Search results for ""Speak""

This volume of fourteen interviews covers the prolific and rich career of author Jerome Charyn (b. 1937). Four of the interviews appear in English for the first time, and two interviews appear here in print for the first time as well. As one of his autobiographical volumes claims, Jerome Charyn is a "Bronx Boy," a child born from immigrant parents who went through Ellis Island in the 1920s like so many other travelers without luggage, a "little werewolf" who grew up on his own in the chaos of the Bronx ghetto. "I think I was defined by two things: World War II and the movies." His work remains deeply marked by this childhood largely forgotten by the American Dream. If Charyn has spent much of his life in Paris, he has paradoxically never left the Bronx: "‘El Bronx’ is there inside my head, and I revisit it the way Hemingway would fish the Big Two-Hearted River in his dreams." His whole work is a long attempt at evoking his own history and celebrating his lifelong marveling at the power of language—"our second skin"—as well as his deep, unflinching belief in the promises of fiction. Since 1964, Charyn has published more than fifty books ranging from fiction to nonfiction and including short stories; very popular crime novels; graphic novels cowritten with European artists; essays on American culture and cinema as well as on New York; autobiography; and biography—an ever-changing production that has made it difficult for critics to classify him. And yet in many ways Charyn's writing thrives on constant currents: the words "voice," "song," "undersong," or "rhythm" return frequently in his interviews as he explains what literature is to him and ceaselessly asserts that he is trying "to find a music for a musicless world," a language for "people who cannot speak.

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An essential resource for understanding the complex history of Mexican Americans and racial classification in the United States Manifest Destinies tells the story of the original Mexican Americans—the people living in northern Mexico in 1846 during the onset of the Mexican American War. The war abruptly came to an end two years later, and 115,000 Mexicans became American citizens overnight. Yet their status as full-fledged Americans was tenuous at best. Due to a variety of legal and political maneuvers, Mexican Americans were largely confined to a second class status. How did this categorization occur, and what are the implications for modern Mexican Americans? Manifest Destinies fills a gap in American racial history by linking westward expansion to slavery and the Civil War. In so doing, Laura E Gómez demonstrates how white supremacy structured a racial hierarchy in which Mexican Americans were situated relative to Native Americans and African Americans alike. Steeped in conversations and debates surrounding the social construction of race, this book reveals how certain groups become racialized, and how racial categories can not only change instantly, but also the ways in which they change over time. This new edition is updated to reflect the most recent evidence regarding the ways in which Mexican Americans and other Latinos were racialized in both the twentieth and early twenty-first centuries. The book ultimately concludes that it is problematic to continue to speak in terms Hispanic “ethnicity” rather than consider Latinos qua Latinos alongside the United States’ other major racial groupings. A must read for anyone concerned with racial injustice and classification today. Listen to Laura Gómez's interviews on The Brian Lehrer Show, Wisconsin Public Radio, Texas Public Radio, and KRWG.

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An essential resource for understanding the complex history of Mexican Americans and racial classification in the United States Manifest Destinies tells the story of the original Mexican Americans—the people living in northern Mexico in 1846 during the onset of the Mexican American War. The war abruptly came to an end two years later, and 115,000 Mexicans became American citizens overnight. Yet their status as full-fledged Americans was tenuous at best. Due to a variety of legal and political maneuvers, Mexican Americans were largely confined to a second class status. How did this categorization occur, and what are the implications for modern Mexican Americans? Manifest Destinies fills a gap in American racial history by linking westward expansion to slavery and the Civil War. In so doing, Laura E Gómez demonstrates how white supremacy structured a racial hierarchy in which Mexican Americans were situated relative to Native Americans and African Americans alike. Steeped in conversations and debates surrounding the social construction of race, this book reveals how certain groups become racialized, and how racial categories can not only change instantly, but also the ways in which they change over time. This new edition is updated to reflect the most recent evidence regarding the ways in which Mexican Americans and other Latinos were racialized in both the twentieth and early twenty-first centuries. The book ultimately concludes that it is problematic to continue to speak in terms Hispanic “ethnicity” rather than consider Latinos qua Latinos alongside the United States’ other major racial groupings. A must read for anyone concerned with racial injustice and classification today. Listen to Laura Gómez's interviews on The Brian Lehrer Show, Wisconsin Public Radio, Texas Public Radio, and KRWG.

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How do digital technologies shape the experiences and meanings of migration? As the numbers of people fleeing war, poverty, and environmental disaster reach unprecedented levels worldwide, states also step up their mechanisms of border control. In this, they rely on digital technologies, big data, artificial intelligence, social media platforms, and institutional journalism to manage not only the flow of people at crossing-points, but also the flow of stories and images of human mobility that circulate among their publics. What is the role of digital technologies is shaping migration today? How do digital infrastructures, platforms, and institutions control the flow of people at the border? And how do they also control the public narratives of migration as a “crisis”? Finally, how do migrants themselves use these same platforms to speak back and make themselves heard in the face of hardship and hostility? Taking their case studies from the biggest migration event of the twenty-first century in the West, the 2015 European migration “crisis” and its aftermath up to 2020, Lilie Chouliaraki and Myria Georgiou offer a holistic account of the digital border as an expansive assemblage of technological infrastructures (from surveillance cameras to smartphones) and media imaginaries (stories, images, social media posts) to tell the story of migration as it unfolds in Europe’s outer islands as much as its most vibrant cities. This is a story of exclusion, marginalization, and violence, but also of care, conviviality, and solidarity. Through it, the border emerges neither as strictly digital nor as totally controlling. Rather, the authors argue, the digital border is both digital and pre-digital; datafied and embodied; automated and self-reflexive; undercut by competing emotions, desires, and judgments; and traversed by fluid and fragile social relationships—relationships that entail both the despair of inhumanity and the promise of a better future.

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An important analysis of the difference class makes in reproductive health choices Can you run a marathon, drink coffee, eat fish, or fly on a plane while pregnant? Such questions are just the tip of the iceberg for how most pregnant women’s bodies are managed, surveilled, and scrutinized during pregnancy. The Reproduction of Inequality examines the intense social pressure that expectant and new mothers face when it comes to their health and body-care choices. Drawing on interviews with dozens of pregnant women and new mothers from poor, middle-class, and mixed-class backgrounds, Katherine Mason paints a vivid picture of the immense weight of expectation that comes with the early stages of motherhood. The women in Mason’s study universally sought to give their children a healthy start in life; however, their chosen approaches varied based on their socio-economic class. Whereas middle-class mothers attempted a complete lifestyle change and absolute devotion to the achievement and maintenance of “the healthy pregnant body,” poorer women made strategic choices about which health goals to prioritize on a limited budget, lacking the economic and cultural capital required to speak and perfectly adhere to the language of “good health.” The unfortunate result is that middle-class mothers are more likely to be seen by others and by themselves as “good” parents, whereas the efforts of working-class mothers are often misread as displaying inadequate concern about their health and that of their child. This in turn contributes to longstanding stereotypes about poor families and communities, and limits their children's chances for upward mobility. The Reproduction of Inequality is a compelling analysis of the impact of class on new mothers’ approaches to health and wellness, and a sobering examination of how inequality shapes mothers’ efforts to maximize their own health and that of their children.

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'Lovely book to get lost in.' 'This book blew me away!' 'It's a book that you just fall into.' 'My book of the year.' 'Her best book yet.' 'Beautiful...'Lose yourself in this breathtaking love story set on the mysterious, windswept island of Seal, from the bestselling author of Watch Over Me. Perfect for fans of Lulu Taylor, Tracy Rees and Rosanna Ley.** Over 1 million copies sold of Daniela Sacerdoti's novels **Can a tiny Scottish island bring a heart back to life.. and offer a second chance at love?When Anna's partner walks away from their relationship, she is shattered. But it is her little girl Ava who takes it hardest of all, falling silent for three days. When she does finally speak, Ava talks about a new place - a small island of beauty, salt and sea in the Western Scottish Isles. In search of a new start, Anna and Ava embark on a journey to the remote and gorgeous Island of Seal. Falling in love with the locals and the landscape, could Seal offer the second chance they both need? Readers have been raving about Keep Me Safe:'A brilliant read. Love Daniela's books. *****' A reader'My book of the year. Highly recommended' A reader'I've already read Daniela's Glen Avich books and loved them but this one surpassed them' A reader'I could almost hear the sea and the wind. A great book' Lesley Pearse'I couldn't put it down' Daily Mail'Astoundingly good' The Sun'I fell in love with this book' Prima magazine'Heartwarming and mysterious' Katie Fforde'A mysterious journey to Seal, a place I already want to revisit' Dani Atkins'Exciting and emotional. I'm thrilled to find this is the first in a new series' Linda's Book Bag

