Search results for ""Author Robert"

Published by Boydell & Brewer Inc.

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Media, Structures, and Power is a collection of the scholarly writing of Canada's leading communication and media studies scholar, Robert E. Babe. Spanning almost four decades of scholarship, the volume reflects the breadth of Babe's work, from media and economics to communications history and political economy. Babe famously characterized Canadian scholars' distinctive contribution to knowledge as uniquely historical, holistic, and dialectical. The essays in Media, Structures, and Power reflect this particular strength. With a clarity of vision, Babe critiques mainstream economics, Canadian government policy, and postmodernist thought in social science. Containing introductions and contributions by other prominent scholars, this volume situates Babe's work within contemporary scholarship and underscores the extent to which he is one of Canada's most prescient thinkers. His interdisciplinary analyses will remain timely and influential well into the twenty-first century.

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Robert Hatch's critical life spanned five decades. Starting in 1947 and continuing until 1984, he wrote about drama (and film) for The New Republic, The Nation, Theatre Arts, The Reporter, and Horizon. Along with John Simon, Robert Brustein, Richard Gilman, and Stanley Kauffmann, Hatch was one of the most potent, influential authors in the New York school of twentieth-century American arts criticism. With style and erudition Open Hatch discusses plays and productions from the following countries: England, the United States, France, Russia, Ireland, Germany, Switzerland, Italy, Czechoslovakia, Norway, Greece, and Australia. Among the many works discussed are The Master Builder, by Henrik Ibsen; The Three Sisters, by Anton Chekhov; Cat on a Hot Tin Roof, by Tennessee Williams; The Bourgeois Gentleman, by Molière; The Iceman Cometh, by Eugene O'Neill; Measure for Measure, by William Shakespeare; The Good Woman of Setzuan, by Bertolt Brecht; Exiles, by James Joyce; Endgame, by Samuel Beckett; The Blacks, by Jean Genet; The Caretaker, by Harold Pinter; Who's Afraid of Virginia Woolf?, by Edward Albee; Dutchman, by LeRoi Jones; and Leonce and Lena, by Georg Büchner. Also included in Open Hatch are articles on the following subjects: the idea of repertory; the Living Theatre; the Actors' Studio; Broadway and Off-Broadway; melodrama; and scene design. In addition, one may find in this rich collection bio-critical pieces on such figures as Tyrone Guthrie, Orson Welles, and John Arden. The precision, wit, and wisdom of Hatch's writing chime in Open Hatch, as he reveals his sense of cultural mission - and love of all the arts - by applying to theater and drama the same high standards that are applied to fiction, poetry, art, and music.

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Robert W. Clower has had a profound effect on the theory and practice of economics. The distinguished group of contributors to this book celebrates his seminal contribution to economic methodology and theory by providing key accounts of important themes in the area of money, markets and method.The volume begins with a number of papers dealing with Robert Clower's work and his views on methodology. The contributors then discuss Keynes's General Theory and its relationship to conventional Keynesian macroeconomic theory as well as the origins of the General Theory itself, a subject that has been central to Clower's writings. The analysis is then expanded to concentrate on how institutions matter in thin markets. Finally, the authors analyse ways in which adaptive behaviour influences the stability of markets in the context of trading relationships, repeated games and retail stores.

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Speed, acceleration and rapid change characterize our world, and as we design and construct buildings that are to last at least a few decades and sometimes even centuries, how can architecture continue to act as an important cultural signifier? Focusing on how an important nineteenth-century architect addressed the already shifting relation between architecture, time and history, this book offers insights on issues still relevant today-the struggle between imitation and innovation, the definition (or rejection) of aesthetic experience, the grounds of architectural judgment (who decides and how), or fundamentally, how to act (i.e. build) when there is no longer a single grand narrative but a plurality of possible histories. Six drawings provide the foundation of an itinerary through Charles Robert Cockerell’s conception of architecture, and into the depths of drawings and buildings. Born in England in 1788, Cockerell sketched as a Grand Tourist, he charted architectural history as Royal Academy Professor, he drew to build, to exhibit, to understand the past and to learn from it, publishing his last work in 1860, three years before his death. Under our scrutiny, his drawings become thresholds into the nineteenth century, windows into the architect’s conception of architecture and time, complex documents of past and projected constructions, great examples that reveal a kinetic approach to ornamentation, and the depth of architectural representation.

