Search results for ""the university of chicago press""

Ask a scientist about Hollywood, and you'll probably get eye rolls. But ask someone in Hollywood about science, and they'll see dollar signs: moviemakers know that science can be the source of great stories, with all the drama and action that blockbusters require. That's a huge mistake, says Randy Olson: Hollywood has a lot to teach scientists about how to tell a story-and, ultimately, how to do science better. With Houston, We Have a Narrative, he lays out a stunningly simple method for turning the dull into the dramatic. Drawing on his unique background, which saw him leave his job as a working scientist to launch a career as a filmmaker, Olson first diagnoses the problem: When scientists tell us about their work, they pile one moment and one detail atop another moment and another detail-a stultifying procession of "and, and, and." What we need instead is an understanding of the basic elements of story, the narrative structures that our brains are all but hardwired to look for-which Olson boils down, brilliantly, to "And, But, Therefore," or ABT. At a stroke, the ABT approach introduces momentum ("And"), conflict ("But"), and resolution ("Therefore")-the fundamental building blocks of story. As Olson has shown by leading countless workshops worldwide, when scientists' eyes are opened to ABT, the effect is staggering: suddenly, they're not just talking about their work-they're telling stories about it. And audiences are captivated. Written with an uncommon verve and enthusiasm, and built on principles that are applicable to fields far beyond science, Houston, We Have a Narrative has the power to transform the way science is understood and appreciated, and ultimately how it's done.

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Eaglemania celebrates Boston College’s mascot, a monumental Japanese bronze eagle, following its recent conservation and return to view. Donated in the 1950s by the estate of diplomat and collector Larz Anderson (1866–1937) and his wife, Isabel (1876–1948), the eagle recently received in-depth restoration that has revealed its fine detail, carefully modeled form, and excellent material construction.Eaglemania brings the history of this stunning object to life. It features new research on topics that contextualize the Boston College eagle, assembling articles that discuss various aspects of its Edo- and Meiji-period origins. These include the Andersons’ acquisition of the eagle; the Boston College eagle seen in comparison with other exceptional Meiji eagle figures; the meanings of eagle depictions in the Edo and Meiji periods; and Japan’s rise as a destination for American collectors, particularly of sculpture, in the Meiji period. Through its focus on eagle imagery, this study illuminates cross-cultural dynamics resulting from American collectors’ fascination with traditional and contemporary Japanese arts and Japanese artists’ adaptation to this market.

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No contemporary artist has succeeded so thoroughly in blending classical Chinese art and modern abstract art as Cao Jun, who has exhibited widely in China, as well as at the Louvre. Accompanying an exhibition at the McMullen Museum of Art, Boston College, this volume presents the art of Cao Jun for the first time in the United States. Featuring the artist’s early wild animal paintings, to his landscapes, to recent explorations of space depicted abstractly, the book also showcases Cao Jun’s calligraphy and ceramics. Essays by Chinese and American scholars examine Cao Jun’s art, showing how it is deeply rooted in the experience of nature and how it portrays our place within nature. The essays demonstrate also the way in which Cao Jun’s art brings together classical Chinese painting with modern abstract forms akin to those of Western art. Yet Cao Jun’s art foregoes simply fusing these traditions; it employs the techniques of Chinese ink and brush painting and uses ink- and color-splashing to produce abstract forms.

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Parque Nacional Noel Kempff Mercado, located in eastern Bolivia where the moist forests of the Amazon meet the dry forests of the Cerrado, contains numerous unique ecosystems and exceptionally high levels of biodiversity. This book presents the results not only of an intensive biological survey of the area conducted in 1991, but also of long-term research conducted from 1987 to 1995. Among other findings, the survey discovered 26 new species of plants, one new mammal species, and three new species of reptiles. This report, with text in both English and Spanish, includes extensive data appendices, a large fold-out satellite map of vegetation, and conservation recommendations for the region.

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This book focuses on the under-explored significance of materials throughout Chinese art. Since the inventions of porcelain and gunpowder, Chinese artists have experimented with unconventional artistic materials and used conventional materials in unorthodox ways. This groundbreaking volume is the first publication to expound the trans-historical importance of materiality in Chinese art by bringing together essays from leading scholars, curators, and conservators. Essayists Anne Feng, Yuhang Li, Wei-Cheng Lin, Catherine Stuer, and Yusen Yu examine how materials including lacquer, crystal, paper, and gold stimulated advances in premodern Chinese art. Alex Burchmore, Orianna Cacchione, Nancy P. Lin, Sara Moy, and Rachel Rivenc analyze several instances of material experimentation in contemporary Chinese art in essays that consider materials as varied as gunpowder, plastic, and water. This book builds upon scholarship originally presented at the Art and Materiality Symposium, held on the occasion of the Smart Museum of Art’s exhibition The Allure of Matter: Material Art from China.

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The companion to a one-of-a-kind exhibition at the University of Chicago's Smart Museum of Art, "Feast: Radical Hospitality in Contemporary Art" explores the role of the meal in contemporary art. "Feast" offers the first survey of the artist-orchestrated meal: since the 1930s, the act of sharing food and drink has been used to advance aesthetic goals and foster critical engagement with the culture of the moment. Both exhibition catalogue and reader, this richly illustrated book offers an interdisciplinary exploration of the art of the meal and its relationship to questions about hospitality, politics, and culture. From the Italian Futurists' banquets in the 1930s, to 1960s and '70s conceptual and performative work, to the global prevalence of socially engaged practice today, "Feast" considers a diverse group of artists who have taken on practices of sharing food with friends, families, and strangers. After an essay by curator Stephanie Smith, the book includes new interviews with over twenty contributing artists and reprinted excerpts of classic texts. It also features a selection of contextual essays contributed by an international group of critics, writers, curators, and scholars.

