Search results for ""the university of chicago press""

Friedrich Nietzsche is one of the most widely read authors in the world, from the time of his death to the present--as well as one of the most controversial. He has been celebrated as a theorist of individual creativity and self-care but also condemned as an advocate of antimodern politics and hierarchical communalism. Rather than treating these approaches as mutually exclusive, Jeremy Fortier contends that we ought instead to understand Nietzsche's complex legacy as the consequence of a self-conscious and artful tension woven into the fabric of his books. The Challenge of Nietzsche uses Nietzsche as a guide to Nietzsche, highlighting the fact that Nietzsche equipped his writings with retrospective self-commentaries and an autobiographical apparatus that clarify how he understood his development as an author, thinker, and human being. Fortier shows that Nietzsche used his writings to establish two major character types, the Free Spirit and Zarathustra, who represent two different approaches to the conduct and understanding of life: one that strives to be as independent and critical of the world as possible, and one that engages with, cares for, and aims to change the world. Nietzsche developed these characters at different moments of his life, in order to confront from contrasting perspectives such elemental experiences as the drive to independence, the feeling of love, and the assessment of one's overall health or well-being. Understanding the tension between the Free Spirit and Zarathustra takes readers to the heart of what Nietzsche identified as the tensions central to his life, and to all human life.

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As the banking crisis and its effects on the world economy have made plain, the stock market is of colossal importance to our livelihoods. In "Framing Finance", Alex Preda looks at the history of the market to figure out how we arrived at a point where investing is not only commonplace, but critical, as market fluctuations threaten our plans to send our children to college or retire comfortably. As Preda discovers through extensive research, the public was once much more skeptical. For investing to become accepted, a deep-seated prejudice against speculation had to be overcome, and Preda reveals that over the course of the eighteenth and nineteenth centuries groups associated with stock exchanges in New York, London, and Paris managed to redefine finance as a scientific pursuit grounded in observational technology. But Preda also notes that as the financial data in which they trafficked became ever more difficult to understand, charismatic speculators emerged whose manipulations of the market undermined the benefits of widespread investment. And so, "Framing Finance" ends with an eye on the future, proposing a system of public financial education to counter the irrational elements that still animate the appeal of finance.

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When viewed from a quiet beach, the ocean, with its rolling waves and vast expanse, can seem calm, even serene. But hidden beneath the sea's waves are a staggering abundance and variety of active creatures, engaged in the never-ending struggles of life - to reproduce, to eat, and to avoid being eaten. With "Sex, Drugs, and Sea Slime", marine scientist Ellen Prager takes us deep into the sea to introduce an astonishing cast of fascinating and bizarre creatures that make the salty depths their home. From the tiny but voracious arrow worms whose rapacious ways may lead to death by overeating, to the lobsters that battle rivals or seduce mates with their urine, to the sea's masters of disguise, the octopuses, Prager not only brings to life the ocean's strange creatures, but also reveals the ways they interact as predators, prey, or potential mates. And while these animals make for some jaw-dropping stories - witness the sea cucumber, which ejects its own intestines to confuse predators, or the hagfish that ties itself into a knot to keep from suffocating in its own slime - there's far more to Prager's account than her ever-entertaining anecdotes: again and again, she illustrates the crucial connections between life in the ocean and humankind, in everything from our food supply to our economy, and in drug discovery, biomedical research, and popular culture. Written with a diver's love of the ocean, a novelist's skill at storytelling, and a scientist's deep knowledge, "Sex, Drugs, and Sea Slime" enchants as it educates, enthralling us with the wealth of life in the sea - and reminding us of the need to protect it.

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One of the most radical feminist theorists in Europe before the 19th century, Francois Poullain de la Barre (1647-1723) was a man way ahead of his time. Applying Cartesian principles to "the Woman Question", Poullain demonstrated by rational deduction that the supposedly "self-evident" inequality of the sexes was nothing more than unfounded prejudice. Poullain published three books (anonymously) on this topic in the 1670s, all of which are included in English translation in this volume. In "On the Equality of the Two Sexes" he argued that the supposedly "natural" inferiority of women was culturally produced. To help women recognize and combat this prejudice, Poullain advocated a modern, enlightened feminine education in "On the Education of Ladies". Finally, since his contemporaries largely ignored Poullain's writings, he offered a rebutal to his own arguments in "On the Excellence of Men" - a rebuttal that he promptly countered, strenghtening his original position. A truly modern feminist, Poullain laid the intellectual groundwork for the women's liberation movement centuries before it happened.

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Since the earliest days of philosophy, thinkers have debated the meaning of the term happiness and the nature of the good life. But it is only in recent years that the study of happiness - or 'hedonics' - has developed into a formal field of inquiry, cutting across a broad range of disciplines and offering insights into a variety of crucial questions of law and public policy. "Law and Happiness" brings together the best and most influential thinkers in the field to explore the question of what happiness is - and what factors can be demonstrated to increase or decrease it. Martha C. Nussbaum offers an account of the way that hedonics can productively be applied to psychology; Cass R. Sunstein considers the unexpected relationship between happiness and health problems; Matthew Adler and Eric A. Posner view hedonics through the lens of cost-benefit analysis; David A. Weisbach considers the relationship between happiness and taxation; Mark A. Cohen examines the role that crime - and fear of crime - can play in people's assessment of their happiness; and, other distinguished contributors take similarly innovative approaches to the topic of happiness. The result is a kaleidoscopic overview of this increasingly prominent field, offering surprising new perspectives and incisive analyses that will have profound implications for the law and our lives.

