Search results for ""the university of chicago press""

In 1999, the University of Chicago Press published a collection of Mike Royko's columns entitled One More Time: The Best of Mike Royko. The response was immediate and overwhelming - readers almost instantly began asking when the second volume of Royko columns would appear. With more than a hundred vintage Royko columns and a foreword by Roger Ebert, For the Love of Mike was the answer.

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In 1957, the University of Chicago Press asked acclaimed best-selling historian Daniel J. Boorstin to oversee a series of accessible yet authoritative books that, together, would tell the whole history of the American people. The result, published over the course of nearly half a century, is the "Chicago History of American Civilization" series, which provides a nuanced and vibrant portrait of the United States from its inception through the twentieth century. Scholars across many disciplines contributed, and the series covers a broad range of topics, as disparate as the War of 1812, immigration, and American folklore. While the series is certainly eclectic, the books share both ambition and authority - they have been staples for teachers and general readers alike. The authors included in this series represent some of the greatest academic talents ever to turn their mind to the American past. Thus the University of Chicago Press is excited to offer new editions of three of the series' best-known books. In "The Birth of the Republic, 1763-89", Edmund S. Morgan shows how the challenge of British taxation started Americans on a search for constitutional principles to protect their freedom, and eventually led to the Revolution. By demonstrating that the founding fathers' political philosophy was not grounded in theory, but rather grew out of their own immediate needs, Morgan paints a vivid portrait of how the founders' own experiences shaped their passionate convictions, and these in turn were incorporated into the Constitution and other governmental documents. "The Birth of the Republic" is the classic account of the beginnings of the American government, and in this fourth edition the original text is supplemented with a new foreword by Joseph J. Ellis and a historiographic essay by Rosemarie Zagarri.

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In this classic analysis, Leo Strauss pinpoints what is original and innovative in the political philosophy of Thomas Hobbes. He argues that Hobbes's ideas arose not from tradition or science but from his own deep knowledge and experience of human nature. Tracing the development of Hobbes's moral doctrine from his early writings to his major work The Leviathan, Strauss explains contradictions in the body of Hobbes's work and discovers startling connections between Hobbes and the thought of Plato, Thucydides, Aristotle, Descartes, Spinoza, and Hegel. Leo Strauss (1899-1973) was Robert Maynard Hutchins Distinguished Service Professor Emeritus in political science at the University of Chicago. Among his works published by the University of Chicago Press are Thoughts on Machiavelli, The City and Man, and Natural Right and History.

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This study grew out of a series of lectures Jespersen gave at Columbia University in 1909-10, called "An Introduction to English Grammar." It is the connected presentation of Jespersen's views of the general principles of grammar based on years of studying various languages through both direct observation of living speech and written and printed documents. "[The Philosophy of Grammar and Analytic Syntax] set forth the most extensive and original theory of universal grammar prior to the work of Chomsky and other generative grammarians of the last thirty years."--Arne Juul and Hans F. Nielsen, in Otto Jespersen: Facets of His Life and Work "Besides being one of the most perceptive observers and original thinkers that the field of linguistics has ever known, Jespersen was also one of its most entertaining writers, and reading The Philosophy of Grammar is fun. Read it, enjoy it."--James D. McCawley, from the Introduction Otto Jespersen (1860-1943), an authority on the growth and structure of language, was the Chair of the English Department at the University of Copenhagen. Among his many works are A Modern English Grammar and Analytic Syntax, the latter published by the University of Chicago Press.

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Sometimes it takes an outsider to capture the essence of an individual place, The impressions of travelers in particular have a special allure - unanticipated and serendipitous, their views get to the heart of a particular region because to them nothing is routine or expected. First published in 1933 by the University of Chicago Press to mark the occasion of the Century of Progress Exposition, As Others See Chicago consists of writings culled from over a thousand men and women who visited the city and commented on the best and worst it had to offer, from the skyscrapers to the stockyards. Originally compiled by Bessie Louise Pierce, the first major historian of Chicago, and featuring her own incisive commentary, the volume brings together the impressions of visitors to Chicago over two and a half centuries, from the early years of westward expansion to the height of the Great Depression. In addition to writings from better-known personalities such as Rudyard Kipling and Waldo Frank, the book collects the opinions of missionaries, aristocrats, journalists, and politicians - observers who were perfectly placed to comment on the development of the city, its inhabitants, and well-known events that would one day define Chicago history, such as the Great Fire of 1871 and the 1893 World's Fair.