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With a little bit of country, a whole lot of faith, and a healthy dose of sass, award-winning singer-songwriter Lauren Alaina's debut book, Getting Good at Being You, invites you to take the road less traveled as you step right up to who God calls you to be.After years in the spotlight on American Idol and Dancing with the Stars, country music star Lauren Alaina has learned a thing or two about fighting self-doubt and feeling at home in her own skin. In Getting Good at Being You, Lauren shares stories about everything from lost loves to getting a nose ring to battling an eating disorder to grieving a loved one’s death. Each story leads to practical tips, take-it-on-the-road strategies, and encouragement for your own personal and spiritual growth.In this book, you will be inspired to: speak to yourself with kindness and compassion chase the dreams that light your spirit on fire cultivate rich relationships with family and friends identify self-sabotaging beliefs and behaviors offer forgiveness for yourself and others Throughout the book, you will find: behind-the-scenes photos from Lauren's career in country music. lists, tips, and strategies to boost your self-confidence. prompts to help you dream big and run toward who you are. This beautiful book is a perfect gift for women who celebrate other women birthday celebrations or career promotions high school and college graduations fans who want to know more about country music stardom Each of us deserves head-over-heels, can't-get-enough, shout-it-from-the-mountaintops self-love. By the final page of Getting Good at Being You, that's just the kind of confidence you'll have. As Lauren discovered, maybe life is getting good after all.

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Your all-access guide to all things Access 2016 If you don't know a relational database from an isolationist table—but still need to figure out how to organize and analyze your data—Access 2016 For Dummies is for you. Written in a friendly and accessible manner, it assumes no prior Access or database-building knowledge and walks you through the basics of creating tables to store your data, building forms that ease data entry, writing queries that pull real information from your data, and creating reports that back up your analysis. Add in a dash of humor and fun, and Access 2016 For Dummies is the only resource you'll need to go from data rookie to data pro! This expanded and updated edition of Access For Dummies covers all of the latest information and features to help data newcomers better understand Access' role in the world of data analysis and data science. Inside, you'll get a crash course on how databases work—and how to build one from the ground up. Plus, you'll find step-by-step guidance on how to structure data to make it useful, manipulate, edit, and import data into your database, write and execute queries to gain insight from your data, and report data in elegant ways. Speak the lingo of database builders and create databases that suit your needs Organize your data into tables and build forms that ease data entry Query your data to get answers right Create reports that tell the story of your data findings If you have little to no experience with creating and managing a database of any sort, Access 2016 For Dummies is the perfect starting point for learning the basics of building databases, simplifying data entry and reporting, and improving your overall data skills.

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The comprehensive reference for informative WISC-V assessment Essentials of WISC-V Assessmentprovides step-by-step guidance for administering, scoring, and interpreting the Wechsler Intelligence Scale for Children (WISC-V). Packed with practical tips for more accurate assessment, this informative guide includes numerous case studies that illustrate a range of real-world issues. Special attention is devoted to the assessment of individuals who have significant learning difficulties, such as learning disabilities, and who speak English as a second language. The WISC-V is a valuable assessment tool, but it must be administered and scored appropriately to gain meaning from score interpretation. This book gives you an in-depth understanding of the WISC-V assessment and interpretive process to assist practitioners in: Conducting efficient and informative WISC-V assessments Utilizing WISC-V in cross-battery and neuropsychological assessment Applying WISC-V in the identification of specific learning disabilities Utilizing WISC-V in nondiscriminatory assessment of English language learners Writing theory-based WISC-V reports Linking WISC-V findings to interventions based on individual performance As the world's most widely-used intelligence test for children, the WISC-V is useful in diagnosing intellectual disabilities and specific learning disabilities, as well as in identifying giftedness. In this volume, sample reports demonstrate how WISC-V assessment results may be linked to interventions, accommodations, modifications, and compensatory strategies that facilitate positive outcomes for children. Essentials of WISC-V Assessment is the all-in-one practical resource for both students and practitioners. The book can be used on its own or with companion software (purchased separately) that provides a user-friendly tool for producing psychometrically and theoretically defensible interpretations of WISC-V performance, and may be used to develop interventions based on each child's strengths and weaknesses.

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How might we speak of human life amid violence, deprivation, or disease so intrusive as to put the idea of the human into question? How can scholarship and advocacy address new forms of war or the slow, corrosive violence that belie democracy's promise to mitigate human suffering? To Veena Das, the answers to these question lie not in foundational ideas about human nature but in a close attention to the diverse ways in which the natural and the social mutually absorb each other on a daily basis. Textures of the Ordinary shows how anthropology finds a companionship with philosophy in the exploration of everyday life. Based on two decades of ethnographic work among low-income urban families in India, Das shows how the notion of texture aligns ethnography with the anthropological tone in Wittgenstein and Cavell, as well as in literary texts. Das shows that doing anthropology after Wittgenstein does not consist in taking over a new set of terms such as forms of life, language games, or private language from Wittgenstein’s philosophy. Instead, we must learn to see what eludes us in the everyday precisely because it is before our eyes. The book shows different routes of return to the everyday as it is corroded not only by catastrophic events but also by repetitive and routine violence within everyday life itself. As an alternative to normative ethics, this book develops ordinary ethics as attentiveness to the other and as the ability of small acts of care to stand up to horrific violence. Textures of the Ordinary offers a model of thinking in which concepts and experience are shown to be mutually vulnerable. With questions returned to repeatedly throughout the text and over a lifetime, this book is an intellectually intimate invitation into the ordinary, that which is most simple yet most difficult to perceive in our lives.

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Reified Life addresses the most pressing political question of the 21st century: what forms of life are free and what forms are perceived legally and economically as surplus or expendable, human and otherwise. The 2008 economic crisis solidified the dominion of neoliberal and financial capital to organize human societies much to the detriment of the world’s populations. Reified Life theorizes the dangerous social implications of a posthuman future, whereby human agency is secondary to algorithmic processes, digital protocols, speculative financial instruments, and nonhuman market and technological forces. Employing new readings of Deleuze, Guattari, Foucault, Marx, Vico, Gramsci, Berardi, and Gilbert Simondon, Narkunas contends that it is premature to speak of a posthuman or inhuman future, or employ an ‘ism, given how dynamic and contingent human practices and their material figurations can be. Over several chapters he diagnoses the rise of “market humans,” the instrumentalization of culture to decide the life worth living along utilitarian categories, and the varied ways human rights and humanitarianism actually throw members of the species like refugees outside the human order. To combat this, Reified Life argues against Reified Life calls to abandon the human and humanism, and instead proposes the ahuman to think alongside the human, what philosopher Gilbert Simondon calls the transindividuation of ontogentic processes rather than subjectivity. To aid the “figurating animal,” Reified Life elaborates speculative fictions as critical mechanisms for envisioning alternative futures and freedoms from the domineering forces of speculative capital, whose fictions have become our realities. Narkunas offers, to that end, a novel interpretation of the post-anthropocentric turn in the humanities by linking the diminished centrality of humanism to the waning dominion of nation-states over their populations and the intensification of financial capitalism, which reconfigures politics along economic categories of risk management.

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Black theology has lost its direction. To reclaim its original power and to advance racial justice struggles today black theology must fully embrace blackness and theology. But multiculturalism and religious pluralism have boxed in black theology, forcing it to speak in terms dictated by a power structure founded on white supremacy. In Religion of the Field Negro, Vincent W. Lloyd advances and develops black theology immodestly, privileging the perspective of African Americans and employing a distinctively theological analysis. As Lloyd argues, secularism is entangled with the disciplining impulses of modernity, with neoliberal economics, and with Western imperialism – but it also contaminates and castrates black theology. Inspired by critics of secularism in other fields, Religion of the Field Negro probes the subtle ways in which religion is excluded and managed in black culture. Using Barack Obama, Huey Newton, and Steve Biko as case studies, it shows how the criticism of secularism is the prerequisite of all criticism, and it shows how criticism and grassroots organizing must go hand in hand. But scholars of secularism too often ignore race, and scholars of race too often ignore secularism. Scholars of black theology too often ignore the theoretical insights of secular black studies scholars, and race theorists too often ignore the critical insights of religious thinkers. Religion of the Field Negro brings together vibrant scholarly conversations that have remained at a distance from each other until now. Weaving theological sources, critical theory, and cultural analysis, this book offers new answers to pressing questions about race and justice, love and hope, theorizing and organizing, and the role of whites in black struggle. The insights of James Cone are developed together with those of James Baldwin, Sylvia Wynter, and Achille Mbembe, all in the service of developing a political-theological vision that motivates us to challenge the racist paradigms of white supremacy.

