Search results for ""author dick"

A magical memoir about childhood in India by the daughter of Lord Louis and Edwina Mountbatten; a glimpse into the lives and loves of some of the 20th century's leading figures.Pamela Mountbatten was born at the end of the 1920s into one of Britain's grandest families. The daughter of Lord Louis Mountbatten and his glamorous wife Edwina Ashley, she was brought up by nannies and governesses as she was often parted from her parents as they dutifully carried out their public roles. A solitary child, she learned to occupy her days lost in a book, riding or playing with the family's animals (which included at different times a honey bear, chameleons, a bush baby, two wallabies, a lion, a mongoose and a coati mundi). Her parents' vast social circle included royalty, film stars, senior service officers, politicians and celebrities. Noel Coward invited Pamela to watch him filming; Douglas Fairbanks Jr. dropped in for tea and Churchill would call for 'a word with Dickie'.After the war, Pamela truly came of age in India, while her parents were the Last Viceroy and Vicereine. This introduction to the country would start a life-long love affair with the people and the place.

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A comprehensive look at the academic criticism of Jane Austen from her time down to the present. Among the most important English novelists, Jane Austen is unusual because she is esteemed not only by academics but by the reading public. Her novels continue to sell well, and films adapted from her works enjoy strong box-officesuccess. The trajectory of Austen criticism is intriguing, especially when one compares it to that of other nineteenth-century English writers. At least partly because she was a woman in the early nineteenth century, she was longneglected by critics, hardly considered a major figure in English literature until well into the twentieth century, a hundred years after her death. Yet consequently she did not suffer from the reaction against Victorianism thatdid so much to hurt the reputation of Dickens, Tennyson, Arnold, and others. How she rose to prominence among academic critics - and has retained her position through the constant shifting of academic and critical trends - is a story worth telling, as it suggests not only something about Austen's artistry but also about how changes in critical perspective can radically alter a writer's reputation. Laurence W. Mazzeno is President Emeritus of Alvernia University, Reading, Pennsylvania.

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Literary representations of British convicts exiled to Australia were the most likely way that the typical English reader would learn about the new colonies there. In Transported to Botany Bay, Dorice Williams Elliott examines how writers—from canonical ones such as Dickens and Trollope to others who were themselves convicts—used the figure of the felon exiled to Australia to construct class, race, and national identity as intertwined. Even as England’s supposedly ancient social structure was preserved and venerated as the “true” England, the transportation of some 168,000 convicts facilitated the birth of a new nation with more fluid class relations for those who didn’t fit into the prevailing national image. In analyzing novels, broadsides, and first-person accounts, Elliott demonstrates how Britain linked class, race, and national identity at a key historical moment when it was still negotiating its relationship with its empire. The events and incidents depicted as taking place literally on the other side of the world, she argues, deeply affected people’s sense of their place in their own society, with transnational implications that are still relevant today.

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In this sophisticated application of modern Marxist thought, N. N. Feltes demonstrates the determining influence of nineteenth-century publishing practices on the Victorian novel. His dialectical analysis leads to a comprehensive explanation of the development of capitalist novel production into the twentieth century. Feltes focuses on five English novels: Dickens's Pickwick Papers, Thackeray's Henry Esmond, Eliot's Middlemarch, Hardy's Tess of the d'Urbervilles, and Forster's Howards End. Published at approximately twenty year intervals between 1836 and 1920, they each represent a different first-publication format: part-issue, three-volume, bimonthly, magazine-serial, and single-volume. Drawing on publishing, economic, and literary history, Feltes offers a broad, synthetic explanation of the relationship between the production and format of each novel, and the way in which these determine, in the last instance, the ideology of the text. Modes of Production in Victorian Novels provides a Marxist structuralist analysis of historical events and practices described elsewhere only empirically, and traces their relationship to literary texts which have been analyzed only idealistically, thus setting these familiar works firmly and perhaps permanently into a framework of historic materialism.

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Notorious outlaw Lawrence Grey has been captured near El Paso. Marshal Neilan has a proposal for him. Neilan will set Grey free if he tries to locate John Ray, a man who was last known to be living in San Vicente, Mexico. The men Neilan sent previously have disappeared or quit the job. Brick Forbes of Pittsburgh is worth millions. Ray once did him a kindness. Now that Forbes is desperately ill, he wants to leave his fortune to Ray rather than to his own relatives. Grey agrees to Neilan’s proposal and goes to San Vicente, where he promptly saves the life of Mexican general Miguel O’Riley during a bombing attempt. The general makes inquiries and learns that the stranger who saved his life is called John Lawrence and that he is studying Spanish. Another American named Dickson Jarvis, employed by Forbes’s relatives, informs O’Riley that Lawrence is actually a wanted outlaw on both sides of the border. Later, Jarvis is murdered. Lawrence has his own audience with General O’Riley and asks him for a guide into the mountains. O’Riley sends for Oliver Slade, a man who strangely resembles the one who killed Jarvis. This proves only the beginning of an intrigue in which Lawrence’s life is threatened continually from all sides.

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"How do I love thee? Let me count the ways." With these words, Elizabeth Barrett Browning has come down to us as a romantic heroine, a recluse controlled by a domineering father and often overshadowed by her husband, Robert Browning. But behind the melodrama lies a thoroughly modern figure whose extraordinary life is an electrifying study in self-invention. Born in 1806, Barrett Browning lived in an age when women could not attend a university, own property after marriage, or vote. And yet she seized control of her private income, defied chronic illness and disability, became an advocate for the revolutionary Italy to which she eloped, and changed the course of cultural history. Her late-in-life verse novel masterpiece, Aurora Leigh, reveals both the brilliance and originality of her mind, as well as the challenges of being a woman writer in the Victorian era. A feminist icon, high-profile activist for the abolition of slavery, and international literary superstar, Barrett Browning inspired writers as diverse as Emily Dickinson, George Eliot, Rudyard Kipling, Oscar Wilde, and Virginia Woolf. Two-Way Mirror is the first biography of Barrett Browning in more than three decades. With unique access to the poet’s abundant correspondence, “astute, thoughtful, and wide-ranging guide” (Times [UK]) Fiona Sampson holds up a mirror to the woman, her art, and the art of biography itself.

