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From ancient Greece and Rome (Sappho, Marcellus Empiricus) to the current Covid 19 crisis (Eavan Boland's 'Quarantine'), poets have responded with sensitivity and insight to the troubles of the human body and mind. Poems of Healing is a small treasury of their words, illuminating many different experiences of illness, injury and convalescence, from John Donne's 'Hymne to God My God, In My Sicknesse' to Thom Gunn's 'The Man with Night Sweats'; from Anne Finch's 'Spleen' to Jane Kenyon's 'Prognosis'; from Emily Dickinson's 'The Soul has Bandaged moments' to Seamus Heaney's 'Miracle'. Here are poems from around the world, by Baudelaire, Hugo, Rudaki and Cavafy; by Masaoka Shiki, Miroslav Holub and Zbigniew Herbert. Shakespeare and Milton; Tennyson and Emily Bronte; Charlotte Mew, Sylvia Plath, Wallace Stevens, W. H. Auden, Tony Harrison and Carol Ann Duffy are all present at the sickbed. Messages of hope in the midst of pain - in such masterpieces as Adam Zagajewski's 'Try to Praise the Mutilated World', Wislawa Szymborska's 'The End and the Beginning' and Stevie Smith's 'Away, Melancholy' - make this a perfect gift for anyone on the road to healing.

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What surprises might life have in store for you?A takeaway, TV and tea with two sugars is about as exciting as it gets for thirty-something Sophie Stone. Sophie's life is safe and predictable, which is just the way she likes it, thank you very much.But when a mysterious benefactor leaves her an inheritance, Sophie has to accept that change is afoot. There is one big catch: in order to inherit, Sophie must agree to meet the father she has never seen.Saying 'yes' means the chance to build her own dream home, but she'll also have to face the past and hear some uncomfortable truths...With interference from an evil boss, warring parents, an unreliable boyfriend and an architect who puts his foot in it every time he opens his mouth, will Sophie be able to build a future on her own terms - and maybe even find love along the way?A totally charming, modern love story for fans of Katie Fforde, Carole Matthews and Trisha Ashley. Praise for Cathy Bramley:'Delightfully warm and with plenty of twists and turns' Trisha Ashley'A witty, laugh-out-loud romantic comedy . . . I highly recommend it!' Miranda Dickinson

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With its rich history of prominent families, MassachuSetts is home to some of the most historic residences in the country. In the central and western half of the Commonwealth, these include Edith Wharton's The Mount, the Salisbury Mansion in Worcester, Herman Melville's Arrowhead in Pittsfield, and the Dickinson Homestead and the Evergreens in Amherst.In At Home: Historic Houses of Central and Western MassachuSetts, Beth Luey examines the lives and homes of acclaimed poets and writers, slaves who won their freedom, Civil War ­enlistees, socialites, and leading merchants. Drawing on architectural and genealogical texts, wills, correspondence, and diaries, Luey situates the stories of these notable homes and the people who inhabited them in the context of broader economic, social, and political transformations. Filled with vivid details and fresh perspectives, each chapter is sure to inspire first-time visitors and seasoned travelers alike. All the homes are open to the public.

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The collected work of a poet who turned 102 years old in 2020. These poems, covering sixty years of a free woman's song, are Naomi Replansky's hymns to the struggle for justice and equality and to the enduring beauty of life in our dangerous world.Here at long last is the new and collected work by a writer hailed by George Oppen as one of the most brilliant American poets. Replansky is a poet whose verse combines the compression of Emily Dickinson and the music of W. H. Auden.Naomi Replansky, a Bronx native, began to write poetry in her teens but published her first book when she was 34 in 1952. That collection, Ring Song dazzled critics with its candor and freshness of language. It was nominated for the National Book Award.Since Ring Song, Replansky has since published three additional collections and translated numerous works from German and Yiddish. This collection, Collected Poems is her life's work, won th

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Many people wonder if an item stored in the attic or found at a tag sale could be a lost treasure. Joe Nickell's latest book, Real or Fake, offers a general introduction to the principles of authentication. Illustrating methods used by the pros and recognized by hit shows such as Antiques Roadshow, Nickell educates readers with the specific information necessary to begin forgery detection. Real or Fake focuses on three categories of potential treasures: documents, photographs, and other artifacts. Nickell critiques famous examples from each group to explain how his suggested techniques can be used to unmask fakes. The objects examined and tested for authenticity in the book include Jack the Ripper's diary, a draft of the Gettysburg Address, notes by Charles Dickens, a film of an alien autopsy, and debris from the Titanic. Nickell's extensive knowledge of the field is accessible to everyone -- from the general reader to the aspiring scientist -- who wants a better understanding of how the experts determine if a suspicious heirloom is real or fake.

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This lively, abundant book is distinguished by its focus on hearing poetry read aloud. Robert Pinsky, beloved for his ability to bring poetry to life as spoken language, has collected poems that sound marvelous in a reader’s actual or imagined voice. Pinsky has organized the book into sections with brief introductions that emphasize the attentive, intuitive, and reflective process of listening to poetry. This structure provides an implicit, generous definition-by-example of poetry itself: beginning with “Short Lines, Frequent Rhymes” and “Long Lines” and proceeding through fundamental themes such as “Love Poems,” “Odes, Complaints, and Celebrations,” and “Jokes, Ripostes, Parodies, and Insults.”Essential Pleasures gives a fresh setting to traditional favorites, including poems by William Shakespeare, Emily Dickinson, and Robert Frost, placed among contemporary poems by John Ashbery, Louise Glu¨ck, Yusef Komunyakaa, and many others. This is an inviting and distinguished collection and an essential book for every home.

