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ÊBest Monologues from Best American Short Plays Volume OneÊ is a must for actors of all ages ä beginners as well as seasoned veterans ä and belongs in the libraries of all theater teachers looking for new and exciting material for their students. The monologues in this volume are excerpted from the outstanding series Best American Short Plays an archive of works from many of the best playwrights active today presenting taut engaging single-character pieces that range from zany comedy to poignant tales of love and loss. Each monologue includes a short introduction and a reference identifying where to locate the entire play should anyone choose to pursue production beyond the monologue. Long or short serious or not this collection is must-have material for anyone interested in acting. The monologues also succeed as excellent companions for the casual reader.ÞIncluded in this volume are monologues by Liliana Almendarez James Armstrong Billy Aronson Clay McLeod Chapman Migdalla Cruz Laura Shaine Cunningham Eileen Fischer Jill Elaine Hughes Julia Jarcho Zilvinas Jonusas Adam Kraar David Kranes Neil LaBute Daniel Frederick Levin Bruce Levy Carey Lovelace Carol K. Mack Dano Madden Peter Maloney Joe Maruzzo Mark Medoff Susan Miller Julie Rae (Pratt) Mollenkamp Rick Pulos Ronald Ribman Murray Schisgal Pamela Sneed and co-writers Polly Frost and Ray Sawhill.

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‘If you wish to make an apple pie from scratch, you must first invent the universe’ - Carl SaganInspired by Sagan’s famous line, How To Make An Apple Pie From Scratch sets out on a journey to unearth everything we know about our universe: how it started, how we found out, and what we still have left to discover . . .‘Witty, approachable and captivating’ - Robin Ince‘A fascinating exploration of how we learned what matter really is’ - Sean CarrollWill we ever be able to understand the very first moments of the world we inhabit? What is matter really made of? How did anything survive the fearsome heat of the Big Bang?In pursuit of answers, we meet the scientists, astronomers and philosophers who brought us to our present understanding of the world – offering readers a front-row seat to the most dramatic journey human beings have ever embarked on.TED Talk speaker and academic Harry Cliff's How To Make An Apple Pie From Scratch is an essential, fresh and funny guide to how we got to where we are now – and what we have to come.‘A delightfully fresh and accessible approach to one of the great quests of science’ - Graham Farmelo‘Lays out not just what we know, but how we found out (and what is left to be discovered’ - Katie Mack

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DCI Mackenzie and Atticus Priest are back, but can they work together to solve a conspiracy?A dog walker finds a human bone on lonely Salisbury Plain. DCI Mackenzie Jones investigates the grisly discovery but cannot explain how it ended up there. She contacts disgraced ex-detective Atticus Priest and the two of them trace the bone to a graveyard in the nearby village of Imber. But the village was abandoned after it was purchased by the Ministry of Defence to train the army, so why have bodies been buried in the graveyard since the church was closed?At the same time, Atticus is approached by a single dad who needs his help to track down his missing daughter. Atticus takes on the case and finds himself battling a London gang who are selling their drugs in Salisbury and a host of witnesses who don't seem to be telling him the truth.Atticus and Mack deal with the fiendishly complex case and unpick a conspiracy that cuts to the heart of the English establishment – while dealing with their own feelings for one another.PRAISE FOR MARK DAWSON:'Absolutely brilliant' – Mail on Sunday'A literary sensation' – Daily Telegraph'A great thriller writer on the top of his game' – Steve Cavanagh, Sunday Times bestselling author'Nerve-shreddingly tense. Utterly addictive' – M.J. Arlidge

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A TIMES BEST COMEDY BOOK OF 2021'The funniest man in the world has written the funniest book in the world' DAVID WALLIAMS'A brilliant insight into what it takes to go from regular funny bloke to one of the best stand-ups I've ever seen' LEE MACK'Proper laugh-out-loud funny, fascinating, and...a must for anyone who's interested in the business of laughter' JOE LYCETTAfter a childhood spent making smoke bombs, killing wasps and carving soap in 70s Kent, Harry Hill then found himself in charge of hundreds of sick people as a junior doctor. Out of his depth and terrified, he chucked it all in to pursue his dream of becoming a stand-up comedian. Battling his way through the 90s comedy circuit he quickly rose to become a household name and one of the UK's most celebrated comics, almost making it to the top of the showbiz tree...From being chased by an angry heckler and getting fired from Capital Radio to a bizarre assassination attempt and cutting up Simon Cowell's trousers, Harry takes an honest and hilarious look at the ups and downs of his life and career, finding joy in failure and creativity in struggle, whilst never forgetting that life is short.

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Archaeological exploration in the Central Highlands of the Southern Levant conducted during the 1970s and 1980s dramatically transformed the scholarly understanding of the early Iron Age and led to the publication of From Nomadism to Monarchy: Archaeological and Historical Aspects of Early Israel, by Israel Finkelstein and Nadav Na’aman. This volume explores and reassesses the legacy of that foundational text. Using current theoretical frameworks and taking into account new excavation data and methodologies from the natural sciences, the seventeen essays in this volume examine the archaeology of the Southern Levant during the early Iron Age and the ways in which the period may be reflected in biblical accounts. The variety of methodologies employed and the historical narratives presented within these contributions illuminate the multifaceted nature of contemporary research on this formative period.Building upon Finkelstein and Na’aman’s seminal study, this work provides an essential update. It will be welcomed by ancient historians, scholars of early Israel and the early Iron Age Southern Levant, and biblical scholars. In addition to the editors, the contributors to this volume are Eran Arie, Erez Ben-Yosef, Cynthia Edenburg, Israel Finkelstein, Yuval Gadot, Assaf Kleiman, Gunnar Lehmann, Defna Langgut, Aren M. Maeir, Nadav Na’aman, Thomas Römer, Lidar Sapir-Hen, Katja Soennecken, Dieter Vieweger, Ido Wachtel, and Naama Yahalom-Mack.

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In 1996, the Guatemalan civil war ended with the signing of the Peace Accords, facilitated by the United Nations and promoted as a beacon of hope for a country with a history of conflict. Twenty years later, the new era of political protest in Guatemala is highly complex and contradictory: the persistence of colonialism, fraught indigenous-settler relations, political exclusion, corruption, criminal impunity, gendered violence, judicial procedures conducted under threat, entrenched inequality, as well as economic fragility. Human and Environmental Justice in Guatemala examines the complexities of the quest for justice in Guatemala, and the realities of both new forms of resistance and long-standing obstacles to the rule of law in the human and environmental realms. Written by prominent scholars and activists, this book explores high-profile trials, the activities of foreign mining companies, attempts to prosecute war crimes, and cultural responses to injustice in literature, feminist performance art and the media. The challenges to human and environmental capacities for justice are constrained, or facilitated, by factors that shape culture, politics, society, and the economy. The contributors to this volume include Guatemalans such as the human rights activist Helen Mack Chang, the environmental journalist Magalí Rey Rosa, former Guatemalan Attorney General Claudia Paz y Paz, as well as widely published Guatemala scholars.

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An Everyman who expressed the defiant spirit of freedom, Charlie Chaplin was first lauded and later reviled in the America that made him Hollywood's richest man. He was a figure of multiple paradoxes, and many studies have sought to unveil 'the man behind the mask.' Louvish charts the tale of the Tramp himself through his films - from the early Mack Sennett shorts through the major features (The Gold Rush, City Lights, Modern Times, The Great Dictator et al.) He weighs the relationship between the Tramp, his creator, and his world-wide fans, and in doing so retrieves Chaplin as the iconic London street-kid who carried the 'surreal' antics of early BritishMusic Hall triumphantly onto the Hollywood screen. Louvish also looks anew at Chaplin's and the Tramp's social and political ideas - the challenge to fascism, defiance of the McCarthyite witch-hunts, eventual 'exile', and last mature disguises as the serial-killer Monsieur Verdoux and the dying English clown Calvero in Limelight.This book is an epic journey, summing up the roots of Comedy and its appeal to audiences everywhere, who revelled in the clown's raw energy, his ceaseless struggle against adversity, and his capacity to represent our own fears, foibles, dreams, inner demons and hopes.

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From the veteran online journalist Doree Shafrir, a sharp, hugely entertaining story of youth, ambition, love, money and technology's inability to hack human nature.Mack McAllister has a $600 million dollar idea. His mindfulness app, TakeOff, is already the hottest thing in tech and he's about to launch a new and improved version that promises to bring investors running. Katya Pasternack, an ambitious young journalist at a gossipy tech blog, is hungry for a scoop that will drive traffic. Sabrina Choe Blum, an exhausted mother of two and failed creative writer, just wants to stay afloat as she tries to escape from her credit card debt and an inattentive husband--who also happens to be Katya's boss. Before the ink on Mack's latest round of funding is dry, an errant text message hints that he may be working a bit too closely for comfort with a young social media manager in his office. When Mack's bad behavior collides with Katya's search for a salacious post, Sabrina gets caught in the middle as TakeOff goes viral for all the wrong reasons. As the fallout engulfs the lower Manhattan office building where all three work, it's up to Katya and Sabrina to write the story the men in their lives would prefer remain untold.

