Search results for ""Author Charles Dickens"

Night Boat to New York: Steamboats on the Connecticut, 1824-1931, is a portrait of the vanished steamboat days–when a procession of stately sidewheelers plied between Hartford and New York City, docking at Peck’s Slip on the East River in the shadow of the Brooklyn Bridge. At one time, Hartford could boast two thousand steamboat arrivals and departures in a year. Altogether, some thirty-five large steamboats were in service on the Connecticut River in these years, largely on the Hartford to New York City route. These Long Island Sound steamers, unlike the tubby, wedding cake dowagers of Western waters, were long, sleek craft, with sharp prows cutting a neat wake as they cruised along. Departing each afternoon from State Street or Talcott Street wharf in Hartford, the “night boats” reached New York at daybreak, inaugurating a pattern of city commuting that continues to this day. Steamboating not only brought people and goods—Colt’s firearms and Essex’s pianos—down river to New York for export to world markets, but also helped America’s inland “spa Culture” transplant itself to the seashore, making steamboating not just convenient transportation but also a social phenomenon noted by such writers as Charles Dickens and Mark Twain. No wonder crowds wept in the fall of 1931, when the last steamboats, made obsolete by the automobile, churned away from the dock and headed downriver—never to return.

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The Offenses Against the Person Act of 1828 opened magistrates’ courts to abused working-class wives. Newspapers in turn reported on these proceedings, and in this way the Victorian scrutiny of domestic conduct began. But how did popular fiction treat “private” family violence? Bleak Houses: Marital Violence in Victorian Fiction traces novelists’ engagement with the wife-assault debates in the public press between 1828 and the turn of the century. Lisa Surridge examines the early works of Charles Dickens and reads Dombey and Son and Anne Brontë’s The Tenant of Wildfell Hall in the context of the intense debates on wife assault and manliness in the late 1840s and early 1850s. Surridge explores George Eliot’s Janet’s Repentance in light of the parliamentary debates on the 1857 Divorce Act. Marital cruelty trials provide the structure for both Wilkie Collins’s The Woman in White and Anthony Trollope’s He Knew He Was Right. Locating the New Woman fiction of Mona Caird and the reassuring detective investigations of Sherlock Holmes in the context of late-Victorian feminism and the great marriage debate in the Daily Telegraph, Surridge illustrates how fin-de-siècle fiction brought male sexual violence and the viability of marriage itself under public scrutiny. Bleak Houses thus demonstrates how Victorian fiction was concerned about the wife-assault debates of the nineteenth century, debates which both constructed and invaded the privacy of the middle-class home.

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Introduction and Notes by Dinny Thorold, University of Westminster. Illustrated by F. Walker and Maurice Greiffenhagen. Unusually for Dickens, Hard Times is set, not in London, but in the imaginary mid-Victorian Northern industrial town of Coketown with its blackened factories, downtrodden workers and polluted environment. This is the soulless domain of the strict utilitarian Thomas Gradgrind and the heartless factory owner Josiah Bounderby. However human joy is not excluded thanks to 'Mr Sleary's Horse-Riding' circus, a gin-soaked and hilarious troupe of open-hearted and affectionate people who act as an antidote to all the drudgery and misery endured by the ordinary citizens of Coketown. Macaulay attacked Hard Times for its ‘sullen socialism’, but 20th-century critics such as George Bernard Shaw and F.R. Leavis have praised this book in the highest terms, while readers the world over have found inspiration and enjoyment from what is both Dickens’ shortest completed novel and also one of his important statements on Victorian society.

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Young Pip seems destined to follow in his family's humble footsteps. Then one day, an anonymous gift suddenly transforms him into a rich young man . . . but will it also transform his life for the better? Dickens's great bildungsroman, featuring iconic characters like Miss Havisham, is an enduring favorite in schools,libraries, and homes.

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This brilliantly coloured tale of the French Revolution is an historical romance set in Paris and London. Famous for the character of Sidney Carton who sacrifices himself upon the guillotine' it is a far, far better thing I do than I have ever done '- the novel is also a powerful study of crowd psychology and the dark emotions aroused by the Revolution, illuminated by Dickens' lively comedy

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Not only an accessible hands-on guide to writing criticism across the literary arts, the dramatic arts, and the narrative screen arts, but also a book that makes a case for how and why criticism matters today Doing Criticism: Across Literary and Screen Arts is a practical guide to engaging actively and productively with a critical object, whether a film, a novel, or a play. Going beyond the study of lyric poetry and literature to include motion picture and dramatic arts, this unique text provides specific advice on how to best write criticism while offering concrete illustrations of what it looks like on the page. Divided into two parts, the book first presents an up-to-date account of the state of criticism in both Anglo-American and Continental contexts—describing both the longstanding mission and the changing functions of criticism over the centuries and discussing critical issues that bridge the literary and screen arts in the contemporary world. The second part of the book features a variety of case studies of criticism across media, including works by canonical authors such as Jane Austen, Charles Dickens, and W. B. Yeats; films such as Coppola's The Conversation and Hitchcock's Vertigo; screen adaptations of Mary Shelley's Frankenstein and Ishiguro's The Remains of the Day; and a concluding chapter on several of Spike Lee's film "joints" that brings several of the book's central concepts to bear on work of a single film auteur. Helping students of literature and cinema write well about what they find in their reading and viewing, Doing Criticism: Across Literary and Screen Arts: Discusses how the bridging of the literary arts and screen arts can help criticism flourish in the present day Illustrates how the doing of criticism is in practice a particular kind of writing Considers how to generalize the consequences of criticism beyond personal growth and gratification Addresses the ways the practice of criticism matters to the practice of the critical object Suggests that doing without criticism is not only unwise, but also perhaps impossible Features case studies organized under the rubrics of conversation, adaptation, genre, authorship and seriality Doing Criticism: Across Literary and Screen Arts is an ideal text for students in introductory courses in criticism, literary studies, and film studies, as well as general readers with interest in the subject.

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Robin Lloyd’s debut novel opens in Lyme, Connecticut, in the early nineteenth century. Elisha Ely Morgan is a young farm boy who has witnessed firsthand the terror of the War of 1812. Troubled by a tumultuous home life ruled by the fists of their tempestuous father, Ely's two older brothers have both left their pastoral boyhoods to seek manhood through sailing. One afternoon, the Morgan family receives a letter with the news that one brother is lost at sea; the other is believed to be dead. Scrimping as much savings as a farm boy can muster, Ely spends nearly every penny he has to become a sailor on a square-rigged ship, on a route from New York to London—a route he hopes will lead to his vanished brother, Abraham. Learning the brutal trade of a sailor, Ely takes quickly to sea-life, but his focus lies with finding Abraham. Following a series of cryptic clues regarding his brother's fate, Ely becomes entrenched in a mystery deeper than he can imagine. As he feels himself drawing closer to an answer, Ely climbs the ranks to become a captain, experiences romance, faces a mutiny, meets Queen Victoria, and befriends historical legends such as Charles Dickens in his raucous quest.

