Search results for ""Speak""

During his nearly 50 years of sportswriting, including 28 at Sports Illustrated, readers of Dr. Z came to expect a certain alchemical, trademark blend: words which were caustic and wry, at times self-deprecating or even puzzling, but always devilishly smart with arresting honesty. A complex package, that's the Doctor. The one-time sparring partner of Ernest Hemingway, Paul Zimmerman is one of the modern era's groundbreaking football minds, a man who methodically charted every play while generating copious notes, a human precursor to the data analytics websites of today. In 2008, Zimmerman had nearly completed work on his personal memoirs when a series of strokes left him largely unable to speak, read, or write. Compiled and edited by longtime SI colleague Peter King, these are the stories he still wants to see told. Dr. Z’s memoir is a rich package of personalities, stories never shared about such characters as Vince Lombardi, Walter Payton, Lawrence Taylor, and Johnny Unitas. Even Joe Namath, with whom Zimmerman had a legendary and well-documented 23-year feud, saw fit to eventually unburden himself to the remarkable scribe. Also included are Zimmerman's encounters with luminaries and larger-than-life figures outside of sports, notably Donald Trump, Rupert Murdoch, and Hunter S. Thompson. But not to be missed are Zimmerman's quieter observations on his own life and writing, witticisms and anecdotes which sway between the poignant and hilarious. No matter the topic, Dr. Z: the Lost Memoirs of an Irreverent Football Writer proves essential, compelling reading for sports fans old and new.

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The complete guide to spirit-filled speech and speaking with spirit "This book is a spiritual guide to using the holy gift of speech. It is a ... how-to ... grounded in a humble way of being, expressing an attitude of gratitude toward the tongue, in the knowledge that speech is a gift from God and we have a choice to use our mouths virtuously, in the most humble and searching sense of that word." —from the Introduction So much of our time is spent in conversation, yet little time is devoted to thinking about the words we choose to use, or the manner in which we speak. Taking the time to make our words count—to make our speech sacred—can lead to positive changes in our lives, and improve our relationships with others. Sacred Speech is a personal, warm-hearted approach to a complex matter—how we can use speech in holy ways. Drawing support from literary and spiritual sources, Rev. Donna Schaper offers compelling advice from her own experience as a clergyperson, teacher, partner, and parent, empowering us to: Acknowledge the Divine in the words we use Use speech to maximize the possibility of love and care Use speech to minimize fear Link, connect, and contact with others through words A clear invitation to improve our communications with others, Sacred Speech is ideal for spiritual and religious leaders, professionals who work in multifaith settings, the politically correct and the not-so politically correct, and anyone who wants to do more than simply "watch what they say."

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The perfect tool to teach children how to respond to insecurities surrounding being left-handed. I Am Left-Handed provides parents, grandparents, teachers, and caregivers the opportunity to speak with children about this important topic.How do you actually know whether you are left- or right-handed? Everyone has a "strong" side, after all. But what exactly does that mean, and how do you know which one works better for you? Why is it that so many misjudge themselves, or deny their true default?This book explores left-handedness, a subject that is surprisingly sensitive to many—especially children who are surrounded by right-handed friends and classmates and who struggle with the need to use "special" scissors, worry about smudging their schoolwork, and grow frustrated with bumping elbows at the dinner table.I Am Left-Handed answers common questions like: How do you know that you're left-handed? Is left-handedness genetic? If you're left-handed, are you also left-footed? What kind of products exist that are specially made for lefties? What does a handedness consultant do? It's important to accept that you're a lefty and to love the fact that you're unique and special—only 10 percent of the world is like you!In I Am Left-Handed!, award-winning author Stephanie Gerharz and author and illustrator Dagmar Geisler draws attention to what could be a sensitive subject to some and provides advice for not only the children who are left-handed but also those who live and work with them daily, like parents, grandparents, teachers, siblings, and caregivers.

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Christians in the United States and around the world are politically polarized today, unable to speak to one another across deep divisions regarding urgent social issues. Ordinary Faith in Polarized Times: Justification and the Pursuit of Justice addresses this dire reality by offering a theological framework for Christian justice-seeking. Amy Carr and Christine Helmer draw on Paul's theology to center the idea of justification by faith in Christ as the primary ground of Christian belonging and community.This approach yields a theology of ordinary faith that resists the temptation to equate Christian identity with the performance of a heroic "here I stand" posture against moral and political positions felt to be inimical to a properly Christian life. An ordinary faith situates Christian identity on a baptismal belonging to Christ. Baptism draws Christians into the messy process of discerning together the shape of justice in and through the Beloved Community. With justification by faith as the touchstone of Christian unity, Ordinary Faith in Polarized Times reveals how Christians who inhabit different ethical and political positions can navigate the disorientations and reorientations that arise when they debate what justice-seeking looks like from within the body of Christ.Carr and Helmer articulate ways that justification by faith grounds Christian practices of affective listening and storytelling, even on the most contentious ethical questions today, with the hope that mutual conversation in and through the Beloved Community can get Christians who disagree oriented towards each other again for the good of the world.

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Whatever Happened to the World of Tomorrow?, the long-awaited follow-up to Mom's Cancer, is a unique graphic novel that tells the story of a young boy and his relationship with his father.Spanning the period from the 1939 New York World's Fair to the last Apollo space mission in 1975, it is told through the eyes of a boy as he grows up in an era that was optimistic and ambitious, fueled by industry, engines, electricity, rockets, and the atom bomb. An insightful look at relationships and the promise of the future, award-winning author Brian Fies presents his story in a way that only comics and graphic novels can.Interspersed with the comic book adventures of Commander Cap Crater (created by Fies to mirror the styles of the comics and the time periods he is depicting), and mixing art and historical photographs, this groundbreaking graphic novel is a lively trip through a half century of technological evolution. It is also a perceptive look at the changing moods of our nation-and the enduring promise of the future."A hopelessly optimistic moon-age daydream"—The Village Voice"Whatever Happened To The World Of Tomorrow is a very special book that will speak to you on so many levels. And at the end of it, when you sit there and think on what you’ve just read, it may even make you, like it did me, realise that Fies’ vision of our past and his hope for the future is something we can all share in. Quite brilliant."—Richard Bruton, forbiddenplanet.co.ukF&P level: Y

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What’s more romantic than saying ‘I Love You’ from a galaxy far, far away?Relationships can be complex - your dad could have turned to the dark side, your partner could be a princess, or your best friend might speak in more than 7 million forms of communication and never stop talking! Whether romantic or platonic, relationships can sometimes feel like a one-way battle on another planet, with nothing but meteors crashing down to derail you from your path. Don’t worry, DK has got you covered!Introducing Star Wars™: I Love You. I Know - a fun-filled guide of lessons in relationships, friendships and more. Learn the true meaning of the powerful force of love with this light-hearted guide to love, complete with classic quotes, key characters, moving moments and more. Come fly with us, and explore: • Iconic images from the film, plus stylized illustrations and typography • Real life advice is generously sprinkled with Star Wars™ quips and tongue-in-cheek references • Covers fan favorite Star Wars™ relationships from Han and Leia, Luke and Darth Vader to Poe and Finn. This unique Star Wars™ title addresses a gap in the market, as the only book focusing on love, relationship and friendships, brought to you by all of your fan-favorite Star Wars™ characters!Proving the ideal Valentine’s Day gift for the Star Wars™ lover in your life, why not show them how much they mean to you with this all-encompassing relationship guide. © and (TM) 2020 Lucasfilm LTD.