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I complain bitterly of the editions of my last operas, made with such little care, and filled with an infinite number of errors. Giuseppe Verdi The University of Chicago Press, in collaboration with Casa Ricordi, has undertaken to publish the first critical edition of the complete works of Giuseppe Verdi. The series, based exclusively on original sources, is the only one to present authentic versions of all of the composer's works; together with his operas, the critical edition presents his songs, his choral music and sacred pieces, and his string quartet and other instrumental works. The Works of Giuseppe Verdi will be an invaluable standard reference work a necessary acquisition for all music libraries and a joy to own for all lovers of opera. The new series of study scores presents an adaptation of each critical edition that provides scholars with an affordable and portable option for exploring Verdi's oeuvre. The study scores have been designed to distinguish editors' marks from Verdi's own notations while remaining clear enough for use in performance. The introduction to each score discusses the work's sources, composition, and performance history, as well as performance practices, instrumentation, and problems of notation. The newest editions of the study scores examine two of Verdi's three-act operas: La traviata and Rigoletto.

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Lucius Annaeus Seneca (4 BCE to 65 CE) was a Roman Stoic philosopher, dramatist, statesman, and advisor to the emperor Nero, all during the Silver Age of Latin literature. Here, with the publication of "Anger, Mercy, Revenge" and "Natural Questions", the University of Chicago Press proudly inaugurates "The Complete Works of Lucius Annaeus Seneca", a fresh and compelling series of new English-language translations of his works in eight accessible volumes. Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, this engaging collection restores Seneca - whose works have been highly praised by modern authors from Erasmus to Emerson - to his rightful place among those classical writers most widely studied in the humanities. "Anger, Mercy, Revenge" comprises three key writings: the moral essays 'On Anger' and 'On Clemency' - which were penned as advice for the then young emperor Nero - and the Apocolocyntosis, a brilliant satire lampooning the end of the reign of Claudius. "Natural Questions" is a stand-alone treatise in which Seneca compiles and comments on the physical sciences of his day, offering us a valuable look at the ancient scientific mind at work. Both volumes introduce the Latinless reader to the writings of one of the ancient world's most fascinating - and acclaimed - philosophical figures, making them perfect for the undergraduate student and lay scholar alike.

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You probably haven't ever noticed them. But they've noticed you. They notice everything. That's their job. Sitting quietly in a nondescript car outside a bank making note of the tellers' work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack.They're thieves. Heisters, to be precise. They're pros, and Parker is far and away the best of them. If you're planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister's heister, the robber's robber, the heavy's heavy. You don't want to cross him, and you don't want to get in his way, because he'll stop at nothing to get what he's after.Parker, the ruthless antihero of Richard Stark's eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose style - and adored by fans who turn each intoxicating page with increasing urgency - Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover - and become addicted to.In "The Outfit", Parker goes toe-to-toe with the mob - hitting them with heist after heist after heist - and the entire underworld learns an unforgettable lesson: whatever Parker does, he does deadly.

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You probably haven't ever noticed them. But they've noticed you. They notice everything. That's their job. Sitting quietly in a nondescript car outside a bank making note of the tellers' work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack.They're thieves. Heisters, to be precise. They're pros, and Parker is far and away the best of them. If you're planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister's heister, the robber's robber, the heavy's heavy. You don't want to cross him, and you don't want to get in his way, because he'll stop at nothing to get what he's after.Parker, the ruthless antihero of Richard Stark's eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose style - and adored by fans who turn each intoxicating page with increasing urgency - Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover - and become addicted to.Parker goes under the knife in "The Man with the Getaway Face", changing his face to escape the mob and a contract on his life. Along the way he scores his biggest heist yet: an armored car in New Jersey, stuffed with cash.

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In 1987, the University of Chicago Press published "Primate Societies", the standard reference in the field of primate behavior for an entire generation of students and scientists. But in the twenty-five years since its publication, new theories and research techniques for studying the Primate order have been developed, debated, and tested, forcing scientists to revise their understanding of our closest living relatives. Intended as a sequel to "Primate Societies", "The Evolution of Primate Societies" compiles thirty-one chapters that review the current state of knowledge regarding the behavior of nonhuman primates. Chapters are written by leading authorities in the field and organized around four major adaptive problems primates face as they strive to grow, maintain themselves, and reproduce in the wild. The inclusion of chapters on the behavior of humans at the end of each major section represents one particularly novel aspect of the book, and it will remind readers what we can learn about ourselves through research on nonhuman primates. The final section highlights some of the innovative and cutting-edge research designed to reveal the similarities and differences between nonhuman and human primate cognition. "The Evolution of Primate Societies" will be every bit the landmark publication its predecessor has been.

