Search results for ""Louisiana""

A Billion Dollars a Day “This text provides a good narrative on the economics of government intervention, the structure of the world food system and history of the WTO, and the provision of farm subsidies by developed economies, with a special focus on the U.S. and EU.”P. Lynn Kennedy, Louisiana State University“This extremely well-researched and documented book provides a comprehensive overview of the impact (both intentional and unintentional) that developed nations’ agricultural policies can have on underdeveloped agricultural-based nations.”Jay E. Noel, Cal Poly State University “This text’s discussion and explanation of subsidies is well developed in a historical and international context that is not found elsewhere.” Conrad Lyford, Texas Tech University “Peterson has done a nice job of taking complicated issues and explaining them in a manner that is understandable for students with limited background in policy, development, and trade. This well-written text brings both a U.S. and a world perspective to the timely and important topics of government farm policy and food prices.”Rick Whitacre, Illinois State UniversityWhy do Europe, the United States, and some key Asian countries spend, in aggregate, a billion dollars a day on various agricultural price supports, when much of this money ends up in the hands of large agribusiness? In a lively, non-technical, and up-to-date account, this book addresses the core questions that surround the issues of agricultural subsidies.Peterson provides a detailed examination of subsidy histories and the current policies of the United States, various European countries, Australia and New Zealand, and Korea and Japan. Also included is a discussion of how these policies affect developing countries – examining, in particular, their impact on farmers in low-income countries.

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Winner of the 2015 Rachel Carson Prize presented by the Society for Social Studies of Science Residents of a small Louisiana town were sure that the oil refinery next door was making them sick. As part of a campaign demanding relocation away from the refinery, they collected scientific data to prove it. Their campaign ended with a settlement agreement that addressed many of their grievances—but not concerns about their health. Yet, instead of continuing to collect data, residents began to let refinery scientists' assertions that their operations did not harm them stand without challenge. What makes a community move so suddenly from actively challenging to apparently accepting experts' authority? Refining Expertise argues that the answer lies in the way that refinery scientists and engineers defined themselves as experts. Rather than claiming to be infallible, they began to portray themselves as responsible—committed to operating safely and to contributing to the well-being of the community. The volume shows that by grounding their claims to responsibility in influential ideas from the larger culture about what makes good citizens, nice communities, and moral companies, refinery scientists made it much harder for residents to challenge their expertise and thus re-established their authority over scientific questions related to the refinery's health and environmental effects. Gwen Ottinger here shows how industrial facilities' current approaches to dealing with concerned communities—approaches which leave much room for negotiation while shielding industry's environmental and health claims from critique—effectively undermine not only individual grassroots campaigns but also environmental justice activism and far-reaching efforts to democratize science. This work drives home the need for both activists and politically engaged scholars to reconfigure their own activities in response, in order to advance community health and robust scientific knowledge about it.

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Winner of the Bancroft PrizeLouisiana Endowment for the Humanities Book of the YearA Publishers Weekly Book of the Year“The main thrust of Horowitz’s account is to make us understand Katrina—the civic calamity, not the storm itself—as a consequence of decades of bad decisions by humans, not an unanticipated caprice of nature.”—Nicholas Lemann, New YorkerHurricane Katrina made landfall in New Orleans on August 29, 2005, but the decisions that caused the disaster can be traced back nearly a century. After the city weathered a major hurricane in 1915, its Sewerage and Water Board believed that developers could safely build housing near the Mississippi, on lowlands that relied on significant government subsidies to stay dry. When the flawed levee system failed, these were the neighborhoods that were devastated.The flood line tells one important story about Katrina, but it is not the only story that matters. Andy Horowitz investigates the response to the flood, when policymakers made it easier for white New Orleanians to return home than for African Americans. He explores how the profits and liabilities created by Louisiana’s oil industry have been distributed unevenly, prompting dreams of abundance and a catastrophic land loss crisis that continues today.“Masterful…Disasters have the power to reveal who we are, what we value, what we’re willing—and unwilling—to protect.”—New York Review of Books“If you want to read only one book to better understand why people in positions of power in government and industry do so little to address climate change, even with wildfires burning and ice caps melting and extinctions becoming a daily occurrence, this is the one.”—Los Angeles Review of Books

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The Last Wild Road is a raucous, gripping, sometimes terrifying, often hilarious, and deeply meditative journey through the heart of the outdoors in the modern world. Collected from more than 20 years of hunting and fishing cover stories, columns, and adventure tales written by T. Edward Nickens for Field & Stream, this book is a road trip that takes in a huge sweep of the North American landscape—blackwater rivers in the wilds of eastern North Carolina, deserts and prairies of the American West, remote tundra of northern Canada, and the wildest rivers of Alaska. Along every rutted road and rough trail, with a rod, gun, and pen, Nickens meets unforgettable characters—old French-speaking Cajuns at Louisiana squirrel camps, a one-armed fly-tyer in the ancient Appalachians, Pennsylvania brothers who lost their father in a hunting accident decades ago and return to the scene for a powerful, poignant encounter with history. He explores remote wilderness waters to chase trout and ducks, but finds rich meaning, too, in the familiar and close-to-home: fishing with his children, plumbing the forests of local farms, and butchering deer in his basement as a thanksgiving for the gifts of the outdoors.When it comes to hunting and fishing, writing often falls into the categories of where-to-go, the how-do-it, and the-what-to-bring. This book embarks on the question of “why.” Why does the pursuit of game and fish, and the travel to the wild places where they thrive, bring meaning and clarity to living in the modern world? Why do we laugh more, and live more deeply, far from the sidewalk? If you’ve ever felt that way, you’ll find yourself in The Last Wild Road.

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In the tradition of Bury My Heart at Wounded Knee, a stunningly vivid historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West, centering on Quanah, the greatest Comanche chief of them all. Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second is the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined just how and when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. Against this backdrop Gwynne presents the compelling drama of Cynthia Ann Parker, a nine-year-old girl who was kidnapped by Comanches in 1836. She grew to love her captors and became infamous as the "White Squaw" who refused to return until her tragic capture by Texas Rangers in 1860. More famous still was her son Quanah, a warrior who was never defeated and whose guerrilla wars in the Texas Panhandle made him a legend. S. C. Gwynne's account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told.

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A fascinating study of midshipmen and other "young gentlemen", outlining their social background, career paths and what life was like for them. Officer recruits - "young gentlemen" - entered the Royal Navy with dreams of fame, fortune and glory, but many found promotion difficult, with a large number unable to progress beyond lieutenant. Recent scholarship has argued thatduring the wars of 1793-1815 there was greater social diversity among naval officers, with promotion increasingly related to professional competence. This book, based on extensive original research, examines the social backgroundof around 4,000 "young gentlemen" a term which includes midshipmen and various other categories, including captains' servants, volunteers and masters' mates. It concludes that in fact high birth became an increasingly important factor in the selection of officer candidates, and that as the Admiralty grip on the appointment and management of officer aspirants increased, especially after 1815, aristocratic presence in the ranks of young officers increased significantly as a result of deliberate Admiralty policy. The book also discusses the assertion that the increase in elite sons led to a dramatic increase in cases of indiscipline and insubordination, concluding that although therewas a marked increase in courts martial for insubordination during and after the French Wars there is no evidence that such cases related more to the elites than to young aspirants in general". The book includes many case study examples of midshipmen and other "young gentlemen", illustrating what life was like for them and how they themselves viewed their situation. S.A. CAVELL is a graduate of the Queensland University of Technology and Louisiana State University and completed her doctorate at the University of Exeter.

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In the 150 years since the birth of the petroleum industry oil has saturated our culture, fueling our cars and wars, our economy and policies. But just as thoroughly, culture saturates oil. So what exactly is “oil culture”? This book pursues an answer through petrocapitalism’s history in literature, film, fine art, wartime propaganda, and museum displays. Investigating cultural discourses that have taken shape around oil, these essays compose the first sustained attempt to understand how petroleum has suffused the Western imagination. The contributors to this volume examine the oil culture nexus, beginning with the whale oil culture it replaced and analyzing literature and films such as Giant, Sundown, Bernardo Bertolucci’s La Via del Petrolio, and Ben Okri’s “What the Tapster Saw”; corporate art, museum installations, and contemporary photography; and in apocalyptic visions of environmental disaster and science fiction. By considering oil as both a natural resource and a trope, the authors show how oil’s dominance is part of culture rather than an economic or physical necessity. Oil Culture sees beyond oil capitalism to alternative modes of energy production and consumption. Contributors: Georgiana Banita, U of Bamberg; Frederick Buell, Queens College; Gerry Canavan, Marquette U; Melanie Doherty, Wesleyan College; Sarah Frohardt-Lane, Ripon College, Matthew T. Huber, Syracuse U; Dolly Jørgensen, Umeå U; Stephanie LeMenager, U of Oregon; Hanna Musiol, Northeastern U; Chad H. Parker, U of Louisiana at Lafayette; Ruth Salvaggio, U of North Carolina, Chapel Hill; Heidi Scott, Florida International U; Imre Szeman, U of Alberta; Michael Watts, U of California, Berkeley; Jennifer Wenzel, Columbia University; Sheena Wilson, U of Alberta; Rochelle Raineri Zuck, U of Minnesota Duluth; Catherine Zuromskis, U of New Mexico.