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In 2014, the Smart Museum of Art at the University of Chicago received a generous gift from collectors Lester and Betty Guttman: 830 photographs, created by a total of 414 artists, that cover a time period stretching all the way from the early 1800s into our modern moment. This richly illustrated volume, which accompanies an exhibition at the Smart Museum of Art, offers both an intriguing overview of the collection and, with it, a tour through the very history of photography itself.There Was a Whole Collection Made includes an extensive timeline on the medium’s evolution that notes important dates, exhibitions, and texts. Artists and scholars alike contribute personal reflections on and interpretations of the Guttmans’ photographs, which include images by such artists as William Henry Fox Talbot, Man Ray, László Moholy-Nagy, and Carrie Mae Weems. A colorful introduction to a key visual resource, There Was a Whole Collection Made crosses time periods and genres to revel in the enduring power of the camera lens.

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Fashion - the question of what to wear and how to wear it - is a centuries-old obsession. Beyond superficial concerns with personal appearance, the history of dress points to deep preoccupations surrounding the social order, national identity, and moral decency. Produced in conjunction with an exhibition at the David and Alfred Smart Museum of Art (running from October 23, 2001 through April 28, 2002), A Well-Fashioned Image investigates clothing and the representation of clothing from these various perspectives. This richly illustrated catalogue, the fourth in a series sponsored by the Andrew W. Mellon Foundation, features an introduction by co-curators Elizabeth Rodini and Elissa B. Weaver, which is followed by essays addressing the topic from a variety of perspectives. Also included are a substantial bibliography on the topic of costume in art and an exhibition checklist.

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In their ongoing search for divinity, Western European Christians followed many different paths to a personal connection with the eternal, including the intimacies of private prayer, the spectacle of the Mass, and the veneration of saintly relics. Along the way, art objects and artifacts served as companions, guides and comforts. The essays in this catalogue consider the central role objects and images played in these spiritual journeys. They investigate imagery's critical role in the development of personal devotions, in the organization of liturgical worship, and in practices surrounding the institution of the Eucharist and the cult of saints.

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Is Leo Strauss truly an intellectual forebear of neoconservatism and a powerful force in shaping Bush administration foreign policy? "The Truth about Leo Strauss" puts this question to rest, revealing for the first time how the popular media came to perpetuate an oversimplified view of a complex and wide-ranging philosopher. In doing so, it corrects our perception of Strauss, providing the best general introduction available to the political thought of this misunderstood figure.Catherine and Michael Zuckert - both former students of Strauss - guide readers here to a nuanced understanding of how Strauss' political thought fits into his broader philosophy. Challenging the idea that Strauss was an inflexible conservative who followed in the foot-steps of Nietzsche, Heidegger, and Carl Schmitt, the Zuckerts contend that Strauss' signature idea was the need for a return to the ancients. Through their work, they conclude that Strauss was a sober defender of liberal democracy, aware of both its strengths and its weaknesses.Balanced and accessible, "The Truth about Leo Strauss" is a must-read for anyone who wants to more fully comprehend this enigmatic philosopher and his much-disputed legacy.

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In this groundbreaking study, Oliver Zunz examines how the growth of corporations changed

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Is Leo Strauss truly an intellectual forebear of neoconservatism and a powerful force in shaping Bush administration foreign policy? "The Truth about Leo Strauss" puts this question to rest, revealing for the first time how the popular media came to perpetuate an oversimplified view of a complex and wide-ranging philosopher. In doing so, it corrects our perception of Strauss, providing the best general introduction available to the political thought of this misunderstood figure.Catherine and Michael Zuckert - both former students of Strauss - guide readers here to a nuanced understanding of how Strauss' political thought fits into his broader philosophy. Challenging the idea that Strauss was an inflexible conservative who followed in the foot-steps of Nietzsche, Heidegger, and Carl Schmitt, the Zuckerts contend that Strauss' signature idea was the need for a return to the ancients. Through their work, they conclude that Strauss was a sober defender of liberal democracy, aware of both its strengths and its weaknesses.Balanced and accessible, "The Truth about Leo Strauss" is a must-read for anyone who wants to more fully comprehend this enigmatic philosopher and his much-disputed legacy.

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This volume brings to the study of China the theoretical concerns and methods of contemporary critical cultural studies. Written by historians, art historians, anthropologists and literary critics who came of age after the People's Republic resumed scholarly ties with the United States, these essays provide new insights not only for China studies but also, by extension, for non-Asian cultural criticism. Contributors investigate problems of bodiliness, engendered subjectivities and discourses of power through a variety of sources that include written texts, paintings, buildings, interviews and observations. Taken together, the essays show that bodies in China have been classified, represented, discussed, ritualized, gendered and eroticized in as many ways as those described in critical histories of the West. Silk robes, rocks, winds, gestures of bowing, yin yang hierarchies and cross-dressing have helped create experiences of the body specific to Chinese historical life. By pointing to multiple examples of re-imagining subjectivity and renegotiating power, the essays encourage scholars to avoid making broad generalizations about China and to rethink traditional notions of power, subject and bodiliness in light of actual Chinese practices.