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Train travel is having a renaissance. Grand old routes that had been cancelled, or were moldering in neglect, have been refurbished as destinations in themselves. The Rocky Mountaineer, the Orient Express, and the Trans-Siberian Railroad run again in all their glory. Pamela Mulloy has always loved train travel. Whether returning to the Maritimes every year with her daughter on the Ocean, or taking her family across Europe to Poland, trains have been a linchpin of her life. As COVID locked us down, Mulloy began an imaginary journey that recalled the trips she has taken, as well as those of others. Whether it was Mary Wollstonecraft traveling alone to Sweden in the late 1700s, or the incident that had Charles Dickens forever fearful of trains, or the famous actress Sarah Bernhardt trapped in her carriage in a midwestern blizzard in the 1890s, or Sir John A. Macdonald''s wife daring to cross the Rockies tied to the cowcatcher at the front of the train, the stories explore the odd mix of a

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If we’re talking agoraphobia, we’re talking books. I slip between their covers, lose myself in the turn of one page, re-discover myself on the next. Reading is a game of hide-and-seek. Narrative and neurosis, uneasy bedfellows sleeping top to toe.When Graham Caveney was in his early twenties he began to suffer from what was eventually diagnosed as agoraphobia. What followed were decades of managing his condition and learning to live within the narrow limits it imposed on his life: no motorways, no dual carriageways, no shopping centres, limited time outdoors.Graham’s quest to understand his illness brought him back to his first love: books. From Harper Lee’s Boo Radley, Ford Madox Ford, Emily Dickinson, and Shirley Jackson: the literary world is replete with examples of agoraphobics – once you go looking for them.On Agoraphobia is a fascinating, entertaining and sometimes painfully acute look at what it means to go through life with an anxiety disorder that evades easy definition.

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'Devastatingly good - wonderfully warm, heartbreakingly real and completely uplifting' - Miranda DickinsonA gorgeous and emotional novel, perfect for fans of Jojo Moyes and Jodi Picoult. On the day Hannah is finally going to tell her husband she's leaving him, he has a stroke . . . and life changes in an instant.Tom's only 32. Now he can't walk or cut up his own food, let alone use his phone or take her in his arms. And Hannah's trapped. She knows she has to care for her husband, the very same man she was ready to walk away from.But with the time and fresh perspective he's been given, Tom re-evaluates his life, and becomes determined to save his marriage. Can he once again become the man his wife fell in love with, or has he left it too late?My Everything is an unputdownable debut novel. It will make you cry, laugh, and stop to think about what's really important in life.

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Early one morning, for no earthly reason, Sara Miles, raised an atheist, wandered into a church, received communion, and found herself transformed-embracing a faith she’d once scorned. A lesbian left-wing journalist who’d covered revolutions around the world, Miles didn’t discover a religion that was about angels or good behavior or piety; her faith centered on real hunger, real food, and real bodies. Before long, she turned the bread she ate at communion into tons of groceries, piled on the church’s altar to be given away. Within a few years, she and the people she served had started nearly a dozen food pantries in the poorest parts of their city. Take This Bread is rich with real-life Dickensian characters-church ladies, millionaires, schizophrenics, bishops, and thieves-all blown into Miles’s life by the relentless force of her newfound calling. Here, in this achingly beautiful, passionate book, is the living communion of Christ.

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How can literature, which consists of nothing more than the description of imaginary events and situations, offer any insight into the workings of "human reality" or "the human condition"? Can mere words illuminate something that we call "reality"? Bernard Harrison answers these questions in this profoundly original work that seeks to re-enfranchise reality in the realms of art and discourse. In an ambitious account of the relationship between literature and cognition, he seeks to show how literary fiction, by deploying words against a background of imagined circumstances, allows us to focus on the roots, in social practice, of the meanings by which we represent our world and ourselves. Engaging with philosophers and theorists as diverse as Wittgenstein, Sartre, Merleau-Ponty, Foucault, Derrida, F. R. Leavis, Cleanth Brooks, and Stanley Fish, and illustrating his ideas through readings of works by Swift, Woolf, Appelfeld, and Dickens, among others, this book presents a systematic defense of humanism in literary studies, and of the study of the Humanities more generally, by a distinguished scholar.

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Once the Oversight, the secret society that polices the lines between the mundane and the magic, counted hundreds of brave souls among its members. Now their number can be tallied on a single hand. When a drunkard brings a screaming girl to the Oversight's London headquarters, it seems their hopes for a new recruit will be fulfilled - but the girl is a trap, her appearance a puzzle the five remaining guardians must solve or lose each other, and their society, for good. As the borders between the natural and the supernatural begin to break down, brutal murders erupt across the city, the Oversight are torn viciously apart and their enemies close in for the final blow. This dark Dickensian fantasy spins a tale of witch-hunters, magicians, mirror-walkers and the unlikeliest of heroes drawn from the depths of British folklore. Meet the Oversight, and remember: when they fall, so do we all.

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'Like my father before me, I believe that both the playing and watching of sport can teach us important lessons about ourselves by providing practical instruction in co-operation, tests of resolve and temper'Michael Parkinson was destined to spend his life in sport. Introduced at a young age to cricket and football by his father, he rose through the ranks of Barnsley cricket alongside Dickie Bird and Geoffrey Boycott. But while they went on to find fame on the field, he found a career watching, writing and talking about sport.My Sporting Life is Sir Michael's love letter to sport, to the heroes and legends of his Yorkshire youth, to the characters of the international games he watched and wrote about, and to the very idea of sport itself. With warm, humorous anecdotes about many icons of sport, from Shane Warne to George Best and Muhammad Ali to Fred Trueman, Sir Michael Parkinson reflects on his life writing about his one great passion.