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Brought to you by Penguin.'It is at Christmas time that want is most keenly felt, and abundance rejoices.'Charles Dickens, 'A Christmas Carol' 1843'Yeah, and a partridge up your pear tree, an' all.'Derek Trotter, 'Christmas Crackers', 1981'Think of this memoir as a Christmas special in book form, from someone who has been involved in a few of those and understands a bit about the concept. But a Christmas special very much like Only Fools and Horses, in the sense that the stories will be always heading outwards, ranging far and wide and well beyond the traditional festive gags involving giblets left in turkeys.As I sift through various festive-related episodes in my career, loosening the ribbons, parting the wrapping paper, I'll be doing my best to reach any relevant conclusions about life, work and the meaning of it all that I can usefully pass on to you - baubles of wisdom if you like. Or certainly baubles. You'll learn why I have the perfect face to play Scrooge. And if you're lucky I'll also share what it's like to fly in a helicopter with my old mucker Tom Cruise. Merry Christmas, you plonkers.'© David Jason 2022 (P) Penguin Audio 2022

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Karol Charles does not have time for ghosts. It’s Christmas Eve and she’s at the office. Sure, her kids thought she’d be making cookies with them back at home, but this is important. This is what it means to “have it all.” Then, a familiar cough from the adjacent room jolts her out of her work. It can’t be possible. Marley is dead. She has been for years.With Marley’s death, Karol is now running their law firm by herself. But she still strives to live by her best friend and law partner’s creed: The job makes the money and the money buys the things that make your family happy. Working all the time is a sacrifice Karol has made willingly.However, Karol’s life takes a drastic turn when she falls outside of Rockefeller Center and has to be hospitalized. But something is wrong with this hospital. There’s a ghost in the waiting room and another magical visitor in the lobby. With them, Karol revisits long-forgotten memories and begins to unravel the truth about her current situation—and a future that is anything but cheery and bright.In this modern twist on Dickens’s A Christmas Carol, Karol’s journey through her past, present, and future reveals a difficult yet liberating truth: It is far better to have what matters than to have it all.

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Countdown to Christmas with 24 illustrated storybooks!This luxury advent calendar contains a beautifully illustrated storybook behind each window to fire up children's imaginations in the build up to the big day. Perfect for bedtime reading and cosy story times.The collection of 24 books includes magical tales of princes and princesses, dragons and dinosaurs. As the big day approaches, you'll discover festive treats, including a retelling of Jingle Bells, with a QR code so you can sing along; and Charles Dickens' classic ghost story, A Christmas Carol, specially rewritten for little ones. The full set of 24 books forms a miniature library that can be treasured and enjoyed for many years to come.The stories you can enjoy are:1. Beauty and the Beast2. Puss in Boots3. The Lion and the Mouse4. A Christmas Carol5. The Three Wishes6. The Boy Who Cried Wolf7. The Golden Goose8. The Story of Coppelia9. The Christmas Cobwebs10. The Dinosaur who met Santa Claus11. The Tin Soldier12. Jingle Bells13. The Dragon Painter14. The Genie and the Bottle15. The Hare and the Tortoise16. The Magic Toymaker17. The Snow Queen18. The Rabbit's Tale19. Swan Lake20. Sleeping Beauty21. The Firebird22. The Twelve Dancing Princesses23. The Town Mouse and the Country Mouse24. The Friendly Dragon

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From the moment that he meets an escaped convict in a dark and lonely graveyard, Pip's life becomes a myriad of unanswered questions.What is Miss Havisham's hidden secret? Why is the beautiful Estella so cruel? Who is his mysterious benefactor? This fabulous interpretation introduces children to some of Dickens' best-known characters, bound together with haunting illustrations. TreeTops Greatest Stories offers children some of the worlds best-loved tales in a collection of timeless classics. Top children's authors and talented illustrators work together to bring to life our literary heritage for a new generation, engaging and delighting children. The books are carefully levelled, making it easy to match every child to the right book. Each book contains inside cover notes to help children explore the content, supporting their reading development. Teaching notes on Oxford Owl offer cross-curricular links and activities to support guided reading, writing, speaking and listening.

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Escrita por uno de los más importantes teóricos de la literatura de todo el mundo, la presente obra constituye una introducción amplia, fácilmente comprensible y amena. Recorre la historia de la novela inglesa, desde Daniel Defoe (finales del XVII) hasta la actualidad.Siguiendo el modelo empleado en su enormemente popular Introducción a la Teoría de la Literatura, Terry Eagleton comienza resumiendo los aspectos fundamentales de una teoría de la novela, con una sinopsis de lo que ha escrito sobre este género literario toda una pléyade de eminentes teóricos de la literatura. A continuación, se incluye una serie de capítulos que versan sobre los novelistas más relevantes, como Jonathan Swift, Henry Fielding, Jane Austen, las hermanas Brontë, Charles Dickens, George Eliot, Thomas Hardy, Henry James, James Joyce y Viginia Woolf. En cada capítulo se discuten las principales obras del autor en cuestión, además de esbozar los hitos fundamentales del contexto histórico en que escribe y de co

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The classic novel brought to life in full colour! 'I never saw my father or my mother, and never saw any likeness of either of them'. No classical collection would be complete without this well-loved Dickens title. The wonderful tale of Pip, Miss Havisham, and the spiteful Estella is retold here with fresh enthusiasm contained within rich Victorian ambiance, for a wonderful reading experience.

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“Twenty years from now you will be more disappointed by the things that you didn't do than by the ones you did do. So throw off the bowlines. Sail away from the safe harbor. Catch the trade winds in your sails. Explore. Dream. Discover.”--Mark TwainIt’s telling that Mark Twain chose sailing as a metaphor for living life to the fullest. Throughout history, humankind has been going to sea in boats and ships—for the purposes of trade, exploration, transport, fishing, and pure enjoyment.The Little Red Book of Sailing Wisdom contains some of the most moving, perceptive, witty, and inspirational words ever spoken or written about the sea-faring life. Novelists, politicians, explorers, playwrights, poets, musicians, and celebrities weigh in on life upon the water, under sail. These are just some of the folks whose words appear in these pages:•Daniel Defoe•Ted Kennedy•Charles Dickens•Franklin Roosevelt•Herman Melville•Dennis Connor•Patrick O’Brian•Larry Ellison•Eugene O’Neill•Thor Heyerdahl•Jack London•Isak Dinesen•William F. Buckley•And dozens of others!Skyhorse Publishing, as well as our Sports Publishing imprint, is proud to publish a broad range of books for readers interested in sports—books about baseball, pro football, college football, pro and college basketball, hockey, or soccer, we have a book about your sport or your team.In addition to books on popular team sports, we also publish books for a wide variety of athletes and sports enthusiasts, including books on running, cycling, horseback riding, swimming, tennis, martial arts, golf, camping, hiking, aviation, boating, and so much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.

