Search results for ""Author Charles Dickens"

Why is liberalism so often dismissed by thinkers from both the left and the right? To those calling for wholesale transformation or claiming a monopoly on "realistic" conceptions of humanity, liberalism's assured progressivism can seem hard to swallow. Bleak Liberalism makes the case for a renewed understanding of the liberal tradition, showing that it is much more attuned to the complexity of political life than conventional accounts have acknowledged. Anderson examines canonical works of high realism, political novels from England and the United States, and modernist works to argue that liberalism has engaged sober and even stark views of historical development, political dynamics, and human and social psychology. From Charles Dickens's Bleak House and Hard Times to E. M. Forster's Howards End to Doris Lessing's The Golden Notebook, this literature demonstrates that liberalism has inventive ways of balancing sociological critique and moral aspiration. A deft blend of intellectual history and literary analysis, Bleak Liberalism reveals a richer understanding of one of the most important political ideologies of the modern era.

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Do you wish it could be Christmas every day? This smashing Text Guide is the next best thing - it contains everything students need to write brilliant essays about A Christmas Carol by Charles Dickens, and it's suitable for all major GCSE English exam boards!Inside, you'll find clear, thorough notes on the novel's context, plot, characters, themes and the writer's techniques - plus quick warm-up activities, in-depth exercises and realistic exam-style questions at the end of sections, alongside challenging questions for students aiming for Grades 8-9. Not only is this book packed with essay advice and engaging activities, it'll also gives you access to our online Sudden Fail quizzes - ideal for putting your skills to the test! To round it all off, we've rustled up a classic CGP cartoon-strip summary of the text to help remind you of all the important plot points.What's more, there''s a free Online Edition with even more activities for specific exam boards - ideal if you're on the move!F

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Exam Board: Edexcel Level: GCSE Grade 9-1 Subject: English Literature Suitable for the 2024 exams Everything you need to revise for your GCSE 9-1 set text in a snap guide Everything you need to score top marks on your GCSE Grade 9-1 English Literature exam is right at your fingertips! Revise A Christmas Carol by Charles Dickens in a snap with this new GCSE Grade 9-1 Snap Revision Text Guide from Collins. Refresh your knowledge of the plot, context, characters and themes and pick up top tips along the way to ace your Edexcel exam. Each topic is explained in an easy-to-read format so you can get straight to the point. Then, put your skills to the test with plenty of practice questions included in every section. The Snap Text Guides are packed with every quote and extract you need. We’ve even included examples of how to plan and write your essay responses! This Collins English Literature revision guide contains all the key information you need to practise and pass.

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A practical investigation into story-theatre and the art of telling stories through theatre, by the renowned director who founded Shared Experience Theatre Company. In Then What Happens?, Mike Alfreds makes the case for putting story and storytelling back at the heart of theatre. He explores the whole process of adapting for the stage, and investigates the particular techniques - many of them highly sophisticated - that actors require when performing 'story-theatre'. The book includes over two hundred exercises, improvisations and workshops dealing with the practical aspects of story-theatre, such as building an ensemble, creating a physical vocabulary, and transforming written narrative into drama. It draws on examples ranging from traditional legends and folklore, through the works of Jane Austen, Charles Dickens and Evelyn Waugh, to contemporary fiction. Alfreds shows how each story demands its own particular set of dramatic choices, opening up endless possibilities for performance. Then What Happens? - like the author's tremendously successful first book, Different Every Night - will be invaluable to directors and actors, to dramatists working in the field of adaptation, to those devising and working from improvisation, and to any theatregoer who has been moved by the power of an unfolding story to ask: 'Then what happens?' ‘All theatre directors know that good narrative is the secret of good theatre, but few have as distinctive, rigorous and exceptional a method of exploring that secret as does Mike Alfreds. His system of working, and his thoughts on the making of theatre in our time, are as crucial and illuminating as those of Stanislavsky and Peter Brook have been to generations of theatre enthusiasts and practitioners.’ Michael Coveney

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'Ghoulishly entertaining' Jacqueline Banerjee, Times Literary Supplement'This is a great book for dipping into . . . the cases themselves are written engagingly and with appealing dramatisation of key events.'Kim Fleet, Crime ReviewA grisly book dedicated to the crimes, perversions and outrages of Victorian England, covering high-profile offences - such as the murder of actor William Terriss, whose stabbing at the stage door of the Adelphi Theatre in 1897 filled the front pages for many weeks - as well as lesser-known transgressions that scandalised the Victorian era.The tales include murders and violent crimes, but also feature scandals that merely amused the Victorians. These include the story of a teenage man who married an actress, only to be shipped off to Australia by his disgusted parents; and the Italian ice-cream man who only meant to buy his sweetheart a hat but ended up proposing marriage instead. When he broke it off, his fiancée's father sued him and the story was dubbed the 'Amusing Aberdeen Breach of Promise Case'. Also present is the gruesome story of the murder of Patrick O Connor who was shot in the head and buried under the kitchen flagstones by his lover Maria Manning and her husband, Frederick. The couple's subsequent trial caused a sensation and even author Charles Dickens attended the grisly public hanging.Drawing on a range of sources from university records and Old Bailey transcripts to national and regional newspaper archives, Michelle Morgan's research sheds new light on well-known stories as well as unearthing previously unknown incidents.

