Search results for ""Author Robert"

Uplift Your Heart and Increase Your Effectiveness Delve into the personal writings of the grandfather of the modern empowerment movement in business leadership. In this collection of previously unpublished works, eminent writer, consultant, and lecturer Robert Greenleaf shares his personal and professional philosophy, which postulates that true leaders are those who lead by serving others. Spanning a time frame of fifty years, these essays and lectures touch on such key issues as power, ethics, management, organizations, and servanthood. And they offer the reader a wealth of practical suggestions and useful information garnered through the course of a remarkable career.

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Published by Boydell & Brewer Inc.

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Like many men of his generation, poet Robert Graves was indelibly marked by his experience of trench warfare in World War I. The horrific battles in which he fought and his guilt over surviving when so many perished left Graves shell-shocked and disoriented, desperately seeking a way to bridge the rupture between his conventional upbringing and the uncertainties of postwar British society. In this study of Graves's early poetry, Frank Kersnowski explores how his war neurosis opened a door into the unconscious for Graves and led him to reject the essential components of the Western idea of reality—reason and predictability. In particular, Kersnowski traces the emergence in Graves's early poems of a figure he later called "The White Goddess," a being at once terrifying and glorious, who sustains life and inspires poetry. Drawing on interviews with Graves's family, as well as unpublished correspondence and drafts of poems, Kersnowski argues that Graves actually experienced the White Goddess as a real being and that his life as a poet was driven by the purpose of celebrating and explaining this deity and her matriarchy.

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In the fall of 1943, armed with only his notebooks and pencils, Time and Life correspondent Robert L. Sherrod leapt from the safety of a landing craft and waded through neck-deep water and a hail of bullets to reach the shores of the Tarawa Atoll with the US Marine Corps. Living shoulder to shoulder with the marines, Sherrod chronicled combat and the marines' day-to-day struggles as they leapfrogged across the Central Pacific, battling the Japanese on Tarawa, Saipan, Iwo Jima, and Okinawa. While the marines courageously and doggedly confronted an enemy that at times seemed invincible, those left behind on the American home front desperately scanned Sherrod's columns for news of their loved ones. Following his death in 1994, the Washington Post heralded Sherrod's reporting as "some of the most vivid accounts of men at war ever produced by an American journalist." Now, for the first time, author Ray E. Boomhower tells the story of the journalist in Dispatches from the Pacific: The World War II Reporting of Robert L. Sherrod, an intimate account of the war efforts on the Pacific front.

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Robert Wilton Bungey was unquestionably an RAF hero. From the very beginning of the Second World War he was patrolling Germany’s border with the AASF. In the retreat from France he survived frantic day and night bombing missions flying obsolete, outclassed Fairey Battles against overwhelming odds. Many others didn’t survive. When Fighter Command desperately needed pilots in the Battle of Britain, he volunteered. He survived again when his Hurricane was shot down near the Isle of Wight. Converting to Spitfires, he commanded such aces as Jean ‘Pyker’ Offenberg, Paddy Finucane and Bluey Truscott, his leadership from-the-front gaining their trust and respect. While he was CO of 452 (RAAF) Squadron, it topped Fighter Command’s monthly tallies three times in a row. Later, commanding RAF Hawkinge, he was linked with air-sea rescue and Combined Operations Command. After more than three years of active war service, he returned to Australia for Sybil, his English bride waiting with a son he had never seen. But this story of triumph against all the odds has an extraordinary ending: at once a terrible tragedy and something of a miracle… Spitfire Leader is illustrated with many photographs never before published.

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A series of diary entries. Marginalia from Pausanias's description of Greece. A nineteenth century ledger. Postcards from China. What do these ostensibly unrelated things have in common? Little or nothing, except when transformed into verse by Robert Kroetsch, one of Canada's most accomplished writers. Completed Field Notes showcases 20 of Kroetsch's long poems, spanning some 15 years of creative activity. Introduction by Fred Wah.