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Lou Brissie's extraordinary story is one that takes readers from the terrifying battlefields in Europe in World War II to the playing fields in Philadelphia. Pulitzer Prize-winning author Ira Berkow brings together the unforgettable memories of a hero's life, telling the tales of a man who overcame incredible odds with his leg in a protective metal case to realize his dream of pitching in the major leagues. Brissie recounts amazing stories, including Brissie’s leg injury and how he was left for dead in the snow and mud of the Appenines in Italy, his pleading with doctors to not surgically remove his leg so that he might one day play professional baseball, the numerous surgeries and his improbable road to recovery, his friendship with Connie Mack and the opportunity to pitch after his injury, being named to the 1949 All-Star team as member of the Philadelphia Athletics, the big scare Brissie received when a Ted Williams line drive struck his wounded leg, and his regular visits for the past 60 years to both veteran's hospitals and children's hospital wards. The Corporal Was a Pitcher is a must-read not only for baseball fans, but also for anyone looking to find inspiration from a man who never quit despite the odds being stacked so highly against him.

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In 1959 Daniel Spoerri pioneered the first programmatic series of multiples―three-dimensional objects issued in edition―to be broadly distributed. With a radical emphasis on multiplication and movement, Edition MAT (Multiplication d’art transformable) presented an international selection of work by key figures in postwar kinetic and Op art. Multiplied is the first in-depth English-language study of this seminal project in the history of postwar art. The catalog presents the entirety of the three collections—1959, 1964, and 1965—consisting of 48 artworks by 35 European and US artists associated with kinetic and Op art, including such leading figures as Marcel Duchamp, Dieter Roth, and Jean Tinguely, alongside lesser known artists. With four essays, artist entries, and an appendix of newly translated historical texts, this volume sheds light on under-studied artworks as well as the body of critical thought connecting art, commerce, and display in the postwar period. Artists: Yaacov Agam, Josef Albers, Arman, Jean Arp, Enrico Baj, Davide Boriani, George Brecht, Pol Bury, Christo, Gabriele De Vecchi, Marcel Duchamp, Bo Ek, Robert Filliou, Karl Gerstner, Maurice Henry, Julio Le Parc, Roy Lichtenstein, Heinz Mack, Frank J. Malina, Enzo Mari, Christian Megert, François Morellet, Bruno Munari, Arnulf Rainer, Man Ray, Dieter Roth, Jesús Rafael Soto, Daniel Spoerri, Paul Talman, André Thomkins, Jean Tinguely, Victor Vasarely, Jacques Villeglé, Emmett Williams

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Cultural property and its stewardship have long been concerns of museums, archaeologists, art historians, and nations, but recently the legal and political consequences of collecting antiquities have also attracted broad media attention. This has been the result, in part, of several high-profile trials, as well as demands by various governments for the return of antiquities to their countries of origin. These circumstances call out for public discussion that moves beyond the rather clear-cut moral response to looting, to consider the implications of buying, selling, and exhibiting antiquities. To whom should they belong? What constitutes legal ownership of antiquities? What laws govern their importation into the United States, for instance? What circumstances, if any, demand the return of those antiquities to their countries of origin? Is there a consensus among archaeologists and museum directors about these issues? These and other pertinent issues are addressed in the essays and responses collected in this volume. Delivered at a 2007 symposium by eminent museum directors and curators, legal scholars, archaeologists, and historians and practitioners of art and architecture, these papers comprise a rich and nuanced reference work. Contributors: Malcolm Bell III, Nancy Bookidis, Douglas E. Bradley, James Cuno, Dennis P. Doordan, Patty Gerstenblith, Charles R. Loving, Michael Lykoudis, Joanne M. Mack, Mary Ellen O’Connell, Robin F. Rhodes, Marcia Rickard, Kimerly Rorschach, C. Brian Rose, Charles Rosenberg, Stefano Vassallo, Charles K. Williams II.

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Martin Luther King Jr. Malcolm X. Muhammad Ali. When you think of African American history, you think of its heroes - individuals endowed with courage and strength who are celebrated for their bold exploits and nobility of purpose. But what of black villains? Villains, just as much as heroes, have helped define the black experience. Ranging from black slaveholders and frontier outlaws to serial killers and gangsta rappers, Hoodlums examines the pivotal role of black villains in American society and popular culture. Here, William L. Van Deburg offers the most extensive treatment to date of the black badman and the challenges that this figure has posed for race relations in America. He first explores the evolution of this problematic racial stereotype in the literature of the early Republic and then probes antebellum slave laws, minstrel shows, and the works of proslavery polemicists to consider how whites conceptualized blacks as members of an inferior and dangerous race. Turning to key works by blacks themselves, from the writings of Frederick Douglass and W. E. B. Du Bois to classic blaxploitation films like Black Caesar and The Mack, Van Deburg demonstrates how African Americans have combated such negative stereotypes and reconceptualized the idea of the badman through stories of social bandits-controversial individuals vilified by whites for their proclivity toward evil, but revered in the black community as necessarily insurgent and revolutionary.

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Winner, Evelyn Richardson Memorial Prize for Non-FictionWell-known naturalist and artist Linda Johns shares her woodland home with a menagerie of injured wild birds -- starlings, blue jays, pigeons, baby woodpeckers, a rose-breasted grosbeak, a semi-palmated sandpiper, and even a gannet. She and her "saner half," Mack, have gone so far as to transform their living room into an indoor forest, complete with two dead trees providing a variety of perches and a screened porch making do as a practise flyway. Johns nurses her feathered convalescents day and night, helping them to drink and bathe and hunt, and gaining deep insights into their highly individual personalities. Most she attempts to release back into the wild but a few, inevitably, move in to stay. Birds of a Feather: Tales of a Wild Bird Haven is a warm and funny account of eight months -- from May to December -- in the life of this caring wildlife rescuer. Fans of Johns's earlier wildlife books will relish her humorous descriptions of the antics of such irresistible characters as Blossom, the media-savvy chicken, and the goats Mower and Munch. Enhanced by line drawings of her avian housemates, this delightful collection of anecdotes in the tradition of James Herriot and Farley Mowat celebrates some of Nature's smallest and most awe-inspiring miracles.

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Tin to Table cracks open the secrets of the tinned sea with over 50 recipes, from no-fuss snacks to fresh salads, hearty mains, and creative no-recipe recipes for quick pop-and-eat meals. From the sparkling shores of the Mediterranean, to the salmon smokehouses of Alaska, to the deep blue coves of Spain and beyond, tinned seafood offers a world's worth of flavorful meal inspiration. Sail through the pages of this rich, briny guide to discover how to bring more tasty tinned seafood into your life and onto your plate. Just as carefree and delicious as the contents of the tins themselves, the recipes in Tin to Table offer an ocean of knowledge and cooking inspiration, whether you're enjoying these preserved delicacies straight out of the can or using them as a base for fancy dinner party fare: Triple Pickle Smoked Salmon Butter Sandwich Canned Clam Garlic Bread Sardine Curry Puffs Caesar Popcorn (Negronis optional!) Tuna Noodle Casserole 2.0 with Salt and Vinegar Crumbs Vermouth Hour Potato Chips with Mussels, Olives, and Piparras Mac and Mack(erel) Anna Hezel uses her keen food wisdom to not only help you discover tasty meal inspiration but navigate you through the world of tinned seafood with handy field guides, smart pairing suggestions, and shopping resources, so you can live that breezy, tinned-fish life anywhere or anytime.

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Frank Denius was not yet twenty-one when he fought his way across Europe and was awarded four Silver Stars, a Presidential Unit Citation, and two Purple Hearts. On the Way describes Denius’s formative experiences during World War II in gripping detail and will cause any reader to wonder how he or she might have held up under similar pressure. The powerful opening chapters are followed by a detailed account of Denius’s life and career after the war, assembled into a first-person memoir from conversations between Denius and Thomas Hatfield, and published by the Briscoe Center for American History at the University of Texas at Austin.Discharged from the army in October 1945, Denius enrolled at the University of Texas within a week. He is a lifelong supporter of the university: as part of the Texas Exes, as a donor to numerous academic programs, and as a fan of Longhorn football. Former UT football coach Mack Brown liked to say, “Frank has been to more practices than I have.”Denius graduated from the University of Texas School of Law and joined one of Austin’s leading law firms in the late 1940s. Denius recounts how Texas operated in Lyndon Johnson’s prime, observes power plays in the Texas energy industry, and describes his role in building a regional university into a global leader.

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Collecting three classic fan-favorite Wolverine novels together for the first time in a brand-new omnibus edition, including origin story Weapon X. WEAPON X by Mark Cerasini Before joining the X-Men, Wolverine was simply a directionless loner mutant named Logan. This is the cruel origin of Logan's transformation into Wolverine, as seen through the eyes of his tormentors. Their goal is to create the ultimate weapon, an indestructible man. As Logan manages to free himself from his captors, a brutal wave of violence affects all those involved. ROAD OF BONES by David Alan Mack Wolverine is tapped by a government agency to investigate rumors of a miracle cure developed by a sinister underworld organization, and used to gain leverage and control over desperate African nations. Wolverine must thwart the criminals' schemes and recover the panacea for benign use. But hope may turn to ashes as Logan learns that nothing is quite as it seems. LIFEBLOOD by Matthew Hughes Wolverine's memories of fighting in the Canadian army during World War II begin to resurface. Digging deeper, he discovers he was a prisoner of war, at the will of a ruthless Nazi scientist determined to unlock the secrets of Logan's mutant healing powers. What Logan doesn't know is that the scientist is still at large, and he'll stop at nothing to finish what he started sixty years earlier...