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Through past and present, the country and the city, Peter Fiennes takes a literary journey through the British Isles ‘As enjoyable a guide to the relationship of writers to the landscape of Britain as one could hope to read: beautifully written, moving in its reflections, and often very funny.’ Tom Holland ‘The premise of this book is simple, or that is what it seemed when I started.’ Peter Fiennes follows in the footsteps of twelve inspirational writers, bringing modern Britain into focus by peering through the lens of the past. The journey starts in Dorset, shaped by the childhood visions of Enid Blyton, and ends with Charles Dickens on the train that took him to his final resting place in Westminster Abbey. From the wilds of Skye and Snowdon, to a big night out in Birmingham with J. B. Priestley and Beryl Bainbridge, Footnotes is a series of evocative biographies, a lyrical foray into the past, and a quest to understand Britain through the books, journals and diaries of some of our greatest writers. And as Fiennes travels the country, and roams across the centuries, he wonders: ‘Who are we? What do we want? They seemed like good questions to ask, in the company of some of our greatest writers, given these restless times.’ *** A Guardian Travel Book of the Year Shortlisted for the Edward Stanford Travel Writing Awards ‘Fiennes is a perceptive reader and a good-humoured guide and his book offers a superb commentary on the connections between lesser-known places and writers… Footnotes is a passionate, partisan call for readers to take action before the British countryside may be encountered only between the pages of a book.’ TLS ‘Honing his easy-going and often witty style in this new book, Fiennes takes us on the journeys of famous writers… There’s an infectious enthusiasm and self-deprecating authority to Fiennes’s insights and he’s a most agreeable companion… There will be many nature titles vying for a place on Christmas lists this year… This one should be towards the top’ Guardian ‘Marvellously quotable... Fiennes’ literary journey makes for a provocative and engaging book.’ Financial Times

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Mill Power documents the making of a national park that changed the concept of what a national historical park could be. For a time in the 1800s, Lowell was Massachusetts’s cosmopolitan, must-see second city. The city’s industrial model was as high-tech then as Silicon Valley is today. It drew the attention of luminaries like Charles Dickens, Congressmen Davy Crockett and Abraham Lincoln, feminist sociologist Harriet Martineau, and abolitionist Frederick Douglass. This insider’s account of the creative, bold community-driven process to establish the park explains why today Lowell National Historical Park is renowned as “the partnership park.” The park’s establishment was an integral piece of an urban revival strategy that has made Lowell the subject of scores of newspaper articles, magazine profiles, TV and radio reports, scholarly papers, and book chapters. Historic Preservation magazine has hailed the park as “the premier rehabilitation model for gritty cities worldwide.” The Lowell story has much to teach the mid-sized cities of the nation and the world. Mill Power frames the Lowell comeback in its historical context and brings together the people who dreamed, wrote, designed, pushed, and cheered a new national park into existence along with those who came after with the charges of shaping the ideas into material form. The volume features 100 photos, many of them showing the before-and-after story of this revitalization.

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Little treasures, the FLAME TREE COLLECTABLE CLASSICS are chosen to create a delightful and timeless home library. Each stunning, gift edition features deluxe cover treatments, ribbon markers, luxury endpapers and gilded edges. The unabridged text is accompanied by a Glossary of Victorian and Literary terms produced for the modern reader. Dicken's first novel began as a romp, a series of amusing observations based on the travels of Mr Pickwick and his friends Nathaniel Winkle, Augustus Snodgrass, Tracy Tupman and valet Sam Weller. Their adventures increasingly highlight hypocrisy and avarice in the lives of everyday folk, beset by the doubtful actions of lawyers, politicians and local dignitaries. The reprehensible Alfred Jingle is often encountered in bizarre and awkward scenes, a lightning rod for the ills in society where marriage is not always accompanied by love, the victim not the guilty are imprisoned, and the poor are treated with barely concealed contempt. Pickwick's jovial stature allows Dickens a light touch on his social commentary and Pickwick Papers remains one of his most popular books.

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It is increasingly implausible to speak of a purely domestic abortion law, as the legal debates around the world draw on precedents and influences of different national and regional contexts. While the United States and Western Europe may have been the vanguard of abortion law reform in the latter half of the twentieth century, Central and South America are proving to be laboratories of thought and innovation in the twenty-first century, as are particular countries in Africa and Asia. Abortion Law in Transnational Perspective offers a fresh look at significant transnational legal developments in recent years, examining key judicial decisions, constitutional texts, and regulatory reforms of abortion law in order to envision ways ahead. The chapters investigate issues of access, rights, and justice, as well as social constructions of women, sexuality, and pregnancy, through different legal procedures and regimes. They address the promises and risks of using legal procedure to achieve reproductive justice from different national, regional, and international vantage points; how public and courtroom debates are framed within medical, religious, and human rights arguments; the meaning of different narratives that recur in abortion litigation and language; and how respect for women and prenatal life is expressed in various legal regimes. By exploring how legal actors advocate, regulate, and adjudicate the issue of abortion, this timely volume seeks to build on existing developments to bring about change of a larger order. Contributors: Luis Roberto Barroso, Paola Bergallo, Rebecca J. Cook, Bernard M. Dickens, Joanna N. Erdman, Lisa M. Kelly, Adriana Lamačková, Julieta Lemaitre, Alejandro Madrazo, Charles G. Ngwena, Rachel Rebouché, Ruth Rubio-Marín, Sally Sheldon, Reva B. Siegel, Verónica Undurraga, Melissa Upreti.