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Robert Johnson is the subject of the most famous myth about the blues: he allegedly sold his soul at the crossroads in exchange for his incredible talent, and this deal led to his death at age 27. But the actual story of his life remains unknown save for a few inaccurate anecdotes. Up Jumped the Devil is the result of over 50 years of research. Gayle Dean Wardlow has been interviewing people who knew Robert Johnson since the early 1960s, and he was the person who discovered Johnson’s death certificate in 1967. Bruce Conforth began his study of Johnson's life and music in 1970 and made it his mission to fill in what was still unknown about him. In this definitive biography, the two authors relied on every interview, resource and document, most of it material no one has seen before. As a result, this book not only destroys every myth that ever surrounded Johnson, but also tells a human story of a real person. It is the first book about Johnson that documents his years in Memphis, details his trip to New York, uncovers where and when his wife Virginia died and the impact this had on him, fully portrays the other women Johnson was involved with, and tells exactly how and why he died and who gave him the poison that killed him. Up Jumped the Devil will astonish blues fans who thought they knew something about Johnson.

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A Jesse Stone Mystery The woman on the bed was barely out of her teens. She wasn't exactly beautiful, but she'd tried to make the most of her looks. Now, defiled and alone in a seedy beachfront motel, she was dead. And Paradise Police Chief Jesse Stone doesn't know her name. Whoever she is, she didn't deserve to die. State police captain Healy's resources turn up nothing helpful, and Gino Fish, who knows his way around dark places, is characteristically uncooperative. Unwilling to take no for an answer, Jesse continues digging his own way, only to find himself caught in the crosshairs of a bitter turf war between two ruthless pimps, Thomas Walker and Fat Boy Nelly, and a beautiful woman to whom they both lay claim. Jesse tries for a diplomatic solution, but more blood will be spilt before it's over.

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This deluxe diary for 2025 features the stunning artwork of Robert Fuller. The diary is filled with his finest wildlife paintings and has plenty of space for notes and appointments in the week-per-page layout. This diary is free of plastic packaging.

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Published in five editions between 1621 and 1651, The Anatomy of Melancholy marks a unique moment in the development of disciplines, when fields of knowledge were distinct but not yet restrictive. In Robert Burton’s Rhetoric, Susan Wells analyzes the Anatomy, demonstrating how its early modern practices of knowledge and persuasion can offer a model for transdisciplinary scholarship today.In the first decades of the seventeenth century, Robert Burton attempted to gather all the existing knowledge about melancholy, drawing from professional discourses including theology, medicine, and philology as well as the emerging sciences. Examining this text through a rhetorical lens, Wells provides an account of these disciplinary exchanges in all their subtle variety and abundant wit, showing that questions of how knowledge is organized and how it is made persuasive are central to rhetorical theory. Ultimately, Wells argues that in addition to a book about melancholy, Burton’s Anatomy is a meditation on knowledge.A fresh interpretation of The Anatomy of Melancholy, this volume will be welcomed by scholars of early modern English and the rhetorics of health and medicine, as well as those interested in transdisciplinary work and rhetorical theory.

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For centuries, historians have speculated about the life of Katherine Jones, Lady Ranelagh. Dominant depictions show her either as a maternal figure to her younger brother Robert Boyle, one of the most significant scientists of his day, or as a patroness of the European correspondence network now known as the Hartlib circle—but neither portrait captures the depth of her intellect or the range of her knowledge and influence. Philosophers, mathematicians, politicians, and religious authorities sought her opinion on everything from decimalizing the currency to producing Hebrew grammars. She practiced medicine alongside distinguished male physicians, treating some of the most elite patients in London. Her medical recipes, political commentaries, and testimony concerning the philosophers’ stone gained international circulation. She was an important influence on Boyle and a formidable thinker in her own right. Drawing from a wealth of new archival sources, Michelle DiMeo fills out Lady Ranelagh’s legacy in the context of a historically sensitive and nuanced interpretation of gender, science, and religion. The book re-creates the intellectual life of one of the most respected and influential women in seventeenth-century Europe, revealing how she managed to gain the admiration of diverse contemporaries, effect social change, and shape contemporary science.

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The previously unpublished autobiography and additional essays by the orchestrator-composer of some of America's most important musical theatre productions. The remarkable career of composer-orchestrator Robert Russell Bennett [1894-1981] encompassed a wide variety of both "legitimate" and popular music-making in Hollywood, on Broadway, and for television. Bennett is principally responsible for what is known worldwide as the "Broadway sound" and for greatly elevating the status of the theater orchestrator. He worked alongside Jerome Kern, Cole Porter, George Gershwin, Irving Berlin, Richard Rodgers, and Frederick Loewe on much of the Broadway canon, eventually providing orchestrations for all or part of more than 300 musicals between 1920 and 1975. This work is the first publication of Bennett's autobiography, which was written in thelate 1970s. It also includes eight of his most important essays on the art of orchestration. George J. Ferencz is Professor of Music at the University of Wisconsin at Whitewater.