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What could it mean to speak of philosophy as “the education of grownups”? This book takes Stanley Cavell’s much-quoted, yet enigmatic phrase as the provocation for a series of explorations into themes of education that run throughout his work – through his response to Wittgenstein, Austin and ordinary language philosophy, through his readings of Thoreau and of the moral perfectionism he identifies with Emerson, through his discussions of literature and film. Hilary Putnam has described Cavell not only as one of the most creative thinkers of today but as amongst the few contemporary philosophers to explore the territory of philosophy as education. Yet in mainstream philosophy his work is apt to be referred to rather than engaged with, and the full import of his writings for education is still to be appreciated. Cavell engages in a sustained exploration of the nature of philosophy, and this is not separable from his preoccupation with what it is to teach and to learn, with the kinds of transformation these might imply, and with the significance of these things for our language and politics, for our lives as a whole. In recent years Cavell’s work has been the subject of a number of books of essays, but this is the first to address directly the importance of education in his work. Such matters cannot fail to be of significance not only for the disciplinary fields of philosophy and education, but in politics, literature, and film studies – and in the humanities as a whole. A substantial introduction provides an overview of the philosophical purchase of questions of education in his work, while the essays are framed by two new pieces by Cavell himself. The book shows what it means to read Cavell, and simultaneously what it means to read philosophically, in itself a part of our education as grownups.

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The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike. Movies seemed to speak directly to the masses, via a form of crowd psychology that bypassed individual personality. Many political commentators believed that movies were inherently aligned with the new forms of collectivist mass politics—indeed, government control of the movie industry became a cornerstone of Communist and Fascist regimes, new political movements that embraced the crowd as the basis of social order. Michael Tratner examines the representations of masses—the crowd scenes—in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions. In Hollywood films, this is depicted as molding private loves, while collectivist movies present it as turning into organized mass movements. Crowd scenes do more than provide backgrounds for stories, that is: they also function as models for the crowd in the theater. The book concludes with an examination of the films of Fritz Lang, who first in pre-Nazi Germany, then in Hollywood, created movies that can be seen as meditations on both these ways of using the crowd.

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This is a study of the African veterans of a European war. It is a story of men from the Cote d‘Ivoire, many of whom had seldom traveled more than a few miles from their villages, who served France as tirailleurs (riflemen) during World War II. Thousands of them took part in the doomed attempt to hold back the armies of the Third Relch in 1940; many were to spend the rest of the war as prisoners in Germany or Occupied France. Others more fortunate came under the authority of Vichy France, and were deployed in the Defense of the “Motherland” and its overseas possessions against the threat posed by the Allies. By 1943, the tirailleur regiments had passed into the service of de Gaulle’s free French and under Allied command, played a significant role in the liberation of Europe. In describing these complex events, Dr. Lawler draws upon archives in both France and the Cote d’Ivoire. She also carried out an extensive series of interviews with Ivoirien veterans principally, but not exclusively, from the Korhogo region. The vividness of their testimony gives this study a special character. They talk freely not only of their wartime exploits, but also of their experiences after repatriation. Lawler allows them to speak for themselves. They express their hatred of forced labor and military conscription, which were features of the colonial system, yet at the same time reveal a pride in having come to the defense of France. They describe their role in the nationalist struggle, as foot soldiers of Felix Houphouet-Boigny, but also convey their sense of having become a lost generation. They recognize that their experiences as French soldiers had become sadly irrelevant in a new nation in quest of its history.

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In Paper Monsters, Samuel Fallon charts the striking rise, at the turn to the seventeenth century, of a new species of textual being: the serial, semifictional persona. When Thomas Nashe introduced his charismatic alter ego Pierce Penilesse in a 1592 text, he described the figure as a "paper monster," not fashioned but "begotten" into something curiously like life. The next decade bore this description out, as Pierce took on a life of his own, inspiring other writers to insert him into their own works. And Pierce was hardly alone: such figures as the polemicist Martin Marprelate, the lovers Philisides and Astrophil, the shepherd-laureate Colin Clout, the prodigal wit Euphues, and, in an odd twist, the historical author Robert Greene all outgrew their fictional origins, moving from text to text and author to author, purporting to speak their own words, even surviving their creators' deaths, and installing themselves in the process as agents at large in the real world of writing, publication, and reception. In seeking to understand these "paper monsters" as a historically specific and rather short-lived phenomenon, Fallon looks to the rapid expansion of the London book trade in the years of their ascendancy. Personae were products of print, the medium that rendered them portable, free-floating figures. But they were also the central fictions of a burgeoning literary field: they embodied that field's negotiations between manuscript and print, and they forged a new form of public, textual selfhood. Sustained by the appropriative rewritings they inspired, personae came to seem like autonomous citizens of the literary public. Fallon argues that their status as collective fictions, passed among writers, publishers, and readers, positioned personae as the animating figures of what we have come to call "print culture."

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In the thirty-five years before the Civil War, it became increasingly difficult for Americans outside the world of politics to have frank and open discussions about the institution of slavery, as divisive sectionalism and heated ideological rhetoric circumscribed public debate. To talk about slavery was to explore—or deny—its obvious shortcomings, its inhumanity, its contradictions. To celebrate it required explaining away the nation's proclaimed belief in equality and its public promise of rights for all, while to condemn it was to insult people who might be related by ties of blood, friendship, or business, and perhaps even to threaten the very economy and political stability of the nation. For this reason, Paul D. Naish argues, Americans displaced their most provocative criticisms and darkest fears about the institution onto Latin America. Naish bolsters this seemingly counterintuitive argument with a compelling focus on realms of public expression that have drawn sparse attention in previous scholarship on this era. In novels, diaries, correspondence, and scientific writings, he contends, the heat and bluster of the political arena was muted, and discussions of slavery staged in these venues often turned their attention south of the Rio Grande. At once familiar and foreign, Cuba, Brazil, Haiti, and the independent republics of Spanish America provided rhetorical landscapes about which everyday citizens could speak, through both outright comparisons or implicit metaphors, what might otherwise be unsayable when talking about slavery at home. At a time of ominous sectional fracture, Americans of many persuasions—Northerners and Southerners, Whigs and Democrats, scholars secure in their libraries and settlers vulnerable on the Mexican frontier—found unity in their disparagement of Latin America. This displacement of anxiety helped create a superficial feeling of nationalism as the country careened toward disunity of the most violent, politically charged, and consequential sort.

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Ms. Mentor, that uniquely brilliant and irascible intellectual, is your all-knowing guide through the jungle that is academia today. In the last decade Ms. Mentor's mailbox has been filled to overflowing with thousands of plaintive epistles, rants, and gossipy screeds. A mere fraction has appeared in her celebrated monthly online and print Q&A columns for the Chronicle of Higher Education; her readers' colorful and rebellious ripostes have gone unpublished—until now. Hearing the call for a follow-up to the wildly successful Ms. Mentor's Impeccable Advice for Women in Academia, Ms. Mentor now broadens her counsel to include academics of the male variety. Ms. Mentor knows all about foraging for jobs, about graduate school stars and serfs, and about mentors and underminers, backbiters and whiners. She answers burning questions: Am I too old, too working class, too perfect, too blonde? When should I reproduce? When do I speak up, laugh, and spill the secrets I've gathered? Do I really have to erase my own blackboard? Does academic sex have to be reptilian? From the ivory tower that affords her an unparalleled view of the academic landscape, Ms. Mentor dispenses her perfect wisdom to the huddled masses of professorial newbies, hardbitten oldies, and anxious midcareerists. She gives etiquette lessons to academic couples and the tough-talking low-down on adjunct positions. She tells you what to wear, how to make yourself popular, and how to decode academic language. She introduces you to characters you must know: Professor Pelvic, Dr. Iron Fist, Mr. Upstart Whelp, Dean Titan, Professor McShameless. In this volume Ms. Mentor once again shares her wide-ranging unexpurgated wisdom, giving tips on bizarre writing rituals, tenure diaries, and time management (Exploding Head Syndrome). She decodes department meetings and teaches you the tricks for getting stellar teaching evaluations. Raw, shocking, precise, clever, absurd—Ms. Mentor has it all.

