Search results for ""Speak""

'My fingers close around the trigger. I pause for a split second to think about the bullets I am about to spray across the ground. After today, I'll no longer be the new girl.'Captain Charlotte Madison is blonde, beautiful and flies Apache helicopters for a living. She has completed two tours of duty in Afghanistan and is currently fighting on the frontline in her third. DRESSED TO KILL shows us what life is like for a girl in a resolutely male-dominated environment. But she isn't just a woman in a man's world, she's a woman women aspire to be - glamorous as well as brave, and beating the men at their own game. Only a tiny percentage of people can multi-task to the extreme level the aircraft demands, and most airmen who try to qualify as an Apache pilot fail. Full of the exciting, adrenaline-filled action that has made other military memoirs so successful, DRESSED TO KILL is also unique. A highly intelligent and brilliant young woman, Charlotte is Britain's first female Apache pilot, and the first British female pilot to kill in an Apache. We have, quite simply, never seen the landscape of 21st-century frontline conflict from a perspective like hers. DRESSED TO KILL will appeal to anyone interested in current affairs, but it will also speak to a whole generation of young women who will relate to 27-year-old Charlotte in a way they never imagined possible.

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Known only as the “Ex-Colored Man,” the protagonist in Johnson’s novel is forced to choose between celebrating his African American heritage or “passing” as an average white man in a post-Reconstruction America that is rapidly changing. This Norton Critical Edition is based on the 1912 text. It is accompanied by a detailed introduction, explanatory footnotes, and a note on the text. The appendices that follow the novel include materials available in no other edition: manuscript drafts of the final chapters, including the original lynching scene (chapter 10, ca. 1910) and the original ending (chapter 11, ca. 1908). An unusually rich selection of “Backgrounds and Sources” focuses on Johnson’s life; the autobiographical inspirations for The Autobiography of an Ex-Colored Man; the cultural history of the era in which Johnson lived and wrote; the noteworthy reception history for the 1912, 1927, and 1948 editions; and related writings by Johnson. In addition to Johnson, contributors include Eugene Levy, W. E. B. Du Bois, Carl Van Vechten, Blanche W. Knopf, and Victor Weybright among others. The four critical essays and interpretations in this volume speak to The Autobiography of an Ex-Colored Man’s major themes, among them irony, authorship, passing, and parody. Assessments are provided by Robert B. Stepto, M. Giulia Fabi, Siobhan B. Somerville, and Christina L. Ruotolo. A chronology of Johnson’s life and work and a selected bibliography are also included, as well as six images.

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A cased board book edition of the out-of-this-world interactive adventure from bestselling author Tom Fletcher, illustrated by Greg Abbott!This time, an adorable alien has crash-landed in YOUR book! UH OH!We think you're the PERFECT little reader to help Alien back up into space, by jiggling, bouncing and turning your book upside down! Because aliens don't belong here on Earth . . . do they?There's an Alien in Your Book is packed full of interactive fun, with a gentle message about openness, acceptance and inclusion that will speak to the very youngest readers.Who's in Your Book?Interactive adventures for big imaginationsThere's a Monster in Your Book: makes reading interactive and funThere's a Dragon in Your Book: explores empathy and responsibilityThere's an Alien in Your Book: explores acceptance and inclusionThere's an Elf in Your Book: explores following instructions and good/bad behaviourThere's a Superhero in Your Book: explores the power of kindnessThere's a Witch in Your Book: makes tidying up fun"Interactive fun on every page and the gentle message of acceptance and inclusion guarantee this book will be a favourite addition to any bedtime routine" - The Best New Kids Books Summer 2019 supplement, distributed in The Guardian"Featuring bright, colourful illustrations and interactive fun, There's an Alien in Your Book, is a magical story with a kind gentle message at its heart" - Baby Magazine

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'About things that are within our power and those that are not.' Epictetus's Discourses have been the most widely read and influential of all writings of Stoic philosophy, from antiquity onwards. They set out the core ethical principles of Stoicism in a form designed to help people put them into practice and to use them as a basis for leading a good human life. Epictetus was a teacher, and a freed slave, whose discourses have a vivid informality, animated by anecdotes and dialogue. Forceful, direct, and challenging, their central message is that the basis of happiness is up to us, and that we all have the capacity, through sustained reflection and hard work, of achieving this goal. They still speak eloquently to modern readers seeking meaning in their own lives. This is the only complete modern translation of the Discourses, together with the Handbook or manual of key themes, and surviving fragments. Robin Hard's accurate and accessible translation is accompanied by Christopher Gill's full introduction and comprehensive notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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'Stylish and raw . . . seizes the reader's sympathy and does not let go'Anne Enright, Booker Prize-winning author of The GatheringEast Anglia, 1645. Martha Hallybread, a midwife, healer and servant, has lived for more than four decades in her beloved coastal village of Cleftwater. Everyone knows Martha, but no one has ever heard her speak.One Autumn morning, the peaceful atmosphere of Cleftwater is shattered by a sinister arrival and Martha becomes a silent witness to a witch-hunt. As a trusted member of the community, she is enlisted to search the bodies of the accused women. But whilst Martha wants to help her friends, she also harbours a dark secret that could cost her own freedom. In desperation, she revives a wax witching doll that she inherited from her mother, in the hope that it will bring protection. But the doll's true powers are unknowable, the tide is turning, and time is running out . . .An immersive and deeply moving novel inspired by true events, The Witching Tide breathes new life into history whilst holding up a mirror to the world we live in now. A story of loyalty and betrayal, fear and obsession, the impact of misogyny and the power of resistance, it is a magnificent debut from a striking new literary voice.'Utterly haunting and entirely riveting . . . sent shivers down my spine and brought me to tears'Jennifer Saint, author of Ariadne'A superb writer . . . I loved it'Emma Stonex, author of The Lamplighters

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A compendium of fascinating information about Cornwall past and present, this book contains a plethora of entertaining facts about the county’s famous and occasionally infamous men and women, its towns and countryside, history, natural history, literary, artistic and sporting achievements, agriculture, transport, industry and royal visits. A reference book and a quirky guide, this can be dipped in to time and time again to reveal something new about the people, the heritage, the secrets and the enduring fascination of the county. A remarkably engaging little book, this is essential reading for visitors and locals alike. Did You Know? In British law no officer or agent of the Crown, which includes both Westminster and the Anglican Church, can legally set foot upon Cornish soil without the express and joint permissions of the Duke of Cornwall and Cornwall’s Stannary Parliament. Dolly Pentreath (c. 1680–1777), is popularly regarded as the last true speaker of the Cornish language and her last words were reputedly ‘Me ne vidn cewsel Sawznek!’ (‘I don’t want to speak English!’). Penzance boasts the county’s only officially designated promenade, which extends for just over a mile from the town harbour to Newlyn. Founded in 1860 Warrens Bakery, a family-owned chain based in St Just in Penwith, supplies pasties to Fortnum & Mason. Cornwall’s flag is that of St Piran and shows a white cross which represents molten tin oozing out of a black rock which Piran used when building his fireplace.