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The authorized biography of Robert Pollard, indie rock icon and founder of the music group Guided by VoicesRobert Pollard has been a staple of the indie rock scene since the early 1980s, along with his band Guided by Voices. Pollard was a longtime grade school teacher who toiled endlessly on his music, only finding success after adopting a do-it-yourself approach, relying on lo-fi home recordings for much of his and his band's career. A prolific artist, Pollard continues to churn out album after album, much to the acclaim of critics and his obsessive and devoted fans. But his story has never been faithfully told in its entirety. Until now.Closer You Are is the authorized biography of Robert Pollard and Guided by Voices. Author Matthew Cutter is a longtime friend of Pollard, and at Pollard's personal request Cutter has set out to tell the whole, true story of Guided by Voices. This will be the first book to take an in-depth look at the man behind it all, with interviews conducted by the author with Pollard's friends, family, and bandmates, along with unfettered access to Pollard himself and his extensive archives, ephemera, and artwork, which many fans will no doubt recognize from the band's numerous album covers. A series of appendices will further illuminate Pollard's solo career, side projects, and art shows.Robert Pollard has had an amazing and seemingly endless career in rock music, but he's also established himself as a consummate artist who works on his own terms. Now fans can at long last learn the full story behind one of America's greatest living songwriters.

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Interweaving fact and fiction, Los Alamos is at once a powerful novel of historical intrigue and a vivid portrait of the most mysterious figures involved in the Manhattan Project: Robert Oppenheimer.Spring 1945. As work on the first atomic bomb nears completion in New Mexico, Karl Bruner, a Manhattan Project security officer, is found murdered.Michael Connolly, the intelligence officer brought in to crack Bruner's case, soon discovers that investigating a murder in Los Alamos - a town so secret it does not officially exist - is anything but easy. Only once he falls in love and begins an affair with Emma, the enigmatic wife of one of the scientists, does he truly begin to unravel the dark heart of the Project.Elegantly written and deftly constructed, Los Alamos is the stunning debut novel of the author of Leaving Berlin and The Good German.'Brilliantly captures the burgeoning Cold War paranoia'Observer'Accomplished and beautifully written'Sunday Telegraph'Enthralling . . . a dream of a novel'Time Out

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The significance of Robert Boyle (1627-91) as the most influential English scientist in the generation before Newton is now generally acknowledged, but the complexity and eclecticism of his ideas has also become increasingly apparent. This volume presents an important group of studies of Boyle by Michael Hunter, the leading expert on Boyle’s life and thought. It forms a sequel to two previous books: Hunter’s Robert Boyle: Scrupulosity and Science (2000) and The Boyle Papers: Understanding the Manuscripts of Robert Boyle (2007). Like them, it conveniently brings together material otherwise widely scattered in essay volumes and academic journals, while nearly a third of the book’s content is hitherto unpublished. The collection opens with a substantial introduction that places the studies that follow in the context of existing studies of Boyle; appended to it is an annotated edition of Boyle’s telling list of desiderata for science. The next three essays comprise a group of essentially biographical studies, exploring various aspects of Boyle’s life and intellectual evolution, after which three others provide further evidence of the ’convoluted’ Boyle divulged in Robert Boyle: Scrupulosity and Science. Finally, we have two chapters, one hitherto published only in French and the other not at all, which throw important light on topics that preoccupied Boyle in the last few years of his life - the supernatural and the exotic. Together, these essays add greater depth to our understanding of Boyle, both as an individual and as a natural philosopher.