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There are few more precious routines than that of the bedtime story. So why do we discard this invaluable ritual as grown-ups to the detriment of our well-being and good health? In this groundbreaking anthology, Ben Holden, editor of the bestselling Poems That Make Grown Men Cry, challenges how we think about life, a third of which is spent asleep. He deftly explores not only the science of sleep but also why we endlessly tell stories – even to ourselves, as we dream. Holden combines his own illuminating storytelling with a treasure trove of timeless classics and contemporary gems. Poems and short stories, fairy tales and fables, reveries and nocturnes – from William Shakespeare to Haruki Murakami, Charles Dickens to Roald Dahl, Rabindranath Tagore to Nora Ephron, Vladimir Nabokov to Neil Gaiman – are all woven together to replicate the journey of a single night’s sleep. Some of today’s greatest storytellers reveal their choice of the ideal grown-up bedtime story: writers such as Margaret Drabble, Ken Follett, Tessa Hadley, Robert Macfarlane, Patrick Ness, Tony Robinson and Warsan Shire. Fold away your laptop and shut down your mobile phone. Curl up and crash out with the ultimate bedside book, one you’ll return to again and again. Full of laughter and tears, moonlight and magic, Bedtime Stories for Grown-ups joyfully provides the dream way to end the day – and begin the night . . .

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Tracing the progression of images of women's bodies through nearly two centuries of literature, Fasick analyzes selected novels from Samuel Richardson to D. H. Lawrence to construct a historical overview of class and gender relations as reflected and refracted in the pages of the English novel. Though recent discussion and women's roles in literature and culture has centered on women's sexuality as the defining factor in the female character, Fasick focuses instead on ways that writers have depicted women as possessing nurturing qualities that distinguish them from men. Rigid adherence to this idealization of femininity constructs a standard difficult for women to achieve. Held to the ideal, Fasick asserts, women appear grossly culpable rather than simply human. Fasick begins with an analysis of Samuel Richardson's novels that examines three linked themes: sensibility, maternity, and anorexia. She continues with a discussion of Frances Burney's treatment of the expressive female body. She then analyzes novels by Charles Dickens, William Makepeace Thackeray, Elizabeth Gaskell, and Charlotte Bronte in light of Victorian attitudes toward women and food and toward female invalidism. In conclusion, she returns to Richardson, pairing his novel Pamela with Lawrence's Lady Chatterley's Lover for an examination of cross-class romance and the resulting implications for class and gender. Throughout, references to conduct books and periodical literature of the time provide contexts that illuminate the primary texts. Fasick's insights will interest students of the novel, eighteenth- and nineteenth-century fiction, women's studies and gender studies, and class relations in literature.

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A celebration of reading, of libraries, and of the mysterious human desire to give order to the universe Inspired by the process of creating a library for his fifteenth-century home near the Loire, in France, Alberto Manguel, the acclaimed writer on books and reading, has taken up the subject of libraries. “Libraries,” he says, “have always seemed to me pleasantly mad places, and for as long as I can remember I’ve been seduced by their labyrinthine logic.” In this personal, deliberately unsystematic, and wide-ranging book, he offers a captivating meditation on the meaning of libraries.Manguel, a guide of irrepressible enthusiasm, conducts a unique library tour that extends from his childhood bookshelves to the “complete” libraries of the Internet, from Ancient Egypt and Greece to the Arab world, from China and Rome to Google. He ponders the doomed library of Alexandria as well as the personal libraries of Charles Dickens, Jorge Luis Borges, and others. He recounts stories of people who have struggled against tyranny to preserve freedom of thought—the Polish librarian who smuggled books to safety as the Nazis began their destruction of Jewish libraries; the Afghani bookseller who kept his store open through decades of unrest. Oral “memory libraries” kept alive by prisoners, libraries of banned books, the imaginary library of Count Dracula, the library of books never written—Manguel illuminates the mysteries of libraries as no other writer could. With scores of wonderful images throughout, The Library at Night is a fascinating voyage through Manguel’s mind, memory, and vast knowledge of books and civilizations.

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Many of the greatest names in literature have visited or made their home in the colourful and diverse metropolis of London. From Charles Dickens to George Orwell, Virginia Woolf to Bernadine Evaristo, London's writers have bought the city to life through some of the best known and loved stories and characters in fiction. This book takes you on an area-by-area journey through London to discover the stories behind the stories told in some of the most famous novels, plays and poems written in, or about, the city. * Find out which poet almost lost one of his most important manuscripts in a Soho pub. * Discover how Graham Greene managed to survive the German bomb that destroyed his Clapham home. * Climb down the dingy steps from London Bridge to Thames path below and imagine how it felt to be Nancy trying to save Oliver Twist, only to then meet her own violent death. * Drink in same pub Bram Stoker listened to the ghost stories that inspired Dracula, the plush drinking house where Noel Coward performed, and the bars and cafes frequented by modern writers. * Tour the locations where London's writers, and their characters lived, worked, played, loved, lost and died. This is the first literature guide to London to be fully illustrated with beautiful colour photographs throughout the book. This unique book can be used a guidebook on a physical journey through London, or as a treasury of fascinating, often obscure tales and information for book lovers to read wherever they are.

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In eighteenth-century England, the encounter between humans and other animals took a singular turn with the discovery of the great apes and the rise of bourgeois pet keeping. These historical changes created a new cultural and intellectual context for the understanding and representation of animal-kind, and the nonhuman animal has thus played a significant role in imaginative literature from that period to the present day. In Homeless Dogs and Melancholy Apes, Laura Brown shows how the literary works of the eighteenth century use animal-kind to bring abstract philosophical, ontological, and metaphysical questions into the realm of everyday experience, affording a uniquely flexible perspective on difference, hierarchy, intimacy, diversity, and transcendence. Writers of this first age of the rise of the animal in the modern literary imagination used their nonhuman characters—from the lapdogs of Alexander Pope and his contemporaries to the ill-mannered monkey of Frances Burney's Evelina or the ape-like Yahoos of Jonathan Swift—to explore questions of human identity and self-definition, human love and the experience of intimacy, and human diversity and the boundaries of convention. Later literary works continued to use imaginary animals to question human conventions of form and thought. Brown pursues this engagement with animal-kind into the nineteenth century—through works by Mary Shelley, Charles Dickens, and Elizabeth Barrett Browning—and into the twentieth, with a concluding account of Paul Auster's dog-novel, Timbuktu. Auster's work suggests that—today as in the eighteenth century—imagining other animals opens up a potential for dissonance that creates distinctive opportunities for human creativity.

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This is the classic novel brought to life in full colour! 'I will honour Christmas in my heart, and try to keep it all the year. I will live in the Past, the Present, and the Future'. Classical Comics' first Dickens title is probably his best-loved story. Scrooge gets a rude awakening to how his life is, and how it should be. Full of Christmas Spirit(s), this is a book that you'll want to read all year round!