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A remarkable companion piece to The Writer and the World, Naipaul’s previous volume of highly acclaimed essays, Literary Occasions is a stirring contribution to the fading art of the critic, and a revelation of a life in letters.In these eleven extended pieces V. S. Naipaul charts more than half a century of personal enquiry into the mysteries of the written word and of fiction in particular. Here are his boyhood experiences of reading books and his first youthful efforts at writing them; the evolution of his ideas about the extent to which individual cultures shape identities and influence literary forms; observations on Conrad, his literary forebear; the moving preface he wrote to the only book his father ever published; and his reflections on his career, ending with his celebrated Nobel lecture, ‘Two Worlds’. ‘He is an exceptionally good and perceptive critic – a few passages on Dickens are worth whole books by others – and when he addresses the art of fiction he not only writes beautifully (as always) but with complete humility’ New Statesman

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Poems to celebrate the winter season.A wonderful bedside companion for a frosty winter’s evening, with poems to immerse yourself in the season. From William Shakespeare to John Keats to Katherine Mansfield, the finest poets that ever put pen to paper describe this beautiful and sometimes terrible season.With one entry for every day through winter, from 1st December until 28th or 29th February, this is the ideal book to take you through the darker months and find joy and comfort in nature.In December ‘Gaunt in gloom’ begins James Joyce’s ‘Nightpiece’. In January, there’s a ‘certain slant of light for Emily Dickinson, while ‘the dull dead wind is out of tune’ for Oscar Wilde. And in February, the last month of meteorological winter, William Morris muses ‘From this chill thaw to dream of blossomed May’.This beautiful and collectable anthology of poems derives from the popular A Poem for Every Night of the Year and also features wintry poems by Alice Oswald, Edward Lear, Emily Brontë, William Wordsworth, Ted Hughes and many more.

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Lance Butler claims that Victorian language was too immersed in Christianity for the modern reader to deduce a simple story about "loss of faith" in Victorian culture. At the same time, the forces that gave rise to doubt were sufficiently strong to mean that Victorian language also contained elements that disturbed faith. Thus the poets, novelists, and sages of the period were structuring a discourse that simultaneously relied on religion and undermined it. Contents: Introduction; Endemic Doubt in Victorian Literature; Dickens, Carlyle and Hell on Earth; The Discourse of Religion among Victorian Doubters; Disbelieving Religiously: the 1870's and the Need for Compromise; "A Christianity in Harmony with our Whole Nature"; Truth's Holy Sepulchre: George Eliot and the Case of Daniel Deranda; A Possible Messiah: Henry Drummond's Analogy of Religion; Failed Violence in Victorian Fiction; "Unless the World is to Perish": Hardy and Christian Discourse.^R

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A powerful guide for seeking out the best acquisition and merger targets As increasingly more companies look to mergers and acquisitions (M&As) as a source of new growth and revenue, there is an even greater chance that these M&As will go bad. This insightful guide focuses on one of the most often debated and key issues in mergers and acquisitions-why some deals fail miserably and why others prosper. It provides a complete road map for what potential buyers should look for when picking a target and what characteristics of sellers they should steer clear of, as well as pitfalls to avoid during the M&A process. Real-world examples are provided of high-profile failures-Quaker Oats, United Airlines, Sears, and Mattel-and high-profile successes-General Electric and Cisco. Patrick A. Gaughan (New York, NY) is President of Economatrix Research Associates and a professor of Economics and Finance at the College of Business, Fairleigh Dickinson University. He is actively engaged in the practice of business valuations for mergers and acquisitions, as well as other related applications.

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As a literary subject, Christmas has inspired everything from intimate domestic dramas, to fanciful flights of the imagination, and the full range of its expression is represented in this wonderfully engaging collection. Goblins frolic in the graveyard of an early Dickens tale; a love-struck ghost disrupts a country estate in Elizabeth Bowen's 'Green Holly'; devils, witches, Cossacks and peasants cavort in Gogol's 'The Night Before Christmas'. The plight of the less fortunate haunts Chekhov's 'Vanka' and Willa Cather's 'The Burglar's Christmas', but takes a boisterously comic turn in Damon Runyon's 'Dancing Dan's Christmas' and John Cheever's 'Christmas is a Sad Season for the Poor'. From Nabokov's intensely moving story of a father's grief in 'Christmas' to Truman Capote's hilarious yet heartbreaking 'A Christmas Memory', from Grace Paley's Jewish girl in the Christmas pageant in 'The Loudest Voice' to the dysfunctional family ski holiday in Richard Ford's 'Creche' - each of the stories is imbued with Christmas spirit of one kind or another, and all are richly and indelibly entertaining.

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"Despite the lyric tenderness and subtlety of their voices, the poems in iThe Bob and Weave are simultaneously surreal, spooky, and full of brave love for the world's mysteries, visible and invisible. Like an unpredictable wind, this work finds its way into the cracks between everything you think you know, then overflows them." —Claire Bateman "Jim Peterson's poems are filled with the things of this world--its horses, hands, stones, and baseball players--but are not themselves its inhabitants. Rather, this poet moves in a realm where 'there is / a space between him and the world and he / tunes it like one string of a violin.' Equally committed to nature, to spirit, to dreams, and to the touch of another human body, Peterson constantly expects 'a message / from something that isn't me / or even like me.' The tensions evolving from this anticipation are by turns erotic, mysterious, and instructively frightening." —Steven Corey "With The Bob and Weave, Jim Peterson announces himself as a major American poet. These poems offer insight into both the quotidian and the eternal, and while we hear echoes of his near predecessors--Dickey, Merwin, Hugo, Roethke--the voice in this new collection--assured, resonant, vatic--is entirely Peterson's own." —David Starkey

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In a world where we’re more connected than ever, why is it that we’re also more lonely? Dip into this anthology of classic writing to reclaim the pleasure of your own company.Part of the Macmillan Collector’s Library; a series of stunning pocket size classics. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited and introduced by writer and academic, Zachary Seager.The Art of Solitude shows some of the myriad ways in which people throughout history have understood their experiences of solitary life, or have counselled others to benefit from solitude. It contains poetry, essays, autobiographical pieces and short stories from writers such as Virginia Woolf, Edgar Allen Poe, Emily Dickinson and Ralph Waldo Emerson.These diverse works can teach us how to think in freedom, how to enjoy a profound inner life and how best to cope with the fact that, as the novelist Joseph Conrad put it, we live, as we dream – alone. Above all, they show how we might truly connect with ourselves and, in the process, how we can meaningfully connect with those around us, including the earth itself. Looked at in this way, solitude is always focused both outward and inward, towards the self and towards the world. The cure for loneliness is, in the end, the art of solitude.