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Our democracy is in crisis. Both political trust and a shared standard of truth are broken. In this book, Walter Parker shows why and how a civic education can help. Offering a centrist approach suitable for a polarized society, Parker focuses on two linked curriculum objectives: disciplinary knowledge and voice. He illustrates how classroom discussion, alongside concept formation and deep reading, expand students' minds while developing their ability to speak with others and form opinions. When children come to school, they emerge from the private chrysalis of babyhood and kin to interact with a diverse student body along with teachers, curriculum, instruction, and the school's unique mission: education. Parker argues that these assets make school the ideal place to teach young people the liberal arts of studying and discussing public issues and academic controversies, both in and beyond school. The chapters in this collection, spanning 20 years and coming from one of civic education's most influential scholars, show that voice can be taught right alongside disciplinary knowledge. Drawing students into dialogue with one another on the curriculum's central questions is a teacher's most ambitious goal and, when it happens, teaching's greatest accomplishment.Book Features: Argues that the proper aim of civic education in schools is to shore up liberal democracy. Shows how discussion can be a main course, and not a side dish, of classroom instruction. Demonstrates how to use discussion to develop voice, defined as the freedom to make and express uncoerced decisions, and disciplinary knowledge, defined as the knowledge that results from a public process of error-seeking, contestation, and validation. Explains why students need to learn both disciplinary knowledge and voice if they are to take their place on the public stage and hold the "office of citizen" in a democracy. Treats subject-centered and student-centered instruction as partners, not opponents.

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Let Heaven Touch Your Everyday Life Nancy Ravenhill was just five years old, hiding in her bedroom after being beaten by her father, when she first saw Jesus. He was wearing white; His eyes were filled with love. In Nancy's earliest traumatic moment, Jesus showed up. Literally. It was the first of a lifetime of encounters that have shaped Nancy's life and faith. Here, Nancy shares the remarkable stories of her experiences with the living Christ. Her stories will leave you astounded--and inspired--by the God who still reaches out to comfort His children today. If you've ever wondered if Jesus is really there--or if He cares about you and knows what you're going through--this book is for you. The living Lord who has appeared and spoken to Nancy again and again is alive and well. He wants to speak to you, too. "What a delight to hold in your hands a book from a woman of God who loves and lives the Word of God. Want to be touched by heaven? Then read this book!"--James W. Goll, president, Encounters Network; international director, Prayer Storm; bestselling author "This is a truly remarkable book. God will become more alive and real to you as you follow Nancy on her fascinating, enlightening journey."--Joy Dawson, international Bible teacher and bestselling author "I highly recommend Touched by Heaven because, no matter where you are in life, there is always hope that God and all He has created are there to help you."--John Paul Jackson, Streams Ministries International "Touched by Heaven was captivating and kept my attention from the moment I began to read it. This book will bring life and raise a renewed expectation in the Lord and His providential plans for each of us."--Doug Stringer, founder and president, Turning Point Ministries International, Somebody Cares International

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Longlisted for the Wales Book of the Year 2007 Writing in 1903, W. E. B. Du Bois suggested that the goal for the African-American was 'to be a co-worker in the kingdom of culture'. He was evoking 'culture' as a solution to the divisions within society, thereby adopting, in a very different context, an idea that had been influentially expressed by Matthew Arnold in the 1860s. Du Bois questioned the assumed universality of this concept by asking who, ultimately, is allowed into the 'kingdom of culture'? How does one come to speak from a position of cultural authority? This book adopts a transatlantic approach to explore these questions. It centres on four Victorian 'men of letters' -- Matthew Arnold, William Dean Howells, W. B. Yeats and W. E. B. Du Bois -- who drew on notions of ethnicity as a basis from which to assert their cultural authority. In comparative close readings of these figures Daniel Williams addresses several key areas of contemporary literary and cultural debate. The book questions the notion of 'the West' as it appears and re-appears in the formulations of postcolonial theory, challenges the widespread tendency to divide nationalism into 'civic' and 'ethnic' forms, and forces its readers to reconsider what they mean when they talk about 'culture', 'identity' and 'national literature'. Key Features *Offers a substantial, innovative intervention in transatlantic debates over race and ethnicity *Uses 4 intriguing authors to explore issues of national identity, racial purity and the use of literature as a marker of 'cultural capital' *A unique focus on Celtic identity in a transatlantic context *Sets up a dialogue between writers who believe in national identity and those who believe in cultural distinctiveness

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"Like love, Greek poetry was not for hereafter," writes Eva Stehle, "but shared in the present mirth and laughter of festival, ceremony, and party." Describing how men and women, young and adult, sang or recited in public settings, Stehle treats poetry as an occasion for the performer's self-presentation. She discusses a wide range of pre-Hellenistic poetry, including Sappho's, compares how men and women speak about themselves, and constructs an innovative approach to performance that illuminates gender ideology. After considering the audience and the function of different modes of performance--community, bardic, and closed groups--Stehle explores this poetry as gendered speech, which interacts with performers' bodily presence to create social identities for the speakers. Texts for female choral performers reveal how women in public spoke in order to disavow the power of their speech and their sexual power. Male performers, however, could manipulate gender as an ideological system: they sometimes claimed female identity in addition to male, associated themselves with triumph over a defeated (mythical) female figure, or asserted their disconnection from women, thereby creating idealized social identities for themselves. A final chapter concentrates on the written poetry of Sappho, which borrows the communicative strategy of writing in order to create a fictional speaker distinct from the singer, a "Sappho" whom others could re-create in imagination. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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A vivid history of life in Princeton, New Jersey, told through the voices of its African American residents I Hear My People Singing shines a light on a small but historic black neighborhood at the heart of one of the most elite and world-renowned Ivy-League towns--Princeton, New Jersey. The vivid first-person accounts of more than fifty black residents detail aspects of their lives throughout the twentieth century. Their stories show that the roots of Princeton's African American community are as deeply intertwined with the town and university as they are with the history of the United States, the legacies of slavery, and the nation's current conversations on race. Drawn from an oral history collaboration with residents of the Witherspoon-Jackson neighborhood, Princeton undergraduates, and their professor, Kathryn Watterson, neighbors speak candidly about Jim Crow segregation, the consequences of school integration, World Wars I and II, and the struggles for equal opportunities and civil rights. Despite three centuries of legal and economic obstacles, African American residents have created a flourishing, ethical, and humane neighborhood in which to raise their children, care for the sick and elderly, worship, stand their ground, and celebrate life. Abundantly filled with photographs, I Hear My People Singing personalizes the injustices faced by generations of black Princetonians--including the famed Paul Robeson--and highlights the community's remarkable achievements. The introductions to each chapter provide historical context, as does the book's foreword by noted scholar, theologian, and activist Cornel West. An intimate testament of the black community's resilience and ingenuity, I Hear My People Singing adds a never-before-compiled account of poignant black experience to an American narrative that needs to be heard now more than ever.

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In "Return of the Heroes," Walt Whitman refers to the casualties of the American Civil War: "the dead to me mar not. . . . / they fit very well in the landscape under the trees and grass. . . ." In her new poetry collection, Jude Nutter challenges Whitman's statement by exploring her own responses to war and conflict and, in a voice by turns rueful, dolorous, and imagistic, reveals why she cannot agree. Nutter, who was born in England and grew up in Germany, has a visceral sense of history as a constant, violent companion. Drawing on a range of locales and historical moments—among them Rwanda, Sarajevo, Nagasaki, and both world wars—she replays the confrontation of personal history colliding with history as a social, political, and cultural force. In many of the poems, this confrontation is understood through the shift from childhood innocence and magical thinking to adult awareness and guilt. Nutter responds to Whitman from another perspective as well. It was Whitman who wrote that he could live with animals because, among other things, they are placid, self-contained, and guiltless. As counterpoint, Nutter weaves a series of animal poems—a kind of personal bestiary—throughout the collection that reveals the tragedy and violence also inherent in the lives of animals. Here, as in much of Nutter's previous work, the boundaries between the animal and human worlds are permeable; the urgent voice of the poet insists we recognize that "Even from a distance, suffering / is suffering." Here is both acknowledgment and challenge: distance may be measured in terms of time, culture, or place, or it may be caused by the gap between animals and humans, but it is our responsibility to speak against atrocity and bloodshed, however voiceless we may feel.

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"An indispensable sourcebook . . . Emphasis falls on the variegated, often joyful, culture of the Polish Jews, on what existed before the garden was ruined." —Geoffrey Hartmann, The New Republic"From these marvelous selections, one can see an entire culture unfolding." —Curt Leviant, New York Times Book Review"This newly revised version of the classic study . . . is a pleasure for the eye and the soul! One of the seminal studies of the impact of the Shoah on European Jewry, it is even more moving in its new incarnation than in its original version. More than a collection of studies of books of remembrance and mourning, this volume asks how one can mourn for a world lost and still live in the present and the future." —Sander L. Gilman"Kugelmass and Boyarin have done a splendid job of combing the vast memorial book literature to select the most revealing accounts of Jewish life in interbellum Poland. Ordinary people speak in this volume with an immediacy and poignancy that cannot help but touch the reader. In the time since it first appeared, From a Ruined Garden has become a classic. Its reappearance in an updated and expanded form is most welcome." —Barbara Kirshenblatt-Gimblett"In this magnificent collection, the editors combine a profound 'feel' for the vanished world of Polish Jewry, the anthologist's skill at selecting the telling example, and the anthropologist's sophisticated understanding of how these testimonies should be read. A marvelous introduction to this rich literature." —Peter NovickPolish Jewish survivors of the Holocaust compiled memorial books to preserve the memory of their destroyed communities. They describe daily life in the shtetl as well as everyday life during the Holocaust and the experiences of returning survivors. These memories paint a haunting picture of a way of life lost forever.