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Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

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Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeshylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Tourians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

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Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

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Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

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From Homeric gods to galaxies, from love affairs to perspective in painting, Paul Feyerabend revelled in the physical and cultural abundance that surrounds us. He found it equally striking that human senses and human intelligence are able to take in only a fraction of these riches. From this fraction, scientists, artists, all of us construct encompassing abstractions and stereotypes. This basic human trait is at the heart of "Conquest of Abundance", the book on which Feyerabend was at work when he died in 1994. Prepared from drafts of the manuscript left at his death, working notes, and lectures and articles Feyerabend wrote while the larger work was in progress, "Conquest of Abundance" offers up exploration and startling insights with the charm, lucidity, and sense of mischief that are his hallmarks. Feyerabend is fascinated by how we attempt to explain and predict the mysteries of the natural world, and he describes ways in which we abstract experience, explain anomalies, and reduce wonder to formulas and equations. Through his exploration of the positive and negative consequences of these efforts, Feyerabend reveals the "conquest of abundance" as an integral part of the history and character of Western civilization. Paul Feyerabend (1924-1994) was educated in Europe and held numerous teaching posts throughout his career, including at the University of California, Berkeley, from 1959 to 1990. His "Against Method" - translated into 17 languages - is a classic of modern philosophy of science. The University of Chicago Press published his autobiography, "Killing Time", in 1995.

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Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

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Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

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Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introduction for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

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In his eighty-eight years, Norman Maclean (1902-90) played many parts: fisherman, logger, firefighter, scholar, teacher. But it was a role he took up late in life, that of writer, which won him enduring fame and critical acclaim - as well as the devotion of readers worldwide. Though the 1976 collection "A River Runs Through It and Other Stories" was the only book Maclean published in his lifetime, it was an unexpected success, and the moving family tragedy of the title novella - based largely on Maclean's memories of early twentieth-century Montana - has proved to be one of the most enduring American stories ever written. The posthumous publication in 1992 of "Young Men and Fire", Maclean's deeply personal investigative account of a deadly forest fire, only added to his reputation, reacquainting readers with the power of his spare, evocative prose.With "The Norman Maclean Reader", the University of Chicago Press is proud to add a fitting final volume to Maclean's celebrated oeuvre. Bringing together previously unpublished materials with incidental writings and selections from his two masterpieces, the Reader will serve as the perfect introduction for readers new to Maclean, while offering longtime fans new insight into his life and career.Much of the pleasure of "The Norman Maclean Reader" lies in the rounded picture it gives of Maclean the man. A series of witty, perceptive personal essays present Maclean from a variety of angles: in "This Quarter I Am Taking McKeon," the master teacher distills the lessons of decades in the classroom; in "The Pure and the Good: On Baseball and Backpacking," Maclean the scholar turns his attention to poetic rhythm and the importance of craft; in "Retrievers Good and Bad," we see Maclean the memoirist first beginning to draw on his wealth of family stories.A generous selection of letters, as well as excerpts from a 1986 interview, serve to flesh out the Reader's portrait of Maclean, showing us a writer fully aware of the nuances of his craft, and a man as at home in the recondite atmosphere of the University of Chicago as in the quiet hills of his beloved Montana. The letters find Maclean corresponding about fishing with Nick Lyons, the first significant reviewer of "A River Runs Through It"; about literature and teaching with Marie Borroff, a former student who had become a professor of literature at Yale; about the Mann Gulch fire with Lois Jansson, the widow of one of Maclean's sources; and about General Custer with historian Robert Utley.Maclean's writings on Custer comprise the most extensive unpublished material in the Reader. Fascinated by Custer's tragic end and posthumous fame, Maclean dedicated years in the late 1950s to studying the general, and though he was never able to shape his chapters on the topic into a complete book, to read them now is revelatory: as he explores the man and myth of Custer, we see Maclean groping toward the rigorous yet personal hybrid form of historical storytelling that he would employ to such effect in "Young Men and Fire".Multifarious and moving, the works collected in "The Norman Maclean Reader" serve as both a summation and a celebration, giving readers a chance once again to hear one of American literature's most distinctive voices.

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Preparing an index for a book or other type of publication is a specialized skill. This volume presents the chapter from The Chicago Manual of Style, 17th Edition devoted to best practices for preparing and editing indexes as well as current standards for style and format of indexes. Thoroughly updated, it is an indispensable guide for anyone involved in preparing an index.

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A tour of Mars in the human imagination, from ancient astrologers to modern explorers. Mars and its secrets have fascinated and mystified humans since ancient times. For the Love of Mars surveys the red planet's place in the human imagination, beginning with ancient astrologers and skywatchers and ending in our present moment of exploration and virtual engagement. National Air and Space Museum curator Matthew Shindell describes how historical figures across eras and around the world have made sense of this mysterious planet. We meet Mayan astrologer priests who incorporated Mars into seasonal calendars and religious ceremonies, Babylonian astrologers who discerned bad omens, figures of the Scientific Revolution who struggled to comprehend Mars as a world, Victorian astronomers who sought signs of intelligent life, and twentieth- and twenty-first-century scientists who have established a technological presence on the planet's surface. Along the way, we encounter writers and artis

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An ambitious venture into Nietzsche's envisioned philosophy for the future. Nietzsche advocated for a post-theistic philosophy of the futurea new approach to human reality that would bend Western thought away from nihilism in a life-affirming, value-creative direction. His early demise left this endeavor only just begun. In Nietzsche Pursued, Richard Schacht examines Nietzsche's revisionist approach to familiar philosophical topics, exploring how some may be further pursued in Nietzschean ways. Each chapter focuses on one topic that is central to Nietzsche's vision of what philosophy can and should be and do. Among them: his kind of naturalism, humanity, perspectivism, morality, and music. Building on his analysis in Nietzsche's Kind of Philosophy, Schacht invites readers to see with new appreciation the ongoing significance of Nietzsche's thought for philosophy's future.