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On Whitten’s pioneering 1970s series marking his move away from gestural painting The first publication to delve deeply into Jack Whitten’s Greek Alphabet paintings (1975–78), this volume examines this remarkable series, which consists of variations on abstract, black-and-white compositions and experiments in mark-making. For these works, Whitten employed handmade tools and techniques including the comb, imprint and frottage. The series is illuminated through essays by art historian Courtney J. Martin and Dia curators Donna De Salvo and Matilde Guidelli-Guidi. Authors Fred Moten and Gregg Bordowitz provide poetic reflections on Whitten’s art, biography and cultural importance. Materials from Whitten’s archives, including his own personal writings, supplement this unprecedented publication. In his lifetime, Whitten never had the opportunity to exhibit more than a handful of these works. In publishing a significant number of these paintings together for the first time—with 40 color plates representing the 60-some paintings in the series—Jack Whitten: The Greek Alphabet Series makes possible a fuller appreciation of the formal and material permutations of Whitten’s practice. Jack Whitten (1939–2018) was born in Bessemer, Alabama, studied art at Southern University in Baton Rouge, Louisiana, and moved to New York in 1960, where he had a solo exhibition at the Whitney in 1974 and a 10-year retrospective at the Studio Museum in Harlem in 1983. In 2014, a retrospective was organized by the Museum of Contemporary Art in San Diego, traveling to the Wexner Center in 2015 and the Walker Art Center in 2015–16. Whitten lived in Queens, New York, where he died in 2018.

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This compact, pocket-sized Copenhagen travel guidebook is ideal for travellers on shorter trips and those trying to make the most of Copenhagen. It's light, easily portable and comes equipped with a pull-out map. This Copenhagen guidebook covers: Tivoli and Rådhuspladsen, Strøget and the Inner City, Slotsholmen, Nyhavn and Frederiksstaden, Rosenborg and around, Christianshavn and Holmen, Vesterbro and Frederiksberg, Nørrebro and Østerbro, Malmö.Inside this Copenhagen travel book you will find: - Curated recommendations of places - main attractions, off-the-beaten-track adventures, child-friendly family activities, chilled-out breaks in popular tourist areas - Things not to miss in Copenhagen - Den Blå Planet, Nationalmuseet, Nyhavn, Torvehallerne, Tivoli, Designmuseum Danmark, Zoologisk Have, Rundetårn, Nørrebro, Statens Museum for Kunst, Den Sorte Diamant (The Black Diamond), Guards at Amalienborg, Frederiksborg Slot, Louisiana Museum of Modern Art, Kødbyen - Ready-made itineraries samples - created for different time frames or types of trip- Copenhagen at a glance - an overview map of Copenhagen with key areas and short descriptions of what you'll find there- Day trips - extra information for those on longer breaks or wanting to venture further afield- Practical travel tips - information on how to get there and around, health guidance, tourist information, festivals and events, plus an A-Z directory- Handy language section - themed basic vocabulary for greetings, numbers and food and drink- Independent reviews - honest descriptions of places to eat, drink or stay, written by our expert authors- Accommodation - handy reference guide to a range of hotels for different budgets - Pull-out map - easy to extract folded map with places to see marked- What's new - a short overview of the changes in Copenhagen in recent years for repeat travellers- Free download of the eBook - available after purchase of the printed Copenhagen guidebook - Fully updated post-COVID-19The guide is a perfect companion both ahead of your trip and on the ground. It gives you a distinct taste of Copenhagen with a concise edit of all the information you'll need.

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From the foremost figure on the New Orleans' drinking scene and the owner of renowned bar Cure, a cocktail book that celebrates the vibrant cityNew Orleans is known for its spirit(s)-driven festivities. From the owner of local bar Cure, this cocktail book celebrates New Orleans’ vibrant, living cocktail culture. As a bar guy, Neal Bodenheimer tells the city's story through 100 cocktails, each chosen to represent New Orleans’ past, present, and future. In the vein of Death & Co by David Kaplan crossed with David Lebowitz’s Drinking French, Bodenheimer and coauthor Emily Timberlake have composed a love letter to New Orleans and the cast of characters that have had a hand in making the city so singular, featuring interviews with figures such as the host of NPR's Louisiana Eats and former mayor Mitch Landrieu and a few tips on how to survive your first Mardi Gras. Along the way, the reader is taken on a journey that highlights the rich history and complexity of the city and the drinks it inspired, as well as the techniques and practices that Cure has perfected in their mission to build forward rather than just looking back. Of course, this includes the classics every self-respecting drinker should know, especially if you’re a New Orleanian: the Sazerac, Julep, Vieux Carré, Ramos Gin Fizz, Cocktail à la Louisiane, and French 75. Famous local chefs have contributed easy recipes for snacks with local flavor, perfect for pairing with these libations. Cure: A New Orleans Cocktail Book is a beautiful keepsake for anyone who has fallen under New Orleans’s spell and a must-have souvenir for the millions of people who visit the city each year. The book includes recipes from beloved New Orleans chefs: ·Justin Devillier (La Petite Grocery) ·Nina Compton (Compère Lapin) ·Mason Hereford (Turkey and the Wolf) ·Kelly Fields (Willa Jean) ·Kristen Essig (Dauphine's) ·Ryan Prewitt (Peche) ·Marcus Jacobs (Marjie's Grill) ·Michael Stoltzfus (Coquette) ·Frank Brigtsen (Brigtsen's) ·Alfredo Nogueira (Cure, Cane & Table, Vals)

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In 1979, the legendary Acadian novelist Antonine Maillet won France's most coveted literary award, the Prix Goncourt, for the original version of this novel, Pélagie-la-Charette. In her acceptance speech, she said, "I have avenged my ancestors." Goose Lane Editions is proud to re-issue this classic of Acadian literature to mark the 400th anniversary of the founding of Acadie and the début of the novel's musical adaptation, Pélagie: An Acadian Odyssey. Directed by Michael Shamata, the musical brings together the words and lyrics of Vincent de Tourdonnet and music by Allen Cole. It will be presented at the Atlantic Theatre Festival in Wolfville, Nova Scotia, from July 27 to August 22, following successful runs at CanStage's Bluma Appel Theatre in Toronto and The National Arts Centre in Ottawa. This funny, lyrical account of a daring Acadian widow's journey home from exile is the Mother Courage of Acadian literature. At thirty-five, Pélagie is a survivor of the Great Disruption of 1755, when British soldiers deported Acadians who had farmed along the Bay of Fundy for generations. Splitting up families, the soldiers tossed men, women, and children pell-mell into ships and dispatched them to ports all along the eastern seaboard of the US and to Louisiana. When it was heard years later that the British would tolerate their return to Acadie, thousands loaded possessions and children onto handcarts and set out on foot. After fifteen years of working as a slave in the cotton fields of Georgia, Pélagie, too, has had enough. Drawn home as if by a magnet, inspired by her love of her family and of Beausoleil, a heroic sea captain, and determined to outrace the "Wagon of Death," Pélagie sets off to take her people on a 3,000-mile trek back to their homeland. Her single cart, pulled by six oxen, soon attracts scattered Cormiers and LeBlancs, Landrys and Poiriers, Maillets and Légers. Together, this caravan of colourful Acadians undertakes a ten-year journey up the Atlantic coast to their childhood homes.

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Each year, thousands of pilgrims visit the celebrated New Orleans tomb where Marie Laveau is said to lie. They seek her favors or fear her lingering influence. Voodoo Queen: The Spirited Lives of Marie Laveau is the first study of the Laveaus, mother and daughter of the same name. Both were legendary leaders of religious and spiritual traditions many still label as evil.The Laveaus were free women of color and prominent French-speaking Catholic Creoles. From the 1820s until the 1880s when one died and the other disappeared, gossip, fear, and fierce affection swirled about them. From the heart of the French Quarter, in dance, drumming, song, and spirit possession, they ruled the imagination of New Orleans.How did the two Maries apply their ""magical"" powers and uncommon business sense to shift the course of love, luck, and the law? The women understood the real crime--they had pitted their spiritual forces against the slave system of the United States. Moses-like, they led their people out of bondage and offered protection and freedom to the community of color, rich white women, enslaved families, and men condemned to hang.The curse of the Laveau family, however, followed them. Both loved men they could never marry. Both faced down the press and police who stalked them. Both countered the relentless gossip of curses, evil spirits, murders, and infant sacrifice with acts of benevolence.The book is also a detective story--who is really buried in the famous tomb in the oldest ""city of the dead"" in New Orleans? What scandals did the Laveau family intend to keep buried there forever? By what sleight of hand did free people of color lose their cultural identity when Americans purchased Louisiana and imposed racial apartheid upon Creole creativity? Voodoo Queen brings the improbable testimonies of saints, spirits, and never-before-printed eyewitness accounts of ceremonies and magical crafts together to illuminate the lives of the two Marie Laveaus, leaders of a major, indigenous American religion.

