Search results for ""Author Editors of David"

Driven by counter-terrorism efforts, marketing analysis and an explosion in online social networking in recent years, data mining has moved to the forefront of information science. This proposed Special Issue on Data Mining for Social Network Data will present a broad range of recent studies in social networking analysis. It will focus on emerging trends and needs in discovery and analysis of communities, solitary and social activities, activities in open for a and commercial sites as well. It will also look at network modeling, infrastructure construction, dynamic growth and evolution pattern discovery using machine learning approaches and multi-agent based simulations. Editors are three rising stars in world of data mining, knowledge discovery, social network analysis, and information infrastructures, and are anchored by Springer author/editor Hsinchun Chen (Terrorism Informatics; Medical Informatics; Digital Government), who is one of the most prominent intelligence analysis and data mining experts in the world.

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Re/presenting Class is a collection of essays that develops a poststructuralist Marxian conception of class in order to theorize the complex contemporary economic terrain. Both building upon and reconsidering a tradition that Stephen Resnick and Richard Wolff—two of this volume’s editors—began in the late 1980s with their groundbreaking work Knowledge and Class, contributors aim to correct previous research that has largely failed to place class as a central theme in economic analysis. Suggesting the possibility of a new politics of the economy, the collection as a whole focuses on the diversity and contingency of economic relations and processes.Investigating a wide range of cases, the essays illuminate, for instance, the organizational and cultural means by which unmeasured surpluses—labor that occurs outside the formal workplace‚ such as domestic work—are distributed and put to use. Editors Resnick and Wolff, along with J. K. Gibson-Graham, bring theoretical essays together with those that apply their vision to topics ranging from the Iranian Revolution to sharecropping in the Mississippi Delta to the struggle over the ownership of teaching materials at a liberal arts college. Rather than understanding class as an element of an overarching capitalist social structure, the contributors—from radical and cultural economists to social scientists—define class in terms of diverse and ongoing processes of producing, appropriating, and distributing surplus labor and view class identities as multiple, changing, and interacting with other aspects of identity in contingent and unpredictable ways. Re/presenting Class will appeal primarily to scholars of Marxism and political economy.Contributors. Carole Biewener, Anjan Chakrabarti, Stephen Cullenberg, Fred Curtis, Satyananda Gabriel, J. K. Gibson-Graham, Serap Kayatekin, Bruce Norton, Phillip O’Neill, Stephen Resnick, David Ruccio, Dean Saitta, Andriana Vlachou, Richard Wolff

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More and more readers turn to The Best American Magazine Writing for their annual fix of the year's most captivating essays, columns, reporting, and criticism. Chosen from the winners and finalists of the 2009 National Magazine Awards, this year's selections include the haunting story by Chris Jones (Esquire) of an American soldier's final journey home; James Wood's brilliant critique of the award-winning novelist Marianne Robinson (The New Yorker); a compelling column by Naomi Klein (The Nation) on the return of class consciousness in America; two biting reviews of recent books on feminism by Sandra Tsing Loh (The Atlantic); and a moving and insightful account by David Lipsky (Rolling Stone) of David Foster Wallace in his final days. Also featured are a fascinating report by Ryan Lizza (The New Yorker) on the political making of Barack Obama; an unforgettable profile by Hanna Rosin (The Atlantic) of a transgendered child struggling to be normal in rural America; absorbing reflections by Tom Chiarella (Esquire) on apprenticing as a butcher in an Indianapolis meat market; and an unusual look by Sean Flynn (GQ) at the legacy of the late singer and unstoppable personality, James Brown. Chris Anderson, popular commentator and author of the best-selling book The Long Tail adds his own, not-to-be-missed introduction. "Take a break from the screen and dive in," he writes. "I think you'll emerge, many pages later, no longer worrying about the future of print."

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Modeled after previous seasonal reports, this ninth volume of the Madaba Plains Project’s excavations at Tall al-ʿUmayri, Jordan gives a detailed accounting of the artifactual finds from the 2004 season of the excavations, accompanied by hundreds of photos and supplemented with related research. The active fields in 2004 included Field A, the western citadel with Early Iron Age domestic structures; Field B, the western defenses and northwestern domestic quarters showcasing a rare Late Bronze Age temple and palace complex; Field H, the southwestern acropolis boasting an emerging Late Iron I courtyard sanctuary; and Field L, the southern edge with Iron I remains, limited Late Iron II architecture, and the now nearly fully exposed area of a Late Hellenistic agricultural complex. These chapters are supplemented by an article on sherds with incised marks or repair holes and another on the sixth Persian provincial seal impression found at ʿUmayri. The most impressive discovery of the season was the Late Bronze Age temple and palace complex in Field B. Although not completely cleared in 2004, the emerging structure has contributed significantly to information about an underrepresented period in central Jordan. With walls surviving to two and three meters high and five rooms—an entry hall with standing stones, a sanctuary enclosing a cultic niche with five standing stones, a “favissa” space for preserving cultic artifacts, and two rooms serving an as yet undetermined function—this structure helps to fill in a number of gaps in our understanding of the Late Bronze Age in the region. In addition to the editors, the contributors include David R. Berge, Kent V. Bramlett, David C. Hopkins, John I. Lawlor, and Gloria London.

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Are you considering a career in the world of publishing, or simply want to understand more about the industry? If so, The Publishing Business will take you through the essential publishing activities performed in editorial, rights, design, production, sales and marketing departments. International examples from across the industry, from children's books to academic monographs, demonstrate key responsibilities at each stage of the publishing process and how the industry is adapting to digital culture. This 3rd edition has been updated with more on the role of self-publishing, independent publishers, audio books, the rise of poetry and non-fiction and how the industry is facing up to challenges of sustainability, inclusivity and diversity. Beautifully designed and full of insight and advice from practitioner interviews, this is an essential introduction to a dynamic industry. Interviewees include: Anne Meadows, Commissioning Editor at Granta and Portobello Books Zaahida Nabagereka, Head of Social Impact at Penguin Books UK Ashleigh Gardner, Senior Vice President, Managing Director Global Publishing, Wattpad Caroline Walsh, Literary Agent, David Higham Associates Peter Blackstock, VP, Deputy Publisher, Grove Atlantic/Publisher, Grove Press UK Amy Ellis, Head of Rights and Permissions, Publishers' Licensing Services Victoria Lawrance, Rights Manager, Bloomsbury Publishing Plc Shaun Hodgkinson, COO, Dorling Kindersley Thomas Truong, Publishing Director, Little Tiger Group Jenny Blenk, Associate Editor, Dark Horse Comics Jeanette Morton, Digital Publisher, Oxford University Press Maria Vassilopoulos, Publishing Sales, Uni of Wales Press and Calon Books Ian Lamb, Head Of Children's Marketing and Publicity, Simon and Schuster

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Civil Society and Government brings together an unprecedented array of political, ethical, and religious perspectives to shed light on the complex and much-debated relationship between civil society and the state. Some argue that civil society is a bulwark against government; others see it as an indispensable support for government. Civil society has been portrayed both as a independent of the state and as dependent upon it. This book reveals the extraordinary diversity of views on the subject by examining how civil society has been treated in classical liberalism, liberal egalitarianism, critical theory, feminism, natural law, Christianity, Judaism, Islam, and Confucianism. The volume draws on the work of eminent scholars to address six questions: In terms of function and consequences, does it matter where the line is drawn between civil society and the state? What is the relationship of civil society to the state? In what contexts and under what conditions should government interact with individuals directly or instead indirectly through communal associations? What are the prerogatives and duties of citizenship, and what is the role of civil society in forming good citizens? How should a society handle the conflicts that sometimes arise between the demands of citizenship and those of membership in the non-governmental associations of civil society? A theoretical introduction by the editors--political theorist Nancy Rosenblum and legal scholar Robert Post--and a conclusion by religious ethicist Richard Miller, tie the book together. In addition to Rosenblum, the contributors are Kenneth Baynes, David Biale, John Coleman, Farhad Kazemi, John Kelsay, William Galston, Will Kymlicka, Tom Palmer, Fred Miller, Susan Moller Okin, Peter Nosco, Henry Rosemont, Steven Scalet, David Schmidtz, William Sullivan, Max Stackhouse, Stephen White, and Noam Zohar.