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'A wholly delightful novel' Allan Massie, ScotsmanLily Crawford and Jeanie Taylor, from very different backgrounds, are firm friends from their childhoods in Kirkcudbright. They share their ambitions for their futures, Lily to be an artist, Jeanie to be a dancer.The two women's eventful lives are intertwined. In the years before the First World War, the girls lose touch when Jeanie runs away from home and joins a dance company, while Lily attends The Mack, Glasgow's famous school of art designed by Charles Rennie Mackintosh. A chance meeting reunites them and together they discover a Glasgow at the height of its wealth and power as the Second City of the Empire - and a city of poverty and overcrowding. Separated once again after the war, Lily and Jeanie find themselves on opposite sides of the world. Lily follows her husband to Shanghai while Jeanie's dance career brings her international fame. But the glamour and dissolution of 1920s Shanghai finally lead Lily into peril. Her only hope of survival lies with her old friend Jeanie, as the two women turn to desperate measures to free Lily from danger.Inspired by the eventful and colourful lives of the pioneering women artists The Glasgow Girls, particularly that of Eleanor Allen Moore, Daisy Chain is a story of independence, women's art, resilience and female friendship, set against the turbulent background of the early years of the 20th century.

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(Published as a Morris Jesup Book in association with the Westport Library, Westport, Connecticut) Written by an intimate participant in the turbulent civil rights movement in Mississippi, Nobody Said Amen tells the stories of two families' lives, one white, one black, as they navigate the challenging, tilting landscape created by the coming of "outside agitators" and social change to the Mississippi Delta in the 1960s. Owner of a great plantation, Luke Claybourne is a product of Southern attitudes, a decent man who feels responsible for the black families who make his plantation run, but who is loathe to accept the changes necessary for its survival. When he loses his plantation, his entire world is shattered. Led by his wife, Willy, and their friendship with a Northern journalist, Luke is forced to come to terms with a new way of life in the post--Civil Rights era South. Meanwhile, Jimmy Mack, a young black Mississippian leading a group of students who have come to Shiloh to help blacks gain the right to vote, has become a target of the Klan--savagely beaten while in jail and threatened with a burning cross. His love affair with Eula, a Claybourne employee, highlights the tensions and hazards of trying to love in the shadow of a racist world. Rich with a colorful roster of the people in Shiloh, Nobody Said Amen tells a triumphant American tale.

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Compares the cultural productions of Canada and the US - literature, but also film, opera, and even theme parks - providing a reassessment of Canadian Studies within a comparative framework. Since the elections of Donald Trump and Justin Trudeau, unprecedented international attention is being drawn to the differences between the United States and Canada. This timely volume takes a close comparative look at the national imaginaries of the two countries. In its analyses of the two countries' cultural productions - literature, but also film, opera, and even theme parks - it follows the approach of Comparative North American Studies, which has been significantly advanced by Reingard M. Nischik's work over recent decades. Featuring such illustrious contributors as Linda Hutcheon, Sherrill Grace, and Aritha van Herk, the volume considers the works of writers such as MargaretAtwood, whose concern with both countries' identities is well known, but also offers surprising new insights, for example by comparing writing by Edgar Allan Poe with Canadian Yann Martel's novel Life of Pi and Nobel Prize-winning author Alice Munro's work with that of the American graphic novelist Alison Bechdel. Contributors: Margaret Atwood, Shuli Barzilai, Julia Breitbach, Jutta Ernst, Florian Freitag, Marlene Goldman, Sherrill Grace, Michael and Linda Hutcheon, Bettina Mack, Silvia Mergenthal, Claire Omhovère, Katja Sarkowsky, Aritha van Herk. Eva Gruber is Assistant Professor of American Literature at the University of Konstanz. Caroline Rosenthal is Professor of American Literature at the University of Jena.

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'When the snow water had broken crevices open in the mountain a shot or even just a sharp cry was enough to tear loose a huge slab and send it toppling.' Lieutenant Thomas Glahn spends a summer in northern Norway, where the midnight sun triggers a short but intense release of energies. Living out of a rudimentary hut on the edge of the forest, he pursues a solitary existence, hunting, fishing, and engaging intermittently with the inhabitants of the nearby coastal village. Among these is Edvarda, daughter of the wealthy local trader Herr Mack. Their mutual attraction rapidly develops into an erotic fascination shot through with suspicions and jealousies; a series of fraught encounters culminates in violent actions with unforeseen consequences. First published in 1894, Pan was an immediate success and remains a classic of Norwegian literature. It embodies many of the distinctive features of Hamsun's early works, in particular a rejection of psychological stereotypes and a style infused by what Hamsun called a 'poetry of the nerves'. Terence Cave's new translation restores the power and virtuosity of Hamsun's original and includes an illuminating introduction and explanatory notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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The legendary coach talks about his life, his players, and his winning philosophies in this bestselling autobiographyJohn Wooden's dedication and inspiration made him America's "winningest" coach. His beliefs in hard work and preparedness brought the UCLA Bruins an unparalleled 10 NCAA basketball championships. Now in this bestselling autobiography--with a Foreword by Hall-of-Famer Bill Walton--the college basketball legend reflects on his record-breaking career, his life behind the scenes, and how his top players went on to shape and change the NBA. From the everyday basics to important life lessons ("It's not how tall you are, but how tall you play"), Wooden shares his worldly wisdom on and off the court to offer a personal history of an unforgettable time in college basketball, answering the most-asked questions about his life, his career, and the players who made his teams unbeatable."They Call Me Coach is grass-roots Americana, a story bigger than basketball. One of those rare sports books that is must reading for everyone."--Chicago Tribune"What Knute Rockne was to football, Connie Mack to baseball, and Wilbur and Orville Wright to flying, John Wooden is to basketball. This book captures the full flavor of the man, the philosophies that work in life, and the philosophies that work on the court. I commend it to people who want to succeed at either--or both."--Los Angeles Times

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What does it mean to think about, and with, Spinoza today? This collection, the first broadly interdisciplinary volume dealing with Spinozan thought, asserts the importance of Spinoza’s philosophy of immanence for contemporary cultural and philosophical debates. Engaging with Spinoza’s insistence on the centrality of the passions as the site of the creative and productive forces shaping society, this collection critiques the impulse to transcendence and regimes of mastery, exposing universal values as illusory. Spinoza Now pursues Spinoza’s challenge to abandon the temptation to think through the prism of death in order to arrive at a truly liberatory notion of freedom. In this bold endeavor, the essays gathered here extend the Spinozan project beyond the disciplinary boundaries of philosophy to encompass all forms of life-affirming activity, including the arts and literature. The essays, taken together, suggest that “Spinoza now” is not so much a statement about a “truth” that Spinoza’s writings can reveal to us in our present situation. It is, rather, the injunction to adhere to the attitude that affirms both necessity and impossibility. Contributors: Alain Badou, École Normale Supérieure; Mieke Bal, Amsterdam School for Cultural Analysis; Cesare Casarino, U of Minnesota; Justin Clemens, U of Melbourne; Simon Duffy, U of Sydney; Sebastian Egenhofer, U of Basel; Alexander García Düttmann, Goldsmiths, U of London; Arthur Jacobson, Yeshiva U; A. Kiarina Kordela, Macalester College; Michael Mack, U of Nottingham; Warren Montag, Occidental College; Antonio Negri; Christopher Norris, U of Cardiff, Wales; Anthony Uhlmann, U of Western Sydney.

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In Europe and North and South America during the early modern period, people believed that their dreams might be, variously, messages from God, the machinations of demons, visits from the dead, or visions of the future. Interpreting their dreams in much the same ways as their ancient and medieval forebears had done—and often using the dream-guides their predecessors had written—dreamers rejoiced in heralds of good fortune and consulted physicians, clerics, or practitioners of magic when their visions waxed ominous. Dreams, Dreamers, and Visions traces the role of dreams and related visionary experiences in the cultures within the Atlantic world from the late thirteenth to early seventeenth centuries, examining an era of cultural encounters and transitions through this unique lens. In the wake of Reformation-era battles over religious authority and colonial expansion into Asia, Africa, and the Americas, questions about truth and knowledge became particularly urgent and debate over the meaning and reliability of dreams became all the more relevant. Exploring both indigenous and European methods of understanding dream phenomena, this volume argues that visions were central to struggles over spiritual and political authority. Featuring eleven original essays, Dreams, Dreamers, and Visions explores the ways in which reports and interpretations of dreams played a significant role in reflecting cultural shifts and structuring historic change. Contributors: Emma Anderson, Mary Baine Campbell, Luis Corteguera, Matthew Dennis, Carla Gerona, María V Jordán, Luís Filipe Silvério Lima, Phyllis Mack, Ann Marie Plane, Andrew Redden, Janine Rivière, Leslie Tuttle, Anthony F. C. Wallace.

