royster, James Van Der Zee, Milton Williams, Lloyd W. Yearwood, and others. Photographs in this volume range from the nineteenth, twentieth, and twenty-first centuries and include religious traditions such as Christianity, Islam, Judaism, African indigenous, non-secular, and other religious traditions (Humanism, Atheism, Spiritualism, and others). It also includes photography capturing contemporary events and movements including Black Lives Matter and the global pandemic.

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Presenting “the real deal” of American antiquity—as opposed to the hyped fare of many cable TV shows—Kenneth Feder invites readers to explore the stunning technological, architectural, engineering, and artistic achievements of America’s first peoples. Part travel guide, part friendly reference, Ancient America showcases fifty iconic and publicly-accessible sites located across the contiguous United States—including monumental pyramids of earth, “castles” ensconced in cliff niches, and vast rock art galleries. Among the places profiled are four World Heritage Sites (Chaco Canyon, NM; Mesa Verde, CO; Cahokia, IL; Poverty Point, LA); numerous Historic Landmarks and National Monuments (including Crystal River, FL; Town Creek Mound, NC; Casa Grande, AZ; and Hovenweep, UT); and stunningly diverse sites ranging from Serpent Mound (OH) and Horsethief Lake (WA) to Canyon de Chelly (AZ) and Nine Mile Canyon (UT). In addition to practical visitor information, Feder tells the fascinating stories of each site as revealed by archaeological research. Introductory chapters delve into the deep past of Native America; historical and cultural details as well as original photography round out the site entries. Readers will be inspired to visit these remarkable places where the past continues to resonate in the present.

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Presenting “the real deal” of American antiquity—as opposed to the hyped fare of many cable TV shows—Kenneth Feder invites readers to explore the stunning technological, architectural, engineering, and artistic achievements of America’s first peoples. Part travel guide, part friendly reference, Ancient America showcases fifty iconic and publicly-accessible sites located across the contiguous United States—including monumental pyramids of earth, “castles” ensconced in cliff niches, and vast rock art galleries. Among the places profiled are four World Heritage Sites (Chaco Canyon, NM; Mesa Verde, CO; Cahokia, IL; Poverty Point, LA); numerous Historic Landmarks and National Monuments (including Crystal River, FL; Town Creek Mound, NC; Casa Grande, AZ; and Hovenweep, UT); and stunningly diverse sites ranging from Serpent Mound (OH) and Horsethief Lake (WA) to Canyon de Chelly (AZ) and Nine Mile Canyon (UT). In addition to practical visitor information, Feder tells the fascinating stories of each site as revealed by archaeological research. Introductory chapters delve into the deep past of Native America; historical and cultural details as well as original photography round out the site entries. Readers will be inspired to visit these remarkable places where the past continues to resonate in the present.

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In 1958, Stanford University Press published Studies in the Mathematical Theory of Inventory and Production (edited by Kenneth J. Arrow, Samuel Karlin, and Herbert Scarf), which became the pioneering road map for the next forty years of research in this area. One of the outgrowths of this research was development of the field of supply-chain management, which deals with the ways organizations can achieve competitive advantage by coordinating the activities involved in creating products—including designing, procuring, transforming, moving, storing, selling, providing after-sales service, and recycling. Following in this tradition, Foundations of Stochastic Inventory Theory has a dual purpose, serving as an advanced textbook designed to prepare doctoral students to do research on the mathematical foundations of inventory theory and as a reference work for those already engaged in such research. The author begins by presenting two basic inventory models: the economic order quantity model, which deals with "cycle stocks," and the newsvendor model, which deals with "safety stocks." He then describes foundational concepts, methods, and tools that prepare the reader to analyze inventory problems in which uncertainty plays a key role. Dynamic optimization is an important part of this preparation, which emphasizes insights gained from studying the role of uncertainty, rather than focusing on the derivation of numerical solutions and algorithms (with the exception of two chapters on computational issues in infinite-horizon models). All fourteen chapters in the book, and four of the five appendixes, conclude with exercises that either solidify or extend the concepts introduced. Some of these exercises have served as Ph.D. qualifying examination questions in the Operations, Information, and Technology area of the Stanford Graduate School of Business.

