Search results for ""Speak""

THE SUNDAY TIMES BESTSELLERBOOK OF THE YEAR AT THE BRITISH BOOK AWARDSSHORTLISTED FOR THE COSTA FIRST NOVEL AWARDLONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION'A deliciously funny, characterful, topical and thrilling novel for our times' Bernardine Evaristo, winner of the Booker Prize'Brilliant, timely, funny, heartbreaking' Jojo Moyes'A must-read novel about sex, selfhood, and the best friendships that get us through it all' Candace Bushnell, author of Sex and the CityQueenie is a twenty-five-year-old Black woman living in south London, straddling Jamaican and British culture whilst slotting neatly into neither. She works at a national newspaper where she's constantly forced to compare herself to her white, middle-class peers, and beg to write about Black Lives Matter. After a messy break up from her long-term white boyfriend, Queenie finds herself seeking comfort in all the wrong places.As Queenie veers from one regrettable decision to another, she finds herself wondering, What are you doing? Why are you doing it? Who do you want to be? - the questions that every woman today must face in a world that keeps trying to provide the answers for them.A darkly comic and bitingly subversive take on life, love, race and family, Queenie will have you nodding in recognition, crying in solidarity and rooting for this unforgettable character every step of the way. A disarmingly honest, boldly political and truly inclusive tale that will speak to anyone who has gone looking for love and acceptance and found something very different in its place.

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Fifty years before women were enfranchised, a legal loophole allowed a thousand women to vote in the general election of 1868\. This surprising event occurred due to the feisty and single-minded dedication of Lydia Becker, the acknowledged, though unofficial, leader of the women's suffrage movement in the later 19th century. Brought up in a middle-class family as the eldest of fifteen children, she broke away from convention, remaining single and entering the sphere of men by engaging in politics. Although it was considered immoral for a woman to speak in public, Lydia addressed innumerable audiences, not only on women's votes, but also on the position of wives, female education and rights at work. She battled grittily to gain academic education for poor girls, and kept countless supporters all over Britain and beyond abreast of the many campaigns for women's rights through her publication, the Women's Suffrage Journal. Steamrollering her way to Parliament as chief lobbyist for women, she influenced MPs in a way that no woman, and few men, had done before. In the 1860s the idea of women's suffrage was compared in the Commons to persuading dogs to dance; it was dismissed as ridiculous and unnatural. By the time of Lydia's death in 1890 there was an acceptance that the enfranchisement of women would soon happen. The torch was picked up by a woman she had inspired as a teenager, Emmeline Pankhurst, and Lydia's younger colleague on the London committee, Millicent Fawcett. And the rest is history.

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“. . . features two young Korean American siblings who take a trip through a magical portal into a land filled with characters from old Korean fables. . . Kim is making a statement about the loss of culture among children of immigrants while also writing a book that returns some of that to them.”—Jay Caspian King, The New York TimesBeautifully illustrated and told by debut author Julie Kim, this authentic voices picture book in graphic-novel style follows a young Korean girl and boy whose search for their missing grandmother leads them into a world inspired by Korean folklore, complete with mischievous goblins (dokkebi), a greedy tiger, a clever rabbit, and a wily fox. Two young children pay a visit to Halmoni (grandmother in Korean), only to discover she's not home. As they search for her, noticing animal tracks covering the floor, they discover a window, slightly ajar, new to their grandmother's home. Their curiosity gets the best of them, and they crawl through and discover an unfamiliar fantastical world, and their adventure begins. As they continue to search for their grandmother and solve the mystery of the tracks, they go deeper into a world of Korean folklore, meeting a number of characters who speak in Korean along the way, and learn more about their cultural heritage. This beautifully illustrated graphic picture book is filled with a number of Easter eggs for readers of all ages to discover, and is inspired by the Korean folktales that author and illustrator Julie Kim heard while growing up. Translations to Korean text in the story and more about the folktale-inspired characters are included at the end.

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To speak of Gerard Schwarz ä musician conductor festival organizer gig hopper educator television personality patron and proselytizer of the arts ä is to tell an exemplary American story.ÞYou could convey it exclusively in clich©s from his industrious ©migr© parents to his precocious childhood from his ardor and diligence as a prodigy trumpeter to his meteoric rise as a conductor from his unforeseen cross-country migration to the gradual construction of a world-class orchestra in a city formerly regarded as a cultural backwater from the halls of New York City's High School of Performing Arts to the digital instructor's chair of the All-Star Orchestra's Khan Academy course series.ÞYou could simply recite the numbers: over 300 new works premiered over 350 recordings in his discography 14 GRAMMY nominations five Emmy awards six ASCAP Awards and hundreds of other honors and laurels.ÞYou could dazzle and festoon and bewitch with talk of truth and beauty and the pursuit of ever-higher forms of artistic expression.ÞOr you could tell it Jerry's way.ÞÊBehind the BatonÊ is a quintessentially Schwarzian memoir: intrepid forthright risible subtly self-assured and entirely unpretentious. It offers an intimate inside look at a man whose immense talent is rivaled only by his humility and work ethic ä a man who for nearly fifty years has strived to leave every orchestra and musician he touched better than when he found them. Whether you're a classical music aficionado an orchestra initiate just cutting your teeth or an everyday reader interested in the remarkable story behind an extraordinary man ÊBehind the BatonÊ belongs on your nightstand.

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No civilization has left such imposing and fascinating vestiges as that of Egypt, and yet so little trace of the "human." In ancient Egypt art was not an expression of the human world but a living and active representation of the act of creation. The extreme and forceful nature of the Nile Valley-where the fertile plain runs without a break into the desert, and the annual flooding erases the landscape in a relentless cycle as it brings new life-has shaped Egyptian art. It is in the first place a direct emanation of the divine, and as such proposes the order established by the gods with mathematical rigor and in strictly codified canons. Religion was everything and everything was religion in ancient Egypt. Art had no aesthetic value in this world. Art was a symbol of nature; it has to capture its essence rather than imitate it, and left no freedom or independence of expression to the individual. The works that adorn temples, palaces, and tombs always have a magical function: They are intended to protect. Thus they are not an imitation of nature. On the contrary, they are alive and potent. The magical and religious conception that inspired these artist-creators can still be perceived today, even when their works have been transported to lands faraway from the blazing sun of the African desert. Even inside the showcases of museums they still speak of a natural world inhabited by human beings, but one that has been created by a divinity that pervades it through and through-a world where humanity and its art represent the pinnacle of divine creation.

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A masterful continuation of the journey of Odysseus after he returned home from his odyssey. Here is a brilliant recounting of the life of Odysseus after his safe return to the island of Ithaca, his wife Penelope, and his son Telemachus. Countless readers have thrilled to the adventures of Odysseus in The Iliad and The Odyssey, but what further adventures awaited him after his ten years of war and ten years of wandering? Narrated by Telemachus to the bard Phemios, On Wine-Dark Seas speaks of the human drama of a man gone twenty years from home and family, a man who saw Troy on the night of its destruction, a man who lives the special quest which is his destiny. In probing the inner journeys of a son and father separated twenty years who must come to terms with each other and their ruthless slaughter of the suitors of Penelope, it reveals the doubts and joys of Odysseus, Penelope, and Telemachus. As Telemachus tells Phemios: “My father will be known to the future not as the man he was, but as the man of whom you sing. Often at Troy he called himself ‘the father of Telemachus,’ so I too have a part to speak in his story. Wealthy men can pay some poets to chant a story first this way, then another. I cannot offer you wealth to hear me, but only the truth I know.” The novel is a masterful recreating of the ancient mind, the landscape of Greece steeped in mythos and the gods, and the human dramas of characters made famous for all time by The Iliad and The Odyssey.