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Seeing the Unseen Erased de Kooning Drawing is an artwork that radically challenged the very definition of art and questioned the notion of the artist as creator. Three American artists were involved in its creation: In 1953, Robert Rauschenberg erased a drawing by Willem de Kooning, who had somewhat reluctantly been giving his consent. Jasper Johns created a label for its first public presentation that proved to be key to the psychological framing of the piece. Having been transmuted into something new, the obliterated drawing was soon perceived as a pivotal moment in art history: In the 1950s it was considered Neo-Dada, in the 1960s it was hailed as the beginning of conceptual art, and in the 1980s saw it as a departure into postmodernism. Numerous artists referenced the work and it became a touchstone in Rauschenberg’s oeuvre. Gregor Stemmrich outlines its status as a litmus test for the definitions of modernism, literalism and postmodernism, and demonstrates its continuing relevance for the theory of the image and the question of appropriation.

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Challenging the prevailing notion among cinephiles that the auteur is an isolated genius interested primarily in individualism, Colin Burnett positions Robert Bresson as one whose life's work confronts the cultural forces that helped shape it. Regarded as one of film history's most elusive figures, Bresson (1901–1999) carried himself as an auteur long before cultural magazines, like the famed Cahiers du cinéma, advanced the term to describe such directors as Jacques Tati, Alfred Hitchcock, and Jean-Luc Godard. In this groundbreaking study, Burnett combines biography with cultural history to uncover the roots of the auteur in the alternative cultural marketplace of midcentury France.

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Challenging the prevailing notion among cinephiles that the auteur is an isolated genius interested primarily in individualism, Colin Burnett positions Robert Bresson as one whose life's work confronts the cultural forces that helped shape it. Regarded as one of film history's most elusive figures, Bresson (1901–1999) carried himself as an auteur long before cultural magazines, like the famed Cahiers du cinéma, advanced the term to describe such directors as Jacques Tati, Alfred Hitchcock, and Jean-Luc Godard. In this groundbreaking study, Burnett combines biography with cultural history to uncover the roots of the auteur in the alternative cultural marketplace of midcentury France.

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The life and influential career of neurologist Robert J. Joynt, MD, PhD., who in 1996 became the first chair of the Department of Neurology at the University of Rochester. In this stirring collection of essays, author Nancy Bolger leads the reader through the extraordinary life of Robert J. Joynt, MD, PhD, one of the most influential neurologists of the last half century. The story begins on the small-town streets of Iowa and takes us through military service and medical school, down the wedding aisle, and ultimately to a long and successful career at the University of Rochester, where Dr. Joynt became the first chair of thenewly created Department of Neurology in 1966. Along the way, we accompany Dr. Joynt on his travels to India, Canada, Ireland, London and Cambridge in England, and many other places, including a much-loved lakeside retreat in Minnesota where the family vacationed year after year. These pages tell of not only Dr. Joynt's life but also of those who inspired him, and how he in turn became a remarkable inspiration to others. Nancy W. Bolger is a writer and editor for the University of Rochester Medical Center. In 1992 she received the Robert G. Fenley Award of Distinction for Medical Science Writing from the Association of American Medical Colleges.

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Edited by Andrew T. Walker, these thoughtful essays from Christian evangelical scholars examine the political philosophy and ethics of influential Catholic social conservative scholar Robert P. George.

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Robert Louis Stevenson, celebrated author of such treasured classics as Treasure Island, Kidnapped, and The Strange Case of Dr. Jekyll and Mr. Hyde, has long been recognized as a master storyteller and essayist. But he was also a delightful and instructive letter writer. Now, in the centenary of his death, Yale University Press is publishing the definitive edition of Stevenson's collected letters in eight handsomely produced volumes. The edition will contain nearly 2800 letters; only 1100 have been published before, and many of these were abridged or expurgated. The letters make fascinating reading, not only for those interested in Stevenson's life and work but also for everyone interested in nineteenth-century literature and social history. The letters in volumes I and II, which cover the years from 1854 to 1879, reveal Stevenson's struggles to achieve success as an author. We learn of his years as a student, his work, and his travels. We meet the people who became his chief correspondents for the rest of his life, including Sidney Colvin, who was to be his literary mentor and lifelong friend; the poet and critic W.E. Henley; and Fanny Osbourne, who later became Stevenson's wife. During this period Stevenson published stories and essays and two books, An Inland Voyage and Edinburgh: Picturesque Notes, and set off on the journey to the Cevennes later immortalized in his famous Travels with a Donkey. Ernest Mehew's introduction and detailed annotation place the letters in a biographical framework that gives a chronology of Stevenson's life; explains his family background; and identifies the people he met, the literary projects he planned, and the contemporary events to which he refers.