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How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontes, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.

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Board: AQA Examination: English Language & Literature Specification: GCSE 9-1 Set Text covered: A Christmas Carol by Charles Dickens Type: Revision Cards New GCSE Grades 9-1 Revision Cards with free revision app, perfect to support your revision for the closed book AQA GCSE English Literature exam. Perfect for last-minute revision; Clear information with at-a-glance chronology of the text A tight focus on key events, characters, themes, context, language and structure. With lots of quiz cards to help you demonstrate your knowledge and understanding you can't go wrong. These cards can be used alongside our best-selling Study Guides with matching colour coded sections or they can be used independently as a stand-alone revision resource. Snap it! Read it, snap it on your phone, revise it...helps you retain key facts The accompanying free app uses cutting-edge technology to help you revise on-the-go to: Use the free, personalised digital revision planner and get stuck into the quick tests to check your understanding Download our free revision cards which you can save to your phone to help you revise on the go Implement 'active' revision techniques - giving you lots of tips and tricks to help the knowledge sink in

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The Body Economic revises the intellectual history of nineteenth-century Britain by demonstrating that political economists and the writers who often presented themselves as their literary antagonists actually held most of their basic social assumptions in common. Catherine Gallagher demonstrates that political economists and their Romantic and early-Victorian critics jointly relocated the idea of value from the realm of transcendent spirituality to that of organic "life," making human sensations--especially pleasure and pain--the sources and signs of that value. Classical political economy, this book shows, was not a mechanical ideology but a form of nineteenth-century organicism, which put the body and its feelings at the center of its theories, and neoclassical economics built itself even more self-consciously on physiological premises. The Body Economic explains how these shared views of life, death, and sensation helped shape and were modified by the two most important Victorian novelists: Charles Dickens and George Eliot. It reveals how political economists interacted crucially with the life sciences of the nineteenth century--especially with psychophysiology and anthropology--producing the intellectual world that nurtured not only George Eliot's realism but also turn-of-the-century literary modernism.

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In a careful examination of personal and collective histories, David Keplinger’s Ice indexes the findings from memory’s slow melt—stories and faces we’ve forgotten, bones hidden in frost.“I am asking how much more / I have to learn from this,” Keplinger writes. “You are asking that same question.” In these poems, he turns to our predecessors for guidance in picking apart the forces that govern modernity—masculinity, power, knowledge, conquest. Cryptic visitants arrive in the form of Gilgamesh, “searching for a way to stay in pain forever”; a grandmother mending socks, “her face in the dark unchanging”; Emily Dickinson, lingering at her window; a lion cub, asleep in ice for millennia.With each comes a critique of the Anthropocene, our drive to possess the unpossessable. With each comes also the discovery of what—and who—we’ve harmed in the discovering. Ice shelves collapse. Climate change melts layers of permafrost to reveal a severed wolf’s head. A pair of grease-smudged reading glasses calls up a mother’s phantom. “I am sorry / for the parts you gave me / that I’ve misshapen,” Keplinger writes.So is there “a point to all this singing”? Our ancestors cannot answer. The wolf’s head can’t, either. But sometimes, “out of the snow of confusion,” something answers, “saying gorgeous things like yes.” And the flowers “open up / their small green trumpets anyway.”

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Would you take the second chance you've always dreamed of?'A wonderful fresh new talent' Katie Fforde It's been ten years since Emma Stevens last laid eyes on Jake Murray. When he left the small seaside village of South Quay to chase the limelight, Emma's dreams left with him.Now Emma is content living a quiet and uneventful life in South Quay. It's far from the life she imagined, but at least her job at the local hotel has helped heal her broken heart.But when Jake returns home for the summer to escape the spotlight, Emma's feelings quickly come flooding back. There's clearly a connection between them, but Jake has damaged her heart once already - will she ever be able to give him a second chance?Escape with this perfect, heartwarming summer romance, for fans of Sue Moorcroft and Miranda Dickinson.Readers love THE SUMMER OF TAKING CHANCES:'I highly recommend if you are looking for a perfect summery story' NetGalley reviewer'A lovely escapism read' NetGalley reviewer'I haven't been able to put this one down! It's absolutely gorgeous and I highly recommend' NetGalley reviewer'Enjoyable reading' NetGalley reviewer'Great characters and a really good storyline' NetGalley reviewer

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From one of our finest poets comes a collection about time—about memory, remembrance, and how the past makes itself manifest in the world. Called “the poet of things” by Richard Howard, Don Bogen understands the ways objects hold history, even if they’ve grown obsolescent, even when they’ve been forgotten. So objects—rendered in cinematic detail—fill these poems. A desk, a mailbox, a house delivering its own autobiography. Hospitals: the patients who have passed through, the buildings that have crumbled. And, in a longer view, the people who survive in what they left behind: Thom Gunn, Charles Dickens, and the pre-Columbian architects who designed the great earthworks of Ohio two thousand years ago. Songs, ephemeral by nature but infinitely repeatable, run throughout the collection. “What did they tell me, all those years?” Bogen writes. Immediate Song offers us a retrospective glance that is at once contemplative and joyous, carefully shaped but flush with sensuous observation: a paean to what is both universal and fleeting.

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London’s best pub tour guide and host of the celebrated Liquid History Tours leads readers off the beaten path and through the doors of some of the least celebrated but most wonderfully authentic pubs England’s capital city has to offerIt’s not hard to locate London’s iconic pubs, where Chaucer wrote, Shakespeare performed, or Dickens penned a novel. What’s more difficult and, argues John Warland, ultimately more rewarding, is finding that special pub that has just the right vibe; the pub that’s tucked away far from the maddening crowds of tourists and noisy out-of-towners; that almost mythical pub that you’ll want to return to on a rainy evening, or show off to your friends. These are the hidden gems that Warland introduces you to in his newest pub guide. Spanning every corner of London from the city center to its outer limits and beyond, these watering holes are permeated by personality and a passion for traditional hospitality

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Why is liberalism so often dismissed by thinkers from both the left and the right? To those calling for wholesale transformation or claiming a monopoly on "realistic" conceptions of humanity, liberalism's assured progressivism can seem hard to swallow. Bleak Liberalism makes the case for a renewed understanding of the liberal tradition, showing that it is much more attuned to the complexity of political life than conventional accounts have acknowledged. Anderson examines canonical works of high realism, political novels from England and the United States, and modernist works to argue that liberalism has engaged sober and even stark views of historical development, political dynamics, and human and social psychology. From Charles Dickens's Bleak House and Hard Times to E. M. Forster's Howards End to Doris Lessing's The Golden Notebook, this literature demonstrates that liberalism has inventive ways of balancing sociological critique and moral aspiration. A deft blend of intellectual history and literary analysis, Bleak Liberalism reveals a richer understanding of one of the most important political ideologies of the modern era.