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It's Time to Share the Dream. . .Dr. King and the men and women around him were able to change history through the power of a dream that was not rooted in mere human principles. That dream was rooted in the love of God for all his children made in his image.Share the Dream™ is a six-session video Bible study (streaming code included) based on the life and teachings of Dr. Martin Luther King, Jr. Each session revolves around one of the biblical principles that shaped Dr. King's life and motivated him to speak on behalf of African Americans in the Civil Rights Movement.Sessions and video run times: Love (24:00) Conscience (16:00) Justice (17:30) Freedom (14:30) Perseverance (15:00) Hope (17:00) Be a part of the Share the Dream™ movement that's helping a new generation understand, live, experience, and form a community around the unifying principles at the heart of the dream to which Dr. King dedicated his life.This study guide has everything you need for a full Bible study experience, including: The study guide itself—with discussion and reflection questions, video notes, and a leader's guide. An individual access code to stream all video sessions online. And the physical DVD. Streaming video access code included. Access code subject to expiration after 12/31/2028. Code may be redeemed only by the recipient of this package. Code may not be transferred or sold separately from this package. Internet connection required. Void where prohibited, taxed, or restricted by law. Additional offer details inside.

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Literary artefacts--the stories people tell, the songs they sing, the scenes they enact--are neither a by-product nor a side-issue in human culture. They provide a model of everything that cognition does. They refuse to separate thought from emotion, bodily responses from ethical reflection, perception from imagination, logic from desire. Above all, they demonstrate the essential fluidity and mobility of human cognition, its adaptive inventiveness. If we are astonished by the art of Chauvet or Lascaux as an early model of human cognition, then we should be continually astonished by what literature is and does as it reaches beyond itself to reimagine the world. This book argues that literary artefacts are quasi-autonomous living entities, fashioned to animate captured environments, embodied people and other creatures, ways of being and living that remain virtual. They own a freely delegated agency that allows them to speak to listeners and readers present and distant, present and future, adapting themselves and their meanings to whatever cognitive environment they encounter. Such an approach offers a way of linking a close attention to the specific properties of literary artefacts with the insights of cognitive anthropology and archaeology, and thus of satisfying the conditions for a properly interdisciplinary understanding of literature. It aims both to defend literary study against utilitarian and reductive arguments of all kinds and to argue that literary artefacts may give us new insights into how the mind (and its indispensable substratum, the brain) functions in the human ecology.

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Shortlisted for the 2023 Andrew Carnegie Medal for Excellence in Fiction A dazzling, debut novel-within-a-novel in the vein of The Prophets and Memorial, about a young author writing about the secret love affair between E.M. Forster and Mohammed el Adl—in which Mohammed’s story collides with his own, blending fact and fiction.In 1919, Mohammed el Adl, the young Egyptian lover of British author E. M. Forster, spent six months in a jail cell. A century later, Kip Starling has locked himself in his Brooklyn basement study with a pistol and twenty-one gallons of Poland Spring to write Mohammed’s story.Kip has only three weeks until his publisher’s deadline to immerse himself in the mind of Mohammed who, like Kip, is Black, queer, an Other. The similarities don't end there. Both of their lives have been deeply affected by their confrontations with Whiteness, homophobia, their upper crust education, and their white romantic partners. As Kip immerses himself in his writing, Mohammed’s story – and then Mohammed himself – begins to speak to him, and his life becomes a Proustian portal into Kip's own memories and psyche. Greenland seamlessly conjures two distinct yet overlapping worlds where the past mirrors the present, and the artist’s journey transforms into a quest for truth that offers a world of possibility.Electric and unforgettable, David Santos Donaldson’s tour de force excavates the dream of white assimilation, the foibles of interracial relationships, and not only the legacy of a literary giant, but literature itself.

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The life, work and history of Aphra Behn: seventeenth century dramatist, poet, novelist, political propagandist, bisexual writer, and spy. Praise for the first hardback edition: Fascinating scholarship. Todd conveys Behn's vivacious character and the mores of the time. the New York Times Ground-breakingit reads quickly and lightly. Even Todd s throwaway lines are steeped in learning and observation. Ruth Perry, MIT, Women s Review of Books A major biography; of interest to everyone who cares about women as writers. Times Higher Education Supplement Fascinating, a page-turner and a delight, an astonishingly thorough book. Emma Donoghue All women together ought to let flowers fall on the tomb of Aphra Behn...For it was she who earned them the right to speak their minds. Virginia Woolf Aphra Behn, a spy in the Netherlands and the Americas, was the first professional woman writer. The most prolific dramatist of her age, innovative novelist, translator, lyrical and erotic poet, she expresses a frank sexuality addressing impotence, orgasm and bisexuality, whilst serving as political propagandist for the monarch. This revised biography of the extraordinary, ground-breaking writer, who is emblematic of the Restoration period, a time of masks and self-fashioning, is set in conflict-ridden England, Europe, and in the mismanaged slave colonies, following the Puritan republic in 1660. Janet Todd, novelist and internationally renowned scholar, was President of Lucy Cavendish College, Cambridge, and a Professor at Rutgers, NJ. An expert on women s writing and feminism, she has published on many writers, including Jane Austen, the Shelley Circle, Mary Wollstonecraft, and Aphra Behn. "

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Does the church have a future? Across the generations troubled Christians have often asked this question. Even as early as the end of the first century the future of the church hung in the balance. False teaching, internal division and persecution were rife. Emperor Domitian had exiled the apostle John, probably in his 90s, on the island of Patmos. You can imagine John, pacing up and down the island at night, looking across the sea to the cities on the shore, wondering, `Does the church have a future?' Into this situation the Lord comes and makes these glorious revelations. He gives John this vision and tells him to write to the seven churches of Asia Minor, in the eastern part of the Roman Empire, in what is now called Turkey. To each of these churches Jesus says, `I know... I know your hopes and dreams, your faults and failings, your joys and sorrows, your temptations and frustrations.' Jesus knew each church, and so he could speak wisely and truthfully into each circumstance. He said some hard things to shake the believers out of their apathy. He also spoke words of comfort. The letter ends by pointing the believers to heaven, a reminder that despite their present struggles, ultimately they are on the victory side. Today the church still faces internal division, opposition and persecution. It is understandable that some believers ask, `Does the church have a future?' The answer is the same as it always has been. Absolutely.

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Online discourse has created a new media environment forcontributions to public life, one that challenges the socialsignificance of the role of public intellectuals—intellectualswho, whether by choice or by circumstance, offer commentary on issuesof the day. The value of such commentary is rooted in the assumptionthat, by virtue of their training and experience, intellectuals possessknowledge—that they understand what constitutes knowledge withrespect to a particular topic, are able to distinguish it from mereopinion, and are in a position to define its relevance in differentcontexts. When intellectuals comment on matters of public concern, theyare accordingly presumed to speak truth, whether they are writing booksor op-ed columns or appearing as guests on radio and television newsprograms. At the same time, with increasing frequency, discourse onpublic life is taking place online—l an environment that ischaracterized by an abundance of speakers, discussion, and access. Buthas this democratization of knowledge, as some describe it brought withit a corresponding increase in truth? Casting doubt on the assertion that online discourse, with itsproliferation of voices, will somehow yield collective wisdom, SpeakingPower to Truth raises concerns that this wealth of digitally enabledcommentary is, in fact, too often bereft of the hallmarks ofintellectual discourse: an epistemological framework and the provisionof evidence to substantiate claims. Instead, the pursuit of truth findsitself in competition with the quest for public reputation, access toinfluence, and enhanced visibility. In exploring the implications ofthe digital transition, the contributors to Speaking Power to Truthprovide both empirical evidence of, and philosophical reflection on,the current and future role of the public intellectual in atechnologically mediated public sphere.