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Jewish values can help us teach and navigate the challenges of our current age. Whether those issues are digital, medical, social, or ethical, Today’s Hot Topics encourages students, teachers, and families to explore the issues of the day and develop their own opinions informed by Jewish values.Each chapter of Today’s Hot Topics includes a complete package of resources that will help you lead a discussion about a Hot Topic with your students: An article that includes stories and anecdotes, and explores the issue from multiple perspectives A source sheet of relevant Jewish texts that speak to the Hot Topic A lesson plan that takes you step-by-step through strategies for presenting the Hot Topic to a group of students; includes essential questions, objectives, and accompanying activities across multiple disciplines A glossary of Jewish values that indicates which lessons they connect to Contents:Introduction: Why Teach Hot Topics?THE DIGITAL WORLD 1. What Should I Tweet? 2. Can I Download Music for Free? HEALTH AND MEDICINE 3. Should Medical Marijuana be Legal? 4. Should the Minimum Drinking Age be Lower? 5. The Vaccine DebateSOCIAL ISSUES 6. Homosexuality and the Jewish Community 7. Body Image: What is Real Beauty? 8. Racism: Police and the CommunityISRAEL 9. How and when may I criticize Israel? 10. Whose Kotel is it?POLITICAL ISSUES 11. Elections: How Should We Choose our Leaders? 12. What Should We do about Guns? 13. The Iran DealSPORTS ETHICS 14. Should Football be Safer? 15. Is the Final Four Fair? FOOD ETHICS 16. What is Ethical Kashrut? 17. Is it OK to Eat Meat?GLOSSARY OF JEWISH VALUES

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The book Our Bodies, Ourselves is a feminist success story. Selling more than four million copies since its debut in 1970, it has challenged medical dogmas about women’s bodies and sexuality, shaped health care policies, energized the reproductive rights movement, and stimulated medical research on women’s health. The book has influenced how generations of U.S. women feel about their bodies and health. Our Bodies, Ourselves has also had a whole life outside the United States. It has been taken up, translated, and adapted by women across the globe, inspiring more than thirty foreign language editions.Kathy Davis tells the story of this remarkable book’s global circulation. Based on interviews with members of the Boston Women’s Health Book Collective, the group of women who created Our Bodies, Ourselves, as well as responses to the book from readers, and discussions with translators from Latin America, Egypt, Thailand, China, Eastern Europe, Francophone Africa, and many other countries and regions, Davis shows why Our Bodies, Ourselves could never have been so influential if it had been just a popular manual on women’s health. It was precisely the book’s distinctive epistemology, inviting women to use their own experiences as resources for producing situated, critical knowledge about their bodies and health, that allowed the book to speak to so many women within and outside the United States. Davis provides a grounded analysis of how feminist knowledge and political practice actually travel, and she shows how the process of transforming Our Bodies, Ourselves offers a glimpse of a truly transnational feminism, one that joins the acknowledgment of difference and diversity among women in different locations with critical reflexivity and political empowerment.

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Jews, Christians, and Muslims all believe that their Scriptures preserve God's words to humanity, and that those words were spoken uniquely to them. In The Voice, the Word, the Books, F. E. Peters leads readers on an extraordinary journey through centuries of written tradition to uncover the human fingerprints on the Hebrew Bible, the New Testament, and the Quran, sacred texts that have enriched millions of lives. Bringing the latest Biblical and Quranic scholarship to a general audience, Peters explains how these three powerfully influential books passed from God's mouth, so to speak, to become the Scriptures that we possess today. He reveals new insights into their origins, contents, canonization, and the important roles they have played in the lives of their communities. He explores how they evolved through time from oral to written texts, who composed them and who wrote them, as well as the theological commonalities and points of disagreement among their adherents. Writing in the comparative style for which he is renowned, Peters charts the transmission of faith from the spoken word to the printed page, from the revelations on Sinai and Mount Hira to Mamluk ateliers in Cairo and Gutenberg's press in Mainz. Peters is an acknowledged expert who has written extensively on these three great world religions, each of them an inheritor of the faith of Abraham. Published in conjunction with an exhibit at the British Library, this illustrated book includes beautiful images of the rare editions on exhibit and constitutes Peters's most ambitious and illuminating examination yet of the sacred texts that so inform civilization both East and West.

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The story of the impactful partnership between humans and mockingbirds, both scientifically and culturally over the centuries, written for young adults by award-winning nonfiction powerhouse Phil Hoose. The Northern mockingbird's brilliant song?a loud, bright, liquid sampling of musical notes and phrases?has made it a beloved companion and the official bird of five states. Many of our favorite songs and poems feature mockingbirds. Mockingbirds have been companions to humans for centuries. Many Native American myths and legends feature mockingbirds, often teaching humans to speak. Thomas Jefferson's mockingbird, "Dick", was the first White House pet. John James Audubon's portrait of a rattlesnake raiding a mockingbird's nest sparked outrage in the world of art. Atticus Finch's somber warning to his children, "Remember, it's a sin to kill a Mockingbird," is known throughout the world. Some jazz musicians credit mockingbirds with teaching them a four-note call that says, "Break's over." And mockingjays?a hybrid between jabberjays and mockers?are a symbol of the rebel cause in the Hunger Games trilogy. But in the early 1900s the mocker was plummeting toward extinction. Too many had been trapped, sold, and caged. Something had to be done. To the rescue came a powerful and determined group of women. Now, National Book Award and Newbery honor-winner Phillip Hoose brings the story of the important and overlooked connection between humans and mockingbirds?past, present, and future. It is the third volume of his bird trilogy. Duet is a study in the power of song. As author Steve Sheinkin puts it, "This book will change how you listen to the world."

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An international bestseller, Barbara Coloroso's groundbreaking and trusted guide on bullying-including cyberbullying-arms parents and teachers with real solutions for a problem that affects almost all school age kids. "An extremely helpful book that both parents and teachers can use to deal with bullying."-Publishers Weekly First published over a decade ago, The Bully, the Bullied and the Bystander quickly became the definitive guide to bullying prevention and intervention, providing real solutions for a problem that affects young people all over the world. Now, in this thoroughly updated and expanded book, Coloroso helps you recognize the characteristic triad of bullying: the bully who perpetrates the harm; the bullied, who is the target (and who may become a bully); and the not-so-innocent bystanders-peers or siblings who either watch, participate in the bullying or look away, and adults who see bullying as "teasing," not tormenting, and as "boys will be boys" or as " girl drama," not the predatory aggression that it is. In this book you will learn: * What bullying is and what it isn't* The four ways and three means of bullying* Technology resources and solutions to deal effectively with both online and offline bullying* Seven steps to hold accountable and reform someone who bullies* Four abilities that protect young people from succumbing to a bully* How young people can stand up, speak out, and take responsibility Drawing on her decades of work with troubled youth and her wide experience with conflict resolution and restorative justice, Barbara Coloroso offers practical and compassionate solutions and gives parents, caregivers, educators and-most of all-young people the tools to break this cycle of violence.

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Albania's Luljeta Lleshanaku grew up in negative space, living under family house arrest during the years of Enver Hoxha's autocratic communist rule. Her recent poems are a response to what was missing then, not only in her life but for her whole generation, evoking absences, emptiness - what was unseen, unspoken or undone - through the concept of negative space. The space around objects, not the objects themselves, becomes the real, most significant part of an image, bringing balance to the whole of a composition, so enabling Lleshanaku to look back at the reality of her Albanian past and give voice to those who could not speak for themselves.Many of the poems are tied to no specific place or time. Histories intertwine and stories are re-framed, as in her long poem 'Homo Antarcticus', which traces the fate of an inspirational explorer who could adapt to months of near-starvation in sub-zero Antarctica but not to later life back in civilisation, one of a number of poems in the book relating to society's pressure on the individual. Sorrow and death, love and desire, imprisonment and disappointment are all themes that echo deeply in Lleshanaku's hauntingly beautiful poems. Negative Space draws on two recent collections published in Albania, Almost Yesterday (2012) and Homo Antarcticus (2015), and follows Haywire: New & Selected Poems, her first UK selection published by Bloodaxe in 2011, a Poetry Book Society Recommended Translation which was shortlisted for the Corneliu M. Popescu Prize in 2013. Negative Space is also a Poetry Book Society Recommended Translation, and was shortlisted for the International Griffin Poetry Prize 2019.

