Search results for ""the university of chicago press""

The period of reform, revolution, and reaction that characterized seventeenth - and eighteenth-century Europe also witnessed an intensified interest in lesbians. In scientific treatises and orientalist travelogues, in French court gossip and Dutch court records, in passionate verse, in the rising novel, and in cross-dressed flirtations on the English and Spanish stage, poets, playwrights, philosophers, and pundits were placing sapphic relations before the public eye. In The Sexuality of History, Susan S. Lanser demonstrates how intimacies between women became harbingers of the modern, bringing the sapphic into the mainstream of some of the most significant events in Western Europe. Ideas about female same-sex relations became a focal point for intellectual and cultural contests between authority and liberty, power and difference, desire and duty, mobility and change, and order and governance. Lanser explores the ways in which a historically specific interest in lesbians intersected with, and stimulated, systemic concerns that would seem to have little to do with sexuality. Departing from the prevailing trend of queer reading, whereby scholars ferret out hidden content in "closeted" texts, Lanser situates overtly erotic representations within wider spheres of interest. The Sexuality of History shows that just as we can understand sexuality by studying the past, so too can we understand the past by studying sexuality.

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The political and economic history of Latin America has been marked by great hopes and even greater disappointments. Despite abundant resources - and a history of productivity and wealth - in recent decades the region has fallen further and further behind developed nations, surpassed even by other developing economies in Southeast Asia and elsewhere. In "Left Behind", Sebastian Edwards asks why the nations of Latin America have failed to share in the fruits of globalization and forcefully highlights the dangers of the recent turn to economic populism in the region. He begins by detailing the many ways Latin American governments have stifled economic development over the years through excessive regulation, currency manipulation, and thoroughgoing corruption. He then turns to the neoliberal reforms of the early 1990s, which called for the elimination of deficits, lowering of trade barriers, and privatization of inefficient public enterprises-and which, Edwards argues, held the promise of freeing Latin America from the burdens of the past. Flawed implementation, however, meant the promised gains of globalization were never felt by the mass of citizens, and growing frustration with stalled progress has led to a resurgence of populism, exemplified by the economic policies of Venezuela's Hugo Chavez. But such measures, Edwards warns, are a recipe for disaster; instead, he argues, the way forward for Latin America lies in further market reforms, more honestly pursued and fairly implemented. As the global financial crisis has reminded us, the risks posed by failing economies extend far beyond their national borders. Putting Latin America back on a path toward sustained growth is crucial not just for the region but for the world, and "Left Behind" offers a clear, concise blueprint for the road ahead.

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Natural right - the idea that there is a collection of laws and rights based not on custom or belief but that are 'natural' in origin - is typically associated with liberal politics and freedom. "In The Terror of Natural Right", Dan Edelstein argues that the revolutionaries of eighteenth-century France used the natural right concept of the 'enemy of the human race' - an individual who has transgressed the laws of nature and must be executed without judicial formalities - to authorize three-quarters of the deaths during the Terror. Edelstein further contends that the Jacobins shared a political philosophy that he calls 'natural republicanism,' which assumed that the natural state of society was a republic and that natural right provided its only acceptable laws. Ultimately, he proves that what we call the Terror was in fact only one facet of the republican theory that prevailed from Louis's trial until the fall of Robespierre. A highly original work of historical analysis, political theory, literary criticism, and intellectual history, "The Terror of Natural Right" challenges prevailing assumptions about the Terror to offer a new perspective on the Revolutionary period.

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Natural right - the idea that there is a collection of laws and rights based not on custom or belief but that are 'natural' in origin - is typically associated with liberal politics and freedom. "In The Terror of Natural Right", Dan Edelstein argues that the revolutionaries of eighteenth-century France used the natural right concept of the 'enemy of the human race' - an individual who has transgressed the laws of nature and must be executed without judicial formalities - to authorize three-quarters of the deaths during the Terror. Edelstein further contends that the Jacobins shared a political philosophy that he calls 'natural republicanism,' which assumed that the natural state of society was a republic and that natural right provided its only acceptable laws. Ultimately, he proves that what we call the Terror was in fact only one facet of the republican theory that prevailed from Louis's trial until the fall of Robespierre. A highly original work of historical analysis, political theory, literary criticism, and intellectual history, "The Terror of Natural Right" challenges prevailing assumptions about the Terror to offer a new perspective on the Revolutionary period.

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A scholar, psychologist, physician, and experienced psychoanalyst, Marshall Edelson is uniquely qualified to respond to questions about the scientific status of psychoanalysis. He has written this book both for psychoanalysts and for philosophers of science, intending to bridge gaps in communication between them. It is also a book for anyone interested in the nature of psychoanalytic knowledge.

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In this book, Murray Edelman continues his quest to understand the influence of perception on the political process by turning to the role of art. He argues that political ideas, language, and actions cannot help but be based upon the images and narratives we take from literature, paintings, film, television, and other genres. Edelman believes art provides us with models, scenarios, narratives, and images we draw upon in order to make sense of political events, and he explores the different ways art can shape political perceptions and actions to both promote and inhibit diversity and democracy.