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How do early modern media underlie today’s digital creativity? In Cut/Copy/Paste, Whitney Trettien journeys to the fringes of the London print trade to uncover makerspaces and collaboratories where paper media were cut up and reassembled into radical, bespoke publications. Bringing these long-forgotten objects back to life through hand-curated digital resources, Trettien shows how early experimental book hacks speak to the contemporary conditions of digital scholarship and publishing. As a mixed-media artifact itself, Cut/Copy/Paste enacts for readers what Trettien argues: that digital forms have the potential to decenter patriarchal histories of print.From the religious household of Little Gidding—whose biblical concordances and manuscripts exemplify protofeminist media innovation—to the queer poetic assemblages of Edward Benlowes and the fragment albums of former shoemaker John Bagford, Cut/Copy/Paste demonstrates history’s relevance to our understanding of current media. Tracing the lives and afterlives of amateur “bookwork,” Trettien creates a method for identifying and comprehending hybrid objects that resist familiar bibliographic and literary categories. In the process, she bears witness to the deep history of radical publishing with fragments and found materials.With many of Cut/Copy/Paste’s digital resources left thrillingly open for additions and revisions, this book reimagines our ideas of publication while fostering a spirit of generosity and inclusivity. An open invitation to cut, copy, and paste different histories, it is an inspiration for students of publishing or the digital humanities, as well as anyone interested in the past, present, and future of creativity.

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How do early modern media underlie today’s digital creativity? In Cut/Copy/Paste, Whitney Trettien journeys to the fringes of the London print trade to uncover makerspaces and collaboratories where paper media were cut up and reassembled into radical, bespoke publications. Bringing these long-forgotten objects back to life through hand-curated digital resources, Trettien shows how early experimental book hacks speak to the contemporary conditions of digital scholarship and publishing. As a mixed-media artifact itself, Cut/Copy/Paste enacts for readers what Trettien argues: that digital forms have the potential to decenter patriarchal histories of print.From the religious household of Little Gidding—whose biblical concordances and manuscripts exemplify protofeminist media innovation—to the queer poetic assemblages of Edward Benlowes and the fragment albums of former shoemaker John Bagford, Cut/Copy/Paste demonstrates history’s relevance to our understanding of current media. Tracing the lives and afterlives of amateur “bookwork,” Trettien creates a method for identifying and comprehending hybrid objects that resist familiar bibliographic and literary categories. In the process, she bears witness to the deep history of radical publishing with fragments and found materials.With many of Cut/Copy/Paste’s digital resources left thrillingly open for additions and revisions, this book reimagines our ideas of publication while fostering a spirit of generosity and inclusivity. An open invitation to cut, copy, and paste different histories, it is an inspiration for students of publishing or the digital humanities, as well as anyone interested in the past, present, and future of creativity.

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Why are we fascinated by mountains? These outcrops of rock were once considered unsightly, something to be avoided at all costs, but, since Rousseau, they have been contrasted with our corrupt cities and viewed as serene enclaves of beauty and relaxation. But why climb to the summit only to come back down again? Why does the toil of climbing convert into joy? What metaphysics of the absolute is playing out here – what challenge does climbing pose to time and ageing, to fearful panic, to the brush with danger which leads to conquest? It’s not faith that elevates mountains – it’s mountains that elevate our faith in challenging us to overcome them. These hooded majesties crush some people while exalting others. For the latter, climbing means being born again, reaching a state of exhilaration. Being seized by exhaustion upon arriving at the summit is akin to casting your eyes upon paradise. Is it the stinging cold, the wind so strong that it almost knocks you down, or is it higher powers that speak to us in this mixture of terror and beauty? A child of the mountains who spent his youth in Austria and Switzerland, Pascal Bruckner has special ties to the subject of this book: the further he climbs, the more he reconnects to his past. In sparkling and sensual prose, Bruckner’s paean to the majesty of mountains weaves together things seen and things read, childhood memories, literature and philosophy, interlaced with reflections on life, ageing and the unrivalled beauty of an ecosystem that we are in danger of destroying.

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Be prepared for exam day with Barron’s. Trusted content from AP experts!Barron’s AP French Language and Culture Premium, Fifth Edition includes in‑depth content review, practice, and online audio. It’s the only book you’ll need to be prepared for exam day.Written by Experienced Educators Learn from Barron’s‑‑all content is written and reviewed by AP experts Build your understanding with comprehensive review tailored to the most recent exam Get a leg up with tips, strategies, and study advice for exam day‑‑it’s like having a trusted tutor by your side Be Confident on Exam Day Sharpen your test‑taking skills with 3 full‑length practice tests‑‑2 in the book and 1 more online–plus detailed answer explanations for all questions Boost your confidence by reviewing helpful strategies for answering all multiple-choice question types on the exam Reinforce your learning by tackling sample reading selections and practice multiple-choice questions, all grouped by key themes and accompanied by answers and explanations Strengthen your ability to write and speak French with advice for writing email replies, and argumentative essays, carrying on a conversation, and making cultural comparisons Robust Online Audio and Practice Continue your practice with a full‑length practice test on Barron’s Online Learning Hub Simulate the exam experience with a timed test option Deepen your understanding with detailed answer explanations and expert advice Gain confidence with scoring to check your learning progress Familiarize yourself with spoken French by listening to authentic French audio passages and following along audioscripts in the book

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All Future Plunges to the Past explores how Russian writers from the mid-1920s on have read and responded to Joyce's work. Through contextually rich close readings, José Vergara uncovers the many roles Joyce has occupied in Russia over the last century, demonstrating how the writers Yury Olesha, Vladimir Nabokov, Andrei Bitov, Sasha Sokolov, and Mikhail Shishkin draw from Joyce's texts, particularly Ulysses and Finnegans Wake, to address the volatile questions of lineages in their respective Soviet, émigré, and post-Soviet contexts. Interviews with contemporary Russian writers, critics, and readers of Joyce extend the conversation to the present day, showing how the debates regarding the Irish writer's place in the Russian pantheon are no less settled one hundred years after Ulysses. The creative reworkings, or "translations," of Joycean themes, ideas, characters, plots, and styles made by the five writers Vergara examines speak to shifting cultural norms, understandings of intertextuality, and the polarity between Russia and the West. Vergara illuminates how Russian writers have used Joyce's ideas as a critical lens to shape, prod, and constantly redefine their own place in literary history. All Future Plunges to the Past offers one overarching approach to the general narrative of Joyce's reception in Russian literature. While each of the writers examined responded to Joyce in an individual manner, the sum of their methods reveals common concerns. This subject raises the issue of cultural values and, more importantly, how they changed throughout the twentieth century in the Soviet Union, Russian emigration, and the post-Soviet Russian environment.

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A unique and gentle art-therapy-based book to help children come to terms with their sadness through creativityPicturing My Sadness encourages children to become 'sadness artists', using their amazing minds to get to know and show their sadness. Children are asked to think about the colours, textures and shapes that express the look and feel of sadness to them. Children consider and recognise how they act when they're sad and how they can 'speak' about sadness through art if finding words is hard. At the end of the book, children have a set of self-made resources to use again and again when they need a reminder of their creative coping skills.All the Colours of Me is a series of books written by Art Psychotherapist and Mindfulness Practitioner, Anna Shepherd. The series addresses key emotions in the life of a child through safe and gentle creative engagement. Each books includes a guide for adults, a glossary of key terms and further resources for supporting children's emotional health, for age 5 and up.Contents of Picturing My Sadness:LISTENING TO SADNESSART-MAKING CAN HELP SADNESS IS ... SADNESS FEELS LIKE SADNESS LOOKS LIKE SADNESS ACTS LIKESHADES OF SADNESS SPEAKING OF SADNESS CAN'T STOP THE SADNESS?PRACTISING SADNESSYOU ARE A SADNESS ARTIST!KEY TERMS AND FURTHER RESOURCESA GUIDE FOR ADULTS HELPFUL CONTACTS Books included in the series:Picturing My SadnessPicturing My WorryPicturing My AngerPicturing My HappinessPicturing My ResiliencePicturing My Gratitude