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What does it mean to know a place? What might we learn about the world by returning to the same place year after year? What would a long-term record of such visits tell us about change and permanence and our place in the natural world? This collection explores these and related questions through a series of reflective essays and poems on Pennsylvania’s Shaver’s Creek landscape from the past decade.Collected as part of The Ecological Reflections Project—a century-long effort to observe and document changes to the natural world in the central Pennsylvanian portion of the Appalachian Forest—these pieces show how knowledge of a place comes from the information and perceptions we gather from different perspectives over time. They include Marcia Bonta’s keen observations about how humans knowingly and unknowingly affect the landscape; Scott Weidensaul’s view of the forest as a battlefield; and Katie Fallon describing the sounds of human and nonhuman life along a trail. Together, these selections create a place-based portrait of a vivid ecosystem during the first decade of the twenty-first century.Featuring contributions by nationally known nature writers and local experts, Reading Shaver’s Creek is a unique, complex depiction of the central Pennsylvania landscape and its ecology. We know the land and creatures of places such as Shaver’s Creek are bound to change throughout the century. This book is the first step to documenting how.In addition to the editor, contributors to this volume are Marcia Bonta, Michael P. Branch, Todd Davis, Katie Fallon, David Gessner, Hannah Inglesby, John Lane, Carolyn Mahan, Jacy Marshall-McKelvey, Steven Rubin, David Taylor, Julianne Lutz Warren, and Scott Weidensaul.

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Politics looked straightforward when Patrick Kidd took over the reins of the daily political sketch in The Times in 2015. David Cameron had just won a general election and would clearly be Prime Minister for as long as he wanted; George Osborne was his obvious successor (rather than the editor of a free London evening newspaper); Theresa May was a slightly underwhelming Home Secretary and Jeremy Corbyn an anonymous Labour backbencher best known as a serial rebel against his own party. Then suddenly everything went a bit strange. In this anthology of his best columns from the past four years, Kidd plays the role of parliamentary theatre critic, chronicling the collapse of Cameron, the nebulous clarity of May, the rise and refusal to fall of Corbyn and Boris Johnson's repeated failure to keep his foot out of his mouth. Featuring a menagerie of supporting oddballs, such as Jacob and the Mogglodytes, Failing Grayling, Gavin `Private Pike' Williamson and the simpering lobby fodder that are Toady, Lickspittle and Creep, this is a much-needed antidote to the gloom of the Brexit years.

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Francis James Child, compiler and editor of the monumental English and Scottish Popular Ballads, established the scholarly study of folk ballads in the English-speaking world. His successors at Harvard University, notably George Lyman Kittredge, Milman Parry, and Albert B. Lord, discovered new ways of relating ideas about sung narrative to the study of epic poetry and what has come to be called—though not without controversy—“oral literature.”In this volume, sixteen distinguished scholars from Europe and the United States offer original essays in the spirit of these pioneers. The topics of their studies include well-known “Child Ballads” in their British and American forms; aspects of the oral literatures of France, Ireland, Scandinavia, medieval England, ancient Greece, and modern Egypt; and recent literary ballads and popular songs. Many of the essays evince a concern with the theoretical underpinnings of the study of folklore and literature, orality and literacy; and as a whole the volume reestablishes the European ballad in the wider context of oral literature. Among the contributors are Albert B. Lord, Bengt R. Jonsson, Gregory Nagy, David Buchan, Vesteinn Olason, and Karl Reichl.

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Dr. Faustus is one of the jewels of early modern English drama, and is still widely performed today. Interestingly, the play has come down to the contemporary audience in two distinct versions that have become known as the 'A' and the 'B' texts. David Bevington and Eric Rasmussen, who edited the original Revels edition over twenty years ago (and are two of the most eminent editors currently working), have hit upon the fascinating idea of presenting both texts on facing pages. This allows readers to compare the two ‘versions’, the ‘A’ text which is the one closest to Marlowe, and the longer ‘B’ text with additions by Samuel Rowley; in this unique edition, the reader is made aware of the changing tastes of audiences, the stage history of the play, and of just how intricate ‘editing’ a play can be.With a concise and illuminating introduction, and relevant notes and images, this Revels Student Edition of the 'A' and 'B' texts of Dr. Faustus will prove to be an enthralling document, and an excellent edition for student and theatre-goer alike.

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This atlas examines developments in clinical en face imaging, comparing methods and devices and evaluating the most clinically efficient techniques. Divided into three sections, the first part introduces the principles of OCT (optical coherence tomography) and the anatomy and histology of the retina and surrounding area. The second section discusses en face OCT in diagnosing and treating different ocular diseases and disorders. More than 1000 pathological images obtained using different OCT devices are included. The final part describes future developments in the technological and scientific aspects of OCT and their clinical applications. Key points Evaluates clinical en face OCT techniques for numerous ocular diseases and disorders Each case includes pathological images from different devices for comparison Internationally-recognised European and US author and editor team

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WINNER OF THE UKLA BOOK AWARDS 2021'Funny and heartfelt with a cunning twist. Stewart Foster is a grandmaster' – ROSS WELFORD 'An inspirational underdog story and a chilling mystery! A winning combination' – DAVID SOLOMONSSome people think that I’m a problem child, that I’m lazy and never pay attention in lessons. But the thing is, I’m not a problem child at all. I’m just a child with a problem. Felix is struggling at school. His ADHD makes it hard for him to concentrate and his grades are slipping. Everyone keeps telling him to try harder, but no one seems to understand just how hard he finds it. When Mum suggests Felix spends time with his grandfather, Felix can’t think of anything worse. Granddad hasn’t been the same since Grandma died. Plus he’s always trying to teach Felix boring chess. But sometimes the best lessons come in the most unexpected of places, and Granddad soon shows Felix that there’s everything to play for. Praise for ALL THE THINGS THAT COULD GO WRONG 'A moving, humane, funny portrait of two very different boys discovering what connects us all.' Kiran Milwood Hargrave, author ofThe Girl of Ink and Stars ‘It’s amazing!’ Ross Welford, author of Time Travelling with a Hamster 'I loved it.' Lisa Thompson, author of The Goldfish Boy 'A touching, funny, gripping read that tackles important issues in a sensitive and thoroughly enjoyable way. Highly recommended.' Stuart Robinson, author of If Ever I Fall 'A timely story of courage and reminder of what we all share.' Christopher Edge, author ofThe Many Worlds of Albie Bright 'Powerful and warm ... this will linger long in the mind.' Guardian Praise for THE BUBBLE BOY, winner of the Sainsbury's Children's Book Award in 2016 ‘Poignant, hopeful and heartbreaking.’ Fiona Noble – Children’s Editor, The Bookseller 'Deeply moving and utterly gripping . . . Stewart Foster carries off an astonishing feat of storytelling in this exceptional book' Julia Eccleshare, lovereading.co.uk ‘A gripping and deeply moving book.’ Jamila Gavin, author of Coram Boy 'One thing we know about good books is their amazing ability to inspire empathy in the reader; to explore ideas and viewpoints that arise from experiences that are out of our own realm. The Bubble Boy does this with warmth, quirkiness and a light-hearted touch.' Guardian

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Historical ethnomusicology is increasingly acknowledged as a significant emerging subfield of ethnomusicology due to the fact that historical research requires a different set of theories and methods than studies of contemporary practices and many historiographic techniques are rapidly transforming as a result of new technologies. In 2005, Bruno Nettl observed that “the term ‘historical ethnomusicology’ has begun to appear in programs of conferences and in publications” (Nettl 2005, 274), and as recently as 2012 scholars similarly noted “an increasing concern with the writing of musical histories in ethnomusicology” (Ruskin and Rice 2012, 318). Relevant positions recently advanced by other authors include that historical musicologists are “all ethnomusicologists now” and that “all ethnomusicology is historical” (Stobart, 2008), yet we sense that such arguments—while useful, and theoretically correct—may ultimately distract from careful consideration of the kinds of contemporary theories and rigorous methods uniquely suited to historical inquiry in the field of music. In Theory and Method in Historical Ethnomusicology, editors Jonathan McCollum and David Hebert, along with contributors Judah Cohen, Chris Goertzen, Keith Howard, Ann Lucas, Daniel Neuman, and Diane Thram systematically demonstrate various ways that new approaches to historiography––and the related application of new technologies––impact the work of ethnomusicologists who seek to meaningfully represent music traditions across barriers of both time and space. Contributors specializing in historical musics of Armenia, Iran, India, Japan, southern Africa, American Jews, and southern fiddling traditions of the United States describe the opening of new theoretical approaches and methodologies for research on global music history. In the Foreword, Keith Howard offers his perspective on historical ethnomusicology and the importance of reconsidering theories and methods applicable to this field for the enhancement of musical understandings in the present and future.