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Cleansing the City: Sanitary Geographies in Victorian Londonexplores not only the challenges faced by reformers as they strove toclean up an increasingly filthy city but the resistance to their efforts.Beginning in the 1830s, reform-minded citizens, under the banner of sanitaryimprovement, plunged into London’s dark and dirty spaces and returned withthe material they needed to promote public health legislation and magnificentprojects of sanitary engineering. Sanitary reform, however, was not alwaysmet with unqualified enthusiasm. While some improvements, such as slumclearances, the development of sewerage, and the embankment of the Thames,may have made London a cleaner place to live, these projects also destroyedand reshaped the built environment, and in doing so, altered the meanings andexperiences of the city. From the novels of Charles Dickens and George Gissing to anonymous magazinearticles and pamphlets, resistance to reform found expression in the nostalgicappreciation of a threatened urban landscape and anxiety about domestic autonomyin an era of networked sanitary services. Cleansing the City emphasizes the disruptions and disorientation occasioned by purification—a process we are generally inclined to see as positive. By recovering these sometimes oppositional, sometimes ambivalent responses, Michelle Allen elevates a significant undercurrent of Victorian thought into the mainstream and thus provides insight into the contested nature of sanitary modernization.

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In The Afterlife of Property, Jeff Nunokawa investigates the conviction passed on by the Victorian novel that a woman's love is the only fortune a man can count on to last. Taking for his example four texts, Charles Dickens's Little Dorrit and Dombey and Son, and George Eliot's Daniel Deronda and Silas Marner, Nunokawa studies the diverse ways that the Victorian novel imagines women as property removed from the uncertainties of the marketplace. Along the way, he notices how the categories of economics, gender, sexuality, race, and fiction define one another in the Victorian novel. If the novel figures women as safe property, Nunokawa argues, the novel figures safe property as a woman. And if the novel identifies the angel of the house, the desexualized subject of Victorian fantasies of ideal womanhood, as safe property, it identifies various types of fiction, illicit sexualities, and foreign races with the enemy of such property: the commodity form. Nunokawa shows how these convergences of fiction, sexuality, and race with the commodity form are part of a scapegoat scenario, in which the otherwise ubiquitous instabilities of the marketplace can be contained and expunged, clearing the way for secure possession. The Afterlife of Property addresses literary and cultural theory, gender studies, and gay and lesbian studies.

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"Each century," wrote Charles Dickens "[is] more amazed by the century following it than by all the centuries before." Victorians in theory explores the startling conceit that nineteenth-century poetry is amazed by twentieth-century literary theory. In a daring and exciting departure from critical convention, Schad re-reads postructuralist theory through Victorian poetry. Each chapter pairs a poet with a theorist: Robert Browning meets Jacques Derrida; Christina Rossetti encounters Luce Irigaray; Matthew Arnold is after Michel Foucault; Gerald Manley Hopkins dreams with Jacques Lacan; and Elizabeth Barrett Browning haunts Hélène Cixous. Reading both across and between these writers, Schad opens up a radically intertextual space; he wanders, in Matthew Arnold's words, "between two worlds." Across this no-man's land appear a host of unlikely specters, among them T. S. Eliot, Martin Luther, Friedrich Nietzsche, Lewis Carroll's Alice, Walter Benjamin's "angel of history," and the woman taken in adultery.This book will fascinate anyone interested in the Victorians or theory; at once rigorous and readable, it will appeal to both the scholar and the student.

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From the author of North and South and Mary Barton, Elizabeth Gaskell's Cranford is a standalone publication of Elizabeth Gaskell's best-known work, with a critical introduction by Patricia Ingham in Penguin Classics.Cranford depicts the lives and preoccupations of the inhabitants of a small village - their petty snobberies, appetite for gossip, and loyal support for each other in times of need This is a community that runs on cooperation and gossip, at the very heart of which are the daughters of the former rector: Miss Deborah Jenkyns and her sister Miss Matty, But domestic peace is constantly threatened in the form of financial disaster, imagined burglaries, tragic accidents, and the reapparance of long-lost relatives. to Lady Glenmire, who shocks everyone by marrying the doctor. When men do appear, such as 'modern' Captain Brown or Matty's suitor from the past, they bring disruption and excitement to the everyday life of Cranford.In her introduction, Patricia Ingham places the novel in its literary and historical context, and discusses the theme of female friendship and Gaskell's narrative technique. This edition also contains an account of Gaskell's childhood in Knutsford, on which Cranford is based, appendices on fashion and domestic duties supplemented by illustrations, a chronology of Gaskell's life and works, suggestions for further reading, and explanatory notes.Elizabeth Gaskell (1810-65) was born in London, but grew up in the north of England in the village of Knutsford. In 1832 she married the Reverend William Gaskell and had four daughters, and one son who died in infancy. Her first novel, Mary Barton, was published in 1848, winning the attention of Charles Dickens, and most of her later work was published in his journals. She was also a lifelong friend of Charlotte Brontë, whose biography she wrote.If you enjoyed Cranford, you may like Jane Austen's Mansfield Park, also available in Penguin Classics.

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The Body Economic revises the intellectual history of nineteenth-century Britain by demonstrating that political economists and the writers who often presented themselves as their literary antagonists actually held most of their basic social assumptions in common. Catherine Gallagher demonstrates that political economists and their Romantic and early-Victorian critics jointly relocated the idea of value from the realm of transcendent spirituality to that of organic "life," making human sensations--especially pleasure and pain--the sources and signs of that value. Classical political economy, this book shows, was not a mechanical ideology but a form of nineteenth-century organicism, which put the body and its feelings at the center of its theories, and neoclassical economics built itself even more self-consciously on physiological premises. The Body Economic explains how these shared views of life, death, and sensation helped shape and were modified by the two most important Victorian novelists: Charles Dickens and George Eliot. It reveals how political economists interacted crucially with the life sciences of the nineteenth century--especially with psychophysiology and anthropology--producing the intellectual world that nurtured not only George Eliot's realism but also turn-of-the-century literary modernism.