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In Dying Modern, one of our foremost literary critics inspires new ways to read, write, and talk about poetry. Diana Fuss does so by identifying three distinct but largely unrecognized voices within the well-studied genre of the elegy: the dying voice, the reviving voice, and the surviving voice. Through her deft readings of modern poetry, Fuss unveils the dramatic within the elegiac: the dying diva who relishes a great deathbed scene, the speaking corpse who fancies a good haunting, and the departing lover who delights in a dramatic exit. Focusing primarily on American and British poetry written during the past two centuries, Fuss maintains that poetry can still offer genuine ethical compensation, even for the deep wounds and shocking banalities of modern death. As dying, loss, and grief become ever more thoroughly obscured from public view, the dead start chattering away in verse. Through bold, original interpretations of little-known works, as well as canonical poems by writers such as Emily Dickinson, Randall Jarrell, Elizabeth Bishop, Richard Wright, and Sylvia Plath, Fuss explores modern poetry's fascination with pre- and postmortem speech, pondering the literary desire to make death speak in the face of its cultural silencing.

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Life in a workhouse during the Victorian and Edwardian eras has been popularly characterised as a brutal existence. Charles Dickens famously portrayed workhouse inmates as being dirty, neglected, overworked and at the mercy of exploitative masters. While there were undoubtedly establishments that conformed to this stereotype, there is also evidence of a more enlightened approach that has not yet come to public attention. This book establishes a true picture of what life was like in a workhouse, of why inmates entered them and of what they had to endure in their day-to-day routine.A comprehensive overview of the workshouse system gives a real and compelling insight into social and moral reasons behind their growth in the Victorian era, while the kind of distinctions that were drawn between inmates are looked into, which, along with the social stigma of having been a workhouse inmate, tell us much about class attitudes of the time.The book also looks at living conditions and duties of the staff who, in many ways, were prisoners of the workhouse. Michelle Higgs combines thorough research with a fresh outlook on a crucial period in British history, and in doing so paints a vivid portrait of an era and its social standards that continues to fascinate, and tells us much about the society we live in today.

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This is an annotated critical edition of a newly discovered life of Scott by one of his contemporaries. John Macrone, who wrote this life of Scott in 1832-1833, was admirably suited to the task; for, while he had never met Scott, his friends and associates included Cunningham, Galt, and Hogg, who wrote his Anecdotes of Scott for publication in Macrone's book. A quarrel with Lockhart, however, put a stop to the project, and nothing more was heard of it until the recent discovery of an autograph manuscript, here edited and published for the first time. A well-written and carefully-researched narrative, it increases our knowledge of Scott's life and work as perceived by his contemporaries, as well as enabling us to read Hogg's Anecdotes in their original context. The editor's introduction draws extensively on uncollected and unpublished material to illuminate Macrone's career, in the course of which he became the friend and publisher of Dickens, Thackeray, and Moore. It is the first publication of a manuscript which was believed to be lost. It provides a hitherto unknown contemporary perspective on Sir Walter Scott's life and work. It includes an introduction by the editor and a specially commissioned essay by Gillian Hughes giving a detailed account of Macrone's career based largely on uncollected or unpublished material. It establishes a new context for James Hogg's Anecdotes of Scott.

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In literary studies today, debates about the purpose of literary criticism and about the place of formalism within it continue to simmer across periods and approaches. Anna Kornbluh contributes to--and substantially shifts--that conversation in The Order of Forms by offering an exciting new category, political formalism, which she articulates through the co-emergence of aesthetic and mathematical formalisms in the nineteenth century. Within this framework, criticism can be understood as more affirmative and constructive, articulating commitments to aesthetic expression and social collectivity. Kornbluh offers a powerful argument that political formalism, by valuing forms of sociability like the city and the state in and of themselves, provides a better understanding of literary form and its political possibilities than approaches that view form as a constraint. To make this argument, she takes up the case of literary realism, showing how novels by Dickens, Bront , Hardy, and Carroll engage mathematical formalism as part of their political imagining. Realism, she shows, is best understood as an exercise in social modeling--more like formalist mathematics than social documentation. By modeling society, the realist novel focuses on what it considers the most elementary features of social relations and generates unique political insights. Proposing both this new theory of realism and the idea of political formalism, this inspired, eye-opening book will have far-reaching implications in literary studies.

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Michael Gove is one of the most recognisable faces in British politics - and one of the most divisive. Whether it's taking on the education `blob', acting as a frontman for the Brexit campaign or orchestrating one of the bloodiest political assassinations in the history of British politics, Gove is a man who makes things happen. But it was almost so different, and his story, from being born into care to standing for the leadership of the Conservative Party, could have come straight from the pages of a Charles Dickens novel. A charming man to his friends, and a cold-blooded zealot to his enemies, Gove provokes a reaction from everyone, be it loyalty, anger, respect or fury. Love him or hate him, it's impossible to deny Gove's impact on the UK over the past ten years, and, with Brexit still up in the air, he will continue to play a key role in the future of the country. Political journalist Owen Bennett's groundbreaking biography takes in original research as well as interviews with current and former Cabinet ministers, ex-colleagues from the BBC and The Times, and numerous other key players in Gove's life story. Lively and insightful in equal measure, Michael Gove: A Man in a Hurry reveals what turned the adopted son of an Aberdeen fishing family into one of the key political figures of the decade.

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"Five thousand years have now elapsed since the creation of the world, and still it is undecided whether or not there has even been an instance of the spirit of any person appearing after death. All argument is against it; but all belief is for it." --Samuel Johnson Ghosts are woven into the very fabric of life. In Britain, every town, village, and great house has a spectral resident, and their enduring popularity in literature, art, folklore, and film attests to their continuing power to fascinate, terrify, and inspire. Our conceptions of ghosts--the fears they provoke, the forms they take--are connected to the conventions and beliefs of each particular era, from the marauding undead of the Middle Ages to the psychologically charged presences of our own age. The ghost is no less than the mirror of the times. Organized chronologically, this new cultural history features a dazzling range of artists and writers, including William Hogarth, William Blake, Henry Fuseli, Dante Gabriel Rossetti, John Everett Millais, Susan Hiller and Jeremy Deller; John Donne, William Shakespeare, Samuel Pepys, Daniel Defoe, Percy and Mary Shelley, Emily Bronte, Charles Dickens, Wilkie Collins, Henry James, Thomas Hardy, Muriel Spark, Hilary Mantel, and Sarah Waters.