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A positive and proactive book that helps you understand and cope with relationships.There's two sides to every story. In Relationships, you will read two sides to the dilemmas, sticky situations or issues that children sometimes have to face when interacting with others. Relationships tackles situations including: parents not trusting you, sibling conflicts, stepfamilies, evolving friendships, peer pressure and frenemies. The book is structured to help readers see that problems might look different depending on your perspective. This book gently encourages children to be proactive in speaking up and asking for help, both for themselves and others.It shows some simple ways to positively resolve situations, deal with their emotions and maybe even change their mind.The book includes top tips for dealing with your emotions and conflict resolution.The A Problem Shared series looks at tricky situations and common problems from two sides. The books encourage the reader to not only speak out, but also to listen to what others have to say. Some of the core values of PSHE are empathy, mindfulness and engaging with debate and this series puts the reader firmly in the middle, allowing them to make up their own mind about the scenarios presented and to question their own initial assumptions or bias.Perfect resources for students of PSHE at Key Stage 2 aged 9+, these books are also useful as opportunities for discussion topics in class or as role play situations.Title in this series are:BullyingDeathMental HealthPrejudiceRelationshipsSocial Media

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A bisexual girl who gives anonymous love advice to her school friends is hired by the hot new kid to help him get his ex back. Leah on the Offbeat meets To All the Boys I've Loved Before - the new queer YA rom-com from Sophie Gonzales.'Perfectly wonderful' - Becky Albertalli, New York Times bestselling author of Simon vs. the Homo Sapiens Agenda Her advice, spot on. Her love life, way off. Darcy Phillips: Can give you the solution to any of your relationship woes - for a fee. Uses her power for good. Most of the time. Really cannot stand the new Australian jock at school, Alexander Brougham. Has maybe not the best judgement when it comes to her best friend, Brooke...who is in love with someone else. Does not appreciate being blackmailed. But when Brougham catches Darcy in the act of collecting letters from locker 89 - out of which she's been running her questionably legal, anonymous relationship advice service - that's exactly what happens. In exchange for keeping her secret, Darcy begrudgingly agrees to become his personal dating coach. The goal? To help him win his ex-girlfriend back. Darcy has good reason to keep her identity secret. If word gets out that she's behind the locker, some things she's not proud of will come to light, and there's a good chance Brooke will never speak to her again. Okay, so all she has to do is help an entitled, bratty, (annoyingly hot) guy win over a girl who's already fallen for him once? What could possibly go wrong?

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Poetry is an ideal artistic medium for expressing the fear, sorrow, and triumph of revolutionary times. Words of Protest, Words of Freedom is the first comprehensive collection of poems written during and in response to the American civil rights struggle of 1955–75. Featuring some of the most celebrated writers of the twentieth century—including Maya Angelou, Amiri Baraka, Gwendolyn Brooks, Allen Ginsberg, Robert Lowell, and Derek Walcott—alongside lesser-known poets, activists, and ordinary citizens, this anthology presents a varied and vibrant set of voices, highlighting the tremendous symbolic reach of the civil rights movement within and beyond the United States.Some of the poems address crucial movement-related events—such as the integration of the Little Rock schools, the murders of Emmett Till and Medgar Evers, the emergence of the Black Panther party, and the race riots of the late 1960s—and key figures, including Martin Luther King Jr., Malcolm X, and John and Robert Kennedy. Other poems speak more broadly to the social and political climate of the times. Along with Jeffrey Lamar Coleman's headnotes, the poems recall the heartbreaking and jubilant moments of a tumultuous era. Altogether, more than 150 poems by approximately 100 poets showcase the breadth of the genre of civil rights poetry.Selected contributors. Maya Angelou, W. H. Auden, Amiri Baraka, Gwendolyn Brooks, Lucille Clifton Lawrence Ferlinghetti, Allen Ginsberg, Langston Hughes, June Jordan, Philip Levine, Audre Lorde, Robert Lowell, Pauli Murray, Huey P. Newton, Adrienne Rich, Sonia Sanchez, Léopold Sédar Senghor, Derek Walcott, Alice Walker, Yevgeny Yevtushenko

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We are accustomed to thinking of torture as the purposeful infliction of cruelty by public officials, and we assume that lawyers and clinicians are best placed to speak about its causes and effects. However, it has not always been so. The category of torture is a very specific way of thinking about violence, and our current understandings of the term are rooted in recent twentieth-century history. In This Side of Silence, social anthropologist Tobias Kelly argues that the tensions between post-Cold War armed conflict, human rights activism, medical notions of suffering, and concerns over immigration have produced a distinctively new way of thinking about torture, which is saturated with notions of law and trauma. This Side of Silence asks what forms of suffering and cruelty can be acknowledged when looking at the world through the narrow legal category of torture. The book focuses on the recent history of Britain but draws wider comparative conclusions, tracing attempts to recognize survivors and perpetrators across the fields of asylum, criminal law, international human rights, and military justice. In this thorough and eloquent ethnography, Kelly avoids treating the legal prohibition of torture as the inevitable product of progress and yet does not seek to dismiss the real differences it has made in concrete political struggles. Based on extensive archival research and ethnographic fieldwork, the book argues that the problem of recognition rests not in the inability of the survivor to communicate but in our inability to listen and take responsibility for the injustice before us.

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This book tells the story of how small farmers responded to a free-market onslaught that devastated one of the Western Hemisphere’s most advanced social-democratic welfare states. In the early 1980s, the Latin American debt crisis struck Costa Rica, leading to major cutbacks in the social programs that had permitted the rural poor to attain an acceptable standard of living and a modicum of dignity. Peasants were in the forefront of movements against these cutbacks, marching, blocking highways, and occupying government buildings. In the struggle to preserve their livelihood, the rural poor also formed alliances with wealthy farmers, negotiated with politicians, and embraced and then repudiated charismatic outsiders who came to live among them and to speak in their name. These rural activists combined class-bound politics with concerns about threatened peasant identities, practical analysis with sentimentality, grassroots democracy with conspiratorial secrecy, and selfless sacrifice with opportunism. The small farmers portrayed in this book are worldly, outspoken, exuberant, future-oriented, and fiercely proud. They could hardly be less like the unsophisticated and stoic rustics so prominent in the development literature or those contemporary peasants whose imminent disappearance is endlessly predicted by both right- and left-wing social scientists. The author argues that the experience of rural activism in Costa Rica in the 1980s and 1990s calls into question much current theory about collective action, peasantries, development, and ethnographic research. The book invites the reader to rethink debates about old and new social movements and to grapple with the ethical and methodological dilemmas of engaged ethnography.

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An entertaining and enlightening collection of ancient writings about the philosophers who advocated simple living and rejected unthinking conformityThe Cynics were ancient Greek philosophers who stood athwart the flood of society’s material excess, unexamined conventions, and even norms of politeness and thundered “No!” Diogenes, the most famous Cynic, wasn’t shy about literally extending his middle finger to the world, expressing mock surprise that “most people go crazy over a finger.” When asked why he was called Diogenes the Dog, he replied “because I fawn on those who give, I bark at those who don’t, and I bite scoundrels.” How to Say No is a delightful collection of brief ancient writings about Cynicism that captures all the outrageousness, wit, and wisdom of its remarkable cast of characters—from Diogenes in the fourth century BCE to the column-stander Symeon Stylites in late antiquity.With their “less is more” approach to life, the Cynics speak urgently to our world of climate change, economic uncertainty, and psychic malaise. Although the Cynics weren’t writers, their memorable utterances and behavior were recorded by their admirers and detractors, and M. D. Usher offers fresh new translations of appealing selections from this body of writing—ranging from street sermons and repartee to biography and snapshots of Cynics in action.Complete with introductions to the volume and each selection as well as the original Greek and Latin on facing pages, this lively book demonstrates why the Cynics still retain their power to surprise us and make us laugh—and to make us think and question how we live.