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"Dom-bey and Son"...Those three words conveyed the one idea of Mr. Dombey's life. The earth was made for Dombey and Son to trade in, and the sun and moon were made to give them light. The hopes of Mr Dombey for the future of his shipping firm are centred on his delicate son Paul, and Florence, his devoted daughter, is unloved and neglected. When the firm faces ruin, and Dombey's second marriage ends in disaster, only Florence has the strength and humanity to save her father from desolate solitude. This new edition contains Dickens's prefaces, his working plans, and all the original illustrations by 'Phiz'. The text is that of the definitive Clarendon edition. It has been supplemented by a wide-ranging Introduction, highlighting Dickens's engagement with his times, and the touching exploration of family relationships which give the novel added depth and relevance. The Notes and Bibliography have been substantially revised, extended, and updated. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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'His novels will endure as long as the language itself' Peter AckroydDickens's haunting late novel depicts the education and development of a young man, Pip, as his life is changed by a series of events - a terrifying encounter with an escaped convict in a graveyard on the wild Kent marshes; a summons to meet the bitter, decaying Miss Havisham and her beautiful, cold-hearted ward Estella; the sudden generosity of a mysterious benefactor - and he discovers the true nature of his 'great expectations'. This definitive edition includes appendices on Dickens's original ending, giving an illuminating glimpse into a great novelist at work.With an Introduction by DAVID TROTTER Edited and with notes by CHARLOTTE MITCHELL

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HarperCollins is proud to present its incredible range of best-loved, essential classics.Charles Dickens's classic tale of miserly Ebenezer Scrooge's encounters with the ghosts of Christmas past, present and yet to come.

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Dickens' celebrated novel of innocence betrayed and then triumphant. It recreates the London underworld populated by such characters as Fagin, Bill Sikes, Nancy and the Artful Dodger, who are contrasted with the friends and family of the orphaned Oliver.

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In a book that is part fairy tale and part thinly veiled autobiography, Dickens transmutes his life experience into a brilliant series of comic and sentimental adventures in the spirit of the great eighteenth-century novelists he so much admired. Few readers can fail to be touched by David's fate, and fewer still to be delighted by his story. The cruel Murdstone, the feckless Micawber, the unctuous and sinister Uriah Heep, and David Copperfield himself, into whose portrait Dickens puts so much of his own early life, form a central part of our literary legacy.This edition reprints the original Everyman preface by G. K. Chesterton and includes thirty-nine illustrations by Phiz.

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Illustrations by Hablot K. Browne (Phiz) and George Cattermole, with a new Introduction by Cedric Watts, Research Professor of English, University of Sussex. This vivid historical and political novel by Dickens is centred on the infamous 'No Popery' riots, instigated by Lord George Gordon, which terrorised London in 1780. Dickens' targets are prejudice, intolerance, religious bigotry and nationalistic fervour, together with the villains who exploit these for selfish ends. His intense account of the riots is interwoven with the mysterious tale of a long-unsolved murder and with a romance involving forbidden love, treachery and heroism. Barnaby Rudge abounds in memorably strange, comic and grotesque characters. Furthermore, recent historical events have renewed its political topicality.

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‘Exquisite’ Veronica Henry Before A Christmas Carol there was… Miss Marley A seasonal tale of kindness and goodwill Orphans Clara and Jacob Marley live by their wits, scavenging for scraps in the poorest alleyways of London, in the shadow of the workhouse. Every night, Jake promises his little sister ‘tomorrow will be better’ and when the chance to escape poverty comes their way, he seizes it despite the terrible price. And so Jacob Marley is set on a path that leads to his infamous partnership with Ebenezer Scrooge. As Jacob builds a fortress of wealth to keep the world out, only Clara can warn him of the hideous fate that awaits him if he refuses to let love and kindness into his heart… In Miss Marley, Vanessa Lafaye weaves a spellbinding Dickensian tale of ghosts, goodwill and hope – a perfect prequel to A Christmas Carol. Praise for Miss Marley: ‘A spellbinding Dickensian tale of ghosts, goodwill and hope’ Mail on Sunday ‘Redemptive… a fitting legacy for a writer who is so sadly missed’ Red ‘Evocative’ Heat ‘Delightful’ Sunday Mirror ‘A reminder of the power of kindness and love’ Stylist A ‘gem of a tale’ Sunday Express ‘A beautifully written Dickensian tale’ Candis ‘Captivating … A beautiful and tender fable’ Daily Express ‘Fantastic’ Good Housekeeping ‘Ghosts, goodwill and hope on every page’ My Weekly ‘Lafaye masterfully brings the setting of 19th-Century London to life’ Woman ‘Love, disappointment, kindness and greed all play their parts in this delightful companion piece to Charles Dickens’ A Christmas Carol’ Woman & Home ‘A seasonal tale of kindness and goodwill that captures the atmosphere of Dickens’ Yours ‘Exquisite’ Veronica Henry ‘A beautiful, warm, rich hug of a story and bittersweet reminder to embrace life and enrich others as you go’ Liz Fenwick

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The labyrinthine, ingenious plot of Bleak House focuses on the seemingly endless lawsuit Jarndyce and Jarndyce, an inheritance dispute that has been moving through the courts for years. Dozens of characters, including the innocent young narrator Esther Summerson, her friends Richard Carstone and Ada Clare, and the jaded aristocrats Sir Leicester and Lady Honoria Dedlock, are directly or indirectly caught up in the case. Written in bold and inventive language, Bleak House is Dickens’s epic vision of Victorian society.The critical introduction and extensive appendices to this edition focus on the novel’s social context and reception, Dickens’s treatment of his women characters and the working class, and the inequalities of the Victorian legal system.