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The brilliant but turbulent life of a public intellectual who transformed the social sciencesRobert Bellah (1927–2013) was one of the most influential social scientists of the twentieth century. Trained as a sociologist, he crossed disciplinary boundaries in pursuit of a greater comprehension of religion as both a cultural phenomenon and a way to fathom the depths of the human condition. A Joyfully Serious Man is the definitive biography of this towering figure in modern intellectual life, and a revelatory portrait of a man who led an adventurous yet turbulent life.Drawing on Bellah's personal papers as well as in-depth interviews with those who knew him, Matteo Bortolini tells the story of an extraordinary scholarly career and an eventful and tempestuous life. He describes Bellah's exile from the United States during the hysteria of the McCarthy years, his crushing personal tragedies, and his experiments with sexuality. Bellah understood religion as a mysterious human institution that brings together the scattered pieces of individual and collective experiences. Bortolini shows how Bellah championed intellectual openness and innovation through his relentless opposition to any notion of secularization as a decline of religion and his ideas about the enduring tensions between individualism and community in American society.Based on nearly two decades of research, A Joyfully Serious Man is a revelatory chronicle of a leading public intellectual who was both a transformative thinker and a restless, passionate seeker.

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Robert Barnes has been called the "most famous unknown painter in America." Picking up where his 1985 mid-career retrospective left off, this gorgeous catalog surveys Barnes's work from the past 30 years. Often identified as a Chicago School artist because of his training at the School of the Art Institute of Chicago and his representation by several major Chicago area galleries, Barnes's style defies simple categorization. In addition to 18 largescale paintings from his major series—including The Sources of Power, Silkies, Blood and Perfume, The Ogham, Jettatura, and Paradise—this stunning collection includes 20 of Barnes's works on paper.

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The life of Robert Bruce is one of the greatest comeback stories in history. Heir and magnate, shrewd politician, briefly 'king of summer' and then a desperate fugitive who nevertheless returned from exile to recover the kingdom he claimed, Bruce became a gifted military leader and a wise statesman, a leader with vision and energy. Colm McNamee combines the most up to date scholarship on this crucial figure in the history of the British Isles with lucid explanation of the medieval context, so that readers of all backgrounds can appreciate Bruce's enormous contribution to the historical impact not just on Scotland, but on England and Ireland too. It is designed to encourage popular reassessment of Bruce as politician, warrior, monarch and saviour of Scottish identity from extinction at the hands of the Edwardian superstate. Peeling back the layers of misconception and propaganda, the author paints an accurate, sympathetic but balanced portrait of a much beloved national hero who has fallen out of fashion of late for no good reason.

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Before they became two of America’s most iconic pop artists, Andy Warhol and Robert Indiana were young aspiring creatives, living in New York. There, they met and befriended William John Kennedy, who would take some of the first photographs of these artists in their career. Many photographers worked with Andy Warhol, but few so early on in his career or in a such a uniquely collaborative fashion. After establishing a friendship with Robert Indiana and taking some of the first, important close-up images of him in his studio, Kennedy went on to work in a similarly creative way with Warhol. These striking images of the young Warhol and Indiana were lost for nearly 50 years before being rediscovered. They were immediately recognised as important documents by the Warhol Museum and by Robert Indiana, and presented in the Before they were Famous exhibition, which travelled to London and New York. The story of the re-discovery of these photographs was made into an acclaimed documentary in 2010 - Full Circle: Before They Were Famous, Documentary on William John Kennedy. William John Kennedy: The Lost Archive: Photographs of Andy Warhol and Robert Indiana will be the first of William John Kennedy’s books devoted solely to the time he spent with Andy Warhol and Robert Indiana. The book features pictures of both artists as well as images of Taylor Mead, UltraViolet and other members of Warhol’s circle.