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A history of how, in the mid-twentieth century, we came to believe in the concept of creativity. Named a best book of 2023 by the New Yorker and a notable book of 2023 by Behavioral Scientist. Creativity is one of American society's signature values, but the idea that there is such a thing as creativityand that it can be cultivatedis surprisingly recent, entering our everyday speech in the 1950s. As Samuel W. Franklin reveals, postwar Americans created creativity, through campaigns to define and harness the power of the individual to meet the demands of American capitalism and life under the Cold War. Creativity was championed by a cluster of professionalspsychologists, engineers, and advertising peopleas a cure for the conformity and alienation they feared was stifling American ingenuity. It was touted as a force of individualism and the human spirit, a new middle-class aspiration that suited the needs of corporate America and the spirit of anticommunism. Amid increasingly rigid s

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Central banks now stand between societies and collapse, but are they still democratic? Two decades of financial crises have dramatically expanded central banks' powers. In 2008, and then again in 2020, unelected banking officials found themselves suddenly responsible for the public welfarenot just because it was necessary but based on an idea that their independence from political systems would insulate them from the whims of populism. Now, as international crises continue and the scope of monetary interventions grows in response, these bankers have become increasingly powerful. InBalance of Power, economist and historian Éric Monnet charts the rise of central banks as the nominally independentbut unavoidably politicalsuperpowers of modern societies. This trajectory, Monnet argues, is neither inevitable nor unstoppable. By embracing the political natures of today's central banks, we can construct systems of accountability for how they interact with states and societies. Monnet shows

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From the vital voice of Elijah Anderson, Black in White Space sheds fresh light on the dire persistence of racial discrimination in our country. A birder strolling in Central Park. A college student lounging on a university quad. Two men sitting in a coffee shop. Perfectly ordinary actions in ordinary settings—and yet, they sparked jarring and inflammatory responses that involved the police and attracted national media coverage. Why? In essence, Elijah Anderson would argue, because these were Black people existing in white spaces. In Black in White Space, Anderson brings his immense knowledge and ethnography to bear in this timely study of the racial barriers that are still firmly entrenched in our society at every class level. He focuses in on symbolic racism, a new form of racism in America caused by the stubbornly powerful stereotype of the ghetto embedded in the white imagination, which subconsciously connects all Black people with crime and poverty regardless of their social or economic position. White people typically avoid Black space, but Black people are required to navigate the “white space” as a condition of their existence. From Philadelphia street-corner conversations to Anderson’s own morning jogs through a Cape Cod vacation town, he probes a wealth of experiences to shed new light on how symbolic racism makes all Black people uniquely vulnerable to implicit bias in police stops and racial discrimination in our country. An unwavering truthteller in our national conversation on race, Anderson has shared intimate and sharp insights into Black life for decades. Vital and eye-opening, Black in White Space will be a must-read for anyone hoping to understand the lived realities of Black people and the structural underpinnings of racism in America.

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A thoroughly updated edition of a beloved classic that has guided generations of researchers in conducting effective and meaningful research. With more than a million copies sold since its first publication, The Craft of Research has helped generations of researchers at every levelfrom high-school students and first-year undergraduatesto advanced graduate studentsto researchers in business and government. Conceived by seasoned researchers and educators Wayne C. Booth, Gregory G. Colomb, and Joseph M. Williams, this fundamental work explains how to choose significant topics, pose genuine and productive questions, find and evaluate sources,build sound and compelling arguments, and convey those arguments effectively to others. While preserving the book's proven approach to the research process, as well as its general structure and accessible voice, this new edition acknowledges the many ways research is conducted and communicated today. Thoroughly revised by Joseph Bizup and Willia