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In 1975, James Jones - the American author whose novels From Here to Eternity and The Thin Red Line had made him the preeminent voice of the enlisted man in World War II - was chosen to write the text for an oversized coffee table book edited by former Yank magazine art director Art Weithas and featuring visual art from World War II. The book was a best seller, praised for both its images and for Jones' text, but in subsequent decades the artwork made it impossible for the book to be reproduced in its original form, and it fell out of print and was forgotten. This edition of WWII makes available for the first time in more than twenty years Jones' stunning text, his only extended nonfiction writing on the war that defined his generation. Moving chronologically and thematically through the complex history of the conflict, Jones interweaves his own vivid memories of soldiering in the Pacific - from the look on a Japanese fighter pilot's face as he bombed Pearl Harbor, so close that Jones could see him smile and wave, to hitting the beach under fire in Guadalcanal - while always returning to resounding larger themes. Much of WWII can be read as a tribute to the commitment of American soldiers, but Jones also pulls no punches, bluntly chronicling resentment at the privilege of the officers, questionable strategic choices, wartime suffering, disorganization, the needles loss of life, and the brutal realization that a single soldier is ultimately nothing but a replaceable cog in a heartless machine. As the generation that fought and won World War II leaves the stage, James Jones' book reminds us of what they accomplished-and what they sacrificed to do so.

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In this influential work, Richard A. Easterlin shows how the size of a generation—the number of persons born in a particular year—directly and indirectly affects the personal welfare of its members, the make-up and breakdown of the family, and the general well being of the economy. "[Easterlin] has made clear, I think unambiguously, that the baby-boom generation is economically underprivileged merely because of its size. And in showing this, he demonstrates that population size can be as restrictive as a factor as sex, race, or class on equality of opportunity in the U.S."—Jeffrey Madrick, Business Week

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In 2004, one of the world's last bands of voluntarily isolated nomads left behind their ancestral life in the dwindling thorn forests of northern Paraguay, fleeing ranchers' bulldozers. Behold the Black Caiman is Lucas Bessire's intimate chronicle of the journey of this small group of Ayoreo people, the terrifying new world they now face, and the precarious lives they are piecing together against the backdrop of soul - collecting missionaries, humanitarian NGOs, late liberal economic policies, and the highest deforestation rate in the world. Drawing on ten years of fieldwork, Bessire highlights the stark disconnect between the desperate conditions of Ayoreo life for those out of the forest and the well-funded global efforts to preserve those Ayoreo still living in it. By showing how this disconnect reverberates within Ayoreo bodies and minds, his reflexive account takes aim at the devastating consequences of our society's continued obsession with the primitive and raises important questions about anthropology's potent capacity to further or impede indigenous struggles for sovereignty. The result is a timely update to the classic literary ethnographies of South America, a sustained critique of the so-called ontological turn - one of anthropology's hottest trends - and, above all, an urgent call for scholars and activists alike to rethink their notions of difference.

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The origin of cells remains one of the most fundamental problems in biology, one that over the past two decades has spawned a large body of research and debate. With In Search of Cell History, Franklin M. Harold offers a comprehensive, impartial take on that research and the controversies that keep the field in turmoil. Written in accessible language and complemented by a glossary for easy reference, this book investigates the full scope of cellular history. Assuming only a basic knowledge of cell biology, Harold examines such pivotal subjects as the relationship between cells and genes; the central role of bioenergetics in the origin of life; the status of the universal tree of life with its three stems and viral outliers; and the controversies surrounding the Last Universal Common Ancestor. He also delves deeply into the evolution of cellular organization, the origin of complex cells, and the incorporation of symbiotic organelles, and considers the fossil evidence for the earliest life on earth. In Search of Cell History shows us just how far we have come in understanding cell evolution - and the evolution of life in general-and how far we still have to go.

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The period between the French Revolution and World War II was a time of tremendous growth in both mapmaking and map reading throughout Europe. There is no better place to witness this rise of popular cartography than in Alsace-Lorraine, a disputed borderland that the French and Germans both claimed as their national territory. Desired for its prime geographical position and abundant natural resources, Alsace-Lorraine endured devastating wars from 1870 to 1945 that altered its borders four times, transforming its physical landscape and the political allegiances of its citizens. For the border population whose lives were turned upside down by the French-German conflict, maps became essential tools for finding a new sense of place and a new sense of identity in their changing national and regional communities. Turning to a previously undiscovered archive of popular maps, Cartophilia reveals Alsace-Lorraine's lively world of citizen mapmakers that included linguists, ethnographers, schoolteachers, hikers, and priests. Together, this fresh group of mapmakers invented new genres of maps that framed French and German territory in original ways through experimental surveying techniques, orientations, scales, colors, and iconography. In focusing on the power of "bottom-up" maps to transform modern European identities, Cartophilia argues that the history of cartography must expand beyond the study of elite maps and shift its emphasis to the democratization of cartography in the modern world.

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Just as surely as Haiti is "possessed" by the gods and spirits of vaudun (voodoo), the island "possessed" Katherine Dunham when she first went there in 1936 to study dance and ritual. In this book, Dunham reveals how her anthropological research, her work in dance, and her fascination for the people and cults of Haiti worked their spell, catapulting her into experiences that she was often lucky to survive. Here Dunham tells how the island came to be possessed by the demons of voodoo and other cults imported from various parts of Africa, as well as by the deep class divisions, particularly between blacks and mulattos, and the political hatred still very much in evidence today. Full of the flare and suspense of immersion in a strange and enchanting culture, Island Possessed is also a pioneering work in the anthropology of dance and a fascinating document on Haitian politics and voodoo.