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Confucius called them the "king of fragrant plants," and John Ruskin condemned them as "prurient apparitions." Across the centuries, orchids have captivated us with their elaborate exoticism, their powerful perfumes, and their sublime seductiveness. But the disquieting beauty of orchids is an unplanned marvel of evolution, and the story of orchids is as captivating as any novel. As acclaimed writer Michael Pollan and National Geographic photographer Christian Ziegler spin tales of orchid conquest in "Deceptive Beauties: The World of Wild Orchids", we learn how these flowers forests to the Arctic, from semi deserts to rocky mountainsides; how their shapes, colors, and scents are, as Darwin put it, "beautiful contrivances" meant to dupe pollinating male insects in the strangest ways. What other flowers, after all, can mimic the pheromones and even appearance of female insects, so much so that some male bees prefer sex with the orchids over sex with their own kind? And insects aren't the only ones to fall for the orchids' charms. Since the "orchidelirium" of the Victorian era, humans have braved the wilds to search them out and devoted copious amounts of time and money propagating and hybridizing, nurturing and simply gazing at them. This astonishing book features over 150 unprecedented color photographs taken by Christian Ziegler himself as he trekked through wilderness on five continents to capture the diversity and magnificence of orchids in their natural habitats. His intimate and astonishing images allow us to appreciate up close nature's most intoxicating and deceptive beauties.

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In the spring of 1989 over 100,000 students in Beijing initiated the largest student revolt in human history. Television screens across the world filled with searing images from Tiananmen Square of protesters thronging the streets, massive hunger strikes, tanks set ablaze, and survivors tending to the dead and wounded after a swift and brutal government crackdown.Dingxin Zhao's award-winning The Power of Tiananmen is the definitive treatment of these historic events. Along with grassroots tales and interviews with the young men and women who launched the demonstrations, Zhao carries out a penetrating analysis of the many parallel changes in China's state-society relations during the 1980s. Such changes prepared an alienated academy, gave rise to ecology-based student mobilization, restricted government policy choices, and shaped student emotions and public opinion, all of which, Zhao argues, account for the tragic events in Tiananmen.

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Who were the first people to inhabit North America? Does the West Bank belong to the Arabs or the Jews? Why are racists so obsessed with origins? Did the terrorist attacks of September 11 mark the end of an era? Or the beginning of a new one? As Eviatar Zerubavel demonstrates in "Time Maps", we cannot answer burning questions such as these without a deeper understanding of how we envision the past. In a pioneering attempt to map the structure of our collective memory, Zerubavel considers the cognitive patterns we use to organize the past in our minds, the mental strategies that help us string together unrelated events into coherent and meaningful narratives, and the social grammar of battles over conflicting interpretations of history. Drawing on fascinating examples that range from Hiroshima to the Holocaust, from Watergate to the West Bank, and from ancient Rome to the former Yugoslavia, Zerubavel shows how we construct historical origins; how we organize time into stories; how we tie discontinuous events together into eras; how we link families and entire nations through genealogies; and how we separate distinct historical periods from one another through watersheds, such as the invention of fire or the fall of the Berlin wall. Most people think the Roman Empire ended in 476, even though it lasted another 977 years in Byzantium. Challenging such conventional wisdom, "Time Maps" should be valuable reading for anyone interested in how the history of our world takes shape.

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Because new nations need new pasts, they create new ways of commemorating and recasting select historic events. In this volume Yael Zerubavel illuminates this dynamic process by examining the construction of Israeli national tradition. Zerubavel focuses on the nationalist reinterpretation of the defence of Masada against the Romans in 73 C.E. and the Bar Kokhba revolt of 133-135; and on the transformation of the 1920 defence of a new Jewish settlement in Tel Hai into a national myth. Zerubavel demonstrates how, in each case, Israeli memory transforms events that ended in death and defeat into heroic myths and symbols of national revival. Drawing on a broad range of official and popular sources and original interviews, Zerubavel shows that the construction of a new national tradition is not necessarily the product of government policy but a creative collaboration between politicians, writers, and educators. Her discussion of the politics of commemoration demonstrates how rival groups can turn the past into an arena of conflict as they posit competing interpretations of history and opposing moral claims on the use of the past. Zerubavel analyzes the emergence of counter-memories within the reality of Israel's frequent wars, the ensuing debates about the future of the occupied territories, and the embattled relations with Palestinians.

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This volume presents the most complete collection available of the work of Victor Zarnowitz, a leader in the study of business cycles, growth, inflation, and forecasting.. With characteristic insight, Zarnowitz examines theories of the business cycle, including Keynesian and monetary theories and more recent rational expectation and real business cycle theories. He also measures trends and cycles in economic activity; evaluates the performance of leading indicators and their composite measures; surveys forecasting tools and performance of business and academic economists; discusses historical changes in the nature and sources of business cycles; and analyzes how successfully forecasting firms and economists predict such key economic variables as interest rates and inflation.