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This annual anthology brings together the year's finest mathematics writing from around the world. Featuring promising new voices alongside some of the foremost names in the field, The Best Writing on Mathematics 2012 makes available to a wide audience many articles not easily found anywhere else--and you don't need to be a mathematician to enjoy them. These writings offer surprising insights into the nature, meaning, and practice of mathematics today. They delve into the history, philosophy, teaching, and everyday occurrences of math, and take readers behind the scenes of today's hottest mathematical debates. Here Robert Lang explains mathematical aspects of origami foldings; Terence Tao discusses the frequency and distribution of the prime numbers; Timothy Gowers and Mario Livio ponder whether mathematics is invented or discovered; Brian Hayes describes what is special about a ball in five dimensions; Mark Colyvan glosses on the mathematics of dating; and much, much more. In addition to presenting the year's most memorable writings on mathematics, this must-have anthology includes a foreword by esteemed mathematician David Mumford and an introduction by the editor Mircea Pitici. This book belongs on the shelf of anyone interested in where math has taken us--and where it is headed.

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In the field of criminal justice, public policy is designed to address the problems brought on by criminal behavior and the response to that behavior. However, too often, the theories carefully developed in the academy fail to make their way into programs and policy. The editors and contributors to this second edition of Criminology and Public Policy highlight the recent development of “translational criminology” to address the growing movement in criminology to use the results of criminological research and theory to better inform policy and practice. The essays in Criminology and Public Policy propose an in-depth look at both theory and practice and how they are integrated across a number of key criminal justice problems—from racial and environmental concerns to gun control and recidivism rates as well as police use of force and mass incarceration. The end result is an essential volume that blends both theory and practice in an effort to address the critical problems in explaining, preventing, responding to, and correcting criminal behavior. Contributors include: Robert K. Ax, Michelle N. Block, Anthony A. Braga, Rod K. Brunson, Jennifer Carlson, Ronald V. Clarke, Shea Cronin, Megan Denver, Kevin M. Drakulich, Grant Duwe, Amy Farrell, Cheryl Jonson, Charis E. Kubrin, Justin Kurland, Megan Kurlychek, Shannon Magnuson, Daniel P. Mears, Robert D. Morgan, Kathleen Powell, Danielle Rudes, Cassia Spohn, Cody Telep, Natalie Todak, Glenn Trager, Jillian J. Turanovic, Sara Wakefield, Patricia Warren, David Weisburd, Michael D. White, Rob White, Lauren Wilson and the editors

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This volume is both a companion to the editors' Greek Historical Inscriptions, 404-323 BC, and a successor to the later part of the Selection of Greek Historical Inscriptions to the End of the Fifth Century BC, edited by Russell Meiggs and David M. Lewis and published in 1969. As with the editors' earlier collection, it seeks to make a selection of historically significant inscribed texts accessible to scholars and students of fifth-century Greek history. Since the publication of Meiggs and Lewis' collection, a number of significant new inscriptions and fragments have been unearthed and new interpretations of previously known examples developed. As well as updating the scholarly corpus, this volume aims to broaden the thematic range of inscriptions discussed and to include a greater selection of material from outside Athens, while still adhering to the intention of presenting texts which are important not just as typical of their genre but in their own right. In doing so, it offers an entry point to all aspects of fifth-century history, from political and institutional, to social, economic, and religious, and in order to make the material as accessible as possible for a broad readership concerned with the study of these areas, the Greek texts are presented here alongside both English translations and incisive commentaries, which will be of utility both to the specialist academic and to those less familiar with the areas in question. The inclusion of photographs depicting inscribed stones and bronzes complements discussion of the inscriptions themselves and enables parallel consideration of their nature, appearance, and transmission history, resulting in a work of thoroughly comprehensive, cutting-edge scholarship and an invaluable reference text for the study of fifth-century Greek history.

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From Shakespeare's gender-bending play Twelfth Night to the the critically-acclaimed Broadway hit Angels in America, from 17th century kabuki theater of Japan—performed by cross-dressing prostitutes—to the NEA-denounced performance art of Holly Hughes, theater has long been—as co-editor Alisa Solomon terms it—the queerest art. The Queerest Art is a pioneering collection of essays by and conversations among a diverse range of leading theater academics and artists. The first anthology to bring scholars and makers of queer theater into direct dialogue, the volume explores such subjects as same-sex desire in Restoration comedy, the racialized impact of colonial Shakespeare, the cuerpo politizado of a performance artist in contemporary Los Angeles, and the nitty-gritty of getting a queer show presented in Peoria. The Queerest Art rereads the history of performance as a celebration and critique of dissident sexualities, exploring the politics of pleasure and the pleasure of politics that drive the theater. Lively and accessible, The Queerest Art will be useful to scholars, students, artists, and theater-goers alike interested in what makes queer theater . . . and what makes theater queer. Contributors include: Jill Dolan, Brian Freeman, Randy Gener, George E. Haggerty, Holly Hughes, Ania Loomba, Tim Miller, José Esteban Muñoz, Deb Parks-Satterfield, Lola Pashalinski, Everett Quinton, David Román, David Savran, Laurence Senelick, Don Shewey, Carmelita Tropicana, Valerie Traub, Paula Vogel, Doric Wilson, and Stacy Wolf.

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We live today in constant motion, travelling distances rapidly, small ones daily, arriving in new states. In this inaugural edition of Freeman's, a new biannual of unpublished writing, former Granta editor and NBCC president John Freeman brings together the best new fiction, nonfiction, and poetry about that electrifying moment when we arrive.Strange encounters abound. David Mitchell meets a ghost in Hiroshima Prefecture; Lydia Davis recounts her travels in the exotic territory of the Norwegian language; and in a Dave Eggers story, an elderly gentleman cannot remember why he brought a fork to a wedding.End points often turn out to be new beginnings. Louise Erdrich visits a Native American cemetery that celebrates the next journey, and in a Haruki Murakami story, an ageing actor arrives back in his true self after performing a role, discovering he has changed, becoming a new person.Featuring startling new fiction by Laura van den Berg, Helen Simpson, and Tahmima Anam, as well as stirring essays by Aleksandar Hemon, Barry Lopez, and Garnette Cadogan, Freeman's announces the arrival of an essential map to the best new writing in the world.

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These critically diverse and innovative essays are aimed at restoring the social context of ancient Greek drama. Theatrical productions, which included music and dancing, were civic events in honor of the god Dionysos and were attended by a politically stratified community, whose delegates handled all details from the seating arrangements to the qualifications of choral competitors. The growing complexity of these performances may have provoked the Athenian saying "nothing to do with Dionysos" implying that theater had lost its exclusive focus on its patron. This collection considers how individual plays and groups of dramas pertained to the concerns of the body politic and how these issues were presented in the convention of the stage and as centerpieces of civic ceremonies. The contributors, in addition to the editors, include Simon Goldhill, Jeffrey Henderson, David Konstan, Franois Lissarrague, Oddone Longo, Nicole Loraux, Josiah Ober, Ruth Padel, James Redfield, Niall W. Slater, Barry Strauss, and Jesper Svenbro.