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The preeminent scholar of comparative studies of Indo-European society, Georges Dumézil theorized that ancient and prehistoric Indo-European culture and literature revolved around three major functions: sovereignty, force, and fertility. This work treats these functions as they are articulated through "first king" legends found in Indian, Iranian, and Celtic epics, particularly the Mahabharata. Dumézil, drawing on an extraordinarily broad range of Indo-European sources from Scandinavia to India and offering an original and provocative analytic method, set a new agenda for studies in comparative oral literature, historical linguistics, comparative mythology, and history of religions. The Destiny of a King examines one of the "little" epics within the Mahabharata—the legend of King Yayati, a distant ancestor of the Pandavas, the heroes of the larger epic. Dumézil compares Yayati's attributes and actions with those of the legendary Celtic king Eochaid Feidlech and also finds striking similarities in the stories surrounding the daughters of these two kings, the Indian Madhavi and the Celtic Medb. When he compares these two traditions with the "first king" legends from Iran, he finds such common themes as the apportionment of the earth and the "sin of the sovereign."

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The second installment in a planned three-volume series, this book provides the first substantive review of South American rodents published in over fifty years. Increases in the reach of field research and the variety of field survey methods, the introduction of bioinformatics, and the explosion of molecular-based genetic methodologies have all contributed to the revision of many phylogenetic relationships and to a doubling of the recognized diversity of South American rodents. The largest and most diverse mammalian order on Earth-and an increasingly threatened one-Rodentia is also of great ecological importance, and Rodents is both a timely and exhaustive reference on these ubiquitous creatures. From spiny mice and guinea pigs to the oversized capybara, this book covers all native rodents of South America, the continental islands of Trinidad and Tobago, and the Caribbean Netherlands off the Venezuelan coast. It includes identification keys and descriptions of all genera and species; comments on distribution; maps of localities; discussions of subspecies; and summaries of natural, taxonomic, and nomenclatural history. Rodents also contains a detailed list of cited literature and a separate gazetteer based on confirmed identifications from museum vouchers and the published literature.

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This volume is based on Louis Dumont's many years of research into the development of individualism in Western culture. A sequel to "From Mandeville to Marx", in which Dumont established the primacy of economic ideology in European society, the book turns to the different national forms of the modern ideology of economic individualism. By means of a detailed comparison of France and Germany, it demonstrates that the French and German notions of individualism are far from equivalent. Dumont focuses on the question of whether personhood or national ideology is the defining character of the individual. He carefully studies the development of German nationalism and individualism in the work of Troeltsch, Thomas Mann, Goethe and others, and compares this with the French ideas of equality and individualism formed during the Revolution. For the French, Dumont demonstrates, an individual is a person first and, by virtue of being a person, a Frenchman second. For the Germans, on the other hand, an individual is a member of the German nation above all, and only by virtue of being German is one a person. Although the immediate comparison is between France and Germany, Dumont's comparative anthropological approach also seeks to shed light on European culture as a whole and offers a reinterpretation of Western ideology and the notion of the individual.

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Page duBois, a classicist known for her daring and originality, turns in this book to one of the most troubling subjects in the study of antiquity: the indispensability of slaves in ancient Greece. DuBois here explores both the material culture of slavery as well as its representation in literature. Specifically, she considers the place of slaves in Plato's "Meno", Aristotle's "Politics", Aesop's "Fables", Aristophanes' "Wasps", and Euripides' "Orestes". She contends throughout that portraying the difference between slave and free as natural was pivotal to Greek concepts of selfhood and political freedom.

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In 1963, Howard S. Becker gave a lecture about deviance, challenging the then-conventional definition that deviance was inherently criminal and abnormal and arguing that instead, deviance was better understood as a function of labeling. At the end of his lecture, a distinguished colleague standing at the back of the room, puffing a cigar, looked at Becker quizzically and asked, "What about murder? Isn't that really deviant?" It sounded like Becker had been backed into a corner. Becker, however, wasn't defeated! Reasonable people, he countered, differ over whether certain killings are murder or justified homicide, and these differences vary depending on what kinds of people did the killing. In What About Mozart? What About Murder?, Becker uses this example, along with many others, to demonstrate the different ways to study society, one that uses carefully investigated, specific cases and another that relies on speculation and on what he calls "killer questions," aimed at taking down an opponent by citing invented cases. Becker draws on a lifetime of sociological research and wisdom to show, in helpful detail, how to use a variety of kinds of cases to build sociological knowledge. With his trademark conversational flair and informal, personal perspective Becker provides a guide that researchers can use to produce general sociological knowledge through case studies. He champions research that has enough data to go beyond guesswork and urges researchers to avoid what he calls "skeleton cases," which use fictional stories that pose as scientific evidence. Using his long career as a backdrop, Becker delivers a winning book that will surely change the way scholars in many fields approach their research.