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The Julie and Robert Breckman Print Fund has enabled purchases by such art world stars as Damien Hirst, Julian Opie, Chris Ofili, Grayson Perry and Rachel Whiteread to name but a few. The collection is also home of a wide range of other print acquisitions that encompass everything from topographical prints, fashion plates, wallpapers and caricatures to posters, packaging and playing cards, as well as prints by street artists, and often challenging contemporary prints and multiples. This book includes an illustrated introduction that gives the background of the collection and describes the rationale behind the collecting - as well as highlighting the important contributions that the Breckman Fund acquisitions have made to the V&A's programme of exhibitions, displays and galleries.

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In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture. With this seventeenth and final volume, The Complete Works of Robert Browning concludes the major phase of a great scholarly project: the accurate preservation and transmission of the poet’s works for future generations of readers. Volume XVII begins with Browning’s last collection of poems, Asolando: Fancies and Facts, published on the day of the poet’s death, 12 December 1889. Wonderful in its diversity and intensity, Asolando contains lyrics of startling emotion, autobiographical narratives, and a few of the dramatic monologues for which Browning had become famed. Also in this final volume are ninety-nine fugitive pieces, either unpublished or uncollected during the poet’s lifetime. Ranging from experimental poems of Browning’s youth to Greek translations to joking couplets and witty ephemera, these works illustrate the endless variety of the poet’s talent. Finally, Volume XVII includes “Thomas Wentworth, Earl of Strafford,” a biographical essay that Browning coauthored with John Forster in 1836. The historical research done for this work formed a basis for Strafford, a play Browning completed the following year. Comprehensive explanatory notes for the works in this volume are provided, as is a title index to all seventeen volumes of The Complete Works.

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In 1942, RAF flight controller Robert Wyse became a Japanese prisoner of war on the island of Java in Indonesia. Starved, sick, beaten, and worked to near-death, he wasted away until he weighed only seventy pounds, his life hanging in tenuous balance. There were strict orders against POWs keeping diaries, but Wyse penned his observations on the scarce bits of paper he could find, struggling to describe the brutalities he witnessed. After cleverly hiding his notes in a piece of bamboo next to his bed, in December of 1943, he carefully hid his notes inside a bottle beneath his prison hut. After the war, he wrote to the Dutch authorities, asking them to dig up his diary and return it to him. In this detailed and frank portrayal of life under Japanese occupation, Wyse reveals the both the best and the worst of human nature. He criticized his fellow soldiers for botching the defence of Java and Sumatra and admonished his captors for their brutality. Yet, Wyse also describes the selfless efforts of the Dutch civilians who helped the prisoners by doing whatever they could as well as his first-hand observations of acts of self-sacrifice among the prisoners themselves.Bamboo Cage is volume 13 in the New Brunswick Military Heritage Series.

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Robert Schumann (1810-56) is one of the most important and representative composers of the Romantic era. Born in Zwickau, Germany, Schumann began piano instruction at age seven and immediately developed a passion for music. When a permanent injury to his hand prevented him from pursuing a career as a touring concert pianist, he turned his energies and talents to composing, writing hundreds of works for piano and voice, as well as four symphonies and two ballets. Here acclaimed biographer Martin Geck tells the fascinating story of this multifaceted genius, set in the context of the political and social revolutions of his time. The image of Schumann, the man and the artist, that emerges in Geck's book is complex. Geck shows Schumann to be not only a major composer and music critic-he cofounded and wrote articles for the controversial Neue Zeitschrift fur Musik-but also a political activist, the father of eight children, and an addict of mind-altering drugs. Through hard work and determination bordering on the obsessive, Schumann was able to control his demons and channel the tensions that seethed within him into music that mixes the popular and esoteric, resulting in compositions that require the creative engagement of reader and listener. The more we know about a composer, the more we hear his personality in his music, even if it is above all on the strength of his work that we love and admire him. Martin Geck's book on Schumann is not just another rehashing of Schumann's life and works, but an intelligent, personal interpretation of the composer as a musical, literary, and cultural personality.