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'Perhaps his best novel ... when Dickens wrote Bleak House he had grown up' G. K. ChestertonAs the interminable case of Jarndyce and Jarndyce grinds its way through the Court of Chancery, it draws together a disparate group of people: Ada Clare and Richard Carstone, whose inheritance is gradually being devoured by legal costs; Esther Summerson, a ward of court; the menacing lawyer Tulkinghorn; the determined sleuth Inspector Bucket; and even Jo, a destitute crossing-sweeper. A savage indictment of a society that is rotten to the core, Bleak House is one of Dickens's most ambitious novels, with a range that extends from the drawing-rooms of the aristocracy to the London slums.Edited with an Introduction and Notes by Nicola Bradbury with a Preface by Terry Eagleton

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This innovative collection of essays is the first to situate comedy and laughter as central rather than peripheral to nineteenth century life. Victorian Comedy and Laughter: Conviviality,Jokes and Dissent offers new readings of the works of Charles Dickens, Edward Lear,George Eliot, George Gissing, Barry Pain and Oscar Wilde, alongside discussions of much-loved Victorian comics like Little Tich, Jenny Hill, Bessie Bellwood and Thomas Lawrence. Tracing three consecutive and interlocking moods in the period, all of the contributors engage with the crucial critical question of how laughter and comedy shaped Victorian subjectivity and aesthetic form. Malcolm Andrews, Jonathan Buckmaster and Peter Swaab explore the dream of print culture togetherness that is conviviality, while Bob Nicholson, Louise Lee, Ann Featherstone,Louise Wingrove and Oliver Double discuss the rise-on-rise of the Victorian joke — both on the page and the stage — while Peter Jones, Jonathan Wild and Matthew Kaiser consider the impassioned debates concerning old and new forms of laughter that took place at the end of the century.

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The loss of East Indiaman HCS `Halsewell' on the coast of Dorset in southern England in January 1786, touched the very heart of the British nation. `Halsewell' was just one of many hundreds of vessels which had been in the service of the Honourable East India Company since its foundation in the year 1600. In the normal course of events, `Halsewell' would have been expected to serve out her working life, before passing unnoticed into the history books. However, this was not to be. Halsewell's loss was an event of such pathos as to inspire the greatest writer of the age Charles Dickens, to put pen to paper; the greatest painter of the age J. M. W. Turner, to apply brush to canvas, and the King and Queen to pay homage at the very place where the catastrophe occurred. Artefacts from the wreck continue to be recovered to this very day which, and for variety, interest, curiosity, and exoticism, rival those recovered from Spanish armada galleons wrecked off the west coast of Ireland two centuries previously. Such artefacts shed further light both on `Halsewell' herself, and on the extraordinary lives of those who sailed in her.

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A pictorial history of Birmingham Town Hall, showing the many events, occasions and people to which it has played host. Birmingham's magnificent Town Hall has hosted events of every kind and variety during its long life. Now, after a 35m refurbishment and restored to the original 1834 design, it reopens in October 2007 - an occasion which this pictorial history commemorates. Lavishly illustrated with some 250 pictures, it recalls many of the astonishing events and occasions that the Hall has witnessed in its 173-year history. These range from royal visits by Queen Victoriaand subsequent monarchs, outsize banquets, usage in wartime, legendary speakers including Charles Dickens and the many famous personalities of each decade, even a riot. The Hall's amazingly rich musical history is also traced, from the days when Mendelssohn, Dvorak and Elgar conducted their new works in person, through appearances by every international musician of subsequent decades right through the phenomena of all night jazz and the coming of The Beatles and The Rolling Stones, to its temporary closure in 1996.

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Encuadernación: rústicaColección: Tus libros-SelecciónEdad: a partir de 12 años"Canción de Navidad", escrita por Dickens bajo la influencia de sus ideas sociales y quizá concebida como una fábula moral para una época y una sociedad determinadas -Inglaterra en la "era victoriana"-, es una historia capaz de conmover a los lectores de cualquier edad. Con este relato fantástico, Dickens crea el prototipo del avaro, gruñón y egoísta -Ebenezer Scrooge- y, además, impregna para siempre estas fechas del "Espíritu de la Navidad".

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Considered by many to be Dickens' finest novel, Great Expectations traces the growth of the book's narrator, Philip Pirrip (Pip), from a boy of shallow dreams to a man with depth of character. From its famous dramatic opening on the bleak Kentish marshes, the story abounds with some of Dickens' most memorable characters. Among them are the kindly blacksmith Joe Gargery, the mysterious convict Abel Magwitch, the eccentric Miss Havisham and her beautiful ward Estella, Pip's good-hearted room-mate Herbert Pocket and the pompous Pumblechook. As Pip unravels the truth behind his own ‘great expectations’ in his quest to become a gentleman, the mysteries of the past and the convolutions of fate through a series of thrilling adventures serve to steer him towards maturity and his most important discovery of all - the truth about himself.

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Opened in 1837 and inspired by the Pere Lachaise in Paris, West Norwood became known as the Millionaire's Cemetery. But within its opulent grounds there are twelve buried names whose currency is language: these are the dead poets of West Norwood. In the first instalment of a project to map the Magnificent Seven, Chris McCabe takes us off the main track of London writing and asks why the works of Hopkins, Tennyson and Browning are still read above those buried in this suburban enclave of South London. Join McCabe on the hunt for a great lost poet, as he walks the winding Gothic paths of the Cemetery and makes an unexpected discovery underground in the catacombs. The stories of those loved and dismissed by Charles Dickens are carefully uncovered; those who influenced Lewis Carroll and Winston Churchill; and those whose burial in the common ground has not been enough to silence them. A startling and original work of literary detection, In the Catacombs is written across a range of forms - prose, Gothic fiction, criticism and poetry - and places West Norwood Cemetery and its dead poets back into the foreground of the London psyche.