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Sex, although considered by many in our culture the quintessential private activity, is blanketed by a large number and variety of laws. This text presents a concise compendium of the America's sex laws and brings together in one place, and summarizes, the laws regulating personal sexual activity. In doing so, the book reveals gaps, anachronisms, anomalies, inequalities , and irrationalities, and provides an empirical basis for studies of sexual regulation. In some states, for example, sexual relations between consenting adults of the same sex is a crime, in some states the age of consent to marriage is lower for females than for males, and in some states marital rape is not a crime. Such a mixed quilt of state laws means that a sexual practice that is perfectly legitimate in one state is illegal in another.

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On his death in 2007, Richard Rorty was heralded by the New York Times as "one of the world's most influential contemporary thinkers." Controversial on the left and the right for his critiques of objectivity and political radicalism, Rorty experienced a renown denied to all but a handful of living philosophers. In this masterly biography, Neil Gross explores the path of Rorty's thought over the decades in order to trace the intellectual and professional journey that led him to that prominence. The child of a pair of leftist writers who worried that their precocious son "wasn't rebellious enough," Rorty enrolled at the University of Chicago at the age of fifteen. There he came under the tutelage of polymath Richard McKeon, whose catholic approach to philosophical systems would profoundly influence Rorty's own thought. Doctoral work at Yale led to Rorty's landing a job at Princeton, where his colleagues were primarily analytic philosophers. With a series of publications in the 1960s, Rorty quickly established himself as a strong thinker in that tradition--but by the late 1970s Rorty had eschewed the idea of objective truth altogether, urging philosophers to take a "relaxed attitude" toward the question of logical rigor. Drawing on the pragmatism of John Dewey, he argued that philosophers should instead open themselves up to multiple methods of thought and sources of knowledge--an approach that would culminate in the publication of Philosophy and the Mirror of Nature, one of the most seminal and controversial philosophical works of our time. In clear and compelling fashion, Gross sets that surprising shift in Rorty's thought in the context of his life and social experiences, revealing the many disparate influences that contribute to the making of knowledge. As much a book about the growth of ideas as it is a biography of a philosopher, Richard Rorty will provide readers with a fresh understanding of both the man and the course of twentieth-century thought.

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This book presents the most complete exposition of the theory of head-driven phrase structure grammar (HPSG), introduced in the authors' Information-Based Syntax and Semantics. HPSG provides an integration of key ideas from the various disciplines of cognitive science, drawing on results from diverse approaches to syntactic theory, situation semantics, data type theory, and knowledge representation. The result is a conception of grammar as a set of declarative and order-independent constraints, a conception well suited to modelling human language processing. This self-contained volume demonstrates the applicability of the HPSG approach to a wide range of empirical problems, including a number which have occupied center-stage within syntactic theory for well over twenty years: the control of "understood" subjects, long-distance dependencies conventionally treated in terms of wh-movement, and syntactic constraints on the relationship between various kinds of pronouns and their antecedents. The authors make clear how their approach compares with and improves upon approaches undertaken in other frameworks, including in particular the government-binding theory of Noam Chomsky.

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The Reasoning Voter is an insider's look at campaigns, candidates, media, and voters that convincingly argues that voters make informed logical choices. Samuel L. Popkin analyzes three primary campaigns—Carter in 1976; Bush and Reagan in 1980; and Hart, Mondale, and Jackson in 1984—to arrive at a new model of the way voters sort through commercials and sound bites to choose a candidate. Drawing on insights from economics and cognitive psychology, he convincingly demonstrates that, as trivial as campaigns often appear, they provide voters with a surprising amount of information on a candidate's views and skills. For all their shortcomings, campaigns do matter."If you're preparing to run a presidential campaign, and only have time to read one book, make sure to read Sam Popkin's The Reasoning Voter. If you have time to read two books, read The Reasoning Voter twice."—James Carville, Senior Stategist, Clinton/Gore '92"A fresh and subtle analysis of voter behavior."—Thomas Byrne Edsall, New York Review of Books"Professor Popkin has brought V.O. Key's contention that voters are rational into the media age. This book is a useful rebuttal to the cynical view that politics is a wholly contrived business, in which unscrupulous operatives manipulate the emotions of distrustful but gullible citizens. The reality, he shows, is both more complex and more hopeful than that."—David S. Broder, The Washington Post

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Exploring such questions as "how did fact become modernity's most favoured unit of knowledge?", this text contains ideas and texts from the publication of the first British manual on double-entry bookkeeping in 1588 to the institutionalization of statistics in the 1830s. It shows how the production of systematic knowledge from descriptions of observed particulars influenced government; how numerical representation became the privileged vehicle for generating useful facts; and how belief - whether figured as credit, credibility, or credulity - remained essential to the production of knowledge.

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This study examines one of the conditions that made the development of a mass culture in Victorian Britain possible: the representation of the population as an aggregate - a social body. Drawing on both literature and social reform texts, the author analyzes the organization of knowledge during this period and explores its role in the emergence of the idea of the social body. The text illuminates the ways literary genres, such as the novel, and innovations in social thought, such as statistical thinking and anatomical realism, helped separate social concerns from the political and economic domains. The author then discusses the influence of the social body concept on Victorian ideas about the role of the state, examining writings by James Phillips Kay, Thomas Chalmers and Edwin Chadwick on regulating the poor. Analyzing the conflict between Kay's idea of the social body and Babbage's image of the social machine, she considers the implications of both models for the place of Victorian women. Poovey's readings of Disraeli's "Coningsby", Gaskell's "Mary Barton", and Dickens's "Our Mutual Friend" show that the novel as a genre exposed the role gender played in contemporary discussions of poverty and wealth. The study argues that gender, race and class should be considered in the context of broader concerns such as how social authority is distributed, how institutions formalize knowledge and how truth is defined.