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In the fall of 1943, armed with only his notebooks and pencils, Time and Life correspondent Robert L. Sherrod leapt from the safety of a landing craft and waded through neck-deep water and a hail of bullets to reach the shores of the Tarawa Atoll with the US Marine Corps. Living shoulder to shoulder with the marines, Sherrod chronicled combat and the marines' day-to-day struggles as they leapfrogged across the Central Pacific, battling the Japanese on Tarawa, Saipan, Iwo Jima, and Okinawa. While the marines courageously and doggedly confronted an enemy that at times seemed invincible, those left behind on the American home front desperately scanned Sherrod's columns for news of their loved ones. Following his death in 1994, the Washington Post heralded Sherrod's reporting as "some of the most vivid accounts of men at war ever produced by an American journalist." Now, for the first time, author Ray E. Boomhower tells the story of the journalist in Dispatches from the Pacific: The World War II Reporting of Robert L. Sherrod, an intimate account of the war efforts on the Pacific front.

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This 3-volume work forms the second in a series of monographs by Henry Noltie documenting the more important collections of Indian botanical drawings in the Library of the Royal Botanic Garden Edinburgh. Book 1, The Life and Work of Robert Wight, provides the definitive biography of Wight. Book 2, Botanical Drawings by Rungia & Govindoo: the Wight Collection. Book 3, Journeys in Search of Robert Wight, describes the author's travels as he carried out the research that underpins his work.

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This richly illustrated book takes a different angle on Robert E. Peary’s North Pole expedition. By shifting the focus away from the unanswerable question of whether he truly reached 90º North Latitude, the authors shed light on equally important stories and discoveries that arose as a result of the infamous expedition. Peary's Arctic Quest ventures beyond the well-cited story of Peary’s expedition and uncovers the truth about race relations, womens’ scientific contributions, and climate change that are still relevant today. Readers will gain a greater appreciation for Peary’s methodical and creative mind, the Inughuit’s significant contributions to Arctic exploration, and the impact of Western expedition activity on the Inughuit community. The volume will also feature artifacts, drawings, and historic photographs with informative captions to tell little-known stories about Peary’s 1908-1909 North Pole expedition.

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The Aspiring Adept presents a provocative new view of Robert Boyle (1627-1691), one of the leading figures of the Scientific Revolution, by revealing for the first time his avid and lifelong pursuit of alchemy. Boyle has traditionally been considered, along with Newton, a founder of modern science because of his mechanical philosophy and his experimentation with the air-pump and other early scientific apparatus. However, Lawrence Principe shows that his alchemical quest--hidden first by Boyle's own codes and secrecy, and later suppressed or ignored--positions him more accurately in the intellectual and cultural crossroads of the seventeenth century. Principe radically reinterprets Boyle's most famous work, The Sceptical Chymist, to show that it criticizes not alchemists, as has been thought, but "unphilosophical" pharmacists and textbook writers. He then shows Boyle's unambiguous enthusiasm for alchemy in his "lost" Dialogue on the Transmutation and Melioration of Metals, now reconstructed from scattered fragments and presented here in full for the first time. Intriguingly, Boyle believed that the goal of his quest, the Philosopher's Stone, could not only transmute base metals into gold, but could also attract angels. Alchemy could thus act both as a source of knowledge and as a defense against the growing tide of atheism that tormented him. In seeking to integrate the seemingly contradictory facets of Boyle's work, Principe also illuminates how alchemy and other "unscientific" pursuits had a far greater impact on early modern science than has previously been thought.