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From obnoxious public figures to online trolling and accusations of “fake news”, almost no one seems able to disagree without hostility. But polite discord sounds farfetched when issues are so personal and fundamental that those on opposing sides appear to have no common ground. How do you debate the “enemy”? Philosophers Scott Aikin and Robert Talisse show that disagreeing civilly, even with your sworn enemies, is a crucial part of democracy. Rejecting the popular view that civility requires a polite and concessive attitude, they argue that our biggest challenge is not remaining calm in the face of an opponent, but rather ensuring that our political arguments actually address those on the opposing side. Too often politicians and pundits merely simulate political debate, offering carefully structured caricatures of their opponents. These simulations mimic political argument in a way designed to convince citizens that those with whom they disagree are not worth talking to. Good democracy thrives off conflict, but until we learn the difference between real and simulated arguments we will be doomed to speak at cross-purposes. Aikin and Talisse provide a crash course in political rhetoric for the concerned citizen, showing readers why understanding the structure of arguments is just as vital for a healthy democracy as debate over facts and values. But there’s a sting in the tail - no sooner have we learned rhetorical techniques for better disagreement than these techniques themselves become weapons with which to ignore our enemies, as accusations like “false equivalence” and “ad hominem” are used to silence criticism. Civility requires us to be eternally vigilant to the ways we disagree.

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Illuminating the religious and existential themes in Stephen King’s horror stories Who are we? Why are we here? Where do we go when we die? For answers to these questions, people often look to religion. But religion is not the only place seekers turn. Myths, legends, and other stories have given us alternative ways to address the fundamental quandaries of existence. Horror stories, in particular, with their focus on questions of violence and mortality, speak urgently to the primal fears embedded in such existential mysteries. With more than fifty novels to his name, and hundreds of millions of copies sold, few writers have spent more time contemplating those fears than Stephen King. Yet despite being one of the most widely read authors of all time, King is woefully understudied. America’s Dark Theologian is the first in-depth investigation into how King treats religion in his horror fiction. Considering works such as Carrie, The Dead Zone, Misery, The Shining, and many more, Douglas Cowan explores the religious imagery, themes, characters, and, most importantly, questions that haunt Stephen King’s horror stories. Religion and its trappings are found throughout King’s fiction, but what Cowan reveals is a writer skeptical of the certainty of religious belief. Describing himself as a “fallen away” Methodist, King is less concerned with providing answers to our questions, than constantly challenging both those who claim to have answers and the answers they proclaim. Whether he is pondering the existence of other worlds, exploring the origins of religious belief and how it is passed on, probing the nature of the religious experience, or contemplating the existence of God, King invites us to question everything we think we know.

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Winner, 2021 Ray and Pat Browne Edited Collection Award, given by the Popular Culture Association How popular culture is engaged by activists to effect emancipatory political change One cannot change the world unless one can imagine what a better world might look like. Civic imagination is the capacity to conceptualize alternatives to current cultural, social, political, or economic conditions; it also requires the ability to see oneself as a civic agent capable of making change, as a participant in a larger democratic culture. Popular Culture and the Civic Imagination represents a call for greater clarity about what we’re fighting for—not just what we’re fighting against. Across more than thirty examples from social movements around the world, this casebook proposes “civic imagination” as a framework that can help us identify, support, and practice new kinds of communal participation. As the contributors demonstrate, young people, in particular, are turning to popular culture—from Beyoncé to Bollywood, from Smokey Bear to Hamilton, from comic books to VR—for the vernacular through which they can express their discontent with current conditions. A young activist uses YouTube to speak back against J. K. Rowling in the voice of Cho Chang in order to challenge the superficial representation of Asian Americans in children’s literature. Murals in Los Angeles are employed to construct a mythic imagination of Chicano identity. Twitter users have turned to #BlackGirlMagic to highlight the black radical imagination and construct new visions of female empowerment. In each instance, activists demonstrate what happens when the creative energies of fans are infused with deep political commitment, mobilizing new visions of what a better democracy might look like.

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In 1994, when the National Air and Space Museum announced plans to display the Enola Gay, the B-29 sent to destroy Hiroshima with an atomic bomb, the ensuing political uproar caught the museum's parent Smithsonian Institution entirely unprepared. As the largest such complex in the world, the Smithsonian cares for millions of objects and has displayed everything from George Washington's sword to moon rocks to Dorothy's ruby slippers from The Wizard of Oz. Why did this particular object arouse such controversy? From an insider's perspective, Robert C. Post's Who Owns America's Past? offers insight into the politics of display and the interpretation of history. Never before has a book about the Smithsonian detailed the recent and dramatic shift from collection-driven shows, with artifacts meant to speak for themselves, to concept-driven exhibitions, in which objects aim to tell a story, displayed like illustrations in a book. Even more recently, the trend is to show artifacts along with props, sound effects, and interactive elements in order to create an immersive environment. Rather than looking at history, visitors are invited to experience it. Who Owns America's Past? examines the different ways that the Smithsonian's exhibitions have been conceived and designed-whether to educate visitors, celebrate an important historical moment, or satisfy donor demands or partisan agendas. Combining information from hitherto-untapped archival sources, extensive interviews, a thorough review of the secondary literature, and considerable personal experience, Post gives the reader a behind-the-scenes view of disputes among curators, academics, and stakeholders that were sometimes private and at other times burst into headline news.

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Put buyer experience and selling resources front-and-center to boost revenue Sales Enablement is the essential guide to boosting revenue through smarter selling. A thorough, practical introduction to sales enablement best practices, this book provides step-by-step approaches for implementation alongside expert advice. In clarifying the sales enablement space and defining its practices, this invaluable guidance covers training, content, and coaching using a holistic approach that ensures optimal implementation with measureable results. Case studies show how enablement is used effectively in real-world companies, and highlight the essential steps leaders must take to achieve their desired sales results. Smarter buyers require smarter selling, and organizations who have implemented enablement programs attain revenue goals at a rate more than eight percent higher than those that do not. This book provides a 101 guide to sales enablement for any sales professional wanting to enhance sales and boost revenue in an era of consumer choice. Understand sales enablement and what it can do for your company Implement enablement using techniques that ensure sustainable, measureable performance impact Adopt proven best practices through step-by-step advice from experts Examine case studies that illustrate successful implementation and the impact of sales enablement on revenue Consumers are smarter, more connected, and more educated than ever before. Traditional sales strategies are falling by the wayside, becoming increasingly less effective amidst the current economic landscape. Companies who thrive in this sort of climate know how to speak to the customer in their own terms, and sales enablement keeps the customer front-and-center by providing sales people with the resources buyers want. Sales Enablement provides a scalable, sales-boosting framework with proven results.

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Small Paintings presents the gestural, intimate and hauntingly beautiful paintings by Indian-born British artist Jai Chuhan from her solo exhibition at Qrystal Partners, London. Small Paintings presents the gestural and hauntingly beautiful paintings by Indian-born British artist Jai Chuhan. The book showcases the art created for her solo exhibition of the same name at Qrystal Partners in London in the summer of 2023. Chuhan often depicts lone figures in indistinct, nebulous interiors, exploring love and alienation. In other works, couples are huddled together, potentially locked in an embrace. The paintings evoke the psychological tensions between genders, agency and subjection, the familiar and the unreal. Their small scale creates a sense of voyeurism, reminiscent of what is felt when one looks through a window. Glimpses of bodies are shown in expressive poses that speak to moments of privacy, intimacy and vulnerability. Chuhan emigrated to London with her family in the late 1960s and studied at the Slade School of Fine Art in the 1970s. Her practice engages deeply with histories of painting as she navigates transculturalism and the female gaze. Her influences, such as Frank Auerbach, Lucian Freud and Francis Bacon, are evident in her richly coloured and textured works. But, Chuhan’s position is distinctly different; her perspective refuses bravado and probes into ideas of empathy. Donald Ryan, co-founder of Qrystal Partners and Small Paintings' curator, contributes a foreword contextualising the exhibition and delineating Chuhan’s key artistic concerns. In her essay, Hannah Marsh, assistant curator of contemporary British art at the Tate, ruminates on the idea of being seen, holding space and how Chuhan’s art speaks on its own terms.