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The First World War is often credited as being the event that gave Canada its own identity, distinct from that of Britain, France, and the United States. Less often noted, however, is that it was also the cause of a great deal of friction within Canadian society. The fifteen essays contained in Canada and the First World War examine how Canadians experienced the war and how their experiences were shaped by region, politics, gender, class, and nationalism. Editor David MacKenzie has brought together some of the leading voices in Canadian history to take an in-depth look into the tensions and fractures the war caused, and to address the way some attitudes about the country were changed, while others remained the same. The essays vary in scope, but are strongly unified so as to create a collection that treats its subject in a complete and comprehensive manner. Canada and the First World War is a tribute to esteemed University of Toronto historian Robert Craig Brown, one of Canada's greatest authorities on the Great War World War One. The collection is a significant contribution to the on-going re-examination of Canada's experiences in war, and a must-read for students of Canadian history.

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In this reassessment of one of the figures of early modern science, Rose-Mary Sargent explores Robert Boyle's philosophy of experiment, a central aspect of his life and work that became a model for mid to late 17th century natural philosophers and for those who followed them. Sargent examines the philosophical, legal, experimental, and religious traditions - among them English common law, alchemy, medicine, and Christianity - that played a part in shaping Boyle's experimental thought and practice. The roots of his philosophy in his early life and education, in his religious ideals and in the work of his predecessors - particularly Bacon, Descartes and Galileo - are explored, as are the possible influences of his social and intellectual circle. Drawing on a range of Boyle's published works, as well as on his unpublished notebooks and manuscripts, Sargent shows how these diverse influences were transformed and incorporated into Boyle's views on, and practice of, experiment.

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The Power Broker by Robert A. Caro is 'simply one of the best non-fiction books in English of the last forty years' (Dominic Sandbrook, Sunday Times): a riveting and timeless account of power, politics and the city of New York by ‘the greatest political biographer of our times’ (Sunday Times); chosen by Time magazine as one of the 100 Best Non-Fiction Books of All Time and by the Modern Library as one of the 100 Greatest Books of the Twentieth Century; Winner of the Pulitzer Prize; a Sunday Times Bestseller; 'An outright masterpiece' (Evening Standard)The Power Broker tells the story of Robert Moses, the single most powerful man in New York for almost half a century and the greatest builder America (and probably the world) has ever known. Without ever once being elected to office, he created for himself a position of supreme and untouchable authority, allowing him to utterly reshape the city of New York, turning it into the city we know today, while at the same time blighting the lives of millions and remaining accountable to no one.First published in the USA in 1974, this monumental classic was a Sunday Times bestseller when published in the UK in 2015 and is now widely acknowledged to be one of the greatest books of its kind.

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An ancient bomber conceals a devastating secret - a stunning Covert-One thriller from the master storyteller.On a desolate island deep within the Arctic, a scientific expedition photographs the wreckage of a bomber. It seems to be a relic from the Cold War - but a handful of insiders know that it is a Soviet Air Force biological warfare platform, still armed with weaponised anthrax.Covert-One's Lt. Col. Jon Smith leads a team to secure the site. But on the island they find themselves confronted with a traitor from within their ranks. Gradually they become aware that the ancient bomber conceals something else: a secret so deadly that it could trigger a Third World War...

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This collection of essays, written for this volume and often using unpublished and archival materials, converges around the usually close and intense relationship between Robert Duncan and Denise Levertov, two of the most important and remarkable American poets in the second half of the twentieth century. Their association, played out in their poems and in an extraordinary exchange of letters, was based on a sense of the visionary imagination informing the direction and shape of the poet. However, they had a falling out during the Vietnam crisis over the relationship between poetry and politics, between the private and public responsibilities of the poet. Such issues are vital not only to their poetry and the poetry of that period but to contemporary poetry as well. A distinguished group of critics, led by Albert Gelpi and Robert J. Bertholf, examines the issues that drew Levertov and Duncan together, and split them apart, in a book that has the openness and coherence of an urgent, contemporary dialogue about the form and meaning of poetry.

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This collection of essays, written for this volume and often using unpublished and archival materials, converges around the usually close and intense relationship between Robert Duncan and Denise Levertov, two of the most important and remarkable American poets in the second half of the twentieth century. Their association, played out in their poems and in an extraordinary exchange of letters, was based on a sense of the visionary imagination informing the direction and shape of the poet. However, they had a falling out during the Vietnam crisis over the relationship between poetry and politics, between the private and public responsibilities of the poet. Such issues are vital not only to their poetry and the poetry of that period but to contemporary poetry as well. A distinguished group of critics, led by Albert Gelpi and Robert J. Bertholf, examines the issues that drew Levertov and Duncan together, and split them apart, in a book that has the openness and coherence of an urgent, contemporary dialogue about the form and meaning of poetry.