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In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture. Volume V contains: A Soul’s Tragedy Poems Christmas-Eve and Easter Day Essay on Shelley Men and Women, Vol. I As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

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Robert K. Merton (1910-2003) was one of the most influential sociologists of the twentieth century, producing clear theories and innovative research that continue to shape multiple disciplines. Merton's reach can be felt in the study of social structure, social psychology, deviance, professions, organizations, culture, and science. Yet for all his fame, Merton is only partially understood. He is treated by scholars as a functional analyst, when in truth his contributions transcend paradigm. Gathering together twelve major sociologists, Craig Calhoun launches a thorough reconsideration of Merton's achievements and inspires a renewed engagement with sociological theory. Merton's work addressed the challenges of integrating research and theory. It connected different fields of empirical research and spoke to the importance of overcoming divisions between allegedly pure and applied sociology. Merton also sought to integrate sociology with the institutional analysis of science, each informing the other. By bringing together different aspects of his work in one volume, Calhoun illuminates the interdisciplinary--and unifying--dimensions of Merton's approach, while also advancing the intellectual agenda of an increasingly vital area of study. Contributors: Aaron L. Panofsky, University of California; Alan Sica, Pennsylvania State University; Alejandro Portes, Princeton University; Charles Camic, Northwestern University; Charles Tilly, Columbia University; Craig Calhoun, Social Science Research Council and New York University; Cynthia Fuchs Epstein, City University of New York; Harriet Zuckerman, Mellon Foundation; Peter Simonson, University of Colorado; Ragnvald Kalleberg, University of Oslo; Robert J. Sampson, Harvard University; Thomas F. Gieryn, Indiana University; Viviana A. Zelizer, Princeton University

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Robert W. Jenson (1930-2017) is America’s most important theologian. He thinks Jesus of Nazareth is always and for ever one of the Trinity. “Mary’s boy and Pilate’s victim” is the Father’s eternal Son, so there has never been an unfleshed Word. The God of the Gospel is much stranger than we have imagined. In Jesus in the Trinity Lincoln Harvey offers a penetrating guide into Jenson’s remarkable proposal. Demonstrating Jenson’s signature moves, as well as his fundamental re-working of the dogmatic tradition, Harvey shows how an evangelized metaphysics can make sense of the identity of Jesus Christ. With time, space, causation, and God’s act of creation utterly re-imagined through the course of these pages, reality will look very different in light of Jenson’s startling theology.

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This unique reflection on the world of Robert Burns places a range of photographic artworks by celebrated Scottish artist Calum Colvin alongside poems written in response to each work by 'weel-kent' Scots poet Rab Wilson. Colvin's multi-referential artworks are concerned with the very process of looking, perceiving and interpreting. The potential meaning of any individual piece is intrinsically linked to the viewer’s personal deconstruction of the image. Utilising the unique fixed-point perspective of the camera, Colvin creates and records manipulated and constructed images in order to create elaborate narratives which meditate on numerous aspects of Scottish culture, identity and the human condition in the early 21st century. At times witty, controversial and tender, the images are presented alongside poems in response by Rab Wilson which equally reflect on the life and aspects of Burns to dwell on who we are, and where we have been, toward what we may become. As Burns reflected through his art the world he inhabited, these works and words strive to reflect on a myriad of contemporary concerns.

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This unique reflection on the world of Robert Burns places a range of photographic artworks by celebrated Scottish artist Calum Colvin alongside poems written in response to each work by 'weel-kent' Scots poet Rab Wilson. Colvin's multi-referential artworks are concerned with the very process of looking, perceiving and interpreting. The potential meaning of any individual piece is intrinsically linked to the viewer’s personal deconstruction of the image. Utilising the unique fixed-point perspective of the camera, Colvin creates and records manipulated and constructed images in order to create elaborate narratives which meditate on numerous aspects of Scottish culture, identity and the human condition in the early 21st century. At times witty, controversial and tender, the images are presented alongside poems in response by Rab Wilson which equally reflect on the life and aspects of Burns to dwell on who we are, and where we have been, toward what we may become. As Burns reflected through his art the world he inhabited, these works and words strive to reflect on a myriad of contemporary concerns.