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For the past five years, American public schools have enrolled more students identified as Black, Latinx, American Indian, and Asian than white. At the same time, more than half of US school children now qualify for federally subsidized meals, a marker of poverty. The makeup of schools is rapidly changing, and many districts and school boards are at a loss as to how they can effectively and equitably handle these shifts.Suddenly Diverse is an ethnographic account of two school districts in the Midwest responding to rapidly changing demographics at their schools. It is based on observations and in-depth interviews with school board members and superintendents, as well as staff, community members, and other stakeholders in each district: one serving “Lakeside,” a predominately working class, conservative community and the other serving “Fairview,” a more affluent, liberal community. Erica O. Turner looks at district leaders’ adoption of business-inspired policy tools and the ultimate successes and failures of such responses. Turner’s findings demonstrate that, despite their intentions to promote “diversity” or eliminate “achievement gaps,” district leaders adopted policies and practices that ultimately perpetuated existing inequalities and advanced new forms of racism. While suggesting some ways forward, Suddenly Diverse shows that, without changes to these managerial policies and practices and larger transformations to the whole system, even district leaders’ best efforts will continue to undermine the promise of educational equity and the realization of more robust public schools.

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Map making and, ultimately, map thinking is ubiquitous across literature, cosmology, mathematics, psychology, and genetics. We partition, summarize, organize, and clarify our world via spatialized representations. Our maps and, more generally, our representations seduce and persuade; they build and destroy. They are the ultimate record of empires and of our evolving comprehension of our world. This book is about the promises and perils of map thinking. Maps are purpose-driven abstractions, discarding detail to highlight only particular features of a territory. By preserving certain features at the expense of others, they can be used to reinforce a privileged position. When Maps Become the World shows us how the scientific theories, models, and concepts we use to intervene in the world function as maps, and explores the consequences of this, both good and bad. We increasingly understand the world around us in terms of models, to the extent that we often take the models for reality. Winther explains how in time, our historical representations in science, in cartography, and in our stories about ourselves replace individual memories and become dominant social narratives--they become reality, and they can remake the world.

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This book presents the most complete exposition of the theory of head-driven phrase structure grammar (HPSG), introduced in the authors' Information-Based Syntax and Semantics. HPSG provides an integration of key ideas from the various disciplines of cognitive science, drawing on results from diverse approaches to syntactic theory, situation semantics, data type theory, and knowledge representation. The result is a conception of grammar as a set of declarative and order-independent constraints, a conception well suited to modelling human language processing. This self-contained volume demonstrates the applicability of the HPSG approach to a wide range of empirical problems, including a number which have occupied center-stage within syntactic theory for well over twenty years: the control of "understood" subjects, long-distance dependencies conventionally treated in terms of wh-movement, and syntactic constraints on the relationship between various kinds of pronouns and their antecedents. The authors make clear how their approach compares with and improves upon approaches undertaken in other frameworks, including in particular the government-binding theory of Noam Chomsky.

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"Hollywood & God" is a virtuosic performance, filled with crossings back and forth from cinematic chiaroscuro to a kind of unsettling desperation and disturbing - even lurid - hallucination. From the Baltimore Catechism to the great noir films of the last century to today's Elvis impersonators and Paris Hilton (an impersonator of a different sort), Polito tracks the snares, abrasions, and hijinks of personal identities in our society of the spectacle, a place where who we say we are, and who (we think) we think we are, fade in and out of consciousness, like flickers of light dancing tantalizingly on the silver screen. Mixing lyric and essay, collage and narrative, memoir and invention, "Hollywood & God" is an audacious book, as contemporary as it is historical, as sly and witty as it is devastatingly serious.

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Why do some places prosper while others lag behind? Surely the advent of the Internet and ever newer communications technologies will level the playing field. Not so, argues Mario Polese in "The Wealth and Poverty of Regions"; rather, geography will matter more than ever before in a world where distance is allegedly dead. This provocative book surveys the globe, from London and Cape Town to New York and Beijing, contending that regions rise - or fall - due to their location, not only within nations but also on the world map. Polese reveals how initial concentrations of industries and populations in specific locales often result in minor advantages that accumulate over time, resulting in reduced costs, improved transportation networks, higher productivity, and, not least of all, "buzz" - the excitement and vitality that attracts ambitious people. However, these are attributes that can also be lost. Even big cities can falter. And small places can succeed, given the right conditions. "The Wealth and Poverty of Regions" maps out how a heady mix of size, proximity, technological change, and just plain chance will determine which places become the thriving metropolises of the future, and which become the deserted backwaters of the past. Engagingly written, the book provides insight into the past, present, and future of regions.

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In Mood and Trope, John Brenkman introduces two provocative propositions to affect theory: that human emotion is intimately connected to persuasion and figurative language; and that literature, especially poetry, lends precision to studying affect because it resides there not in speaking about feelings, but in the way of speaking itself. Engaging a quartet of modern philosophers--Kant, Nietzsche, Heidegger, and Deleuze--Brenkman explores how they all approach the question of affect primarily through literature and art. He draws on the differences and dialogues among them, arguing that the vocation of criticism is incapable of systematicity and instead must be attuned to the singularity and plurality of literary and artistic creations. In addition, he confronts these four philosophers and their essential concepts with a wide array of authors and artists, including Pinter and Poe, Baudelaire, Jorie Graham and Li-Young Lee, Shakespeare, Tino Sehgal, and Francis Bacon. Filled with surprising insights, Mood and Trope provides a rich archive for rethinking the nature of affect and its aesthetic and rhetorical stakes.