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The feline has inspired poetic adoration since the days of the pharaohs, and the poems collected here cover an astonishing range of periods, cultures, and styles. Poets across the continents and centuries have described the feline family-from kittens to old toms, pussycats to panthers-doing what they do best: sleeping, prowling, prancing, purring, sleeping some more, and gazing disdainfully at lesser beings like ourselves. Here are Yeats's Minnaloushe, Christopher Smart's Jeoffry, Lewis Carroll's Cheshire Cat, T. S. Eliot's Rum Tum Tugger, William Blake's tyger and Rilke's panther. Here are tributes from Sufi mystics, medieval Chinese poets, and haiku masters of imperial Japan, from Chaucer, Shelley, Borges, Neruda, Dickinson, and Shakespeare. Here are the cats of Mother Goose, and the one who wore the hat for Dr. Seuss.The Great Cat will delight cat lovers everywhere, celebrating as it does the beauty, the mystery, the gravity, the grace, and, of course, the unassailable superiority of the cat.

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This book is the second of a series documenting a thousand years of selected London streets and their respective histories. Some of the streets have their roots and foundations in places of worship, locations for trading or because of their geographical location or particular topography. With St Paul's at its western end and St Mary-le-Bow as its centrepiece, Cheapside goes back further than a thousand years, all the way to the Romans and beyond. Its colourful history includes kings, queens, poets, playwrights, murderers, criminals, broadcasters, inventors, politicians, pioneers, philanthropists, religious fanatics, revolutionaries, diarists and architects who all played their part in making Cheapside what Charles Dickens Jnr called the greatest thoroughfare in the City of London. With London's streets harbouring a multitude of long lost stories ripe for the recounting, Mike Read's A Thousand Years of a London Street series is one with endless potential. The only question that remains is which street will pique the interest of this broadcaster turned historical supersleuth next?

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There is no such thing as the wrong step; every time we walk we are going somewhere. Moving around the modern city becomes more than from getting from A to B, but a way of understanding who and where you are. In a series of riveting intellectual rambles, Matthew Beaumont, retraces a history of the walker. From Charles Dicken's insomniac night rambles to wandering through the faceless, windswept monuments of the neoliberal city, the act of walking is one of escape, self-discovery, disappearances and potential revolution. Pacing stride for stride alongside such literary amblers and thinkers as Edgar Allen Poe, Andrew Breton, H G Wells, Virginia Woolf, Jean Rhys and Ray Bradbury, Matthew Beaumont explores the relationship between the metropolis and its pedestrian life. He asks can you get lost in a crowd? It is polite to stare at people walking past on the street? What differentiates the city of daylight and the nocturnal metropolis? What connects walking, philosophy and the big toe? Can we save the city - or ourselves - by taking the pavement?

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Do you wish it could be Christmas every day? This smashing Text Guide is the next best thing - it contains everything students need to write brilliant essays about A Christmas Carol by Charles Dickens, and it's suitable for all major GCSE English exam boards!Inside, you'll find clear, thorough notes on the novel's context, plot, characters, themes and the writer's techniques - plus quick warm-up activities, in-depth exercises and realistic exam-style questions at the end of sections, alongside challenging questions for students aiming for Grades 8-9. Not only is this book packed with essay advice and engaging activities, it'll also gives you access to our online Sudden Fail quizzes - ideal for putting your skills to the test! To round it all off, we've rustled up a classic CGP cartoon-strip summary of the text to help remind you of all the important plot points.What's more, there''s a free Online Edition with even more activities for specific exam boards - ideal if you're on the move!F

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The first world title fight in Wales featured Swansea lightweight boxer, Ronnie James, and the city produced another three challengers at the highest level before Enzo Maccarinelli finally reached the pinnacle. Colin Jones, Brian Curvis and Floyd Havard were far from the only top-class exponents of the boxer's craft to emerge from Wales's second city. And the rival conurbation across the Loughor Bridge has contributed its share of stars to the fistic firmament. As well as two-weight British champion Robert Dickie and the legendary Gipsy Daniels, who once knocked out the great Max Schmeling inside a round, Llanelli gave birth to the man who codified the laws by which the sport is regulated, famous under the name of his patron, the Marquess of Queensberry. Some 50 boxers are profiled in these generously illustrated pages. Whether or not you hail from the area, if you are a fight fan, this book will make a worthy addition to your shelves.

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Gripping, emotional Second World War saga for fans of Annie Groves, Shirley Dickson and Soraya Lane.1943, and The Bluebird Girls are at the top of their game. They are touring with ENSA, visiting army bases across the world in order to boost the morale of the brave boys fighting in the desert and the jungle. The hours are long and the travelling uncomfortable, but Bea, Rainey and Ivy wouldn't be anywhere else for the world.Then tragedy strikes the group and their little showbusiness family. Their manager, Blackie, and Rainey's mother Jo find themselves with heavy new responsibilities, and the change in circumstances causes the girls themselves to reconsider their lives.For years, singing on stage has been their only dream, and they have made so many sacrifices to get where they are. But now other possibilities - relationships, babies - are on the horizon. Could this be the end for The Bluebird Girls?

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'An irresistible, feel-good story infused with infectious humour' - Miranda DickinsonThe sun is shining in the quiet little seaside town of SandybridgeSandybridge is the perfect English seaside town: home to gift shops, tea rooms and a fabulous fish and chip shop. And it's home to Grace - although right now, she's not too happy about it. Grace grew up in Sandybridge, helping her parents sort junk from vintage treasures, but she always longed to escape to a bigger world. And she made it, travelling the world for her job, falling in love and starting a family. So why is she back in the tiny seaside town she'd long left behind, hanging out with Charlie, the boy who became her best friend when they were teenagers? It turns out that travelling the world may not have been exactly what Grace needed to do. Perhaps everything she wanted has always been at home - after all, they do say that's where the heart is...