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'Oh would some power the gift give us, to see ourselves as others see us!' Robert BurnsRobert Burns, poet and lyricist, also known as Rabbie Burns, is widely regarded as the National Poet of Scotland - and much of his work has become part of everyday modern language:'The best laid schemes o' mice and men...''To see her is to love her...'Often credited with writing the lyrics for Auld Lang Syne, he almost single-handedly inspired the movement that preserved Scottish music and lyrics which had been handed down the generations vocally for centuries, thereby maintaining Scots culture and language.A cultural icon and pioneer of the Romantic movement, Burns was chosen as the greatest Scot in a 2009 poll. This collection includes some of his best-loved, most beautiful work.'Now's the day, now's the hour' Robert Burns

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In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture. The sixth in the projected seventeen-volume work, this volume covers the second half of Men and Women (1855), perhaps Browning’s most famous collection, and the entirety of Dramatis Personae (1864), the first book Browning produced after the death of Elizabeth Barrett Browning in 1861. Men and Women II contains several great dramatic poems on which Browning’s reputation still depends, including “Andrea del Sarto,” “Saul,” and “Cleon.” It also includes the more intimate and personal works “The Guardian Angel” and “One Word More,” as well as the mysterious “Women and Roses.” The Brownings‘ shared interests in Renaissance art and nineteenth-century Italian politics inform the challenging “Old Pictures in Florence.” The publication of Dramatis Personae was a key event in the rapid rise of Browning’s fame in the 1860s, though the collection is marked by a welter of conflicting impulses that arose after the poet left Italy and his married life behind. The classic monologues “Rabbi Ben Ezra” and “Abt Vogler” are here, but beside them Browning placed the nearly surreal “Caliban upon Setebos” and the achingly self-regarding “James Lee’s Wife,” one of the volume’s handful of dramatic lyrics about betrayed or failed relationships. Also included are “A Death in the Desert,” which contributed to the intense Victorian debate about scriptural validity and religious authority; and “Mr Sludge, ’The Medium,‘” Browning’s ferocious, pyrotechnic exposé of a spiritualist fraud. As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

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The seventh episode in the latest bulls-eye hit series from the bestselling author of Cherub. Teen rebel and social-media star Robin Hood continues his fight against brutal and corrupt authorities.Robin is having fun sabotaging former Sheriff of Nottingham Marjorie Kovacevic's election campaign for President from the safety of his IT centre at Sherwood Castle. Meanwhile his best friend Marion Maid is spending time in Pelican Island, the country's most notorious prison. Then Marion's father, biker-gang leader Cut-Throat Maid, offers Robin a chance to help protect Marion from other prisoners. But can they break her free? More high-octane, outrageous action from everyone's favourite teen rebel.''Intensely readable, outrageously enjoyable' - Guardian

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How does Robert Louis Stevenson's engagement with Pacific Islands cultures demonstrate processes of inculturation and the transformation of global Christianity? Connects Stevenson's Scottish and Pacific periods through unexplored religious contexts Interprets Stevenson's writing within Pacific cultural and historical frameworks Analyses neglected and unpublished work on mission work and evangelization Robert Louis Stevenson and the Pacific Islands re-orients the intellectual biography of Robert Louis Stevenson by presenting him in the distinctive cultural environment of the Pacific. The book argues that Stevenson was religiously literate within a Scottish Presbyterian tradition and therefore well placed to grasp with subtlety the breadth and dynamics of a Christianized Pacific culture. It considers his legacy with respect to issues of indigenous sovereignty and agency and positions him within an important and wide-ranging modern debate about inculturation, defined as the emergence of Christianity from within a particular culture rather than imposed on it from outside. Through this study of a major Scottish writer, the book offers a model of interdisciplinary scholarship.

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This richly illustrated book takes a different angle on Robert E. Peary’s North Pole expedition. By shifting the focus away from the unanswerable question of whether he truly reached 90º North Latitude, the authors shed light on equally important stories and discoveries that arose as a result of the infamous expedition. Peary's Arctic Quest ventures beyond the well-cited story of Peary’s expedition and uncovers the truth about race relations, womens’ scientific contributions, and climate change that are still relevant today. Readers will gain a greater appreciation for Peary’s methodical and creative mind, the Inughuit’s significant contributions to Arctic exploration, and the impact of Western expedition activity on the Inughuit community. The volume will also feature artifacts, drawings, and historic photographs with informative captions to tell little-known stories about Peary’s 1908-1909 North Pole expedition.