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Companion to Heidegger's Contributions to PhilosophyEdited by Charles E. Scott, Susan Schoenbohm, Daniela Vallega-Neu, and Alejandro VallegaA key to unlocking one of Heidegger's most difficult and important works.The publication of the first English translation of Martin Heidegger's Beiträge zur Philosophie (Vom Ereignis) marked a significant event for Heidegger studies. Considered by scholars to be his most important work after Being and Time, Contributions to Philosophy (From Enowning) elaborates what Heidegger calls "being-historical-thinking," a project in which he undertakes to reshape what it means both to think and to be. Contributions is an indispensable book for scholars and students of Heidegger, but it is also one of his most difficult because of its aphoristic style and unusual language. In this Companion 14 eminent Heidegger scholars share strategies for reading and understanding this challenging work. Overall approaches for becoming familiar with Heidegger's unique language and thinking are included, along with detailed readings of key sections of the work. Experienced readers and those coming to the text for the first time will find the Companion an invaluable guide to this pivotal text in Heidegger's philosophical corpus.Contributors include Walter A. Brogan, David Crownfield, Parvis Emad, Günter Figal, Kenneth Maly, William McNeill, Richard Polt, John Sallis, Susan Schoenbohm, Charles E. Scott, Dennis J. Schmidt, Alejandro Vallega, Daniela Vallega-Neu, and Friedrich-Wilhelm von Herrmann.Charles E. Scott is Professor of Philosophy at Pennsylvania State University. He is author of The Question of Ethics, On the Advantages and Disadvantages of Ethics and Politics (both Indiana University Press), and The Time of Memory.Susan Schoenbohm has taught philosophy at Vanderbilt University, The University of the South, and Pennsylvania State University. She has published several articles on Heidegger, contemporary Continental thought, ancient Greek thought, and ancient Asian thought.Daniela Vallega-Neu teaches philosophy at California State University, Stanislaus. She is author of Die Notwendigkeit der Grundung in Zeitalter der Deconstruction.Alejandro Vallega teaches philosophy at California State University, Stanislaus.Studies in Continental Thought—John Sallis, general editor July 2001288 pages, 6 1/8 x 9 1/4cloth 0-253-33946-4 $44.95 L / £34.00paper 0-253-21465-3 $22.95 s / £17.50

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Since it first emerged from Britain’s punk-rock scene in the late 1970s, goth subculture has haunted postmodern culture and society, reinventing itself inside and against the mainstream. Goth: Undead Subculture is the first collection of scholarly essays devoted to this enduring yet little examined cultural phenomenon. Twenty-three essays from various disciplines explore the music, cinema, television, fashion, literature, aesthetics, and fandoms associated with the subculture. They examine goth’s many dimensions—including its melancholy, androgyny, spirituality, and perversity—and take readers inside locations in Los Angeles, Austin, Leeds, London, Buffalo, New York City, and Sydney. A number of the contributors are or have been participants in the subculture, and several draw on their own experiences.The volume’s editors provide a rich history of goth, describing its play of resistance and consumerism; its impact on class, race, and gender; and its distinctive features as an “undead” subculture in light of post-subculture studies and other critical approaches. The essays include an interview with the distinguished fashion historian Valerie Steele; analyses of novels by Anne Rice, Poppy Z. Brite, and Nick Cave; discussions of goths on the Internet; and readings of iconic goth texts from Bram Stoker’s Dracula to James O’Barr’s graphic novel The Crow. Other essays focus on gothic music, including seminal precursors such as Joy Division and David Bowie, and goth-influenced performers such as the Cure, Nine Inch Nails, and Marilyn Manson. Gothic sexuality is explored in multiple ways, the subjects ranging from the San Francisco queercore scene of the 1980s to the increasing influence of fetishism and fetish play. Together these essays demonstrate that while its participants are often middle-class suburbanites, goth blurs normalizing boundaries even as it appears as an everlasting shadow of late capitalism.Contributors: Heather Arnet, Michael Bibby, Jessica Burstein, Angel M. Butts, Michael du Plessis, Jason Friedman, Nancy Gagnier, Ken Gelder, Lauren M. E. Goodlad, Joshua Gunn, Trevor Holmes, Paul Hodkinson, David Lenson, Robert Markley, Mark Nowak, Anna Powell, Kristen Schilt, Rebecca Schraffenberger, David Shumway, Carol Siegel, Catherine Spooner, Lauren Stasiak, Jeffrey Andrew Weinstock

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From the mind of John Carpenter, the man who brought you the classic horror film Halloween and all of the scares beyond, and the heart of writer, editor, and producer Sandy King, comes a whopping 14 brand new twisted tales of terror, tricks, and treats. In volume 8 of the award-winning graphic novel series, Carpenter and King bring together the best storytellers from movies, novels, and comics for another spine-tingling collection of stories that will haunt you. Each story is a standalone surprise that captures the essence of the best night of the year. We dare you to read it all the way to the end. If you get too scared, remember, it's only a comic. It's only a comic... or is it? Happy Halloween! With creators John Carpenter, Sandy King, Jaime Carrillo, Elena Carrillo, Amanda Deibert, Cat Staggs, Alec Worley, Tom Foster, Neo Edmund, Jason Felix, Sean Sobczak, Sara Richard, Kealan Patrick Burke, David J. Schow, Andres Esparza, Frank Tieri, Duane Swierczynski, Heather Vaughan, Jennie Wood, Michael Moreci, Scott Hampton, Tim Bradstreet, Nick Percival and many more.

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Science fiction is the playground of the imagination. If you are interested in science or fascinated with the future then science fiction is where you explore new ideas and let your dreams and nightmares duke it out on the safety of the page or screen. But what if we could use science fiction to do more than that? What if we could use science fiction based on science fact to not only imagine our future but develop new technologies and products? What if we could use stories, movies and comics as a kind of tool to explore the real world implications and uses of future technologies today? Science Fiction Prototyping is a practical guide to using fiction as a way to imagine our future in a whole new way. Filled with history, real world examples and conversations with experts like best selling science fiction author Cory Doctorow, senior editor at Dark Horse Comics Chris Warner and Hollywood science expert Sidney Perkowitz, Science Fiction Prototyping will give you the tools you need to begin designing the future with science fiction. The future is Brian David Johnson’s business. As a futurist at Intel Corporation, his charter is to develop an actionable vision for computing in 2021. His work is called “future casting”—using ethnographic field studies, technology research, trend data, and even science fiction to create a pragmatic vision of consumers and computing. Johnson has been pioneering development in artificial intelligence, robotics, and reinventing TV. He speaks and writes extensively about future technologies in articles and scientific papers as well as science fiction short stories and novels (Fake Plastic Love and Screen Future: The Future of Entertainment, Computing and the Devices We Love). He has directed two feature films and is an illustrator and commissioned painter. Table of Contents: Preface / Foreword / Epilogue / Dedication / Acknowledgments / 1. The Future Is in Your Hands / 2. Religious Robots and Runaway Were-Tigers: A Brief Overview of the Science and the Fiction that Went Into Two SF Prototypes / 3. How to Build Your Own SF Prototype in Five Steps or Less / 4. I, Robot: From Asimov to Doctorow: Exploring Short Fiction as an SF Prototype and a Conversation With Cory Doctorow / 5. The Men in the Moon: Exploring Movies as an SF Prototype and a Conversation with Sidney Perkowitz / 6. Science in the Gutters: Exploring Comics as an SF Prototype and a Conversation With Chris Warner / 7. Making the Future: Now that You Have Developed Your SF Prototype, What’s Next? / 8. Einstein’s Thought Experiments and Asimov’s Second Dream / Appendix A: The SF Prototypes / Notes / Author Biography

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The fall of the Berlin Wall in 1989 ushered in a period of democratization and market reform extending across the East-Central European region, with one important exception: Belarus. Ironically, Belarus's fledgling attempts at democracy produced a leader who has suspended the post-Soviet constitution and its institutions and created a personal dictatorship. Located in the center of the European continent, Belarus lies at the crossroads of an expanded NATO and the Russian "near abroad." This fact underlines the importance of Belarus to European security and to East-West relations.To discuss developments in Belarus, an international group of scholars and policymakers gathered at Harvard University in 1999. The broad spectrum of issues covered is examined in this volume, providing an understanding of Belarus today and its prospects for the future. In addition to the editors, contributors include Timothy Colton, David Marples, Uladzimir Padhol, Rainer Lindner, Patricia Brukoff, Leonid Zlotnikov, Arkadii Moshes, Andrei Sannikov, Yuri Drakokhrust, Dmitri Furman, John Reppert, Astrid Sahm, Kirsten Westphal, Hrihoriy Perepelytsia, Algirdas Gricius, Agnieszka Magzdiak-Miszewska, Hans-Georg Wieck, Sherman Garnett, Elaine Conkievich, and Caryn Wilde.