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Theodor W. Adorno's multifaceted work has exerted a profound impact on far-ranging discourses and critical practices in late modernity. His analysis of the fate of art following its alleged end, of ethical imperatives "after Auschwitz," of the negative dialectic of myth and freedom from superstition, of the manipulation of consciousness by the unequal siblings of fascism and the culture industry, and of the narrowly-conceived concept of reason that has given rise to an unprecedented exploitation of nature and needless human suffering, all speak to central concerns of our time. The essays collected here analyze the full range of implications emanating from Adorno's demand that the task of critical thinking be to imagine a mode of being in the world that occurs in and through a language that has liberated itself from the spell of an alleged historical and political inevitability, what he once tellingly called a "language without soil." Adorno' s finely chiseled sentences perform a ceaseless gesture of thoughtful vigilance, a vigilance understood not in the sense of moralizing or ethical normativity but of a rigorous attention to the presuppositions of thinking itself. The volume's fresh readings conspire to yield a refractory and unorthodox Adorno, a suggestive and at times infuriating thinker of the first order, whose intellectual gestures sponsor politically conscious modes of theoretical speculation in a late modernity that may still have a future because its language and aspirations are without soil. Also included is an annotated translation of a seminal interview Adorno gave in 1969 concerning the relationship of Critical Theory to political activism. In it, the dialectical interplay between thought and action forcefully emerges.

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The book Our Bodies, Ourselves is a feminist success story. Selling more than four million copies since its debut in 1970, it has challenged medical dogmas about women’s bodies and sexuality, shaped health care policies, energized the reproductive rights movement, and stimulated medical research on women’s health. The book has influenced how generations of U.S. women feel about their bodies and health. Our Bodies, Ourselves has also had a whole life outside the United States. It has been taken up, translated, and adapted by women across the globe, inspiring more than thirty foreign language editions.Kathy Davis tells the story of this remarkable book’s global circulation. Based on interviews with members of the Boston Women’s Health Book Collective, the group of women who created Our Bodies, Ourselves, as well as responses to the book from readers, and discussions with translators from Latin America, Egypt, Thailand, China, Eastern Europe, Francophone Africa, and many other countries and regions, Davis shows why Our Bodies, Ourselves could never have been so influential if it had been just a popular manual on women’s health. It was precisely the book’s distinctive epistemology, inviting women to use their own experiences as resources for producing situated, critical knowledge about their bodies and health, that allowed the book to speak to so many women within and outside the United States. Davis provides a grounded analysis of how feminist knowledge and political practice actually travel, and she shows how the process of transforming Our Bodies, Ourselves offers a glimpse of a truly transnational feminism, one that joins the acknowledgment of difference and diversity among women in different locations with critical reflexivity and political empowerment.

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The headscarf is an increasingly contentious symbol in countries across the world. Those who don the headscarf in Germany are referred to as "integration-refusers." In Turkey, support by and for headscarf-wearing women allowed a religious party to gain political power in a strictly secular state. A niqab-wearing Muslim woman was denied French citizenship for not conforming to national values. And in the Netherlands, Muslim women responded to the hatred of popular ultra-right politicians with public appeals that mixed headscarves with in-your-face humor. In a surprising way, the headscarf—a garment that conceals—has also come to reveal the changing nature of what it means to belong to a particular nation. All countries promote national narratives that turn historical diversities into imagined commonalities, appealing to shared language, religion, history, or political practice. The Headscarf Debates explores how the headscarf has become a symbol used to reaffirm or transform these stories of belonging. Anna Korteweg and Gökçe Yurdakul focus on France, Germany, and the Netherlands—countries with significant Muslim-immigrant populations—and Turkey, a secular Muslim state with a persistent legacy of cultural ambivalence. The authors discuss recent cultural and political events and the debates they engender, enlivening the issues with interviews with social activists, and recreating the fervor which erupts near the core of each national identity when threats are perceived and changes are proposed. The Headscarf Debates pays unique attention to how Muslim women speak for themselves, how their actions and statements reverberate throughout national debates. Ultimately, The Headscarf Debates brilliantly illuminates how belonging and nationhood is imagined and reimagined in an increasingly global world.

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The Russian Revolution and its grim aftermath transformed the world into which Anna Akhmatova (1889-1966) had been born, radically altering the poet's life and art. At the time of the Revolution, Akhmatova's exquisite love lyrics had made her one of Russia's leading poets, but the mass social forces unleashed by the Revolution were inimical to her lyric genius. In the 1920's her work was subjected to vicious ideological attacks in the press and was officially barred from. publication. Akhmatova fell silent. When she began writing again in the late 1930s, her poetry was much changed—formally, thematically, and technically. In contrast to the relative simplicity of the early erotic miniatures, the later poetry speaks in riddles, flaunting its own opacity. The author places the later work in its socio-cultural context through close readings of the major texts. The dominant metapoetic themes of the later poetry are taken as a point of. departure: they speak both to the poet's plight in society (repression, silencing) and to the array of means employed to transcend that plight (indirection, concealment, obfuscation). The theme of concealment highlights one of the most salient aspects of the later poetry—its saturation with allusions and quotations drawn from Russian and Western European literature. These allusions are interpreted through analyses of the complex relations between the source text and. Akhmatova's poems. In contrast to the relatively unified image of the lyrical persona in the early verse, the poet's self-representation in the later poetry features a multiplicity of masks and guises. Throughout, the author traces the genesis and transfigurations of these images of self. Quoted texts are given in Russian and in English translation.

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The story of Jason and the Argonauts and their quest for the Golden Fleece is one of the oldest and most familiar tales in classical literature. Apollonius of Rhodes wrote the best-known version, in Greek, in the third century B.C.E. The Latin poet Gaius Valerius Flaccus began his own interpretation of the story in the first century of the Christian era, but he died before completing it. With The Voyage of the "Argo," the acclaimed poet and translator David Slavitt recovers for modern readers the only surviving work of this little-known writer. The result is an engaging rendition of Jason's adventures, of particular interest when compared to the Greek version of the story. While Apollonius' tale offers a subtle psychological study of Medea, Valerius Flaccus' achievement is to present Jason as a more complete and compelling heroic figure. Slavitt, for one, enjoyed the rediscovery immensely-and he invites his readers to do the same. "I am content to let my rendition into English speak for Valerius, but for those whom I imagine standing in an aisle of a library or bookstore, trying to decide, I can offer some reassurance. This piece is playful, unpredictable, oddly contrarian, sometimes almost mannerist. Valerius' description in book 8 of Medea's putting the serpent to sleep so Jason can filch the fleece involves a gesture no other Latin poet I know would have thought to try-a brief moment in Medea's head when she allows herself to feel sorry for the snake...It is this kind of droll surprise that drew me to undertake the translation of a work that is not, I freely confess, well known."-David Slavitt

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Most of us who live in the North and the West consume far too much – too much meat, too much fat, too much sugar, too much salt. We are more likely to put on too much weight than to go hungry. We live in a society that is heading for a crash. We are aware of what is happening and yet we refuse to take it fully into account. Above all we refuse to address the issue that lies at the heart of our problems – namely, the fact that our societies are based on an economy whose only goal is growth for growth’s sake. Serge Latouche argues that we need to rethink from the very foundations the idea that our societies should be based on growth. He offers a radical alternative – a society of ‘de-growth’. De-growth is not the same thing as negative growth. We should be talking about ‘a-growth’, in the sense in which we speak of ‘a-theism’. And we do indeed have to abandon a faith or religion – that of the economy, progress and development—and reject the irrational and quasi-idolatrous cult of growth for growth’s sake. While many realize that that the never-ending pursuit of growth is incompatible with a finite planet, we have yet to come to terms with the implications of this – the need to produce less and consume less. But if we do not change course, we are heading for an ecological and human disaster. There is still time to imagine, quite calmly, a system based upon a different logic, and to plan for a ‘de-growth society’.