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News headlines would often have us believe that conservationists are inevitably locked in conflict with the people who live and work on the lands they seek to protect. Not so, across the western expanses of the United States, conservationists, ranchers, and forest workers are bucking preconceptions to establish common ground and join together to protect wide open spaces, diverse habitats, and working landscapes. Featuring contributions from an impressive array of scientists, conservationists, scholars, ranchers, and foresters, Stitching the West Back Together explores that expanded, inclusive vision of environmentalism as it delves into the history and evolution of western land use policy and of the working landscapes themselves. Chapters include detailed case studies of efforts to promote both environmental and economic sustainability, with lessons learned; descriptions of emerging institutional frameworks for conserving Western working landscapes; and implications for best practices and policies crucial to the future of the West's working forests and rangelands. As economic and demographic forces threaten these lands with fragmentation and destruction, this book encourages a hopeful balance between production and conservation on the large, interconnected landscapes required for maintaining cultural and biological diversity over the long term.

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Early in this century, Futurist and Dada artists developed brilliantly innovative uses of typography that blurred the boundaries between visual art and literature. In this text, Johanna Drucker shows how later art criticism has distorted our understanding of such works. She argues that Futurist, Dadaist, and Cubist artists emphasized materiality as the heart of their experimental approach to both visual and poetic forms of representation; by mid-century, however, the tenets of New Criticism and High Modernism had polarized the visual and the literary. Drucker suggests a methodology closer to the actual practices of the early avant-garde artists, based on a re-reading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara.

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The contrast between the temperate and the tropical is one of the most enduring themes in the history of the Western geographical imagination. Caught between the demands of experience and representation, documentation and fantasy, travelers in the tropics have often treated tropical nature as a foil to the temperate, to all that is civilized, modest, and enlightened. "Tropical Visions in an Age of Empire" explores images of the tropical world - maps, paintings, botanical drawings, photographs, diagrams, and texts - produced by European and American travelers over the past three centuries. Bringing together a group of distinguished contributors from disciplines across the arts and humanities, this volume contains eleven beautifully illustrated essays - arranged in three sections devoted to voyages, mappings, and sites - that consider the ways that tropical places were encountered, experienced, and represented in visual form. Covering a wide range of tropical sites in the Pacific, South Asia, West Africa, the Caribbean, and Latin America, the book will appeal to a broad readership: scholars of postcolonial studies, art history, literature, imperial history, history of science, geography, and anthropology.

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In this acclaimed revisionist study, Erika Doss chronicles an historic cultural change in American art from the dominance of regionalism in the 1930s to abstract expressionism in the 1940s. She centers her study on Thomas Hart Benton and Jackson Pollock, Benton's foremost student in the early thirties, charting Pollock's early imitation of Benton's style before his radical move to abstraction. By situating painting within the evolving sociopolitical and cultural context of the Depression and the Cold War, Doss explains the reasons for this change and casts light on its significance for contemporary culture."A welcome addition to the growing body of literature that deals with the art and culture of the depression and cold war eras. It is a pioneering work that makes a valuable contribution to our understanding of a puzzling conundrum of American art—the shift from regionalism to abstract expressionism."—M. Sue Kendall, Winterthur Portfolio"An important scholarly contribution. . . . This book will stand as a step along the way to a better understanding of the most amazing transition in the art of our tumultuous century."—James G. Rogers, Jr., Art Journal"A valuable and interesting book that restores continuity and political context to the decades of depression and war."—Marlene Park, American Historical Review

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Located in the crowded center of seventeenth-century London, the rough community of Coleman Street Ward was a hotbed of political and religious unrest. There among diverse and contentious groups of puritans a seething republican underground developed as the political means to a more perfect Protestant Reformation. But while Coleman Street has long been recognized as a crucial location of the English Revolution, its importance to events across the Atlantic has yet to be explored. In Fire under the Ashes, John Donoghue recovers the lasting significance of the radical ideas of Coleman Street Ward by exploring their wider Atlantic history and revealing how republican radicals redefined themselves against the emergent economy of empire. While some prominent revolutionaries led England's imperial expansion by investing deeply in the slave trade and projects of colonial conquest, other Coleman Street puritans crossed and recrossed the ocean as colonists and revolutionaries, circulating new ideas about the liberty of body and soul. These radicals promoted social justice as the cornerstone of a republican liberty opposed to both political tyranny and economic slavery, and their efforts, Donoghue argues, provided the ideological foundations for the abolitionist movement that swept the Atlantic world over a century later.

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Mary Barr thinks a lot about the old photograph hanging on her refrigerator door. In it, she and a dozen or so of her friends from the Chicago suburb of Evanston sit on a porch. It's 1974, the summer after they graduated from Nichols Middle School, and what strikes her immediately-aside from the Soul Train-era clothes - is the diversity of the group: boys and girls, black and white, in the variety of poses you'd expect from a bunch of friends on the verge of high school. But the photo also speaks to the history of Evanston, to integration, and to the ways that those in the picture experienced and remembered growing up in a place that many at that time considered to be a racial utopia. In Friends Disappear Barr goes back to her old neighborhood and pieces together a history of Evanston with a particular emphasis on its neighborhoods, its schools, and its work life. She finds that there is a detrimental myth of integration surrounding Evanston despite bountiful evidence of actual segregation, both in the archives and from the life stories of her subjects. Curiously, the city's own desegregation plan is partly to blame. The initiative called for the redistribution of students from an all-black elementary school to institutions situated in white neighborhoods. That, however, required busing, and between the tensions it generated and obvious markers of class difference, the racial divide, far from being closed, was widened. Friends Disappear highlights how racial divides limited the life chances of blacks while providing opportunities for whites, and offers an insider's perspective on the social practices that doled out benefits and penalties based on race-despite attempts to integrate.