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Moving to a new town can be a scary experience, especially when all of your things begin to come alive! In this whimsical, thrilling new series, a lonely boy named Iggie forms an unlikely band of heroes to overcome adversity and discover the importance of true friendship.2023 AMERICAN LIBRARY ASSOCIATION BEST GRAPHIC NOVEL FOR CHILDREN READING LIST HONOREENine-year-old Iggie is the new kid in the town of Peculiar Woods, and nothing about his new home is familiar. So how is he supposed to make friends when he's not allowed to talk to strangers? On his first night in the strange new town, Iggie gets lost in the woods, where he discovers he can speak to inanimate objects. He soon teams up with his blanket, Faye, a talking chair and yoga enthusiast named Boris, and a pair of spirited chess pieces, and sets out on an epic quest to help his new friends solve their problems. Along the way, Iggie and friends encounter the nefarious washing machine, Lazarus Gallington, and begin to uncover the mystery of the flooded town. Throughout his epic quest, Iggie discovers the value of friendship while also discovering what needs to be done to save the entire village—before it's too late! With a rich, enchanting story and artwork reminiscent of The Brave Little Toaster, Adventure Time, Hilda, and other children's classics, Peculiar Woods will enchant young readers with its stories of unlikely heroism, friendship, and adventure.

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***The 7th novel in the Strike series, THE RUNNING GRAVE, is coming in September 2023. Pre-order now and be the first to read it***THE NUMBER ONE SUNDAY TIMES BESTSELLER, JULY 2023'A superlative piece of crime fiction' SUNDAY TIMES'There can be no denying [Galbraith's] considerable talents as a crime writer' GUARDIAN'Fans will be as entranced as ever' DAILY MAILWhen frantic, dishevelled Edie Ledwell appears in the office begging to speak to her, private detective Robin Ellacott doesn't know quite what to make of the situation. The co-creator of a popular cartoon, The Ink Black Heart, Edie is being persecuted by a mysterious online figure who goes by the pseudonym of Anomie. Edie is desperate to uncover Anomie's true identity.Robin decides that the agency can't help with this - and thinks nothing more of it until a few days later, when she reads the shocking news that Edie has been tasered and then murdered in Highgate Cemetery, the location of The Ink Black Heart.Robin and her business partner Cormoran Strike become drawn into the quest to uncover Anomie's true identity. But with a complex web of online aliases, business interests and family conflicts to navigate, Strike and Robin find themselves embroiled in a case that stretches their powers of deduction to the limits - and which threatens them in new and horrifying ways . . .A gripping, fiendishly clever mystery, The Ink Black Heart is a true tour-de-force.

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The Missing Children Case Files: Case 6 ‘Mind-blowingly addictive!’ Samantha Lee Howe, USA Today-bestselling author of The Stranger in Our Bed Three decades of disappearances… Every day bestselling investigative journalist Emma Hunter fails to solve the string of abductions corroding the south coast of England could end with another child’s grave. Two decades of searching… After a brutal shooting in Leicestershire pulls the rug from beneath her meticulously crafted research, the local police in the small Midlands town tell her the suspect wants to speak to her. One second of shattering realisation… But when Emma arrives on the scene there’s no sign of the suspect. Instead the police start questioning her. Because the woman they’re holding in their cells is not who she seems. She’s not remotely who she seems. The sixth instalment in The Missing Children Case Files concludes this unmissable crime saga about what happens when those charged with protecting us betray us – perfect for fans of Jeffery Deaver and Dreda Say Mitchell. Praise for The Missing Children Case Files: ‘Wow!… Kept me guessing throughout and I raced to the end – and what an ending!’ Caz Finlay, bestselling author of the Bad Blood series ‘A darkly thrilling new series’ R. J. Parker, bestselling author of The Dinner Party ‘I did not want to put it down. This is a solid 5 star read from me… Highly recommended to fans of crime fiction’ Rebecca Kelly, author of Monstrous Souls

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The Contemporary Leonard Cohen is an exciting new study that offers an original explanation of Leonard Cohen’s staying power and his various positions in music, literature, and art. The death of Leonard Cohen received media attention across the globe, and this international star remains dear to the hearts of many fans. This book examines the diversity of Cohen’s art in the wake of his death, positioning him as a contemporary, multi-media artist whose career was framed by the twentieth-century and neoliberal contexts of its production. The authors borrow the idea of “the contemporary” especially from philosophy and art history, applying it to Cohen for the first time—not only to the drawings that he included in some of his books but also to his songs, poems, and novels. This idea helps us to understand Cohen’s techniques after his postmodern experiments with poems and novels in the 1960s and 1970s. It also helps us to see how his most recent songs, poems, and drawings developed out of that earlier material, including earlier connections to other writers and musicians.Philosophically, “the contemporary” also sounds out the deep feelings that Cohen’s work still generates in readers and listeners. Whether these feelings are spiritual or secular, sincere or ironic, we get them partly from the sense of timeliness and the sense of timelessness in Cohen’s lyrics and images, which speak to our own lives and times, our own struggles and survival. From a set of international collaborators, The Contemporary Leonard Cohen delivers an appreciative but critical examination of one of our dark luminaries.

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A National Poetry Series winner, chosen by Eileen Myles. Set to the music of rain, these shattered elegies seek communion in the ethereal place between birth and death. “As a reader I feel included a lot in Julie Carr’s hard and beautiful book. I can pretty much hear its author speak—a whispering that enables us into its world . . . a masterfully sutured journey, painfully useful. Sarah—Of Fragments and Lines is a book I know I will return to. And urge it on my friends who have lives too and write in them.”—Eileen Myles “Julie Carr’s harrowing new book is composed of a complex music of grief and fragmentation that illuminates the fragile distance between mothers and daughters. To read Sarah—Of Fragments and Lines is to recall once again that memory might just be the singular attribute of being human and that there can be no poetics of daily life that does not confront loss. Such is the domain of love; such is the vocation of poetry.”—Peter Gizzi In the wake of a mother’s battle with Alzheimer’s and a child’s impending birth, Julie Carr gathers the shards of both mourning and joy to give readers poems that encompass it all: “Zebra and xylophone cyclone and sorrow.” Here she says, “Since I lost her I stored her like ore in my / form as if later I’d find her, restore her,” giving voice to the longing that accompanies life’s most profound losses and its most anticipated arrivals.

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The Maya are the single largest group of indigenous people living in North and Central America. Beginning in the early 1980s, hundreds of thousands of Maya fled the terror of Guatemalan civil strife to safety in Mexico and the U.S. This ethnography of Mayan immigrants who settled in Indiatown, a small agricultural community in south central Florida, presents the experiences of these traditional people, their adaptations to life in the U.S., and the ways they preserve their ancestral culture. For more than a decade, Allan F. Burns has been researching and doing advocacy work for these immigrant Maya, who speak Kanjobal, Quiche, Maman , and several other of the more than thirty distinct languages in southern Mexico and Guatemala. In this fist book on the Guatemalan Maya in the U.S, he uses their many voices to communicate the experience of the Maya in Florida and describes the advantages and results of applied anthropology in refugee studies and cultural adaptation. Burns describes the political and social background of the Guatemalan immigrants to the U.S. and includes personal accounts of individual strategies for leaving Guatemala and traveling to Florida. Examining how they interact with the community and recreate a Maya society in the U.S., he considers how low-wage labor influences the social structure of Maya immigrant society and discusses the effects of U.S. immigration policy on these refugees. Author note: Allan F. Burns is Professor of Anthropology and Latin American Studies at the University of Florida. The author of "An Epoch of Miracles", he has produced four video programs on Maya refugees in Florida.