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The current trend for constructing experimental structures is now an international phenomenon. It has been taken up worldwide by design professionals, researchers, educators and students alike. There exist, however, distinct and significant tendencies within this development that require further investigation. This issue of AD takes on this task by examining one of the most promising trajectories in this area, the rise of intensely local architectures. In his seminal essay of 1983, Kenneth Frampton redefined Critical Regionalism by calling for an intensely local approach to architectural design. Today, Frampton’s legacy is regaining relevance for a specific body of work in practice and education focused on the construction of experimental structures. Could this ultimately provide the seeds for a compelling and alternative approach to sustainable design? Contributors include: Barbara Ascher, Peter Buchanan, Karl Otto Ellefsen, David Jolly Monge, Lisbet Harboe, David Leatherbarrow, Areti Markopoulou, Philip Nobel, Rodrigo Rubio, Søren S Sørensen, Defne Sunguroðlu Hensel. Featured practices: Renzo Piano Building Workshop, Rintala Eggertsson, SHoP, Studio Mumbai, TYIN tegnestue.

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In today's social climate of acknowledged and growing inequality, why are there not greater efforts to tax the rich? In this wide-ranging and provocative book, Kenneth Scheve and David Stasavage ask when and why countries tax their wealthiest citizens--and their answers may surprise you. Taxing the Rich draws on unparalleled evidence from twenty countries over the last two centuries to provide the broadest and most in-depth history of progressive taxation available. Scheve and Stasavage explore the intellectual and political debates surrounding the taxation of the wealthy while also providing the most detailed examination to date of when taxes have been levied against the rich and when they haven't. Fairness in debates about taxing the rich has depended on different views of what it means to treat people as equals and whether taxing the rich advances or undermines this norm. Scheve and Stasavage argue that governments don't tax the rich just because inequality is high or rising--they do it when people believe that such taxes compensate for the state unfairly privileging the wealthy. Progressive taxation saw its heyday in the twentieth century, when compensatory arguments for taxing the rich focused on unequal sacrifice in mass warfare. Today, as technology gives rise to wars of more limited mobilization, such arguments are no longer persuasive. Taxing the Rich shows how the future of tax reform will depend on whether political and economic conditions allow for new compensatory arguments to be made.

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Key Stage 2 Comprehension provides a unique collection of stimulating texts that appeal strongly to both boys and girls, together with questions that both build and stretch comprehension skills and widen vocabulary. Comprising four one-per-child activity books and providing more than 72 texts in total, the series encourages children to pay close attention to literal meaning, make inferences and deductions, observe how writing is structured and identify literary devices. A separate Teacher's Guide is also available. Book 3 encourages children to move beyond simple understanding and recall to look for more complex meanings. It includes: adventure stories from Roald Dahl, Mark Twain, Anthony Buckeridge and Kenneth Grahame, an inspiring biography of Falklands soldier Simon Weston, further non-fiction from Jacqueline Wilson and Emmeline Pankhurst, evocative poems from some of the best British poets (such as Lewis Carroll, Robert Browning and R.L. Stevenson), an appealing letter written by Stevenson as a teenager and an introduction to the writing of J.R.R. Tolkien and William Shakespeare.

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Madness and murder await you...Arthur Conan Doyle, renowned creator of Sherlock Holmes, arrives in New York with his wife Louisa ready to begin his first American tour. While he prepares his lectures, Louise becomes mesmerised by the vibrant and dangerous city. Especially when a woman's corpse is found in a Bowery alley and Louisa is convinced from the artist's sketch in the newspaper that she'd seen the victim in the hotel.Although Arthur is sceptical about her fantasies, when Louisa sprains her ankle and is forced to remain in the hotel she can't resist pursuing her intuitions. And when more bodies start appearing, she's convinced that she holds the key to the killings. With the help of the hotel detective and an ambitious female reporter, Louisa starts to piece together a story of madness, murder and depravity.A gripping historical mystery perfect for fans of Sherlock Holmes. And don't miss THE FRIGHTENED MAN - the first book in Kenneth Cameron's gripping Denton crime mysteries featuring an amateur sleuth you'll never forget.

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