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A Christmas Carol has had an enduring influence on the way we think about the traditions of Christmas ever since it was first published in December 1843. Dickens's story of solitary miser Ebenezer Scrooge, who is taught the true meaning of Christmas by the three ghosts of Christmas past, present and future, has been adapted into countless film and stage versions and is today the most famous and loved of all Christmas tales.

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HarperCollins is proud to present its incredible range of best-loved, essential classics. ‘It was a town of red brick, or of brick that would have been red if the smoke and ashes had allowed it; but as matters stood, it was a town of unnatural red and black like the painted face of a savage.’ Set in fictitious Coketown, England during the Industrial Revolution of the 1850s, Dickens wished to expose the enormous gulf between the rich and poor through his writing. In Hard Times, the social and moral purpose of his work is at its most evident. Openly ironic and satirical in its tone, Dickens suggests a mechanization of society, where the wealthy are ruthless and uncharitable towards those less fortunate than themselves. Siblings Louisa and Tom Gradgrind are raised by their father, a harsh and pragmatic educator and his influence means that they go on to lead lives that are lacking in all areas. Louisa marries the arrogant and greedy Josiah Bounderby, ending in an unhappy pairing and the unfeeling and villainous Tom robs his own brother-in-law’s bank. As their father watches their plight, he realises that his own principles may have led to their downfall.

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The chronicler of Sims' life and career, William Fishman, is a masterly recorder of nineteenth century social history, and a true writer. In his hands Sims becomes far more than a bland character devoted to good works, indeed is revealed as an enthusiastic gambler, a frequenter of clubs, a lover of the theatre, a successful playwright and something of a drinker...Aspects of what he recorded are as relevant today as they were then...From Beryl Bainbridge's Preface.The social historian and academic, W J Fishman, has become world-renowned for his many accounts chronicling the working class history of London's East End. Now approaching his ninth decade, Bill Fishman has written yet another vivid account of the life and work of the Victorian journalist, George R Sims. The author believes that Sims' writings and lectures did as much as the work of Charles and William Booth in laying the foundations of the movement to introduce government directed social welfare in the late 19th century, and beyond. Indeed, Beryl Bainbridge, in her Preface, argues that Sims did more to highlight the plight of the poor in Victorian London than Charles Dickens.Yet Sims was also a robust, controversial and thoroughly engaging individual. He even wrote the now some-what forgotten monologue, "Twas the Night before Christmas", and Beryl Bainbridge's splendid Preface ends with remembering her annual recitation of the famous work, at the insistence of her Auntie Nellie, every Christmas Eve.

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What we can learn about caregiving and community from the Victorian novelIn Communities of Care, Talia Schaffer explores Victorian fictional representations of care communities, small voluntary groups that coalesce around someone in need. Drawing lessons from Victorian sociality, Schaffer proposes a theory of communal care and a mode of critical reading centered on an ethics of care.In the Victorian era, medical science offered little hope for cure of illness or disability, and chronic invalidism and lengthy convalescences were common. Small communities might gather around afflicted individuals to minister to their needs and palliate their suffering. Communities of Care examines these groups in the novels of Jane Austen, Charlotte Brontë, Charles Dickens, George Eliot, Henry James, and Charlotte Yonge, and studies the relationships that they exemplify. How do carers become part of the community? How do they negotiate status? How do caring emotions develop? And what does it mean to think of care as an activity rather than a feeling? Contrasting the Victorian emphasis on community and social structure with modern individualism and interiority, Schaffer’s sympathetic readings draw us closer to the worldview from which these novels emerged. Schaffer also considers the ways in which these models of carework could inform and improve practice in criticism, in teaching, and in our daily lives.Through the lens of care, Schaffer discovers a vital form of communal relationship in the Victorian novel. Communities of Care also demonstrates that literary criticism done well is the best care that scholars can give to texts.

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Never has the Victorian novel appeared so perverse as it does in these pages—and never his its perversity seemed so fundamental to its accomplishment. Whether discussing George Eliot’s lesbian readers, Anthony Trollope’s whorish heroines, or Charles Dickens’s masturbating characters, William A. Cohen’s study explodes the decorum of mainstream nineteenth-century fiction. By viewing this fiction alongside the most alarming public scandals of the day, Cohen exposes both the scandalousness of this literature and its sexiness.Scandal, then as now, makes public the secret indiscretions of prominent people, engrossing its audience in salacious details that violate the very code of propriety it aims to enforce. In narratives ranging from Great Expectations to the Boulton and Park sodomy scandal of 1870–71, from Eliot’s and Trollope’s novels about scandalous women to Oscar Wilde’s writing and his trials for homosexuality, Cohen shows how, in each instance, sexuality appears couched in coded terms. He identifies an assortment of cunning narrative techniques used to insinuate sex into Victorian writing, demonstrating that even as such narratives air the scandalous subject, they emphasize its unspeakable nature. Written with an eye toward the sex scandals that still whet the appetites of consumers of news and novels, this work is suggestive about our own modes of imagining sexuality today and how we arrived at them. Sex Scandal will appeal to scholars and general readers interested in Victorian literature, the history of sexuality, gender studies, nineteenth-century Britain, and gay, lesbian, and queer studies.

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During the early 1990s, the diet drugs fen-phen and Redux achieved tremendous popularity. The chemical combination was discovered by chance, marketed with hyperbole, and prescribed to millions. But as the drugs' developer, pharmaceutical giant American Home Products, cashed in on the miracle weight-loss pills, medical researchers revealed that the drugs caused heart valve disease. This scandal was, incredibly, only the beginning of an unbelievable saga of greed and graft.In Fat Chance, Rick Christman recounts a story that a judicial tribunal member later described as "a tale worthy of the pen of Charles Dickens." As class action lawsuits against American Home Products began to be filed, four avaricious attorneys saw an irresistible opportunity. Bill Gallion, Shirley Cunningham, Melbourne Mills, and Stan Chesley contrived to a bring a class action suit to trial in Covington, Kentucky, where their hired trial consultant, Mark Modlin, had a manipulative relationship with the presiding judge, Jay Bamberger. Their efforts were rewarded with a $200 million settlement - a sum that the four lawyers immediately set out to plunder and misappropriate. Ultimately, two of the attorneys received long prison sentences, another was acquitted after claiming to be unaware of the grift due to his alcoholism, and one managed to escape criminal charges; all four were disbarred, and Bamberger was disbarred and disrobed.Recounting a dramatic affair that bears conspicuous similarities to opioid-related class action litigation against the pharmaceutical industry, Christman offers an engaging if occasionally horrifying account of one of America's most prominent product liability cases and the settlement's aftermath.