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With the rise of review sites and social media, films today, as soon as they are shown, immediately become the topic of debates on their merits not only as entertainment, but also as serious forms of artistic expression. Philosopher Robert B. Pippin, however, wants us to consider a more radical proposition: film as thought, as a reflective form. Pippin explores this idea through a series of perceptive analyses of cinematic masterpieces, revealing how films can illuminate, in a concrete manner, core features and problems of shared human life. Filmed Thought examines questions of morality in Almod var's Talk to Her, goodness and naivete in Hitchcock's Shadow of a Doubt, love and fantasy in Sirk's All that Heaven Allows, politics and society in Polanski's Chinatown and Malick's The Thin Red Line, and self-understanding and understanding others in Nicholas Ray's In a Lonely Place and in the Dardennes' oeuvre. In each reading, Pippin pays close attention to what makes these films exceptional as technical works of art (paying special attention to the role of cinematic irony) and as intellectual and philosophical achievements. Throughout, he shows how films offer a view of basic problems of human agency from the inside and allow viewers to think with and through them. Captivating and insightful, Filmed Thought shows us what it means to take cinema seriously not just as art, but as thought, and how this medium provides a singular form of reflection on what it is to be human.

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Darwin's nineteenth-century writings laid the foundations for modern studies of evolution, and theoretical developments in the mid-twentieth century fostered the Modern Synthesis. Since that time, a great deal of new biological knowledge has been generated, including details of the genetic code, lateral gene transfer, and developmental constraints. Our improved understanding of these and many other phenomena have been working their way into evolutionary theory, changing it and improving its correspondence with evolution in nature. And while the study of evolution is thriving both as a basic science to understand the world and in its applications in agriculture, medicine, and public health, the broad scope of evolution--operating across genes, whole organisms, clades, and ecosystems--presents a significant challenge for researchers seeking to integrate abundant new data and content into a general theory of evolution. This book gives us that framework and synthesis for the twenty-first century. The Theory of Evolution presents a series of chapters by experts seeking this integration by addressing the current state of affairs across numerous fields within evolutionary biology, ranging from biogeography to multilevel selection, speciation, and macroevolutionary theory. By presenting current syntheses of evolution's theoretical foundations and their growth in light of new datasets and analyses, this collection will enhance future research and understanding.

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The late twentieth century has seen a fantastic expansion of personal, sexual, and domestic liberties in the United States. In "Not Just Roommates", Elizabeth H. Pleck explores the rise of cohabitation, and the changing social norms that have allowed cohabitation to become the chosen lifestyle of more than fifteen million Americans. Despite this growing social acceptance, Pleck contends that when it comes to the law, cohabitors have been, and continue to be, treated as second-class citizens, subjected to discriminatory laws, limited privacy, a lack of political representation, and little hope for change. Because cohabitation is not a sexual identity, Pleck argues, cohabitors face the legal discrimination of a population with no group identity, no civil rights movement, no legal defense organizations, and, often, no consciousness of being discriminated against. Through in-depth research in written sources and interviews, Pleck shines a light on the emergence of cohabitation in American culture, its complex history, and its unpleasant realities in the present day.

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How do artists, collectors, dealers, and curators whose lives and livelihoods are so intimately affected by the valuation of art manage to cope with such an intangible market?To answer this question, Stuart Plattner eschews the spotlights and media-hype of glitzy New York galleries, and focuses instead upon the more localized, and much more typical, world of the St. Louis art scene. What emerges is the most comprehensive description ever published of a contemporary regional avant-garde center, where noble aesthetic ambitions compete with the exigencies of economic survival. Plattner's skillful use of in-depth interviews enables the market's key participants to speak for themselves, giving voice to the many frustrations and rewards, motivations and constraints that influence their interactions with their work, the market, and each other."Plattner analyzes the social and economic factors that govern art markets outside the long shadow cast by chic New York galleries. An insightful and fascinating work."—Library Journal"Explains much about the conundrums and paradoxes of the art world as a whole."—Eddie Silva, Riverfront Times

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In the early twentieth century, Americans often waxed lyrical about "Mother Love", signaling a conception of motherhood as an all-encompassing identity, rooted in self-sacrifice and infused with social and political meaning. By the 1940s, the idealization of motherhood had waned, and the nation's mothers found themselves blamed for a host of societal and psychological ills. In "Mom", Rebecca Jo Plant traces this important shift by exploring the evolution of maternalist politics, changing perceptions of the mother-child bond, and the rise of new approaches to childbirth pain and suffering. Plant argues that the assault on sentimental motherhood came from numerous quarters. Male critics who railed against female moral authority, psychological experts who hoped to expand their influence, and women who strived to be more than wives and mothers - all for their own distinct reasons - sought to discredit the longstanding maternal ideal. By showing how motherhood ultimately came to be redefined as a more private and partial component of female identity, Plant illuminates a major reorientation in American civic, social, and familial life that still reverberates today.

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Originally published in Italian in 1915, "Shoot!" is one of the first novels to take as its subject the heady world of early motion pictures. Based on the absurdist journals of fictional Italian camera operator Serafino Gubbio, "Shoot!" documents the infancy of film in Europe - complete with proto-divas, laughable production schedules, and cost-cutting measures with priceless effects - and offers a glimpse of the modern world through the camera's lens. "Shoot!", presented here in its 1927 English translation, is a classic example of Nobel Prize - winning Sicilian playwright Luigi Pirandello's (1867-1936) literary talent and genius for blurring the line between art and reality. From the film studio Kosmograph, Pirandello's Gubbio steadily winds the crank of his camera by day and scribbles with his pen by night, revealing the world, both mundane and melodramatic, that unfolds in front of his camera. Through Gubbio's narrative - saturated with fantasy and folly - Pirandello grapples with the philosophical implications of modernity. Like much of Pirandello's work, "Shoot!" parodies human weaknesses, drawing attention to the themes of isolation and madness as emerging tendencies in the modern world. Enhanced by new critical commentaries, "Shoot!" is an entertaining caricature, capturing early twentieth-century Italian filmmaking and revealing its truths as only a parody can.