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In this hauntingly beautiful volume, artist John A. Rice re-envisions Dickens's seemingly familiar Christmas classic as a true Victorian ghost story.The Victorians knew that the end of the year is a precipice, a time of change and transition. They captured the essence of this season the yearning for what is lost, the fear of the unknown, but also the hope for what is to come in the fantastical storytelling tradition known as the midwinter's tale. And of all such tales, the most famous is A Christmas Carol.In his new illustrated edition of A Christmas Carol, John A. Rice draws on the influence of Victorian Spiritualism and fin de siècle Symbolism to emphasise the deeper symbolism and spirituality of Dickens's novella. Through five absorbing full-page illustrations and a number of enchanting vignettes married to an elegant typographic design Rice reveals Scrooge's encounters with the spirits as a soul's journey from darkness to ligh

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The enclosure of the commons, space once available for communal use, was not a singular event but an act of "slow violence" that transformed lands, labor, and basic concepts of public life leading into the nineteenth century. The Afterlife of Enclosure examines three canonical British writers—Charles Dickens, George Eliot, and Thomas Hardy—as narrators of this history, the long duration and diffuse effects of which required new literary forms to capture the lived experience of enclosure and its aftermath. This study boldly reconceives the realist novel, not as an outdated artifact, but as witness to the material and environmental dispossession of enclosure—and bearer of utopian energies. These writers reinvented a commons committed to the collective nature of the social world. Illuminating the common at the heart of the novel—from common characters to commonplace events—Carolyn Lesjak reveals an experimental figuration of the lost commons, once a defining feature of the British landscape and political imaginary. In the face of privatization, climate change, new enclosures, and the other forms of slow violence unfolding globally today, this book looks back to a literature of historical trauma and locates within it a radical path forward.

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'Dickens's finest work in the genre of the detective story was his last' The TimesEdwin Drood is contracted to marry orphan Rosa when he comes of age, but when they find that duty has gradually replaced affection, they agree to break off the engagement. Shortly afterwards, in the middle of a storm on Christmas Eve, Edwin disappears. Beyond this there are further intrigues: the dark opium underworld of the sleepy cathedral town of Cloisterham, and the sinister double life of choir-master Jasper, whose drug-fuelled fantasy life belies his appearance. Dickens died before completing Edwin Drood, leaving generations of readers to try and solve its tantalizing mystery.Edited with an Introduction and Notes by David Paroissien

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One thing all mainstream economists agree upon is that money has nothing whatsoever to do with desire. This strange blindness of the profession to what is otherwise considered to be a basic feature of economic life serves as the starting point for this provocative new theory of money. Through the works of Karl Marx, Thorstein Veblen, and Max Weber, What Money Wants argues that money is first and foremost an object of desire. In contrast to the common notion that money is but an ordinary object that people believe to be money, this book explores the theoretical consequences of the possibility that an ordinary object fulfills money's function insofar as it is desired as money. Rather than conceiving of the desire for money as pathological, Noam Yuran shows how it permeates economic reality, from finance to its spectacular double in our consumer economy of addictive shopping. Rich in colorful and accessible examples, from the work of Charles Dickens to Reality TV and commercials, this book convinces us that we must return to Marx and Veblen if we are to understand how brand names, broadcast television, and celebrity culture work. Analyzing both classical and contemporary economic theory, it reveals the philosophical dimensions of the controversy between orthodox and heterodox economics.

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'In Little Dorrit, Dickens attacked English institutions with a ferocity that has never since been approached' George OrwellA masterly evocation of the state and psychology of imprisonment, Little Dorrit is one of the supreme works of Dickens's maturity. It follows Arthur Clennam who, returning to England after many years abroad, takes a kindly interest in Amy Dorrit, his mother's seamstress, who was born and raised in the Marshalsea where her father has long been imprisoned for debt. As Arthur soon discovers, the dark shadow of the prison stretches far beyond its walls to affect the lives of many, from the kindly Mr Pancks, the reluctant rent-collector of Bleeding Heart Yard, to the bureaucratic Barnacles in the Circumlocution Office and Merdle, an unscrupulous financier. Edited with an Introduction and Notes by Stephen Wall and Helen Small

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The most inspiring, beautiful and though-provoking reflections and declarations of love, all in one place.From Shakespeare's sonnets to the rom coms of modern-day cinema, Enlightenment philosophy to the latest Nicholas Sparks novel, one could say that no other topic has inspired such beauty – in art, literature, poetry or music – than that of love.In The Little Book of Love the words of civil rights activists sit alongside those of movie stars, world leaders and the philosophers of Ancient Greece. In its pages you will find some hard-won lovers' wisdom, a whole host of poignant and inspiring reflections on love, as well as some of the most famous, endearing and enduring declarations of love ever spoken.'Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O no! it is an ever-fixed mark That looks on tempests and is never shaken...' William Shakespeare, 'Sonnet 116''I loved her against reason, against promise, against peace, against hope, against happiness, against all discouragement that could be.' Pip, Charles Dickens' Great Expectations (1860)'With the whole world crumbling, we pick this time to fall in love.' Ilsa Lund, Casablanca (1942)