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From its first major engagement at Harpers Ferry, Virginia, to the campaigns against Confederates in the swamps of occupied Louisiana, the 12th Illinois Volunteer Cavalry fought more than twenty battles in three theaters of combat. So great was the regiment's contribution to the Union victory that a monument at Gettysburg honors the unit for its place "in the first line of battle." The campaigns of the 12th Illinois reflect the larger shape of the war. In 1862 and early 1863, the 12th Illinois defended Union supply lines against the lightning raids of J. E. B. Stuart's Confederate Cavalry in Virginia and Maryland. In 1863, it helped to turn back the tide of the Confederate advance at Gettysburg. And in 1864–1865 the unit went on the offensive and raided deep into the Southern heartland as the Union pursued a strategy of "hard war." Drawing upon firsthand accounts from letters, diaries, memoirs, and official service records, Blackwell brings the soldiers of the 12th Illinois to life. As with other militia units in the heady first months of the war, the 12th Illinois assembled quickly, and its officers had at best only rudimentary military training. They were little prepared for the rigors of leading men into war or coping with desertions and horrific casualties. In the First Line of Battle tells the story of how the 12th Illinois Cavalry came through the war with its colors intact. Tracking the regiment from its first muster early in 1862 through its service in Texas during Reconstruction, Blackwell shows readers the war as it was lived by men who fought across the length and breadth of the Confederacy. Tracing the path of the 12th Illinois, he sheds new light on the role of the Union cavalry in the Civil War.

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Discipline and the Other Body reveals the intimate relationship between violence and difference underlying modern governmental power and the human rights discourses that critique it. The comparative essays brought together in this collection show how, in using physical violence to discipline and control colonial subjects, governments repeatedly found themselves enmeshed in a fundamental paradox: Colonialism was about the management of difference—the “civilized” ruling the “uncivilized”—but colonial violence seemed to many the antithesis of civility, threatening to undermine the very distinction that validated its use. Violation of the bodies of colonial subjects regularly generated scandals, and eventually led to humanitarian initiatives, ultimately changing conceptions of “the human” and helping to constitute modern forms of human rights discourse. Colonial violence and discipline also played a crucial role in hardening modern categories of difference—race, gender, ethnicity, sexuality, and religion.The contributors, who include both historians and anthropologists, address instances of colonial violence from the early modern period to the twentieth century and from Asia to Africa to North America. They consider diverse topics, from the interactions of race, law, and violence in colonial Louisiana to British attempts to regulate sex and marriage in the Indian army in the early nineteenth century. They examine the political dilemmas raised by the extensive use of torture in colonial India and the ways that British colonizers flogged Nigerians based on beliefs that different ethnic and religious affiliations corresponded to different degrees of social evolution and levels of susceptibility to physical pain. An essay on how contemporary Sufi healers deploy bodily violence to maintain sexual and religious hierarchies in postcolonial northern Nigeria makes it clear that the state is not the only enforcer of disciplinary regimes based on ideas of difference.Contributors. Laura Bear, Yvette Christiansë, Shannon Lee Dawdy, Dorothy Ko, Isaac Land, Susan O’Brien, Douglas M. Peers, Steven Pierce, Anupama Rao, Kerry Ward

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This vibrantly illustrated compendium explores the beautiful diversity of the people who live, work, and love across the USA in this joyful follow-up to The 50 States.Across 51 charmingly illustrated infographic maps, covering every state of the USA from Alabama to Wyoming, We Are The United States celebrates the glorious rainbow of different heritages, religions, hobbies, vocations and cultures that populate this great country.Say “ha'u” to the Hopi people in Arizona, and “xin chào” to Vietnamese Americans living in Orange County, California. Meet veterans in South Carolina, alligator farmers in Louisiana, and astronauts in Texas. Play with gamers at the E3 Expo in Los Angeles, party with drag queens in Atlanta, and ride with mountain bikers in Moab.Alongside an illustrated map, each state’s spread features a ‘Hall of Fame’ highlighting important people from the state’s history, as well as ‘Spotlight’ pull-out illustrations showcasing amazing cultural highlights from the area.Discover the local delicacies enjoyed by each state’s residents, and the unique traditions and celebrations that have been born on and brought to America’s shores. Brush up on key stats and facts about each state’s population, and learn about the powerful history of the people of this one nation, indivisible, the United States.The 50 States series of books for young explorers celebrates the USA and the wider world with key facts and fun activities about the people, history and natural environments that make each location within them uniquely wonderful. Beautiful illustrations, maps and infographics bring the places to colourful life.Also available from the series: 50 Trailblazers of the 50 States, Only in America, Only in America Activity Book, Only in California, Only in Texas, 50 Adventures in the 50 States, and The 50 States.

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Sometimes wrong can feel oh so right . . . Jenna Lacombe needs complete control, whether it's in the streets . . . or between the sheets. So when she sets out on a solo road trip to visit her family in New Orleans, she's beyond annoyed that the infuriatingly sexy Jack Oliver wants to hitch a ride with her. Ever since they shared a wild night together last year, he's been trying to strip away her defenses one by one. He claims he's just coming along to keep her safe-but what's not safe for her is prolonged exposure to the tattooed hottie.Jack can't get Jenna out from under his skin. She makes him feel alive again after his old life nearly destroyed him-and losing her is not an option. Now Jack's troubles are catching up to him, and he's forced to return to his hometown in Louisiana. But when his secrets put them both in harm's way, Jenna will have to figure out how far she's willing to let love in . . . and how much she already has.Praise for Chelsea Fine:'You'll fall for Pixie and Levi, just like I did!' J. Lynn (Jennifer L. Armentrout)'By turns humorous and heartbreaking, Best Kind Of Broken has become one of my favourites!' Cora Carmack'Chelsea Fine's style is witty, visceral and fresh. All I wanted to do was crawl inside this book and live with the characters.' Chelsea M. Cameron'Tangled with friendship, history and heartbreak - not to mention a huge dose of humor - Chelsea Fine's New Adult novel is not to be missed! Beyond an incredibly HOT read, Pixie and Levi's longing for each other will have you rooting for them till the very end.' Jay Crownover

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Boundaries - lines imposed on the landscape - shape our lives, dictating everything from which candidates we vote for to what schools our children attend to the communities with which we identify. In Creating the American West, historian Derek R. Everett examines the function of these internal lines in American history generally and in the West in particular. Drawing lines to create states in the trans-Mississippi West, he points out, imposed a specific form of political organization that made the West truly American.Everett examines how settlers lobbied for boundaries and how politicians imposed them. He examines the origins of boundary-making in the United States from the colonial era through the Louisiana Purchase. Case studies then explore the ethnic, sectional, political, and economic angles of boundaries. Everett first examines the boundaries between Arkansas and its neighboring Native cultures, and the pseudo war between Missouri and Iowa. He then traces the lines splitting the Oregon Country and the states of California and Nevada, and considers the ethnic and political consequences of the boundary between New Mexico and Colorado. He explains the evolution of the line splitting the Dakotas, and concludes with a discussion of ways in which state boundaries can contribute toward new interpretations of borderlands history.A major theme in the history of state boundaries is the question of whether to use geometric or geographic lines - in other words, lines corresponding to parallels and meridians or those fashioned by natural features. With the distribution of western land, Everett shows, geography gave way to geometry and transformed the West. The end of boundary-making in the late nineteenth century is not the end of the story, however. These lines continue to complicate a host of issues including water rights, taxes, political representation, and immigration. Creating the American West shows how the past continues to shape the present.

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Thirteen Months in Dixie, or, the Adventures of a Federal Prisoner in Texas, is a frolicking true tale of adventure, hardship, and heroism during the last days of the Civil War - in the protagonist's own words. And it is finally available to the general public after being hidden away for decades as a family heirloom.Oscar Federhen was a new recruit to the 13th Massachusetts Light Artillery when he shipped out to Louisiana in the spring of 1864 to participate in the Red River Campaign. Not long after his arrival at the front, a combination of ill-luck and bad timing led to his capture. Federhen was marched overland to Tyler, Texas, where he was held as a prisoner of war in Camp Ford, the largest POW camp west of the Mississippi River.Thirteen Months in Dixie recounts Federhen's often horrifying and sometimes thrilling ordeals as a starving prisoner. The captured artillerist tried to escape many times and faced sadistic guards and vicious hounds before making good his deadly effort. And his ordeal was just beginning. Making his way back to Union lines forced him to range cross-country through northeast Texas. He had to dodge regular Confederates, irregulars, and Comanches, but was captured a second time and escaped yet again, finally witnessing the collapse of Confederate army in the spring of 1865 in freedom.Jeaninne Honstein and Steven Knowlton have carefully transcribed and annotated this incredible manuscript to orient the reader to the places, people, and manners described within it. Prominent within its pages are numerous illustrations, including two from Federhen's own pen. Thirteen Months in Dixie is not only a gripping true story of courage, adventure, and devotion to duty, but a valuable primary source about the lives of Civil War prisoners and everyday Texans during the conflict.