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Since the end of the cold war, Africa has seen a dramatic rise in new political and religious phenomena, including an eviscerated privatized state, neoliberal NGOs, Pentecostalism, a resurgence in accusations of witchcraft, a culture of scamming and fraud, and, in some countries, a nearly universal wish to emigrate. Drawing on fieldwork in Togo, Charles Piot argues that a novel cultural politics is remaking one of the world's poorest regions and new critical tools are required to make sense of this moment. In a country where playing the U.S. State Department's green card lottery is a national pastime and the preponderance of cybercafes and Western Union branches signals a widespread desire to connect to the rest of the world, "Nostalgia for the Future" makes clear that the cultural and political terrain that underlies postcolonial theory has shifted. In order to map out this new terrain, Piot enters into critical dialogue with a host of important theorists, including Agamben, Hardt and Negri, Deleuze, and Mbembe. The result is a deft interweaving of rich observations of Togolese life with profound insights into the new, globalized world in which that life takes place.

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Since the end of the cold war, Africa has seen a dramatic rise in new political and religious phenomena, including an eviscerated privatized state, neoliberal NGOs, Pentecostalism, a resurgence in accusations of witchcraft, a culture of scamming and fraud, and, in some countries, a nearly universal wish to emigrate. Drawing on fieldwork in Togo, Charles Piot argues that a novel cultural politics is remaking one of the world's poorest regions and new critical tools are required to make sense of this moment. In a country where playing the U.S. State Department's green card lottery is a national pastime and the preponderance of cybercafes and Western Union branches signals a widespread desire to connect to the rest of the world, "Nostalgia for the Future" makes clear that the cultural and political terrain that underlies postcolonial theory has shifted. In order to map out this new terrain, Piot enters into critical dialogue with a host of important theorists, including Agamben, Hardt and Negri, Deleuze, and Mbembe. The result is a deft interweaving of rich observations of Togolese life with profound insights into the new, globalized world in which that life takes place.

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We have long regarded Beethoven as a great composer, but we rarely appreciate that he was also an eminently political artist. This book unveils the role of politics in his oeuvre, elucidating how the inherently political nature of Beethoven's music explains its power and endurance. William Kinderman presents Beethoven as a civically engaged thinker faced with severe challenges. The composer lived through many tumultuous events--the French Revolution, the rise and fall of Napoleon Bonaparte, and the Congress of Vienna among them. Previous studies of Beethoven have emphasized the importance of his personal suffering and inner struggles; Kinderman instead establishes that musical tensions in works such as the Eroica, the Appassionata, and his final piano sonata in C minor reflect Beethoven's attitudes toward the political turbulence of the era. Written for the 250th anniversary of his birth, Beethoven takes stock of the composer's legacy, showing how his idealism and zeal for resistance have ensured that masterpieces such as the Ninth Symphony continue to inspire activists around the globe. Kinderman considers how the Fifth Symphony helped galvanize resistance to fascism, how the Sixth has energized the environmental movement, and how Beethoven's civic engagement continues to inspire in politically perilous times. Uncertain times call for ardent responses, and, as Kinderman convincingly affirms, Beethoven's music is more relevant today than ever before.

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What does the name Trump stand for? If branding now rules over the production of value, as the coauthors of Sovereignty, Inc. argue, then Trump assumes the status of a master brand whose primary activity is the compulsive work of self-branding--such is the new sovereignty business in which, whether one belongs to his base or not, we are all "incorporated." Drawing on anthropology, political theory, philosophy, psychoanalysis, and theater, William Mazzarella, Eric L. Santner, and Aaron Schuster show how politics in the age of Trump functions by mobilizing a contradictory and convoluted enjoyment, an explosive mixture of drives and fantasies that eludes existing portraits of our era. The current political moment turns out to be not so much exceptional as exceptionally revealing of the constitutive tension between enjoyment and economy that has always been a key component of the social order. Santner analyzes the collective dream-work that sustains a new sort of authoritarian charisma or mana, a mana-facturing process that keeps us riveted to an excessively carnal incorporation of sovereignty. Mazzarella examines the contemporary merger of consumer brand and political brand and the cross-contamination of politics and economics, warning against all too easy laments about the corruption of politics by marketing. Schuster, focusing on the extreme theatricality and self-satirical comedy of the present, shows how authority reasserts itself at the very moment of distrust and disillusionment in the system, profiting off its supposed decline. A dazzling diagnostic of our present, Sovereignty, Inc., forces us to come to terms with our complicity in Trump's political presence and will immediately take its place in discussions of contemporary politics.

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This text offers an understanding of the nature of scientific, mathematical and engineering practice, and the production of scientific knowledge. The author presents an approach to the unpredictable nature of change in science, taking into account the number of factors - social, technological, conceptual and natural - that interact to affect the creation of scientific knowledge. In his view, machines, instruments, facts, theories, conceptual and mathematical structures, disciplined practices and human beings are in constantly shifting relationships with one another - "mangled" together in ways that are shaped by the contingencies of culture, time and place. Situating material as well as human agency in their larger cultural context, Pickering uses case studies to show how this picture of the open, changeable nature of science advances a greater understanding of scientific work both past and present. He examines the building of the bubble chamber in particle physics, the search for the quark, the construction of the quarternion system in mathematics and the introduction of computer-controlled machine tools in industry. He uses these examples to address the most basic elements of scientific practice - the development of experimental apparatus, the production of facts, the development of theory and the interrelation of machines and social organization.