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Mary Barr thinks a lot about the old photograph hanging on her refrigerator door. In it, she and a dozen or so of her friends from the Chicago suburb of Evanston sit on a porch. It's 1974, the summer after they graduated from Nichols Middle School, and what strikes her immediately-aside from the Soul Train-era clothes-is the diversity of the group: boys and girls, black and white, in the variety of poses you'd expect from a bunch of friends on the verge of high school. But the photo also speaks to the history of Evanston, to integration, and to the ways that those in the picture experienced and remembered growing up in a place that many at that time considered to be a racial utopia. In Friends Disappear Barr goes back to her old neighborhood and pieces together a history of Evanston with a particular emphasis on its neighborhoods, its schools, and its work life. She finds that there is a detrimental myth of integration surrounding Evanston despite bountiful evidence of actual segregation, both in the archives and from the life stories of her subjects. Curiously, the city's own desegregation plan is partly to blame. The initiative called for the redistribution of students from an all-black elementary school to institutions situated in white neighborhoods. That, however, required busing, and between the tensions it generated and obvious markers of class difference, the racial divide, far from being closed, was widened. Friends Disappear highlights how racial divides limited the life chances of blacks while providing opportunities for whites, and offers an insider's perspective on the social practices that doled out benefits and penalties based on race-despite attempts to integrate.

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Hindu and Greek mythologies teem with stories of women and men who are doubled, who double themselves, who are seduced by gods doubling as mortals and whose bodies are split or divided. This text recounts and compares a vast range of these tales from ancient Greece and India, with occasional recourse to more recent "double features" from "Dr. Jekyll and Mr. Hyde" to "Face/Off." Wendy Doniger argues that myth responds to the complexities of the human condition by multiplying or splitting its characters into unequal parts, and these sloughed and cloven selves animate mythology's prodigious plots of sexuality and mortality. Doniger's comparisons show that ultimately differences in gender are more significant than differences in culture; Greek and Indian stories of doubled women resemble each other more than they do tales of doubled men in the same culture. In casting Hindu and Greek mythologies as shadows of each other, Doniger shows that culture is sometimes but the shadow of gender.

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What is your highest ideal? What code do you live by? We all know that these differ from person to person. Nonetheless philosophers have long sought a single, overriding ideal that should guide everyone, always, everywhere, and after centuries of debate we're no closer to an answer. In How Should We Live?, John Kekes offers a refreshing alternative, one in which we eschew absolute ideals and instead consider our lives as they really are. Kekes argues that ideal theories are abstractions from the realities of everyday life and its problems. The well-known arenas where absolute ideals conflict-dramatic moral controversies about complex problems involved in abortion, euthanasia, plea bargaining, privacy, and other hotly debated topics - should not be the primary concerns of moral thinking. Instead, he focuses on the simpler problems of ordinary lives in ordinary circumstances. In each chapter he presents the conflicts that a real person - a schoolteacher, lawyer, father, or nurse, for example - is likely to face. He then uses their situations to shed light on the mundane issues we all must deal with in everyday life, such as how we use our limited time, energy, or money; how we balance short- and long-term satisfactions; how we deal with conflicting loyalties; how we control our emotions; how we deal with people we dislike; and so on. Along the way he engages some of our most important theorists, including Donald Davidson, Thomas Nagel, Christine Korsgaard, Harry Frankfurt, Charles Taylor, Alasdair MacIntyre, and Bernard Williams, ultimately showing that no ideal - whether autonomy, love, duty, happiness, or truthfulness-trumps any other. Rather than rejecting such ideals, How Should We Live? offers a way of balancing them by a practical and pluralistic approach - rather than a theory - that helps us cope with our problems and come closer to what our lives should be.

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Ever since Kant and Hegel, the notion of autonomy - the idea that we are beholden to no law except one we impose upon ourselves - has been considered the truest philosophical expression of human freedom. But could our commitment to autonomy, as Theodor Adorno asked, be responsible for the extreme evils that we have witnessed in modernity? In Autonomy After Auschwitz, Martin Shuster explores this difficult question with astonishing theoretical acumen, examining the precise ways autonomy can lead us down a path of evil and how it might be prevented from doing so. Shuster uncovers dangers in the notion of autonomy as it was originally conceived by Kant. Putting Adorno into dialogue with a range of European philosophers, notably Kant, Hegel, Horkheimer, and Habermas - as well as with a variety of contemporary Anglo-American thinkers such as Richard Rorty, Stanley Cavell, John McDowell, and Robert Pippin - he illuminates Adorno's important revisions to this fraught concept and how his different understanding of autonomous agency, fully articulated, might open up new and positive social and political possibilities. Altogether, Autonomy After Auschwitz is a meditation on modern evil and human agency, one that demonstrates the tremendous ethical stakes at the heart of philosophy.

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What can the richly imagined, impressively adaptable fantasy world of children tell us about childhood, development, education, and even life itself? For fifty years, teacher and writer Vivian Gussin Paley has been exploring the imagery, language, and lore of young children, asking the questions they ask of themselves. With the publication of Boys and Girls in 1984, Paley took readers inside a kindergarten classroom to show them how boys and girls play-and how, by playing and fantasizing in different ways, they work through complicated notions of gender roles and identity. This new edition of Paley's classic book reignites issues that are more important than ever for a new generation of students, parents, and teachers. The Boy on the Beach, meanwhile, continues Paley's work, going deeper into the mystery of play as she follows a group of children through the kindergarten year. Rich with the words of children and teachers themselves, the book delves into questions new and old, reminding us that Paley's interests and approach remain as vital as ever. Both books are vintage Paley, wise and provocative appreciations of the importance of play and the nature of childhood and the imagination.