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The desert has long been a theme in Mark C. Taylor’s work, from his inquiries into the religious significance of Las Vegas to his writings on earthworks artist Michael Heizer. At once haunted by absence and loss, the desert, for Taylor, is a place of exile and wandering, of temptation and tribulation. Bones, in turn, speak to his abiding interest in remnants, ruins, ritual, and immanence. Taylor combines his fascination in the detritus of the desert and its philosophical significance with his work in photography in Mystic Bones. A collection of remarkably elegant close-up images of weathered bones—remains of cattle, elk, and deer skeletons gathered from the desert of the American West—Mystic Bones pairs each photograph with a philosophical aphorism. These images are buttressed by a major essay, “Rubbings of Reality,” in which Taylor explores the use of bones in the religious rituals of native inhabitants of the Western desert and, more broadly, the appearance of bones in myth and religious reality. Meditating on the way in which bones paradoxically embody both the personal and the impersonal—at one time they are our very substance, but eventually they become our last remnants, anonymous, memorializing oblivion—Taylor here suggests ways in which natural processes can be thought of as art, and bones as art objects. Bones, Taylor writes, “draw us elsewhere.” To follow their traces beyond the edge of the human is to wander into ageless times and open spaces where everything familiar becomes strange. By revealing beauty hidden in the most unexpected places, these haunting images refigure death in a way that allows life to be seen anew. A bold new work from a respected philosopher of religion, Mystic Bones is Taylor’s his most personal statement of after-God theology.

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When we speak of clouds these days, it is as likely that we mean data clouds or network clouds as cumulus or stratus. In their sharing of the term, both kinds of clouds reveal an essential truth: that the natural world and the technological world are not so distinct. In The Marvelous Clouds, John Durham Peters argues that though we often think of media as environments, the reverse is just as true environments are media. Peters defines media expansively as elements that compose the human world. Drawing from ideas implicit in media philosophy, Peters argues that media are more than carriers of messages: they are the very infrastructures combining nature and culture that allow human life to thrive. Through an encyclopedic array of examples from the oceans to the skies, The Marvelous Clouds reveals the long prehistory of so-called new media. Digital media, Peters argues, are an extension of early practices tied to the establishment of civilization such as mastering fire, building calendars, reading the stars, creating language, and establishing religions. New media do not take us into uncharted waters, but rather confront us with the deepest and oldest questions of society and ecology: how to manage the relations people have with themselves, others, and the natural world. A wide-ranging meditation on the many means we have employed to cope with the struggles of existence from navigation to farming, meteorology to Google The Marvelous Clouds shows how media lie at the very heart of our interactions with the world around us. Peters's book will not only change how we think about media but provide a new appreciation for the day-to-day foundations of life on earth that we so often take for granted.

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INSTANT #1 NEW YORK TIMES BESTSELLER! From FOX News anchor and author Harris Faulkner comes a collection of powerful, true-life stories of resilience, healing, rescue, and protection.We need reminders of God’s power now more than ever.We often think about prayer as a wish list, with God as Santa Claus. The reality is that the power of prayer reminds us not only how small we are, but also how big God is. Prayer is hope put into action. And prayer works.From the aftermath of the devastating earthquake in Haiti to the theater shooting in Aurora, Colorado, believers testify to how God inspired hope even when all seemed lost.Two teenagers who were saved from treacherous seas by a vessel named Amen now give thanks for the rescue that changed their lives. A woman’s near-death experience with COVID-19 turned out to be the crisis freeing her from despair. Others speak to how prayer helped them navigate family trauma, overcome abuse, and cope with mental illness and depression. Historical accounts of miracles testify to God’s power throughout time, and Faulkner recounts the role of faith and prayer in her own life and the life of her father.Along with these stories of God’s presence, the book includes an exclusive packet of newly written prayers. Created to reflect the current times, this prayer booklet will provide a road map for putting the lessons of these stories into action.Faith Still Moves Mountains reminds us that God’s light always shines through the darkness. Through these testimonies, we learn prayer isn’t just a ritual, it’s a vital spiritual strategy in a world that wants us to give up the fight.

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‘Impressive … Fascinating’ Sunday Times ‘An authoritative history’ Financial Times ‘Gripping and richly researched’ Rana Mitter A superb new history of the rise of China and the fall of Hong Kong to authoritarian rule. The rise of China and the fall of Hong Kong to authoritarian rule are told with unique insight in this new history by Michael Sheridan, drawing on eyewitness reporting over three decades, interviews with key figures and documents from archives in China and the West. The story sweeps the reader from the earliest days of trade through the Opium Wars of the 19th century to the age of globalisation and the handover of Hong Kong from Britain to China. It ends with the battle for democracy on the city’s streets and the ultimate victory of the Chinese Communist Party. How did it come to this? We learn from private papers that Margaret Thatcher anguished over the fate of Hong Kong, sought secret American briefings on how to handle China and put her trust in an adviser who was torn between duty and pride. The deal they made with Beijing did not last. The Chinese side of this history, so often unheard, emerges from memoirs and documents, many new to the foreign reader, revealing how the party’s iron will and negotiating tactics crushed its opponents. Yet the voices of Hong Kong people – eloquent, smart and bold – speak out here for ideals that refuse to die. Sheridan’s book tells how Hong Kong opened the way for the People’s Republic as it reformed its economy and changed the world, emerging to challenge the West with a new order that raises fundamental questions about progress, identity and freedom. It is critical reading for all who study, trade or deal with China.

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The Collins Cambridge Lower Secondary English series offers a skills-building approach to the Lower Secondary English curriculum framework (0861) from 2020. The Stage 7 Student’s Book supports students to develop their skills in reading, writing and speaking and listening, showing all students how to progress. This series is endorsed by Cambridge Assessment International Education to support the new curriculum framework 0861 from 2020. Focused on improving skills – the book provides full coverage of the Stage 7 Cambridge Lower Secondary English curriculum framework, with clear outcomes in each chapter. Organised by text purpose – each chapter shows students how to speak, write and comment on texts created for one key purpose or pair of purposes. A clear learning sequence builds from students exploring texts, through scaffolded writing and speaking and listening activities, towards a series of meaningful final tasks. Stage 7 introduces describing, informing, persuading and advising, narrating, reviewing and discussing, and exploring and commenting. The final chapter of the book allows students to test their understanding and apply the skills they have learned across Stage 7, by responding to reading and writing questions on two longer texts. Supports progression – clear models and examples are included throughout to show students how to improve, while self-assessment tasks at the end of each chapter help students to reflect on their progress. Rich, varied and engaging text extracts – fresh international fiction, poetry, drama and non-fiction texts represent the different forms and purposes required at each stage of the curriculum. Extracts of increasing length and challenge have been chosen to build students’ reading stamina across the stage. The clear lesson-by-lesson approach allows teachers to easily use the resources in the classroom and build them into their own schemes of work. Prepares students for a seamless transition to Stage 8.

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Who has the right to speak about trauma? As cultural products, narratives of social suffering paradoxically release us from responsibility while demanding that we examine our own connectedness to the circumstances that produce suffering. As a result, the text's act of "speaking havoc" rebounds in unsettling ways. Speaking Havoc investigates how literary and cinematic fictions intervene in the politics and reception of social suffering. Amitav Ghosh's modernist novel The Shadow Lines (1988), A Fine Balance (1995) by Rohinton Mistry, the short stories of Saadat Hasan Manto, Salman Rushdie's postmodernist novel Shame (1983), and the "spectacular" films of Maniratnam: each bears witness to social violence in South Asia. These works confront squarely a number of ethical dilemmas in representations of social suffering--the catastrophes and innumerable minor tragedies that arise from clashes among religious and ethnic communities. Focusing on central events such as the Partition of 1947, the assassination of Indira Gandhi in 1984, and more recent religious conflicts between India and Pakistan, Nagappan demonstrates the differing ways that narratives engage--often in ambiguous and problematic ways--the political violence that has marked the last fifty years of South Asian history. Is it possible to tell fully the stories of those who have died and those who have survived? Can writing really act as a counter to silence? In his compassionate engagement with these concerns, Nagappan demonstrates the relevance of literature and literary studies to fundamental sociological, anthropological, and political issues. With its interdisciplinary scope, historical perspective, and lucid style, Speaking Havoc is destined to become a foundational text for scholars of South Asian studies and postcolonial and cultural studies, and for readers interested in trauma and social suffering as well as in the literature, films, and histories that take this field as their topic.