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'The history of language has never seen anything like this. Ellen's mobile grammar travelogue, presented with an engaging humour and humility will appeal to anyone with an interest in the way English works - which means all of us. Reality television? This is reality grammar.' -David Crystal, author of How Language WorksFor fans of Gyles Brandreth, Susie Dent and Bill Bryson, an unconventional guide to the English language drawn from the cross-country adventures of an itinerant grammarian.When Ellen Jovin first walked outside her Manhattan apartment and set up a folding table with a sign reading "The Grammar Table," it took about 30 seconds to get her first visitor. Everyone had a question for her. The Grammar Table was such a hit - attracting the attention of The New York Times, NPR, and CBS Evening News - that Ellen soon hit the road, travelling across the U.S. to answer questions from students, retired editors, bickering couples, and anyone else who uses words in this world.In Rebel with a Clause, Jovin shares the heartwarming and humorous stories of the people she meets, and what is most on their minds, grammatically speaking - from the Oxford comma to the places prepositions can go, the likely lifespan of 'whom,' semicolonphobia, and so much more.Rebel with a Clause combines the qualities of a first-class work of reference with the laugh-out-loud pleasure of a good read. Punctuated with linguistic debates from tiny towns to crowded cities, this grammar romp will delight anyone wishing to polish their prose or revel in our age-old, universal fascination with language.

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For more than a hundred years, people in search of religious renewal who are not Hasidic have found inspiration in Hasidism. Now Arthur Green and Ariel Mayse, both scholars of Hasidism and committed spiritual seekers, have assembled critical texts for the fashioning of Neo-Hasidism in the twenty-first century. The result is a landmark contribution to Jewish spirituality. —David Biale, Emanuel Ringelblum Distinguished Professor of Jewish History at the University of California, Davis, and editor in chief of Hasidism: A New History Neo-Hasidism applies the Hasidic masters’ spiritual insights—of God’s presence everywhere, of seeking the magnificent within the everyday, in doing all things with love and joy, uplifting all of life to become a vehicle of God’s service—to contemporary Judaism, as practiced by men and women who do not live within the strictly bounded world of the Hasidic community. This first-ever anthology of Neo-Hasidic philosophy brings together the writings of its progenitors: five great twentieth-century European and American Jewish thinkers—Hillel Zeitlin, Martin Buber, Abraham Joshua Heschel, Shlomo Carlebach, and Zalman Schachter-Shalomi—plus a young Arthur Green. The thinkers reflect on the inner life of the individual and their dreams of creating a Neo-Hasidic spiritual community. The editors’ introductions and notes analyze each thinker’s contributions to Neo-Hasidic thought and influence on the movement. Zeitlin and Buber initiated a renewal of Hasidism for the modern world; Heschel’s work is quietly infused with Neo-Hasidic thought; Carlebach and Schachter-Shalomi re-created Neo-Hasidism for American Jews in the 1960s; and Green is the first American-born Jewish thinker fully identified with the movement. Previously unpublished materials by Carlebach and Schachter-Shalomi include an interview with Schachter-Shalomi about his decision to leave Chabad-Lubavitch and embark on his own Neo-Hasidic path.

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Mid-Century Type is a fascinating visual exploration of how, during the middle decades of the last century, the typographer became an independent, influential contributor to a fast-developing technological world of communications. The years after the Second World War were a time of great economic, social, and cultural change as consumerism erupted across industrialized countries, fuelled by the growth of mass communication. The same period was also one of exceptional creativity, including in the fields of typography and graphic design. During the war, governments came to appreciate the skill of designers in communicating public information effectively. Once the conflict was over, designers were recognized for the first time as having an essential role to play in the rebuilding of economies, infrastructure, and public morale. The typographer, however, was still something of a 'Cinderella': type was crucial to communication in almost any medium, yet typography remained a vague and largely unacknowledged profession. This perception changed dramatically between 1945 and 1965. The range of media expanded, and the influence of time-based media such as television and film was profound, providing information 'as it happens' and transforming the turning of a page into the equivalent of the film editor's cut. 'Speed' was the elixir for growth and prosperity. The specific needs of motorway and airport signage were recognized as requiring the expertise of a typographer. Phototypesetting and offset lithographic printing coalesced to provide full-colour reproduction, which in turn vastly increased the sale of all printed material, but especially books and magazines. All of this drew typographers into what became established as specialist fields of printed and screen media. Finally, the cultural value of the typographer's work could be equated with that of the artist, poet, author, and film director. Mid-Century Type charts this meteoric rise of the typographer and graphic designer (often one and the same person) during the early post-war decades. Each chapter is devoted to a specialist field of design activity in which typography played a significant role, from type design and corporate identity to advertising and film, and television. David Jury's text offers fresh insight into the work of a wide array of British, European, and American typographers and is accompanied by some 350 illustrations, many from the author's own extensive collection.

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The most original and authoritative voice of today's English lexicography presents a fully revised new edition of his beloved usage dictionary When Bryan Garner published the first edition of A Dictionary of Modern American Usage in 1999, the book quickly became one of the most influential style guides ever written for the English language. After four previous editions and over twenty years, our language has evolved in many ways, and the powerful tool of big data has revolutionized lexicography. This extensively revised new edition fully captures these changes, featuring a thousand new entries and over two hundred replacement entries, thoroughly updated usage data and ratios on word frequency based on the Google Ngram Viewer, a more balanced coverage of World Englishes, not just American and British, and the inclusion of gender-neutral language. However, one thing has not changed: in no sense is this a "regular" dictionary but a masterpiece of lexicography written with wit and personality by one of the preeminent authorities on the English language. To put it in David Foster Wallace's words, Garner's discussion of rhetoric and style still "borders on genius." From the (lost) battle between self-deprecating and self-depreciating to the misuse of it's for its, from the variant spelling patty-cake taking over pat-a-cake in American English to the singular uses of they, Garner explains the nuances of grammar and vocabulary and the linguistic blunders to which modern writers and speakers are prone, whether in word choice, syntax, phrasing, punctuation, or pronunciation. His empirical approach liberates English from two extremes: from the "purists" who maintain that split infinitives and sentence-ending prepositions are malfeasances and from the linguistic relativists who believe that whatever people say or write must necessarily be accepted. The purpose of Garner's dictionary is to help writers, editors, and speakers use the language effectively. And it does so in a playful and persuasive way that will help you sound "grammatical but relaxed, refined but natural, correct but unpedantic."