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***THE INSPIRATION FOR CHRISTOPHER NOLAN'S NEW FILM OPPENHEIMER***THE SUNDAY TIMES BESTSELLERWINNER OF THE PULITZER PRIZE FOR NONFICTION'Reads like a thriller, gripping and terrifying' Sunday TimesPhysicist and polymath, as familiar with Hindu scriptures as he was with quantum mechanics, J. Robert Oppenheimer - director of the Manhattan Project that developed the atomic bomb - was the most famous scientist of his generation. In their meticulous and riveting biography, Kai Bird and Martin J. Sherwin reveal a brilliant, ambitious, complex and flawed man, profoundly involved with some of the momentous events of the twentieth century.

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Robin and the rebels resume their fight against corrupt and brutal rule with more high-energy action in Robert Muchamore's latest brilliant series.'Intensely readable, outrageously enjoyable action.' - GuardianRobin and Will Scarlock's band of rebels are enduring a bitterly cold winter in the derelict Sherwood Castle Resort. But when the boss of a major delivery company - the world's second richest man - asks for help to track down the kidnappers of his beloved dogs and offers to pay, Robin finds himself at the centre of the biggest hacking operation of his life.The fifth epic adventure in this super-cool modern reimagining of Robin Hood.

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An illustrated reference book on a seminal figure of occult philosophy and Renaissance thought • Explains Fludd’s thoughts on cosmic harmonies, divination, the kabbalah, astrology, geomancy, alchemy, the Rosicrucians, and multiple levels of existence • Includes more than 200 of Fludd’s illustrations, representing the whole corpus of Fludd’s iconography, each one accompanied by Godwin’s expert commentary • Explores Fludd’s medical work as an esoteric Paracelsian physician and his theories on the macrocosm of elements, planets, stars, and subtle and divine beings and the microcosm of the human being and its creative activities, including material never before translated One of the last Renaissance men, Robert Fludd (1574-1637) was one of the great minds of the early modern period. A physician by profession, he was also a Christian Hermetist, a Rosicrucian, an alchemist, astrologer, musician, and inventor. His drive to encompass the whole of human knowledge--from music to alchemy, from palmistry to fortification--resulted in a series of books remarkable for their hundreds of engravings, a body of work recognized as the first example of a fully-illustrated encyclopedia. In this in-depth, highly illustrated reference, scholar and linguist Joscelyn Godwin explains Fludd’s theories on the correspondence between the macrocosm of elements, planets, stars, and subtle and divine beings and the microcosm of the human being and its creative activities. He shows how Fludd’s two worlds--the macrocosm and the microcosm--along with Paracelsus’s medical principles and the works of Hermes Trismegistus provided the foundation for his search for the cause and cure of all diseases. The more than 200 illustrations in the book represent the whole corpus of Fludd’s iconography, each one accompanied by Godwin’s expert commentary and explanation. Sharing many passages translated for the first time from Fludd’s Latin, allowing him to speak for himself, Godwin explores Fludd’s thoughts on cosmic harmonies, divination, the kabbalah, astrology, geomancy, and the rapport between the multiple levels of existence. He also analyzes Fludd’s writings in defense of alchemy and the Rosicrucians. An essential reference for scholars of Renaissance thinkers, traditional cosmology, metaphysics, and the Western esoteric tradition, this book offers intimate access to Fludd’s worlds and gives one a feel for an epoch in which magic, science, philosophy, spirituality, and imagination could still cohabit and harmonize within a single mind.

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Robert Ernest was an architect of rare promise and remarkable early success, whose award-winning career was cut short by cancer at age 28 in 1962. Despite the brevity of Ernest’s life, his education and practice were intertwined with some of the most important figures in architecture, including his interactions with Louis I. Kahn and Paul Rudolph. Ernest’s exceptional architectural designs, though honoured during his lifetime with three Progressive Architecture Awards and one Record Houses Award, have never been documented in a comprehensive manner, and are now almost completely lost to disciplinary history. Yet the materials in the architect’s personal and professional archives — upon which this book is almost entirely based — clearly indicate that Ernest was a remarkably talented and unusually gifted architectural designer, whose future promise and potential were inestimable. Ernest’s two built works, both realised before he had turned 28, his one work built after his death, as well as the remarkably innovative unrealised projects documented in his archives, indicate that had Ernest lived to a normal lifespan, he would have without question been one of the most important architects of his generation, with the potential to design precedent-setting buildings equal to those realised by the most recognised architects in the 60 years after his death.