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This book helps support developmentally sensitive nursing and allied health practice by integrating the therapeutic powers of play into child and adolescent health care service provision. It is designed to link play, child development, neuroscience, biopsychosocial and attachment theories with the biomedical model of health. Nurses and allied health professionals work with children aged between 0-18 years and with diverse childhood illnesses, injuries, diseases, disorders, and conditions, and are therefore in a prime position to understand and support children through potentially painful and traumatic health care experiences. Understanding of the role of play and the application of the therapeutic powers of play in communicating with children and families has the potential to significantly optimise paediatric care. The theory and play based strategies, tools and techniques presented in this book assist nurses and health care professionals to engage with children in an age-appropriate manner and ‘speak’ with children through their natural language of play, to enhance comprehension, coping, resiliency, and healing. Play is recognised as a sequentially developing ability and can be aligned with the child’s age and stage of life. Play based approaches can be placed on a continuum from fully child led or non-directive play to adult facilitated educative play. Medical information can be tailored according to the various points along this continuum to inform clinical reasoning and to help children prepare for procedures, recover from medical interventions and / or make sense of their diagnosis. Whilst this book is directed at nurses and allied health professionals who work with children and their families, it may also be a valuable resource for medical and other professionals in community or educational settings to work systemically as a team. The book takes the reader on a journey to illustrate various professional and therapeutic roles in how to playfully engage children through a range of case vignettes.

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Louisa Ermelino's stories follow women living dangerously at home and abroad, whether in Italian-American neighborhoods or in the countries—India, Turkey, Afghanistan—where they seek escape. At home, they break ancient Italian taboos and fall victim to mobsters. Overseas, they smoke opium-laced hashish and sleep with strange men. Ermelino's voice is boisterous and endearingly blunt.“There is lyricism in the language of Ms. Ermelino’s splendid collection that lulls us, line after seductive line, from the mundane to the menacing. Malafemmena is the work of a bold and original writer.”—Gay Talese "Written with generosity, curiosity, and a great deal of sharp wit.... Will speak to anyone who's found themselves gloriously stranded in a foreign land...or bemused by the strange rituals of their own tribe."—Hanya Yanagihara“What Louisa Ermelino knows about the heart could fill a book and has. The unadorned authenticity of her prose is so powerful, it gave me whiplash. I read Malafemmena in one sitting and wanted more, more, more. The writer's a genius, or an alchemist, or maybe both.”—Patricia Volk, author of Stuffed and Shocked“Louisa Ermelino is a gorgeous writer and master storyteller. Imagine a cross between Maugham and The Sopranos. She captures the madness, comedy, violence, and superstition of domestic life in NYC’s Little Italy, but also takes us all over the world—Jakarta, India, Turkey—where her characters stumble in and out of heartbreak and trouble. This book is irresistible. I loved it.”—Delia Ephron Louisa Ermelino is the author of three previous novels: Joey Dee Gets Wise (Kensington, 2004), The Black Madonna (Simon & Schuster, reprint, 2013), and The Sisters Mallone (Simon & Schuster, reprint, 2013). She is Vice President and Reviews Director at Publishers Weekly in New York City.

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Renowned composer Alison Connaught is grieving. Her high-profile, Hollywood-based daughter, Ria, has died of an overdose of the OxyContin that Alison had no idea she was taking. Despite the fact that Ria was 27, living thousands of miles away in the US, with a successful acting career, Alison blames herself. What kind of mother doesn’t even know her child is taking opiates? Alison finds that her grief has muted her. She can no longer play or enjoy her music. She has lost her daughter, and now it seems her career as an award-winning composer for some of the biggest names in the industry is over. On top of this her marriage to Ria’s stepfather, Harvey, is suffering. By travelling to the States, meeting Ria’s friends and colleagues, and gaining an insight into the gruelling challenges of Hollywood she begins to form a bridge to both her daughter and her musical muse. She learns that a docu-soap about Ria is in the making. One of Ria’s rivals will be both a producer of the programme and the star. Gradually Alison begins to make music again but this time she is insistent the music will be hers. Her album is released and advertised in the docu-soap’s commercial breaks and the accompanying publicity gives Alison the opportunity to tell her side of the story to the world. There is still one person she needs to speak to and she confronts Joshua - Ria’s inconstant boyfriend – and Alison can finally reconcile her place in Ria’s story. This is a visceral and deeply moving tale of grief and regret. Michelle Shine’s skill as a storyteller brings Alison’s thoughts and actions to life in this stunning novel.

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The three Lebanese writers discussed in this volume -- Kahlil Gibran, Ameen Rihani and Mikhail Naimy -- all emigrated to the USA early in life. There, in the first decades of the twentieth century, together with other Syrian and Lebanese émigrés, they were spurred into writing and setting up all Arabic-language press. The result was what became known as the Syro-American School, a fusion of Eastern sentiment with Western forms and, beyond this, a cultural cross-fertilisation in both directions. All three authors wrote in English as -,yell as Arabic, while Mikhail Naimy also wrote in Russian. Many of their works were directed at specifically Arab affairs, and they also wrote much that was of deliberately universal appeal, including a re-interpretation of traditional Arab spirituality. The best-known example of this was Kahlil Gibran's best-seller "The Prophet". A century on, their words on the need for East and West to come to one another's aid are as salutary as ever. This important book by Professor Aida Imangulieva, an Azeri specialist on Arabic literature, was originally published in Russian during the final years of the Soviet Union. It examines the influences of foreign literary movements, such as Romanticism and Realism, upon the three authors: Gibran and Rihani in the light of English poets like Wordsworth, Byron and Shelley and American writers such as Emerson and Whitman; Naimy through the lens of the Russian Realist tradition, drawing parallels specifically with the work of Belinsky, Tolstoy, Turgenev and the Chekhovian tradition. The book provides an unusual window onto the Arab world's cultural interaction with Europe, America and Russia in the early twentieth century. It also reaches beyond its academic scope and reveals, from the pages of the three authors, universal elements that speak to all people and go beyond cultural frameworks altogether.

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Depending on which doctor you speak with, or which websites you read, cannabis could be an appealing, low-risk medicine – even an aid to wellness – or an insidiously addictive drug rotting the brains of our youth. This dissonance confuses young people, distressed patients, and paralyzes politicians, all while inviting dubious sources of information and resulting in uninformed choices, enhanced polarization, and a fragmented national policy.Seeing Through the Smoke is an unflinching examination at the grossly misunderstood drug that uses data-driven medical science and a critical historical perspective to reveal the truth behind cannabis. In this balanced and measured investigation, Cannabis specialist and Instructor in Medicine at Harvard Medical School Dr. Peter Grinspoon untangles the reality behind cannabis, revealing how we ended up with radically divergent understandings of the drug and pointing a way toward a middle ground that we can all share.Moving through an illuminating tour of the social history and the medical science behind cannabis, Grinspoon unpacks the layers of disinformation left by a sordid history of government propaganda, racial suppression, and indifference from the medical community to answer questions like: Is cannabis addictive? What are its best-established medical uses? Can cannabis help cure cancer? How does cannabis affect memory? How dangerous is cannabis for teens? Is cannabis a safer treatment for ADHD and PTSD? What exactly is CBD and how is it different from marijuana? What are the most concerning side effects? By focusing on the most critical purported harms—driving, pregnancy, addictiveness, memory—and by focusing on the most commonly cited medical benefits—relieving chronic pain, sleep, anxiety, PTSD, autism, and cancer—Seeing Through the Smoke will help patients, parents, doctors, health experts, regulators, and politicians move beyond biased perceptions and arrive at a shared reality towards cannabis.