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While admitting particular parameters and priorities for Roman Catholic preachers, this volume was intentionally envisioned as a handbook for "catholic" preaching in the broadest and most universal sense of that term. Cosponsored by the Catholic Academy of Liturgy, the Catholic Association of Teachers of Homiletics, and the Federation of Diocesan Liturgical Commissions, it covers the role of the Scriptures in preaching, the challenges of preaching in a digital age, sermonizing in an interfaith context, and the need for a liberative and prophetic word that cuts across denominations and even faith traditions. Intended to aid those who teach or direct the preaching arts, the design and writing style of this book are particularly calibrated to graduate students in ministerial studies. Every article is a self-contained overview of a particular historical period, genre of preaching, homiletic theory, or contemporary issue. This more encyclopedic approach—devoid of footnotes, yet supported by pertinent bibliography and an extensive index—provides a sufficiently rich yet thoroughly accessible gateway to major facets of the preaching arts at this stage of the twenty-first century.General Editor: Edward FoleyAssociate Editors: Catherine Vincie, Richard N. FragomeniContributors: Herbert Anderson, John F. Baldovin, Alden Lee Bass, Dianne Bergant, Stephen Bevans, Robert Bireley, John Carr, Anthony Collamati, Michael E. Connors, Guerric DeBona, Frank DeSiano, William T. Ditewig, Con Foley, Edward Foley, Richard N. Fragomeni, Ann M. Garrido, Gregory Heille, Lucy Lind Hogan, Patrick R. Lagges, David J. Lose, Barbara K. Lundblad, Ricky Manalo, Robert F. Morneau, Carolyn Muessig, vanThanh Nguyen, Mary Margaret Pazdan, Patricia Parachini, Jorge Presmanes, Craig Alan Satterlee, Catherine Vincie, Richard Vosko, James A. Wallace, Margaret Moers Wenig, Alex Zenthoefer

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American Civil-Military Relations offers the first comprehensive assessment of the subject since the publication of Samuel P. Huntington's field-defining book, The Soldier and the State. Using this seminal work as a point of departure, experts in the fields of political science, history, and sociology ask what has been learned and what more needs to be investigated in the relationship between civilian and military sectors in the 21st century. Leading scholars-such as Richard Betts, Risa Brooks, James Burk, Michael Desch, Peter Feaver, Richard Kohn, Williamson Murray, and David Segal-discuss key issues, including:* changes in officer education since the end of the Cold War;* shifting conceptions of military expertise in response to evolving operational and strategic requirements;* increased military involvement in high-level politics; and* the domestic and international contexts of U.S. civil-military relations. The first section of the book provides contrasting perspectives of American civil-military relations within the last five decades. The next section addresses Huntington's conception of societal and functional imperatives and their influence on the civil-military relationship. Following sections examine relationships between military and civilian leaders and describe the norms and practices that should guide those interactions. The editors frame these original essays with introductory and concluding chapters that synthesize the key arguments of the book. What is clear from the essays in this volume is that the line between civil and military expertise and responsibility is not that sharply drawn, and perhaps given the increasing complexity of international security issues, it should not be. When forming national security policy, the editors conclude, civilian and military leaders need to maintain a respectful and engaged dialogue. American Civil-Military Relations is essential reading for students and scholars interested in civil-military relations, U.S. politics, and national security policy.

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This topical book addresses contemporary concern with the interconnections between geography and morality. Covers both the geographical context of morality, and moralities in geographical methods and practices. Contains up-to-date case studies based on original research. Deals with controversial issues, such as problems of globalization, European integration, human rights in Nigeria, territorial conflict in Israel, and land reform in post-apartheid South Africa. The editors are well-published leading international authorities. The contributors are drawn from Australia, Eastern Europe, Israel, South Africa, the UK and the US.

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Health Issues in the Black Community THIRD EDITION "The outstanding editors and authors of Health Issues in the Black Community have placed in clear perspective the challenges and opportunities we face in working to achieve the goal of health equity in America." —David Satcher, MD, PhD, 16th Surgeon General of the United States and director, Satcher Health Leadership Institute at Morehouse School of Medicine "Eliminating health disparities must be a central goal of any forward thinking national health policy. Health Issues in the Black Community makes a valuable contribution to a much-needed dialogue by focusing on the challenges of the black community." —Marc Morial, Esq., president, National Urban League "Health Issues in the Black Community illuminates comprehensively the range of health conditions specifically affecting African Americans, and the health disparities both within the black community and between racial and ethnic groups. Each chapter, whether addressing the health of African Americans by age, gender, type of disease, condition or behavior, is well-detailed and tells an important story. Together, they offer practitioners, consumers, scholars, and policymakers a crucial roadmap to address and change the social determinants of health, reduce disparities, and create more equal treatment for all Americans." —Risa Lavizzo-Mourey, MD, MBA, president, Robert Wood Johnson Foundation "I recommend Health Issues in the Black Community as a must-read for anyone concerned about the future of the African American community. Health disparities continues to be one of the major issues confronting the black community. This book will help to highlight the issues and keep attention focused on the work to be done." — Elsie Scott, PhD, president of the Congressional Black Caucus Foundation "This book is the definitive examination of health issues in black America—issues sadly overlooked and downplayed in our culture and society. I congratulate Drs. Braithwaite, Taylor, and Treadwell for their monumental book." —Cornel West, PhD, professor, Princeton University

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Bada bing! What drama. "The most important work of American popular culture in fifty years" is how the "New York Times" describes "The Sopranos". Critically-acclaimed, award-winning, and the most watched show on HBO, the mobster drama swirls around the middle-aged Mafioso, Tony Soprano (James Gandolfini). Having to negotiate two families, both at home and at work, is it any wonder he is suffering an epic midlife crisis involving Prozac and visits to a therapist? The series quickly became compulsory watching when it first screened back in 1999 and has since gone on to become an international hit and subject of intense discussion. Coinciding with the sixth and penultimate series, "Reading The Sopranos" offers a timely response to one of the most talked about shows on television. This book explores how "The Sopranos" has rewritten the rules of television drama and changed attitudes about television itself. Contributors present fresh perspectives on psychotherapy and dreams; racism and the Italian-American community; Carmela and post-feminism; "The Sopranos" as an HBO brand; racism; the full cast of 'gangsters Italianate' that people Sopranos' New Jersey; and much more. Reading "The Sopranos" also features a timeline, character list and complete episode guide, as well as editor David Lavery's up to date 'Intertextual Moments and Allusions on The Sopranos'.

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In 1863 there was only one method of travelling from Britain to the other side of the world - by sailing ship, on a journey that could take up to four months, when the vagaries of wind and weather could put travellers in peril during long voyages. The offer of grants of land in New Zealand was a means of enticing emigrants to the fledgling colony, particularly people who had a skill to offer. One such emigrant was David Buchanan, a journalist and editor of several prominent Scottish newspapers, who opted for a new life in the hope that the health and fortunes of his family would improve. He travelled with his surviving son and three daughters, having lost his wife giving birth to their ninth child. Using his journalistic skills, Buchanan maintained a daily journal of the voyage which was published twice-weekly in his former newspaper, the Glasgow Herald. His account blended accurate details of the vessel and its handling with anecdotal tales and experiences providing interesting snapshots of mid-nineteenth century life. His devotion to detail suggests a passenger's keen eye upon the operation and progress of the vessel by the ship's crew. Of especial interest is the description of daily life aboard a mid-19th century sailing ship, and the interaction between passengers and crew. The clear class distinction between cabin and steerage class passengers, as well as the many pitfalls and potential injuries to passengers and crew that are described will make illuminating reading. Upon reaching New Zealand Buchanan and his fellow passengers had stepped into the unrest of the Maori Wars, which were closely reported in British newspapers such as the Glasgow Herald. David Buchanan and his family may have settled and led a prosperous life but whatever befell him, he is due our gratification for providing an interesting and valued account of experiences on a voyage during the dominant era of sailing ships.