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A reexamination of Austen’s unpublished writings that uncovers their continuity with her celebrated novels—and that challenges distinctions between her “early” and “late” workJane Austen’s six novels, published toward the end of her short life, represent a body of work that is as brilliant as it is compact. Her earlier writings have routinely been dismissed as mere juvenilia, or stepping stones to mature proficiency and greatness. Austen’s first biographer described them as “childish effusions.” Was he right to do so? Can the novels be definitively separated from the unpublished works? In Jane Austen, Early and Late, Freya Johnston argues that they cannot.Examining the three manuscript volumes in which Austen collected her earliest writings, Johnston finds that Austen’s regard and affection for them are revealed by her continuing to revisit and revise them throughout her adult life. The teenage works share the milieu and the humour of the novels, while revealing more clearly the sources and influences upon which Austen drew. Johnston upends the conventional narrative, according to which Austen discarded the satire and fantasy of her first writings in favour of the irony and realism of the novels. By demonstrating a stylistic and thematic continuity across the full range of Austen’s work, Johnston asks whether it makes sense to speak of an early and a late Austen at all.Jane Austen, Early and Late offers a new picture of the author in all her complexity and ambiguity, and shows us that it is not necessarily true that early work yields to later, better things.

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This book explores one of the great questions of our time: How can we preserve our sense of what it means to be a person while at the same time accepting what science tells us to be true--namely, that human nature is continuous with the rest of nature? What, in other words, does it mean to be a person in a world of things? Alan Mittleman shows how the Jewish tradition provides rich ways of understanding human nature and personhood that preserve human dignity and distinction in a world of neuroscience, evolutionary biology, biotechnology, and pervasive scientism. These ancient resources can speak to Jewish, non-Jewish, and secular readers alike. Science may tell us what we are, Mittleman says, but it cannot tell us who we are, how we should live, or why we matter. Traditional Jewish thought, in open-minded dialogue with contemporary scientific perspectives, can help us answer these questions. Mittleman shows how, using sources ranging across the Jewish tradition, from the Hebrew Bible and the Talmud to more than a millennium of Jewish philosophy. Among the many subjects the book addresses are sexuality, birth and death, violence and evil, moral agency, and politics and economics. Throughout, Mittleman demonstrates how Jewish tradition brings new perspectives to--and challenges many current assumptions about--these central aspects of human nature. A study of human nature in Jewish thought and an original contribution to Jewish philosophy, this is a book for anyone interested in what it means to be human in a scientific age.

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When facing a moral dilemma, Isabel Dalhousie--Edinburgh philosopher, amateur detective, and title character of a series of novels by best-selling author Alexander McCall Smith--often refers to the great twentieth-century poet W. H. Auden. This is no accident: McCall Smith has long been fascinated by Auden. Indeed, the novelist, best known for his No. 1 Ladies Detective Agency series, calls the poet not only the greatest literary discovery of his life but also the best of guides on how to live. In this book, McCall Smith has written a charming personal account about what Auden has done for him--and what he just might do for you. Part self-portrait, part literary appreciation, the book tells how McCall Smith first came across the poet's work in the 1970s, while teaching law in Belfast, a violently divided city where Auden's "September 1, 1939," a poem about the outbreak of World War II, strongly resonated. McCall Smith goes on to reveal how his life has related to and been inspired by other Auden poems ever since. For example, he describes how he has found an invaluable reflection on life's transience in "As I Walked Out One Evening," while "The More Loving One" has provided an instructive meditation on unrequited love. McCall Smith shows how Auden can speak to us throughout life, suggesting how, despite difficulties and change, we can celebrate understanding, acceptance, and love for others. An enchanting story about how art can help us live, this book will appeal to McCall Smith's fans and anyone curious about Auden.

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Mock trial—Roman style.The Major Declamations stand out for their unique contribution to our understanding of the final stage in Greco-Roman rhetorical training. These exercises, in which students learned how to compose and deliver speeches on behalf of either the prosecution or the defense at imaginary trials, demonstrate how standard themes, recurring situations and arguments, and technical rules were to be handled by the aspiring orator. And what is more, they lay bare the mistakes that students often made in this process.Declamation was practiced in the ancient world from as early as the fifth century BC, but most of its vast tradition has disappeared. The surviving material is mainly in Greek, from the second century AD onward. In Latin the nineteen declamations in the present anthology are by far the most important evidence. In antiquity they were attributed to Quintilian, but they are now thought to be the work of several authors and to date from around AD 100 to the mid- or late third century.A wide variety of fascinating ethical, social, and legal details animates the fictional world conjured up by these oratorical exercises, and although the themes of declamation can be unrealistic and even absurd (often reminiscent of ancient novel and tragedy), they seem to provide a safe space in which a student could confront a range of complex issues, so as to attain both the technical knowledge necessary to speak persuasively and the soft skills needed to manage the challenges of adult life under the Roman empire.

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“Original and revelatory.”—David Blight, author of Frederick DouglassAvery O. Craven Award FinalistA Civil War Memory/Civil War Monitor Best Book of the YearIn April 1865, Robert E. Lee wrote to Ulysses S. Grant asking for peace. Peace was beyond his authority to negotiate, Grant replied, but surrender terms he would discuss. The distinction proved prophetic.After Appomattox reveals that the Civil War did not end with Confederate capitulation in 1865. Instead, a second phase of the war began which lasted until 1871—not the project euphemistically called Reconstruction, but a state of genuine belligerence whose mission was to shape the peace. Using its war powers, the U.S. Army oversaw an ambitious occupation, stationing tens of thousands of troops in outposts across the defeated South. This groundbreaking history shows that the purpose of the occupation was to crush slavery in the face of fierce and violent resistance, but there were limits to its effectiveness: the occupying army never really managed to remake the South.“The United States Army has been far too neglected as a player—a force—in the history of Reconstruction… Downs wants his work to speak to the present, and indeed it should.”—David W. Blight, The Atlantic“Striking… Downs chronicles…a military occupation that was indispensable to the uprooting of slavery.”—Boston Globe“Downs makes the case that the final end to slavery, and the establishment of basic civil and voting rights for all Americans, was ‘born in the face of bayonets.’ …A remarkable, necessary book.”—Slate

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A human rights lawyer travels to hot zones around the globe, before and after the September 11 attacks, to document abuses committed by warlords, terrorist groups, and government counterterrorism forces. Whether reporting on al Qaeda safe houses, the mechanics of the Pentagon’s smartest bombs, his interviews with politicians and ordinary civilians, or his own brush with death outside Kabul, John Sifton wants to help us understand violence—what it is, and how we think and speak about it.For the human rights community, the global war on terror brought unprecedented challenges. Of special concern were the secret detention centers operated by the CIA as it expanded into a paramilitary force, and the harsh treatment of prisoners throughout Iraq and Afghanistan. In drafting legal memoranda that made domestic prosecution for these crimes impossible, Sifton argues, the United States possessed not only the detainees but the law itself. Sifton recounts his efforts to locate secret prisons and reflects on the historical development of sanctioned military or police violence—from hand-to-hand combat to the use of drones—and the likelihood that technology will soon enable completely automated killing.Sifton is equally concerned to examine what people have meant by nonviolent social change, and he asks whether pure nonviolence is ever possible. To invoke rights is to invoke the force to uphold them, he reminds us. Ultimately, advocates for human rights can only shame the world into better behavior, and their work may involve advocating the very violence they deplore.