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Age range 3 to 6The perfect tool to teach children about both infectious, chronic, and mental illnesses they may be experiencing firsthand. When I Get Sick provides parents, grandparents, teachers, and caregivers the opportunity to speak with children about this important topic. Have you ever been sick? Or do you know someone who has been sick for a long time? How do you take care of yourself when you're feeling ill? How can you get healthy again? How can you avoid getting sick in the first place?When I Get Sick realistically addresses both infectious and chronic diseases, from the common cold to cancer. The children in this book discuss their different experiences with being sick so that every reader can find themselves on these pages. Children will learn about germs, viruses versus bacterial infections, and contagious versus noncontagious illnesses and issues. They'll see children attend doctor's appointments, experience blood tests and imaging, and even spend time in the hospital for surgeries. Preventative techniques such as handwashing, a healthy diet and exercise, and vaccinations are also discussed in detail.Everything from ear aches, coughs and colds, tummy aches, chicken pox, the flu, diabetes, cancer, neurodermatitis, heart defects and asthma, to allergies, broken bones, and mental illness is discussed in this thoughtful and sensitive book.In When I Get Sick, award-winning author and illustrator Dagmar Geisler presents the perfect opportunity for adults to talk to children about diseases, treatments, prevention, and how important it is to take care of their mind and body.

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What happens when you speak with Hollywood stars and entertainers—half pro-Trump and half against—posing the question, “Can we talk?” Since the 2016 presidential campaigns, Conservatives, Liberals, Democrats, Republicans, Whites, and non-Whites in America began saying loudly that they are “Fighting for America.” Yet, by the 2020 presidential elections, they were even more divided than united despite all the good intention of the most. Now that America is well into 2021, it is time to yearn for “One America” but without “fighting.” But here is the caveat! To achieve “One America,” the “Trump Phenomena” must first be understood. Next, “Discrimination” and “Racism” in America must be re-visited. After that, “Cancel Culture” and “No-No Rhetoric” must be handled promptly and sensitively. Finally, Hollywood must first embrace #MeToo Movement and then come up with a long-term strategy. Filmmakers of the Trump vs. Hollywood documentary, Daphne Barak and Erbil Gunasti brought on board twenty-four Hollywood stars and entertainers in a documentary to discuss these topics. Half were chosen among pro-Trump, and half against. Daphne interviewed both sides, posing the question: “Can We Talk?”Struggling For One America stands as the genesis of this documentary. This book in that respect points at the presumptive and pretended “Culprits” and “Scapegoats” in the current divide, while focusing on what is obvious. The two White Houses are standing tall, in plain sight, and a step further on the wrong direction from this moment on would be nothing less than repeating history.

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Drawing on fifty years of experience caring for children and adults, Dr. Richard Moskowitz examines the risks of vaccines, the persistent denials by manufacturers and doctors, and our current policy regarding them.Weaving together a tapestry of observed facts, clinical and basic science research, news reports from the media, and actual cases from his own practice, he offers a systematic review of the subject as a whole.He provides scientific evidence for his clinical impression that the vaccination process, by its very nature, imposes substantial risks of disease, injury, and death that have been persistently denied and covered up by manufacturers, the CDC, and the coterie of doctors who speak for it.With the aim of acknowledging these risks, taking them seriously, understanding them more holistically, and ultimately assessing them on a deeper level, he proposes a nationwide debate based on objective scientific research, including what we already know and what still needs to be investigated in the future.He argues that with no serious public health emergency to justify them, requiring vaccines of everyone deprives us all of genuinely informed consent, and prevents parents from making health-care decisions for our children, basic human rights that we still profess to hold dear.For the present, given the legitimate controversy surrounding the mandates, he proposes that most vaccines simply be made optional and that further research into their risks and benefits be conducted by an independent agency in the public interest, untainted by industry funding, CDC sponsorship, and the quasi-religious sanctimony that is widely invoked on their behalf.

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From the bestselling and beloved author of Coming Clean, a brave and witty examination of how and why we try to control our bodies with food. Like most people, Kimberly Rae Miller does not have the perfect body, but that hasn't stopped her from trying. And trying. And trying some more. She's been at it since she was four years old, when Sesame Street inspired her to go on her first diet. Postcollege, after a brief stint as a diet-pill model, she became a health-and-fitness writer and editor working on celebrities' bestselling bios—sugarcoating the trials and tribulations celebs endure to stay thin. Needless to say, Kim has spent her life in pursuit of the ideal body. But what is the ideal body? Knowing she's far from alone in this struggle, Kim sets out to find the objective definition of this seemingly unattainable level of perfection. While on a fascinating and hilarious journey through time that takes her from obese Paleolithic cavewomen, to the bland menus that Drs. Graham and Kellogg prescribed to promote good morals in addition to good health, to the binge-drinking-prone regimen that caused William the Conqueror's body to explode at his own funeral, Kim ends up discovering a lot about her relationship with her own body. Warm, funny, and brutally honest, Beautiful Bodies is a blend of memoir and social history that will speak to anyone who's ever been caught in a power struggle with his or her own body—in other words, just about everyone.

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"Subtle and compelling, Bai Hua is among the best in contemporary Chinese poetry."—David Der-wei Wang, Harvard University "Fish" Unfathomable, the fish can't sing swimming from silence to silence It needs things, it needs to speak but it stares blindly at a stone The strength of endurance is too precise Senility urges it to walk the road of kindness What is it? Image of a people or an act of soundless immersion? The face of grievance veers toward shadow the silence of death toward error Born as metaphor to clarify a fact: the throat where ambiguous pain begins Considered the central literary figure of the post-Obscure (post-"Misty") poetry movement during the 1980s, Bai Hua was born in Chongqing, China, in 1956. After graduating from Guangzhou Foreign Language Institute, he taught at various universities before working as an independent writer. His first collection of poems, Expression (1988), found immediate critical acclaim. A highly demanding writer, Bai Hua has a small but selective poetic output: between the mid-'80s and 2007 Bai Hua wrote fewer than one hundred poems, most of which continue to command a large audience across China. After a silence of more than a decade, he began writing again in 2007. This bilingual selection is a comprehensive overview of Bai Hua's writing career. Fiona Sze-Lorrain writes and translates in French, English, and Chinese. Her recent work includes Water the Moon (Marick Press, 2010). Co-director of Vif Éditions and one of the editors at Cerise Press, she is also a zheng concertist.

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In his introduction to Prayin’ to Be Set Free, Andrew Waters likens the personal accounts of former Mississippi slaves to the music of that state’s legendary blues artists. The pain, the modest eloquence, and even the underlying vitality are much the same. What is now Mississippi wasn’t acquired by the United States until 1798, at which time it had fewer than 10,000 inhabitants, excluding Native Americans. By the Civil War, it had over 430,000 slaves and 350,000 whites. More than half the whites were members of slave-owning families. The majority of slaves worked in the cotton fields. Mississippi was known as a slave-buying frontier state, in contrast to the eastern states, which sold slaves westward. Indeed, many of the former slaves in this book speak of coming to Mississippi as children. At the height of the Depression, the out-of-work wordsmiths who comprised the Federal Writers’ Project began interviewing elderly African-Americans about their experiences under slavery. The former slaves were more than 70 years removed from bondage, but the memories of many of them were strikingly clear. The accounts from former Mississippi slaves are considered among the strongest in the entire collection. The 28 narratives presented here are the best of those. Andrew Waters is a writer and former editor. A native North Carolinian, he graduated from the University of North Carolina at Chapel Hill with Honors in Creative Writing and received a graduate degree from the University of North Carolina at Greensboro. He is the executive director of the Spartanburg Area Conservancy in Spartanburg, SC.