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''I recommend Hamilton at every opportunity, because he was such a wonderful writer and yet is rather under-read today. All his novels are terrific'' Sarah Waters''If you were looking to fly from Dickens to Martin Amis with just one overnight stop, then Hamilton is your man'' Nick HornbyPatrick Hamilton''s novels were the inspiration for Matthew Bourne''s new dance theatre production, The Midnight Bell.The Midnight Bell, a pub on the Euston Road, is the pulse of this brilliant and compassionate trilogy. It is here where the barman, Bob, falls in love with Jenny, a West End prostitute who comes in off the streets for a gin and pep. Around his obsessions, and Ella the barmaid''s secret love for him, swirls the sleazy life of London in the 1930s. This is a world where people emerge from cheap lodgings in Pimlico to pour out their passions, hopes and despair in pubs and bars - a world of twenty thousand streets full of cruelty and kind

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'I recommend Hamilton at every opportunity, because he was such a wonderful writer and yet is rather under-read today. All his novels are terrific' Sarah Waters'If you were looking to fly from Dickens to Martin Amis with just one overnight stop, then Hamilton is your man' Nick HornbyPatrick Hamilton's novels were the inspiration for Matthew Bourne's new dance theatre production, The Midnight Bell.Impromptu in Moribundia is a satirical fable about one (nameless) man's trespass (through a fantastical machine called the 'Asteradio') into a parallel universe on a far-off planet where the 'miserably dull affairs of England' are mirrored and transformed into an apparent idyll of bourgeois English imagination.Moribundia is the 'physical enactment of the stereotypes and myths of English middle-class culture and consciousness.' Yet the narrator comes to discover that he has stumbled among a people characterised by 'cupidity, ignorance, complacence, meanness, ugliness, short-sightedness, cowardice, credulity, hysteria and, when the occasion called for it . . . cruelty and blood-thirstiness.

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Dear reader, There is nothing to be found in Lemony Snicket’s ‘A Series of Unfortunate Events’ but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution… Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In The End, the siblings face a fearsome storm, a suspicious beverage, a herd of wild sheep, an enormous bird cage, and a truly haunting secret about the Baudelaire parents. In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, ‘A Series of Unfortunate Events’ has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series directed by Neil Patrick Harris. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All the Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

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Dear reader, There is nothing to be found in Lemony Snicket’s ‘A Series of Unfortunate Events’ but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution… Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In The Penultimate Peril, the siblings face a harpoon gun, a rooftop sunbathing salon, two mysterious initials, three unidentified triplets, a notorious villain, and an unsavoury curry… In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, ‘A Series of Unfortunate Events’ has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series starring Neil Patrick Harris. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All the Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

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Dear reader, There is nothing to be found in Lemony Snicket’s ‘A Series of Unfortunate Events’ but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution… Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In The Ersatz Elevatorthe siblings face a darkened staircase, a red herring, friends in a dire situation, three mysterious initials, a liar with an evil scheme, a secret passageway and parsley soda. In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, ‘A Series of Unfortunate Events’ has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series starring Neil Patrick Harris. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All The Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

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Table of Contents Preface and Acknowledgments List of abbreviations I. EPOS AND LOGOS: HOMER AND TROY - Malcolm WIENER, Homer and History: Old Questions, New Evidence - Marianna NIKOLAIDOU and Dimitra KOKKINIDOU, Epos, History, Metahistory in Aegean Bronze Age Studies - Maureen BASEDOW, Troy without Homer: the Bronze Age-Iron Age Transition in the Troad - Sarah P. MORRIS, Troy Between Bronze and Iron Ages: Myth, Cult and Memory in a Sacred Landscape II. EPOS AND EIKON: ART, POETRY AND WRITING - John YOUNGER, The Mycenaean Bard: The Evidence for Sound and Song - Robert LAFFINEUR, Homeric Similes: A Bronze Age Background? - Edmund F. BLOEDOW, Homer and the depas amphikypellon - L. Vance WATROUS, The Fleet Fresco, the Odyssey and Greek Epic Narrative - Andreas VLACHOPOULOS, Mythos, Logos and Eikon. Motifs of Early Greek Poetry in the Wall Paintings of Xeste 3 III. WANAX AND BASILEUS: RULERSHIP IN HOMER AND ARCHAEOLOGY - Pierre CARLIER, Are the Homeric Basileis 'Big Men'? - Thomas G. PALAIMA, Mycenaean Society and Kingship: Cui Bono? A Counter-Speculative View - Bryan E. BURNS, Epic Reconstructions: Homeric Palaces and Mycenaean Architecture - Brendan BURKE, Gordion of Midas and the Homeric Age - Eric H. CLINE and Assaf YASUR-LANDAU, Poetry in Motion: Canaanite Rulership and Minoan Narrative Art at Tel Kabri IV. BEYOND ELITE: HOMERIC SOCIETY AND ARCHAEOLOGY - Kim S. SHELTON, Foot Soldiers and Cannon Fodder: The Underrepresented Majority of the Mycenaean Civilization - Helene WHITTAKER, Sacrificial Practice and Warfare in Homer and in the Bronze Age - Andrea GUZETTI, Homer and the Dorians: The Reasons For a Missed Encounter V. EPOS AND MYTHOS - Ernestine S. ELSTER, Odysseys Before Homer: Trade, Travel, and Adventure in Prehistoric Greece - Cynthia S. COLBURN, The Symbolic Significance of Distance in the Homeric Epics and the Bronze Age Aegean - Fritz BLAKOLMER, The Silver Battle Krater from Shaft Grave IV at Mycenae: Evidence of Fighting 'Heroes' on Minoan Palace Walls at Knossos? - Massimo PERNA, Homer and the 'Folded Wooden Tablets' VI. EPOS AND TOPOS: HOMERIC LANDSCAPES - Oliver DICKINSON, Aspects of Homeric Geography - Philip P. BETANCOURT, The Amnissos Cave: Poetry Meets Reality - Aleydis VAN DE MOORTEL, The Site of Mitrou and East Lokris in 'Homeric Times' - Anne P. CHAPIN and Louise A. HITCHCOCK, Homer and Laconian Topography: This Is What the Book Says, and This Is What the Land Tells Us - Naya SGOURITSA, Myth, Epos and Mycenaean Attica: The Evidence Reconsidered