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Finalist for the Romantic Novelist Association's 'The Romantic Saga Award 2023' for A Mother's WarNorth Yorkshire, 1941.It's been two years since war broke out and the dangers of war are becoming ever more real for the Calvert-Lazenby family. With Raven Hall requisitioned as a maternity hospital, Rosina is rushed off her feet helping to care for the new young mothers and barely has the time to worry about young sergeant Harry who has been posted abroad. Until foreboding news arrives . . .Meanwhile, against Rosina's wishes, eighteen-year-old Connie decides to leave school and move to Scarborough to train as a carpenter's apprentice, sharing a flat with her friend Stella and the mysterious Valentine. Valentine is enigmatic and Connie would love to get to know her better, but little does she know how things will get much worse for them both . . .Nowhere is safe in wartime.Praise for Mollie Walton:'Mollie Walton captures your attention from the very first page and doesn't let go!' Diney Costeloe'A Journey. Compelling. Addictive' Val Wood'Feisty female characters, an atmospheric setting ... A phenomenal read' Cathy Bramley'Evocative, dramatic and hugely compelling. I loved it' Miranda Dickinson

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Arguably America's greatest living poet, Sharon Olds enters her eightieth year with a book for our times: a book of fear, fragility and love of life***NATIONAL BOOK AWARD FINALIST******AN OBSERVER BOOK OF THE YEAR 2023***'Sharon Olds is a force of nature... She proves triumphantly evergreen'OBSERVER'At the time of have-not, I look at myself in this mirror,' writes Olds in this self-scouring, exhilarating collection, which opens with a section of quarantine poems, followed by her 'Amherst Balladz', honouring Emily Dickinson - 'she was our Girl - our Woman - / Man enough - for me' - and leads to celebrations of lost friends and lovers: her childhood, young womanhood, and old age all mixed up together. She examines her white privilege, sees her mother 'flushed and exalted at punishment time', celebrates the human body, even in ageing, and looks with wonder at the natural world and how we've spoiled it.Renowned for her poetry of searing honesty, sexual frankness and brave originality, Sharon Olds' new book emerges 'at the eleventh hour of the end of the world', from the time of plague, this time of loss, where she can look at the world and her life and tell us plainly 'love is the love of who we are, it is a form of knowing.'

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Advent is celebrated when the year is becoming darker and colder, moving into the death and dormancy of winter. Before we can greet the coming of the light, we need to engage with some themes that are challenging and occasionally fearful. Like the Magi who travelled a long distance to search out and adore the infant Jesus, and who took some wrong turns on the way, we too have a journey to undertake before we find that we have 'Walked haphazard by starlight straight Into the kingdom of heaven.' U. A. Fanthorpe, BC:AD Haphazard by Starlight is a companion volume to Janet Morley's bestselling Lent book, The Heart's Time, which delighted readers with its thoughtfully chosen selection of poems and its biblically sensitive commentaries. Here, the reader is given an opportunity to engage in a pilgrimage of the heart, through Advent and Christmas to the feast of the Epiphany. Each day - from 1 December to 6 January - offers a poem (sometimes explicitly Christian, often not) and an accessible commentary that is both critically informed and devotional in intent. The poets represented include Rowan Williams, Elizabeth Jennings, Edwin Muir, Philip Larkin, Jane Kenyon, Gillian Clarke, George Herbert, T. S. Eliot, Sylvia Plath, Emily Dickinson, Waldo Williams, P. J. Kavanagh, Ruth Fainlight, William Blake and many more.

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His elegantly-crafted tale of sibling rivalry, Honoré de Balzac's The Black Sheep is translated from the French with an introduction by Donald Adamson in Penguin Classics.Philippe and Joseph Bridau are two extremely different brothers. The elder, Philippe, is a superficially heroic soldier and adored by their mother Agathe. He is nonetheless a bitter figure, secretly gambling away her savings after a brief but glorious career as Napoleon's aide-de-camp at the battle of Montereau. His younger brother Joseph, meanwhile, is fundamentally virtuous - but their mother is blinded to his kindness by her disapproval of his life as an artist. Foolish and prejudiced, Agathe lives on unaware that she is being cynically manipulated by her own favourite child - but will she ever discover which of her sons is truly the black sheep of the family? A dazzling depiction of the power of money and the cruelty of life in nineteenth-century France, The Black Sheep compellingly explores is a compelling exploration of the nature of deceit.Donald Adamson's translation captures the radical modernity of Balzac's style, while his introduction places The Black Sheep in its context as one of the great novels of Balzac's renowned Comédie humaine.Honoré De Balzac (1799-1850) failed at being a lawyer, publisher, printer, businessman, critic and politician before, at the age of thirty, turning his hand to writing. His life's work, La Comédie humaine, is a series of ninety novels and short stories which offer a magnificent panorama of nineteenth-century life after the French Revolution. Balzac was an influence on innumerable writers who followed him, including Marcel Proust, Émile Zola, Charles Dickens, and Edgar Allan Poe.If you enjoyed The Black Sheep, you might like Balzac's Eugénie Grandet, also available in Penguin Classics.