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Recounts the history of the post-war conceptual development of elementary-particle physics. Inviting a reappraisal of the status of scientific knowledge, the text suggests that scientists are not mere passive observers and reporters of nature. Rather they are social beings as well as active constructors of natural phenomena who engage in both experimental and theoretical practice.

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“I was taught from the start not to be silent.” For years, renowned activist and scholar Ilana Hammerman has given the world remarkable translations of Kafka. With A Small Door Set in Concrete, she turns to the actual surreal existence that is life in the West Bank after decades of occupation. After losing her husband and her sister, Hammerman set out to travel to the end of the world. She began her trip with the hope that it would reveal the right path to take in life. But she soon realized that finding answers was less important than experiencing the freedom to move from place to place without restriction. Hammerman returned to the West Bank with a renewed joie de vivre and a resolution: she would become a regular visitor to the men, women, and children who were on the other side of the wall, unable to move or act freely. She would listen to their dreams and fight to bring some justice into their lives.A Small Door Set in Concrete is a moving picture of lives filled with destruction and frustration but also infusions of joy. Whether joining Palestinian laborers lining up behind checkpoints hours before the crack of dawn in the hope of crossing into Israel for a day’s work, accompanying a family to military court for their loved one’s hearing, or smuggling Palestinian children across borders for a day at the beach, Hammerman fearlessly ventures into territories where few Israelis dare set foot and challenges her readers not to avert their eyes in the face of injustice. Hammerman neither preaches nor politicks. Instead, she engages in a much more personal, everyday kind of activism. Hammerman is adept at revealing the absurdities of a land where people are stripped of their humanity. And she is equally skilled at illuminating the humanity of those caught in this political web. To those who have become simply statistics or targets to those in Israel and around the world, she gives names, faces, dreams, desires. This is not a book that allows us to sit passively. It is a slap in the face, a necessary splash of cold water that will reawaken the humanity inside all of us.

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Most economists would agree that a thriving economy is synonymous with GDP growth. The more we produce and consume, the higher our living standard and the more resources available to the public. This means that our current era, in which growth has slowed substantially from its postwar highs, has raised alarm bells. But should it? Is growth actually the best way to measure economic success--and does our slowdown indicate economic problems? The counterintuitive answer Dietrich Vollrath offers is: No. Looking at the same facts as other economists, he offers a radically different interpretation. Rather than a sign of economic failure, he argues, our current slowdown is, in fact, a sign of our widespread economic success. Our powerful economy has already supplied so much of the necessary stuff of modern life, brought us so much comfort, security, and luxury, that we have turned to new forms of production and consumption that increase our well-being but do not contribute to growth in GDP. In Fully Grown, Vollrath offers a powerful case to support that argument. He explores a number of important trends in the US economy: including a decrease in the number of workers relative to the population, a shift from a goods-driven economy to a services-driven one, and a decline in geographic mobility. In each case, he shows how their economic effects could be read as a sign of success, even though they each act as a brake of GDP growth. He also reveals what growth measurement can and cannot tell us--which factors are rightly correlated with economic success, which tell us nothing about significant changes in the economy, and which fall into a conspicuously gray area. Sure to be controversial, Fully Grown will reset the terms of economic debate and help us think anew about what a successful economy looks like.

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The gap between the rich and the poor has grown dramatically in the United States and is now at its widest since at least the early 1900s. While by most measures the economy has been improving, soaring cost of living and stagnant wages have done little to assuage economic anxieties. Conditions like these seem designed to produce a generation-defining intervention to balance the economic scales and enhance opportunities for those at the middle and bottom of the country's economic ladder--but we have seen nothing of the sort. Nathan J. Kelly argues that a key reason for this is that rising concentrations of wealth create a politics that makes reducing economic inequality more difficult. Kelly convincingly shows that, when a small fraction of the people control most of the economic resources, they also hold a disproportionate amount of political power, hurtling us toward a self-perpetuating plutocracy, or an "inequality trap." Among other things, the rich support a broad political campaign that convinces voters that policies to reduce inequality are unwise and not in the average voter's interest, regardless of the real economic impact. They also take advantage of interest groups they generously support to influence Congress and the president, as well as state governments, in ways that stop or slow down reform. One of the key implications of this book is that social policies designed to combat inequality should work hand-in-hand with political reforms that enhance democratic governance and efforts to fight racism, and a coordinated effort on all of these fronts will be needed to reverse the decades-long trend.

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The term "Judeo-Christian" is remarkably easy to pass over without consideration. It seems obvious that Judaism and Christianity share texts, tenets, and values--and that these influenced the founders of the United States. However, in this ambitious book, K. Healan Gaston dispels the myth of a monolithic Judeo-Christian America. She argues that the idea of America as a Judeo-Christian nation is a relatively recent construct, and a potentially imperiling one if we fail to understand how various groups have mobilized Judeo-Christian rhetoric for their own political, cultural, and religious ends. Ever since its inception in the 1930s and its widespread adoption during World War II, the apparent inclusiveness of the term "Judeo-Christian" has masked competing conceptions of religion, secularism, and politics. Gaston demonstrates that this choice of terminology was deeply rooted in arguments over the nature of democracy and totalitarianism that intensified during World War II and the transformational early years of the Cold War. She details how religious and political commitments intersected in the formation of postwar American culture and politics. Tracing debates over the meaning and implications of American pluralism from the nineteenth century up to the present, Gaston shows that the term "Judeo-Christian," originally aimed at including Catholics and Jews alongside Protestants, became a marker for conservative social values under Ronald Reagan, as part of the culture wars that erupted in the wake of the 1960s and continue to rage today.