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Dear reader, There is nothing to be found in Lemony Snicket’s ‘A Series of Unfortunate Events’ but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution… Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In The Vile Village the siblings face such unpleasant matters as migrating crows, an angry mob, a newspaper headline, the arrest of innocent people, the Deluxe cell, and some very strange hats. In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, ‘A Series of Unfortunate Events’ has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series starring Neil Patrick Harris. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All the Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

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Bloom, el eminente y controvertido crítico que ha ido tramando, libro a libro, un complejo canon de la literatura occidental que atraviesa todas las épocas y, por supuesto, todos los géneros sin excepción, recala con este volumen en el que quizá sea su más preciada actividad: la lectura y crítica de poesía. Los más de cincuenta estudios sobre poetas y sus obras ?desde Shakespeare y Donne hasta Ashbery, Walcott o los desaparecidos Heaney y Strand, pasando, por supuesto, por las piezas magistrales que dedica a autores como Shelley, Byron o Dickinson? componen un generoso panorama de la historia de la poesía, en el que Bloom no evita ni la polémica, ni las habituales manías personales, así como tampoco limita sus lecturas a la lengua inglesa y fija su mirada en autores como Petrarca, Pushkin, Baudelaire, Octavio Paz o Pablo Neruda.Con una mirada rigurosa pero didáctica al mismo tiempo, con descubrimientos, tributos, y alguna que otra omisión reconocida, Harold Bloom ha escrito en Poem

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La hermana de nieve refleja el sentimiento de unas navidades bucólicas que todo lector reconoce en Canción de Navidad, de Charles Dickens.El libro que debes leer estas Navidades!Se acerca la Navidad. Christian cumple once años. Normalmente este es su día favorito de todo el año, sin duda el mejor. Los dulces navideños, el calor chispeante que desprende la chimenea y el esperado árbol de Navidad acompañan al pequeño en este día tan especial. Sin embargo, este año todo es distinto. Christian y su familia están de duelo por la falta de su hermana mayor. Parece que las navidades hayan sido canceladas este año.Un día el pequeño conoce a Hedwig y empieza a creer que quizás, después de todo, las navidades van a volver a ser como antes. Pero hay algo extraño en casa de su amiga Hedwig. Por qué ella siempre se muestra tan misteriosa? Quién es el hombre que los espía constantemente?Escrito por Maja Lunde e ilustrado por Lisa Aisato, ganadora de diversos

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“Offering a deeply necessary, clear-eyed look at who we are as flesh-and-bone bodies during the climate crisis, this is a book that searches and finds meaning in both the hard truths and the value of wonder.”—Ada LimónIn this luminous collection of essays, Ellen Wayland-Smith probes the raw edges of human existence, those periods of life in which our bodies remind us of our transience and the boundaries of the self dissolve.From the Old Testament to Maggie Nelson, these explorations are grounded in a rich network of associations. In an essay on the postpartum body, Wayland-Smith interweaves her experience as a mother with accounts of phantom limbs and Greek mythology to meditate on moments when pieces of our being exist outside our bodies. In order to comprehend diagnoses of depression and breast cancer, she delves into LA hippie culture’s love affair with crystals and Emily Dickinson

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The Recollections of Sir James Bacon, a leading light in the evolution of English law during the 19th century, casts an unexpectedly amusing and high-spirited light on turbulent times. Celebrated in his maturity as a witty judge whose decisions were rarely challenged, he was born in humble circumstances, one of ten children. His Recollections describe a happy and industrious, albeit Dickensian, childhood that began with leaving school for work at age twelve and ended with him enshrined as one of highest officials in the land. Enterprising and gifted, Sir James's story carries us through his early writings and journalism, through his legal career, to his arrival at the pinnacle of government. Sir James also chronicled the colorful panoply of British society in his times: social and political crises, friends imprisoned for gambling debts, travels to Europe in the era of reaction and revolution, the celebrated legal cases he witnessed, and the fascinating Britons he knew. This fresh account, published after 150 years in the family archive, is essential reading for anyone interested in the history of Britain, the evolution of its unparalleled legal tradition, and the extraordinary figures who made it possible.

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Age range 4 to 8Abridged to read in 5 minutes or less, this is an invaluable collection of lavishly illustrated nursery rhymes, fables, and tales for young children!Perfect for a quick read together at bedtime or anytime, these famous stories and nursery rhymes will captivate your child with their playful illustrations of cute animals and engaging storylines—and best of all, they can be read in just five minutes! Whether you're on the go, trying to calm kids down before bed, or just need an activity to beat boredom, this treasury of tales is sure to be a welcome addition to any child's library. Crack it open, and enter a world of magic, imagination, and wonder with your little ones.Included are well-known and time-honored stories such as: The Tortoise and the Hare (Aesop) The Ugly Duckling (Hans Christian Andersen) Eenie, Meenie, Miney, Mo (Mother Goose) Hickory, Dickory, Dock (Mother Goose) The Itsy Bitsy Spider (Mother Goose) Goldilocks and the Three Bears (Joseph Cudnall) The Three Little Pigs (Joseph Jacobs) Puss in Boots (Giovanni Francesco Straparola) The Tale of Peter Rabbit (Beatrix Potter) And many more!