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An indispensable guide for telling fact from fiction on the internet—often in less than 30 seconds. The internet brings information to our fingertips almost instantly. The result is that we often jump to thinking too fast, without taking a few moments to verify the source before engaging with a claim or viral piece of media. Information literacy expert Mike Caulfield and educational researcher Sam Wineburg are here to enable us to take a moment for due diligence with this informative, approachable guide to the internet. With this illustrated tool kit, you will learn to identify red flags, get quick context, and make better use of common websites like Google and Wikipedia that can help and hinder in equal measure. This how-to guide will teach you how to use the web to verify the web, quickly and efficiently, including how to • Verify news stories and other events in as little as thirty seconds (seriously) • Determine if the article you’re citing is by a reputable scholar or a quack • Detect the slippery tactics scammers use to make their sites look credible • Decide in a minute if that shocking video is truly shocking • Deduce who’s behind a site—even when its ownership is cleverly disguised • Uncover if that feature story is actually a piece planted by a foreign government • Use Wikipedia wisely to gain a foothold on new topics and leads for digging deeper And so much more. Building on techniques like SIFT and lateral reading, Verified will help students and anyone else looking to get a handle on the internet’s endless flood of information through quick, practical, and accessible steps. For more information, visit the website for the book.

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An hourly guide that follows twenty-four birds as they find food, mates, and safety from predators. From morning to night and from the Antarctic to the equator, birds have busy days. In this short book, ornithologist Mark E. Hauber shows readers exactly how birds spend their time. Each chapter covers a single bird during a single hour, highlighting twenty-four different bird species from around the globe, from the tropics through the temperate zones to the polar regions. We encounter owls and nightjars hunting at night and kiwis and petrels finding their way in the dark. As the sun rises, we witness the beautiful songs of the “dawn chorus.” At eleven o’clock in the morning, we float alongside a common pochard, a duck resting with one eye open to avoid predators. At eight that evening, we spot a hawk swallowing bats whole, gorging on up to fifteen in rapid succession before retreating into the darkness. For each chapter, award-winning artist Tony Angell has depicted these scenes with his signature pen and ink illustrations, which grow increasingly light and then dark as our bird day passes. Working closely together to narrate and illustrate these unique moments in time, Hauber and Angell have created an engaging read that is a perfect way to spend an hour or two—and a true gift for readers, amateur scientists, and birdwatchers.

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An urgent and galvanizing argument for an Economic Bill of Rights—and its potential to confer true freedom on all Americans. Since the Founding, Americans have debated the true meaning of freedom. For some, freedom meant the provision of life’s necessities, those basic conditions for the “pursuit of happiness.” For others, freedom meant the civil and political rights enumerated in the Bill of Rights and unfettered access to the marketplace—nothing more. As Mark Paul explains, the latter interpretation—thanks in large part to a particularly influential cadre of economists—has all but won out among policymakers, with dire repercussions for American society: rampant inequality, endemic poverty, and an economy built to benefit the few at the expense of the many. In this book, Paul shows how economic rights—rights to necessities like housing, employment, and health care—have been a part of the American conversation since the Revolutionary War and were a cornerstone of both the New Deal and the Civil Rights Movement. Their recuperation, he argues, would at long last make good on the promise of America’s founding documents. By drawing on FDR’s proposed Economic Bill of Rights, Paul outlines a comprehensive policy program to achieve a more capacious and enduring version of American freedom. Among the rights he enumerates are the right to a good job, the right to an education, the right to banking and financial services, and the right to a healthy environment. Replete with discussions of some of today’s most influential policy ideas—from Medicare for All to a federal job guarantee to the Green New Deal—The Ends of Freedom is a timely and urgent call to reclaim the idea of freedom from its captors on the political right—to ground America’s next era in the country’s progressive history and carve a path toward a more economically dynamic and equitable nation.

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The sixteenth Parker novel, "Butcher's Moon" is more than twice as long as most of the master heister's adventures and absolutely jammed with the action, violence, and nerve-jangling tension readers have come to expect. Back in the corrupt town where he lost his money, and nearly his life, in Slayground, Parker assembles a stunning cast of characters from throughout his career for one gigantic, blowout job: starting - and finishing - a gang war. It feels like the Parker novel to end all Parker novels, and for nearly twenty-five years that's what it was. After its publication in 1974, Donald Westlake said, "Richard Stark proved to me that he had a life of his own by simply disappearing. He was gone." And readers waited. But nothing bad is truly gone forever, and Parker's as bad as they come. According to Westlake, one day in 1997, "suddenly, he came back from the dead, with a chalky prison pallor" - and the resulting novel, "Comeback", showed that neither Stark nor Parker had lost a single step. Knocking over a highly lucrative religious revival show, Parker reminds us that not all criminals don ski masks - some prefer to hide behind the wings of fallen angels. Backflash followed soon after, and it found Parker checking out the scene on a Hudson River gambling boat. Parker's no fan of either relaxation or risk, however, so you can be sure he's playing with house money - and he's willing to do anything to tilt the odds in his favor. Featuring three new introductions by Westlake's close friend and writing partner Lawrence Block, these classic Parker adventures deserve a place of honor on any crime fan's bookshelf.