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This Life is the debut novel by Quntos KunQuest, a longtime inmate at Angola, the infamous Louisiana State Penitentiary. This marks the appearance of a bold, distinctive new voice, one deeply inflected by hiphop, that delves into the meaning of a life spent behind bars, the human bonds formed therein, and the poetry that even those in the most dire places can create. Lil Chris is just nineteen when he arrives at Angola as an AU—an admitting unit, a fresh fish, a new vict. He’s got a life sentence with no chance of parole, but he’s also got a clear mind and sharp awareness—one that picks up quickly on the details of the system, his fellow inmates, and what he can do to claim a place at the top. When he meets Rise, a mature inmate who's already spent years in the system, and whose composure and raised consciousness command the respect of the other prisoners, Lil Chris learns to find his way in a system bent on repressing every means he has to express himself. Lil Chris and Rise channel their questions, frustrations, and pain into rap, and This Life flows with the same cadence that powers their charged verses. It pulses with the heat of impassioned inmates, the oppressive daily routines of the prison yard, and the rap contests that bring the men of the prison together. This Life is told in a voice that only a man who’s lived it could have—a clipped, urgent, evocative voice that surges with anger, honesty, playfulness, and a deep sense of ugly history. Angola started out as a plantation—and as This Life makes clear, black inmates are still in a kind of enslavement there. This Life is an important debut that commands our attention with the vigor, dynamism, and raw, consciousness-expanding energy of this essential new voice.

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Feel is the story of how a small-time boy from humble beginnings in Louisiana rose to the pantheon of greats, to win the 500cc and 250cc GP Championship in the same year – an historic achievement over three decades ago which has never been repeated.Growing up at the time of the assassination of Malcolm X and Martin Luther King, Freddie judged by feel, not by colour. Blind to prejudice and discrimination, he formed dynamic connections with people and events, but only years later during his racing afterlife could Freddie come to understand the true power of the things he learned.Spencer is an articulate and compassionate guide as he describes the thrill and horror of racing in an era when death was a perennial threat. He recalls in pin-sharp detail the frenetic high-octane racing duels with the ‘King’ Kenny Roberts, but also describes a parallel internal journey as he struggled to make sense of it all. Driven by a search for the personal fulfilment that comes through finding your purpose, Freddie’s story is a universal one. In its message of hope, Feel transcends its genre to offer a story for everyone. Part thriller, part philosophical self-exploration, it is a remarkably insightful account of what it is like to have it all, but wonder why. “For the first time I will talk about the traumas of my childhood, the contrast between the leaf fire burns, the mistrust and discomfort and the peace and purpose I felt when riding my bike. I didn’t tell my parents about something that happened to me. Why? I felt ashamed, but when I rode I felt connected to everything and the pain in my hand and heart would go away. It gave me the feeling of hope”.

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William Tecumseh Sherman, a West Point graduate and veteran of the Seminole War, became one of the best-known generals in the Civil War. His March to the Sea, which resulted in a devastated swath of the South from Atlanta to Savannah, cemented his place in history as the pioneer of total war. In The Scourge of War, preeminent military historian Brian Holden Reid offers a deeply researched life and times account of Sherman. By examining his childhood and education, his business ventures in California, his antebellum leadership of a military college in Louisiana, and numerous career false starts, Holden Reid shows how unlikely his exceptional Civil War career would seem. He also demonstrates how crucial his family was to his professional path, particularly his wife's intervention during the war. He analyzes Sherman's development as a battlefield commander and especially his crucial friendships with Henry W. Halleck and Ulysses S. Grant. In doing so, he details how Sherman overcame both his weaknesses as a leader and severe depression to mature as a military strategist. Central chapters narrate closely Sherman's battlefield career and the gradual lifting of his pessimism that the Union would be defeated. After the war, Sherman became a popular figure in the North and the founder of the school for officers at Fort Leavenworth, Kansas, known as the "intellectual center of the army." Holden Reid argues that Sherman was not hostile to the South throughout his life and only in later years gained a reputation as a villain who practiced barbaric destruction, particularly as the neo-Confederate Lost Cause grew and he published one of the first personal accounts of the war. A definitive biography of a preeminent military figure by a renowned military historian, The Scourge of War is a masterful account of Sherman' life that fully recognizes his intellect, strategy, and actions during the Civil War.

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From the early days of the republic, American leaders knew that an unpredictable time bomb-the question of slavery-lay at the heart of national politics. An implicit understanding between North and South helped to keep the issue at bay: northern states, where slavery had been set on course for extinction via gradual emancipation, tacitly agreed to respect the property rights of southern slaveholders; in return, southerners essentially promised to view slave holding as a practical evil and look for ways to get rid of it. By 1819-1820, however, westward expansion had brought the matter to a head. As Thomas Jefferson wrote at the time, a nation dealing with the politically implacable issue of slavery essentially held the "wolf" by the ears-and could neither let go nor hang on forever. In Wolf by the Ears, John R. Van Atta discusses how the sectional conflict that led to the Civil War surfaced in the divisive fight over Missouri statehood. The first organized Louisiana Purchase territory to lie completely west of the Mississippi River and northwest of the Ohio, Missouri carried special significance for both pro- and anti-slavery advocates. Northern congressmen leaped out of their seats to object to the proposed expansion of the slave "empire," while slave-state politicians voiced outrage at the northerners' blatant sectional attack. Although the Missouri confrontation ultimately appeared to end amicably with a famous compromise that the wily Kentuckian Henry Clay helped to cobble together, the passions it unleashed proved vicious, widespread, and long lasting. Van Atta deftly explains how the Missouri crisis revealed the power that slavery had already gained over American nation building. He explores the external social, cultural, and economic forces that gave the confrontation such urgency around the country, as well as the beliefs, assumptions, and fears that characterized both sides of the slavery argument. Wolf by the Ears provides students in American history with an ideal introduction to the Missouri crisis while at the same time offering fresh insights for scholars of the early republic.

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An essential examination of black youth activism since the passage of the 1964 Civil Rights Act What happened to black youth in the post-civil rights generation? What kind of causes did they rally around and were they even rallying in the first place? After the Rebellion takes a close look at a variety of key civil rights groups across the country over the last 40 years to provide a broad view of black youth and social movement activism. Based on both research from a diverse collection of archives and interviews with youth activists, advocates, and grassroots organizers, this book examines popular mobilization among the generation of activists—principally black students, youth, and young adults—who came of age after the passage of the 1964 Civil Rights Act and the Voting Rights Act of 1965. Franklin argues that the political environment in the post-Civil Rights era, along with constraints on social activism, made it particularly difficult for young black activists to start and sustain popular mobilization campaigns. Building on case studies from around the country—including New York, the Carolinas, California, Louisiana, and Baltimore—After the Rebellion explores the inner workings and end results of activist groups such as the Southern Negro Youth Congress, Student Nonviolent Coordinating Committee, the Student Organization for Black Unity, the Free South Africa Campaign, the New Haven Youth Movement, the Black Student Leadership Network, the Juvenile Justice Reform Movement, and the AFL-CIO’s Union Summer campaign. Franklin demonstrates how youth-based movements and intergenerational campaigns have attempted to circumvent modern constraints, providing insight into how the very inner workings of these organizations have and have not been effective in creating change and involving youth. A powerful work of both historical and political analysis, After the Rebellion provides a vivid explanation of what happened to the militant impulse of young people since the demobilization of the civil rights and black power movements—a discussion with great implications for the study of generational politics, racial and black politics, and social movements.

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When President James Monroe announced in 1824 that the large public debt inherited from the War for Independence, the Louisiana Purchase, and the War of 1812 would be extinguished on January 1, 1835, Congress responded by crafting legislation to transform that prediction into reality. Yet John Quincy Adams, Monroe's successor, seemed not to share the commitment to debt freedom, resulting in the rise of opposition to his administration and his defeat for reelection in the bitter presidential campaign of 1828\. The new president, Andrew Jackson, was thoroughly committed to debt freedom, and when it was achieved, it became the only time in American history when the country carried no national debt. In A Nation Wholly Free: The Elimination of the National Debt in the Age of Jackson, award-winning economic historian Carl Lane shows that the great and disparate issues that confronted Jackson, such as internal improvements, the “war” against the Second Bank of the United States, and the crisis surrounding South Carolina's refusal to pay federal tariffs, become unified when debt freedom is understood as a core element of Jacksonian Democracy. The era of debt freedom lasted only two years and ten months. As the government accumulated a surplus, a fully developed opposition party emerged—the beginning of our familiar two-party system—over rancor about how to allocate the newfound money. Not only did government move into an oppositional party system, the debate about the size and role of government distinguished the parties in a pattern that has become familiar. The partisan debate over national debt and expenditures led to poorly thought out legislation, forcing the government to resume borrowing. As a result, after Jackson left office in 1837, the country fell into a major depression. We have been borrowing ever since on an enormous scale. A thoughtful, engaging account with strong relevance to today, A Nation Wholly Free is the fascinating story of an achievement that now seems fanciful.