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The financial and economic collapse that began in the United States in 2008 and spread to the rest of the world continues to burden the global economy. David Kotz, who was one of the few academic economists to predict it, argues that the ongoing economic crisis is not simply the aftermath of financial panic and an unusually severe recession but instead is a structural crisis of neoliberal, or free-market, capitalism. Consequently, continuing stagnation cannot be resolved by policy measures alone. It requires major institutional restructuring.“Kotz’s book will reward careful study by everyone interested in the question ofstages in the history of capitalism.”—Edwin Dickens, Science & Society“Whereas [others] suggest that the downfall of the postwar system in Europe and the United States is the result of the triumph of ideas, Kotz argues persuasively that it is actually the result of the exercise of power by those who benefit from the capitalist economic organization of society. The analysis and evidence he brings to bear in support of the role of power exercised by business and political leaders is a most valuable aspect of this book—one among many important contributions to our knowledge that makes it worthwhile.”—Michael Meeropol, Challenge

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First published in 1985, Between Men was a decisive intervention in gender studies, a book that all but singlehandedly dislodged a tradition of literary critique that suppressed queer subjects and subjectivities. With stunning foresight and conceptual power, Eve Kosofsky Sedgwick's work opened not only literature but also politics, society, and culture to broader investigations of power, sex, and desire, and to new possibilities of critical agency. Illuminating with uncanny prescience Western society's evolving debates on gender and sexuality, Between Men still has much to teach us. With a new foreword by Wayne Koestenbaum emphasizing the work's ongoing relevance, Between Men engages with Shakespeare's Sonnets, Wycherley's The Country Wife, Sterne's A Sentimental Journey Through France and Italy, Hogg's The Private Memoirs and Confessions of a Justified Sinner, Tennyson's The Princess, Eliot's Adam Bede, Thackeray's The History of Henry Esmond, Esq., and Dickens's Our Mutual Friend and The Mystery of Edwin Drood, among many other texts. Its pathbreaking analysis of homosocial desire in Western literature remains vital to the future of queer studies and to explorations of the social transformations in which it participates.

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Dear reader, There is nothing to be found in Lemony Snicket’s 'A Series of Unfortunate Events' but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution… Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In The Austere Academy the siblings face snapping crabs, strict punishments, dripping fungus, comprehensive exams, violin recitals, S.O.R.E. and the metric system. In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, 'A Series of Unfortunate Events' has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series directed by Barry Sonnenfeld. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All The Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

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An illuminating volume of critical essays charting the diverse territory of digital humanities scholarship The digital humanities have traditionally been considered to be the domain of only a small number of prominent and well-funded institutions. However, through a diverse range of critical essays, this volume serves to challenge and enlarge existing notions of how digital humanities research is being undertaken while also serving as a kind of alternative guide for how it can thrive within a wide variety of institutional spaces. Focusing on the complex infrastructure that undergirds the field of digital humanities, People, Practice, Power examines the various economic, social, and political factors that shape such academic endeavors. The multitude of perspectives comprising this collection offers both a much-needed critique of the existing structures for digital scholarship and the means to generate broader representation within the field. This collection provides a vital contribution to the realm of digital scholarly research and pedagogy in acknowledging the role that small liberal arts colleges, community colleges, historically black colleges and universities, and other underresourced institutions play in its advancement. Gathering together a range of voices both established and emergent, People, Practice, Power offers practitioners a self-reflexive examination of the current conditions under which the digital humanities are evolving, while helping to open up new sustainable pathways for its future. Contributors: Matthew Applegate, Molloy College; Taylor Arnold, U of Richmond; Eduard Arriaga, U of Indianapolis; Lydia Bello, Seattle U; Kathi Inman Berens, Portland State U; Christina Boyles, Michigan State U; Laura R. Braunstein, Dartmouth College; Abby R. Broughton; Maria Sachiko Cecire, Bard College; Brennan Collins, Georgia State U; Kelsey Corlett-Rivera, U of Maryland; Brittany de Gail, U of Maryland; Madelynn Dickerson, UC Irvine Libraries; Nathan H. Dize, Vanderbilt U; Quinn Dombrowski, Stanford U; Ashley Sanders Garcia, UCLA; Laura Gerlitz; Erin Rose Glass; Kaitlyn Grant; Margaret Hogarth, Claremont Colleges; Maryse Ndilu Kiese, U of Alberta; Pamella R. Lach, San Diego State U; James Malazita, Rensselaer Polytechnic Institute; Susan Merriam, Bard College; Chelsea Miya, U of Alberta; Jamila Moore Pewu, California State U, Fullerton; Urszula Pawlicka-Deger, Aalto U, Finland; Jessica Pressman, San Diego State U; Jana Remy, Chapman U; Roopika Risam, Salem State U; Elizabeth Rodrigues, Grinnell College; Dylan Ruediger, American Historical Association; Rachel Schnepper, Wesleyan U; Anelise Hanson Shrout, Bates College; Margaret Simon, North Carolina State U; Mengchi Sun, U of Alberta; Lauren Tilton, U of Richmond; Michelle R. Warren, Dartmouth College.

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An illuminating volume of critical essays charting the diverse territory of digital humanities scholarship The digital humanities have traditionally been considered to be the domain of only a small number of prominent and well-funded institutions. However, through a diverse range of critical essays, this volume serves to challenge and enlarge existing notions of how digital humanities research is being undertaken while also serving as a kind of alternative guide for how it can thrive within a wide variety of institutional spaces. Focusing on the complex infrastructure that undergirds the field of digital humanities, People, Practice, Power examines the various economic, social, and political factors that shape such academic endeavors. The multitude of perspectives comprising this collection offers both a much-needed critique of the existing structures for digital scholarship and the means to generate broader representation within the field. This collection provides a vital contribution to the realm of digital scholarly research and pedagogy in acknowledging the role that small liberal arts colleges, community colleges, historically black colleges and universities, and other underresourced institutions play in its advancement. Gathering together a range of voices both established and emergent, People, Practice, Power offers practitioners a self-reflexive examination of the current conditions under which the digital humanities are evolving, while helping to open up new sustainable pathways for its future. Contributors: Matthew Applegate, Molloy College; Taylor Arnold, U of Richmond; Eduard Arriaga, U of Indianapolis; Lydia Bello, Seattle U; Kathi Inman Berens, Portland State U; Christina Boyles, Michigan State U; Laura R. Braunstein, Dartmouth College; Abby R. Broughton; Maria Sachiko Cecire, Bard College; Brennan Collins, Georgia State U; Kelsey Corlett-Rivera, U of Maryland; Brittany de Gail, U of Maryland; Madelynn Dickerson, UC Irvine Libraries; Nathan H. Dize, Vanderbilt U; Quinn Dombrowski, Stanford U; Ashley Sanders Garcia, UCLA; Laura Gerlitz; Erin Rose Glass; Kaitlyn Grant; Margaret Hogarth, Claremont Colleges; Maryse Ndilu Kiese, U of Alberta; Pamella R. Lach, San Diego State U; James Malazita, Rensselaer Polytechnic Institute; Susan Merriam, Bard College; Chelsea Miya, U of Alberta; Jamila Moore Pewu, California State U, Fullerton; Urszula Pawlicka-Deger, Aalto U, Finland; Jessica Pressman, San Diego State U; Jana Remy, Chapman U; Roopika Risam, Salem State U; Elizabeth Rodrigues, Grinnell College; Dylan Ruediger, American Historical Association; Rachel Schnepper, Wesleyan U; Anelise Hanson Shrout, Bates College; Margaret Simon, North Carolina State U; Mengchi Sun, U of Alberta; Lauren Tilton, U of Richmond; Michelle R. Warren, Dartmouth College.