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This work traces the development of country music and its institutionalization from Fiddlin' John Carson's pioneering recordings in Atlanta in 1923 to the posthumous success of Hank Williams. Richard Peterson seeks to capture the free-wheeling entrepreneurial spirit of the era and details the activities of the key promoters who sculpted the emerging country music scene. More than just a history of the music and its performers, this book explores what it means to be authentic within popular culture.

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When social scientists and social theorists turn to the work of philosophers for intellectual and practical authority, they typically assume that truth, reality, and meaning are to be found outside rather than within our conventional discursive practices. John G. Gunnell argues for conventional realism as a theory of social phenomena and an approach to the study of politics. Drawing on Wittgenstein's critique of "mentalism" and traditional realism, Gunnell argues that everything we designate as "real" is rendered conventionally, which entails a rejection of the widely accepted distinction between what is natural and what is conventional. The terms "reality" and "world" have no meaning outside the contexts of specific claims and assumptions about what exists and how it behaves. And rather than a mysterious source and repository of prelinguistic meaning, the "mind" is simply our linguistic capacities. Taking readers through contemporary forms of mentalism and realism in both philosophy and American political science and theory, Gunnell also analyzes the philosophical challenges to these positions mounted by Wittgenstein and those who can be construed has his successors.

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When the avant-gardist John Cage died, he was already the subject of many interviews, memoirs and discussions of his contribution to music, music theory and performance practice. This text includes a revisionist treatment of the way Cage himself has composed and been "composed" in America. A disciple of Duchamp and Schoenberg, Satie and Joyce, Cage created compositions that undercut some of these artists' central principles and then attributed his own compositional theories to their "tradition." Following the text of Cage's "Overpopulation and Art," delivered at Stanford shortly before his death, ten critics respond to the complexity and contradiction exhibited in his work. In keeping with Cage's own interdisciplinarity, the critics approach the work from a variety of disciplines: philosophy (Daniel Herwitz, Gerald L. Bruns), biography and cultural history (Thomas S. Hines), game and chaos theory (N. Katherine Hayles), music culture (Jann Pasler), opera history (Herbert Lindenberger), literary and art criticism (Marjorie Perloff), cultural poetics (Gordana P. Crnkovic, Charles Junkerman), and poetic practice (Joan Retallack).

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When we talk about the economy, "the market" is often just an abstraction. While the exchange of goods was historically tied to a particular place, capitalism has gradually eroded this connection to create our current global trading systems. In Trading Spaces, Emma Hart argues that Britain's colonization of North America was a key moment in the market's shift from place to idea, with major consequences for the character of the American economy. Hart's book takes in the shops, auction sites, wharves, taverns, fairs, and homes of seventeenth- and eighteenth-century America--places where new mechanisms and conventions arose as Europeans recreated or adapted continental methods to new surroundings. Since those earlier conventions tended to rely more heavily on regulations than their colonial offspring, what emerged in early America was a less fettered brand of capitalism. By the nineteenth century, this had evolved into a market economy that would not look too foreign to contemporary Americans. To tell this complex transnational story of how our markets came to be, Hart looks back farther than most historians of US capitalism, rooting these markets in the norms of seventeenth- and eighteenth-century Britain. Perhaps most important, this is not a story of specific commodity markets over time, but rather is a history of the trading spaces themselves: the physical sites in which the grubby work of commerce occurred and where the market itself was born.

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Anyone who has strolled through the halls of a museum knows that portraits occupy a central place in the history of art. But did portraits, as such, exist in the medieval era? "The Likeness of the King" challenges the canonical account of the invention of modern portrait practices, offering a case against the tendency of recent scholarship to identify late medieval likenesses of historical personages as 'the first modern portraits'. Unwilling to accept the anachronistic nature of these claims, Stephen Perkinson both resists and complicates grand narratives of portraiture art that ignore historical context. Focusing on the Valois court of France, he argues that local practice prompted shifts in the late medieval understanding of how images could represent individuals and prompted artists and patrons to deploy likeness in a variety of ways. Through an examination of well-known images of the fourteenth- and early fifteenth-century kings of France, as well as largely overlooked objects such as wax votive figures and royal seals, Perkinson demonstrates that the changes evident in these images do not constitute a revolutionary break with the past, but instead were continuous with late medieval representational traditions.

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Launched in 2013, China's Belt and Road Initiative is forging connections in infrastructure, trade, energy, finance, tourism, and culture across Eurasia and Africa. This extraordinarily ambitious strategy places China at the center of a geography of overland and maritime connectivity stretching across more than sixty countries and incorporating almost two-thirds of the world's population. But what does it mean to revive the Silk Roads for the twenty-first century? Geocultural Power explores this question by considering how China is couching its strategy for building trade, foreign relations, and energy and political security in an evocative topography of history. Until now Belt and Road has been discussed as a geopolitical and geoeconomic project. This book introduces geocultural power to the analysis of international affairs. Tim Winter highlights how many countries--including Iran, Sri Lanka, Kenya, Malaysia, Indonesia, Pakistan, and others--are revisiting their histories to find points of diplomatic and cultural connection. Through the revived Silk Roads, China becomes the new author of Eurasian history and the architect of the bridge between East and West. In a diplomatic dance of forgetting, episodes of violence, invasion, and bloodshed are left behind for a language of history and heritage that crosses borders in ways that further the trade ambitions of an increasingly networked China-driven economy.