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In "Out of the Pits", Caitlin Zaloom shows how traders, brokers, and global financial markets have adapted to the digital age. Drawing on her firsthand experiences as a clerk and a trader, as well as her unusual access to key sites of global finance, she explains how changes at the world's leading financial exchanges have transformed economic cultures and the craft of speculation; how people and places are responding to the digital transition; how traders are remaking themselves to compete in the contemporary marketplace; and how brokers, business managers, and software designers are collaborating to build new markets. A penetrating and richly detailed account of how cities, culture, and technology shape everyday life in the global economy, "Out of the Pits" will be required reading for anyone who has ever wondered how financial markets work.

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During the 1830s, the United States experienced a wave of movements for social change over temperance, the abolition of slavery, anti-vice activism, and a host of other moral reforms. While these efforts have mostly been considered independently of one another, Michael P. Young argues, for the first time in "Bearing Witness against Sin" that together they represented a distinctive new style of mobilization - one that prefigured contemporary forms of social protest by underscoring the role of national religious structures. In this book, Young identifies a new strain of protest that challenged antebellum Americans to take personal responsibility for reforming social problems. At this point in history, national sins, such as slaveholding were first being recognized for their unmatched evil and sinfulness. This newly awakened consciousness coupled with a confessional style of protest seized the American imagination and took off in a way that galvanized thousands of people. Such a phenomenon, Young argues, helps explain the lives of charismatic reformers such as William Lloyd Garrison, the Grimke sisters, and many others. Marshalling lively historical materials, including letters and life histories of reformers, "Bearing Witness against Sin" is a revelatory account of how religion lay at the heart of social reform.

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American urban ruins have become increasingly prominent, whether in debates about home foreclosures, images of 9/11, or postapocalyptic movies. Nick Yablon argues that this association between American cities and ruins dates back to a much earlier period in the nation's history. Recovering numerous scenes of urban desolation - from accounts of failed banks, abandoned towns, and dilapidated tenements to popular fiction and cartoons that envisioned disintegrating skyscrapers and bridges - Yablon challenges the myth that ruins were absent or at least insignificant objects in nineteenth-century America. Unlike classical and Gothic ruins, which decayed over centuries and inspired philosophical meditations about the past, American ruins often appeared unpredictably and disappeared before they could accrue an aura of age. In doing so, they generated critical reflections about contemporary cities, and the new kinds of experience they enabled. Unearthing evocative depictions of these untimely ruins everywhere from the archives of photography clubs to the pages of pulp magazines, Yablon reconstructs crucial debates about America's economic, technological, and cultural transformation in an age of urban modernity.

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Nationalism is one of modern history's great surprises. How is it that the nation, a relatively old form of community, has risen to such prominence in an era so strongly identified with the individual? Bernard Yack argues that it is the inadequacy of our understanding of community - and especially the moral psychology that animates it - that has made this question so difficult to answer. Yack develops a broader and more flexible theory of community and shows how to use it in the study of nations and nationalism. What makes nationalism such a powerful and morally problematic force in our lives is the interplay of old feelings of communal loyalty and relatively new beliefs about popular sovereignty. By uncovering this fraught relationship, Yack moves our understanding of nationalism beyond the oft-rehearsed debate between primordialists and modernists, those who exaggerate our loss of individuality and those who underestimate the depth of communal attachments. A brilliant and compelling book, "Nationalism and the Moral Psychology of Community" sets out a revisionist conception of nationalism that cannot be ignored.

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Always connect - that is the imperative of today's media. But what about those moments when media cease to function properly, when messages go beyond the sender and receiver to become excluded from the world of communication itself - those messages that state: "There will be no more messages"? In this book, Alexander R. Galloway, Eugene Thacker, and McKenzie Wark turn our usual understanding of media on its head by arguing that these moments reveal the ways the impossibility of communication is integral to communication itself - instances they call excommunication. In three linked essays, Excommunication pursues this elusive topic by looking at mediation in the face of banishment, exclusion, and heresy, and by contemplating the possibilities of communication with the great beyond. First, Galloway proposes an original theory of mediation based on classical literature and philosophy, using Hermes, Iris, and the Furies to map out three of the most prevalent modes of mediation today-mediation as exchange, as illumination, and as network. Then, Thacker goes boldly beyond Galloway's classification scheme by examining the concept of excommunication through the secret link between the modern horror genre and medieval mysticism. Finally, Wark evokes the poetics of the infuriated swarm as a queer politics of heresy that deviates from both media theory and the traditional left. Reexamining commonplace definitions of media, mediation, and communication, Excommunication offers a glimpse into the realm of the nonhuman to find a theory of mediation adequate to our present condition.

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When the Republic of Guinea gained independence in 1958, one of the first policies of the new state was a village-to-village eradication of masks and other ritual objects it deemed "fetishes." The Demystification Program, as it was called, was so urgent it even preceded the building of a national road system. In Unmasking the State, Mike McGovern attempts to understand why this program was so important to the emerging state and examines the complex role it had in creating a unified national identity. In doing so, he tells a dramatic story of cat and mouse where minority groups cling desperately to their important - and outlawed - customs. Primarily focused on the communities in the country's south-eastern rainforest region - people known as Forestiers - the Demystification Program operated via a paradox. At the same time it banned rituals from Forestiers' day-to-day lives, it appropriated them into a state-sponsored program of folklorization. McGovern points to an important purpose for this: by objectifying this polytheistic group's rituals, the state created a viable counter example against which the Muslim majority could define proper modernity. Describing the intertwined relationship between national and local identity making, McGovern showcases the coercive power and the unintended consequences involved when states attempt to engineer culture.