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“Black” British Aesthetics Today is a collection of twenty-four exciting critical and theoretical essays exploring current thinking about the hottest artistic, literary, and critical works now being produced by “black” Britons.This book features a number of chapters by the avant-garde “black” British novelists, poets, and artists themselves. It includes, for instance, aesthetic manifestos by Diran Adebayo, Anthony Joseph, Roshini Kempadoo, Sheree Mack, Valerie Mason-John, and SuAndi as well as key essays by globally renowned critics, including Amna Malik, Kobena Mercer, Lauri Ramey, Roy Sommer, and many others. As a compendium, this book represents a powerfully fresh intellectual current of thought. It provides readers with important insights into contemporary “black” aesthetics, and it includes an array of important clarifications initially voiced at the groundbreaking international symposium that took place on April 8, 2006, at Howard University in Washington, D.C., by outstanding new scholars in this burgeoning field of study: e.g., Kevin Etienne-Cummings, Valerie Kaneko Lucas, Michael McMillan, Magdalena Maczynska, Courtney Martin, Jude Okpala, Deirdre Osborne, Koye Oyedeji, Meenakshi Ponnuswami, Sandra Ponzanesi, Andrene M. Taylor, Samera Owusu Tutu, and Tracey Walters.The authors contextualise contemporary “black” British aesthetics in relation to the African, African American, and Postcolonial aesthetic traditions; they explore an exciting array of critical theories, trends of feeling, and lively aesthetic movements thriving today in “black” Britain; and they examine and assess embodied aesthetics at play in a wide range of specific works by today’s most brilliant “black” British novelists, poets, photographers, live performance artists, dramatists, architects, musicians, graphic artists, and cinematographers.

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Individualism' and 'individualisation' are hotly debated concepts. Arguments about the definition and the moral and societal significance of these concepts are rife in the media and in scholarly circles. Whereas one side feels that these concepts designate processes of progress and individual freedom, the other side associates them with individual isolation, corrosion of social cohesion and other negative symptoms. This situation demands not a settlement for all differences of opinion-which would be impossible- but a more precise view of the content and of the different frameworks in which these concepts can be used. This volume aims to address this task. After an introduction to the multifaceted nature of the central concepts, the essays in Part One focus on the sociological prevalence of individualism and on the multi-layered content of this concept. Part Two addresses the relationships between the dominant values of individualism and the political structure of Western societies. Part Three highlights the issue of social integration of individualising societies. Part Four examines the particular 'Gestalt' of society, which seems to fit processes of individualisation: Civil Society. Part Five deals with questions concerning the construction of personal and social identity in (post)modern society. The contributors are leading scholars in the field of moral and political philosophy, social psychology, sociology of religion, and theology: Veit bader, Bert van den Brink, Karel Dobbelaere, Naomi Ellemers, Kieran Flanagan, Loek Halman, Wilhelm Heitmeyer, Rudi Laermans, Eric Mack, Albert W. Musschenga, Gertrud Nunner-Winkler, Philip Selznick, Andrew Shanks and Gert Verschraege.

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'A wholly delightful novel' Allan Massie, Scotsman'An excellent homage to The Glasgow Girls... both heart-breaking and hopeful' - Amy Jefferies, Scots MagazineLily Crawford and Jeanie Taylor, from very different backgrounds, are firm friends from their childhoods in Kirkcudbright. They share their ambitions for their futures, Lily to be an artist, Jeanie to be a dancer.The two women's eventful lives are intertwined. In the years before the First World War, the girls lose touch when Jeanie runs away from home and joins a dance company, while Lily attends The Mack, Glasgow's famous school of art designed by Charles Rennie Mackintosh. A chance meeting reunites them and together they discover a Glasgow at the height of its wealth and power as the Second City of the Empire - and a city of poverty and overcrowding. Separated once again after the war, Lily and Jeanie find themselves on opposite sides of the world. Lily follows her husband to Shanghai while Jeanie's dance career brings her international fame. But the glamour and dissolution of 1920s Shanghai finally lead Lily into peril. Her only hope of survival lies with her old friend Jeanie, as the two women turn to desperate measures to free Lily from danger.Inspired by the eventful and colourful lives of the pioneering women artists The Glasgow Girls, particularly that of Eleanor Allen Moore, Daisy Chain is a story of independence, women's art, resilience and female friendship, set against the turbulent background of the early years of the 20th century.

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THE NUMBER ONE SUNDAY TIMES BESTSELLERCurated and edited by Adam Kay (author of multi-million bestseller This is Going to Hurt), Dear NHS features 100 household names telling their personal stories of the health service. Contributors include: Paul McCartney, Emilia Clarke, Peter Kay, Stephen Fry, Dawn French, Sir Trevor McDonald, Graham Norton, Sir Michael Palin, Naomie Harris, Ricky Gervais, Sir David Jason, Dame Emma Thompson, Joanna Lumley, Miranda Hart, Dermot O'Leary, Jamie Oliver, Ed Sheeran, David Tennant, Dame Julie Walters, Emma Watson, Malala Yousafzai and many, many more. All profits from this book will go to NHS Charities Together to fund vital research and projects, and The Lullaby Trust which supports parents bereaved of babies and young children.Other writers include Chris O'Dowd, Johnny Vegas, Jack Whitehall, Chris Evans, Lorraine Kelly, Lee Mack, Jonathan Ross, Konnie Huq, Greg James, Frank Skinner, Louis Theroux, KT Tunstall, Sandi Toksvig and Kevin Bridges. The NHS is our single greatest achievement as a country. No matter who you are, no matter what your health needs are, and no matter how much money you have, the NHS is there for you. In Dear NHS, 100 inspirational people come together to share their stories of how the national health service has been there for them, and changed their lives in the process. By turns deeply moving, hilarious, hopeful and impassioned, these stories together become a love letter to the NHS and the 1.4 million people who go above and beyond the call of duty every single day - selflessly, generously, putting others before themselves, never more so than now. They are all heroes, and this book is our way of saying thank you.Contributors include: Dolly Alderton, Monica Ali, Kate Atkinson, Pam Ayres, David Baddiel, Johanna Basford, Mary Beard, William Boyd, Frankie Boyle, Jo Brand, Kevin Bridges, Alex Brooker, Charlie Brooker, Rob Brydon, Bill Bryson, Kathy Burke, Peter Capaldi, Jimmy Carr, Candice Carty-Williams, Lauren Child, Lee Child, Bridget Christie, Emilia Clarke, Rev Richard Coles, Daisy May Cooper, Jilly Cooper, Fearne Cotton, Juno Dawson, Kit de Waal, Victoria Derbyshire, Reni Eddo-Lodge, Chris Evans, Anne Fine, Martin Freeman, Dawn French, Stephen Fry, Mark Gatiss, Ricky Gervais, Professor Green, Baroness Tanni Grey-Thompson, Mark Haddon, Matt Haig, The Hairy Bikers, Naomie Harris, Miranda Hart, Victoria Hislop, Nick Hornby, Sali Hughes, Konnie Huq, Marina Hyde, E L James, Greg James, Sir David Jason, Katarina Johnson-Thompson, Jackie Kay, Peter Kay, Lorraine Kelly, Marian Keyes, Shappi Khorsandi, Nish Kumar, Stewart Lee, Joanna Lumley, Lee Mack, Emily Maitlis, Andrew Marr, Catherine Mayer, Alexander McCall Smith, Paul McCartney, Sir Trevor McDonald, Caitlin Moran, Kate Mosse, Jojo Moyes, David Nicholls, John Niven, Graham Norton, Chris O'Dowd, Dermot O'Leary, Jamie Oliver, Sir Michael Palin, Maxine Peake, Sue Perkins, Katie Piper, Ian Rankin, Jonathan Ross, Ed Sheeran, Paul Sinha, Frank Skinner, Matthew Syed, Kae Tempest, David Tennant, Louis Theroux, Dame Emma Thompson, Sandi Toksvig, Stanley Tucci, KT Tunstall, Johnny Vegas, Danny Wallace, Dame Julie Walters, Phil Wang, Emma Watson, Mark Watson, Robert Webb, Irvine Welsh, Jack Whitehall, Josh Widdicombe, Dame Jacqueline Wilson, Greg Wise, Malala Yousafzai, Benjamin Zephaniah.A minimum of £3.09 from the sale of each book will be paid to NHS Charities Together and £0.16 will be paid to The Lullaby Trust.

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Charlie Chaplin produced some of the greatest films of all time, including The Gold Rush, The Circus, City Lights, Modern Times, and The Great Dictator. Before making a name for himself as an undisputed master of cinema, however, Chaplin first developed his acting, writing, and directing skills at Keystone Studios. Mack Sennett, who attended one of Chaplin’s music hall shows, thought the entertainer would be a good fit at his newly established studio, where they specialized in the roughhouse slapstick Chaplin performed on stage. Intrigued with the idea of preserving comedy on film, Chaplin began work for Sennett in 1913. While some of the first efforts were crudely filmed, they allowed Chaplin to understand the rudiments of performing for the camera. As he became more interested in directing his own films, Chaplin learned techniques that set his work apart from other comedies. The films Chaplin made at Keystone were the catalyst for a significant motion picture career, and a character that he would create and develop at the studio would become among the most iconic images in the history of entertainment. In Early Charlie Chaplin: The Artist as Apprentice at Keystone Studios, James Neibaur examines each of these films, assessing the important early work of a comedian who became a timeless icon. From his debut as a fast talking con man in Making a Living to his role in the six-reel Marie Dressler vehicle, Tillie’s Punctured Romance, Chaplin displays many of the characteristics that would endear him to audiences around the world. The majority of these films have been made available on DVD, allowing the reader to appreciate the background behind these works. Early Charlie Chaplin is a must, not only for fans of silent cinema and Chaplin, but for anyone who appreciates film history.