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A compelling biography of Mark Weiser, a pioneering innovator whose legacy looms over the tech industry’s quest to connect everything—and who hoped for something better. When developers and critics trace the roots of today’s Internet of Things—our smart gadgets and smart cities—they may single out the same creative source: Mark Weiser (1952–99), the first chief technology officer at Xerox PARC and the so-called “father of ubiquitous computing.” But Weiser, who died young at age 46 in 1999, would be heartbroken if he had lived to see the ways we use technology today. As John Tinnell shows in this thought-provoking narrative, Weiser was an outlier in Silicon Valley. A computer scientist whose first love was philosophy, he relished debates about the machine’s ultimate purpose. Good technology, Weiser argued, should not mine our experiences for saleable data or demand our attention; rather, it should quietly boost our intuition as we move through the world. Informed by deep archival research and interviews with Weiser’s family and colleagues, The Philosopher of Palo Alto chronicles Weiser’s struggle to initiate a new era of computing. Working in the shadows of the dot-com boom, Weiser and his collaborators made Xerox PARC headquarters the site of a grand experiment. Throughout the building, they embedded software into all sorts of objects—coffeepots, pens, energy systems, ID badges—imbuing them with interactive features. Their push to integrate the digital and the physical soon caught on. Microsoft’s Bill Gates flagged Weiser’s Scientific American article “The Computer for the 21st Century” as a must-read. Yet, as more tech leaders warmed to his vision, Weiser grew alarmed about where they wished to take it. In this fascinating story of an innovator and a big idea, Tinnell crafts a poignant and critical history of today’s Internet of Things. At the heart of the narrative is Weiser’s desire for deeper connection, which animated his life and inspired his notion of what technology at its best could be.

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Gladius delivers a stunning ground-level recreation of what it was like to be a soldier in the fighting force that made the Roman Empire. Empire. The Roman army was the greatest fighting machine in the ancient world. More than that, it was the single largest organization in Western antiquity, taking in members from all classes, from senators to freed slaves. The Roman Empire depended on its army not just to win its wars, defend its frontiers, and control the seas, but to act as the very engine of the state. In Gladius, Guy de la Bédoyère takes us straight to the heart of what it meant to be a part of the Roman army. Rather than a history of the army itself, or a guide to military organization and fighting methods, this book is a ground-level recreation of what it was like to be a soldier in the army that made the empire. Surveying numerous aspects of life in the Roman army between 264 BCE and 337 CE, Gladius—the Latin word for sword—draws not only on the words of famed Roman historians, but also those of the soldiers themselves, as recorded in their religious dedications, tombstones, and even private letters and graffiti. Gladius reveals the everyday life of these soldiers and their families, whether stationed in a bleak frontier garrison in Britain or North Africa, tasked with guarding the emperor in Rome, fighting on foreign battlefields, mutinying over pay, marching in triumph, throwing their weight around on city streets, or enjoying esteem in honorable retirement. By illuminating the history of one organization that reflected all corners of the Roman world, Gladius gives us a portrait of an ancient society that is unprecedented in both its broad sweep and gritty intimacy.

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Louis XIV was a man in pursuit of glory. Not content to be the ruler of a world power, he wanted the power to rule the world. And, for a time, he came tantalizingly close. Philip Mansel’s King of the World is the most comprehensive and up-to-date biography in English of this hypnotic, flawed figure who continues to captivate our attention. This lively work takes Louis outside Versailles and shows the true extent of his global ambitions, with stops in London, Madrid, Constantinople, Bangkok, and beyond. We witness the importance of his alliance with the Spanish crown and his success in securing Spain for his descendants, his enmity with England, and his relations with the rest of Europe, as well as Asia, Africa, and the Americas. We also see the king’s effect on the two great global diasporas of Huguenots and Jacobites, and their influence on him as he failed in his brutal attempts to stop Protestants from leaving France. Along the way, we are enveloped in the splendor of Louis’s court and the fascinating cast of characters who prostrated and plotted within it.King of the World is exceptionally researched, drawing on international archives and incorporating sources who knew the king intimately, including the newly released correspondence of Louis’s second wife, Madame de Maintenon. Mansel’s narrative flair is a perfect match for this grand figure, and he brings the Sun King’s world to vivid life. This is a global biography of a global king, whose power was extensive but also limited by laws and circumstances, and whose interests and ambitions stretched far beyond his homeland. Through it all, we watch Louis XIV progressively turn from a dazzling, attractive young king to a belligerent reactionary who sets France on the path to 1789. It is a convincing and compelling portrait of a man who, three hundred years after his death, still epitomizes the idea of le grand monarque.