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Power is the central organizing principle of all social life, from culture and education to stratification and taste. And there is no more prominent name in the analysis of power than that of noted sociologist Pierre Bourdieu. Throughout his career, Bourdieu challenged the commonly held view that symbolic power - the power to dominate - is solely symbolic. He emphasized that symbolic power helps create and maintain social hierarchies, which form the very bedrock of political life. By the time of his death in 2002, Bourdieu had become a leading public intellectual, and his argument about the more subtle and influential ways that cultural resources and symbolic categories prevail in power arrangements and practices had gained broad recognition. In "Symbolic Power, Politics, and Intellectuals", David L. Swartz delves deeply into Bourdieu's work to show how central - but often overlooked - power and politics are to an understanding of sociology. Arguing that power and politics also stand at the core of Bourdieu's sociology, Swartz illuminates Bourdieu's political project for the social sciences, as well as Bourdieu's own political activism, explaining how sociology is not just science but also a crucial form of political engagement.

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Throughout his long career, Jacques Derrida had a close, collaborative relationship with "Critical Inquiry" and its editors. He saved some of his most important essays for the journal, and he relished the ensuing arguments and polemics that stemmed from the responses to his writing that "Critical Inquiry" encouraged. Collecting the best of Derrida's work that was published in the journal between 1980 and 2002, "Signature Derrida" provides a remarkable introduction to the philosopher and the evolution of his thought. These essays define three significant "periods" in Derrida's writing: his early, seemingly revolutionary phase; a middle stage, often autobiographical, that included spirited defense of his work; and his late period, when his persona as a public intellectual was prominent, and he wrote on topics such as animals and religion. The first period is represented by essays like "The Law of Genre," in which Derrida produces a kind of phenomenological narratology. Another essay, "The Linguistic Circle of Geneva," embodies the second, presenting deconstructionism at its best: Derrida shows that what was imagined to be an epistemological break in the study of linguistics was actually a repetition of earlier concepts. The final period of Derrida's writing includes the essays "Of Spirit" and "The Animal That Therefore I Am (More to Follow)" and eulogies for Michel Foucault, Louis Marin, and Emmanuel Levinas, in which Derrida uses the ideas of each thinker to push forward the implications of their theories. Gathering a small but crucial portion of the oeuvre of this singular philosopher, "Signature Derrida" is the most wide-ranging, and thus most representative, anthology of Derrida's work to date.

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Although their leaders and staff are not elected, bureaucratic agencies have the power to make policy decisions that carry the full force of the law. In this groundbreaking book, Sean Gailmard and John W. Patty explore an issue central to political science and public administration: How do Congress and the president ensure that bureaucratic agencies implement their preferred policies? The assumption has long been that bureaucrats bring to their positions expertise, which must then be marshaled to serve the interests of a particular policy. In "Learning While Governing", Gailmard and Patty overturn this conventional wisdom, showing instead that much of what bureaucrats need to know to perform effectively is learned on the job. Bureaucratic expertise, they argue, is a function of administrative institutions and interactions with political authorities that collectively create an incentive for bureaucrats to develop expertise. The challenge for elected officials is therefore to provide agencies with the autonomy to do so while making sure they do not stray significantly from the administration's course. To support this claim, the authors analyze several types of information-management processes. "Learning While Governing" speaks to an issue with direct bearing on power relations between Congress, the president, and the executive agencies, and it will be a welcome addition to the literature on bureaucratic development.

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Shakespeare wrote of lions, shrews, horned toads, curs, mastiffs, and hell-hounds. But he used the word "animal" only eight times in his work - which was typical for the sixteenth century, when the word was rarely used. As Laurie Shannon reveals in "The Accommodated Animal", the animal-human divide first came strongly into play in the seventeenth century, with Descartes' famous formulation that reason sets humans above other species: "I think, therefore I am." Before that moment, animals could claim a firmer place alongside humans in a larger vision of belonging, or what Shannon terms cosmopolity. With Shakespeare as her touch-stone, Shannon explores the creaturely dispensation that existed until Descartes. She finds that early modern writers used classical natural history and readings of "Genesis" to credit animals with various kinds of stakeholdership, prerogative, and entitlement, employing the language of politics in a constitutional vision of cosmic membership. Using this political idiom to frame cross-species relations, Shannon argues, carried with it the notion that animals possess their own investments in the world, a point distinct from the question of whether animals have reason. It also enabled a sharp critique of the tyranny of humankind. By answering "the question of the animal" historically, "The Accommodated Animal" makes a brilliant contribution to cross-disciplinary debates engaging political theory, intellectual history, and literary studies.

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"Disposable Camera" For Karen To a disposable camera I have confined the paradise where my sister lives - palisades, sycamores, Sunbathers mistaken for statuary. People with shears, shrubbery cut into sea creatures. Lemon trees bloom in front of houses. Trophy wives escort children through mazes of palm trees. In the shadows of palms the children paw their toys delicately while the youngest one rides his plastic motorcycle toward his mother with a confidence so absolute, so heartbreakingly beautiful, everybody at the pier hopes nothing will ever humiliate it, that it will persist after the camera runs out of film. Although "Disposable Camera" is Janet Foxman's first book-length collection, you would not know it given the wry sophistication of the poems found within. The notion of the disposable camera permeates the entire book, where Foxman considers the instabilities in even our deepest attachments. Here gulfs expand, for instance, between twins, between the musician and his instrument, between the recluse and his inconsolable solitude. Whether a hermit; a twin; a filmgoer utterly taken with Triumph of the Will; or Masaccio, just after he's painted the Expulsion - the poems' speakers share a nagging anxiety that satisfaction may not exist outside the effort to imagine it, and that efforts at art and making, however compulsory to their executor, are probably regrettable from the start. A formally inventive and daring book, and one that displays a sophistication well beyond the poet's years, "Disposable Camera" will be a valuable addition to American poetry.