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Is there still a distinct Irish identity in America? This highly original survey says yes, though it’s oftŸen an indirect one. True, the age of heroic immigration is over, and today the term “Irish-American” almost always means an American of Irish descent. If the Irish long ago ceased to be America’s largest ethnic group, they’ve nonetheless stayed among the most visible (not least because St Patrick’s Day has been adopted by the nation at large). But for all the external trappings of Irishness, the terms, traditions, and nuances of that identity stay elusive.Irish-American Autobiography opens a new window on the shiŸing meanings of Irishness over the twentieth century, by looking at a range of works that have never before been considered as a distinct body of literature. Opening with celebrity memoirs from athletes like boxer John L. Sullivan and ballplayer Connie Mack—written when the Irish were eager to put their raffish origins behind them—later chapters trace the many tensions, oŸen unspoken, registered by Irish Americans who’ve told their life stories. New York saloonkeepers and South Boston step dancers set themselves against the larger culture, setting a pattern of being on the outside looking in. Even the classic 1950s TV comedy The Honeymooners speaks to the urban Irish origins, and the poignant sense of exclusion felt by its creator Jackie Gleason. Catholicism, so key to the identity of earlier generations of Irish Americans, has also evolved. One chapter looks at the painful diffidence of priest autobiographers, and others reveal how traditional Irish Catholic ideas of the guardian angel and pilgrimage have evolved and stayed potent down to our own time. Irish-American Autobiography becomes, in the end, a story of a continued search for connection—documenting an “ethnic fade” that never quite happened.

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THE INSTANT SUNDAY TIMES BESTSELLER An exceptional Cold War thriller from the dark heart of the Space Race, by astronaut and New York Times bestselling author Chris Hadfield'An exciting journey to an alternate past' Andy Weir, author of The Martian'Nail-biting' James Cameron, writer and director of Avatar and Titanic'Not to be missed' Frederick Forsyth, author of The Day of the Jackal'Explosive' Gregg Hurwitz, author of Orphan X'Exciting, authentic' Linwood Barclay, author of Find You First'[A] stellar thrill ride' Chris Holm, author of The Killing Kind'Gripping' John Verdon, author of the Dave Gurney series 'Relentlessly exciting' Stephen Mack Jones, author of August Snow1973: a final, top-secret mission to the Moon. Three astronauts in a tiny module, a quarter of a million miles from home. A quarter of a million miles from help.As Russian and American crews sprint for a secret bounty hidden away on the lunar surface, old rivalries blossom and the political stakes are stretched to breaking point back on Earth. Houston flight controller Kazimieras 'Kaz' Zemeckis must do all he can to keep the NASA crew together, while staying one step ahead of his Soviet rivals. But not everyone on board Apollo 18 is quite who they appear to be. Full of fascinating technical detail, twists and tension, The Apollo Murders puts you right there in the moment. Experience the dark majesty of space, the fierce G-forces of launch and the rush of holding on to the outside of a spacecraft travelling at 17,000 mph, as told by a former Commander of the International Space Station who has done all of those things in real life. Strap in and count down for the ride of a lifetime.Soon to be a major TV series from Altitude and SS's Balboa Productions

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Acclaimed New York Times bestselling author Jennifer Haigh returns to the Pennsylvania town at the center of her iconic novel Baker Towers in this ambitious, achingly human story of modern America and the conflicting forces at its heart-a bold, moving drama of hope and desperation, greed and power, big business and small-town families. Forty years ago, Bakerton coal fueled the country. Then the mines closed, and the town wore away like a bar of soap. Now Bakerton has been granted a surprise third act: it sits squarely atop the Marcellus Shale, a massive deposit of natural gas. To drill or not to drill? Prison guard Rich Devlin leases his mineral rights to finance his dream of farming. He doesn't count on the truck traffic and nonstop noise, his brother's skepticism or the paranoia of his wife, Shelby, who insists the water smells strange and is poisoning their frail daughter. Meanwhile his neighbors, organic dairy farmers Mack and Rena, hold out against the drilling-until a passionate environmental activist disrupts their lives. Told through a cast of characters whose lives are increasingly bound by the opposing interests that underpin the national debate, Heat and Light depicts a community blessed and cursed by its natural resources. Soaring and ambitious, it zooms from drill rig to shareholders' meeting to the Three Mile Island nuclear reactor to the ruined landscape of the "strippins," haunting reminders of Pennsylvania's past energy booms. This is a dispatch from a forgotten America-a work of searing moral clarity from one of the finest writers of her generation, a courageous and necessary book.

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Acclaimed New York Times bestselling author Jennifer Haigh returns to the Pennsylvania town at the center of her iconic novel Baker Towers in this ambitious, achingly human story of modern America and the conflicting forces at its heart—a bold, moving drama of hope and desperation, greed and power, big business and small-town families.Forty years ago, Bakerton coal fueled the country. Then the mines closed, and the town wore away like a bar of soap. Now Bakerton has been granted a surprise third act: it sits squarely atop the Marcellus Shale, a massive deposit of natural gas.To drill or not to drill Prison guard Rich Devlin leases his mineral rights to finance his dream of farming. He doesn’t count on the truck traffic and nonstop noise, his brother’s skepticism or the paranoia of his wife, Shelby, who insists the water smells strange and is poisoning their frail daughter. Meanwhile his neighbors, organic dairy farmers Mack and Rena, hold out against the drilling—until a passionate environmental activist disrupts their lives.Told through a cast of characters whose lives are increasingly bound by the opposing interests that underpin the national debate, Heat and Light depicts a community blessed and cursed by its natural resources. Soaring and ambitious, it zooms from drill rig to shareholders’ meeting to the Three Mile Island nuclear reactor to the ruined landscape of the “strippins,” haunting reminders of Pennsylvania’s past energy booms. This is a dispatch from a forgotten America—a work of searing moral clarity from one of the finest writers of her generation, a courageous and necessary book.

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Martin Luther King Jr. Malcolm X. Muhammad Ali. When you think of African American history, you think of its heroes—individuals endowed with courage and strength who are celebrated for their bold exploits and nobility of purpose. But what of black villains? Villains, just as much as heroes, have helped define the black experience.Ranging from black slaveholders and frontier outlaws to serial killers and gangsta rappers, Hoodlums examines the pivotal role of black villains in American society and popular culture. Here, William L. Van Deburg offers the most extensive treatment to date of the black badman and the challenges that this figure has posed for race relations in America. He first explores the evolution of this problematic racial stereotype in the literature of the early Republic—documents in which the enslavement of African Americans was justified through exegetical claims. Van Deburg then probes antebellum slave laws, minstrel shows, and the works of proslavery polemicists to consider how whites conceptualized blacks as members of an inferior and dangerous race. Turning to key works by blacks themselves, from the writings of Frederick Douglass and W. E. B. Du Bois to classic blaxploitation films like Black Caesar and The Mack, Van Deburg demonstrates how African Americans have combated such negative stereotypes and reconceptualized the idea of the badman through stories of social bandits—controversial individuals vilified by whites for their proclivity toward evil, but revered in the black community as necessarily insurgent and revolutionary.Ultimately, Van Deburg brings his story up-to-date with discussions of prison and hip-hop culture, urban rioting, gang warfare, and black-on-black crime. What results is a work of remarkable virtuosity—a nuanced history that calls for both whites and blacks to rethink received wisdom on the nature and prevalence of black villainy.

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These real-life stories of senior dogs who found forever homes through Old Friends Senior Dog Sanctuary will delight any young animal lover. TheHomecoming Tales of sweet, sassy, and sometimes hilarious old friends offer kids a unique reminder that no one is too old to give or receive love.Meet Mack, Dog Bowl contestant and social media star; Marco, a scary tough dog—until someone gave him a second chance; Shaq, a gentle giant who is learning to leave his fears behind; Prince, a laid back dude who doesn’t let being blind steal his sunshine; and JuneBug, a spunky sweetheart who just wants to cuddle and keep you safe from the vacuum cleaner. Each chapter in Homecoming Tales focuses on one canine companion from the Tennessee-based dog rescue, with fun facts about his or her breed, stories of silly antics, and the meaningful tale of how this canine companion found a forever family. This delightful middle grade book entertains, teaches, and inspires and will be a new favorite for fans of A Dog’s Purpose and the Puppy Tales series.In this lighthearted, easy-to-read nonfiction chapter book, you’ll find the true stories of how 15 dogs found a loving home line drawing illustrations of each featured dog and a full-color photo insert doggy stats, fun facts, and recipes for your own canine friend information on adopting and owning pets, caring for aging animals, ideas for helping a pet with special needs, and ways kids can get involved with their local animal shelter or rescue Homecoming Tales is a great gift for any eight to twelve-year-old who loves animals, enjoys volunteer work, or simply appreciates heartwarming stories. With information about care for older dogs, this educational book is also a helpful read for families who are interested in adopting a senior dog.