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The Burton Acres Shell Midden site is located on Vashon Island in Puget Sound, at an advantageous spot for fishing and shellfishing. Although it had been the focus of preservation efforts, little was known about the contents of the site until a winter storm in 1995 caused severe erosion. In response, a collaborative effort between the Burke Museum, University of Washington, King County Landmarks and Heritage Commission, the Puyallup Tribe of Indians, Vashon Park District, and McMurray Middle School resulted in a unique two-week public project involving 375 volunteers. Members of the public were invited to share in the discovery process, following archaeological protocol from excavation to artifact cataloging. This book continues that discovery process, presenting and explaining the data gleaned from the site and offering interpretations based on the various objects found that speak to people’s lives at this place. Multiple perspectives on the history of Burton Acres Shell Midden express the collaborative nature of the project, with contributions by Puyallup tribal member Judy Wright, cultural anthropologist Llyn De Danaan, and several archaeologists including a summary by Julie Stein. Vashon Island Archaeology describes the step-by-step guidelines developed for this public investigation, useful for other archaeologists involved in similar projects. It also provides insight into the careful and extensive planning required for such an endeavor. Finally, it demonstrates that a community that participates in the discovery of their local history gains a broad understanding of the importance of stewardship, preservation, and interpretation of cultural resources.

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What do Christians mean when they call Jesus "son of God"? In this study of the phrase "son of God" as applied to Jesus of Nazareth, Christopher Bryan examines the testimony of various New Testament witnesses who used this expression to speak of him, and asks where they got it, what they meant by it, and how it might have been understood. In Bryan's view, any attempt to address these questions stands self-condemned if it does not point to both the words and works of Jesus himself in the memory of early Christians, and the Torah of Israel as then understood, centering on Israel's Scriptures. Of course Paul and his fellow believers did not proclaim Jesus in a vacuum. They proclaimed Jesus in the Roman Empire during the decades following the death of Augustus. With regard to the meaning of the phrase "son of God," what becomes clear, Bryan argues, is that whereas "Lord" (another expression frequently used in the New Testament for Jesus of Nazareth) reflects believers' sense of Jesus' relationship to them, "son of God" reflects their sense of his relationship to God. It is a title that reflects their consciousness of Jesus' holiness-that is, his "set-apartness," his consecration, and even his divinity. Readers of Son of God will gain a well-rounded understanding of classic and recent research in Christology and the New Testament, as well as an in-depth, historically situated view of the evidence that paints a clearer picture of what New Testament witnesses meant when they called Jesus "son of God."

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Color Me In meets I Am Not Your Perfect Mexican Daughter in Everything Within and In Between, a deeply honest coming-of-age story about reclaiming a heritage buried under assimilation, the bonds within families, and defining who you are for yourself. For Ri Fernández’s entire life, she’s been told, “We live in America and we speak English.” Raised by her strict Mexican grandma, Ri has never been allowed to learn Spanish.What’s more, her grandma has pulled Ri away from the community where they once belonged. In its place, Ri has grown up trying to fit in among her best friend’s world of mansions and country clubs in an attempt try to live out her grandmother’s version of the “American Dream.” In her heart, Ri has always believed that her mother, who disappeared when Ri was young, would accept her exactly how she is and not try to turn her into someone she’s never wanted to be. So when Ri finds a long-hidden letter from her mom begging for a visit, she decides to reclaim what Grandma kept from her: her heritage and her mom.But nothing goes as planned. Her mom isn’t who Ri imagined she would be and finding her doesn’t make Ri’s struggle to navigate the interweaving threads of her mixed heritage any less complicated. Nobody has any idea of who Ri really is—not even Ri herself. Everything Within and In Between is a powerful new young adult novel about one young woman’s journey to rediscover her roots and redefine herself from acclaimed author Nikki Barthelmess.

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Ingrid Bergman. Audrey Hepburn. Elizabeth Taylor. Jane Fonda. Meryl Streep. The list of women who have won the coveted and legendary Academy Award for Best Actress is long and varied. Through this illustrious roster we can trace the history of women in Hollywood, from the rise of Mary Pickford in the early 20th century to the #MeToo and Time’s Up movements of today, which have galvanized women across the world to speak out for equal pay, respect, power, and opportunity. This lavishly illustrated coffee table book offers a vital examination of the first 75 women to have won the Best Actress Oscar over the span of 90 years. From inaugural recipient Janet Gaynor to Frances McDormand’s 2018 acceptance speech that assertively brought women to the forefront, Best Actress: The History of Oscar®-Winning Women serves to promote a new appreciation for the cinematic roles these women won for, as well as the real-life roles many of them played – and still play – in advancing women’s rights and equality. Stories range from Bette Davis’ groundbreaking battle against the studio system; to the cutting-edge wardrobes of Katharine Hepburn, Diane Keaton and Cher; to the historical significance of Halle Berry’s victory; to the awareness raised around sexual violence by the performances of Jodie Foster, Brie Larson, and others. Showcasing a dazzling collection of 200 photographs, many of which have never before been seen or published, Best Actress honors the legacies of these revered and extraordinary women while scrutinizing the roadblocks that they continue to overcome.

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Do you want to increase confidence in your children and promote strong self-esteem? Teach children their words have power and how they speak about themselves is important! What we say we feel! What we feel we believe! What we believe we become! Have you ever heard your child say...I am bad at it! Nobody likes me. I can't do it! It's heartbreaking to hear children say negative things about themselves, but ALL children struggle with learning to manage emotions. And now you can help! My Magical Words is the experience children need to grow self-love and build confidence. It is a first book of positive affirmations. Children will learn to SAY I am statements that empower them to FEEL and BELIEVE they are special, loved, smart, beautiful, strong, healthy, and more. Your special time with your children will soar to a new level as you show them that words have power and what they say about themselves matters. Teaching your children positive self-talk at an early age will lay the foundation for future success! A perfect book for boys and girls ages 3, 4, 5, 6, 7 or 8. Get the child or classroom teacher in your life a copy today! If you loved other books to inspire young thinkers to greatness such as Kindness Starts with You, I Can Handle It, The Wonderful Things You Will Be, or I Wish You More, then this book will be the perfect addition to your child's library collection.

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It’s never too soon to get cooking. So, tie on that apron and get ready for some recipe fun! Kiddo cooks will learn all about basic kitchen skills while making these tried and true - and don’t forget delicious! - dishes from Good Housekeeping. From Ooey-Gooey Glazed Cinnamon Rolls for breakfast, Traffic-Stopping Sandwiches for lunch, Totally Twisted Pasta with Cherry Tomato Sauce for dinner, and Ice Cream Cake Pops for dessert, young chefs will discover the fun and satisfaction of making their own food. Inside this beginner's cookbook, your budding chef will find: Easy-to-read recipes that speak directly to kids (not down to them), and show them just what to do (while letting parents know how they can help, too!) Test Kitchen avatars (the Good Housekeeping kitchen testers are shown as cartoon characters!), photos, and step-by-step instructions teach kids about the recipes and basic techniques, like cracking eggs and juicing citrus. The down-low on using common kitchen equipment, fun, cool facts about kids’ favourite ingredients, advice on whenever a grown up’s help is needed, and tips and sidebars to make sure kids get everything they need to succeed. These no-fail, Good Housekeeping Test Kitchen tested-til-perfect recipes are sure to build kids’ confidence as they learn to make really tasty food for themselves and their families. With colourful photographs and easy-to-read recipes and helpful advice on every page, this cookbook will guide kids through their first culinary adventures. Bon voyage and bon appétit!