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The third volume of Vincent Lenti's history of the Eastman School of Music Nurturing the Love of Music is the third volume of Vincent Lenti's history of the Eastman School of Music, being preceded by For the Enrichment of Community Life: George Eastman and the Founding of the Eastman School of Music (2004) and Serving a Great and Noble Art: Howard Hanson and the Eastman School of Music (2009). This most recent addition to the written history of the school is mainly concerned with the period of time when Robert Freeman served as the school's fourth director (that is, dean). Freeman was recruited to lead the Eastman School in the fall of 1972 and officially assumed responsibilities as director on July 1, 1973. He served as director until his resignation in 1996. His was the second longest tenure in the school's history, only being surpassed by that of Howard Hanson. That tenure allowed him to exercise great influence over faculty recruitment, program development, and fundraising, as well as presiding over the most significant expansion of the school's physical presence in downtown Rochester since the original construction of 1921 and 1922. The publication of Nurturing the Love of Music coincides with the celebration of the Eastman School's one-hundredth anniversary. Because of that anniversary celebration, the book includes as its final chapter a brief summary of the post-Freeman years, a story that will no doubt be told in greater detail sometime in the future.

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Robert Frost - American Writers 2 was first published in 1959. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

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A complete volume of the writer's poetry and songs includes previously unpublished pieces, draws on extensive scholarship and Burn's own letters, and offers supplemental information about his life, early hardships, political beliefs, and literary contexts.

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FROM THE AUTHOR OF THE SUNDAY TIMES NUMBER ONE BESTSELLER THE CALLER'Good job you didn't turn on the lights . . .' A student nurse has the shock of her life when she discovers her patient, prosecutor Derek Nicholson, brutally murdered in his bed. The act seems senseless - Nicholson was terminally ill with only weeks to live. But what most shocks Detective Robert Hunter of the Los Angeles Robbery Homicide Division is the calling card the killer left behind. For Hunter, there is no doubt that the killer is trying to communicate with the police, but the method is unlike anything he's ever seen before. And what could the hidden message be? Just as Hunter and his partner Garcia reckon they've found a lead, a new body is found - and a new calling card. But with no apparent link between the first and second victims, all the progress they've made so far goes out of the window. Pushed into an uncomfortable alliance with confident investigator Alice Beaumont, Hunter must race to put together the pieces of the puzzle . . . before the Death Sculptor puts the final touches to his masterpiece.PRAISE FOR CHRIS CARTER 'A touch of Patricia Cornwell about Chris Carter's plotting' Mail on Sunday 'Gripping . . . not for the squeamish' Heat 'A page-turner' Express

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Robert Louis Stevenson's 'Travels with a donkey in the Cévennes' is a classic of travel literature. The GR70 long-distance trail is based on the author's route, allowing walkers to follow in the footsteps of Stevenson and his four-legged companion Modestine through the beautiful Cévennes region on the edge of France's Massif Central. The route is ideal for both first-time trekkers and more experienced hikers, covering around 272km of gently undulating countryside from Le-Puy-en-Velay to Alès. It can be completed in under a fortnight. The trail is presented in 12 stages of 16 to 30km, each with clear route description and mapping, an elevation profile, notes on local points of interest and a brief account of Robert Louis Stevenson's experiences on that section of the route. There is useful advice for planning your trip - including when to go, what to take and how to get there - and accommodation listings. Following drove roads, bridleways and footpaths, the GR70 showcases the landscapes of the Cévennes: wildflower meadows, rolling hills, chestnut woods, limestone gorges and meandering rivers. Characterful villages provide accommodation and other services and offer an opportunity to sample the delicious local produce. There are also glimpses into the region's fascinating history, from pre-historic burial sites to locations associated with the eighteenth-century Protestant Camisards who resisted religious persecution. While many things have undoubtedly changed since Stevenson's visit, the area retains its authentic rural charm and you will soon discover just why Stevenson found it so appealing.

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