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Who is stalking Florence Nightingale and her nurses? Is it the legendary Beast of the Crimean, or someone closer to home? In 1855, Britain and France are fighting to keep the Russians from snatching the Crimean Peninsula from the Ottoman Empire, and Nightingale, a wealthy young society woman, has made it her mission to improve the wretched conditions in the British military hospitals in Turkey-despite fierce objections from the male doctors around her. When young women start turning up dead, their mouths sewn shut with embroidered fabric roses, Inspector Charles Field (the real-life inspiration for Charles Dickens's Inspector Bucket in Bleak House) is sent from England to find the killer among the doctors, military men, journalists, and others swarming Turkey's famous Barrack Hospital. Here Field meets both the famous Nightingale as well as Nurse Jane Rolly, the woman who will become his wife, and as he races to protect them, the prime suspect takes his own life.Case closed. Or is it?Twelve years later, back in London, amid the turmoil surrounding the expansion of voting rights, women again start turning up dead, their mouths covered by that telltale embroidered rose. Did Field suspect the wrong man before, or is he dealing with a deviant copycat? Either way, he must race against time to stop the killer before more bodies are discovered, and before his own family gets pulled into danger. Populated by real figures of the day, from Benjamin Disraeli to novelist Wilkie Collins to, of course, Florence Nightingale herself, and steeped in historical details of 1860s London, The Nightingale Affair plays out against a backdrop of a rapidly changing society. Most of all, it is a pure reading delight, offering shocks, unforgettably vivid scenes, and surprising twists.

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Shoreham airport, founded in 1910, is the oldest airport in the UK and the oldest purpose-built commercial airport in the world. Yet aviation began in Sussex far earlier, with balloonists making landfall at Kingsfold near Horsham in 1785. These early activities attracted much attention, with some 30,000 people gathering at Black Rock in Brighton, as well as on the surrounding hills, to watch the first balloon ascent from the town in July 1821 - using coal gas from the recently opened gas works. That particular balloonist, Charles Green, later became immortalised by Charles Dickens in his _Sketches By Boz_. The military were quick to appreciate the potential benefits of aerial observation and in 1880 balloons were deployed for the first time at the annual Volunteer Review at Brighton. Often wind conditions were not favourable for balloons, which prompted the army to consider employing kites and in June 1903 an international competition was held on the South Downs near Findon to see if kites could lift a man into the air. While this was found to be possible, it proved a terrifying experience for the unfortunate pilots. Before powered flight became a reality, it was gliders which were the first heavier than air machines to take to the skies. In 1902 Mr Jose Weiss began launching unmanned gliders off a ramp at Houghton Hill near Amberley, which flew up to two miles. But soon the internal combustion engine made powered, controlled flight a reality and on 7 November 1908, Alec Ogilvie flew a Wright Brothers biplane along the coast at Camber. By the time war broke out in 1914, the people of Sussex had seen the Brooklands to Brighton air race and the establishment of flying schools at Shoreham and Eastbourne. After the Armistice, aviation started becoming increasingly expensive and increasingly regulated. The halcyon days of swashbuckling amateurs taking to the skies in untested contraptions was drawing to a close.

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Military Men of Feeling considers the popularity of the figure of the gentle soldier in the Victorian period. It traces a persistent narrative swerve from tales of war violence to reparative accounts of soldiers as moral exemplars, homemakers, adopters of children on the battlefield, and nurses. This material invites us to think afresh about Victorian masculinity and Victorian militarism. It challenges ideas about the separation of military and domestic life, and about the incommunicability of war experience. Focusing on representations of soldiers' experiences of touch and emotion, the book combines the work of well known writers - including Charles Dickens, Charles Kingsley, William Makepeace Thackeray, Charlotte Yonge - with previously unstudied writing and craft produced by British soldiers in the Crimean War, 1854-56. The Crimean War was pivotal in shaping British attitudes to military masculinity. A range of media enabled unprecedented public engagement with the progress and infamous 'blunders' of the conflict. Soldiers and civilians reflected on appropriate behaviour across ranks, forms of heroism, the physical suffering of the troops, administrative management and the need for army reform. The book considers how the military man of feeling contributes to the rethinking of gender roles, class and military hierarchy in the mid-nineteenth century, and how this figure was used in campaigns for reform. The gentle soldier could also do more bellicose social and political work, disarming anti-war critiques and helping people to feel better about war. This book looks at the difficult mixed politics of this figure. It considers questions, debated in the nineteenth century and which remain urgent today, about the relationship between feeling and action, and the ethics of an emotional response to war. It makes a case for the importance of emotional and tactile military history, bringing the Victorian military man of feeling into contemporary debates about liberal warriors and soldiers as social workers.

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Written between 1846 and 1849, Dickens wrote this biography of Jesus Christ for his children. As he wrote it for children he forbade its publication. Its first American edition was published finally in 1934 and became an immediate bestseller.

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Favor Johnson lives on a small farm in the hills of Vermont. He keeps to himself, surrounded by dozens of animals, chickens, geese, and his one constant friend, a hound named Hercules. Then one Christmas Eve Hercules' life is saved by Favor's new neighbor, a doctor, and Favor's whole life -- as well as the life of everyone in his village -- is changed forever. This delightful story of Favor Johnson, Hercules, Doctor Jennings, and the mysterious house-to-house delivery of homemade fruit cakes on Christmas Eve is a heart-warming tale of neighborliness and generosity in a Vermont village at Christmas. It is also a tale of rescue, of good and bad cooking, of friendship, and of giving presents at Christmas. A modern, and classic, American Christmas folktale, Favor Johnson has been a favorite radio story for years and is published now for the first time, brought to life by the wonderful watercolor illustrations of Bert Dodson. This book is their second collaboration, the first being John and Tom, published in 2001.Willem Lange is a short-story writer, commentator and host on Vermont Public Radio and New Hampshire Public Television. He also has a weekly column in The Valley News, the major newspaper in the NH/VT Upper Valley area. In addition to the Yuletide readings of his Christmas story, Favor Johnson, a staple on Public Radio for fifteen years, his annual readings of Charles Dickens' A Christmas Carol -- on stage, on Vermont Public Radio, and on Armed Forces Radio overseas -- have been popular since 1975. He lives with his wife in East Montpelier, Vermont.Bert Dodson is the author and illustrator of the best-selling learn-to-draw classic Keys to Drawing as well as the illustrator of over 80 children's books including a previous one with Willem Lange. He has also co-written The Way Life Works with noted biologist Mahlon Hoagland. He lives in Bradford, Vermont.