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A major rethinking of the European novel and its relationship to early evolutionary scienceThe 120 years between Henry Fielding's Tom Jones (1749) and George Eliot's Middlemarch (1871) marked both the rise of the novel and the shift from the presumption of a stable, universal human nature to one that changes over time. In Human Forms, Ian Duncan reorients our understanding of the novel's formation during its cultural ascendancy, arguing that fiction produced new knowledge in a period characterized by the interplay between literary and scientific discourses—even as the two were separating into distinct domains.Duncan focuses on several crisis points: the contentious formation of a natural history of the human species in the late Enlightenment; the emergence of new genres such as the Romantic bildungsroman; historical novels by Walter Scott and Victor Hugo that confronted the dissolution of the idea of a fixed human nature; Charles Dickens's transformist aesthetic and its challenge to Victorian realism; and George Eliot's reckoning with the nineteenth-century revolutions in the human and natural sciences. Modeling the modern scientific conception of a developmental human nature, the novel became a major experimental instrument for managing the new set of divisions—between nature and history, individual and species, human and biological life—that replaced the ancient schism between animal body and immortal soul.The first book to explore the interaction of European fiction with "the natural history of man" from the late Enlightenment through the mid-Victorian era, Human Forms sets a new standard for work on natural history and the novel.

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Publicado en 1913 dentro de la serie de la Home University Library of Modern Knowledge, en La Época Victoriana en la literatura G. K. Chesterton realiza un mordaz repaso del espíritu de las letras de este período. Pero el suyo no es un relato al uso; no podía serlo en su caso. Como él mismo dice en la obra: lo más cerca que cualquier hombre honesto puede estar de eso que llamamos ?imparcialidad?, es confesar que está siendo parcial. Principio que aplica a rajatabla, demostrando que fue un pensador comprometido con los grandes problemas del hombre de su tiempo.Desde la primera página, ya nos anuncia que rechaza la perspectiva cronológica, para analizar y comentar la obra de autores como Jane Austen, Robert Louis Stevenson, las hermanas Brontë o Charles Dickens, entre muchos otros. Aunque su mirada va más allá de la mera observación y lo aparente, esbozando un convincente retrato de qué fueron los victorianos: hombres y mujeres que, en su opinión, se alejaron de un sentido espiritual

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Life Lessons from Literature is a must for all bibliophiles, providing a concise and highly accessible bucket list of must-read books that teaches us so many fundamental truths and broadens our minds.‘I read a book one day and my whole life was changed’ ... So confesses the narrator of Orhan Pamuk’s novel The New Life. But what can we learn from reading books? Life Lessons from Literature poses this broad question by examining the works of some of the greatest writers in history.In it, we can draw wisdom from Charles Dickens’ views on poverty and wealth; seek comfort from ideas about love from Jane Austen and the Bronte sisters. Yet books are about much more than just romance and money. Through careful examination of over one hundred classic works of world literature, life lessons are also drawn from themes such as conflict and oppression, identity and psychology, showing how literature enriches and informs our understanding of ourselves and the wider world around us.From Brazil to Japan, the Americas to Africa; from Victor Hugo to Mark Twain and Chinua Achebe to Haruki Murakami, you will find literature from around the world in this gem of a book, in which the plots may differ but the themes and the lessons they have to teach us are entirely universal.

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The complete and comprehensive way to support your studies and assessments in 2021 and exams in 2022. Get straight to the heart of the text with crystal-clear notes, focused analysis and expert summaries. Quickly demystify historical contexts and get to grips with the text's form, language and structure. Efficiently unpick plots, contexts and themes and sharpen your memory of key facts, quotations and characters. Power up your essay-writing skills, learn how to write top-grade answers and feel fully ready and equipped to excel in any test or assessment. York Notes are the long-established experts in English Literature, and we take your success seriously. So whether you're studying A Christmas Carol by Charles Dickens for GCSE at home, online or in the classroom, York Notes is your best bet for the best grades. Packed with more powerful features than any other guide, this essential A Christmas Carol study companion is easy to use, brimming with essential info and will quickly become your go-to buddy as you navigate your GCSE course, build your confidence, stay motivated and get ready to impress in any test, assessment or exam. To make sure you feel really ready for the unique challenges of assessment and to get the grades you know you deserve, why not use this Study Guide with the York Notes Workbook and Practice Tests for A Christmas Carol? Just search for 9781292138077 for the Workbook and 9781292195407 for the Practice Tests. Looking for a speedier way to refresh and remember what really matters? Our unique Rapid Revision Cards are fast, fun and have all the answers. Just search now for 9781292273648 .

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When Vesuvius erupted in 79 CE, the force of the explosion blew the top right off the mountain, burying nearby Pompeii in a shower of volcanic ash. Ironically, the calamity that proved so lethal for Pompeii's inhabitants preserved the city for centuries, leaving behind a snapshot of Roman daily life that has captured the imagination of generations.The experience of Pompeii always reflects a particular time and sensibility, says Ingrid Rowland. From Pompeii: The Afterlife of a Roman Town explores the fascinating variety of these different experiences, as described by the artists, writers, actors, and others who have toured the excavated site. The city's houses, temples, gardens--and traces of Vesuvius's human victims--have elicited responses ranging from awe to embarrassment, with shifting cultural tastes playing an important role. The erotic frescoes that appalled eighteenth-century viewers inspired Renoir to change the way he painted. For Freud, visiting Pompeii was as therapeutic as a session of psychoanalysis. Crown Prince Hirohito, arriving in the Bay of Naples by battleship, found Pompeii interesting, but Vesuvius, to his eyes, was just an ugly version of Mount Fuji. Rowland treats readers to the distinctive, often quirky responses of visitors ranging from Wolfgang Amadeus Mozart, Charles Dickens, and Mark Twain to Roberto Rossellini and Ingrid Bergman.Interwoven throughout a narrative lush with detail and insight is the thread of Rowland's own impressions of Pompeii, where she has returned many times since first visiting in 1962.

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When Jack the Ripper first prowled the streets of London, an evening newspaper commented that his crimes were as ghastly as those committed by Eliza Grimwood’s murderer fifty years earlier. Hers is arguably the most infamous and brutal of all nineteenth-century London killings. Eliza was a high-class prostitute, and on 26 May 1838, following an evening at the theatre, she brought a ‘client’ back to her home in Waterloo Road. The morning after, she was found with her throat cut and her abdomen viciously ‘ripped’. The client was nowhere to be seen. The ensuing murder investigation was convoluted, with suspects ranging from an alcoholic bricklayer to a royal duke. Londoners from all walks of life followed the story with a horror and fascination – among them Charles Dickens, who took inspiration from Eliza’s death when he wrote the murder of Nancy in Oliver Twist. Despite this feverish interest, the case was left unsolved, becoming the subject of ‘penny dreadfuls’ and urban legend. Unusually for a crime of this early period, the diary of the police officer leading the investigation has been preserved for posterity, and Jan Bondeson takes full advantage of this unique access to a Victorian murder inquiry. Skilfully dissecting what evidence remains, he links this murder with a series of other opportunist early Victorian slayings, and, in putting forward a credible new suspect, concludes that the Ripper of Waterloo Road was, in fact, a serial killer claiming as many as four victims.