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Since Socrates, and through Descartes to the present day, the problems of self-knowledge have been central to philosophy's understanding of itself. Today the idea of "first-person authority"--the claim of a distinctive relation each person has toward his or her own mental life--has been challenged from a number of directions, to the point where many doubt the person bears any distinctive relation to his or her own mental life, let alone a privileged one. In Authority and Estrangement, Richard Moran argues for a reconception of the first-person and its claims. Indeed, he writes, a more thorough repudiation of the idea of privileged inner observation leads to a deeper appreciation of the systematic differences between self-knowledge and the knowledge of others, differences that are both irreducible and constitutive of the very concept and life of the person. Masterfully blending philosophy of mind and moral psychology, Moran develops a view of self-knowledge that concentrates on the self as agent rather than spectator. He argues that while each person does speak for his own thought and feeling with a distinctive authority, that very authority is tied just as much to the disprivileging of the first-person, to its specific possibilities of alienation. Drawing on certain themes from Wittgenstein, Sartre, and others, the book explores the extent to which what we say about ourselves is a matter of discovery or of creation, the difficulties and limitations in being "objective" toward ourselves, and the conflicting demands of realism about oneself and responsibility for oneself. What emerges is a strikingly original and psychologically nuanced exploration of the contrasting ideals of relations to oneself and relations to others.

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For many years, the related fields of molten salts and ionic liquids have drifted apart, to their mutual detriment. Both molten salts and ionic liquids are liquid salts containing only ions - all that is different is the temperature! Both fields involve the study of Coulombic fluids for academic and industrial purposes; both employ the same principles; both require skilled practitioners; both speak the same language; all then that is truly different is their semantics, and how superficial is that? The editors of this book, recognising that there was so much knowledge, both empirical and theoretical, which can be passed from the molten salt community to the ionic liquid community, and vice versa, organised a landmark meeting in Tunisia, designed to bridge the gap and heal the rift. Leaders from both communities met for a week for a mutual exchange, with a high tutorial content intermixed with cutting edge findings. This volume is a condensate of the principal offerings of that week, and emphasises the success which was achieved. Indeed, four future biannual meetings, under the title of “EUCHEM Conferences on Molten Salts and Ionic Liquids”, have now been planned as a direct result of this meeting of minds. Topics discussed in this volume include structure, dynamics, electrochemistry, interfacial and thermodynamic properties, spectroscopy, synthesis, and theoretical studies. Experimental and theoretical methods for investigating these data are elaborated, as are techniques for data collection and analysis. This book represents the first serious discussion on the transfer of these methods and techniques between the differing temperature regimes, and is a major contribution to the future of both fields.

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It's Time to Share the Dream. . .Dr. King and the men and women around him were able to change history through the power of a dream that was not rooted in mere human principles. That dream was rooted in the love of God for all his children made in his image.Share the Dream™ is a six-session video Bible study (streaming code included) based on the life and teachings of Dr. Martin Luther King, Jr. Each session revolves around one of the biblical principles that shaped Dr. King's life and motivated him to speak on behalf of African Americans in the Civil Rights Movement.Sessions and video run times: Love (24:00) Conscience (16:00) Justice (17:30) Freedom (14:30) Perseverance (15:00) Hope (17:00) Be a part of the Share the Dream™ movement that's helping a new generation understand, live, experience, and form a community around the unifying principles at the heart of the dream to which Dr. King dedicated his life.This study guide has everything you need for a full Bible study experience, including: The study guide itself—with discussion and reflection questions, video notes, and a leader's guide. An individual access code to stream all video sessions online. (You don’t need to buy a DVD!) Streaming video access code included. Access code subject to expiration after 12/31/2028. Code may be redeemed only by the recipient of this package. Code may not be transferred or sold separately from this package. Internet connection required. Void where prohibited, taxed, or restricted by law. Additional offer details inside.

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In this provocative book, Eddie S. Glaude Jr. makes an impassioned plea for black America to address its social problems by recourse to experience - and with an eye set on the promise and potential of the future, rather than the fixed ideas and categories of the past. Central to Glaude's mission is a rehabilitation of philosopher John Dewey, whose ideas, he argues, can be fruitfully applied to a renewal of African American politics.According to Glaude, Dewey's pragmatism, when attentive to the darker dimensions of life - or what we often speak of as the blues - can address many of the conceptual problems that plague contemporary African American discourse. How blacks think about themselves, how they imagine their own history, and how they conceive of their own actions can be rendered in ways that escape bad ways of thinking that assume a tendentious political unity among African Americans simply because they are black. Drawing deeply on black religious thought and literature, "In a Shade of Blue" seeks to dislodge such crude and simplistic thinking and replace it with a deeper understanding of and appreciation for black life in all its variety and intricacy. Glaude argues that only when black political leaders acknowledge such complexity can the real-life sufferings of many African Americans be remedied, an argument echoed in the recent rhetoric and optimism of Barack Obama's presidential campaign."In a Shade of Blue" is a remarkable work of political commentary, and to follow its trajectory is to learn how African Americans arrived at this critical moment in their cultural and political history - and to envision where they might head in the twenty-first century.

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Sabarl island—created, in myth, from the bones of a serpent—is a coral atoll in the Louisiade archipelago of Papua New Guinea. The Sabarl speak of themselves as true "islanders": persons separated from the means of both physical and social survival. The Sabarl struggle for continuity—of the physical and social person and of social relations, of cultureal values, of paternal influence in a matrilineal society—is the subject of Debbora Battaglia's sensitive ethnography of loss and reconstruction: the first major work on cultural responses to mortality in the southern Massim culture area and an important contribution to studies of personhood in Melanesia. The creative focus of Sabarl cultural life is a series of mortuary feasts and rituals known as segaiya. In assembling and disassembling commemorative food and objects in segaiya exchanges, Sabarl also assemble and disassemble the critical social relations such objects stand for. These commemorative acts create a collective memory yet also a collective experience of forgetting social bonds that are of no future use to the living. Sabarl anticipate this disaggregation in patterns of everyday life, which reveal the importance of categorical distinctions mapped in beliefs about the physical and metaphysical person. Using remembrance and forgetting as an analytic lens, Battaglia is able to ask questions critical to understanding Melanesian social process. One of the "new ethnographies" addressing the limits of ethnographic representation and the fragmented nature of knowledge from an indigenous perspective, her finely wrought study explores the dynamics of cultural practices in which decontruction is integral to construction, allowing a new perspective on the ephermeral nature of sociality in Melanesia and new insight into the efficacy of cultural images more generally.

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You can try to leave but they’ll never let you go… Are YOU ready to return to FOG ISLAND? The gripping sequel to Fog Island from the international bestseller Mariette Lindstein… Sofia may have escaped from Fog Island, but she can’t escape the horror… Thanks to her, cult-leader Franz Oswald, head of the sinister organisation on Fog Island which held Sofia captive, is now in custody awaiting trial for the horrific things that took place on the island. With the help of a ruthless lawyer, Franz is spinning a web of revenge that stretches far outside his prison walls… When Sofia determines to speak out about the sect, her life once again turns into a living nightmare. No matter where she runs, Oswald’s network seems to reach her. And in the wake of his final revenge, Sofia must ask herself the crucial question – can one ever be free from a cult? Praise for Fog Island: ‘Chillingly authentic’ Guardian ‘I loved it – tense and atmospheric, slowly drawing the reader in to a reality that is utterly terrifying’ Lisa Hall, bestselling author of Have You Seen Her and The Perfect Couple ‘An interesting exposition of the psychology and the insidious methods that govern cults’ Daily Mail ‘An intense, terrifying, and utterly believable journey into the shadowy world of cult leaders and cult members. A just-one-more-page thriller that will have you reading late into the night and holding your breath until the very end. I loved it!’ Karen Dionne, internationally bestselling author of Home ‘A vivid crime novel’ Express ‘This intense thriller completely grips you from the off’ Heat

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Stop being a servant of the life you’re living and become a creator of the world you want. Electrifying lessons in power, influence and persuasion to equalise women in an unequal world.Why do so many women feel they're too much yet not enough? How can you feel ‘good and mad’ yet reluctant to speak up in a meeting or difficult conversation? What causes women to freeze at critical moments?Kasia Urbaniak spent 17 years studying to become a Taoist nun. To foot the bill for her studies, she worked as a high-paid (and extremely successful) dominatrix in dungeons around New York City. What she learned in these two wildly different settings has turned into her life’s work. UNBOUND brings Urbaniak’s unique teachings for women on speaking power, persuading others and navigating conflict to a mainstream audience for the first time. Part polemic, part practical, it opens women’s eyes to why they frequently find it so difficult – personally, professionally and socially – to raise their voices, why they freeze in challenging circumstances and what they can do to change this. Too often women find themselves in the role of ‘sub’ when they need to be more ‘dom’ – in short they are paralysed by their Good Girl Syndrome and a deep-seated need to please everyone and anyone except themselves. UNBOUND offers precise, practical instruction in how to stand in your power, find your voice and use it well. Part manual, part manifesto, it will help you cut through layers of self-censoring and self-doubt to go after what you truly want, and live your wildest, best and most satisfying life.