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More than a quarter million copies sold! A creative writer’s shelf should hold at least three essential books: a dictionary, a style guide, and Writing Fiction. Janet Burroway’s best-selling classic is the most widely used creative writing text in America, and for more than three decades it has helped hundreds of thousands of students learn the craft. Now in its tenth edition, Writing Fiction is more accessible than ever for writers of all levels—inside or outside the classroom. This new edition continues to provide advice that is practical, comprehensive, and flexible. Burroway’s tone is personal and nonprescriptive, welcoming learning writers into the community of practiced storytellers. Moving from freewriting to final revision, the book addresses “showing not telling,” characterization, dialogue, atmosphere, plot, imagery, and point of view. It includes new topics and writing prompts, and each chapter now ends with a list of recommended readings that exemplify the craft elements discussed, allowing for further study. And the examples and quotations throughout the book feature a wide and diverse range of today’s best and best-known creators of both novels and short stories. This book is a master class in creative writing that also calls on us to renew our love of storytelling and celebrate the skill of writing well. There is a very good chance that one your favorite authors learned the craft with Writing Fiction. And who knows what future favorite will get her start reading this edition?

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"Welcome to the European family!" When East European countries joined the European Union under this banner after 1989, they agreed to the free movement of goods, services, capital, and persons. In this book, Anca Parvulescu analyzes an important niche in this imagined European kinship: the traffic in women, or the circulation of East European women in West Europe in marriage and as domestic servants, nannies, personal attendants, and entertainers. Analyzing film, national policies, and an impressive range of work by theorists from Giorgio Agamben to Judith Butler, she develops a critical lens through which to think about the transnational continuum of "women's work." Parvulescu revisits Claude Levi-Strauss' concept of kinship and its rearticulation by second-wave feminists, particularly Gayle Rubin, to show that kinship has traditionally been anchored in the traffic in women. Reading recent cinematic texts that help frame this, she reveals that in contemporary Europe, East European migrant women are exchanged to engage in labor customarily performed by wives within the institution of marriage. Tracing a pattern of what she calls Americanization, Parvulescu argues that these women thereby become responsible for the labor of reproduction. A fascinating cultural study as much about the consequences of the enlargement of the European Union as women's mobility, The Traffic in Women's Work questions the foundations of the notion of Europe today.

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On a warm summer's night in Athens, Georgia, Patrik Keim stuck a pistol into his mouth and pulled the trigger. Keim was an artist, and the room in which he died was an assemblage of the tools of his particular trade: the floor and table were covered with images, while a pair of large scissors, glue, electrical tape, and some dentures shared space with a pile of old medical journals, butcher knives, and various other small objects. Keim had cleared a space on the floor, and the wall directly behind him was bare. His body completed the tableau. Art and artists often end in tragedy and obscurity, but Keim's story doesn't end with his death. A few years later, 180 miles from Keim's grave, a bulldozer operator uncovered a pine coffin in an old beaver swamp down the road from Allen C. Shelton's farm. He quickly reburied it, but Shelton, a friend of Keim's who had a suitcase of his unfinished projects, became convinced that his friend wasn't dead and fixed in the ground, but moving between this world and the next in a traveling coffin in search of his incomplete work. In Where the North Sea Touches Alabama, Shelton ushers us into realms of fantasy, revelation, and reflection, paced with a slow unfurling of magical correspondences. Though he is trained as a sociologist, this is a genre-crossing work of literature, a two-sided ethnography: one from the world of the living and the other from the world of the dead. What follows isn't a ghost story but an exciting and extraordinary kind of narrative. The psychosociological landscape that Shelton constructs for his reader is as evocative of Kafka, Bataille, and Benjamin as it is of Weber, Foucault, and Marx. Where the North Sea Touches Alabama is a work of sociological fictocriticism that explores not only the author's relationship to the artist but his physical, historical, and social relationship to northeastern Alabama, in rare style.

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The rich history of the Indian Ocean has been much explored, though its present-day manifestations remain less studied. This catalog for an exhibition at the McMullen Museum of Art, curated by Prasannan Parthasarathi and Salim Currimjee, brings together essays that contextualize the work of six contemporary artists from the region. Through a variety of mediums and forms—including watercolors, videos, collages, sculptures, and photographs—Shiraz Bayjoo, Shilpa Gupta, Nicholas Hlobo, Wangechi Mutu, Penny Siopis, and Hajra Waheed grapple with the past, present, and future of the Indian Ocean.Indian Ocean Current provides interdisciplinary perspectives on the work of these six artists, with essays drawn from environmental studies, postcolonial studies, literature, and history. Contributors trace the connections that spanned the Indian Ocean, the movement of peoples, and the evolution of plural societies. From the mid-twentieth century, decolonization led to the creation of new nation-states, and hastily erected borders divided many. Today, the rising waters of the Indian Ocean, a consequence of climate change, strip these borders of their power. Indian Ocean Current opens up an artistic, historical, cultural, and political conversation about an area of the world famed for its cosmopolitanism but threatened by nationalism and global warming.