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A TIMES BEST COMEDY BOOK OF 2021 'The funniest man in the world has written the funniest book in the world.' DAVID WALLIAMS'A brilliant insight in to what it takes to go from regular funny bloke to one of the best stand ups I've ever seen.' LEE MACK'Proper laugh-out-loud funny, fascinating, and doubles up as probably the best book of advice on how to be a comedian I've ever read. A must for anyone who's interested in the business of laughter.' JOE LYCETT'The funniest book I've read in years.' ADAM KAYFrom a childhood spent making smoke bombs, killing wasps and carving soap in 70s Kent, Harry Hill then found himself in charge of hundreds of sick people as a junior doctor. Out of his depth and terrified, he chucked it all in to pursue his dream of becoming a stand-up comedian. Battling his way through the 90s Comedy circuit he quickly rose to become a household name and one of the UK's most celebrated comics, almost making it to the top of the showbiz tree . . .From being chased around a car park by an angry heckler, getting fired from Capital Radio and watching every episode of Freaky Eaters, to a bizarre assassination attempt and cutting up Simon Cowell's trousers, Harry takes an honest and hilarious look at the ups and downs of his life and career through the lens of what didn't go right.He shares his secrets on how to be a great comedian, finding joy in failure and creativity in struggle, whilst never forgetting that life is short . . .What readers are saying about Fight!'Hilarious... recommended unreservedly' *****'Lots of laughs and memories of days gone by' *****'A great book... I could not put it down' *****'Beautifully written and great fun' *****

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It started with the searing sound of a slide careening up the neck of an electric guitar. In 1970, twenty-three-year-old Bruce Iglauer walked into Florence's Lounge, in the heart of Chicago's South Side, and was overwhelmed by the joyous, raw Chicago blues of Hound Dog Taylor and the HouseRockers. A year later, Iglauer produced Hound Dog's debut album in eight hours and pressed a thousand copies, the most he could afford. From that one album grew Alligator Records, the largest independent blues record label in the world. Bitten by the Blues is Iglauer's memoir of a life immersed in the blues-and the business of the blues. No one person was present at the creation of more great contemporary blues music than Iglauer: he produced albums by Koko Taylor, Albert Collins, Professor Longhair, Johnny Winter, Lonnie Mack, Son Seals, Roy Buchanan, Shemekia Copeland, and many other major figures. In this book, Iglauer takes us behind the scenes, offering unforgettable stories of those charismatic musicians and classic sessions, delivering an intimate and unvarnished look at what it's like to work with the greats of the blues. It's a vivid portrait of some of the extraordinary musicians and larger-than-life personalities who brought America's music to life in the clubs of Chicago's South and West Sides. Bitten by the Blues is also an expansive history of half a century of blues in Chicago and around the world, tracing the blues recording business through massive transitions, as a genre of music originally created by and for black southerners adapted to an influx of white fans and musicians and found a worldwide audience. Most of the smoky bars and packed clubs that fostered the Chicago blues scene have long since disappeared. But their soul lives on, and so does their sound. As real and audacious as the music that shaped it, Bitten by the Blues is a raucous journey through the world of Genuine Houserockin' Music

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It started with the searing sound of a slide careening up the neck of an electric guitar. In 1970, twenty-three-year-old Bruce Iglauer walked into Florence's Lounge, in the heart of Chicago's South Side, and was overwhelmed by the joyous, raw Chicago blues of Hound Dog Taylor and the HouseRockers. A year later, Iglauer produced Hound Dog's debut album in eight hours and pressed a thousand copies, the most he could afford. From that one album grew Alligator Records, the largest independent blues record label in the world. Bitten by the Blues is Iglauer's memoir of a life immersed in the blues--and the business of the blues. No one person was present at the creation of more great contemporary blues music than Iglauer: he produced albums by Koko Taylor, Albert Collins, Professor Longhair, Johnny Winter, Lonnie Mack, Son Seals, Roy Buchanan, Shemekia Copeland, and many other major figures. In this book, Iglauer takes us behind the scenes, offering unforgettable stories of those charismatic musicians and classic sessions, delivering an intimate and unvarnished look at what it's like to work with the greats of the blues. It's a vivid portrait of some of the extraordinary musicians and larger-than-life personalities who brought America's music to life in the clubs of Chicago's South and West Sides. Bitten by the Blues is also an expansive history of half a century of blues in Chicago and around the world, tracing the blues recording business through massive transitions, as a genre of music originally created by and for black southerners adapted to an influx of white fans and musicians and found a worldwide audience. Most of the smoky bars and packed clubs that fostered the Chicago blues scene have long since disappeared. But their soul lives on, and so does their sound. As real and audacious as the music that shaped it, Bitten by the Blues is a raucous journey through the world of Genuine Houserockin' Music.

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From Aberdeen to the Isle of Wight, Out of Bounds is a newly charted map of Britain as viewed by its black and Asian poets. It takes the reader on a riveting, sensory journey through Scotland, England and Wales, showing the whole country from a fresh perspective. This extensive and ground-breaking anthology – with its sudden forks in the road, and its roads not taken – stops off in the Highlands and Islands, skirts the North East coast from Whitley Bay to the sands of Bridlington, wanders lonely through the Lake District and Yorkshire, climbs the mountains of Wales before descending to the Black Country and Southern England. Along the way it takes in lochs and landmarks from Glasgow’s George Square and the Angel of the North to the London Eye and the Long Man of Wilmington. If alienation, unbelonging and dislocation remain key aspects of black and Asian experiences in Britain, what such terms simultaneously conceal are the rich and manifold attachments to place, region, city and landscape offered in Out of Bounds. The poems question the idea of an easy or singular identity, nimbly dealing with the triple bind of ethnic, geographical and poetic belonging. An alternative A to Z of the nation, a new poetic guide, the book enables us to look again at the UK’s local and regional landscapes and the poets who pass through them. Out of Bounds is a definitive anthology that brings together new and established black and Asian writers and places them firmly on the map of what is great and not so great about Britain. Includes: Shanta Acharya, John Agard, Patience Agbabi, Moniza Alvi, James Berry, Jean 'Binta' Breeze, Vahni Capildeo, Merle Collins, Fred D'Aguiar, David Dabydeen, Imtiaz Dharker, Bernardine Evaristo, Khadijah Ibrahiim, Linton Kwesi Johnson, Jackie Kay, Tariq Latif, Sheree Mack, Jack Mapanje, E.A. Markham, Daljit Nagra, Grace Nichols, Louisa Adjoa Parker, Michelle Scally-Clarke, Seni Seneviratne, John Siddique, Lemn Sissay, Dorothea Smartt, Wole Soyinka, Derek Walcott, Benjamin Zephaniah, and many others.

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In their third and final screen teaming, Judy Garland and Gene Kelly starred together in the MGM musical Summer Stock. Despite its riveting production history, charismatic lead actors, and classic musical moments, the movie has not received the same attention as other musicals from MGM’s storied dream factory. In C’mon, Get Happy: The Making of "Summer Stock," authors David Fantle and Tom Johnson present a comprehensive study of this 1950 motion picture, from start to finish and after its release.The production coincided at a critical point in the careers of Kelly and an emotionally spent Garland. Kelly, who starred in An American in Paris just one year later, was at the peak of his abilities. On the other hand, Summer Stock was Garland’s final film at MGM, and she gamely completed it despite her own personal struggles. Summer Stock includes Kelly’s favorite solo dance routine and Garland’s signature number "Get Happy."The authors discuss in rich detail the contributions of the cast (which included Gloria DeHaven, Eddie Bracken, Phil Silvers, and Marjorie Main); the director (Charles Walters); the producer (Joe Pasternak); the script writers (George Wells and Sy Gomberg); the songwriters (which included Harry Warren and Mack Gordon); and top MGM executives (Louis B. Mayer and Dore Schary). The volume features extensive interviews, conducted by the authors, with Kelly, Walters, Warren, and others, who shared their recollections of making the movie. Deeply researched, C’mon, Get Happy reveals the studio system at work during Hollywood’s Golden Era.Additionally, the authors have written a special section called "Taking Stock" that buttonholes numerous contemporary dancers, singers, choreographers, musicians, and even Garland impersonators for their take on Summer Stock, its stars, and any enduring legacy they think the film might have. Artists from Mikhail Baryshnikov, Ben Vereen, and Tommy Tune to Garland’s and Kelly’s daughters, Lorna Luft and Kerry Kelly Novick, respectively, offer their unique perspective on the film and its stars.

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A sweeping survey of hip hop’s resounding impact on contemporary art and culture across the past 20-plus years Accompanying a groundbreaking exhibition originating at the Baltimore Museum of Art, this book captures the extraordinary influence of hip hop, which has driven innovations in music, visual and performing arts, fashion, and technology and grown into a global phenomenon since its emergence in the 1970s. It features approximately 70 objects by both established and emerging artists, design houses, streetwear icons and musicians working in a wide range of mediums to demonstrate hip hop’s proliferation from the street to the runway, the studio to the museum gallery, and countless sites in between. The exhibition also explores how hip hop has and continues to challenge structures of power, dominant cultural narratives, and political and social systems of oppression. This fully illustrated monograph documents the exhibition and contains texts and interviews from more than 30 artists and scholars. Artists include: Nina Chanel Abney, Dionne Alexander, Maxwell Alexandre, Devin Allen, Alvaro Barrington, Jean-Michel Basquiat, Grace Wales Bonner, Mark Bradford, Jordan Casteel, Willy Chavarria, Caitlin Cherry, Troy Chew II, William Cordova, Carl Jones, Stan Douglas, John Edmonds, Gajin Fujita, Monica Ikegwu, Shabez Jamal, Kahlil Joseph, Nia June, LA II, Deana Lawson, Eric N. Mack, Emmanuel Massillon, Julie Mehretu, Murjoni Merriweather, Jayson Musson, Rashaad Newsome, Yvonne Osei, Zéh Palito, Gordon Parks, Adam Pendleton, Robert Pruitt, Rammellzee, Sheila Rashid, Rozeal, Joyce J. Scott, Tschabalala Self, Tariku Shiferaw, Devan Shimoyama, Hank Willis Thomas, Carrie Mae Weems, Vivienne Westwood and Malcolm McLaren, Abbey Williams, Pharrell Williams and Wilmer Wilson IV. Authors include: Ebony Haynes, Todd Boyd, Lester Spence, Jordana Moore Saggese, Greg Tate, Misa Hylton, Elena Romero, Ekow Eshun, Devin Allen, Michael Holman, Simone White, Salome Asega, Alphonse Pierre, David A.M. Goldberg and Tahir Hemphill, Jacolby Satterwhite, Wendel Patrick, Simon Reynolds, Seph Rodney, Jesse McCarthy, Danez Smith, Noriko Manabe, Lindsay Knight and Charity Marsh, Shaheem Sanchez, Jeffrey Q. McCune, Jr., Sekou Cooke, Jessica N. Pabón-Colón, Martha Cooper, Skeme, Alex de Mora and Lawrence Burney.