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Ebenezer Scrooge es un viejo agrio, avaro y cruel que no cree en la generosidad, el buen humor y el cariño, sólo en los negocios y el dinero. Pero todo cambia cuando una noche, la víspera de Navidad, recibe la visita de un espectro conocido y los espíritus de las Navidades pasadas, presentes y futuras...El clásico navideño de Dickens en una nueva edición con las ilustraciones en color de Quentin Blake, el célebre ilustrador de Roald Dahl, y traducción íntegra. Una preciosa y divertida versión del viejo Scrooge y sus fantasmas!Considero a Dickens el mejor novelista del siglo XIX. LEV TOLSTÓI

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This classic book tells the history of eight hundred years of the Irish people's struggles for freedom. It takes us from the arrival of English settlers in the Middle ages up to the present day -the struggle in the words of James Fintan Lalor, to make "Ireland her own, and all therein, from the sod to the sky". The author describes this book as 'An Outline History of the Irish struggle for National Freedom and Independence', but it is much more than that. As an 'Outline History' it has no equal, and for several reasons. In the first place this is the only book in which, right from the beginning and throughout it's pages, the economic factors are placed in a proper perspective alongside of and intermingled with the political. Many historians have written of this long struggle with pride and emotion, but none has produced anything so effective as this memorable account of every aspect of Irish social, economic and political history. The book describes the conquest and the first steps taken by England towards Empire in the 12th Century and brings the reader up to the partition of Ireland in the early 1920's. Added to this, C. Desmond Greaves has written a concluding chapter on the events from the then to the civil rights movement of the late 1960's and the start of the current round of troubles in Northern Ireland It is not only a clearly and vigorously written history, but also a guide to Imperialism in general and an invaluable handbook for all students of politics whatever their opinions may be T. A Jackson was born in London in 1879 and served an apprenticeship as a printer He was known as a radical socialist, a prolific, lively and witty writer for left wing press he wrote a number of books. His other books include Dialectics: The Logic of Marxism, Charles Dickens: The Progress of a Radical, Trials of British Freedom, Socialism: What? Why? How?, Solo Trumpet, Old Friends To Keep. Edited and with an Epilogue by C. Desmond Greaves.

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HarperCollins is proud to present its incredible range of best-loved, essential classics. There is probably a smell of roasted chestnuts and other good comfortable things all the time, for we are telling Winter Stories… This heart-warming collection of festive short stories and novellas perfectly captures the spirit of Christmas. Focused on the journeys taken through life and the inherent goodness of mankind, these tales explore the true meaning of Christmas and revel in the joyful season of goodwill. Imbued with a moral message, Dickens’s writing gives a voice to the plight of working-class families during a period of social and political change in Victorian England. With such tales as ‘The Chimes’, ‘The Cricket on the Hearth’ and ‘What Christmas Is, As We Grow Older’, this is a beautiful collection for Dickens fans, and a wonderful companion for all those who cherish ‘A Christmas Carol’.

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"One of the most famous and celebrated Victorian coming-of-age novels, David Copperfield charts the adventures and vicissitudes of its eponymous hero’s life, from the misery of his childhood after his mother’s marriage to the tyrannical Mr Murdstone, through to his first steps as a writer and his search for love and happiness. Along the way he encounters a vast array of gloriously vivid characters – many of whom number among the most memorable in literature – such as the eccentric aunt Betsey Trotwood, the eloquent debtor Wilkins Micawber and the obsequious villain Uriah Heep. Replete with comedy and tragedy in equal measure, and cited by Dickens as “his favourite child"", this partially autobiographical work provides tantalizing glimpses into Dickens’s own childhood and remains one of the most enduringly popular novels in the English language."

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The 1854 text, edited by Sylvère Monod, is accompanied here by explanatory footnotes. Contextual pieces by critics and theorists of Dickens’ time bring readers examples of their views on industrialism, education and utilitarianism. Included are eight new critical essays.

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Following their acclaimed Ghost Stories and Weird Women, award-winning anthologists Leslie S. Klinger and Lisa Morton present a new eclectic anthology of ghosty tales certain to haunt the reader long past the closing page.In Haunted Tales, the reader will enjoy discovering masterpieces like Algernon Blackwood’s terrifying “The Kit-Bag,” Oscar Wilde’s delightful “The Canterville Ghost,” and F. Marion Crawford’s horrific “The Screaming Skull,” as well as lesser-known gems by some of literature’s greatest voices, including Virginia Woolf’s “A Haunted House,” H. G. Wells’s “The Story of the Inexperienced Ghost,” and Rudyard Kipling’s “They.” Haunted Tales also resurrects some wonders that have been woefully neglected, including Dinah Mulock’s “M. Anastasius” (which Charles Dickens called “the best ghost story ever written”); E. F. Benson’s “The Bus-Conductor” (the source of one of the most iconic lines in horror); and E. and H. Heron’s “The Story of the Spaniards, Hammersmith” (the debut adventure of Flaxman Lowe, fiction’s first psychic detective). Whether the stories are familiar or overlooked, all are sure to surprise and astonish the reader long past the closing of this book’s cover.