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How do we understand Christmas? What does it mean? This book is a lively introduction to the study of popular culture through one central case study. It explores the cultural, social and historical contexts of Christmas in the UK, USA and Australia, covering such topics as fiction, film, television, art, newspapers and magazines, war, popular music and carols. Chapters explore the ways in which the production of meaning is mediated by the social and cultural activities surrounding Christmas (watching Christmas films, television, listening or engaging with popular music and carols), its relationship to a set of basic values (the idealised construct of the family), social relationships (community), and the ways in which ideological discourses are used and mobilised, not least in times of conflict, terrorism and war. Packed with examples ranging from Charles Dickens' seminal text, A Christmas Carol, Coca-colonisation and Santa Claus, Victorian cartoons and Christmas cards, to Dr Who, The Office, 'A Fairy Tale of New York', 'Happy Christmas (War is Over)', and such dystopian films as Jingle All the Way and All I Want For Christmas, the case studies offer an incisive account of the ways in which Christmas relates to social change, and how such recent events as 9/11 and the continuing conflict in Iraq focus attention on traditional themes of community and family. Christmas, Ideology and Popular Culture offers students and scholars alike an opportunity to explore the hidden agendas of the world's most popular festival and what it means to the outsider looking in.

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What did Charles Dickens savour in punch, Thomas Jefferson eat in omelettes, Queen Victoria sip in navy grog, and the Kamehameha Kings of Hawaii drink straight? What helped spark the American Revolution, was used as currency in Australia, was targeted by the Temperance Movement, and is still a sacramental offering among voodoo worshippers? The answer is rum, whose colourful, secret history is described in Rum: A Global History. This book chronicles the evolution of rum, from a raw spirit concocted for slaves five hundred years ago, to a beverage savoured by connoisseurs. It charts the history of the drink, showing how this once-humble spirit has become a worldwide phenomenon over the last five hundred years. Rum: A Global History shows how rum has left its mark on religious rituals, popular songs and other cultural landmarks, describing a far more varied and interesting history of the drink than is commonly known. Also included in the book are recipes for sweet and savoury rum dishes, obscure but delicious rum drinks, and illustrations of rum memorabilia from the earliest days to the tiki craze of the 1950s. Costing less than a bottle of good rum, Rum: A Global History will provide satisfaction for far longer, with none of the hangover, guaranteed. The book will delight all who enjoy the beverage and wish to learn more of its heritage, as well as those who enjoy a fast-paced, well-written history of food.

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In 1859, the S.S. Great Eastern departed from England on her maiden voyage. She was a remarkable wonder of the nineteenth century: an iron city longer than Trafalgar Square, taller than Big Ben's tower, heavier than Westminster Cathedral. Her paddles were the size of Ferris wheels; her decks could hold four thousand passengers bound for America, or ten thousand troops bound for the Raj. Yet she ended her days as a floating carnival before being unceremoniously dismantled in 1889. Steamships like the Great Eastern occupied a singular place in the Victorian mind. Crossing oceans, ferrying tourists and troops alike, they became emblems of nationalism, modernity, and humankind's triumph over the cruel elements. Throughout the nineteenth century, the spectacle of a ship's launch was one of the most recognizable symbols of British social and technological progress. Yet this celebration of the power of the empire masked overconfidence and an almost religious veneration of technology. Equating steam with civilization had catastrophic consequences for subjugated peoples around the world. Engines of Empire tells the story of the complex relationship between Victorians and their wondrous steamships, following famous travelers like Mark Twain, Charles Dickens, and Jules Verne as well as ordinary spectators, tourists, and imperial administrators as they crossed oceans bound for the colonies. Rich with anecdotes and wry humor, it is a fascinating glimpse into a world where an empire felt powerful and anything seemed possible—if there was an engine behind it.

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Rediscover the novel behind the hit new film. 'The most perfect of all the Dickens novels' Virginia Woolf When David Copperfield escapes from the cruelty of his childhood home, he embarks on a journey to adulthood which will lead him through comedy and tragedy, love and heartbreak and friendship and betrayal. Over the course of his adventures, David meets an array of eccentric characters and learns hard lessons about the world before he finally discovers true happiness.

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This book gives an ambitious revisionist account of the nineteenth-century British novel and its role in the complex historical process that ultimately gave rise to modern anthropology's concept of culture and its accredited researcher, the Participant Observer. Buzard reads the great nineteenth-century novels of Charles Dickens, Charlotte Bronte, George Eliot, and others as "metropolitan autoethnographies" that began to exercise and test the ethnographic imagination decades in advance of formal modern ethnography--and that did so while focusing on Western European rather than on distant Oriental subjects. Disorienting Fiction shows how English Victorian novels appropriated and anglicized an autoethnographic mode of fiction developed early in the nineteenth century by the Irish authors of the National Tale and, most influentially, by Walter Scott. Buzard demonstrates that whereas the fiction of these non-English British subjects devoted itself to describing and defending (but also inventing) the cultural autonomy of peripheral regions, the English novels that followed them worked to imagine limited and mappable versions of English or British culture in reaction against the potential evacuation of cultural distinctiveness threatened by Britain's own commercial and imperial expansion. These latter novels attempted to forestall the self-incurred liabilities of a nation whose unprecedented reach and power tempted it to universalize and export its own customs, to treat them as simply equivalent to a globally applicable civilization. For many Victorian novelists, a nation facing the prospect of being able to go and to exercise its influence just about anywhere in the world also faced the danger of turning itself into a cultural nowhere. The complex autoethnographic work of nineteenth-century British novels was thus a labor to disorient or de-globalize British national imaginings, and novelists mobilized and freighted with new significance some basic elements of prose narrative in their efforts to write British culture into being. Sure to provoke debate, this book offers a commanding reassessment of a major moment in the history of British literature.

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Dickens' timeless novel transports young readers to a colorful Victorian England filled with mistreated orphans, grim workhouses and gangs of thieving children. The hero finds himself in dire circumstances but escapes to London, where he becomes involved with criminals...and finally finds a real home. Abridged for easier reading and carefully rewritten, with "Classic Starts[trademark]", young readers can experience the wonder of timeless stories from an early age.