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How far would you go to save a child who isn't even yours?Before You Found Me explores the unlikely bond that develops between two abuse survivors and takes a deep dive into personal sacrifice, morality, and the healing powers of family-both blood and found--from the author of After We Were Stolen.Rowan McNamara doesn't open the door to her new life-she's thrown through it. Following an explosive argument with her abusive fiancé, Rowan runs. With no family except for her estranged sister, Celia, Rowan takes refuge in an idyllic New England town.There, she meets Gabriel, the eleven-year-old son of her neighbor, Lee. Lee is welcoming, friendly, and a little too helpful. But Gabriel is a mystery: withdrawn, often bruised, and only willing to speak to Rowan through his basement window. When she discovers that Lee has kept Gabriel imprisoned for the past three years, Rowan is desperate to save him. Fueled by outrage and empathy, she abducts Gabriel and flees to her childhood home in rural Oklahoma, determined to raise him as her own.Together they battle nightmares, curious stares, and Celia's constant disapproval. But when Lee begins haunting more than their dreams, Rowan and Gabriel realize they stopped pretending to be a family a long time ago. Their bond is just as strong as blood, and they're willing to do anything to protect one another.From Brooke Beyfuss comes a tender, deeply emotional novel exploring trauma and healing, love and family, and the impossible lengths we'll go to protect the ones we love, even at the expense of ourselves.

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The English word infant is derived from the Latin word meaning unable to speak, reflecting the general sense that the transition from infancy into childhood is marked by the production of the child's first word. However, modern methods for measuring infant behavior and brain activity suggest that there is a great deal of language learning that goes on before first word production. The book, Language Development, by LouAnn Gerken, Ph.D. examines both classic and current studies that trace the development of human language from before birth to the early childhood years. By focusing on areas of language development in which a unified set of theoretical issues has been explored, the book presents a theoretically and empirically more coherent approach to language development than other books in this discipline. The book also considers the theoretical questions that drive language scientists to pursue these studies: What are the biological underpinnings of language? Why has it proven so difficult to build a computer that learns language? Is language learning like or unlike learning of other abilities such as math or music? How should we best characterize developmental language disorders?This book is aimed at the junior and senior undergraduates and the graduate students enrolled in Language Development across psychology, linguistics, and communication disorders. For practitioners engaged in working with language development/disorders, this is the perfect book to "stay up-to-date." Each chapter in this book includes valuable highlights of "thought questions" to help students ponder the content of the chapter. Lucid narration of contents has been significantly augmented by ample usage of tables and illustrations.

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600 Basic Japanese Verbs is a handy, easy-to-use guide to one of the building blocks of Japanese grammar—verbs.This book will be an essential resource for students wishing to learn Japanese as it shows how to conjugate the 600 most common Japanese verbs quickly, and with minimal effort. This is the only guide to list all verb forms in both Japanese script and romanized form, while giving an accurate English translation for each conjugated form, making this book far more comprehensive than any other book on the subject. Compiled by Japanese language experts at The Hiro Japanese Center, more than 30 different verbal forms are given for each verb including all forms used in contemporary spoken, written, formal and conversational Japanese—making this the ideal reference when reading any sort of Japanese printed materials including manga, newspapers, magazines and books. 600 Basic Japanese Verbs places an expert resource at your fingertips, giving you the information you need to speak, read, and write Japanese sentences correctly. Key features of this book are: Includes all the most useful verbs and Kanji (logographic Chinese characters) in Japanese, including less common ones. A wealth of example sentences is given to demonstrate correct verb usage. Over 30 forms are given for each verb including polite or formal, plain, negative, potential, conditional, passive, causative, and many more. Both Kana, Japanese script, and romanized forms are given for each entry. An ideal study guide for the standard Advanced Placement college test and the Japanese Language Proficiency Exam. Special sections are devoted to compound verbs and suru verbs such as Kaimono suru (to shop), benkyo suru (to study), and much more.

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“Superb.” —Steven Pinker“An explanation, a defense, and, most heartening, a celebration. . . . McWhorter demonstrates the ‘legitimacy’ of Black English by uncovering its complexity and sophistication, as well as the still unfolding journey that has led to its creation. . . . [His] intelligent breeziness is the source of the book’s considerable charm.” —New Yorker“Talking Back, Talking Black is [McWhorter’s] case for the acceptance of black English as a legitimate American dialect. . . . He ably and enthusiastically breaks down the mechanics.” —New York Times Book ReviewLinguists have been studying Black English as a speech variety for years, arguing to the public that it is different from Standard English, not a degradation of it. Yet false assumptions and controversies still swirl around what it means to speak and sound “black.” In his first book devoted solely to the form, structure, and development of Black English, John McWhorter clearly explains its fundamentals and rich history while carefully examining the cultural, educational, and political issues that have undermined recognition of this transformative, empowering dialect.Talking Back, Talking Black takes us on a fascinating tour of a nuanced and complex language that has moved beyond America’s borders to become a dynamic force for today’s youth culture around the world.John McWhorter teaches linguistics, Western civilization, music history, and American studies at Columbia University. A New York Times best-selling author and TED speaker, he is a columnist for CNN.com, a regular contributor to the Atlantic, a frequent guest on CNN and MSNBC, and the host of Slate’s language podcast, Lexicon Valley. His books on language include The Power of Babel; Our Magnificent Bastard Tongue; Words on the Move; Talking Back, Talking Black; and The Creole Debate.

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Steiner has been able to clarify the historical reality behind the Rosicrucian story, with all its aura of glamour and fantasy. That effected, he points to the enormity of its vision for the future evolution of ideas...' - Dr Andrew Welburn (from the Introduction) In the immediate aftermath of the 'Mystery-act' of the Christmas Foundation Conference, Rudolf Steiner chose to speak on the subject of 'Rosicrucianism and Modern Initiation Mystery Centres of the Middle Ages'. Clearly connected to the events that had just taken place in Dornach - in which he not only refounded the Anthroposophical Society but took a formal position within it - Steiner begins by exploring the intellectual life of the Middle Ages and the role that Mystery culture played within it. He throws new light on the foundations of Rosicrucianism, its principles of initiation and its inherent impulse for freedom. Steiner also discusses the secret teachings of the eighteenth and nineteenth centuries, and the dawn of the age of the Archangel Michael. In the second series of lectures, entitled 'The Easter Festival and the History of the Mysteries' (April 1924), Steiner describes how festivals grew out of the Mysteries themselves. He speaks of Mysteries connected to Spring and Autumn, Adonis and Ephesus, and the significance of Sun and Moon. Throughout the volume he discusses the roles of Alexander the Great and Aristotle in world history and the significance of Aristotle's 'Categories'. Published for the first time as a single volume, the freshly revised text is complemented with an extensive introduction by Dr Andrew Welburn, detailed notes and appendices by Professor Frederick Amrine and an index. (Ten lectures, Jan. and April 1924, GA 233a)