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Critic, poet, editor, chronicler of the “lost generation,” and elder statesman of the Republic of Letters, Malcolm Cowley (1898–1989) was an eloquent witness to much of twentieth-century American literary and political life. These letters, the vast majority previously unpublished, provide an indelible self-portrait of Cowley and his time, and make possible a full appreciation of his long and varied career.Perhaps no other writer aided the careers of so many poets and novelists. Faulkner, Fitzgerald, Hemingway, Kerouac, Tillie Olsen, and John Cheever are among the many authors Cowley knew and whose work he supported. A poet himself, Cowley enjoyed the company of writers and knew how to encourage, entertain, and when necessary scold them. At the center of his epistolary life were his friendships with Kenneth Burke, Allen Tate, Conrad Aiken, and Edmund Wilson. By turns serious and thoughtful, humorous and gossipy, Cowley’s letters to these and other correspondents display his keen literary judgment and ability to navigate the world of publishing.The letters also illuminate Cowley’s reluctance to speak out against Stalin and the Moscow Trials when he was on staff at The New Republic—and the consequences of his agonized evasions. His radical past would continue to haunt him into the Cold War era, as he became caught up in the notorious “Lowell Affair” and was summoned to testify in the Alger Hiss trials.Hans Bak supplies helpful notes and a preface that assesses Cowley’s career, and Robert Cowley contributes a moving foreword about his father.

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Shortlisted for the 2016 T. S. Eliot Prize, this new collection of expert lyric poems from Whitbread Poetry Award winner Bernard O'Donoghue movingly animates the scenery and characters of his childhood in County Cork. The mythologies of family are here: the relative who maybe emigrated to America to be 'set upon at his arrival / for the few pounds sewn inside his coat'; the memory of 'Barty, a hopeless speller', caned so hard he dances; the big top come to the town park; the stolen apples raided from the orchard near the old school. Here too are the collective myths, the groundwater of older texts - Virgil's Aeneid, the Riddles of the Exeter Book, Dante's Purgatorio, the lives of the ancients and the gods - all of which in O'Donoghue's dexterous and discerning care reach forward from their long-ago origins to echo down our own lives.Many of these poems speak in elegy: for Connolly's Bookshop - closed down and mourned - or for lost friends; for the nostalgic places to which one cannot return, the field-corners and long roads of the deep past: 'So wistful is the recognition now / of the places that I hardly noted'.The stunning title piece, and the deft and poignant poems that make up this collection, will confirm O'Donoghue's place as one of the most approachable and agile voices in contemporary Irish and British poetry.'I'm fascinated by O'Donoghue's wry vision, his infinitely gentle manner of displacing our more predictable reactions to things as they are so that we glimpse their underlying tragedy.' Tom Paulin

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When a tornado rips through town, twelve-year-old Ivy Aberdeen's house is destroyed and her family of five is displaced. Ivy feels invisible and ignored in the aftermath of the storm--and what's worse, her notebook filled with secret drawings of girls holding hands with girls has gone missing.Mysteriously, Ivy's drawings begin to reappear in her locker with notes from someone telling her to speak openly about her identity. Ivy thinks--and hopes--that this someone might be her classmate, another girl for whom Ivy has begun to develop feelings.Spoiler: In the end, the drawings and messages are being sent by Ivy's best friend, Taryn, and unfortunately the girl Ivy has feelings for doesn't return them--but the novel ends on a tone of hope for Ivy and her identity.Titles featuring prominent LGBTQ characters have been gradually finding their way to the young adult shelves--but even rarer are middle grade books featuring LGBTQ protagonists. The fact that middle grade books such as George, Gracefully Grayson, and Better Nate Than Ever have main characters who are LGBTQ has gained each title widespread attention; and Ivy Aberdeen's Letter to the World helps to fill an even rarer category still: lesbian characters in middle grade. Ivy Aberdeen has the potential to be positioned as one of the few LGBTQ middle grade books pushing for more diversity on the shelves.This sweet, tender novel has a strong voice in the vein of The Thing About Jellyfish, strong potential for the School & Library market, and is an award contender.

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In Interpreting Interpretation, William E. Rogers searches for a model for literary education. This model should avoid both of two undesirable alternatives. First, it should not destroy any notion of discipline in the traditional sense, terminating in the stance of Rorty's "liberal ironist." Second, it should not regard literary education as an attempt to cause students to ingest a pre-determined mix of facts and cultural values, terminating in the stance of E. D. Hirsch's "cultural literate." From the semiotics of C. S. Peirce, Rogers develops the notion of interpretive system. The interpretive system called textual hermeneutics is used to interpret interpretation. From that perspective, the world looks like a text. Applying the principle rigorously allows an articulation of the problematic relations among interpretation, philosophy, and language itself. Interpreting Interpretation clarifies the conception of textual hermeneutics as an ascetic discipline by showing the consequences of this conception for interpreting canonical texts and for humanities education in general. Discussions of poetry by Robert Frost and by John Ashbery illustrate how this conception applies to an analysis of literary texts. Ultimately, the book offers a Peircean alternative to the educational theories implied in the pragmatism of John Dewey and of Richard Rorty. Rogers provides a new vocabulary for talking about what people are doing when they read, write, speak, and hear interpretive statements about texts. The new vocabulary acknowledges the great difficulty of "teaching texts" in the face of postmodern anxieties about pluralism, relativism, or nihilism. What emerges is not curriculum but method—an argument that the humanities teach not texts but interpretive systems.

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The saints are good company. They are the heroes of the faith who blazed new and creative paths to holiness; they are the witnesses whose testimonies echo throughout the ages in the memory of the Church. Most Christians, and particularly Catholics, are likely to have their own favorite saints, those who inspire and “speak” to believers as they pray and struggle through the challenges of their own lives. Leonard DeLorenzo’s book addresses the idea of the communion of saints, rather than individual saints, with the conviction that what makes the saints holy and what forms them into a communion is one and the same. Work of Love investigates the issue of communication within the communio sanctorum and the fullness of Christian hope in the face of the meaning—or meaninglessness—of death. In an effort to revitalize a theological topic that for much of Catholic history has been an indelible part of the Catholic imaginary, DeLorenzo invokes the ideas of not only many theological figures (Rahner, Ratzinger, Balthasar, and de Lubac, among others) but also historians, philosophers (notably Heidegger and Nietzsche), and literary figures (Rilke and Dante) to create a rich tableau. By working across several disciplines, DeLorenzo argues for a vigorous renewal in the Christian imagination of the theological concept of the communion of saints. He concludes that the embodied witness of the saints themselves, as well as the liturgical and devotional movements of the Church at prayer, testifies to the central importance of the communion of saints as the eschatological hope and fulfillment of the promises of Christ.

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“Smart and funny, The Baby Plan is irresistible! A winner.” -Susan Mallery, #1 New York Times bestselling authorIn The Lizzie Bennet Diaries creator Kate Rorick’s first adult fiction novel, we enter the wild, bewildering world of modern pregnancies. You’ll laugh, you’ll cry, you’ll shake your head as you wonder where everyone’s sanity went... Meet the mothers…Nathalie Kneller: Nathalie’s plan: to announce her pregnancy now that she’s finally made it past twelve weeks! But just as she’s about to deliver (so to speak) the big news to her family, her scene-stealing sister barfs all over the Thanksgiving centerpiece. Yup, Lyndi’s pregnant too, swiping the spotlight once more… Lyndi Kneller: Lyndi’s plan: finally get her life together! She’s got a new apartment, new promotion, new boyfriend. What she didn’t count on—a new baby! She can barely afford her rent, much less a state-of-the-art stroller…Sophia Nunez: Sophia’s plan: Once she gets her daughter Maisey off to college, she’ll finally be able to enjoy life as make-up artist to one of Hollywood’s biggest stars, and girlfriend to one of rock’s hottest musicians. But after 18 years she discovers the stork is once again on its way…Now these women are about to jump headlong into the world of modern day pregnancy. It’s a world of over the top gender reveal parties (with tacky cakes and fireworks); where every morsel you eat is scrutinized and discussed; where baby names are crowd-sourced and sonograms are Facebook-shared. And where nothing goes as planned...