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They Called Us River Rats: The Last Batture Settlement of New Orleans is the previously untold story of perhaps the oldest outsider settlement in America, an invisible community on the annually flooded shores of the Mississippi River. This community exists in the place between the normal high and low water line of the Mississippi River, a zone known in Louisiana as the batture. For the better part of two centuries, batture dwellers such as Macon Fry have raised shanty-boats on stilts, built water-adapted homes, foraged, fished, and survived using the skills a river teaches. Until now the stories of this way of life have existed only in the memories of those who have lived here. Beginning in 2000, Fry set about recording the stories of all the old batture dwellers he could find: maritime workers, willow furniture makers, fishermen, artists, and river shrimpers. Along the way, Fry uncovered fascinating tales of fortune tellers, faith healers, and wild bird trappers who defiantly lived on the river. They Called Us River Rats also explores the troubled relationship between people inside the levees, the often-reviled batture folks, and the river itself. It traces the struggle between batture folks and city authorities, the commercial interests that claimed the river, and Louisiana's most powerful politicians. These conflicts have ended in legal battles, displacement, incarceration, and even lynching. Today Fry is among the senior generation of ""River Rats"" living in a vestigial colony of twelve ""camps"" on New Orleans's river batture, a fragment of a settlement that once stretched nearly six miles and numbered hundreds of homes. It is the last riparian settlement on the Lower Mississippi and a contrarian, independent life outside urban zoning, planning, and flood protection. This book is for everyone who ever felt the pull of the Mississippi River or saw its towering levees and wondered who could live on the other side.

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In an examination of Southern slave law between 1810 and 1860, Mark Tushnet reveals a structured dichotomy between slave labor systems and bourgeois systems of production. Whereas the former rest on the total dominion of the master over the slave and necessitate a concern for the slave's humanity, the latter rest of the purchase by the capitalist of a worker's labor power only and are concerned primarily with economic interest. Focusing on a wide range of issues that include contract and accident law as well as criminal law and the law of manumission, he shows how Southern slave law had to respond to the competing pressures of humanity and interest.Beginning with a critical evaluation of slave law, the author develops the conceptual framework for his own perspective on the legal system, drawing on the works of Marx and Weber. He then examines four appellate court cases decided in three different states, from civil-law Louisiana to commonlaw North Carolina, at widely separated times, from 1818 to 1858.Professor Tushnet finds that the cases display a continuing but never wholly successful attempt at distinguish between law and sentiment as modes of regulating social interactions involving slaves. Also, the cases show that the primary method of accommodating law and sentiment was an attempt to use rigid categories to confine the law of slavery to what was thought its proper sphere.Mark Tushnet is Professor of Law at the University of Wisconsin.Originally published in 1981.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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'A landmark piece of non-fiction' Janet Maslin, The New York TimesFrom the winner of the Pulitzer Prize, this is one of the great untold stories of American history: the migration of black citizens who fled the south and went north in search of a better life From 1915 to 1970, an exodus of almost six million people would change the face of America. With stunning historical detail, Pulitzer prize-winning journalist Isabel Wilkerson gives us this definitive, vividly dramatic account of how these journeys unfolded. Based on interviews with more than a thousand people, and access to new data and official records, The Warmth of Other Suns tells the story of America's Great Migration through the lives of three unique individuals: Ida Mae Gladney, who in 1937 left sharecropping and prejudice in Mississippi for Chicago, where she achieved quiet blue-collar success and, in old age, voted for Barack Obama when he ran for an Illinois Senate seat; sharp and quick-tempered George Starling, who in 1945 fled Florida for Harlem, where he endangered his job fighting for civil rights, saw his family fall, and finally found peace in God; and Robert Foster, who left Louisiana in 1953 to pursue a medical career, the personal physician to Ray Charles as part of a glitteringly successful medical career.Wilkerson brilliantly captures their first treacherous and exhausting cross-country journeys, as well as how they changed their new homes forever.'You will never forget these people' Gay Talese'A brilliant and stirring epic' John Stauffer, Wall Street Journal 'The mass migration of African Americans out of the US south forever changed the country's cultural fabric - and Wilkerson's history of this period is full of sacrifice and hope ... a long overdue account' Lettecha Johnson, Guardian'A deeply affecting, finely crafted and heroic book. . . .Wilkerson has taken on one of the most important demographic upheavals of the past century and told it through the lives of three people ... lyrical and tragic' Jill Lepore, New Yorker

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The 9th Dave Robicheaux novel from the SUNDAY TIMES bestselling, award-winning author of THE TIN ROOF BLOWDOWN.The call from ex-Klansman Aaron Crown couldn't have been more unexpected. Sentenced to forty years for the decades-old shooting of a civil rights activist, Crown should have been out of Iberia Parish, Louisiana, for good.Election candidate Buford LaRose wants Detective Dave Robicheaux to ignore Aaron's calls, promising Robicheaux a lucrative job when he makes governor. Worse still, Buford's wife, Karyn, seems unhealthily interested in getting very close to Robicheaux - just like old times . . . The LaRoses, each for their own reasons, want Crown's case buried.Praise for one of the great American crime writers, James Lee Burke:'James Lee Burke is the heavyweight champ, a great American novelist whose work, taken individually or as a whole, is unsurpassed.' Michael Connelly'A gorgeous prose stylist.' Stephen King'Richly deserves to be described now as one of the finest crime writers America has ever produced.' Daily MailFans of Dennis Lehane, Michael Connelly and Don Winslow will love James Lee Burke: Dave Robicheaux Series1. The Neon Rain 2. Heaven's Prisoners 3. Black Cherry Blues 4. A Morning for Flamingos 5. A Stained White Radiance 6. In the Electric Mist with Confederate Dead 7. Dixie City Jam 8. Burning Angel 9. Cadillac Jukebox 10. Sunset Limited 11. Purple Cane Road 12. Jolie Blon's Bounce 13. Last Car to Elysian Fields 14. Crusader's Cross 15. Pegasus Descending 16. The Tin Roof Blowdown 17. Swan Peak 18. The Glass Rainbow 19. Creole Belle 20. Light of the World 21. Robicheaux Hackberry Holland Series1. Lay Down My Sword and Shield 2. Rain Gods 3. Feast Day of Fools 4. House of the Rising SunBilly Bob Holland Series1. Cimarron Rose 2. Heartwood 3. Bitterroot 4. In The Moon of Red Ponies * Each James Lee Burke novel can be read as a standalone or in series order *

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In The Native Ground, Kathleen DuVal argues that it was Indians rather than European would-be colonizers who were more often able to determine the form and content of the relations between the two groups. Along the banks of the Arkansas and Mississippi rivers, far from Paris, Madrid, and London, European colonialism met neither accommodation nor resistance but incorporation. Rather than being colonized, Indians drew European empires into local patterns of land and resource allocation, sustenance, goods exchange, gender relations, diplomacy, and warfare. Placing Indians at the center of the story, DuVal shows both their diversity and our contemporary tendency to exaggerate the influence of Europeans in places far from their centers of power. Europeans were often more dependent on Indians than Indians were on them. Now the states of Arkansas, Oklahoma, Kansas, and Colorado, this native ground was originally populated by indigenous peoples, became part of the French and Spanish empires, and in 1803 was bought by the United States in the Louisiana Purchase. Drawing on archaeology and oral history, as well as documents in English, French, and Spanish, DuVal chronicles the successive migrations of Indians and Europeans to the area from precolonial times through the 1820s. These myriad native groups—Mississippians, Quapaws, Osages, Chickasaws, Caddos, and Cherokees—and the waves of Europeans all competed with one another for control of the region. Only in the nineteenth century did outsiders initiate a future in which one people would claim exclusive ownership of the mid-continent. After the War of 1812, these settlers came in numbers large enough to overwhelm the region's inhabitants and reject the early patterns of cross-cultural interdependence. As citizens of the United States, they persuaded the federal government to muster its resources on behalf of their dreams of landholding and citizenship. With keen insight and broad vision, Kathleen DuVal retells the story of Indian and European contact in a more complex and, ultimately, more satisfactory way.