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Evidence-based Pediatric Infectious Diseases is a practical guide to the diagnosis and management of childhood infections in clinical practice. Renowned Clinical Professor of Pediatric Infectious Diseases, David Isaacs, and an expert consultant editor team, bring you the first book to critically look at the evidence for decision making in pediatric infections. Based around illustrative case studies, each chapter presents and analyzes current evidence on the management of different pediatric infections and provides firm treatment recommendations based on evidence of: • efficacy and safety • antibiotic resistance • cost • adverse effects • ethical considerations. Clear summaries and specific guidance allow you to assess the evidence for yourself and make rapid but informed management decisions based on the strength of evidence available. Antibiotic doses are presented clearly and simply, enabling you to select appropriate treatment at a glance. This book uses a case-based approach that focuses on the most common disease areas affecting children in industrialized countries, developing countries, travelers and refugees. It is an up-to-date, relevant and widely applicable text that carefully examines the evidence for antibiotics and other interventions whilst encouraging a conservative and responsible approach to antibiotic use. Evidence-based Pediatric Infectious Diseases is an indispensable resource for any practitioner who strives to provide the best evidence-based care for childhood infections.

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______________________ The hilarious, outrageously witty, and surprisingly touching memoir about growing up in India and coming of age in sixties London, by the author of Diplomatic Baggage ______________________ 'Charming' - The Times 'Magical and stylish' - Daily Mail 'Wherever in the world she is writing from, her warmth and her sharp observations won't fail to delight' - Financial Times ______________________ Brigid Keenan was never destined to lead a normal life. From her early beginnings – a colourful childhood in India brought to an abrupt end by independence and partition, then a return to dreary post-war England and on to a finishing school in Paris with daughters of presidents and princes – ordinary didn't seem to be her fate. When, as a ten-year-old, she overheard her mother describe her as ‘desperately plain’, she decided then and there that she had to rely on something different: glamour, eccentricity, character, a career – anything, so as not to end up at the bottom of the pile. And in classic Brigid style, she somehow ended up with them all. Fate often gave Brigid a helping hand – in the late fifties, in her teens, she landed a job as an assistant at the Daily Express in London, and by the tender age of twenty-one she was a Fashion Editor at the Sunday Times. It was the dawn of the swinging sixties, and London was the place to be. Brigid worked with David Bailey and Jean Shrimpton, had her hair cut by Vidal Sassoon, drove around London in a mini-van, covered the Paris Collections and was labelled a ‘Young Meteor’ by the press. Despite always trying her hardest, Brigid's enthusiasm - and occasional naivete - could lead to embarrassing moments, such as when she turned up to report on the Vietnam war in a mini skirt … Candid, wickedly funny and surprisingly touching, Full Marks for Trying is a coming-of-age memoir that will delight, entertain, and make you cry with laughter. ______________________ 'So funny and frank and moving' - Deborah Moggach 'Brightly funny … adorably different, and memory-sharp' - Saga

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Perfect for old fans and new readers alike, High Stakes delves deeper into the world of aces, jokers, and the hard-boiled men and women of the Fort Freak police precinct in a pulpy, page-turning novel of superheroics and Lovecraftian horror. Since an alien virus swept through New York City, the world has changed. Those who survived were divided. The lucky ones transformed into aces - heroes gifted with extraordinary powers. The rest became jokers, tragically mutated and cursed with terrifying abilities. These days, the hard-bitten police of Manhattan's notorious Fifth Precinct - 'Fort Freak' - specialise in a very particular kind of criminal . . .Officer Francis Black, vigilante joker Marcus 'The Infamous Black Tongue' Morgan and ace thief Mollie 'Tesseract' Steunenberg are stuck in Kazakhstan. The coldblooded Baba Yaga is forcing jokers into an illegal fighting ring, but her hidden agenda is much darker: her fighters' deaths serve to placate a vicious monster from another dimension. And when the last line of defence against this world weakens, all hell will break loose - literally. The Committee in New York sends a team of aces to investigate. One by one, each falls victim to evil forces - including the dark impulses within themselves. Only the most unlikely of heroes stands a chance of saving the world before utter chaos erupts. Edited by #1 New York Times bestselling author George R. R. Martin, High Stakes features the writing talents of Melinda M. Snodgrass, John J. Miller, David Anthony Durham, Caroline Spector, Stephen Leigh and Ian Tregillis.Now in development for TV: rights to develop Wild Cards for TV have been acquired by Universal Cable Productions, the team that brought you The Magicians and Mr. Robot, with the co-editor of Wild Cards, Melinda Snodgrass as executive producer.

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An original graphic novel based on rock music legend Pete Townshend's 1970 screenplay of the same name, which inspired The Who’s 1971 globally bestselling and universally beloved album, Who’s Next. Set in a Dystopian future where music has been outlawed, Life House follows a small band of rebels who stage an underground concert in an effort to undermine a tyrannical leader... and free Britain and all of humanity. This graphic novelization is co-written by Doom Patrol's James Harvey and Spider-Man Noir's David Hine with art by both Harvey and Australian visual artist Max Prentis, lettering by Michah Myers, and inks by Eisner Award winning artist Mick Gray. It is edited by the former Editor-in-Chief of Bleeding Cool, Hannah Means-Shannon, and features a massive Vinyl LP format (12.25" x 12.25"). This is a must-have for any serious music collectors, rock fans, and pop culture aficionados! Originally envisioned as a sci-fi rock epic to follow-up The Who's chart-topping song, “Tommy,” and put aside 50 years ago—in favor of Who’s Next songs like “Baba O’Riley,” “Won’t Get Fooled Again,” and “Behind Blue Eyes”—Life House will finally take center stage.

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An up-to-date, comparative, examination of the developing economy of Tanzania and its grass roots progress out of poverty, with pointers to its wider implications for policymakers, NGOS and practitioners. Over the past thirty years, in common with a number of other Sub-Saharan African countries, Tanzania has experienced a period of painful adjustment followed by relatively rapid and stable economic growth. However the extent of progress on poverty reduction and the sustainability of the development process are both open to question. In this book, prominent international observers provide a range of different perspectives on the process of development over time and the issues facing a rapidly growing African economy: political economy; agriculture and rural livelihoods; industrial development; urbanisation; aid and trade; tourism; and the use of natural resources. Comparisons are drawn with other African economies as well as other developing countries, such as Vietnam. An invaluable deep review of Tanzania's economy and development, the book also looks at the wider implications of the research for the futureon the continent and beyond. David Potts is Honorary Visiting Researcher at the University of Bradford and was Head of the Bradford Centre for International Development 2015-16. He worked for six years as an economist in Tanzania's Ministry of Agriculture in the 1980s, has had many subsequent short-term assignments in the country and is co-editor of Development Planning and Poverty Reduction (2003).

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"My life is a constant battle between vanity and laziness. This book has brokered the perfect peace deal!" - Graham NortonShould I tint my eyebrows?How can I get a squarer jawline?Which style of trouser would make my legs look longer?Leading lifestyle columnist and magazine editor, Jeremy Langmead, has men constantly asking him for answers to these questions and more.In Vain Glorious, he teams up with Harley Street aesthetic doctor David Jack to lift the lid on all the anti-ageing and beauty secrets now available for men, from Botox to hair thickening treatments. Dr Jack provides the medical expertise, whilst Langmead test-drives the products and procedures on offer - sharing often hilarious snapshots of his own hit-and-miss journey of rejuvenation, as well as sartorial tricks and insider tips from his time editing Esquire and running the men's fashion website mrporter.com. Vain Glorious is an honest and practical guide to help men feel comfortable in their own skin.