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Elizabeth Bishop's hawkweed, John Berryman's hummingbirds, Ted Hughes's burnt fox - the birds, beasts and flowers of Isobel Dixon's new collection are at times kin to D.H. Lawrence, whose essay 'Whistling of Birds' lends this book its name, though each poem here is its own vivid testament to the natural world, and our often troubled and troubling place in it. Lyrical, vigorous, inventive, A Whistling of Birds is at times in conversation with Lawrence's iconic collection, Birds, Beasts and Flowers, but also ranges widely through the worlds of other writers and makers - from the Venerable Bede to Emily Dickinson, Georgia O'Keeffe to Glenn Gould, and a wealth of other connections closely examined and delicately drawn. An abundance of apricots in Santa Fe; bats, bees, tortoises, snakes, the generous body of a whale. Threaded throughout is the beautiful complexity and vulnerability of the planet, and the joy and difficulty of making art. Douglas Robertson's finely detailed images also speak of a close connection to the green world, ocean and sky, and a thoughtful dialogue between artist and poet. With its resonant elegies and notes of celebration, this is a collection that flexes, hums and brims with energy, yet surely draws you in to its quiet, reflective heart. "Isobel Dixon's writing is lit by a fierce sense of landscape. She is newly touched by the tiniest northern flowers, haunted still by powerful spirits of the south. Her work is visually exuberant; its sounds, delicious, especially when bound by rhyme. Dixon's lines flash with humour and tenderness. Her poems marry exactitude to emotion. In both, they are memorable." -Alison Brackenbury 'As Lawrence says, "The essential quality of poetry is that it makes a new effort of attention." Isobel Dixon's A Whistling of Birds does just that. Doing so, she gets, and shares with her readers, new slants on life on earth. I felt alerted again to things, fellow creatures, deeds, I hadn't paid due attention to, or had once and had become accustomed and needed to be shown afresh. This book gives shocks of pleasure and gratitude in equal measure.' - David Constantine

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An accessible guide to the most important poems ever written— from the Epic of Gilgamesh to The Waste Land—and the poets behind themDiscover the key themes and ideas behind the most important poems ever written, and the poetic geniuses who wrote them.The perfect introduction to poetry, The Poetry Book takes you on a fascinating journey through time to explore more than 90 of the world’s greatest poetic works.Discover poems in all their many guises and from all over the world, from the epics of the ancient world through Japanese haikus and Renaissance sonnets to modernist masterpieces such as The Waste Land, and the key works of the last 50 years—from And Still I Rise by Maya Angelou to Derek Walcott’s Omeros.Using the Big Ideas series' trademark combination of clear explanation, witty infographics, and inspirational quotes, The Poetry Book unlocks the key ideas, themes, imagery, and structural techniques behind even the most complex of poems, in clear and simple terms, setting each work in its historical, social, cultural, and literary context. Delve into the works of Dante, Baudelaire, Rimbaud, Dickinson, Eliot, and Neruda with in-depth literary analysis and fascinating biographies. Find out what odes, ballads, and allegories are. Trace recurring motifs, explore imagery, and find out how rhyme and rhythm work. From Beowulf to Seamus Heaney's Bogland, The Poetry Book is essential reading for readers of poetry and aspiring poets alike.

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In photographs only seen briefly as part of studio press kits distributed upon release of a new film, these long-lost stills of Hollywood’s leading ladies have been reverently rendered into color portraits that not only evoke a treasured past of beauty and glamour, but also seem comfortably familiar to the contemporary eye. These posed photos have been chosen not only for their bespoke sensuality, but also for how the discrete addition of color has elevated a black and white still to a kind of artistic grace, prompting rediscovery of classic Hollywood’s most beautiful women. Actresses portrayed here include Julie Andrews, Anna Mae Wong, Audrey Hepburn, Ingrid Bergman, Bette Davis, Carole Lombard, Carroll Baker, Joan Crawford, Marion Davies, Angie Dickinson, Eva Marie Saint, and many others.

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In 1943, there was an urgent need for Animal Farm. The Soviet Union had become Britain’s ally in the war against Nazi Germany, and criticism of Stalin’s brutal regime was either censored or discouraged. In any case, many intellectuals on the left still celebrated the Soviet Union, claiming that the terrors of its show trials, summary executions and secret police were either exaggerated or necessary. But, to Orwell, Stalin was always a “disgusting murderer” and he wanted to remind people of this fact in a powerful and memorable way. But how to do it? A political essay would never reach a wide enough audience; a traditional novel would take too long to write. Orwell hit on the inspired idea of combining the moralism of the traditional ‘beast fable’ with the satire of Gulliver’s Travels. A group of farmyard animals, led by the pigs, overthrow their human masters. Their revolution is inspired by high ideals: the farm will be run in the interests of its animals with no more slaughtering, plenty of food for all and comfort in retirement. But when Napoleon the pig takes command, he quickly corrupts their principles, creating a new tyranny worse than the old. Orwell wrote Animal Farm in the middle of the Second World War, but at first no publishers wanted to touch it. It was finally published in August 1945, once the war was over. This little book quickly became a seminal text in the emerging ‘cold war’ (a phrase that Orwell himself coined). It also became a site of that conflict itself, suffering various attempts to subvert or change its meaning. Today, Animal Farm remains a powerful fable about the nature of tyranny and corruption which applies for all ages. Our edition also includes the following essays: Shooting an Elephant; Charles Dickens; Inside the Whale; The Frontiers of Art and Propaganda; Literature and Totalitarianism; Fascism and Democracy; Patriots and Revolutionaries; Catastrophic Gradualism; Some Thoughts on the Common Toad; Why I Write; Writers and Leviathan