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For better or worse, be it militarily, diplomatically, politically, economically, or culturally, Americans have had a profound role in shaping the wider world beyond them. Unsurprisingly, most non-Americans have passionate views about the nature of U.S. foreign policy. America has been a savior to some, a curse to others-and both have good reason to feel that way. And yet, such views are often also based on a caricature of American actions and intentions. For their part, Americans themselves have strong opinions about their role in the world and how it has evolved over time. Yet these views are shrouded as much in myth as they are grounded in fact. American Foreign Relations, then, suffers from being a subject of immense worldwide importance but almost complete misunderstanding; it provokes strong emotions and much debate in newspapers daily, but is accompanied by little comprehension. This Very Short Introduction aims to offer analysis of key events, episodes, crises, and individuals in the making of American foreign relations. It will discuss events such as the Revolutionary War, the Louisiana Purchase, the War of 1812, manifest destiny, the Mexican War, the Civil War, industrialization, the beginnings of globalization, the Spanish-American War, imperialism, the annexation of the Philippines, informal imperialism and the Open Door policy, World War I, isolationism, World War II, the Cold War from its origins to its end (including the Korean and Vietnam Wars), the Iraq Wars, 9/11, and Afghanistan. Such topics will be situated within an analytical narrative that follows chronology generally, but not strictly or comprehensively. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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When Abraham Lincoln called for 300,000 volunteers to fortify Union forces in July 1862, George and Lycurgus Remley enlisted to serve God and country—and for them, this phrase had real meaning. When their native Virginia had become a hostile environment for men speaking out against the evils of slavery, the Remley family had taken refuge in the Midwest. Answering the call of their president and their consciences, the two brothers joined the 22nd Iowa Infantry. This poignant collection of their letters to and from home sharply portrays the human costs of the Civil War. The Remley brothers saw action in an unusually wide geographic area, from Missouri to Louisiana, as their regiment fought the battles of Port Gibson and Champion Hill, laid siege to Vicksburg and Jackson, and took part in Major General Sheridan's Shenandoah Valley Campaign. Along the way, George and Lycurgus witnessed battle scenes, border warfare, bushwhacking, and guerrilla encounters—all of which they graphically described in letters home. Physical hardships were matched, the brothers felt, by spiritual hardships. Even before the Civil War began, they knew that their abolitionist convictions would require personal sacrifice. When the family moved from Virginia to the free soil of Iowa, Lycurgus remained behind to finish school. He was soon expelled, however, for asserting his own abolitionist views and was forced to follow his family north. Ready to fight for their beliefs, he and George proudly joined the Union ranks with Bibles in hand. As they traveled throughout the country, Lycurgus, still outspoken, distributed New Testaments among his comrades. A close fraternal bond carried the Remleys through the tedium of camp life and the intensity of battle. George and Lycurgus wrote as distinct individuals; and this fascinating collection of their letters offers dueling impressions of the same events. But when sudden illness and death left one brother alone, he courageously continued to fight not only for God and country but also for his fallen brother and comrade.

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Shelby Scates’s thirty-five-year career as a prize-winning journalist and columnist for International News Service, United Press International, the Associated Press, and the Seattle Post-Intelligencer has taken him to centers of action across this country and to wars and conflicts in many of the world’s danger zones. Born in the rural South in the 1930s, Scates rejected the racism he saw there and in his late teens set out across the United States — eventually to land in Seattle, attend the University of Washington, and launch himself into a world of work, travel, and adventure as a merchant seaman and soldier. He entered journalism as a wire-service reporter hired in Manhattan and assigned to the Dallas bureau. Reporting the political beat brought Scates to Baton Rouge and New Orleans to observe the remarkable performance and influence of Earl Long as governor of Louisiana; in 1957 to Little Rock, Arkansas, to witness a constitutional crisis, the early struggle to integrate the public schools; to Oklahoma City and Dallas; and to Washington, D.C., where he became familiar with both the corridors of Congress and Lyndon Johnson’s Oval Office and Air Force One. He was in Israel during the 1967 Six-Day War and its aftermath; in Lebanon and Egypt to learn about the Palestine Liberation Organization; in the Suez to investigate the “War of Attrition”; and in Cambodia during guerrilla fighting against the Vietnamese Army. As a newsman he reported on those American climbers who triumphed, though not without suffering great personal losses, by reaching the top of K2 in 1978. Scates used his considerable journalistic experience and inventiveness to get the story of this epic climb quickly back to the United States. He also describes his own midlife climb of Mt. McKinley with two friends. In a straightforward portrayal of professional life that manifests elements of both The Front Page and All the President’s Men, this memoir is about the particular combination of idealism, persistence, skepticism, and dedication to truthful reporting that marks the best of American journalism.

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A detailed analysis of the end of the Vicksburg Campaign and the forty-day siege Vicksburg, Mississippi, held strong through a bitter, hard-fought, months-long Civil War campaign, but General Ulysses S. Grant’s forty-day siege ended the stalemate and, on July 4, 1863, destroyed Confederate control of the Mississippi River. In the first anthology to examine the Vicksburg Campaign’s final phase, nine prominent historians and emerging scholars provide in-depth analysis of previously unexamined aspects of the historic siege. Ranging in scope from military to social history, the contributors’ invitingly written essays examine the role of Grant’s staff, the critical contributions of African American troops to the Union Army of the Tennessee, both sides’ use of sharpshooters and soldiers’ opinions about them, unusual nighttime activities between the Union siege lines and Confederate defensive positions, the use of West Point siege theory and the ingenuity of Midwestern soldiers in mining tunnels under the city’s defenses, the horrific experiences of civilians trapped in Vicksburg, the failure of Louisiana soldiers’ defense at the subsequent siege of Jackson, and the effect of the campaign on Confederate soldiers from the Trans-Mississippi region. The contributors explore how the Confederate Army of Mississippi and residents of Vicksburg faced food and supply shortages as well as constant danger from Union cannons and sharpshooters. Rebel troops under the leadership of General John C. Pemberton sought to stave off the Union soldiers, and though their morale plummeted, the besieged soldiers held their ground until starvation set in. Their surrender meant that Grant’s forces succeeded in splitting in half the Confederate States of America. Editors Steven E. Woodworth and Charles D. Grear, along with their contributors—Andrew S. Bledsoe, John J. Gaines, Martin J. Hershock, Richard H. Holloway, Justin S. Solonick, Scott L. Stabler, and Jonathan M. Steplyk—give a rare glimpse into the often overlooked operations at the end of the most important campaign of the Civil War.

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Insight Guide to USA On The Road is a pictorial travel guide in a magazine style providing answers to the key questions before or during your trip: deciding when to go to USA On The Road, choosing what to see, from exploring the Grand Canyon to discovering the Everglades or creating a travel plan to cover key places like the Big Sur, Yellowstone National Park. This is an ideal travel guide for travellers seeking inspiration, in-depth cultural and historical information about the USA as well as a great selection of places to see during your trip. This guide book has been fully updated post-COVID-19.The Insight Guide USA ON THE ROAD covers: The Atlantic Route; The Northern Route; The Central Route; The Southern Route; The Pacific Route.In this travel guide you will find: IN-DEPTH CULTURAL AND HISTORICAL FEATURES Created to explore the culture and the history of the USA to get a greater understanding of its modern-day life, people and politics BEST OFThe top attractions and Editor's Choice highlighting the most special places to visit around the USA.CURATED PLACES, HIGH QUALITY MAPSGeographically organised text cross-referenced against full-colour, high quality travel maps for quick orientation in New York City and many more locations in the USA.COLOUR-CODED CHAPTERS Every part of the USA, from New York to Washington has its own colour assigned for easy navigation.TIPS AND FACTSUp-to-date historical timeline and in-depth cultural background to the USA as well as an introduction to the USA's Food and Drink and fun destination-specific features. PRACTICAL TRAVEL INFORMATION A-Z of useful advice on everything from when to go to the USA, how to get there and how to get around, as well as the USA's climate, advice on tipping, etiquette and more. STRIKING PICTURESFeatures inspirational colour photography, including the stunning "drowned forests" in Louisiana and the spectacular Niagara Falls.FREE EBOOK Free eBook download with every purchase of a printed book to access all the content from your phone or tablet, for on-the-road exploration.

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A GMA Buzz Pick!A Most Anticipated Book by Essence · The Millions · Atlantic Journal Constitution · Bustle · BookPage · Nashville Scene A Best Book of February by Washington Post · NylonIn this glittering triptych novel, Suzette, Maple and Agnes, three Black women with albinism, call Shreveport, Louisiana home. At the bustling crossroads of the American South and Southwest, these three women find themselves at the crossroads of their own lives. Suzette, a pampered twenty-year-old, has been sheltered from the outside world since a dangerous childhood encounter. Now, a budding romance with a sweet mechanic allows Suzette to seek independence, which unleashes dark reactions in those closest to her. In discovering her autonomy, Suzette is forced to decide what she is willing to sacrifice in order to make her own way in the world.Maple is reeling from the unsolved murder of her free-spirited mother. She flees the media circus and her judgmental grandmother by shutting herself off from the world in a spare room of the motel where she works. One night, at a party, Maple connects with Chad, someone who may understand her pain more than she realizes, and she discovers that the key to her mother's death may be within her reach.Agnes is far from home, working yet another mind-numbing job. She attracts the interest of a lonely security guard and army veteran who's looking for a traditional life for himself and his young son. He's convinced that she wields a certain "magic," but Agnes soon unleashes a power within herself that will shock them both and send her on a trip to confront not only her family and her past, but also herself.This novel, told in three parts, is a searing meditation on grief, female strength, and self-discovery set against a backdrop of complicated social and racial histories. Nobody's Magic is a testament to the power of family-the ones you're born in and the ones you choose. And in these three narratives, among the yearning and loss, each of these women may find a seed of hope for the future.