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In this ground-breaking Research Handbook, leading international researchers analyse how negotiators' gender shapes their behaviour and outcomes at the bargaining table, in both work and non-work contexts. World-class experts from the field of negotiation present cutting-edge research on gender and negotiation, highlighting controversies and generating new questions for consideration. The Research Handbook offers helpful insights to negotiators and forges a path for future research. The first section highlights how gender shapes negotiation within close relationships and identifies informal social rules for how women and men are expected to negotiate, exploring the socialization patterns and historical contexts that produced these norms and the implications for women at the bargaining table. Chapters discuss how underlying negotiation processes such as trust, emotion, communication and non-verbal behaviour are shaped by gender, as well as considering a number of pragmatic solutions to the obstacles women face as self-advocates. Offering insights for both practitioners and researchers, this Research Handbook will be invaluable to teachers and, also, female professionals who want to understand how to get better outcomes from negotiation. It will also be required reading for HR professionals who wish to understand how and why organizational policies regarding negotiation can level the playing field. Contributors include: E.T. Amanatullah, J.B. Bear, L. Berg, J.E. Bochantin, H.R. Bowles, T.H. Burns, A. Dickson, A.L. Elias, K.R. Gallagher, B.A. Gazdag, M.P. Haselhuhn, H. Jazaieri, J.A. Kennedy, S. Kesebir, D. Kolb, L.J. Kray, C.T. Kulik, S.Y. Lee, M. Liu, B.A. Livingston, S. Mor, M. Olekalns, J. Overbeck, M. Pillutla, T.L. Pittinsky, J. Qiu, L. Ramic-Mesihovic, I.Y. Ren, S.W. Ryu, A. Sabanovic, Z. Semnani-Azad, W. Shan, R. Sinha, A.F. Stuhlmacher, N.R. Toosi, C. Trombini, J. Wareham, L. Zervos

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'In The ASEAN Comprehensive Investment Agreement: The Regionalization of Laws and Policy on Foreign Investment, Julien Chaisse and Sufian Jusoh provide analysis --unmatched in scope and detail -- of ACIA's role in supporting the development of the ASEAN Economic Community. This contribution will serve as an invaluable resource for policymakers, business leaders, lawyers, and scholars interested in the development of investment law and policy in Asia.'- Mark Feldman, Peking University, China'Julien Chaisse and Sufian Jusoh take up the formidable challenge of unpacking the ingredients of the Asian ''noodle bowl'', delivering a comprehensive book that synthesizes the convoluted investment legal standards pertaining to the ASEAN into an intelligible discourse. Throughout, they offer insight into the design and purpose of this model of economic integration, as well as its impact on the rights of investors from states neighbouring the ASEAN region. This volume serves as a reliable and practical guidebook that will edify any reader interested in the subject matter.'- Kyle Dickson-Smith, FCIArb., Canada/AustraliaThe international law of foreign investment is one of the fastest growing areas of international economic law and policy which increasingly rely on large membership investment treaties such as the ASEAN Comprehensive Investment Agreement (ACIA). This book comprehensively examines the role of this specific international treaty on investment and situates it in the wider global trend towards the regionalisation of laws and policy on foreign investment.Considering the state of the ASEAN Economic Community in 2015 and its transformation until 2025, Julien Chaisse and Sufian Jusoh illustrate the pivotal role ACIA has to play in future international investment law negotiations and the benefits to ASEAN and third country investors and their investments. Collective commitment to a common standard contributes to depoliticize any potential conflict between individual investors and host states making the agreement particularly crucial to discussions involving ASEAN member states and between ASEAN and Dialogue Partners as well as to investment decisions including investment liberalization and investment facilitation.Offering the first detailed analysis of ACIA and its applications, this book will prove essential reading for legal practitioners in the field of international investment law as well as researchers and students studying the ASEAN Economic Community and its contemporary moulding.

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A comprehensive look at the academic criticism of Jane Austen from her time down to the present. Among the most important English novelists, Jane Austen is unusual because she is esteemed not only by academics but by the reading public. Her novels continue to sell well, and films adapted from her works enjoy strong box-officesuccess. The trajectory of Austen criticism is intriguing, especially when one compares it to that of other nineteenth-century English writers. At least partly because she was a woman in the early nineteenth century, she was longneglected by critics, hardly considered a major figure in English literature until well into the twentieth century, a hundred years after her death. Yet consequently she did not suffer from the reaction against Victorianism thatdid so much to hurt the reputation of Dickens, Tennyson, Arnold, and others. How she rose to prominence among academic critics - and has retained her position through the constant shifting of academic and critical trends - is a story worth telling, as it suggests not only something about Austen's artistry but also about how changes in critical perspective can radically alter a writer's reputation. Laurence W. Mazzeno is President Emeritus of Alvernia University, Reading, Pennsylvania.

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Literary representations of British convicts exiled to Australia were the most likely way that the typical English reader would learn about the new colonies there. In Transported to Botany Bay, Dorice Williams Elliott examines how writers—from canonical ones such as Dickens and Trollope to others who were themselves convicts—used the figure of the felon exiled to Australia to construct class, race, and national identity as intertwined. Even as England’s supposedly ancient social structure was preserved and venerated as the “true” England, the transportation of some 168,000 convicts facilitated the birth of a new nation with more fluid class relations for those who didn’t fit into the prevailing national image. In analyzing novels, broadsides, and first-person accounts, Elliott demonstrates how Britain linked class, race, and national identity at a key historical moment when it was still negotiating its relationship with its empire. The events and incidents depicted as taking place literally on the other side of the world, she argues, deeply affected people’s sense of their place in their own society, with transnational implications that are still relevant today.

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In this sophisticated application of modern Marxist thought, N. N. Feltes demonstrates the determining influence of nineteenth-century publishing practices on the Victorian novel. His dialectical analysis leads to a comprehensive explanation of the development of capitalist novel production into the twentieth century. Feltes focuses on five English novels: Dickens's Pickwick Papers, Thackeray's Henry Esmond, Eliot's Middlemarch, Hardy's Tess of the d'Urbervilles, and Forster's Howards End. Published at approximately twenty year intervals between 1836 and 1920, they each represent a different first-publication format: part-issue, three-volume, bimonthly, magazine-serial, and single-volume. Drawing on publishing, economic, and literary history, Feltes offers a broad, synthetic explanation of the relationship between the production and format of each novel, and the way in which these determine, in the last instance, the ideology of the text. Modes of Production in Victorian Novels provides a Marxist structuralist analysis of historical events and practices described elsewhere only empirically, and traces their relationship to literary texts which have been analyzed only idealistically, thus setting these familiar works firmly and perhaps permanently into a framework of historic materialism.