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Art criticism was once passionate, polemical, and judgmental; now critics are more often interested in ambiguity, neutrality, and nuanced description. And while art criticism is ubiquitous in newspapers, magazines, and exhibition brochures, it is also virtually absent from academic writing. How is it that even as criticism drifts away from academia, it becomes more academic? How is it that sifting through a countless array of colorful periodicals and catalogs makes criticism seem to slip even further from our grasp? In this pamphlet, James Elkins surveys the last fifty years of art criticism, proposing some interesting explanations for these startling changes."In What Happened to Art Criticism?, art historian James Elkins sounds the alarm about the perilous state of that craft, which he believes is 'In worldwide crisis . . . dissolving into the background clutter of ephemeral cultural criticism' even as more and more people are doing it. 'It's dying, but it's everywhere . . . massively produced, and massively ignored.' Those who pay attention to other sorts of criticism may recognize the problems Elkins describes: 'Local judgments are preferred to wider ones, and recently judgments themselves have even come to seem inappropriate. In their place critics proffer informal opinions or transitory thoughts, and they shy from strong commitments.' What he'd like to see more of: ambitious judgment, reflection about judgment itself, and 'criticism important enough to count as history, and vice versa.' Amen to that."—Jennifer Howard, Washington Post Book World

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"Homer in Print" traces the print transmission and literary reception of the Iliad and the Odyssey from the fifteenth through the twentieth century. Over 175 mini-essays provide new details of each included edition's textual, intellectual, and publishing history. Three long-form essays contributed by scholars Glenn W. Most and David Wray, and collector M. C. Lang, place these editions within a wider context, exploring their role in ancient and modern philology, translation studies, and the history of printing. An extensive and strikingly illustrated testament to the power and popularity of Homer over the past five hundred years, "Homer in Print" is an essential text for students and teachers of classics, classical reception, comparative literature, and book history. This volume, a product of new research and sharp scholarship, evidences Homer's ability to captivate the imaginations of poets, editors, and readers across the centuries.

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As an aesthetic ideal, classicism is often associated with a conventional set of rules founded on supposedly timeless notions such as order, reason, and decorum. As a result, it is sometimes viewed as rigid, outdated, or stodgy. But in actuality, classicism is far from a stable concept throughout history, it has given rise to more debate than consensus, and at times has been put to use for subversive ends. With contributions from an interdisciplinary group of scholars, this volume explodes the idea of classicism as an unchanging ideal. The essays trace the shifting parameters of classicism from antiquity to the twentieth century, documenting an exhibition of seventy objects in various media from the collection of the Smart Museum of Art and other American and international institutions. With its impressive historical and conceptual reach from ancient literature to contemporary race relations and beyond this colorfully illustrated book is a dynamic exploration of classicism as a fluctuating stylistic and ideological category.

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This text raises questions about artistic freedom and censorship. Wu Hung uses the Chinese government's cancellation of the exhibition "It's Me", Beijing 1998, to anchor his analysis of the challenges face by contemporary Chinese artisits and curators. Mainland China is experiencing many rapid changes, and many artists and curators are seeking new ways to show work, and find new allies, patrons and audiences. These people are investigating ways to respond to official antagonism and realize the potential of experimental art in the public sphere, as well as how to maintain the independence of this art in a commercialized society. These issues are addressed by Wu Hung through a survey of exhibition practices, a discussion of the Smart Museum exhibition "Canceled: Exhibiting Experimental Art in China", a case study of "It's Me", and a collection of materials from 11 other exhibitions.

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In counterterrorism circles, the standard response to questions about the possibility of future attacks is a terse one-liner worthy of Jack Bauer: 'Not if, but when'. This mantra supposedly conveys a realistic approach to the problem, but, as Joseba Zulaika argues in "Terrorism", it functions as a self-fulfilling prophecy by distorting reality to fit their own worldview, the architects of the war on terror prompt the behavior they seek to prevent - a twisted logic that has already played out horrifically in Iraq. In short, Zulaika contends, counterterrorism has become pivotal in promoting terrorism. Exploring the blind spots of counterterrorist doctrine, Zulaika takes readers on a remarkable intellectual journey. He contrasts the psychological insight of Truman Capote's "In Cold Blood" with "The 9/11 Commission Report", plumbs the mindset of terrorists in works by Oriana Fallaci and Jean Genet, maps the continuities between the cold war and the fight against terrorism, and analyzes the case of a Basque terrorist who tried to return to civilian life. Zulaika's argument is powerful, inventive, and rich with insights and ideas that provide a new and sophisticated perspective on the war on terror.

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"An American Travesty" is the first scholarly book in half a century to analyze the justice system's response to sexual misconduct by children and adolescents in the United States. Writing with a refreshing dose of common sense, Franklin E. Zimring discusses our society's failure to consider the developmental status of adolescent sex offenders. Too often, he argues, the American legal system ignores age and developmental status when adjudicating young sexual offenders, in many cases responding as they would to an adult.

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