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Designed for instructors and students who have already used Grammar for the Well-Trained Mind (Purple, Red, or Blue workbooks) in previous years, and who thus already have the Core Instructor Text, Grammar Guidebook, and Diagramming Dictionary, this bundle includes only what you'll need to continue grammar instruction for another year: the Yellow Workbook and Key. The Grammar for the Well-Trained Mind series provides all the grammar skills needed to write and speak with eloquence and confidence. Start with any of the four Workbooks and Keys: Blue, Purple, Red, or Yellow. Each Workbook reviews the same grammar concepts with the same examples, but with brand-new exercises that allow students to practice and apply the grammar principles under study. Examples are based on great works of literature, as well as classic and contemporary works of science and history. Step-by-step instruction takes students from the most basic concepts through advanced grammatical concepts. Extensive diagramming exercises reinforce the rules and help technical and visual learners to understand and use the English language effectively. Each step of the diagramming process is illustrated and thoroughly explained to the student. Text for examples and exercises is drawn from actual published works, from English literature classics to modern masters. Learn your grammar from the greats! Regular review is built into each year of work. The Yellow Key provides answers, as well as detailed explanations, for every student exercise. Use alongside the Core Instructor Text for a full year (and beyond!) of grammar study.

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Essays on women and devotional literature in the Middle Ages in commemoration and celebration of the respected feminist scholar Catherine Innes-Parker. Silence was a much-lauded concept in the Middle Ages, particularly in the context of religious literature directed at women. Based on the Pauline prescription that women should neither preach nor teach, and should at all times keep speech to a minimum, the concept of silence lay at the forefront of many devotional texts, particularly those associated with various forms of women's religious enclosure. Following the example of the Virgin Mary, religious women were exhorted to speak seldom, and then only seriously and devoutly. However, as this volume shows, such gendered exhortations to silence were often more rhetorical than literal. The contributions range widely: they consider the English 'Wooing Group' texts and female-authored visionary writings from the Saxon nunnery of Helfta in the thirteenth century; works by Richard Rolle and the Dutch mystic Jan van Ruusbroec in the fourteenth century; Anglo-French treatises, and books housed in the library of the English noblewoman Cecily Neville in the fifteenth century; and the resonant poetics of women from non-Christian cultures. But all demonstrate the ways in which silence, rather than being a mere absence of speech, frequently comprised a form of gendered articulation and proto-feminist point of resistance. They thus provide an apt commemoration and celebration of the deeply innovative work of Catherine Innes-Parker (1956-2019), the respected feminist scholar and a pioneer of this important field of study.

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The body is a site bearing multiple signs of cultural inscriptions. People's postures, use of space, dress codes, speech particularities, facial expressions, tone qualities, gaze, and gestures are codes that send messages to observers. These messages differ across cultures and times. Some of these non-verbal messages are taken to be conscious or subconscious projection of a sense of personal or collective identity. The various forms of "body talk" may flag personal distinction, style, uniqueness or politics, in which case, the body and its presentations become stances of the self. Different from this, body talk may exhibit a society's or culture's standardized norms of valuation with respect to what conforms or deviates from expectations.The subject of this anthology is non-verbal communication signals with contributing studies from societies and cultures of Africa and African Diapora. The goals are to document popular gestures, explore their meanings, and understand how they frame interactions and colour perception.The anthology is also aimed at offering interdisciplinary perspectives on the problematics of non-verbal communication by making sense of the various ways that different cultures speak without "voice", and to examine how people and groups make their presence felt as social, cultural and political actors. Some of the contributions include case studies, descriptive codification, theoretical analyses and performative studies. The issues highlighted range from film and literature studies, gender studies, history, religion, popular cultural, and extends to the virtual space. Other studies provide a linguistic treatment of non-verbal communication and use it as means of explicating perception and stereotyping.

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Takes the recent wave of German autobiographical writing on illness and disability seriously as literature, demonstrating the value of a literary disability studies approach. In the German-speaking world there has been a new wave - intensifying since 2007 - of autobiographically inspired writing on illness and disability, death and dying. Nina Schmidt's book takes this writing seriously as literature,examining how the authors of such personal narratives come to write of their experiences between the poles of cliché and exceptionality. Identifying shortcomings in the approaches taken thus far to such texts, she makes suggestions as to how to better read their narratives from the stance of literary scholarship, then demonstrates the value of a literary disability studies approach to such writing with close readings of Charlotte Roche's Schoßgebete(2011), Kathrin Schmidt's Du stirbst nicht (2009), Verena Stefan's Fremdschläfer (2007), and - in the final, comparative chapter - Christoph Schlingensief's So schön wie hier kanns im Himmel gar nicht sein! Tagebuch einer Krebserkrankung (2009) and Wolfgang Herrndorf's blog-cum-book Arbeit und Struktur (2010-13). Schmidt shows that authors dealing with illness and disability do so with an awareness of their precarious subject position in the public eye, a position they negotiate creatively. Writing the liminal experience of serious illness along the borders of genre, moving between fictional and autobiographical modes, they carve out spaces from which they speak up and share their personal stories in the realm of literature, to political ends. Nina Schmidt is a postdoctoral researcher in the Friedrich Schlegel Graduate School of Literary Studies at the Freie Universität Berlin.

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There is always hope, even when we cannot seem to seek it within ourselves.From the best advice you’ll ever get to the joy of crisps, the 101 brilliant contributors to The Book of Hope will help you to find hope whenever you need it most. Award-winning mental health campaigner Jonny Benjamin, MBE, and co-editor Britt Pflüger bring together people from all walks of life – actors, musicians, athletes, psychologists and activists – to share what gives them hope.These 101 key voices in the field of mental health, from the likes of Lemn Sissay, Dame Kelly Holmes, Frank Turner and Zoe Sugg, to Joe Tracini, Elizabeth Day, Hussain Manawer and Joe Wicks, share not only their experiences with anxiety, psychosis, panic attacks and more, but also what helps them when they are feeling low. This joyful collection is a supportive hand to anyone looking to find light on a dark day and shows that, no matter what you may be going through, you are not alone.Jonny Benjamin is known for his book and documentary film, The Stranger on the Bridge, which fought to end stigma around talking about mental health, suicidal thoughts and schizoaffective disorder. When his campaign to find the man who prevented him from taking his own life went viral, Jonny was one of a wave of new figures lifting the lid on mental health struggles. In this book, he brings together a range of voices to speak to the spectrum of our experiences of mental health and the power of speaking up and seeking help.

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This volume of Lévi-Strauss's writings from 1941 to 1947 bears witness to a period of his work which is often overlooked but which was the crucible for the structural anthropology that he would go on to develop in the years that followed. Like many European Jewish intellectuals, Lévi-Strauss had sought refuge in New York while the Nazis overran and occupied much of Europe. He had already been introduced to Jakobson and structural linguistics but he had not yet laid out an agenda for structuralism, which he would do in the 1950s and 60s. At the same time, these American years were the time when Lévi-Strauss would learn of some of the world's most devastating historical catastrophes - the genocide of the indigenous American peoples and of European Jews. From the beginning of the 1950s, Lévi-Strauss's anthropology tacitly bears the heavy weight of the memory and possibility of the Shoah. To speak of 'structural anthropology zero' is therefore to refer to the source of a way of thinking which turned our conception of the human on its head. But this prequel to Structural Anthropology also underlines the sense of a tabula rasa which animated its author at the end of the war as well as the project – shared with others – of a civilizational rebirth on novel grounds. Published here in English for the first time, this volume of Lévi-Strauss’s texts from the 1940s will be of great interest to students and scholars in anthropology, sociology and the social sciences generally.