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From the early days of radio through the rise of television after World War II to the present, music has been used more and more to sell goods and establish brand identities. And since the 1920s, songs originally written for commercials have become popular songs, and songs written for a popular audience have become irrevocably associated with specific brands and products. Today, musicians move flexibly between the music and advertising worlds, while the line between commercial messages and popular music has become increasingly blurred. Timothy D. Taylor tracks the use of music in American advertising for nearly a century, from variety shows like The Clicquot Club Eskimos to the rise of the jingle, the postwar upsurge in consumerism, and the more complete fusion of popular music and consumption in the 1980s and after. The Sounds of Capitalism is the first book to tell truly the history of music used in advertising in the United States and is an original contribution to this little-studied part of our cultural history.

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How is the Internet transforming the relationships between citizens and states? What happens to politics when international migration is coupled with digital media, making it easy for people to be politically active in a nation from outside its borders? In Nation as Network, Victoria Bernal creatively combines media studies, ethnography, and African studies to explore this new political paradigm through a striking analysis of how Eritreans in diaspora have used the Internet to shape the course of Eritrean history. Bernal argues that Benedict Anderson's famous concept of nations as "imagined communities" must now be rethought because diasporas and information technologies have transformed the ways nations are sustained and challenged. She traces the development of Eritrean diaspora websites over two turbulent decades that saw the Eritrean state grow ever more tyrannical. Through Eritreans' own words in posts and debates, she reveals how new subjectivities are formed and political action is galvanized online. She suggests that "infopolitics"-struggles over the management of information-make politics in the twenty-first century distinct, and she analyzes the innovative ways Eritreans deploy the Internet to support and subvert state power. Nation as Network is a unique and compelling work that advances our understanding of the political significance of digital media.

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The Internationalization of Palace Wars offers concrete information about the transnational processes that shape our world. It shows how the content of exported ideals is shaped by domestic struggles for power and influence.

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Known as Madame de Villedieu, Marie-Catherine Desjardins (1640-83) was a prolific writer who played an important role in the evolution of the early modern French novel. One of the earliest women to write for a living, she defied cultural convention by becoming an innovator and appealing to popular tastes through fiction, drama, and poetry. Memoirs of the Life of Henriette-Sylvie de Moliere, a semi-autobiographical novel, portrays an enterprising woman who writes the story of her life, a complex tale that runs counter to social expectations and romantic conventions. A most striking work, the novel skillfully mixes real events from the author's lifetime with entirely fictional adventures. At a time when few women published, Villedieu's Memoirs is a significant achievement in creating a voice for the early modern woman writer. Written while the French novel form was still in its infancy, it should be welcomed by any scholar of women's writing or of the early development of the novel.

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The number of ways in which humans interact with animals is almost incalculable. From beloved household pets to the steak on our dinner tables, the fur in our closets to the Babar books on our shelves, taxidermy exhibits to local zoos, humans have complex, deep, and dependent relationships with the animals in our ecosystems. In Displaying Death and Animating Life, Jane C. Desmond puts those human-animal relationships under a multidisciplinary lens, focusing on the less obvious, and revealing the individualities and subjectivities of the real animals in our everyday lives. Desmond, a pioneer in the field of animal studies, builds the book on a number of case studies. She conducts research on-site at major museums, taxidermy conventions, pet cemeteries, and even at a professional conference for writers of obituaries. She goes behind the scenes at zoos, wildlife clinics, and meetings of pet cemetery professionals. We journey with her as she meets Kanzi, the bonobo artist, and a host of other animal-artists all of whom are preparing their artwork for auction. Throughout, Desmond moves from a consideration of the visual display of unindividuated animals, to mourning for known animals, and finally to the marketing of artwork by individual animals. The first book in the new Animal Lives series, Displaying Death and Animating Life is a landmark study, bridging disciplines and reaching across divisions from the humanities and social sciences to chart new territories of investigation.

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For Greg Dening, history saturates every moment of our cultural and personal existence. Throughout this text the author shows his awareness that the actual past remains fundamentally irreplicable. He asserts all histories to be culturally crafted artifacts, commensurate with folk tales, stage plays, or films. Whether derived from logbooks and letters, or displayed on music hall stages and Hollywood back lots, history is in essence our making sense of what has and continues to happen, creating for us a sense of our cultural and individual selves.

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George Inness (1825-94) is considered one of America's greatest landscape painters. A complicated artist and thinker, he painted stunning, evocative views of the American countryside.Throughout his career, Inness struggled to make visible what was invisible to the human eye by combining a deep interest in nineteenth-century scientific inquiry - including optics, psychology, physiology, and mathematics - with an idiosyncratic brand of mysticism. Rachael Ziady DeLue's "George Inness and the Science of Landscape" - the first in-depth examination of Inness' career to appear in several decades - demonstrates how the artistic, spiritual, and scientific aspects of Inness' art found expression in his masterly landscapes. In fact, Inness' practice was not merely shaped by his preoccupation with the nature and limits of human perception; he conceived of his labor as a science in its own right. This beautifully illustrated work reveals Inness' profound investment in the science and philosophy of his time and illuminates the complex manner in which the fields of art and science intersected in nineteenth-century America.