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Shakespeare wrote of lions, shrews, horned toads, curs, mastiffs, and hell-hounds. But he used the word "animal" only eight times in his work - which was typical for the sixteenth century, when the word was rarely used. As Laurie Shannon reveals in "The Accommodated Animal", the animal-human divide first came strongly into play in the seventeenth century, with Descartes' famous formulation that reason sets humans above other species: "I think, therefore I am." Before that moment, animals could claim a firmer place alongside humans in a larger vision of belonging, or what Shannon terms cosmopolity. With Shakespeare as her touch-stone, Shannon explores the creaturely dispensation that existed until Descartes. She finds that early modern writers used classical natural history and readings of "Genesis" to credit animals with various kinds of stakeholdership, prerogative, and entitlement, employing the language of politics in a constitutional vision of cosmic membership. Using this political idiom to frame cross-species relations, Shannon argues, carried with it the notion that animals possess their own investments in the world, a point distinct from the question of whether animals have reason. It also enabled a sharp critique of the tyranny of humankind. By answering "the question of the animal" historically, "The Accommodated Animal" makes a brilliant contribution to cross-disciplinary debates engaging political theory, intellectual history, and literary studies.

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Mount Vesuvius has been famous ever since its eruption in 79 CE, when it destroyed and buried the Roman cities of Pompeii and Herculaneum. But less well-known is the role it played in the science and culture of early modern Italy, as Sean Cocco reveals in this ambitious and wide-ranging study. Humanists began to make pilgrimages to Vesuvius during the early Renaissance to experience its beauty and study its history, but a new tradition of observation emerged in 1631 with the first great eruption of the modern period. Seeking to understand the volcano's place in the larger system of nature, Neapolitans flocked to Vesuvius to examine volcanic phenomena and to collect floral and mineral specimens from the mountainside. In "Watching Vesuvius", Cocco argues that this investigation and engagement with Vesuvius was paramount to the development of modern volcanology. He then situates the native experience of Vesuvius in a larger intellectual, cultural, and political context and explains how later eighteenth-century representations of Naples - of its climate and character - grew out of this tradition of natural history. Painting a rich and detailed portrait of Vesuvius and those living in its shadow, Cocco returns the historic volcano to its place in a broader European culture of science, travel, and appreciation of the natural world.

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Journeys in the Levant. "How to speak of the imaginative reach of a land habitually seen as a seedbed of faiths and heresies, confluences and ruptures...trouble spot and findspot, ruin and renewal, fault line and ragged clime, with a medley of people and languages once known with mingled affection and wariness as Levantine?" So begins poet Gabriel Levin in his journeys in the Levant, the exotic land that stands at the crossroads of western Asia, the eastern Mediterranean, and northeast Africa. Part travelogue, part field guide, and part literary appreciation, "The Dune's Twisted Edge" assembles six interlinked essays that explore the seaboard of the Levant and its deserts, bringing to life this enigmatic part of the world. Striking out from his home in Jerusalem in search of a poetics of the Fertile Crescent, Levin probes the real and imaginative terrain of the Levant, a place that beckoned to him as a source of wonder and self-renewal. His footloose travels take him to the Jordan Valley; to Wadi Rumm south of Petra; to the semiarid Negev of modern-day Israel and its Bedouin villages; and, in his recounting of the origins of Arabic poetry, to the Empty Quarter of Arabia where the pre-Islamic poets once roamed. His meanderings lead to encounters with a host of literary presences: the wandering poet-prince Imru al-Qays, Byzantine empress Eudocia, British naturalist Henry Baker Tristram, Herman Melville making his way to the Dead Sea, and even New York avantgarde poet Frank O'Hara. When he is not confronting ghosts, Levin finds himself stumbling upon the traces of vanished civilizations. He discovers a ruined Umayyad palace on the outskirts of Jericho, the Greco-Roman hot springs near the Sea of Galilee, and Nabatean stick figures carved on stones in the sands of Jordan. Vividly evoking the landscape, cultures, and poetry of this ancient region, "The Dune's Twisted Edge" celebrates the contested ground of the Middle East as a place of compound myths and identities.

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Michael Jackson's "Lifeworlds" is a masterful collection of essays, the culmination of a career aimed at understanding the relationship between anthropology and philosophy. Seeking the truths that are found in the interstices between examiner and examined, world and word, and body and mind, and taking inspiration from James, Dewey, Arendt, Husserl, Sartre, Camus, and, especially, Merleau-Ponty, Jackson creates in these chapters a distinctive anthropological pursuit of existential inquiry. More important, he buttresses this philosophical approach with committed empirical research. Traveling from the Kuranko in Sierra Leone to the Maori in New Zealand to the Warlpiri in Australia, Jackson argues that anthropological subjects continually negotiate - imaginatively, practically, and politically - their relations with the forces surrounding them and the resources they find in themselves or in solidarity with significant others. At the same time that they mirror facets of the larger world, they also help shape it. Stitching the themes, people, and locales of these essays into a sustained argument for a philosophical anthropology that focuses on the places between, Jackson offers a pragmatic understanding of how people act to make their lives more viable, to grasp the elusive, to counteract external powers, and to turn abstract possibilities into embodied truths.