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This volume of Lévi-Strauss's writings from 1941 to 1947 bears witness to a period of his work which is often overlooked but which was the crucible for the structural anthropology that he would go on to develop in the years that followed. Like many European Jewish intellectuals, Lévi-Strauss had sought refuge in New York while the Nazis overran and occupied much of Europe. He had already been introduced to Jakobson and structural linguistics but he had not yet laid out an agenda for structuralism, which he would do in the 1950s and 60s. At the same time, these American years were the time when Lévi-Strauss would learn of some of the world's most devastating historical catastrophes - the genocide of the indigenous American peoples and of European Jews. From the beginning of the 1950s, Lévi-Strauss's anthropology tacitly bears the heavy weight of the memory and possibility of the Shoah. To speak of 'structural anthropology zero' is therefore to refer to the source of a way of thinking which turned our conception of the human on its head. But this prequel to Structural Anthropology also underlines the sense of a tabula rasa which animated its author at the end of the war as well as the project – shared with others – of a civilizational rebirth on novel grounds. Published here in English for the first time, this volume of Lévi-Strauss’s texts from the 1940s will be of great interest to students and scholars in anthropology, sociology and the social sciences generally.

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In this series of interviews and dialogues which took place between 1981 and 2003, Paul Ricoeur addresses some of the central questions of political philosophy and ethics: justice, violence, war, the environmental crisis, the question of evil, ethical and political action in the polis. Philosophical issues are brought to bear on present-day concerns and the practical realities of contemporary politics. How can the philosopher speak about politics without claiming superior insight or a higher order of knowledge? Ricoeur distinguishes three levels of society: ‘tools’ (modes of production and the accumulation of technology), ‘institutions’ (which are tied to national cultures) and ‘values’ (which claim to be universal). The philosopher’s task is to probe each of these levels and open up spaces for reflection, criticism and democratic deliberation. It is to explore the paradoxes of the political rather than invoking certainties dictated by conscience. Just as there no longer exists a grand narrative about the past, so too there is no longer any utopia capable of projecting the desired future. What remains is human creativity, which marks the source common to the institutional frameworks that are already present and the horizons that extend beyond them. The philosopher’s engagement lies in the promise to revive this source at the very moment it appears to dry up under the weight of the real. This volume of interviews and dialogues with one of the most important French philosophers of the post-war period will be of interest to anyone interested in the great political and ethical questions of our time.

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In this series of interviews and dialogues which took place between 1981 and 2003, Paul Ricoeur addresses some of the central questions of political philosophy and ethics: justice, violence, war, the environmental crisis, the question of evil, ethical and political action in the polis. Philosophical issues are brought to bear on present-day concerns and the practical realities of contemporary politics. How can the philosopher speak about politics without claiming superior insight or a higher order of knowledge? Ricoeur distinguishes three levels of society: ‘tools’ (modes of production and the accumulation of technology), ‘institutions’ (which are tied to national cultures) and ‘values’ (which claim to be universal). The philosopher’s task is to probe each of these levels and open up spaces for reflection, criticism and democratic deliberation. It is to explore the paradoxes of the political rather than invoking certainties dictated by conscience. Just as there no longer exists a grand narrative about the past, so too there is no longer any utopia capable of projecting the desired future. What remains is human creativity, which marks the source common to the institutional frameworks that are already present and the horizons that extend beyond them. The philosopher’s engagement lies in the promise to revive this source at the very moment it appears to dry up under the weight of the real. This volume of interviews and dialogues with one of the most important French philosophers of the post-war period will be of interest to anyone interested in the great political and ethical questions of our time.

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This dazzling debut announces a not-so-new voice: that of the spoken-word poet Tjawangwa Dema. Winner of the Sillerman First Book Prize for African Poets, Dema’s collection, The Careless Seamstress, evokes the national and the subjective while reemphasizing that what is personal is always political. The girls and women in these poems are not mere objects; they speak, labor, and gaze back, with difficulty and consequence. The tropes are familiar, but in their animation they question and move in unexpected ways. The female body—as a daughter, wife, worker, cultural mutineer—moves continually across this collection, fetching water, harvesting corn, raising children, sewing, migrating, and spurning designations. Sewing is rendered subversive, the unsayable is weft into speech and those who are perhaps invisible in life reclaim their voice and leave evidence of their selves. As a consequence the body is rarely posed—it bleeds and scars; it ages; it resists and warns. The female gaze and subsequent voices suggest a different value system that grapples with the gendering of both physical and emotional labor, often through what is done, even and especially when this goes unnoticed or unappreciated. A body of work that examines the nature of power and resistance, The Careless Seamstress shows both startling clarity of purpose and capaciousness of theme. Using gender and labor as their point of departure, these poems are indebted to Dema’s relationship to language, intertextuality, and narrative. It is both assured and inquiring, a quietly complex skein that takes advantage of poetry’s capacity for the polyphonic.

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A step-by-step guide on how to build your personal brand and business through savvy self-marketing, covering everything from social media to landing national TV interviews. Do you have a passion, but don't know how to turn it into your livelihood? Maybe you want to launch your dream business, but no matter how hard you try, you can't seem to build an audience on social media. Or you know you could speak with as much authority as the experts interviewed on TV, but you don't know the right people. The truth is, a lot of those experts you see are just regular people. They don't have special connections. Executive producers don't have them on speed dial. But they do know how to brand, market, and pitch themselves. And by the time you finish the book, you will, too! You will learn how you can use all types of media--from Facebook and Instagram, to podcasts and radio, to local and national television interviews--to establish your platform, build your business, explode your sales, and maybe even become one of America's most sought after thought leaders. With the same charm and authority that has made her the legal expert on Dr. Phil,co-host on The Doctors, and landed her regular appearances on Anderson Cooper 360, Good Morning America, CNN, MSNBC and Fox, Areva Martin will show you how to:Use social media effectively to establish your brandWrite an irresistible pitchIdentify the right media outlets to targetAppear polished and authenticMultiply the media attention you get

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Demonstrates how theatre and theatricalisation serve as the indispensable means for creating a kind of consciousness that exits as an unmediated encounter with actuality Shows the pervasiveness of Shakespeare's chiasmus of theatricalisation: the back-and-forth, and forth-and-back, movements between role-playing consciousness and a would-be non-role-playing consciousness that is never free from role-playing Demonstrates and explains how Shakespeare opens a shared space of negativity within partnered chiastic relation of two plays Explores that the product of this chiastic relation for the playwright and the spectator is an object of reflection that they encounter outside theatre Explains that, as a result, the playwright and the spectator move toward an intersubjectivity and a reciprocal intentionality toward sustained being Philosophers speak of newly accessed ways of knowing reality as epistemological shifts. This book demonstrates how Shakespeare effected a massive shift of just this kind in his bold management of theatricalisation itself. These pages levy on terms of Kant and Husserl that they elaborated in proposals for such shifts. It will be seen that Shakespeare exceeds the proposals of the philosophers. He anticipates and already brings to a working consummation a systematic and immediate access to the ways of knowing reality that they contemplate as hoped-for desiderata. In, and through, the drama of consciousness played out in the pairs of plays examined here, the playwright and the spectator together intersubjectively attain to an 'onlooker' consciousness that exits the fictionality, the play-acting, of theatricalisation; and they are enabled to recover the actuality of objects in their worlds.