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Secularizing Islamists? provides an indepth analysis of two Islamist parties in Pakistan, the highly influential Jama'at-e-Islami and the more militant Jama'at-ud-Da'wa, widely blamed for the November 2008 terrorist attack in Mumbai, India. Basing her findings on thirteen months of ethnographic work with the two parties in Lahore, Humeira Iqtidar proposes that these Islamists are involuntarily facilitating secularization within Muslim societies, even as they vehemently oppose secularism. This book offers a fine-grained account of the workings of both parties that challenges received ideas about the relationship between the ideology of secularism and the processes of secularization. Iqtidar illuminates the impact of women on Pakistani Islamism, while arguing that these Islamist groups are inadvertently supporting secularization by forcing a critical engagement with the place of religion in public and private life. She highlights the role that competition among Islamists and the focus on the state as the center of their activity plays in assisting secularization. The result is a significant contribution to our understanding of emerging trends in Muslim politics.

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"Building the Devil's Empire" is the first comprehensive history of New Orleans' early years, tracing the town's development from its origins in 1718 to its revolt against Spanish rule in 1768. Shannon Lee Dawdy's picaresque account of New Orleans' wild youth features a cast of strong-willed captives, thin-skinned nobles, sharp-tongued women, and carousing travelers. But she also widens her lens to reveal the port city's global significance, examining its role in the French Empire and the Caribbean, and she concludes that by exemplifying a kind of rogue colonialism - where governments, outlaws, and capitalism become entwined - New Orleans should prompt us to reconsider our notions of how colonialism works.

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The understanding of the soul in the West has been profoundly shaped by Christianity, and its influence can be seen in certain assumptions often made about the soul: that, for example, if it does exist, it is separable from the body, free, immortal, and potentially pure. The ancient Greeks, however, conceived of the soul quite differently. In this ambitious new work, Michael Davis analyzes works by Homer, Herodotus, Euripides, Plato, and Aristotle to reveal how the ancient Greeks portrayed and understood what he calls 'the fully human soul'. Beginning with Homer's "Iliad", Davis lays out the tension within the soul of Achilles between immortality and life. He then turns to Aristotle's "De Anima" and "Nicomachean Ethics" to explore the consequences of the problem of Achilles across the whole range of the soul's activity. Moving to Herodotus and Euripides, Davis considers the former's portrayal of the two extremes of culture - one rooted in stability and tradition, the other in freedom and motion - and explores how they mark the limits of character formation. Davis then shows how Helen and Iphigeneia among the Taurians serve to provide dramatic examples of Herodotus' extreme cultures and their consequences for the soul. The book concludes with Plato's presentation of the soul of Socrates as self-aware and nontragic, even if it is necessarily alienated and divided against itself.

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Since a new sensitivity and orientation to victims of injustice arose in the 1960s, categories of victimization have proliferated. Large numbers of people are now characterized and characterize themselves as sufferers of psychological injury caused by the actions of others. In contrast with the familiar critiques of victim culture, Accounts of Innocence offers a new and empirically rich perspective on the question of why we now place such psychological significance on victimization in people's lives.Focusing on the case of adult survivors of childhood sexual abuse, Joseph E. Davis shows how the idea of innocence shaped the emergence of trauma psychology and continues to inform accounts of the past (and hopes for the future) in therapy with survivor clients. His findings shed new light on the ongoing debate over recovered memories of abuse. They challenge the notion that victim accounts are an evasion of personal responsibility. And they suggest important ways in which trauma psychology has had unintended and negative consequences for how victims see themselves and for how others relate to them.An important intervention in the study of victimization in our culture, Accounts of Innocence will interest scholars of clinical psychology, social work, and sociology, as well as therapists and victim activists.

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We live in an age of obsession. Not only are we hopelessly devoted to our work, strangely addicted to our favorite television shows, and desperately impassioned about our cars, we admire obsession in others: we demand that lovers be infatuated with one another in films, we respond to the passion of single-minded musicians, we cheer on driven athletes. To be obsessive is to be American; to be obsessive is to be modern. But obsession is not only a phenomenon of modern existence: it is a medical category - both a pathology and a goal. Behind this paradox lies a fascinating history, which Lennard J. Davis tells in "Obsession". Beginning with the roots of the disease in demonic possession and its secular successors, Davis traces the evolution of obsessive behavior from a social and religious fact of life into a medical and psychiatric problem. From obsessive aspects of professional specialization to obsessive compulsive disorder and nymphomania, no variety of obsession eludes Davis' graceful analysis.

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The phrase "a strong work ethic" conjures images of hard-driving employees working diligently for long hours. But where did this ideal come from, and how has it been buffeted by changes in work itself? While seemingly rooted in America's Puritan heritage, perceptions of work ethic have actually undergone multiple transformations over the centuries. And few eras saw a more radical shift in labor ideology than the American industrial age. Daniel T. Rodgers masterfully explores the ways in which the eclipse of small-scale workshops by mechanized production and mass consumption triggered far-reaching shifts in perceptions of labor, leisure, and personal success. He also shows how the new work culture permeated society, including literature, politics, the emerging feminist movement, and the labor movement. A staple of courses in the history of American labor and industrial society, Rodgers' sharp analysis is sure to find a new audience, as twenty-first-century workers face another shift brought about by technology. The Work Ethic in Industrial America 1850-1920 is a classic with critical relevance in today's volatile economic times.