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ONE COTTAGE. TWO STRANGERS.EVERY GREAT LOVE STORY STARTS SOMEWHERE . . .'No waiting for it to kick off and absolutely no filler' READER *****'The most wonderful depiction of love that I have read. Maybe ever!' READER *****--------------------------------FROM THE AUTHOR OF ONE DAY IN DECEMBER, COMES AN IRRESISTIBLE LOVE STORYCleo writes about love stories every day. She just isn't living one of her own.When the editor of her dating column asks her to marry herself on a remote Irish island - a sensational piece to mark Cleo's thirtieth birthday - Cleo agrees. She's alone but not lonely, right? She can handle a solo adventure.Cleo arrives at her luxury cabin to find a tall, dark, stubborn American who insists it's actually his. Mack refuses to leave, and Cleo won't budge either. With a storm fast approaching, they reluctantly hunker down together. It's just one night, after all . . .But what if one night on the island is just the beginning?--------------------------------Your favourite authors can't get enough of One Night on the Island'A gorgeous warm hug of a novel!' Beth O'Leary, The Road Trip'Sexy, funny and poignant' Sophie Cousens, This Time Next Year'Utterly delicious - every single ingredient for the perfect love story is here in this wise and witty story' Rosie Walsh, The Love of my Life'Belly-laugh hilarity, and the coziest Irish setting you can imagine' Christina Lauren, The Unhoneymooners'Comfort food in book form' SARAH TURNER, The Unmumsy Mum'I swooned. I laughed. I felt every degree of emotion' Lizzie Damilola Blackburn, Yinka, Where is your Huzband?'Both the perfect romance and the story of self-empowerment every woman deserves' Jodi Picoult, Wish You Were Here'Josie Silver is on top form in this wonderfully romantic story' Daily Express'A propulsive, gorgeous romance, filled with whimsy and overlaid with the stand-out theme of empowerment' Off The Record'Pure, romantic escapism!' Sun'A love story with added self-empowerment' That's Life Magazine

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Leading legal lights weigh in on key issues of race and the law—collected in honor of one of the originators of critical race theory “Penetrating essays on race and social stratification within policing and the law, in honor of pioneering scholar Derrick Bell.” —Kirkus Reviews (starred review) When Derrick Bell, one of the originators of critical race theory, turned sixty-five, his wife founded a lecture series with leading scholars, including critical race theorists, many of them Bell’s former students. Now these lectures, given over the course of twenty-five years, are collected for the first time in a volume Library Journal calls “potent” and Kirkus Reviews, in a starred review, says “powerfully acknowledge[s] the persistence of structural racism.” “To what extent does equal protection protect?” asks Ian Haney López in a penetrating analysis of the gaps that remain in our civil rights legal codes. Sherrilyn Ifill, president and director-counsel of the NAACP Legal Defense Fund, describes the hypersegregation of our cities and the limits of the law’s ability to change deep-seated attitudes about race. Patricia J. Williams explores the legacy of slavery in the law’s current constructions of sanity. Anita Allen discusses competing privacy and accountability interests in the lives of African American celebrities. Chuck Lawrence interrogates the judicial backlash against affirmative action. And Michelle Alexander describes what caused her to break ranks with the civil rights community and take up the cause of those our legal system has labeled unworthy. Race, Rights, and Redemption (which was originally published in hardcover under the title Carving Out a Humanity) gathers some of our country’s brightest progressive legal stars in a volume that illuminates facets of the law that have continued to perpetuate racial inequality and to confound our nation at the start of a new millennium. With contributions by: Michelle Alexander Anita Allen Derrick Bell Stephen Bright Paul Butler John Calmore Devon W. Carbado William Carter Jr. Emma Coleman Jordan Richard Delgado Annette Gordon-Reed Jasmine Gonzales Rose Lani Guinier Cheryl I. Harris Ian Haney López Sherrilyn Ifill Charles Lawrence Kenneth W. Mack Mari Matsuda Charles Ogletree Angela Onwuachi-Willig Theodore M. Shaw Kendall Thomas Patricia J. Williams Robert A. Williams

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This book uses hundreds of hours of newly opened interviews and other sources to illuminate the life and times of the nation's forty-second president, Bill Clinton. Combining the authoritative perspective of these inside accounts with the analytic powers of some of America’s most distinguished presidential scholars, the essays assembled here offer a major advance in our collective understanding of the Clinton White House. Included are path-breaking chapters on the major domestic and foreign policy initiatives of the Clinton years, as well as objective discussions of political success and failure. 42 is the first book to make extensive use of previously closed interviews collected for the Clinton Presidential History Project, conducted by the Presidential Oral History Program of the University of Virginia’s Miller Center. These interviews, recorded by teams of scholars working under a veil of strict confidentiality, explored officials’ memories of their service with President Clinton and their careers prior to joining the administration. Interviewees also offered political and leadership lessons they had gleaned as eyewitnesses to and shapers of history. Their spoken recollections provide invaluable detail about the inner history of the presidency in an age when personal diaries and discursive letters are seldom written. The authors producing this volume had first access to more than fifty of these cleared interviews, including sessions with White House chiefs of staff Mack McLarty and Leon Panetta, Secretaries of State Warren Christopher and Madeleine Albright, National Security Advisors Anthony Lake and Sandy Berger, and a host of political advisors who guided Clinton into the White House and helped keep him there. This book thus provides a multidimensional portrait of Bill Clinton's administration, drawing largely on the observations of those who knew it best.ContributorsSpencer D. Bakich, University of RichmondBrendan J. Doherty, United States Naval AcademyPatrick T. Hickey, West Virginia UniversityElaine Kamarck, Center for Effective Public Management, Brookings InstitutionSidney M. Milkis, University of VirginiaMegan Moeller, University of Texas at AustinMichael Nelson, Rhodes College and the Miller Center, University of VirginiaBruce F. Nesmith, Coe CollegeBarbara A. Perry, Miller Center, University of VirginiaPaul J. Quirk, University of British ColumbiaRussell L. Riley, Miller Center, University of VirginiaAndrew Rudalevige, Bowdoin CollegeRobert A. Strong, Washington and Lee UniversitySean M. Theriault, University of Texas at Austin

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What’s new, now and next from contemporary Black artists A New York Times 2020 holiday gift guide pick This book surveys the work of a new generation of Black artists, and also features the voices of a diverse group of curators who are on the cutting edge of contemporary art. As mission-driven collectors, Bernard I. Lumpkin and Carmine D. Boccuzzi have championed emerging artists of African descent through museum loans and institutional support. But there has never been an opportunity to consider their acclaimed collection as a whole until now. Edited by writer Antwaun Sargent (author of The New Black Vanguard: Photography Between Art and Fashion), Young, Gifted and Black draws from this collection to shed new light on works by contemporary artists of African descent. At a moment when debates about the politics of visibility within the art world have taken on renewed urgency, and establishment voices such as the New York Times are declaring that “it has become undeniable that African American artists are making much of the best American art today,” Young, Gifted and Black takes stock of how these new voices are impacting the way we think about identity, politics and art history itself. Young, Gifted and Black contextualizes artworks with contributions from artists, curators and other experts. It features a wide-ranging interview with Bernard Lumpkin and Thelma Golden, director and chief curator of the Studio Museum in Harlem; and an in-depth essay by Antwaun Sargent situating Lumpkin in a long lineage of Black art patrons. A landmark publication, this book illustrates what it means (in the words of Nina Simone) to be young, gifted and Black in contemporary art. Artists include: Mark Bradford, David Hammons, Glenn Ligon, Kerry James Marshall, Julie Mehretu, Adam Pendleton, Pope.L, LaToya Ruby Frazier, Henry Taylor, Mickalene Thomas, Lynette Yiadom-Boakye, Tunji Adeniyi-Jones, Sadie Barnette, Kevin Beasley, Jordan Casteel, Jonathan Lyndon Chase, Bethany Collins, Noah Davis, Cy Gavin, Allison Janae Hamilton, Tomashi Jackson, Samuel Levi Jones, Deana Lawson, Norman Lewis, Eric N. Mack, Arcmanoro Niles, Jennifer Packer, Christina Quarles, Jacolby Satterwhite, Paul Mpagi Sepuya, Sable Elyse Smith, Chanel Thomas, Stacy Lynn Waddell, D’Angelo Lovell Williams, Brenna Youngblood, and more.