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A stirring defense of Sinéad O’Connor’s music and activism, and an indictment of the culture that cancelled her. In 1990, Sinéad O’Connor’s video for “Nothing Compares 2 U” turned her into a superstar. Two years later, an appearance on Saturday Night Live turned her into a scandal. For many people—including, for years, the author—what they knew of O’Connor stopped there. Allyson McCabe believes it’s time to reassess our old judgments about Sinéad O’Connor and to expose the machinery that built her up and knocked her down. Addressing triumph and struggle, sound and story, Why Sinéad O’Connor Matters argues that its subject has been repeatedly manipulated and misunderstood by a culture that is often hostile to women who speak their minds (in O’Connor’s case, by shaving her head, championing rappers, and tearing up a picture of the pope on live television). McCabe details O’Connor’s childhood abuse, her initial success, and the backlash against her radical politics without shying away from the difficult issues her career raises. She compares O’Connor to Madonna, another superstar who challenged the Catholic Church, and Prince, who wrote her biggest hit and allegedly assaulted her. A journalist herself, McCabe exposes how the media distorts not only how we see O’Connor but how we see ourselves, and she weighs the risks of telling a story that hits close to home. In an era when popular understanding of mental health has improved and the public eagerly celebrates feminist struggles of the past, it can be easy to forget how O’Connor suffered for being herself. This is the book her admirers and defenders have been waiting for.

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From Bulletproof creator and bestselling author Dave Asprey comes a revolutionary approach to anti-aging that will help you up your game at any age.Dave Asprey suffered countless symptoms of aging as a young man, which sparked a life-long burning desire to grow younger with each birthday. For more than twenty years, he has been on a quest to find innovative, science-backed methods to upgrade human biology and redefine the limits of the mind, body, and spirit. The results speak for themselves. Now in his forties, Dave is smarter, happier, and more fit and successful than ever before. In Super Human, he shows how this is level of health and performance possible for all of us. While we assume we will peak in middle age and then decline, Asprey's research reveals there is another way. It is possible to make changes on the sub-cellular level to dramatically extend life span. And the tools to live longer also give you more energy and brainpower right now. The answers lie in Dave's Seven Pillars of Aging that contribute to degeneration and disease while diminishing your performance in the moment. Using simple interventions-like diet, sleep, light, exercise, and little-known but powerful hacks from ozone therapy to proper jaw alignment, you can decelerate cellular aging and supercharge your body's ability to heal and rejuvenate.A self-proclaimed human Guiana pig, Asprey arms readers with practical advice to maximize their lives at every age with his signature mix of science-geek wonder, candor, and enthusiasm. Getting older no longer has to mean decline. Now it's an opportunity to become Super Human.

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No grammar tests. No memory drills. No chance of failure. Welcome to Learn with Paul Noble – a unique, tried and tested language learning method that has been used by almost a million people to speak fluently and confidently in no time at all. Take a simple, relaxed approach to learning a language that has been proven to succeed time and time again. Unlike more traditional language learning courses, Paul Noble’s unique method has no grammar tests, no memory drills and no chance of failure. Whatever your experience with languages, whether you’re an absolute beginner or someone with basic knowledge who wants to improve their ability, this is the course to get you speaking Italian quickly, easily, and effortlessly. Just listen, interact and learn wherever you are. In this Audio CD, Paul will introduce you to the basics of the Mandarin Chinese language and guide you through over 15 hours of practical, everyday scenarios that will build your confidence. You will learn a huge range of vocabulary in no time at all, and be able to quickly make your new knowledge work for you in a variety of everyday scenarios. Two native-speaking Mandarin experts (male and female) will help you to perfect your pronunciation as you progress through the course. Language learning has finally become fun, enjoyable and accessible. An accompanying booklet is also included to use as a reference and revision tool. This Audio CD is Part One of a three-part course. Once you’ve finished Part One, download Learn Mandarin Chinese with Paul Noble for Beginners – Part Two. The accompanying booklet is also available here: http://collinsdictionary.com/resources.

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Historically, communication was described as a secondary, or ‘soft skill’ for surgeons. Now, astute communication, both with patients and with colleagues, forms a fundamental element of holistic surgical practice and comprises a core component of the ‘Non-Technical Skills for Surgeons’ that are increasingly recognised in modern surgical practice. Good communication is required during each patient interaction: history taking, explanation, consent, breaking bad news, and managing difficult encounters such as the demanding or angry patient. Good communication with patients improves patient trust, compliance and overall satisfaction, reduces complaints and malpractice claims. High quality communication is also fundamental when interacting with colleagues: in theatre, on the ward, whilst making referrals and organising special tests. In the busy schedules of medical professionals, such communication must be succinct and relevant. Team structures must empower all members to speak up, so as to prevent harm being done. Suboptimal communication is a root cause for the majority of serious adverse events. Furthermore, good communication reduces job stress and enhances satisfaction for the surgeon. Good communication is not an inborn behaviour; it is a learned skill that is based on key principles. Studies have clearly demonstrated that education in communication improves patient outcomes and satisfaction. Several frameworks have been described, to facilitate good communication in certain scenarios: SPIKES for breaking bad news, SBAR for handover, surgical briefs and de-briefs, to name a few. This textbook will be aimed towards medical students, surgical trainees and surgical consultants internationally. It is relevant to every-day practice, examinations and OSCEs, such as medical finals, MRCS, FRCS and international equivalents, and interviews where role play is often featured.

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Genesis sets the scene for the whole of the Bible, and indeed the entire human drama. It is a book both of beginnings and of a new beginning – the dawn of the gospel. In The Message of Genesis 12-50, Joyce G. Baldwin shows how the vivid narratives of Abraham, Isaac, Jacob and Joseph still speak to us today, highlighting God's ways of dealing with ordinary men and women. Unpacking how, in fulfilling his great plan for the whole of humanity, God works individually with imperfect people, Baldwin explores the meaning Genesis 12-50 holds for modern Christians – and how the often painful experiences it relates help us to know the character of the God we worship better. Part of the loved and trusted The Bible Speaks Today series of commentaries, The Message of Genesis 12-50 offers an insightful, readable exposition of the Biblical text and thought-provoking discussion of how its meaning relates to contemporary life. Used by Bible students and teachers around the world, The Bible Speaks Today commentaries are ideal for anyone studying or preaching Genesis and who want to delve deeper into the text. This beautifully redesigned edition has also been sensitively updated to include modern references and use the NRSV Bible text. The stories of Genesis offer glimpses of the gospel, and the message of Genesis speaks with practical meaning to the followers of Jesus in the twenty-first century. The Message of Genesis 12-50 will help for anyone looking for a commentary on the Genesis that makes clear that meaning both in its original context and for Christians today.

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'Raw, elemental and beautiful.' Telegraph'This is quite simply the best book about motherhood I have ever read.' - Eleanor Mills in the Sunday Times Mother to five children, Clover Stroud has navigated family life across two decades, both losing and finding herself. In her touching, provocative and profoundly insightful book, she captures a sense of what motherhood really feels like - how intense, sensuous, joyful, boring, profound and dark it can be.My Wild and Sleepless Nights examines what it means to be a mother, and reveals with unflinching honesty the many conflicting emotions that this entails: the joy and the wonder, the loneliness and despair. MORE PRAISE FOR CLOVER STROUD:'Clover's expertise is writing about family life in a way that feels both new and entirely familiar' - Pandora Sykes'As tender, blazing, funny and unflinching as the love it describes. I want to give this triumphant book to every mother I know' - Rachel Joyce'Stroud is always willing to rip open her very soul in order to reveal the truth about her life - and every time a woman tells the truth like this, it sets another woman free' - Elizabeth Gilbert'I read in one greedy gulp and am still slightly reeling. Extraordinary writing... For mothers and those even vaguely interested in family dynamics it is fascinating' - Alexandra HeminsleyCharting the course of one year, the first in her youngest child's life, Clover searches for answers to questions that many of us would be too afraid to admit to - not only about motherhood, but also about female sexuality and identity. Her story will speak to all mothers, and anyone about to embark on that journey.