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Human beings are social animals. Yet despite vast amounts of research into political decision making, very little attention has been devoted to its social dimensions. In political science, social relationships are generally thought of as mere sources of information, rather than active influences on one's political decisions. Drawing upon data from settings as diverse as South Los Angeles and Chicago's wealthy North Shore, Betsy Sinclair shows that social networks do not merely inform citizens' behavior, they can - and do - have the power to change it. From the decision to donate money to a campaign or vote for a particular candidate to declaring oneself a Democrat or Republican, basic political acts are surprisingly subject to social pressures. When members of a social network express a particular political opinion or belief, Sinclair shows, others notice and conform, particularly if their conformity is likely to be highly visible. We are not just social animals, but social citizens whose political choices are significantly shaped by peer influence. "The Social Citizen" has important implications for our concept of democratic participation and will force political scientists to revise their notion of voters as socially isolated decision makers.

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Animal studies and biopolitics are two of the most dynamic areas of interdisciplinary scholarship, but until now, they have had little to say to each other. Bringing these two emergent areas of thought into direct conversation in "Before the Law", Cary Wolfe fosters a new discussion about the status of nonhuman animals and the shared plight of humans and animals under biopolitics. Wolfe argues that the human-animal distinction must be supplemented with the central distinction of biopolitics: the difference between those animals that are members of a community and those that are deemed killable but not murderable. From this understanding, we can begin to make sense of the fact that this distinction prevails within both the human and animal domains and address such difficult issues as why we afford some animals unprecedented levels of care and recognition while subjecting others to unparalleled forms of brutality and exploitation. Engaging with many major figures in biopolitical thought - from Heidegger, Arendt, and Foucault to Agamben, Roberto Esposito, and Derrida - Wolfe explores how biopolitics can help us understand both the ethical and political dimensions of the current questions surrounding the rights of animals.

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The United States is among the wealthiest nations in the world. But that wealth hasn't translated to a higher life expectancy, an area where the United States still ranks thirty-eighth-behind Cuba, Chile, Costa Rica, and Greece, among many others. Some fault the absence of universal health care or the persistence of social inequalities. Others blame unhealthy lifestyles. But these emphases on present-day behaviors and policies miss a much more fundamental determinant of societal health: the state. Werner Troesken looks at the history of the United States with a focus on three diseases - smallpox, typhoid fever, and yellow fever - to show how constitutional rules and provisions that promoted individual liberty and economic prosperity also influenced the country's ability to eradicate infectious disease. Ranging from federalism under the Commerce Clause to the Contract Clause and the Fourteenth Amendment, Troesken argues persuasively that many institutions intended to promote desirable political or economic outcomes also hindered the provision of public health. We are unhealthy, in other words, at least in part because our political and legal institutions function well. The compelling new perspective of The Pox of Liberty challenges many traditional claims that infectious diseases are inexorable forces in human history, revealing them instead to be the result of public and private choices.

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Everyone wants to visit New York at least once. The Big Apple is a global tourist destination with a dizzying array of attractions throughout the five boroughs. The only problem is figuring out where to start - and that's where the city's tour guides come in. These guides are a vital part of New York's raucous sidewalk culture, and, as "The Tour Guide" reveals, the tours they offer are as fascinatingly diverse - and eccentric - as the city itself. Visitors can take tours that cover Manhattan before the arrival of European settlers, the nineteenth-century Irish gangs of Five Points, the culinary traditions of Queens, the culture of Harlem, or even the surveillance cameras of Chelsea - in short, there are tours to satisfy anyone's curiosity about the city's past or present. And the guides are as intriguing as the subjects, we learn, as Jonathan R. Wynn explores the lives of the people behind the tours, introducing us to office workers looking for a diversion from their desk jobs, unemployed actors honing their vocal skills, and struggling retirees searching for a second calling. Matching years of research with his own experiences as a guide, Wynn also lays bare the grueling process of acquiring an official license and offers a how-to guide to designing and leading a tour. Touching on the long history of tour-giving across the globe as well as the ups and downs of New York's tour guide industry in the wake of 9/11, "The Tour Guide" is as informative and insightful as the chatty, charming, and colorful characters at its heart.

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"Wright's views about population genetics and evolution are so fundamental and so comprehensive that every serious student must examine these books firsthand. . . . Publication of this treatise is a major event in evolutionary biology."-Daniel L. Hartl, "BioScience"

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Cartographers have known for decades that maps are far from objective representations of the world; rather, every map reflects the agendas and intentions of its creators. Yet that understanding has had almost no effect on the way maps are viewed and used by the general public. In "The Natures of Maps", cartographers Denis Wood and John Fels present a compelling exploration of a wide range of maps to answer the question of, as they put it, why maps have "gotten away with it."To answer that question, the authors turn to a category of maps with a particularly strong reputation for objectivity: maps of nature. From depictions of species habitats and bird migrations to portrayals of the wilds of the Grand Canyon and the reaches of the Milky Way, such maps are usually presumed - even by users who should know better - to be strictly scientific. Yet by drawing our attention to every aspect of these maps' self-presentation, from place names to titles and legends, the authors reveal the way that each piece of information collaborates in a disguised effort to mount an argument about reality. Without our realizing it, those arguments can then come to define our very relationship to the natural world - determining whether we see ourselves as humble hikers or rampaging despoilers, participants or observers, consumers or stewards.Richly illustrated, and crafted in vivid and witty prose, "The Natures of Maps" will enlighten and entertain map aficionados, scholars, and armchair navigators alike. You'll never be able to look at Google Maps quite the same way again.