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Since 1972, The Robert Wood Johnson Foundation has been the nation's largest philanthropy devoted exclusively to health. To further its mission of improving the health and health care of all Americans, it provides funds for demonstration projects, educational and communications activities, training, policy analysis, and research. As part of the Foundation's efforts to inform the public, To Improve Health and Health Care 2001, the fourth volume in The Robert Wood Johnson Foundation Anthology series, provides an in-depth look into the programs it funds. Written for policy makers and practitioners as well as interested members of the public, the series offers useful lessons for leaders and educators developing plans for the coming years. The cases discussed in To Improve Health and Health Care 2001 provide a critical analysis of the Foundation's activities and how it tackles health and health care issues. Written by the country's leading science and medical journalists, as well as experts from The Robert Wood Johnson Foundation, this volume includes chapters on * Emerging priorities of The Robert Wood Johnson Foundation * The Foundation's communications activities * Children's health initiatives * Approaches to managed care * Acute and long-term care for the elderly * Workers' compensation * Community radio and health * Perinatal care * Dental care * Partnerships with national foundations

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In 1922 Robert Allerton—described by the Chicago Tribune as the “richest bachelor in Chicago”—met a twenty-two-year-old University of Illinois architecture student named John Gregg, who was twenty-six years his junior. Virtually inseparable from then on, they began publicly referring to one another as father and son within a couple years of meeting. In 1960, after nearly four decades together, and with Robert Allerton nearing ninety, they embarked on a daringly nonconformist move: Allerton legally adopted the sixty-year-old Gregg as his son, the first such adoption of an adult in Illinois history.An Open Secret tells the striking story of these two iconoclasts, locating them among their queer contemporaries and exploring why becoming father and son made a surprising kind of sense for a twentieth-century couple who had every monetary advantage but one glaring problem: they wanted to be together publicly in a society that did not tolerate their love. Deftly exploring the nature of their design, domestic, and philanthropic projects, Nicholas L. Syrett illuminates how viewing the Allertons as both a same-sex couple and an adopted family is crucial to understanding their relationship’s profound queerness. By digging deep into the lives of two men who operated largely as ciphers in their own time, he opens up provocative new lanes to consider the diversity of kinship ties in modern US history.

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Media, Structures, and Power is a collection of the scholarly writing of Canada's leading communication and media studies scholar, Robert E. Babe. Spanning almost four decades of scholarship, the volume reflects the breadth of Babe's work, from media and economics to communications history and political economy. Babe famously characterized Canadian scholars' distinctive contribution to knowledge as uniquely historical, holistic, and dialectical. The essays in Media, Structures, and Power reflect this particular strength. With a clarity of vision, Babe critiques mainstream economics, Canadian government policy, and postmodernist thought in social science. Containing introductions and contributions by other prominent scholars, this volume situates Babe's work within contemporary scholarship and underscores the extent to which he is one of Canada's most prescient thinkers. His interdisciplinary analyses will remain timely and influential well into the twenty-first century.

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In 1942, RAF flight controller Robert Wyse became a Japanese prisoner of war on the island of Java in Indonesia. Starved, sick, beaten, and worked to near-death, he wasted away until he weighed only seventy pounds, his life hanging in tenuous balance. There were strict orders against POWs keeping diaries, but Wyse penned his observations on the scarce bits of paper he could find, struggling to describe the brutalities he witnessed. After cleverly hiding his notes in a piece of bamboo next to his bed, in December of 1943, he carefully hid his notes inside a bottle beneath his prison hut. After the war, he wrote to the Dutch authorities, asking them to dig up his diary and return it to him. In this detailed and frank portrayal of life under Japanese occupation, Wyse reveals the both the best and the worst of human nature. He criticized his fellow soldiers for botching the defence of Java and Sumatra and admonished his captors for their brutality. Yet, Wyse also describes the selfless efforts of the Dutch civilians who helped the prisoners by doing whatever they could as well as his first-hand observations of acts of self-sacrifice among the prisoners themselves.Bamboo Cage is volume 13 in the New Brunswick Military Heritage Series.

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Published by Boydell & Brewer Inc.

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