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If you are looking for the intersection of past practices, current thinking, and future insights into the ever-expanding world of Entrepreneurship education, then you will want to read and explore the third volume of the Annals of Entrepreneurship Education and Pedagogy. Prepared under the auspices of the United States Association for Small Business and Entrepreneurship (USASBE), this compendium covers a broad range of scholarly, practical, and thoughtful perspectives on a compelling range of entrepreneurship education issues.The third volume spans topics ranging from innovative practices in facilitating entrepreneurship teaching and learning inside and outside the classroom, learning innovation, model programs, to the latest research from top programs and thoughts leaders in Entrepreneurship. Moreover, the third volume builds on those previous as it continues to investigate critical issues in designing, implementing and assessing experiential learning techniques in the field of entrepreneurship.This updated volume provides insights and challenges in the development of entrepreneurship education for students, educators, mentors, community leaders, and more. Annals of Entrepreneurship Education and Pedagogy - 2018 is a must-have book for any entrepreneurship professor, scholar or program director dedicated to advancing entrepreneurship education in the U.S. and around the world.Contributors include: S. Ahluwalia, N. Alabduljader, S. Alpi, B. Aulet, C. Bandera, S.H. Barr, L. Berçot, T. Best, C. Bodnar, C. Brush, K. Byrd, J.C. Carr, B.J. Cowden, P. Dickson, M. Dominik, K. Ellborg, A. Eminet, Y.J. English, G. Gonzalez, B. Graham, L. Gundry, A. Hargadon, J. Hart, G. Hertz, T.R. Holcomb, B. Honig, A. Huang-Saad, J.A. Katz, E. Koester, S. Kogelen, P. Kreiser, A. Kukreti, Y. Lee, J. Libarkin, E. Liguori, R.V. Mahto, C.H. Matthews, W. McDowell, T.L. Michaelis, P. Mitra, K. Passerini, L. Pittaway, J.M. Pollack, K. Pon, R.S. Ramani, J. Reid, L. Ross, Y. Rubin, N. Sebra, S. Sen, L. Sheats, P. Shekhar, B.R. Smith, G.T. Solomon, S. Solomon, S. Terjesen, S.W. Thiel, B. Thomsen, O. Voula, M.K. Ward, A.H. Wrede, L.J. Zane, Y. Zhang, A. Zimbroff

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Notorious outlaw Lawrence Grey has been captured near El Paso. Marshal Neilan has a proposal for him. Neilan will set Grey free if he tries to locate John Ray, a man who was last known to be living in San Vicente, Mexico. The men Neilan sent previously have disappeared or quit the job. Brick Forbes of Pittsburgh is worth millions. Ray once did him a kindness. Now that Forbes is desperately ill, he wants to leave his fortune to Ray rather than to his own relatives. Grey agrees to Neilan’s proposal and goes to San Vicente, where he promptly saves the life of Mexican general Miguel O’Riley during a bombing attempt. The general makes inquiries and learns that the stranger who saved his life is called John Lawrence and that he is studying Spanish. Another American named Dickson Jarvis, employed by Forbes’s relatives, informs O’Riley that Lawrence is actually a wanted outlaw on both sides of the border. Later, Jarvis is murdered. Lawrence has his own audience with General O’Riley and asks him for a guide into the mountains. O’Riley sends for Oliver Slade, a man who strangely resembles the one who killed Jarvis. This proves only the beginning of an intrigue in which Lawrence’s life is threatened continually from all sides.

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"How do I love thee? Let me count the ways." With these words, Elizabeth Barrett Browning has come down to us as a romantic heroine, a recluse controlled by a domineering father and often overshadowed by her husband, Robert Browning. But behind the melodrama lies a thoroughly modern figure whose extraordinary life is an electrifying study in self-invention. Born in 1806, Barrett Browning lived in an age when women could not attend a university, own property after marriage, or vote. And yet she seized control of her private income, defied chronic illness and disability, became an advocate for the revolutionary Italy to which she eloped, and changed the course of cultural history. Her late-in-life verse novel masterpiece, Aurora Leigh, reveals both the brilliance and originality of her mind, as well as the challenges of being a woman writer in the Victorian era. A feminist icon, high-profile activist for the abolition of slavery, and international literary superstar, Barrett Browning inspired writers as diverse as Emily Dickinson, George Eliot, Rudyard Kipling, Oscar Wilde, and Virginia Woolf. Two-Way Mirror is the first biography of Barrett Browning in more than three decades. With unique access to the poet’s abundant correspondence, “astute, thoughtful, and wide-ranging guide” (Times [UK]) Fiona Sampson holds up a mirror to the woman, her art, and the art of biography itself.

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How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontes, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.

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Board: AQA Examination: English Language & Literature Specification: GCSE 9-1 Set Text covered: A Christmas Carol by Charles Dickens Type: Revision Cards New GCSE Grades 9-1 Revision Cards with free revision app, perfect to support your revision for the closed book AQA GCSE English Literature exam. Perfect for last-minute revision; Clear information with at-a-glance chronology of the text A tight focus on key events, characters, themes, context, language and structure. With lots of quiz cards to help you demonstrate your knowledge and understanding you can't go wrong. These cards can be used alongside our best-selling Study Guides with matching colour coded sections or they can be used independently as a stand-alone revision resource. Snap it! Read it, snap it on your phone, revise it...helps you retain key facts The accompanying free app uses cutting-edge technology to help you revise on-the-go to: Use the free, personalised digital revision planner and get stuck into the quick tests to check your understanding Download our free revision cards which you can save to your phone to help you revise on the go Implement 'active' revision techniques - giving you lots of tips and tricks to help the knowledge sink in

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The Body Economic revises the intellectual history of nineteenth-century Britain by demonstrating that political economists and the writers who often presented themselves as their literary antagonists actually held most of their basic social assumptions in common. Catherine Gallagher demonstrates that political economists and their Romantic and early-Victorian critics jointly relocated the idea of value from the realm of transcendent spirituality to that of organic "life," making human sensations--especially pleasure and pain--the sources and signs of that value. Classical political economy, this book shows, was not a mechanical ideology but a form of nineteenth-century organicism, which put the body and its feelings at the center of its theories, and neoclassical economics built itself even more self-consciously on physiological premises. The Body Economic explains how these shared views of life, death, and sensation helped shape and were modified by the two most important Victorian novelists: Charles Dickens and George Eliot. It reveals how political economists interacted crucially with the life sciences of the nineteenth century--especially with psychophysiology and anthropology--producing the intellectual world that nurtured not only George Eliot's realism but also turn-of-the-century literary modernism.