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This narrated TV soundtrack stars William Hartnell as the Doctor in one of his most weird and wonderful adventures."We seem to be caught! Trapped, somehow..." In this vintage six-part serial, first shown on BBC TV in February and March 1965, a strange magnetic force pulls the TARDIS down to the craterous surface of Vortis. The Doctor and his friends learn that the planet has been invaded, and the parasitic Animus is slowly enveloping it in a web-like domain. The giant ant-like Zarbi are under its control, whilst the butterfly-like Menoptra are battling to reclaim their planet. Narrated by Maureen O'Brien, this full-cast soundtrack evokes a classic Doctor Who adventure in all its aural magnificence. The alien ambience of Vortis, the insistent chirruping of the Zarbi, and the supernatural voice of the Animus are all accompanied by the eerie sonics of Ron Grainer & Delia Derbyshire's theme tune.Written by Bill Strutton, this was the Doctor's most exotic and lavish adventure yet. Running time: 2 hours 40 minutes (P) 2020 BBC Studios Distribution Ltd © 2020 BBC Studios Distribution Ltd Cover art by Oink Creative Narrated soundtrack produced by David Darlington Project editor: Michael Stevens

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Music and violence have been linked since antiquity in ritual, myth, and art. Considered together they raise fundamental questions about creativity, discourse, and music's role in society. The essays in this collection investigate a wealth of issues surrounding music and violence-issues that cross political boundaries, time periods, and media-and provide cross-cultural case studies of musical practices ranging from large-scale events to regionally specific histories. Following the editors' substantive introduction, which lays the groundwork for conceptualizing new ways of thinking about music as it relates to violence, three broad themes are followed: the first set of essays examines how music participates in both overt and covert forms of violence; the second section explores violence and reconciliation; and the third addresses healing, post-memorials, and memory. Music, Politics, and Violence affords space to look at music as an active agent rather than as a passive art, and to explore how music and violence are closely-and often uncomfortably-entwined. CONTRIBUTORS include Nicholas Attfield, Catherine Baker, Christina Baade, J. Martin Daughtry, James Deaville, David A. McDonald, Kevin C. Miller, Jonathan Ritter, Victor A. Vicente, and Amy Lynn Wlodarski.

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This collection provides a comprehensive treatment of the German colonial empire and its significance. Leading scholars show not only how the colonies influenced metropolitan life and the character of German politics during the Bismarckian and Wilhelmine eras (1871–1918), but also how colonial mentalities and practices shaped later histories during the Nazi era. In introductory essays, editors Geoff Eley and Bradley Naranch survey the historiography and broad developments in the imperial imaginary of the nineteenth and twentieth centuries. Contributors then examine a range of topics, from science and the colonial state to the disciplinary constructions of Africans as colonial subjects for German administrative control. They consider the influence of imperialism on German society and culture via the mass-marketing of imperial imagery; conceptions of racial superiority in German pedagogy; and the influence of colonialism on German anti-Semitism. The collection concludes with several essays that address geopolitics and the broader impact of the German imperial experience.Contributors. Dirk Bönker, Jeff Bowersox, David Ciarlo, Sebastian Conrad, Christian S. Davis, Geoff Eley, Jennifer Jenkins, Birthe Kundus, Klaus Mühlhahn, Bradley Naranch, Deborah Neill, Heike Schmidt, J. P. Short, George Steinmetz, Dennis Sweeney, Brett M. Van Hoesen, Andrew Zimmerman

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'A first-rate biography of the man, the writer and the lover' DAVID HOCKNEY'Bucknell's research is impressive and her judgements astute' GUARDIANAn engrossing new biography of the man whose writings about 1930s Berlin made him famous. From the editor of Isherwood's diaries and letters. Christopher Isherwood rejected the life he was born to and set out to make a different one. Heir to an English estate, he flunked out of university, moved to Berlin, was driven through Europe by the Nazis, and circled the globe before settling in Hollywood. There he adopted a new religion and continued to form the friendships including an astounding number of romantic and sexual ones through which he discovered himself. Using a wealth of unpublished material, Christopher Isherwood Inside Out tells how the traumas of his father's death in World War I and his failure to protect his German lover from the Nazis were healed by his life as a monk in the 1940s, enabling him to commit unflinchingly to a

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The Opéra has been reinvented — at least to some extent. After eight successful editions with alternating art direction, the editor, Matthias Straub has entrusted the design legend Mirko Borsche (ZEIT magazine, SZ magazine, and many more) with the creative re-launch of the ninth edition. This refreshing new approach to the pictures and typography will bring The Opéra into its next decade. The proven structure and the artistic gaze in the selection of photographers and pictures are also central in Volume IX: The Opéra embodies contemporary nude photography and stands for an unconditional commitment to art and the body. Artists: Shiori Akiba, Kimbra Audrey, Jim de Block, Martina Borsche, Eva Bukareva, Arthur Cadre, Indira Cesarine, Barron Claiborne, Stephane Coutelle, Francois Delebecque, Emmet Green, Samy Husson, David PD Hyde, Arnoldas Kubilius, Anna Lazareva, Joanne Leah, Maud Levavasseur, Lin Zhipeng, Julia Luzina, Mia Macfarlane & Julien Crouigneau, Gerhard Merzeder, Stefan Milev, Veronique Pecheux, Laurence Philomene, Christina Rollny, Maya Ruska, Ryuta Sakurai, Caroline Senecal, Joanna Szproch, Slava Thisset, Sean Patrick Watters, Leafy Yeh, Ziqian Liu

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In a time of hyperactive communication, unending consumerism, and political confusion, Wolfgang Tillmans guest-edits an issue of Aperture on the subject of spirituality and its connection to solidarity. “People are touched and moved by experiences of genuine solidarity,” Tillmans notes. “Solidarity describes a degree of selflessness, or experiences that remind people of values higher than the pure mate-rialistic culture we’re in.” This issue, featuring contributions by leading artists, scientists, novelists,and philosophers, will look at different ways of considering humanity’s longing for spiritual connection—from the shared sense of purpose behind global mass protests, to the collective spirit of the dance floor, to how image-makers have strived to visualize the intangible and the inexplicable. Key features include: a look at the role of spiritualism in the work of Minor White, Aperture’s founding editor; esteemed physicist Peter Galison on the recent landmark image of a black hole; David Swindells’s chronicle of underground rave culture in London; Siddhartha Mitter on images of protests in Hong Kong, Cairo, and Standing Rock; a collaborative project by Olivia Laing and Mary Manning; Sean O’Toole on Santu Mofokeng and South Africa’s spiritual landscapes; plus portfolios by Susan Hiller, Mare Nero, Harit Srikhao, and more

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This collection provides a comprehensive treatment of the German colonial empire and its significance. Leading scholars show not only how the colonies influenced metropolitan life and the character of German politics during the Bismarckian and Wilhelmine eras (1871–1918), but also how colonial mentalities and practices shaped later histories during the Nazi era. In introductory essays, editors Geoff Eley and Bradley Naranch survey the historiography and broad developments in the imperial imaginary of the nineteenth and twentieth centuries. Contributors then examine a range of topics, from science and the colonial state to the disciplinary constructions of Africans as colonial subjects for German administrative control. They consider the influence of imperialism on German society and culture via the mass-marketing of imperial imagery; conceptions of racial superiority in German pedagogy; and the influence of colonialism on German anti-Semitism. The collection concludes with several essays that address geopolitics and the broader impact of the German imperial experience.Contributors. Dirk Bönker, Jeff Bowersox, David Ciarlo, Sebastian Conrad, Christian S. Davis, Geoff Eley, Jennifer Jenkins, Birthe Kundus, Klaus Mühlhahn, Bradley Naranch, Deborah Neill, Heike Schmidt, J. P. Short, George Steinmetz, Dennis Sweeney, Brett M. Van Hoesen, Andrew Zimmerman

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THE ESOPHAGUS The Esophagus investigates the anatomy, physiology, and pathology of the esophagus. This sixth edition, revised and updated throughout, also explores the diagnosis and treatment of various esophageal conditions. It includes treatment guidelines approved by the two largest gastroenterology societies, the ACG and AGA, as befits a work co-edited by two former presidents of those organizations. Advancements in diagnostics are presented, as are developments in the surgical and drug therapies.Presented in full colour, and boasting an unrivalled team of editors and contributing authors, The Esophagus Sixth Edition will find a home wherever the anatomy, physiology, and pathology of the esophagus are studied and taught.This book is accompanied by a website containing all the figures from the book in PowerPoint format.www.wiley.com/go/richter/esophagus6ePraise for the Fifth Edition:“There is absolutely no doubt that this edition of the textbook will maintain its status as the go-to reference for esophageal conditions, and will remain a highly utilized and clinically useful resource for novice and experienced physicians and surgeons alike.” (Gastroenterology, 1 July 2013)

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