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LONGLISTED FOR THE BAILLIE GIFFORD PRIZE 2023 From the author of Apollo's Angels, the first major biography of the figure who modernised dance: an intimate portrait of the man behind the mythology, set against the vibrant backdrop of the century that shaped him Balanchine's radical approach to choreography reinvented the art of dance and his richly evocative ballets made him a lasting legend. Today, nearly thirty years after his death, the man is still so revered that the mysteries of his biography are often overlooked. Who was George Balanchine? Born in Russia under the last Czar, Balanchine experienced the upheavals of World War One, the Russian Revolution, exile, World War Two and the cultural Cold War; he was part of the Russian modernist moment, a key player in Paris in the 1920s, and in New York he revolutionized ballet, pressing it to the forefront of modernism and making it serious and popular art. His influences were myriad. He considered himself Georgian, yet he did not step foot in his ancestral homeland until he was in his fifties. He was deeply influenced by the cold grandeur and sensuous beauty of the Orthodox Church, but equally absorbed by the new rhythms and dance steps coming out of Harlem in the 1930s. He collaborated broadly, with figures like Diaghilev and Stravinsky. A man of muses, Balanchine was married five times, always to young dancers, and consumed by many other loves in between. The difficulties of his life - personal losses, bouts of ill health, debilitating loneliness and dark moods of despair - resonate in his dances, which speak so poignantly of love and loss, and yet the full implications for his art remain unexplored. Now for the first time we look beyond the myth of 'Mr B' - the mask which Balanchine himself helped to create - to see 'Mr B' the man.

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Lonely Planet: The world's leading travel guide publisherAnyone can speak another language! It's all about confidence.Israelis love to chat, so don't be surprised - or caught out - if a total stranger starts up a heated discussion while you wait at a bus stop or felafel stand. An ancient language, Hebrew is the lingua franca of this most cosmopolitan of countries. Whether on a working holiday or on pilgrimage to the Holy Land, this book is an essential companion into the fascinating life of Israel. Never get stuck for words with our 3500-word two-way dictionary Order the right meal with our menu decoder Avoid embarrassing situations with essential tips on culture & manners Coverage includes: Basics, Practical, Social, Safe Travel and Food.Lonely Planet gets you to the heart of a place. Our job is to make amazing travel experiences happen. We visit the places we write about each and every edition. We never take freebies for positive coverage, so you can always rely on us to tell it like it is.Authors: Written and researched by Lonely Planet, Justin Ben-Adam Rudelson, and Klara Ilana Wistinetzki.About Lonely Planet: Started in 1973, Lonely Planet has become the world's leading travel guide publisher with guidebooks to every destination on the planet, as well as an award-winning website, a suite of mobile and digital travel products, and a dedicated traveller community. Lonely Planet's mission is to enable curious travellers to experience the world and to truly get to the heart of the places they find themselves in.'Lonely Planet guides are, quite simply, like no other.' - New York Times'Lonely Planet. It's on everyone's bookshelves, it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia)

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In this book from the critically acclaimed, multimillion-copy bestselling Little People, BIG DREAMS series, discover the life of Vivienne Westwood, the flame-haired fashion designer and impresario. When Vivienne was a young woman, she wasn't sure how a working class girl from England could make a living in the art world. But after discovering her passion for design and jewellery making, she erupted onto the fashion scene with a bang. Vivienne's designs became iconic, and she became famous for letting her clothes speak for themselves. This accessibly written book helps introduce young Vivienne and her passion to young readers everywhere, and the book's bold design is true to Westwood's own punk style. This moving book features stylish and quirky illustrations and extra facts at the back, including a biographical timeline with historical photos and a detailed profile of the designer's life.Little People, BIG DREAMS is a bestselling series of books and educational games that explore the lives of outstanding people, from designers and artists to scientists and activists. All of them achieved incredible things, yet each began life as a child with a dream. This empowering series offers inspiring messages to children of all ages, in a range of formats. The board books are told in simple sentences, perfect for reading aloud to babies and toddlers. The hardback versions present expanded stories for beginning readers. Boxed gift sets allow you to collect a selection of the books by theme. Paper dolls, learning cards, matching games and other fun learning tools provide even more ways to make the lives of these role models accessible to children.Inspire the next generation of outstanding people who will change the world with Little People, BIG DREAMS!

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THE SUNDAY TIMES SPORTS BOOK AWARDS BOOK OF THE CENTURYSHORTLISTED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEARMADE INTO THE FILM, THE PROGRAM, STARRING BEN FOSTER AND CHRIS O'DOWD AS THE AUTHORThe true story of the greatest deception of our time. From award-winning journalist David Walsh, the definitive account of the author’s twelve-year quest to uncover and make known the truth about Lance Armstrong’s long history of performance-enhancing drug use, which ultimately led to the cyclist’s being stripped of his seven Tour de France titles.When Lance Armstrong fought back from life-threatening cancer to win the 1999 Tour de France - the so-called 'Tour of Renewal' - it seemed almost too good to be true. It was. Sunday Times journalist David Walsh was one of a small group who was prepared to raise awkward questions about Armstrong's seemingly superhuman feats. And so began a long battle to reveal the truth that finally ended in October 2012 when the cyclist was banned from the sport for life.Walsh's gripping and moving personal account of his struggles is a revealing insight into the murkier end of professional cycling - a place where having the right doctor can make all the difference and where there existed a conspiracy of silence. As he shows, it never was about the bike. However, spurred on by a few brave people who were prepared to speak out in the hope of saving the sport they loved, Walsh continued to probe, and eventually he was vindicated when Armstrong's reputation was ruined.In this updated edition, covering Armstrong's confession to Oprah, Seven Deadly Sins takes the reader into a world of doping and lies, but shows that there is always hope for a better future.

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Theatre has a complex history of responding to crises, long before they happen. Through stage plays, contemporary challenges can be presented, explored and even foreshadowed in ways that help audiences understand the world around them. Since the theatre of the Greeks, audiences have turned to live theatre in order to find answers in uncertain political, social and economic times, and through this unique collection questions about This anthology brings together a collection of 20 scenes from 20 playwrights that each respond to the world in crisis. Twenty of the world’s most prolific playwrights were asked to select one scene from across their published work that speaks to the current world situation in 2020. As COVID-19 continues to challenge every aspect of global life, contemporary theatre has long predicted a world on the edge. Through these 20 scenes from plays spanning from 1980 to 2020, we see how theatre and art has the capacity to respond, comment on and grapple with global challenges that in turn speak to the current time in which we are living. Each scene, chosen by the writer, is prefaced by an interview in which they discuss their process, their reason for selection and how their work reflects both the past and the present. From the political plays of Lucy Prebble and James Graham to the polemics of Philip Ridley and Tim Crouch. From bold works by Inua Ellams, Morgan Lloyd Malcom and Tanika Gupta to the social relevance of Hannah Khalil, Zoe Cooper and Simon Stephens this anthology looks at theatre in the present and asks the question: “how can theatre respond to a world in crisis?” The collection is prefaced by an introduction from Edward Bond, one of contemporary theatre’s most prolific dramatists.

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This bestselling workbook for beginning ESL (English as a Second Language) learners helps you master English grammar—now with a streaming audio answer key via the McGraw Hill Language Lab app.Understanding the rules of grammar is the first step in learning a language, and extensive practice will help you gain mastery. In Practice Makes Perfect: English Grammar for ESL Learners, Premium Fourth Edition, you’ll get the best of both worlds, with crystal-clear explanations, realistic examples, and dozens of exercises in an engaging variety of formats.From present tense regular verbs to double object pronouns, this comprehensive guide covers all aspects of English grammar, focusing on the practical aspects of English as it is really spoken. You’ll especially appreciate the clarity of presentation, with time-saving vocabulary panels that eliminate having to look words up, advice on how to avoid common errors, and a detailed answer key that allows for quick, easy progress checks. With three review chapters to assess retention of key concepts and 80 quizzes available via the McGraw Hill Language Lab app, Practice Makes Perfect: English Grammar for ESL Learners, Premium Fourth Edition, gives you the skills you need to speak, understand and write English with confidence.Features: NEW: Streaming audio recordings to help with comprehension and pronunciation, available through the McGraw Hill Language Lab app Accessible style and format: Simple grammar reviews with clear examples are followed by an engaging variety of exercises—including multiple choice, fill-in sentences, and more Three review chapters test overall comprehension with 25 exercises (250 questions) Supported by 80 interactive quizzes via the McGraw Hill Language Lab app to help you further assess what you’ve learned Ideal for in-class or independent study