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A Pocket Dictionary of the Vulgar Tongue is a profane guide to the slang from the backstreets and taverns of 18th-century London. This slang dictionary gathers the most amusing and useful terms from English history and helpfully presents them to be used in the conversations of our modern day. Originally published in 1785, the Classical Dictionary of the Vulgar Tongue was one of the first lexicons of English slang, compiled by a militia captain who collected the terms he overheard on his late-night excursions to London's slums, dockyards, and taverns. Now the legacy lives on in this colorful pocket dictionary. • Learn the origin of phrases like birthday suit" and discover slang lost to time. • Handy pocket-sized edition allows you to whip out vintage curse words whenever needed. • An unexpected marriage of lowbrow humor and highbrow wit Discover long lost antique slang and curse words and learn how to incorporate them into modern conversation. A Pocket Dictionary of the Vulgar Tongue is perfect for enlivening contemporary conversation with historical phrases; it includes a topical list of words for money, drunkenness, the amorous congress, male and female naughty bits, and so on. • A funny gift for wordplay, language, swearing, and insult fans, as well as fans of British humor and culture • Perfect for those who loved How to Speak Brit: The Quintessential Guide to the King's English, Cockney Slang, and Other Flummoxing British Phrases by Christopher J. Moore; Knickers in a Twist: A Dictionary of British Slang by Jonathan Bernstein; and The Official Dictionary of Sarcasm by James Napoli"

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Honorable Mention, James Russell Lowell Prize, Modern Language Association Honorable Mention, René Wellek Prize, American Comparative Literature Association How did the Cold War shape culture and political power in decolonizing countries and give rise to authoritarian regimes in the so-called free world? Cold War Reckonings tells a new story about the Cold War and the global shift from colonialism to independent nation-states. Assembling a body of transpacific cultural works that speak to this historical conjuncture, Jini Kim Watson reveals autocracy to be not a deficient form of liberal democracy, but rather the result of Cold War entanglements with decolonization. Focusing on East and Southeast Asia, the book scrutinizes cultural texts ranging from dissident poetry, fiction, and writers’ conference proceedings of the Cold War period, to more recent literature, graphic novels, and films that retrospectively look back to these decades with a critical eye. Paying particular attention to anti-communist repression and state infrastructures of violence, the book provides a richaccount of several U.S.–allied Cold War regimes in the Asia Pacific, including the South Korean military dictatorship, Marcos’ rule in the Philippines, illiberal Singapore under Lee Kuan Yew, and Suharto’s Indonesia. Watson’s book argues that the cultural forms and narrative techniques that emerged from the Cold War-decolonizing matrix offer new ways of comprehending these histories and connecting them to our present. The book advances our understanding of the global reverberations of the Cold War and its enduring influence on cultural and political formations in the Asia Pacific. Cold War Reckonings is available from the publisher on an open-access basis.

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From the Revolution to the Maquiladoras is a major contribution to the study of globalization, labor, and women’s movements. Jennifer Bickham Mendez presents a detailed ethnographic account of the Nicaraguan Working and Unemployed Women’s Movement, “María Elena Cuadra” (mec), which emerged as an autonomous organization in 1994. Most of its efforts revolve around organizing women workers in Nicaragua’s free trade zones and working to improve conditions in maquiladora factories. Mendez examines the structural and cultural elements of mec in order to demonstrate how globalization affects grassroots advocacy for social and economic justice. She argues that globalization has created opportunities for new forms of organizing among those local populations that suffer its effects and that mec, which has forged vital links with transnational feminist and labor groups, exemplifies the possibilities—and pitfalls—of this new type of organizing.Mendez draws on interviews with leaders and program participants, including maquiladora workers; her participant observation while she worked as a volunteer within the organization; and analysis of the public statements, speeches, and texts written by mec members. She provides a sense of the day-to-day operations of the group as well as its strategies. By exploring the tension between mec and transnational feminist, labor, and solidarity networks, she illustrates how mec women’s outlooks are shaped by both their revolutionary roots within the Sandinista regime and their exposure to global discourses of human rights and citizenship. The complexities of the women’s labor movement analyzed in From the Revolution to the Maquiladoras speak to social and economic justice movements in the many locales around the world.

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Mark Kingwell, John Ralston Saul, Jan Zwicky, Thomas Hurka, Will Kymlicka, Graeme Hunter, Paul and Patricia Churchland, Michel Seymour, Arthur Schafer, Charles Taylor-the list of Canadian philosophers who have made important contributions to public debate is a long one. Here, in a single volume we find their views on topics ranging from free speech to free trade, from science to citizenship, from terrorism to tyranny, and from ethics to the environment. In the Agora celebrates the unique perspectives, distinctive voices, and important contributions of Canadian philosophers by bringing together some of the nations' top minds to speak candidly on issues of popular public debate. Following a foreword by John Ralston Saul, editors Andrew D. Irvine and John S. Russell have carefully collected over a hundred essays into an accessible, controversial, and lively book that delves into any number of significant issues. A spirited and engaging read, In the Agora effectively illustrates how Canadian philosophers have contributed to public discourse and enriched our world. It is a collection that is sure to prompt both interest and debate. Contributors: Paul M. Churchland Andrew Irvine Thomas Hurka Trudy Govier Jeffrey Foss Jan Zwicky James Robert Brown Patricia Smith Churchland Ray Jennings Mark Kingwell John Russell Ian Hacking William Hare Graeme Hunter John Woods Thomas De Koninck David Gauthier Charles Taylor Peter Loptson Jan Narveson John Dixon Leo Groarke Paul Groarke Stan Persky Grant Brown Susan Sherwin Leslie Burkholder Michel Seymour Will Kymlicka John RalstonSaul Alister Browne Lou Marinoff Steven Davis

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All across America, angry fathers are demanding rights. These men claim that since the breakdown of their own families, they have been deprived of access to their children. Joining together to form fathers' rights groups, the mostly white, middle-class men meet in small venues to speak their minds about the state of the American family and, more specifically, to talk about the problems they personally face, for which they blame current child support and child custody policies. Dissatisfied with these systems, fathers' rights groups advocate on behalf of legal reforms that will lower their child support payments and help them obtain automatic joint custody of their children. In Defiant Dads, Jocelyn Elise Crowley offers a superbly balanced examination of these groups in order to understand why they object to the current child support and child custody systems; what their political agenda, if enacted, would mean for their members' children or children's mothers; and how well they deal with their members' interpersonal issues concerning their ex-partners and their role as parents. Based on interviews with more than 150 fathers' rights group leaders and members, as well as close observation of group meetings and analysis of their rhetoric and advocacy literature, this important book is the first extensive, in-depth account of the emergence of fathers' rights groups in the United States. A nuanced and timely look at an emerging social movement, Defiant Dads is a revealing investigation into the changing dynamics of both the American family and gender relations in American society.

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Published in the early 1950s, C. S. Lewis's seven Chronicles of Narnia were proclaimed instant children's classics and have been hailed in The Oxford Companion to Children's Literature as "the most sustained achievement in fantasy for children by a 20th-century author." But how could Lewis (a formidable critic, scholar, and Christian apologist)conjure up the kind of adventures in which generations of children (and adults) take such delight? In this engaging and insightful book, C. S. Lewis expert David C. Downing invites readers to join his vivid exploration of the Chronicles of Narnia, offering a detailed look at the enchanting stories themselves and also focusing on the extraordinary intellect and imagination of the man behind the Wardrobe. Downing presents each Narnia book as its own little wardrobe - each tale an opportunity to discover a visionary world of bustling vitality, sparkling beauty, and spiritual clarity. And Downing's examination of C. S. Lewis's personal life shows how the content of these classic children's books reflects Lewis's love of wonder and story, his affection for animals and homespun things, his shrewd observations about human nature, along with his vast reading, robust humor, theological speculations, medieval scholarship, and arcane linguistic jokes. A fun glossary of odd and invented words will allow readers to speak with Narnian flair, regaling friends and family with unusual words like cantrips, poltoonery, hastilude, and skirling. A masterful work that will appeal to both new and seasoned fans of Narnia, Into the Wardrobe offers a journey beyond Narnia's deceptively simple surface and into its richly textured and unexpected depths.