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In a careful examination of personal and collective histories, David Keplinger’s Ice indexes the findings from memory’s slow melt—stories and faces we’ve forgotten, bones hidden in frost.“I am asking how much more / I have to learn from this,” Keplinger writes. “You are asking that same question.” In these poems, he turns to our predecessors for guidance in picking apart the forces that govern modernity—masculinity, power, knowledge, conquest. Cryptic visitants arrive in the form of Gilgamesh, “searching for a way to stay in pain forever”; a grandmother mending socks, “her face in the dark unchanging”; Emily Dickinson, lingering at her window; a lion cub, asleep in ice for millennia.With each comes a critique of the Anthropocene, our drive to possess the unpossessable. With each comes also the discovery of what—and who—we’ve harmed in the discovering. Ice shelves collapse. Climate change melts layers of permafrost to reveal a severed wolf’s head. A pair of grease-smudged reading glasses calls up a mother’s phantom. “I am sorry / for the parts you gave me / that I’ve misshapen,” Keplinger writes.So is there “a point to all this singing”? Our ancestors cannot answer. The wolf’s head can’t, either. But sometimes, “out of the snow of confusion,” something answers, “saying gorgeous things like yes.” And the flowers “open up / their small green trumpets anyway.”

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Would you take the second chance you've always dreamed of?'A wonderful fresh new talent' Katie Fforde It's been ten years since Emma Stevens last laid eyes on Jake Murray. When he left the small seaside village of South Quay to chase the limelight, Emma's dreams left with him.Now Emma is content living a quiet and uneventful life in South Quay. It's far from the life she imagined, but at least her job at the local hotel has helped heal her broken heart.But when Jake returns home for the summer to escape the spotlight, Emma's feelings quickly come flooding back. There's clearly a connection between them, but Jake has damaged her heart once already - will she ever be able to give him a second chance?Escape with this perfect, heartwarming summer romance, for fans of Sue Moorcroft and Miranda Dickinson.Readers love THE SUMMER OF TAKING CHANCES:'I highly recommend if you are looking for a perfect summery story' NetGalley reviewer'A lovely escapism read' NetGalley reviewer'I haven't been able to put this one down! It's absolutely gorgeous and I highly recommend' NetGalley reviewer'Enjoyable reading' NetGalley reviewer'Great characters and a really good storyline' NetGalley reviewer

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Dear reader, There is nothing to be found in Lemony Snicket’s ‘A Series of Unfortunate Events’ but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution… Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In The End, the siblings face a fearsome storm, a suspicious beverage, a herd of wild sheep, an enormous bird cage, and a truly haunting secret about the Baudelaire parents. In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, ‘A Series of Unfortunate Events’ has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series directed by Neil Patrick Harris. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All the Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

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Dear reader, There is nothing to be found in Lemony Snicket’s ‘A Series of Unfortunate Events’ but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution… Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In The Penultimate Peril, the siblings face a harpoon gun, a rooftop sunbathing salon, two mysterious initials, three unidentified triplets, a notorious villain, and an unsavoury curry… In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, ‘A Series of Unfortunate Events’ has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series starring Neil Patrick Harris. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All the Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

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Dear reader, There is nothing to be found in Lemony Snicket’s ‘A Series of Unfortunate Events’ but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution… Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In The Ersatz Elevatorthe siblings face a darkened staircase, a red herring, friends in a dire situation, three mysterious initials, a liar with an evil scheme, a secret passageway and parsley soda. In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, ‘A Series of Unfortunate Events’ has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series starring Neil Patrick Harris. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All The Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

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From one of our finest poets comes a collection about time—about memory, remembrance, and how the past makes itself manifest in the world. Called “the poet of things” by Richard Howard, Don Bogen understands the ways objects hold history, even if they’ve grown obsolescent, even when they’ve been forgotten. So objects—rendered in cinematic detail—fill these poems. A desk, a mailbox, a house delivering its own autobiography. Hospitals: the patients who have passed through, the buildings that have crumbled. And, in a longer view, the people who survive in what they left behind: Thom Gunn, Charles Dickens, and the pre-Columbian architects who designed the great earthworks of Ohio two thousand years ago. Songs, ephemeral by nature but infinitely repeatable, run throughout the collection. “What did they tell me, all those years?” Bogen writes. Immediate Song offers us a retrospective glance that is at once contemplative and joyous, carefully shaped but flush with sensuous observation: a paean to what is both universal and fleeting.

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London’s best pub tour guide and host of the celebrated Liquid History Tours leads readers off the beaten path and through the doors of some of the least celebrated but most wonderfully authentic pubs England’s capital city has to offerIt’s not hard to locate London’s iconic pubs, where Chaucer wrote, Shakespeare performed, or Dickens penned a novel. What’s more difficult and, argues John Warland, ultimately more rewarding, is finding that special pub that has just the right vibe; the pub that’s tucked away far from the maddening crowds of tourists and noisy out-of-towners; that almost mythical pub that you’ll want to return to on a rainy evening, or show off to your friends. These are the hidden gems that Warland introduces you to in his newest pub guide. Spanning every corner of London from the city center to its outer limits and beyond, these watering holes are permeated by personality and a passion for traditional hospitality

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