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In this revised edition incorporating a translation of "Scienza e Retorica", Marcello Pera argues that rhetoric is central to the making of scientific knowledge. Pera begins with an attack of what he calls the "Cartesian syndrome" - the fixation on method common to both defenders of traditional philosophy of science and its detractors. He argues that in assuming the primacy of methodological rules, both sides get it wrong. Scientific knowledge is neither the simple mirror of nature nor a cultural construct imposed by contingent interests, thus we must replace the idea of scientific method with that of scientific rhetoric. Pera proposes a dialectics of science to overcome the tension between normative and descriptive philosophies of science by focusing on the rhetoric in the proposition, defense and argumentation of theories. Examining the uses of rhetoric in debates drawn from Galileo's "Dialogues", Darwin's Origins, and the Big Bang-Steady State controversy in cosmology, Pera shows how the conduct of science involves not just nature and the inquiring mind, but a questioning community which, through the process of attack, defense and dispute, determines what is science. Rhetoric, then, is an essential element in the constitution of science as the practice of persuasive argumentation through which results gain acceptance.

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Many observers of Kenya's complicated history raise cause for concern, offering critiques of practices such as the use of public office for private gain and a constitutional structure that gives the executive branch lopsided influence. Yet efforts from critics and academics to diagnose the country's problems do not often consider what these fiscal and political issues mean to ordinary Kenyans. How do Kenyans express their own political understandings, make sense of governance, and articulate what they expect from their leaders? In For Money and Elders, Robert Blunt addresses these questions by turning to the political, economic, and religious signs in circulation in Kenya today. He examines Kenyans attempt to make sense of political instability caused by the uncertainty of authority behind everything from currency to title deeds. When the symbolic order of a society is up for grabs, he shows, violence may seem like an expedient way to enforce the authority of signs. Drawing on fertile concepts of sovereignty, elderhood, counterfeiting, acephaly, and more, Blunt explores phenomena as diverse as the destabilization of ritual "oaths," public anxieties about Satanism with the advent of democratic reform, and contemporary mistrust of state currency. The result is a fascinating glimpse into Kenya's past and present and a penetrating reflection on meanings of violence in African politics.

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Alexander von Humboldt was the most celebrated modern chronicler of North and South America and the Caribbean, and this translation of his essay on New Spain--the first modern regional economic and political geography--covers his travels across today's Mexico in 1803-04. The work canvases both natural-scientific and cultural-scientific objects alike, combining the results of fieldwork with archival research and expert testimony. To show how people, plants, animals, goods, and ideas moved across the globe, Humboldt wrote in a variety of styles, bending and reshaping familiar writerly conventions to keep readers attentive to new inputs. Above all, he wanted his readers to keep an open mind when confronted with cultural and other differences in the Americas. Fueled by his comparative global perspective on politics, economics, and science, he used his writing to support Latin American independence and condemn slavery and other forms of colonial exploitation. It is these voluminous and innovative writings on the New World that made Humboldt the undisputed father of modern geography, early American studies, transatlantic cultural history, and environmental studies. This two-volume critical edition--the third installment in the Alexander von Humboldt in English series--is based on the full text, including all footnotes, tables, and maps, of the second, revised French edition of Essai politique sur le royaume de de Nouvelle Espagne from 1825-27, which has never been translated into English before. Extensive annotations and full-color atlases are available on the series website.

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If the Arab uprisings initially heralded the end of tyrannies and a move toward liberal democratic governments, their defeat not only marked a reversal but was of a piece with emerging forms of authoritarianism worldwide. In Authoritarian Apprehensions, Lisa Wedeen draws on her decades-long engagement with Syria to offer an erudite and compassionate analysis of this extraordinary rush of events--the revolutionary exhilaration of the initial days of unrest and then the devastating violence that shattered hopes of any quick undoing of dictatorship. Developing a fresh, insightful, and theoretically imaginative approach to both authoritarianism and conflict, Wedeen asks: What led a sizable part of the citizenry to stick by the regime through one atrocity after another? What happens to political judgment in a context of pervasive misinformation? And what might the Syrian example suggest about how authoritarian leaders exploit digital media to create uncertainty, political impasses, and fractures among their citizenries? Based on extensive fieldwork and drawing material from a variety of Syrian artistic practices, Wedeen lays bare the ideological investments that sustain ambivalent attachments to established organizations of political power and contribute to the ongoing challenge of pursuing political change. This masterful book is a testament to Wedeen's deep engagement with some of the most troubling concerns of our political present and future.

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Originally published as "Le Mirage Linguistique", this test studies the role of linguistics in structuralism and poststructuralism. Thomas G. Pavel examines French thought through the work of luminaries such as Levi-Struss, Lacan, Foucault, and Derrida. The "spell of language" for Pavel consists of three things: the promise that linguistics seemed to represent for the humanites and social sciences; the distortions, misunderstandings, and wilful neglect incumberant upon the "linguistic turn"; and above all, the break with traditional humanism. He isolates three modes of thought - moderate structuralism, scientific structuralism and speculative structuralism - and shows how even as they diverge from each other, they all advocate an antihumanist point of view. In this book, Thomas Pavel shows that structuralism's flawed use of linguistic theory has rendered hollow the philosophical core of a whole generation of work in the human sciences.

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As the costs of a preemptive foreign policy in Iraq have become clear, strategies such as containment and deterrence have been gaining currency among policy makers. This comprehensive book offers an agenda for the contemporary practice of deterrence - especially as it applies to nuclear weapons - in an increasingly heterogeneous global and political setting. Moving beyond the precepts of traditional deterrence theory, this groundbreaking volume offers insights for the use of deterrence in the modern world, where policy makers may encounter irrational actors, failed states, religious zeal, ambiguous power relationships, and other situations where the traditional rules of statecraft do not apply. A distinguished group of contributors here examines issues such as deterrence among the Great Powers; the problems of regional and non-state actors; and, actors armed with chemical, biological, and nuclear weapons. "Complex Deterrence" will be a valuable resource for anyone facing the considerable challenge of fostering security and peace in the twenty-first century.

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