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This is a boisterous, roller-coaster of a story about Mike Tomkies' extraordinary adventures after he quit his full-time career as a celebrity journalist and began working as a logger with the lusty men of the wild Canadian forests - men who led a free way of life now long gone. During his first enforced visit back to Hollywood to generate some funds, Tomkies' companion was Booto, a stray wild dog who had adopted him in the Canadian wilds and who enjoyed the attention of stars such as Cary Grant, Omar Sharif and Peter Finch during interviews. The two also travelled around Mexico and Belize, where Tomkies spent hours with Dean Martin on the outdoor location of "Five Card Stud", even photographing the star doing his own dangerous stunts. Tomkies was the first to test the new Tartan athletics track in Mexico City for the 1968 Olympics for the "Daily Express", much to the annoyance of the workmen on site!Mike and Booto climbed the Pyramid of the Sun, hacked through rough tracks to the ancient ruins of Palenque, and visited the terrifying Well of Sacrifice at Chichen Itza where the ancient Mayans sacrificed young humans, hearts torn out first, to assuage the rain god Chac. Back in Hollywood, Mike was invited to the Oscar awards ceremony where, even in his old truck, he was mistaken for Warren Beatty with compere Bob Hope joking that Beatty was so confident of winnings Oscars for Bonnie and Clyde he had brought a big truck to take them all away!After another year in the wilds of Canada, Tomkies left Booto behind and returned to Hollywood for more amazing experiences with major film stars. He went motorbiking in the Mojave Desert with Steve McQueen; spent days with and gained extraordinary insights into the life of the greatest box office star of all time, John Wayne; while Doris Day, 'America's sweetheart', offered him a film test! Tomkies had several feisty meetings with Hollywood's greatest maverick and wit, Robert Mitchum, who actually 'laid a joint' on him when he asked if Mitchum was still on pot! The book ends with Tomkies hiring North America's greatest Red Indian guide, Clayton Mack, when they went on dangerous treks deep in grizzly country and saw 21 bears in three days - and were lucky to escape with their lives. There is a final poignant farewell to old Booto as Tomkies leaves for his new life in the wilds of the Scottish Highlands.

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When the networks called the 2020 presidential election for Joe Biden on Saturday, November 7, 2020, people from coast to coast exhaled—and danced in the streets. This quick-turnaround volume, a collection of 38 personal essays from writers all over the country—“many of America’s most thoughtful voices,” as Jon Meacham puts it—captures the week Trump was voted out, a unique juncture in American life, and helps point toward a way forward to a nation less divided. An eclectic lineup of contributors—from Rosanna Arquette, Susan Bro and General Wesley Clark to Keith Olbermann, Stewart O'Nan and Anthony Scaramucci—puts a year of transition into perspective, and summons the anxieties and hopes so many have for better times ahead. As award-winning columnist Mary C. Curtis writes in the lead essay, “Saying you’re not interested in politics is dangerous because, like it or not, politics is interested in you.” Novelist Christopher Buckley, a former speechwriter for Vice President George H.W. Bush, laments, “The Republican Senate, with one exception, has become a stay of ovine, lickspittle quislings, degenerate descendants of such giants as Everett Dirksen, Barry Goldwater, Howard Baker and John McCain.” Nero Award-winning mystery novelist Stephen Mack Jones writes, to Donald Trump, “Remember: You live in my house. 1600 Pennsylvania Avenue is my house. My ancestors built it at a cost of blood, soul and labor. I pay my taxes every year to feed you, clothe you and your family and staff and fly you around the country and the world in my tricked-out private jet. If you violate any aspect of your four-year lease—any aspect—Lord Jesus so help me, I will do everything in my power to kick yo narrow ass to the curb.” As Publisher Steve Kettmann writes in the Introduction: “The hope is that in putting out these glimpses so quickly, giving them an immediacy unusual in book publishing, we can help in the mourning for all that has been lost, help in the healing (of ourselves and of our country), and help in the pained effort, like moving limbs that have gone numb from inactivity, to give new life to our democracy. We stared into the abyss, tottered on the edge, and a record-setting surge of voting and activism delivered us from the very real threat of plunging into autocracy.”

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The two hundred colonists on board the Geographic have spent a century in cold sleep to arrive here: Avalon, a lush, verdant planet lightyears from Earth. They hope to establish a permanent colony, and Avalon seems the perfect place. And so they set about planting and building. But their very presence has upset the ecology of Avalon. Soon an implacable predator stalks them, picking them off one by one. In order to defeat this alien enemy, they must reevaluate everything they think they know about Avalon, and uncover the planet's dark secrets. About The Legacy of Heorot: "Page-turning action and suspense, good characterization and convincing setting . . . may be the best thing any of those authors has written.”—The Denver Post “Outstanding! . . . The best ever, by the best in the field . . . the ultimate combination of imagination and realism.”—Tom Clancy “Well written, action-packed, and tension filled . . . makes Aliens look like a Disney nature film."—The Washington Post “Spine-tingling ecological tale of terror.”—Locus About sequel Beowulf's Children: "Few writers have a finer pedigree than those here. . . . As one might suspect Beowulf's Children is seamless . . . absorbing, substantial . . . masterful novel."—Los Angeles Times "Panoramic SF adventure at its best."—Library Journal About Larry Niven & Jerry Pournelle: "Possibly the greatest science fiction novel I have ever read."—Robert A. Heinlein on The Mote in God's Eye About Larry Niven: “Larry Niven’s RINGWORLD remains one of the all-time classic travelogues of science fiction — a new and amazing world and fantastic companions.”—Greg Bear "Our premier hard SF writer.”—The Baltimore Sun "The scope of Larry Niven's work is so vast that only a writer of supreme talent could disguise the fact as well as he can."—Tom Clancy "Niven is a true master."—Frederik Pohl About Jerry Pournelle: "Jerry Pournelle is one of science fiction's greatest storytellers."—Poul Anderson "Jerry Pournelle's trademark is first-rate action against well-realized backgrounds of hard science and hardball politics."—David Drake "Rousing . . . The Best of the Genre"—The New York Times "On the cover . . . is the claim 'No. 1 Adventure Novel of the Year.' And well it might be."—Milwaukee Journal on Janissaries About Steven Barnes: “Brilliant, surprising, and devastating.”—David Mack “Sharp, observant and scary.”—Greg Bear "Profound and exhilarating."—Maurice Broaddus, author of The Knights of Breton Court “Barnes gives us characters that are vividly real people, conceived with insight and portrayed with compassion and rare skill and then he stokes the suspense up to levels that will make the reader miss sleep and be late for work.”—Tim Powers “[Barnes] combines imagination, anthropology and beautiful storytelling as he takes readers to the foot of the Great Mountain, today known as Mount Kilimanjaro.”—Durham Triangle Tribune on Great Sky Woman

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A total area of 3.1ha, taking in much of a settlement largely of the earlier Middle Iron Age (c.450 to c.150BC), was excavated in 1998 in advance of development. Two small pit groups, radiocarbon dated to the Middle Bronze Age, produced a bronze dagger and a small pottery assemblage. The Iron Age settlement comprised several groups of roundhouse ring ditches and associated small enclosures forming an open settlement set alongside a linear boundary ditch. Its origin lay in the 5th century BC with a single small roundhouse group. Through the 4th and 3rd centuries BC the settlement expanded with the original structures replaced by a principal roundhouse group accompanied by at least a further two groups of roundhouses and enclosures and minor outlying structures. A group of structures and enclosures set apart from the main domestic area was the focus for copper alloy casting, producing an assemblage of crucibles and fragments from investment moulds for the production of horse fittings, as well as bone, antler and horn working debris. The site also produced good assemblages of pottery and animal bone, an assemblage of saddle querns and a potin coin. The settlement had been abandoned by the middle of the 2nd century BC, although the main boundary ditch survived at least as an earthwork. By the early 1st century AD a series of ditched enclosures were created to the north of the boundary ditch, perhaps a small ladder settlement, which fell out of use soon after the Roman conquest. One enclosure contained two small roundhouses and other curvilinear gullies may have formed animal pens in the corners of two enclosures. This final phase is dated by some Late Iron Age pottery, an Iron Age and a Roman rotary quern, and a small quantity of Roman roof tile. The discussion considers the physical, social and economic structure of the settlement. The distribution of finds around the ring ditches is examined as well as the size of enclosed roundhouses. There is an overview of the Iron Age roundhouse in the Midlands, using well preserved sites as exemplars for the range of evidence that can survive. A typology and chronology for Iron Age pottery is provided, and the date of introduction of the rotary quern is discussed, and the consequent effect on the size of storage jars is examined. Middle Bronze Age pits and a small cremation cemetery, and Late Iron Age to early Roman settlement on the site of the nearby deserted medieval village of Coton are also described. With contributions by Trevor Anderson, Paul Blinkhorn, Pat Chapman, Steve Critchley, Karen Deighton, Tora Hylton, Dennis Jackson, Ivan Mack, Anthony Maull, Gerry McDonnell, Matthew Ponting and Jane Timby. Illustrations by Andy Chapman, Pat Walsh and Mark Roughley.

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