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Featuring ships from the first season of STAR TREK: DISCOVERY! The story of how the creative teams reimagined STAR TREK for the 21st Century with previously unseen production art and interviews with the show's artists and designers. Every ship for season 1! Showcasing ships such as the U.S.S. Shenzhou, the U.S.S. Discovery and the Klingon bird-of-prey, this book brings you all the Federation and Klingon ships as they appeared in the decade before Captain James T. Kirk's five-year-mission, and is packed with original concept art from STAR TREK artists John Eaves, Sam Michlap, John 'JD' Dickenson and Goran Delic. This latest volume in the Designing Starships series shows how artists and designers reinvented STAR TREK for a new era, taking the classics and reinventing them to build a whole new look for the Federation and the Klingons featured in the hit Star Trek: Discovery TV series. Explore the process behind the creation of the Starships featured in the hit Star Trek: Discovery TV

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For this book Lawrence Harbison has interviewed successful playwrights who have developed relationships with theaters that regularly produce their plays have had at least one major New York production have their plays published by a licensor such as Dramatists Play Service or Samuel French have received commissions and have an agent. Harbison asks each of them the same question: How did you do it? ÊHow I Did ItÊ features an introduction by Theresa Rebeck and interviews with David Auburn Stephen Belber Adam Bock Bekah Brunstetter Sheila Callaghan John Carlani Eric Coble Jessica Dickey Kate Fodor Gina Gionfriddo Daniel Goldfarb Kirsten Greenidge Rinne Groff Lauren Gunderson Michael Hollinger Rajiv Joseph Greg Kotis Neil LaBute Deborah Zoe Laufer Wendy MacLeod Itamar Moses Bruce Norris Lynn Nottage Aaron Posner Adam Rapp J.T. Rogers Lloyd Suh Carl Thomas Sharr White and Anna Ziegler.ÞA valuable tool for playwrights daunted by the extremely difficult task of getting their work produced as well as to playwriting students ÊHow I Did ItÊ is full of stories of how it's done.

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This memoir is of the schooldays of one of the most extraordinary minds Scotland has produced, Hugh Miller. Miller rose, if not from absolute poverty, certainly from a modest background, to become both a specialist in the field of geology and a generalist in the wider literary world, covering, as writer and editor, subjects as diverse as poetry, folklore, science, education, religion, history and travel. In his working life he was a stonemason, banking accountant, journalist, editor, lecturer and defender of Christianity against the evolutionists. By the time of his tragic suicide in 1856, Miller's prodigious output had made him among the best known of Victorian literary figures, admired by Thomas Carlyle, Charles Dickens and John Ruskin. By the latter part of the 19th century, his reputation extended across the world - his books were widely translated, and in America, according to the geologist Sir Archibald Geikie, "They were to be found in the remotest log huts of the far west." In 1879, the great environmentalist John Muir named one of the glaciers of Glacier Bay, Alaska, after the Cromarty stonemason.

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'Compelling . . . almost Dickensian' The Times'The best thriller writer in the world' Daily Telegraph*****Jonas Merrick. At MI5 they call him 'the eternal flame', because he never goes out. Never goes undercover, or on surveillance, or kicking down doors. If he's studying a map, he's probably planning his caravan holiday.But what the hot-shots fail to notice in Jonas is a steely concentration, a ruthless ability to find the enemy who hides in plain sight like a submerged crocodile, waiting for prey.Cameron Jilkes. A young man from a broken background, trained as a Jihadi in the harshest theatre of war. Coming ashore near Dover, he plans to live unnoticed, before unleashing a terrifying strike.And this time, Jonas Merrick must go out - to hunt the crocodile himself.Featuring a chapter from the new Jonas Merrick novel The Foot Soldiers, publishing in 2022*****Readers love THE CROCODILE HUNTER:'Another winner from Gerald Seymour' 5*'An outstanding book and thoroughly recommended' 5*'Every year without fail . . . Gerald Seymour comes up with a masterful thriller . . . A wonderful read from a master of his craft' 5*

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Critics of American exceptionalism usually view it as a destructive force eroding the radical energies of social movements and aesthetic practices. In A Desire Called America, Christian P. Haines confronts a troubling paradox: Some of the most provocative political projects in the United States are remarkably invested in American exceptionalism. Riding a strange current of U.S. literature that draws on American exceptionalism only to overturn it in the name of utopian desire, Haines reveals a tradition of viewing the United States as a unique and exemplary political model while rejecting exceptionalism’s commitments to nationalism, capitalism, and individualism. Through Walt Whitman, Emily Dickinson, William S. Burroughs, and Thomas Pynchon, Haines brings to light a radically different version of the American dream—one in which political subjects value an organization of social life that includes democratic self-governance, egalitarian cooperation, and communal property. A Desire Called America brings utopian studies and the critical discourse of biopolitics to bear upon each other, suggesting that utopia might be less another place than our best hope for confronting authoritarianism, neoliberalism, and a resurgent exclusionary nationalism.

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Gothic death 1740-1914 explores the representations of death and dying in Gothic narratives published between the mid-eighteenth century and the beginning of the First World War. The book investigates how eighteenth century Graveyard Poetry and the tradition of the elegy produced a version of death that underpinned ideas about empathy and models of textual composition. Later accounts of melancholy, as in the work of Ann Radcliffe and Mary Shelley, emphasise the literary construction of death. The shift from writing death to interpreting the signs of death is explored in relation to the work of Poe, Emily Brontë and George Eliot. A chapter on Dickens examines the significance of graves and capital punishment during the period. A chapter on Haggard, Stoker and Wilde explores conjunctions between love and death and a final chapter on Machen and Stoker explores how scientific ideas of the period help to contextualise a specifically fin de siècle model of death.This book will be of interest to academics and students working on literature on the Gothic and more generally on the literary culture of the period.

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