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With a characteristically broad and provocative treatment, Dahlhaus examines a single music-aesthetical idea from various historical and philosophical viewpoints. "Essential reading for anyone interested in the larger intellectual framework in which Romantic music found its place, a framework that to a remarkable degree has continued to shape our image of music."--Robert P. Morgan, Yale University Carl Dahlhaus (1928-1989) is the author of a highly influential body of works on the foundations of music history and aesthetics.

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In The Rules of the Global Game Kenneth W. Dam provides, in clear and practical language, a comprehensive examination that helps non-economists make sense of the forces that shape U.S. international monetary policies. Elucidating both the internal structures and external ramifications of global economics, this book can be read with pleasure and profit by layperson and economist alike. It allows readers to go beyond the headlines to understand the policies that shape our economy and thus our lives.

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The first novel Anthony Powell published following the completion of his epic A Dance to the Music of Time, O, How the Wheel Becomes It! fulfills perhaps every author’s fantasy as it skewers a conceited, lazy, and dishonest critic. A writer who avoids serving in World War II and veers in and out of marriage, G. F. H. Shadbold ultimately falls victim to the title’s spinning—and righteous—emblem of chance. Sophisticated and a bit cruel, Wheel’s tale of posthumous vengeance is, nonetheless, irresistible. Written at the peak of the late British master’s extraordinary literary career, this novel offers profound insight into the mind of a great artist whose unequaled style, ear for dialogue, and eye for irony will delight devotees and new readers alike.

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A contemporary of Shakespeare and Monteverdi, and a colleague of Galileo and Artemisia Gentileschi at the Medici court, Francesca Caccini was a dominant musical figure there for thirty years. Dazzling listeners with the transformative power of her performances and the sparkling wit of the music she composed for more than a dozen court theatricals, Caccini is best remembered today as the first woman to have composed opera. Francesca Caccini at the Medici Court reveals for the first time how this multitalented composer established a fully professional musical career at a time when virtually no other women were able to achieve comparable success. Suzanne Cusick argues that Caccini's career depended on the usefulness of her talents to the political agenda of Grand Duchess Christine de Lorraine, Tuscany's de facto regent from 1606 to 1636. Drawing on Classical and feminist theory, Cusick shows how the music Caccini made for the Medici court sustained the culture that enabled Christine's power, thereby also supporting the sexual and political aims of its women. In bringing Caccini's surprising story so vividly to life, Cusick ultimately illuminates how music making functioned in early modern Italy as a significant medium for the circulation of power.

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The classic papers that laid the foundations of modern ecology alongside commentaries by noted ecologists. The period of 1970 to 1995 was a time of tremendous change in all areas of ecology—from an increased rigor for experimental design and analysis to the reevaluation of paradigms, new models for understanding, and theoretical advances. Edited by ecologists Thomas E. Miller and Joseph Travis, Foundations of Ecology II includes facsimiles of forty-six papers from this period alongside expert commentaries that discuss a total of fifty-three key studies, addressing topics of diversity, predation, complexity, competition, coexistence, extinction, productivity, resources, distribution, abundance, and conservation. The result is more than a catalog of historic firsts; this book offers diverse perspectives on the foundational papers that led to today’s ecological work. Like this book’s 1991 predecessor, Foundations of Ecology edited by Leslie A. Real and James H. Brown, Foundations of Ecology II promises to be the essential primer for graduate students and practicing ecologists for decades to come.

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Dissecting twenty years of educational politics in our nation's largest cities, American School Reform offers one of the clearest assessments of school reform as it has played out in our recent history. Joseph P. McDonald and his colleagues evaluate the half-billion-dollar Annenberg Challenge - launched in 1994 - alongside many other large-scale reform efforts that have taken place in New York, Chicago, Philadelphia, and the San Francisco Bay Area. They look deeply at what school reform really is, how it works, how it fails, and what differences it can make nonetheless. McDonald and his colleagues lay out several interrelated ideas in what they call a theory of action space. Frequently education policy gets so ambitious that implementing it becomes a near impossibility. Action space, however, is what takes shape when talented educators, leaders, and reformers guide the social capital of civic leaders and the financial capital of governments, foundations, corporations, and other backers toward true results.

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"Philosophy as . . . a rigorous science . . . the dream is over," Edward Husserl once declared. Heidegger (Husserl's successor), Derrida, and Rorty have propounded versions of "the end of philosophy." Cumming argues that what would count as philosophy's coming to an end can only be determined with some attention to disruptions which have previously punctuated the history of philosophy. He arrives at categories for interpreting what is at issue in such disruptions by analyzing Heidegger's and Husserl's break with each other, Heidegger's break with Sartre, and Merleau-Ponty's break with Sartre. In this analysis Cumming deals with how a philosophy can be vulgarized (as Heidegger's was by Nazism but in Heidegger's own view by Sartre), with problems of periodization, with how the history of philosophy can be disinguished as a philosophical discipline from intellectual history. Cumming also elaborates an analogy between a philosophical method and style.

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