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A new emphasis on diversity and difference is displacing older myths of nation or community. A new attention to gender, race, language or religion is disrupting earlier preoccupations with class. But the welcome extended to heterogeneity can bring with it a disturbing fragmentation and closure. Can we develop a vision of democracy through difference: a politics that neither denies group identities nor capitulates to them? In this volume, Anne Phillips develops the feminist challenge to exclusionary versions of democracy, citizenship and equality. Relating this to the crisis in socialist theory, the growing unease with the pretensions of Enlightenment rationality, and the recent recuperation of liberal democracy as the only viable politics, she builds on debates within feminism to address general questions of difference. When democracies try to wish away group difference and inequality, they fail to meet their egalitarian promise. When yearnings towards an undifferentiated unity become the basis for radical politics and change, too many groups drop out of the picture. Through her critical discussions of recent feminist and socialist theory Anne Phillips rejects this democracy of denial. She also warns, however, of the dangers on the other side. The simpler celebrations of diversity risk freezing group differences as they are, encouraging a patchwork of local identities from which people can speak only to themselves. Her arguments then combine in a powerful restatement of the case for a more active and participatory democracy. It is only through enhanced communication and discussion that people can respect and learn from their differences.

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The world’s housing markets have seen the sharpest slowdown in prices and transactions for over a generation – nowhere more so than in Britain. So what can the property industry learn from the experience? This book sets out the signals that were appearing from 2005 onwards as the foundations of the industry began to crack. Norwood asks: why were they missed? Why did so few people speak out against gluts of apartments in major city centres targeted at falling numbers of investment buyers? Did we not know or care that property scams were becoming rife? Could we not see at least some alarm signals from the problems destroying the property industry in Spain?For the first time, senior figures from all elements of the residential industry – developers, agents, analysts, lenders, planners and pundits – comment on what they believe led to the downturn. The book then sets out what the industry may learn from the experience. It compares those developers and estate agents that down-sized or collapsed altogether with those that survived and, in some cases, even prospered in the downturn. It identifies common indicators amongst those that remained strong through a fifty percent collapse in sales and a twenty-fiver percent plus collapse in prices, and offers insights into how policies of diversification and modernisation helped many companies survive. It also looks to the future and presents a sobering vision, created by scores of experts interviewed during the downturn, of what the market may be like when volumes, prices and spirits move upwards once again.

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Adam Smith (1723-90) is perhaps best known as one of the first champions of the free market and is widely regarded as the founding father of capitalism. From his ideas about the promise and pitfalls of globalization to his steadfast belief in the preservation of human dignity, his work is as relevant today as it was in the eighteenth century. Here, Ryan Hanley brings together some of the world's finest scholars from across a variety of disciplines to offer new perspectives on Smith's life, thought, and enduring legacy. Contributors provide succinct and accessible discussions of Smith's landmark works and the historical context in which he wrote them, the core concepts of Smith's social vision, and the lasting impact of Smith's ideas in both academia and the broader world. They reveal other sides of Smith beyond the familiar portrayal of him as the author of the invisible hand, emphasizing his deep interests in such fields as rhetoric, ethics, and jurisprudence. Smith emerges not just as a champion of free markets but also as a thinker whose unique perspective encompasses broader commitments to virtue, justice, equality, and freedom. An essential introduction to Adam Smith's life and work, this incisive and thought-provoking book features contributions from leading figures such as Nicholas Phillipson, Amartya Sen, and John C. Bogle. It demonstrates how Smith's timeless insights speak to contemporary concerns such as growth in the developing world and the future of free trade, and how his influence extends to fields ranging from literature and philosophy to religion and law.

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From teleportation and space elevators to alien contact and interstellar travel, science fiction and fantasy writers have come up with some brilliant and innovative ideas. Yet how plausible are these ideas--for instance, could Mr. Weasley's flying car in the Harry Potter books really exist? Which concepts might actually happen, and which ones wouldn't work at all? Wizards, Aliens, and Starships delves into the most extraordinary details in science fiction and fantasy--such as time warps, shape changing, rocket launches, and illumination by floating candle--and shows readers the physics and math behind the phenomena. With simple mathematical models, and in most cases using no more than high school algebra, Charles Adler ranges across a plethora of remarkable imaginings, from the works of Ursula K. Le Guin to Star Trek and Avatar, to explore what might become reality. Adler explains why fantasy in the Harry Potter and Dresden Files novels cannot adhere strictly to scientific laws, and when magic might make scientific sense in the muggle world. He examines space travel and wonders why it isn't cheaper and more common today. Adler also discusses exoplanets and how the search for alien life has shifted from radio communications to space-based telescopes. He concludes by investigating the future survival of humanity and other intelligent races. Throughout, he cites an abundance of science fiction and fantasy authors, and includes concise descriptions of stories as well as an appendix on Newton's laws of motion. Wizards, Aliens, and Starships will speak to anyone wanting to know about the correct--and incorrect--science of science fiction and fantasy.

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Paris is firing all its ammunition into the August night. Against a vast backdrop of water and stone, on both sides of a river awash with history, freedom's barricades are once again being erected. Once again justice must be redeemed with men's blood. Albert Camus (1913-1960) wrote these words in August 1944, as Paris was being liberated from German occupation. Although best known for his novels including The Stranger and The Plague, it was his vivid descriptions of the horrors of the occupation and his passionate defense of freedom that in fact launched his public fame. Now, for the first time in English, Camus at 'Combat' presents all of Camus' World War II resistance and early postwar writings published in Combat, the resistance newspaper where he served as editor-in-chief and editorial writer between 1944 and 1947. These 165 articles and editorials show how Camus' thinking evolved from support of a revolutionary transformation of postwar society to a wariness of the radical left alongside his longstanding strident opposition to the reactionary right. These are poignant depictions of issues ranging from the liberation, deportation, justice for collaborators, the return of POWs, and food and housing shortages, to the postwar role of international institutions, colonial injustices, and the situation of a free press in democracies. The ideas that shaped the vision of this Nobel-prize winning novelist and essayist are on abundant display. More than fifty years after the publication of these writings, they have lost none of their force. They still speak to us about freedom, justice, truth, and democracy.

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This book makes an unparalleled attempt to analyze the rise of comparative religion as a particular response to modernization. In the mid-nineteenth century and continuing into the twentieth, Western scholars began to interpret religion's history, drawing on prehistorical evidence, recently deciphered texts, and ethnographical reports. Religions that had been rejected as irrational by Enlightenment philosophers were now studied with enthusiasm. Using comparative methods, scholars identified in their own culture traces of ancient, oriental, and tribal religions--not merely as survivals but increasingly as powerful manifestations of a human existence not subdued by rationality. Hans Kippenberg shows how F. Max Muller, E. B. Tylor, W. Robertson Smith, J. G. Frazer, Jane Harrison, R. R. Marett, E. Durkheim, Max Weber, William James, and Rudolf Otto included in their reconstruction of the religious past a diagnosis of modern culture. Mysticism, soul, ritual, magic, pre-animism, world-rejection, and other notions were developed into a theory, disclosing in modern culture an ignored continuity of worldviews and attitudes. These scholars saw the modern world as still dependent on religion and believed that a history of religion could speak to questions about morality and identity that Enlightened thinkers or theologians could no longer answer. The study of ancient and non-Western religions, they believed, could help establish awareness of a genuine human culture threatened by an increasingly mechanized world. Their work shows how the historical concept of religion emerged and became plausible in the context of modernization, and peoples' experiences of modernization determined the meanings that religion assumed.

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