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SALES HANDLE: Learn all about feelings with the expressive art of best-selling illustrator and author Todd Parr. KEY SELLING POINTS: * The flashcard format has sold well for Chronicle. * Todd Parr's best-selling books often deal with feelings--these flashcards riff on smililar themes, and will resonate with his readership. * Planet Color by Todd Parr is a new lifestyle brand with apparel and backpacks. These flashcards are part of the Planet Color program. * Todd Parr's art speaks to kids--they often say they relate to his drawings. * The thick, sturdy cards are perfect for young children to hold. * Cards could also be hung in classrooms/nurseries. HOW WILL THIS TITLE BE DISTINCTIVE: * There are no other 'feelings flashcards' like ours (that we are aware of). Eeboo has 'good manners' and 'good citizenship' flashcards, but not emotions. There is an institutional set for child therapists (http://www.childtherapytoys.com/store/product81.html), but our art is not attractive, not vibrant or child-friendly. SPEAK TO THE EXISTING TREND/DEFINE CONSUMER: * Understanding and naming feelings are a key component of a child's development. These flashcards will assist parents as they help their children to navigate and understand the emotional spectrum. QUANTIFY VALUE: There are 20 cards featuring 40 feelings--such a deal at just $112.99! NOTABLE AUTHORS OR CONTRIBUTORS TO PROJECT. Todd Parr is a star children's author with strong book sales and fan base. RELEVANT SALES COMPARISONS OR SALES INFO. Todd Parr has sold over 2 million copies of his books. Top-selling Todd Parr titles: It's OK to Be Different by Todd Parr / Little, Brown Young Readers/ May 2004 / $9.99 / 9780316155625 / BookScan: 57,115 The Family Book by Todd Parr / Little, Brown Young Readers / October 2003 / $15.99 / 9780316738965 / BookScan: 46,820 The Mommy Book by Todd Parr / Little, Brown Young Readers / April 2002 / $15.99 / 9780316608275 / BookScan: 43,423

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A straightforward look at the history and the art of maintaining courteous communication in an increasingly divided world.Have you ever been in a conversation that, after volleying back and forth, ended with the words, “I’m just saying . . .”? Usually, this signals frustration, that the discussion has reached a dead end, that you haven’t made your point, and may even leave you feeling that your relationship with the other person has changed for the worse. Digital interactions, devoid of nuance and understanding, further complicate discussion. We may believe that we are superior because our opinions are the “right” ones, and in the future avoid conversations with those whose opinions differ from ours, sending us into a never-ending echo chamber. In I’m Just Saying, author Milan Kordestani shows us that although challenging conversations can be unpleasant, they can also help us grow. Sometimes, people inspire us to change how we speak, making us better communicators in the process as we search to find common ground with those with whom we disagree. Kordestani uses contemporary case studies and personal experience to teach readers how to have constructive conversations by engaging in civil discourse—the idea that good-faith actors can reach consensus on any opinion-based disagreement. He discusses influential leaders and reflects on his successes and failures in creating The Doe, an online publication focused on civil discourse. He addresses the challenges that digital media consumption presents when seeking common ground—especially when people are only digitally connected. Civil discourse, an essential part of democracy, is becoming rare in today's digital age. I’m Just Saying examines discourse's successes and the ways to rebuild it. Drawing from history, popular culture, and personal anecdotes, the book promotes effective civil discourse by providing practical advice and strategies for respect. Through story, I’m Just Saying offers insight and tools for politeness in a divided world.

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The first biography of Henry VIII’s court fool William Somer, a legendary entertainer and one of the most intriguing figures of the Tudor ageIn some portraits of Henry VIII there appears another, striking figure—a gaunt and morose-looking man with a shaved head and, in one case, a monkey on his shoulder. This is William or "Will" Somer, the king’s fool, a celebrated wit who reportedly could raise Henry’s spirits and spent many hours with him, often alone. Was Somer an “artificial fool,” a cunning comic who could speak freely in front of the king, or a “natural fool,” someone with intellectual disabilities, like many other members of the profession? And what role did he play in the tumultuous and violent Tudor era? Fool is the first biography of Somer—and perhaps the first of a Renaissance fool.After his death, Somer disappeared behind his legend, and historians struggled to separate myth from reality. Unearthing as many facts as possible, Peter K. Andersson pieces together the fullest picture yet of an enigmatic and unusual man with a very strange job. Somer’s story provides new insights into how fools lived and what exactly they did for a living, how monarchs and courtiers related to commoners and people with disabilities, and whether aspects of the Renaissance fool live on in the modern comedian. But most of all, we learn how a commoner without property or education managed to become the court’s chief mascot and a continuous presence at the center of Tudor power from the 1530s to the reign of Elizabeth I.Looking beyond stereotypes of the man in motley, Fool reveals a little-known world, surprising and disturbing, when comedy was something crueler and more unpleasant than we like to think.

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‘An enthralling guide to one of the world’s great cities – that blends history and insights into the present day from one of the most astute commentators on the politics of Istanbul' PETER FRANKOPAN 'A love letter to this ancient capital' THE TIMES Walking along the crumbling defensive walls of Istanbul and talking to those he passes, Alexander Christie-Miller finds a distillation of the country’s history, a mirror of its present, and a shadow of its future. Caught between two seas and two continents, Istanbul lies at the centre of the most pressing challenges of our time. With environmental decay, rapacious development and tightening authoritarianism straining its social fabric to breaking point, it represents the precipitous moment civilizations around the world are currently facing. In and around its crumbling Byzantine-era fortifications, Alexander Christie-Miller meets people who are experiencing the looming crisis and fighting back, sometimes triumphing despite the odds. To the City seamlessly blends two narratives: the story of Turkey’s tumultuous recent past told through the lives of those who live around the walls, and the story of Ottoman Sultan Mehmet II’s siege and capture of the city in 1453. That event still looms large in Turkey, as Recep Tayyip Erdoğan like a latter-day sultan invokes its memory as part of his effort to transform the country in an echo of its imperial past. This is a meditation on the soul of Istanbul, a paean to its resilience and fortitude. Walk with Christie-Miller and see the danger, beauty and hope. 'Deftly weaving together Istanbul’s past and present, Christie-Miller’s work is a beautifully written, nuanced examination of a city whose story is so often told in binaries' Louise Callaghan, Turkey and Middle East correspondent for the Sunday Times and author of Father of Lions Speak

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Paul Gauguin (1848–1903) was not cut out for finance. Nor did he last particularly long in the French Navy, or as a tarpaulin salesman in Copenhagen who did not speak Danish. He began painting in his spare time in 1873 and in 1876 took part in the Paris Salon. Three years later, he was exhibiting alongside Pissarro, Degas, and Monet. A querulous, hard-drinking individual, Gauguin often called himself a savage. His close but fraught friendship with the similarly temperamental Vincent van Gogh climaxed in a violent incident in 1888, when van Gogh purportedly confronted Gauguin with a razor blade, and later cut off his own ear. Shortly afterwards, following the completion of a midcareer masterpiece Vision After the Sermon (1888), Gauguin took himself to Tahiti, with the intention of escaping “everything that is artificial and conventional…” On Tahiti, Gauguin’s unfettered joy in the island’s nature, native people, and figurative images soared, spurring a prolific output of paintings and prints. In works such as Woman with a Flower (Vahine no te Tiare, 1891) and Sacred Spring: Sweet Dreams (Nave Nave Moe, 1894), he developed a distinct, Primitivist style that positively oozed with sunshine and color. In the tradition of exotic sensuality, his thick, buttery lashings of paint lingered in particular over the curves of Tahitian women. Gauguin died alone, on Tahiti’s neighboring Marquesas Islands, with many of his personal papers and belongings dispersed in a local auction. It was not until a smart art dealer began curating and showing Gauguin’s work in Paris that the artist’s profound influence began making itself felt, especially to the new breed of French avant-garde artists, such as Picasso and Matisse.This book offers the essential introduction the artist’s truly colorful life, from the Impressionist salons of 1870s Paris to his final days in the Pacific, productive and passionate to the end.

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'Woodward's story is one of the most important of recent years...heartbreakingly powerful' THE TIMES'Harrowing, brave, hugely important book' HENRY WINTER'Haunting' SUNDAY TIMESSHORTLISTED FOR THE WILLIAM HILL AWARD AND THE TELEGRAPH SPORTS BOOK AWARD 2020A brave and moving account by football's first whistle blower, breaking the silence on the scandal of sexual abuse in youth clubs and junior teams.Andy Woodward was a wide eyed, hopeful footballer playing for Stockport Boys, when Barry Bennell first noticed him. Andy was 11 years old, and Bennell a youth coach with a big reputation for spotting and nurturing young footballing talent. The clubs Bennell worked for and the parents of the boys he coached, trusted and believed in him, inviting him into their lives and their homes. But behind the charismatic mask was a profoundly evil man willing to go to any lengths to satisfy his own dark appetites. Andy has been heralded a hero for speaking up about his horrific experiences at the hands of Bennell, but also at going further to expose the long hidden abuse buried within our nations' best loved sport. His story is only the tip of the iceberg.Andy's childhood was shattered by what happened to him and by the fear and silence that surrounded it. His youthful dreams of playing the game he loved were utterly broken, and years of living with the terrible secret and shame all but destroyed him. He hopes that by coming forward he might encourage others in similar situations to find the courage to speak out. A compelling and relevant story of the dark secret at the heart of football and another chapter in the ongoing expose of institutionalised corruption.

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