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What is shame and where does it come from? How can we break free and help others held in its vice-like grip? And what is the gospel when shame is the problem? Shame, humiliation and stigma are all around us. Online shaming reminds us of the power of shame, the crisis of self-worth, the weight of judgement and the need for freedom. At the same time, people are becoming less responsive to gospel messages about guilt, morality and sin. If we want to reach those around us and bring healing to their hurts, we need to speak their language: the language of shame. This book helps Christians to introduce 'shame thinking' into their own lives and the lives of those they disciple and evangelize. Above all, it shows how God's freedom can release anyone suffering from the debilitating grip of shame. Introduction: Reputation ruined - what shame looks like 1 Identity, perception, judgement, and the horizontal nature of shame - case study from Genesis 2 Shame examined - what exactly is shame and how does it relate to guilt? Helpful emotion but also profoundly destructive 3 Who do you think you are? Shame in relation to identity: fig leaves and Instagram 4 Shame and the cross - flipping the script; putting shame to shame. How Jesus dealt with shame 5 'Disposing' of the shameful body - hiding, distancing, laughter, etc. Cultural perceptions 6 A new life. The role of the church - a brand new social community for the shamed 7 Putting our house in order before we help others: practical application 8 Reaching out to the shamed: practical application

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'An indispensable manual for budding activists by one of the country's most effective campaigners.'Cathy Newman, Journalist and Presenter'Tired of complaining but don't know what to do? This beautifully written book will not only inspire you but give you a step-by-step guide to creating positive change.'Magid Magid, Politician and Activist'This is your mayday book. If you want to start your own resistance, buy Do Something.'Deborah Frances-White, Host of The Guilty Feminist podcastDo you find yourself staring helplessly at your news feed? Or all too often asking, 'why hasn't somebody done something about that?'. If the answer is yes, then DO SOMETHING is the book you need.Whether you simply want to challenge your local shop to reduce their plastic or go big and demand a new law to be passed, this book is the place to start.Full of lessons from the real world DO SOMETHING contains practical steps and a blueprint anyone can follow - from helping you to pinpoint the fundamentals of what you want to achieve to mobilising supporters and harnessing traditional and social media. Having worked as a campaigner for over a decade Kajal Odedra knows the tricks that have typically been held by people in circles of power and believes that everyone should know how to speak up and be heard. Revolution on every scale is happening all around the world - but rather than being led by governments, policy makers or political leaders, it is individuals, communities and collectives who are calling for action. People power works! So, stop banging your head against the wall, pick up this book, and start planning your resistance.

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Filled with empathy and wisdom, personal experiences and creative inspiration, this is a vital collection of essays on the power of literature and the craft of writing from an international array of writers of colour.'Electric essays that speak to the experience of writing from the periphery . . . a guide, a comfort, and a call all at once' Laila Lalami, author of Conditional Citizens'A whip-smart collection' Kamila Shamsie, author of Best of FriendsWhat if we reconsidered our assumptions about how fiction should be written? And can we then apply our discoveries to both what we read and how we read? This book explores these questions and encourages us into a more inclusive conversation about storytelling, featuring:• Taymour Soomro on resisting rigid stories about who you are• Madeleine Thien on how writing builds the room in which it can exist• Amitava Kumar on why authenticity isn't a license we carry in our wallets• Tahmima Anam on giving herself permission to be funny• Ingrid Rojas Contreras on the bodily challenge of writing about trauma• Zeyn Joukhadar on queering English and the power of refusing to translate ourselves• Kiese Laymon on hearing that no one wants to read the story that you want to write• Deepa Anappara on writing even through conditions that impede the creation of artPlus essays from Tiphanie Yanique, Xiaolu Guo, Jamil Jan Kochai, Vida Cruz-Borja, Femi Kayode, Nadifa Mohamed in conversation with Leila Aboulela, Myriam Gurba, Mohammed Hanif and Sharlene Teo.'This book is essential' Nikesh Shukla'Bracing and moving . . . No one interested in how we read and should read fiction can afford to miss this' Pankaj Mishra, author of Run And Hide

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'What if, until now, you've never really prayed. Not like Jesus designed it, anyway.'Prayer is the source of Jesus's most astonishing miracles and the subject of Jesus' most audacious promises, and yet, most people - even most Bible-believing Christians - find prayer to be boring, obligatory, disappointing, confusing, or, most often, all of the above.If you've ever felt this way, Praying Like Monks, Living Like Fools is your invitation to trade your conceptions and misconceptions about prayer for prayer in its purest form: a vital, sustaining, powerful connection with God that is more real and alive than you could have ever imagined. In these pages, Tyler Staton - author, pastor, and national director of the 24/7 Prayer movement - addresses common roadblocks to prayer and gives you the confidence to come to God just as you are.Through biblical teaching, powerful storytelling, and insights on historic Christian practices, Staton helps you ...· Express your doubts and disappointments about prayer· Discover and practice multiple postures of prayer, including silence, persistence, confession, and more· Understand and embrace the wonder and mystery of prayer in everyday life· Realize that prayer is a powerful invitation to partner with God in the redemption of a fallen world· And, ultimately, open or reopen the line of communication with your Creator and experience afresh his divine power on earth.Prayer is a journey, and this book will help you transition your prayer life from a path littered with half-hearted requests to a treasured journey of ever-deepening, adventurous relationship with Jesus.Tyler Staton will be coming to the UK in May this year to speak as a contributor at Wildfires 2023.

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'Sarah doesn't just sit at the table - she stands on it. She's full of inspiring advice about how to bounce back from failures, speak your truth, embrace your quirks, and have a lot more fun along the way.' Sheryl Sandberg, Facebook COO and Founder of Leanin.org As a child, Sarah Robb O'Hagan felt destined to become a champion, but her early efforts at sport, music and theatre failed to reveal a natural superstar. Unwilling to settle for average, she learned through a series of dramatic successes and epic failures to follow her own path to success.Sarah climbed the corporate ladder at Virgin Atlantic, Nike, Gatorade and Equinox - also becoming a wife, mother and endurance athlete - and though in her twenties she was fired twice, in her thirties she led the turnaround of a $5 billion sports drink business. Her approach has stemmed from personal experience and inspiration from the band of highly accomplished 'Extremers' that she has met along the way: entrepreneurs, corporate leaders, TV personalities, an Olympic champion downhill skier, a former secretary of state, and even a world-famous tattoo artist. These Extremers helped her recognise that success doesn't come from conforming, hiding weaknesses or reaching some pre-planned destination. The bolder choice is to embrace Extreme You: to bring all that is distinctive and relevant about yourself to everything you do, and to bring out the Extreme in the people and the culture around you.Inspiring, practical and funny, Extreme You is Sarah's training programme for developing the drive, originality and fierce attitude to become the best version of you.

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'An ingenious way of suggesting that all of us contain multitudes . . . Sheinmel brilliantly dramatises the pupils' attempts to create a system of morality for themselves, rather than simply accepting the one handed down by authority' Financial Times'This is an immensely satisfying book from a skilled author' The Irish Times-------------------------------------------------------------------'He said we'd go to the same college, that we'd live in the same dorm, that we'd end up working in the same city after graduation. Doesn't every girl dream that her boyfriend will love her like that?'The girls at North Bay Academy are taking sides. It all started when Mike Parker's girlfriend showed up with a bruise on her face. Or, more specifically, when she walked into the principal's office and said Mike hit her. But the students have questions: Why did she go to the principal and not the police? Why did she stay so long if he was hurting her? Obviously, if it's true, Mike should be expelled. But is it true? Some girls want to rally for his expulsion - and some want to rally around Mike. The only thing that the entire student body can agree on? Someone is lying. And the truth has to come out. -------------------------------------------------------------------'Both timely and timeless, WHAT KIND OF GIRL is a powerful exploration of abuse in its many forms, as well as the strength it takes to rise up and speak your truth. Alyssa Sheinmel has crafted a compelling, moving, and empowering story of hope and courage - one that will stay with you long after you've turned the last page' - Amber Smith, New York Times bestselling author of The Way I Used to Be

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