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'Literary, erudite, poignant and touching' Mail on Sunday'Stafford has a historical X-ray vision which allows her to look through the surface of a given landscape and describe what lies beneath . . . Miraculous' ScotsmanA village waits at the bottom of a reservoir. A monkey puzzle tree bristles in a suburban garden. A skein of wild geese fly over a rusty rail viaduct. The vast inland sea that awed John Clare has become fields.Chapter by fascinating chapter, alive with literary, local, and her own family history, Fiona Stafford reveals the forces, both natural and human, which transform places. Swooping along coastlines, through forests and across fens, following in the footsteps of Burns and Keats, Celia Fiennes and Charles Dickens, William and Dorothy Wordsworth, Noel Coward and Compton Mackenzie, join her, time-travelling deep into the stories of our Isles.From red squirrels to brick vistas, from botanical gardens to hot springs, the landscapes of Britain are full of delights and surprises. Chance discoveries of rare species, shipwrecks and unlikely ruins, curious trees and startling towers, weird caves and disused airfields, or even just baffling placenames offer ways into unexpected histories and hidden lives. The clues to the past are all round us - Time and Tide will help you find them.'Shot through with tender delights and unexpected revelations' RICHARD HOLMES'Wonderful . . . A fascinating compendium of people and places and how they endlessly interact to change each other' PHILIP MARSDEN

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In his last completed novel, published in 1864-5, Dicens confirmed his reputation as a story-teller of genius while extending the sphere of his imagination to new worlds. Like all Dickens' novels, OUR MUTUAL FRIEND weaves together many stories, uniting them in the bizarre symbolism of the wealth which derives from a rubbish tip. With all the energy of his earlier novels, this one has an extra resonance and depth of shade.

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This is the classic novel brought to life in full colour! 'I will honour Christmas in my heart, and try to keep it all the year. I will live in the Past, the Present, and the Future'. Classical Comics' first Dickens title is probably his best-loved story. Scrooge gets a rude awakening to how his life is, and how it should be. Full of Christmas Spirit(s), this is a book that you'll want to read all year round!

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Elizabeth Gaskell's remarkable first novel, Mary Barton: A Tale of Manchester Life portrays a love that defies the rigid boundaries of class with tragic consequences. This Penguin Classics edition is edited with an introduction and notes by MacDonald Daly.Mary Barton, the daughter of disillusioned trade unionist, rejects her working-class lover Jem Wilson in the hope of marrying Henry Carson, the mill owner's son, and making a better life for herself and her father. But when Henry is shot down in the street and Jem becomes the main suspect, Mary finds herself painfully torn between the two men. Through Mary's dilemma, and the moving portrayal of her father, the embittered and courageous Chartist agitator John Barton, Mary Barton powerfully dramatizes the class divides of the 'hungry forties' as personal tragedy. In its social and political setting, it looks towards Elizabeth Gaskell's great novels of the industrial revolution, in particular North and South.Macdonald Daly's introduction discusses Gaskell's first novel as a pioneering work in the recognition of the conditions of the poor and working class; this edition also contains full notes and a chronology of Gaskell's life.Elizabeth Gaskell (1810-65) was born in London, but grew up in the north of England in the village of Knutsford. In 1832 she married the Reverend William Gaskell and had four daughters, and one son who died in infancy. Her first novel, Mary Barton, was published in 1848, winning the attention of Charles Dickens, and most of her later work was published in his journals. She was also a lifelong friend of Charlotte Brontë, whose biography she wrote.If you enjoyed Mary Barton, you might like George Eliot's The Mill on the Floss, also available in Penguin Classics.

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Biles' first-rate primer on the state's history will be a useful resource for anyone curious about a state whose residents have played crucial roles in almost every major episode in the nation's history.―Chicago Tribune Featuring 67 illustrations, Illinois will captivate readers of all ages and interests. Crossroads of the continent, Land of Lincoln, hub of commerce—or, as Charles Dickens viewed it, a landscape "oppressive in its barren monotony"—Illinois boasts a rich and varied past. In this far-reaching but compact history, Roger Biles provides a much-needed, up-to-date account of the state's development, from the early native settlements to the present. Focusing on Illinois' demographic changes over time, he highlights the key figures who contributed to the state's government, economy, culture, and the arts. While devoting attention to the touchstones of history, Illinois illuminates also the achievements of ordinary people, including the women, the African Americans, and the other minorities who—along with the politicians, the captains of industry, and the military heroes—contributed to the state's growth and prosperity. National events shaped the state as well, and Biles explores the impact of such crises as the Civil War and World War II on the people of Illinois. No history of Illinois can ignore the state's largest city, the dynamic metropolis on Lake Michigan—Chicago. Drawing on extensive research, Biles illuminates Chicago's past—its outbursts of labor unrest and racial tensions as well as the splendors of two world's fairs and an artistic renaissance—while at the same time relating Chicago to the larger story of Illinois and its people. Connecting lesser-known stories with the main events of the state's past, Biles writes in an accessible style that is at once entertaining and enlightening.

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An entertaining mathematical exploration of the heat equation and its role in the triumphant development of the trans-Atlantic telegraph cableHeat, like gravity, shapes nearly every aspect of our world and universe, from how milk dissolves in coffee to how molten planets cool. The heat equation, a cornerstone of modern physics, demystifies such processes, painting a mathematical picture of the way heat diffuses through matter. Presenting the mathematics and history behind the heat equation, Hot Molecules, Cold Electrons tells the remarkable story of how this foundational idea brought about one of the greatest technological advancements of the modern era.Paul Nahin vividly recounts the heat equation’s tremendous influence on society, showing how French mathematical physicist Joseph Fourier discovered, derived, and solved the equation in the early nineteenth century. Nahin then follows Scottish physicist William Thomson, whose further analysis of Fourier’s explorations led to the pioneering trans-Atlantic telegraph cable. This feat of engineering reduced the time it took to send a message across the ocean from weeks to minutes. Readers also learn that Thomson used Fourier’s solutions to calculate the age of the earth, and, in a bit of colorful lore, that writer Charles Dickens relied on the trans-Atlantic cable to save himself from a career-damaging scandal. The book’s mathematical and scientific explorations can be easily understood by anyone with a basic knowledge of high school calculus and physics, and MATLAB code is included to aid readers who would like to solve the heat equation themselves.A testament to the intricate links between mathematics and physics, Hot Molecules, Cold Electrons offers a fascinating glimpse into the relationship between a formative equation and one of the most important developments in the history of human communication.

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