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Secret Shepperton explores the history of the town from its early origins as an Iron Age settlement nestling on the banks of the River Thames. It’s the place where Caesar crossed the river in AD 54. Subsequent river finds reveal that this area regularly encountered invaders, such as the Saxons, who grazed sheep here and consequently called it Shepperton. It’s always been a place that attracts artists, such as Turner and Constable, and writers such as Charles Dickens and J. G. Ballard, who wrote the Unlimited Dream Factory in which his protagonist gains energy by phagocytizing the people of Shepperton. In H. G. Wells’ War of the Worlds, the Martians destroy Shepperton and turn the Thames into a boiling inferno with their heat rays. In the twentieth century Shepperton was dubbed the playground of London and Richard D’Oyly Carte bought an island here to build a mini version of his Savoy Hotel. In 1931, Sir Richard Burbridge, Chairman of Harrods, sold his Shepperton mansion to Norman Loudon at a time when ‘the pictures’ were in their infancy but a new fad was catching on – films with sound. This was the forerunner of Shepperton Studio, still operating today and known throughout the world as the ‘Hollywood of England’.

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One of the BBC's '100 Novels That Shaped Our World''The great poet of the city. He was created by London' Peter AckroydOur Mutual Friend centres on an inheritance - Old Harmon's profitable dust heaps - and its legatees: young John Harmon, presumed drowned when a body is pulled out of the Thames, and kindly dustman Mr Boffin, to whom the fortune defaults. With brilliant satire, Dickens portrays a dark, macabre London, inhabited by such disparate characters as Gaffer Hexam, scavenging the river for corpses; enchanting, mercenary Bella Wilfer; the social-climbing Veneerings; and the unscrupulous street-trader Silas Wegg. Dickens's last completed novel is richly symbolic in its vision of death and renewal in a city dominated by the fetid Thames, and of the corrupting power of money.Edited with an Introduction and Notes by Adrian Poole

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Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. The story of the orphan Oliver, who runs away from the workhouse only to be taken in by a den of thieves, shocked readers when it was first published. Dickens's tale of childhood innocence beset by evil depicts the dark criminal underworld of a London peopled by vivid and memorable characters - the arch-villain Fagin, the artful Dodger, the menacing Bill Sikes and the prostitute Nancy. Combining elements of Gothic Romance, the Newgate Novel and popular melodrama, Dickens created an entirely new kind of fiction, scathing in its indictment of a cruel society, and pervaded by an unforgettable sense of threat and mystery.

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'What was merry Christmas to Scrooge? Out upon merry Christmas! What good had it ever done to him?' Ebenezer Scrooge is a bad-tempered skinflint who hates Christmas and all it stands for, but a ghostly visitor foretells three apparitions who will thaw Scrooge's frozen heart. A Christmas Carol has gripped the public imagination since it was first published in 1843, and it is now as much a part of Christmas as mistletoe or plum pudding. This edition reprints the story alongside Dickens's four other Christmas Books: The Chimes, The Cricket on the Hearth, The Battle of Life, and The Haunted Man. All five stories show Dickens at his unpredictable best, jumbling together comedy and melodrama, genial romance and urgent social satire, in pursuit of his aim 'to awaken some loving and forbearing thoughts, never out of season in a Christian land'.

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When Peter Minuit bought Manhattan for $24 in 1626 he showed his shrewdness by also buying the oyster beds off tiny, nearby Oyster Island, renamed Ellis Island in 1770. From the Minuit purchase until pollution finally destroyed the beds in the 1920s, New York was a city known for its oysters, especially in the late 1800s, when Europe and America enjoyed a decades-long oyster craze. In a dubious endorsement, William Makepeace Thackeray said that eating a New York oyster was like eating a baby. Travellers to New York were also keen to experience the famous New York oyster houses. While some were known for their elegance, due to a longstanding belief in the aphrodisiac quality of oysters, they were often associated with prostitution. In 1842, when the novelist Charles Dickens arrived in New York, he could not conceal his eagerness to find and experience the fabled oyster cellars of New York City's slums. The Big Oyster is the story of a city and of an international trade.Filled with cultural, social and culinary insight - as well as recipes, maps, drawings and photographs - this is history at its most engrossing, entertaining and delicious.

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'Enlivens the standard tale of swashbuckling adventure, adding feminist spice ... Rich and immersive' SUNDAY TIMES HISTORICAL FICTION BOOK OF THE MONTH'Remarkable' HILARY MANTEL'A vivid, narrative-packed splice of historical fiction' DAILY MAILA Wild & True Relation opens during the Great Storm of 1703, as smuggler Tom West confronts his lover Grace for betraying him to the Revenue. Leaving Grace's cottage in flames, he takes her orphaned daughter Molly on board ship disguised as a boy to join his crew. But Molly, or Orlando as she must call herself, will grow up to outshine all the men of Tom's company and seek revenge - and a legacy - all of her own. Woven into Molly's story are the writers - from Celia Fiennes and George Eliot to Daniel Defoe and Charles Dickens - who are transfixed by her myth and who, over three centuries, come together to solve the mystery of her life. With extraordinary verve , Sherwood remakes the eighteenth-century novel and illuminates women's writing and women's roles throughout history.'Breathlessly swashbuckling' DAILY TELEGRAPH'Vividly imagined, relentlessly entertaining, rich and resonant in scope and context, it's both a thrilling adventure and a vital witness to women's voices' EMMA STONEX, author of The Lamplighters'A young writer of immense talent' ANDREW MILLER'A breathtaking feat of historical fiction and utterly astounding. It is wise, urgent and entirely compelling. I was bereft when it ended' WYL MENMUIR'This book is a rarity - a novel as remarkable for the vigour of the storytelling as for its literary ambition. Kim Sherwood is a writer of capacity, potency and sophistication' HILARY MANTEL'A thrilling adventure novel' FIONA MOZLEY

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