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A BBC RADIO 4 BOOK OF THE WEEK ‘Esther Safran Foer has written of her family in a way that is both uniquely and heartbreakingly her story and a deeply important testament for Ashkenazi Jews. Her memories are our important history.’ Robert Peston, ITV Political Editor A moving and powerful inter-generational memoir about story and memory. Mine is a family of readers and writers. Our house is filled with books. There are contemporary design books on the coffee table in the living room, legal books in my husband’s home office, and piles of children’s books for when my grandchildren visit. However, the side table next to my bed is piled with books about the Holocaust. Framed maps of shtetls line my office walls and pictures of relatives killed in the Holocaust are displayed on our family gallery walls. Sometimes I feel like I exist across two polarized realities, experiencing great fulfillment from family, friends, and a meaningful career, and, at the same time, finding the joy of my life tempered by its shadows. In the darker corners of my mind live ghosts and demons who visit me from the shtetls in Ukraine where my family came from. Some of the details that make these visions so vivid are imagined because I grew up in a family where memories were too terrible to speak of. This is the true story of four generations who have been dealing with the Holocaust and its aftermath. We are four generations, survivors and survivors of survivors, storytellers and memory keepers. And we’re still here.

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The corpus of astrological material ascribed to the Egyptian priest Manetho consists of six books of poetry. This book serves as the companion to the one published by OUP in 2020, which was the first commentary in any language on the earliest three books of Manetho's poetry (two, three, and six as they appear in the manuscript). This volume supplies the remainder (books four, one, and five). Manetho was credited with a series of didactic poems which list outcomes for planetary set-ups in a birth chart. The books covered in this volume are not as easily dated as those in the first volume, but the most recent is probably no later than the fourth century and they are still Egyptian. As in the first volume, their descriptions of the kinds of person who are born under happy and unhappy configurations of stars speak to the lived realities, aspirations, and fears of the astrologer's clientele. Unlike in the first volume, however, the individual books treated here have different authors, and there is more emphasis on profiling individual poets in terms of style, metre, and mannerisms. As in the first volume, there is a Greek text with English translation and an apparatus with parallel material to enable comparison with related works. But this volume pays more attention to the transmission of traditional material from one author to another, and to the special approach required of an editor of material which, being in practical use, circulated in unstable and minutely-varying textual forms.

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‘I tried to contact my own GP last week. I counted 19 redials and 20 minutes on hold before I was able to speak to a receptionist… only to be told that all the appointments for the day had gone. My experience echoes a familiar tale told up and down the country, but just why is it that you can’t see your GP anymore? This book provides some answers to that question…’ UK general practice has reached crisis point. The impact of the Covid-19 pandemic has placed a strain on an already crumbling primary care service, leaving both patients and NHS staff struggling. Seventy-five years after the NHS was created, Dr Ellen Welch lifts the curtain on general practice. She looks back on the history of the profession exploring how the job has changed– particularly since the pandemic – then ahead to what the future of general practice might look like. Why Can’t I See My GP features personal accounts from practicing GPs, including Dr Aman Amir, whose surgery was subject to an arson attack; GP leaders Dr David Wrigley, Dr Lizzie Toberty and Dr Paul Evans, alongside commentator Roy Lilley, and bereaved husband Chris Milligan. Those on the frontline try to answer the question: how did we get here? Is it better overseas? And what can be done to make things better for us all in the future? If you’ve ever found yourself frustrated by the length of time it took to get a GP appointment, then this book is for you.

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"Don't be so shy", "be louder", " speak up more" - say the people who don't get what it means to be an introvert. If you've had enough of feeling under pressure, uncomfortable and put on the spot, it's time to stop ignoring your emotions. Create a life that supports your needs instead of forcing yourself to match the world's expectations. You can grow, lead, and succeed as an introvert without changing who you are. Whether it's starting a business, getting a promotion, embarking on an adventure, or just feeling happier every day - whatever you want to achieve is well within your grasp. High Performance Coach Andreea Sandu is just like you -- an introvert. But instead of changing who she is, she's built a life that nurtures her personality. And using a unique blend of personal stories, practical tools, powerful mindsets, and enlightening fresh perspectives, you'll discover how to do the same for you. The Introvert Who Could is your guide to stopping overthinking, building routines that will help you recharge, and developing your social skills. And if you cringe at the idea of saying no, asking for favours, introducing yourself to people or talking on the phone, you'll learn how to do them confidently. (Except talking on the phone! Everyone should text, right?) You may be quiet. But behind what others perceive as shy, is a brilliant mind with a wealth of talent, creativity, and courage. Lets bring all your qualities out into the world in ways you'll love - without fear, overwhelm, or procrastination.

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Pink is one of the most trailblazing artists of our time. Her breakthrough album, Missundaztood, was released to critical acclaim in 2001 and showcased her unique, powerhouse pop vocals, as well as her rebellious style. In the two decades since, she has remained firmly in pop’s upper echelons, despite her refusal to conform. She consistently out-sings her contemporaries with hit songs such as, “Get the Party Started,” “Just Like a Pill,” “So What,” “What About Us,” and “Beautiful Trauma,” while her willingness to speak frankly about difficult topics has made her a relatable role model. She is an outspoken animal rights activist, and has been vocal about women’s rights, LGBT rights, and her support of same-sex marriage. Away from the studio, Pink’s live shows are nothing short of phenomenal; her jaw-dropping acrobatics mark her out as a truly spectacular performer. Loved by fans and revered by the music industry, Pink continues to enjoy global success and substantial airplay. Her accolades are numerous and include, three Grammys, a Daytime Emmy Award, and seven MTV Video Music Awards—the prestigious Michael Jackson Video Vanguard Award among them. In 2019, she was honoured with the Outstanding Contribution to Music Award at the Brit Awards, and in 2021 she accepted the Icon Award at the 2021 Billboard Music Awards. Pink: Raise Your Glass is a celebration of one of pop’s longest reigning rebels. Beautifully illustrated with essential images, this book is a fitting tribute to an undeniably, remarkable pop artist.

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Over the past thirty years, as Wesley J. Smith details in his latest book, the concept of animal rights has been seeping into the very bone marrow of Western culture. One reason for this development is that the term "animal rights" is so often used very loosely, to mean simply being nicer to animals. But although animal rights groups do sometimes focus their activism on promoting animal welfare, the larger movement they represent is actually advancing a radical belief system. For some activists, the animal rights ideology amounts to a quasi religion, one whose central doctrine declares a moral equivalency between the value of animal lives and the value of human lives. Animal rights ideologues embrace their beliefs with a fervor that is remarkably intense and sustained, to the point that many dedicate their entire lives to "speaking for those who cannot speak for themselves." Some believe their cause to be so righteous that it entitles them to cross the line from legitimate advocacy to vandalism and harassment, or even terrorism against medical researchers, the fur and food industries, and others they accuse of abusing animals. All people who love animals and recognize their intrinsic worth can agree with Wesley J. Smith that human beings owe animals respect, kindness, and humane care. But Smith argues eloquently that our obligation to humanity matters more, and that granting "rights" to animals would inevitably diminish human dignity. In making this case with reason and passion, A Rat Is a Pig Is a Dog Is a Boy strikes a major blow against a radically antihuman dogma.