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The USA is one of the most varied and fascinating countries in the world. Its areas of natural beauty such as the Pacific Coast, the Yosemite National Park, and Monument Valley are the stuff of great cinema (Hollywood finds its best settings practically in its backyard). For everyone who explores the USA beyond its big cities on a classic road trip, on the trail of Native Americans and pioneers, in the mountains or by lakes and beaches, unforgettable moments are guaranteed. In Great Escapes USA, Angelika Taschen presents remarkable places to stay through impressive photography, entertaining texts, and practical details on how to get there, prices, and tips for books and films. Her journey starts on the East Coast, where intellectuals and artists once met in idyllically located country houses such as the Twin Farms in Vermont and Troutbeck in New York State. It continues to the South, where The Moorings Village and Hôtel Peter & Paul, for example, tell of the history of Florida and Louisiana, and Southern belles such as the Commodore Perry Estate in Austin, Texas reveal their glamor. Dunton Hot Springs, once a miners’ camp in Colorado, now transformed from a ghost town to an upscale rustic resort, lies on the route, just like the urban utopia that is Arcosanti in Arizona, conceived by the architect Paolo Soleri in the 1970s. The trip comes to a wonderful conclusion in California with unique hotels such as Deetjen’s Big Sur Inn, where many famous writers have stayed in the Norwegian-influenced wooden cabins, laid-back motels like The Surfrider Malibu, which is all about the California dream, and heavenly destinations for gourmets, for example SingleThread in Sonoma County with its three Michelin stars. The photography in this opulent publication presents hotels in the tradition of great architects such as Frank Lloyd Wright as well as the work of young contemporary designers and buildings in the typical American mid-century style. A horse ranch, a glamping site, even a hippie bathhouse and vintage mobile homes are also included – places as varied as the USA itself.

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'James Lee Burke is the heavyweight champ, a great American novelist whose work, taken individually or as a whole, is unsurpassed.' Michael ConnellyROBICHEAUX IS A HAUNTED MAN.Detective Dave Robicheaux's beloved wife, Molly, was cruelly taken from him. Her killing left him nothing but heartbreak and unanswered questions. Now, in the heat of the Louisiana Bayou, he drinks to forget.ROBICHEAUX IS A WANTED MAN.After a heavy night, he wakes to find his hands cut and bruised. He has no idea where he's been or what he's done. When another cop tells him that the man who killed Molly has been found murdered, Robicheaux knows if he can't prove his whereabouts, he will be the prime suspect.BUT IS ROBICHEAUX AN INNOCENT MAN?He never claimed he was a saint - he doesn't even know if he did it. And to clear his name, Robicheaux will have to go to hell and back . . .Praise for one of the great American crime writers, James Lee Burke:'James Lee Burke is the heavyweight champ, a great American novelist whose work, taken individually or as a whole, is unsurpassed.' Michael Connelly'A gorgeous prose stylist.' Stephen King'Richly deserves to be described now as one of the finest crime writers America has ever produced.' Daily MailFans of Dennis Lehane, Michael Connelly and Don Winslow will love James Lee Burke: Dave Robicheaux Series1. The Neon Rain 2. Heaven's Prisoners 3. Black Cherry Blues 4. A Morning for Flamingos 5. A Stained White Radiance 6. In the Electric Mist with Confederate Dead 7. Dixie City Jam 8. Burning Angel 9. Cadillac Jukebox 10. Sunset Limited 11. Purple Cane Road 12. Jolie Blon's Bounce 13. Last Car to Elysian Fields 14. Crusader's Cross 15. Pegasus Descending 16. The Tin Roof Blowdown 17. Swan Peak 18. The Glass Rainbow 19. Creole Belle 20. Light of the World 21. Robicheaux Hackberry Holland Series1. Lay Down My Sword and Shield 2. Rain Gods 3. Feast Day of Fools 4. House of the Rising SunBilly Bob Holland Series1. Cimarron Rose 2. Heartwood 3. Bitterroot 4. In The Moon of Red Ponies * Each James Lee Burke novel can be read as a standalone or in series order *

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A concise history of the Caribbean's long and fascinating history, from pre-contact civilisations to the present day This is a concise history, intended for travellers, but of inestimable value to anyone looking for an overview of the Caribbean and its mainland coastal states, with a focus on the past few centuries. The history of the Caribbean does not make much sense without factoring in the cities - Pensacola, New Orleans, Galveston - and the ambitions of the states on its continental shores, notably the United States. This account is grounded in a look at the currents and channels of the sea, and its constraints, such as the Mosquito Coast, followed by the history of 'pre-contact' civilisations, focusing on the Maya and the Toltec Empire.With the arrival of the Europeans, from the late fifteenth century to the early years of the seventeenth century, the story becomes one of exploration, conquest and settlement. Black charts the rise of slave economies and the Caribbean's place in the Atlantic world, also the arrival of the English - Hawkins and Drake - to challenge the Spanish. He examines the sugar and coffee slave economies of the English, French, Spanish and Dutch, also the successful rebellion in Haiti in the eighteenth century, and how the West Indies were further transformed by the Louisiana Purchase, the American conquest of Florida and the incorporation of Texas.He discusses the impact of Bolivar's rebellion in Spanish America, the end of slavery in the British Caribbean, and war between Mexico and America; also the defeat of the South by the Union, the American takeover of the Panama Canal project from France, and the Spanish-American War.The first half of the twentieth century focuses on growing US power: intervention in Mexico, Honduras, Nicaragua, Panama, Haiti and the Dominican Republic; Cuba as an American protectorate, and civil wars in Mexico.The Cold War brought new tensions and conflict to the region, but the same period also saw the rise of the leisure industry. The last part of the book looks at the Caribbean today - political instability in Venezuela and Colombia, crime in Mexico, post-Castro Cuba - and the region's future prospects.

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Exploring how DH shapes and is in turn shaped by the classroom How has the field of digital humanities (DH) changed as it has moved from the corners of academic research into the classroom? And how has our DH praxis evolved through interactions with our students? This timely volume explores how DH is taught and what that reveals about the field of DH. While institutions are formally integrating DH into the curriculum and granting degrees, many instructors are still almost as new to DH as their students. As colleagues continue to ask what digital humanities is, we have the opportunity to answer them in terms of how we teach DH. The contributors to What We Teach When We Teach DH represent a wide range of disciplines, including literary and cultural studies, history, art history, philosophy, and library science. Their essays are organized around four critical topics at the heart of DH pedagogy: teachers, students, classrooms, and collaborations. This book highlights how DH can transform learning across a vast array of curricular structures, institutions, and education levels, from high schools and small liberal arts colleges to research-intensive institutions and postgraduate professional development programs. Contributors: Kathi Inman Berens, Portland State U; Jing Chen, Nanjing U; Lauren Coats, Louisiana State U; Scott Cohen, Stonehill College; Laquana Cooke, West Chester U; Rebecca Frost Davis, St. Edward’s U; Catherine DeRose; Quinn Dombrowski, Stanford U; Andrew Famiglietti, West Chester U; Jonathan D. Fitzgerald, Regis College; Emily Gilliland Grover, Notre Dame de Sion High School; Gabriel Hankins, Clemson U; Katherine D. Harris, San José State U; Jacob Heil, Davidson College; Elizabeth Hopwood, Loyola U Chicago; Hannah L. Jacobs, Duke U; Alix Keener, Stanford U; Alison Langmead, U of Pittsburgh; Sheila Liming, Champlain College; Emily McGinn, Princeton U; Nirmala Menon, Indian Institute of Technology; James O’Sullivan, U College Cork; Harvey Quamen, U of Alberta; Lisa Marie Rhody, CUNY Graduate Center; Kyle Roberts, Congregational Library and Archives; W. Russell Robinson, Alabama State U; Chelcie Juliet Rowell, Tufts U; Dibyadyuti Roy, U of Leeds; Asiel Sepúlveda, Simmons U; Andie Silva, York College, CUNY; Victoria Szabo, Duke U; Lik Hang Tsui, City U of Hong Kong; Annette Vee, U of Pittsburgh; Brandon Walsh, U of Virginia; Kalle Westerling, The British Library; Kathryn Wymer, North Carolina Central U; Claudia E. Zapata, UCLA; Benjun Zhu, Peking U. Retail e-book files for this title are screen-reader friendly.