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Pioneered in the late 1980s, the concept of macroecology - a framework for studying ecological communities with a focus on patterns and processes - revolutionized the field. Although this approach has been applied mainly to terrestrial ecosystems, there is increasing interest in quantifying macroecological patterns in the sea and understanding the processes that generate them. Taking stock of the current work in the field and advocating a research agenda for the decades ahead, "Marine Macroecology" draws together insights and approaches from a diverse group of scientists to show how marine ecology can benefit from the adoption of macroecological approaches. Divided into three parts, "Marine Macroecology" first provides an overview of marine diversity patterns and offers case studies of specific habitats and taxonomic groups. In the second part, contributors focus on process-based explanations for marine ecological patterns. The third part presents new approaches to understanding processes driving the macroecological patterns in the sea. Uniting unique insights from different perspectives with the common goal of identifying and understanding large-scale biodiversity patterns, "Marine Macroecology" will inspire the next wave of marine ecologists to approach their research from a macroecological perspective.

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Picture your twenty-first birthday. Did you have a party? If so, do you remember who was there? Now step back: how clear are those memories? Should we trust them to be accurate, or is there a chance that you're remembering incorrectly? And where have the many details you can no longer recall gone? Are they hidden somewhere in your brain, or are they lost forever? Such questions have fascinated scientists for hundreds of years, and, as Alison Winter shows in "Memory: Fragments of a Modern History", the answers have changed dramatically in just the past century. Tracing the cultural and scientific history of our understanding of memory, Winter explores early metaphors that likened memory to a filing cabinet; later, she shows, that cabinet was replaced by the image of a reel of film, ever available for playback. That model, too, was eventually superseded, replaced by the current understanding of memory as the result of an extremely complicated, brain-wide web of cells and systems that together assemble our pasts. Winter introduces us to innovative scientists and sensationalistic seekers, and, drawing on evidence ranging from scientific papers to diaries to movies, explores the way that new understandings from the laboratory have seeped out into psychiatrists' offices, courtrooms, and the culture at large. Along the way, she investigates the sensational battles over the validity of repressed memories that raged through the 1980s and shows us how changes in technology-such as the emergence of recording devices and computers-have again and again altered the way we conceptualize, and even try to study, the ways we remember. Packed with fascinating details and curious episodes from the convoluted history of memory science, "Memory" is a book you'll remember long after you close its cover.

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Since the dawn of Romanticism, artists and intellectuals in Germany have maintained an abiding interest in the gods and myths of antiquity while calling for a new mythology suitable to the modern age. In this study, George S. Williamson examines the factors that gave rise to this distinct and profound longing for myth. In doing so, he demonstrates the entanglement of aesthetic and philosophical ambitions in Germany with some of the major religious conflicts of the nineteenth century. Through readings of key intellectuals ranging from Herder and Schelling to Wagner and Nietzsche, Williamson highlights three crucial factors in the emergence of the German engagement with myth: the tradition of Philhellenist neohumanism, a critique of contemporary aesthetic and public life as dominated by private interests, and a rejection of the Bible by many Protestant scholars as the product of a foreign, "Oriental" culture. According to Williamson, the discourse on myth in Germany remained bound up with problems of Protestant theology and confessional conflict through the nineteenth century and beyond. A compelling adventure in intellectual history, this study uncovers the foundations of Germany's fascination with myth and its enduring cultural legacy.

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France experienced a period of crisis following World War I when the relationship between the nation and its colonies became a subject of fierce public debate. "The French Imperial Nation-State" focuses on two intersecting movements that redefined imperial politics - colonial humanism, led by administrative reformers in West Africa, and the Paris-based Negritude project, comprising African and Caribbean elites. Gary Wilder develops a sophisticated account of the contradictory character of colonial government and examines the cultural nationalism of Negritude as a multifaceted movement rooted in an alternative black public sphere. He argues that interwar France must be understood as an imperial nation-state - an integrated sociopolitical system that linked a parliamentary republic to an administrative empire. An interdisciplinary study of colonial modernity combining French history, colonial studies, and social theory, The French Imperial Nation-State will compel readers to revise conventional assumptions about the distinctions between republicanism and racism, metropolitan and colonial societies, and national and transnational processes.

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In this extraordinary work, Donald J. Wilcox seeks to discover an approach to narrative and history consistent with the discontinuous, relative time of the twentieth century. He shows how our B.C./A.D. system, intimately connected to Newtonian concepts of continuous, objective, and absolute time, has affected our conception and experience of the past. He demonstrates absolute time's centrality to modern historical methodologies and the problems it has created in the selection and interpretation of facts. Inspired by contemporary fiction and Einsteinian concepts of relativity, he concludes his analysis with a comparison of our system with earlier, pre-Newtonian time schemes to create a radical new critique of historical objectivity.

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