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A unique and gentle art-therapy-based book to help children come to terms with their worry through creativityPicturing My Worry encourages children to become 'worry artists', using their amazing minds to get to know and show their worries. Children are asked to think about the colours, textures and shapes that express the look and feel of worry to them. Children consider and recognise how they act when they're worried and how they can 'speak' about worry through art if finding words is hard. At the end of the book, children have a set of self-made resources to use again and again when they need a reminder of their creative coping skills.All the Colours of Me is a series of books written by Art Psychotherapist and Mindfulness Practitioner, Anna Shepherd. The series addresses key emotions in the life of a child through safe and gentle creative engagement. Each books includes a guide for adults, a glossary of key terms and further resources for supporting children's emotional health, for age 5 and up.Contents of Picturing My Worry:LISTENING TO WORRYART-MAKING CAN HELP WORRY IS ... WORRY FEELS LIKE WORRY LOOKS LIKE WORRY ACTS LIKESHADES OF WORRYSPEAKING OF WORRYCAN'T STOP THE WORRY?PRACTISING WORRYYOU ARE A WORRY ARTIST!KEY TERMS AND FURTHER RESOURCESA GUIDE FOR ADULTS HELPFUL CONTACTS Books included in the series:Picturing My SadnessPicturing My WorryPicturing My AngerPicturing My HappinessPicturing My ResiliencePicturing My Gratitude

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Nathan Silverman grew up in Berlin in the 1920s, the son of a homemaker and a theoretical physicist. His idyllic childhood was soon marred by increasing levels of bigotry against his family and the rest of the Jewish community, and after his uncle is arrested on Kristallnacht, he leaves Germany for New York City with only his mother’s wedding ring to sell for survival. While attending an evening course at Columbia in 1941, Nathan notices a recruitment poster on a university wall and decides to enlist in the military and help fight the Nazi regime. To his surprise, he is quickly selected for a special assignment; he is trained as a spy, and ordered to report to the Manhattan Project. There he learns that the Allies are racing to develop a nuclear weapon before the Nazis, and a German theoretical physicist is hoping to defect. The physicist was a friend of his father's, and Nathan's mission is to return to Berlin via France and smuggle him out of Europe. Nathan will be accompanied by Dr. Allison Fisher, a brilliant young scientist who can speak French; he travels to her lab at the University of Chicago for a crash course in nuclear physics, then they embark on their adventure. Nathan and Allison soon develop feelings for one another, but as their relationship deepens they move ever closer to their dangerous goal. Will they be able to escape Europe with the defector and start a new life together, or will they fail their mission and become two more casualties of war?

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Most supermarket mushrooms are bland and boring; products of an industrial process which typically relies on expensive equipment and harmful pesticides. Many people would like to add more flavorful and diverse fungi to their diets, but lack the knowledge or confidence to gather or grow their own. Do-it-yourself cultivation is a fun, exciting way to incorporate a variety of mushrooms into a sustainable lifestyle. Mycelial Mayhem is a straightforward, no-nonsense resource for the aspiring mushroom grower. This practical guide cuts through much of the confusion surrounding methods and techniques, helping the hobbyist or farmer to: Select regionally appropriate species for the home garden, farm-scale production, or an edible landscape Practice sustainable, environmentally friendly cultivation techniques, such as companion planting, to combat common garden pests and diseases Choose a successful, proven business approach to maximize profit and minimize frustration Many people find that DIY mushroom cultivation is not nearly as complicated as they expect, but a knowledgeable and experienced mentor is crucial to success. Whether your goal is to harvest homegrown gourmet mushrooms for your table, supplement your income by selling to friends and neighbors, or start a full-fledged niche business, Mycelial Mayhem is packed with the advice and resources you need to succeed with this rewarding and valuable crop. David Sewak and Kristin Sewak are avid growers of edible mushrooms, heirloom vegetables, native landscape plants and sustainable landscape design. They speak on mushroom gathering and indoor and outdoor cultivation techniques at regional and national green living events.

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You know the doctrines, but are they biblical? Too often, Christians are content to state a doctrine, list a few supporting Bible passages, and proceed on to the next. But are these doctrines truly derived from the Bible, or are we slotting verses into our pre-determined theological grids? In Church Doctrine and the Bible, biblical scholar David Instone-Brewer applies his expertise in first-century backgrounds and culture to popular Christian doctrines. Peeling away thousands of years of theological development reveals how the Bible's original hearers would have understood these doctrines and helps us resolve some of our doctrinal disputes and misunderstandings. Through this process, Instone-Brewer answers the question, "is this doctrine biblical?" Church Doctrine and the Bible will help pastors, theologians, and laypersons see familiar doctrines with fresh, first-century, eyes. By restoring the revolutionary simplicity of the Bible's teachings, we gain new insights into these doctrines and what they mean for the church today. The Scripture in Context series is driven by the conviction that there is nothing as exciting, direct, provocative, and spiritually enlightening as the Bible when we read it as it was meant to be read. Each book in the series dives into the ancient cultural context behind Bible passages, examining the effect this context had on what the Bible writers were saying and how we should understand their words today. When we read the Bible in light of its context, it is anything but boring. Instead, God's word can speak to us as powerfully as it did to those who first read it.

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In Own Any Occasion: Mastering the Art of Speaking and Presenting, renowned speaker and educator Erik Palmer taps into his vast experience to simplify the process of extraordinary speaking. Palmer offers a tried-and-true approach and shows how to craft the perfect message, then captivate audiences with exceptional delivery.Great speaking does not come easy. But even the wallflowers among us can’t avoid speaking forever. In Own Any Occasion, speaker and educator Erik Palmer taps into his vast experience to simplify the process of extraordinary speaking, whether you’re giving a wedding toast or preparing for a one-on-one sales call. His approach is equal parts preparation and delivery: Never speak unless you have something worth saying, and never let a poor performance diminish a good message. In 11 steps, Palmer shows readers how to craft the perfect message and captivate audiences with exceptional delivery, no matter the circumstance. He demonstrates that the steps to impress when you meet your in-laws for the first time are the same ones that will help you succeed in front of an auditorium full of executives. Whether your audience is large or small, your message personal or professional, Palmer’s easy system will help you become the best speaker you can be in any situation.Own Any Occasion is for anyone who wants to master the art of speaking well, from first-time presenters to seasoned pros looking for a new process. Give yourself the tools to impress every listener and develop a more confident you.

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Receive divine guidance, decode auras, and weave healing color energy into your spiritual practice with this powerful and playful oracle deck.Angels & Auras is a powerful and playful approach to self-discovery and divination for all those looking to bring magical vibrancy to their spiritual practice and infuse some much-needed color back into their lives! Radleigh Valentine and Dougall Fraser are best-selling authors, spiritual teachers, and dear friends who began to see interesting parallels with their work. Specifically, they noticed a link between the colors that the archangels vibrate to and the aura colors that Dougall teaches in his work. This led to two years of co-teaching their wildly popular Angels and Auras courses to thousands of students, and now the divine collaboration of the Angels and Auras Oracle. Within the Angels and Auras Oracle, 12 core cards represent specific archangels and their aura colors to lead the reader down a path of self-discovery. These cards demonstrate how the angels regularly speak to us through the language of color. The remaining cards provide a heavenly chorus of support and are purposefully created with divine wisdom in mind. Each message is depicted with colorful images to inspire and remind the reader that we live in a vibrant world of energy. What you learn here could change the direction of your whole life—and the lives of the people around you—as you uncover the language of colors, connect with the divine, and tap into the wisdom of angels and auras on a whole new level.

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