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"Pearl's Secret" is a remarkable autobiography and family story that combines elements of history, investigative reporting, and personal narrative in a riveting, true-to-life mystery. In it, Neil Henry - a black professor of journalism and former award-winning correspondent for the "Washington Post" - sets out to piece together the murky details of his family's past. His search for the white branch of his family becomes a deeply personal odyssey, one in which Henry deploys all of his journalistic skills to uncover the paper trail that leads to blood relations who have lived for more than a century on the opposite side of the color line. At the same time Henry gives a powerful and vivid account of his black family's rise to success over the twentieth century. Throughout the course of this gripping story the author reflects on the part that racism and racial ignorance have played in his daily life - from his boyhood in largely white Seattle to his current role as a parent and educator in California. The contemporary debate over the significance of Thomas Jefferson's longtime romantic relationship with his slave, Sally Hemings, and recent DNA evidence that points to his role as the father of black descendants, have revealed the importance and volatility of the issue of dual-race legacies in American society. As Henry uncovers the dramatic history of his great-great-grandfather - a white English immigrant who fought as a Confederate officer in the Civil War, found success during Reconstruction as a Louisiana plantation owner, and enjoyed a long love affair with Henry's great-great-grandmother, a freed black slave - he grapples with an unsettling ambivalence about what he is trying to do. His straightforward, honest voice conveys both the pain and the exhilaration that his revelations bring him about himself, his family, and our society. In the book's stunning climax, the author finally meets his white kin, hears their own remarkable story of survival in America, and discovers a great deal about both the sting of racial prejudice as it is woven into the fabric of the nation, and his own proud identity as a teacher, father, and black American.

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One of Edutopia's "25 Essential Middle School Reads from the Last Decade," NPR Best Book of 2018, Bank Street List for Best Children's Books of 2019, Named to the Vermont Dorothy Canfield Fisher List, Maine's Student Book Award List, Louisiana Young Reader's Choice Award List, Rhode Island Middle School Book Award 2020 List, 2020 Oklahoma Sequoyah Book Award Nominee, 2021 South Carolina Junior Book Award Nominee, 2020-2021 Truman Award​ (Missouri) Nominee, Middle School Virginia Readers’ Choice Titles for 2020–2021​, Charlie May Simon Award 2020–2021 List, 2021–2022 Young Hoosier Book Award Nominee, and 2023 Rebecca Caudill Young Readers Book Award nominee​​. Some people can do their homework. Some people get to have crushes on boys. Some people have other things they've got to do. Seventh-grader Zoey has her hands full as she takes care of her much younger siblings after school every day while her mom works her shift at the pizza parlor. Not that her mom seems to appreciate it. At least there's Lenny, her mom's boyfriend—they all get to live in his nice, clean trailer. At school, Zoey tries to stay under the radar. Her only friend Fuchsia has her own issues, and since they're in an entirely different world than the rich kids, it's best if no one notices them. Zoey thinks how much easier everything would be if she were an octopus: eight arms to do eight things at once. Incredible camouflage ability and steady, unblinking vision. Powerful protective defenses. Unfortunately, she's not totally invisible, and one of her teachers forces her to join the debate club. Even though Zoey resists participating, debate ultimately leads her to see things in a new way: her mom’s relationship with Lenny, Fuchsia's situation, and her own place in this town of people who think they're better than her. Can Zoey find the courage to speak up, even if it means risking the most stable home she's ever had? This moving debut novel explores the cultural divides around class and the gun debate through the eyes of one girl, living on the edges of society, trying to find her way forward.

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The 7th Dave Robicheaux novel from Sunday Times bestselling author James Lee BurkeWhen a Nazi submarine is discovered lying in sixty feet of water off the Louisiana coast some troubled ghosts are ready to be released. A local businessman is offering Detective Dave Robicheaux big money to bring the wreck to the surface, but he is not the only one after the submarine and its mysterious cargo. Neo-Nazis are on the march in New Orleans, a new spirit of hatred is abroad, and its terrifying embodiment, an icy psychopath called Will Buchalter, is stalking Robicheaux's wife.Robicheaux is about to find out how deep the new current of evil runs - and just how far the crazed Buchalter will go to get his hands on the Nazis' legacy.Praise for one of the great American crime writers, James Lee Burke:'James Lee Burke is the heavyweight champ, a great American novelist whose work, taken individually or as a whole, is unsurpassed.' Michael Connelly'A gorgeous prose stylist.' Stephen King'Richly deserves to be described now as one of the finest crime writers America has ever produced.' Daily MailFans of Dennis Lehane, Michael Connelly and Don Winslow will love James Lee Burke: Dave Robicheaux Series1. The Neon Rain 2. Heaven's Prisoners 3. Black Cherry Blues 4. A Morning for Flamingos 5. A Stained White Radiance 6. In the Electric Mist with Confederate Dead 7. Dixie City Jam 8. Burning Angel 9. Cadillac Jukebox 10. Sunset Limited 11. Purple Cane Road 12. Jolie Blon's Bounce 13. Last Car to Elysian Fields 14. Crusader's Cross 15. Pegasus Descending 16. The Tin Roof Blowdown 17. Swan Peak 18. The Glass Rainbow 19. Creole Belle 20. Light of the World 21. Robicheaux Hackberry Holland Series1. Lay Down My Sword and Shield 2. Rain Gods 3. Feast Day of Fools 4. House of the Rising SunBilly Bob Holland Series1. Cimarron Rose 2. Heartwood 3. Bitterroot 4. In The Moon of Red Ponies * Each James Lee Burke novel can be read as a standalone or in series order *

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“The lyrical prose style is reminiscent of Delia Owens’s Where the Crawdads Sing but the suspension of disbelief and ability to connect to the wacky characters is what readers will find most engaging about the story.”—School Library Journal "The Art of Dumpster Diving packs a wallop. Glorious storytelling in an authentic voice.”– Adriana Trigiani New York Times bestselling author of Big Stone Gap and Tony's Wife “A moving and heart-felt story of family and community, and the symbiotic ways the two can shape and sustain one another.”– Jo Watson Hackl, Author of Smack Dab in the Middle of Maybe, Winner, Southern Book Prize for Children’s Literature From award-winning author Jennifer Moses comes an incredible story of the power of family, love and the human-spirit. Sixteen-year-old James and his little brother, Danny, live in Crystal Springs, Louisiana, with their grandmother, mother, and first cousin, Lila. The family is working class, proud, strict, and church-going. When a big, clumsy boy named Gabriel moves up the street with his minuscule and mysterious “auntie,” James has a new friend who he loves and hates in equal measure. When Grandma dies and Lila runs away, James and Danny’s mother struggles to make things work, but something’s wrong, so wrong that one awful day, James finds his mother lying in her bed, dead. Panicked, he runs to the only person he can think of, his friend Gabriel. Gabriel insists that if the authorities know that there are no adults at home, they’ll send James and Danny away to foster care or worse, and ends up convincing James that the only way to maintain any kind of decent life for himself and his little brother is to carry on as if things are normal. The boys bury the body under an abandoned house, and, as James tries to make ends meet (procuring food from dumpsters) things become increasingly desperate. 

It’s Gabriel who comes up with a “master plan” to find a woman who looks enough like the boys’ mother that she can pass for her---and get money out of the bank. They recruit Lucetta from a soup kitchen, and she moves in. For a while, things begin to look up---and then they fall apart completely. But in the process of losing everything, James and his brother Danny gain a new family, one based on grit, faith and hope.

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Discover the freedom of the open road with Lonely Planet’s Florida & the South’s Best Trips. This trusted travel companion features 30 amazing road trips, from 2-day escapes to 2-week adventures. Trace the iconic Appalachian Trail or explore the roots of the Blues Highway, all with your trusted travel companion. Get to Florida and the South, rent a car, and hit the road!Inside Lonely Planet’s Florida & the South’s Best Trips:Up-to-date information - all businesses were rechecked before publication to ensure they are still open after2020’s COVID-19 outbreakLavish color and gorgeous photography throughoutItineraries and planning advice to pick the right tailored trips for your needs and interestsGet around easily - easy-to-read, full-color route maps, detailed directionsInsider tips to get around like a local, avoid trouble spots and be safe on the road - local driving rules, parking, toll roadsEssential info at your fingertips - hours of operation, phone numbers, websites, pricesHonest reviews for all budgets - eating, sleeping, sightseeing, hidden gems that most guidebooks missUseful features - including Stretch Your Legs, Detours, Link Your Trip Covers Florida, the Carolinas, Georgia, Alabama, Mississippi, Louisiana, Arkansas, Tennessee, Kentucky and moreThe Perfect Choice: Lonely Planet Florida & the South’s Best Trips is perfect for exploring the region via the road and discovering sights that are more accessible by car.Planning a Florida trip sans a car? Lonely Planet’s Florida, our most comprehensive guide to [the state], is perfect for exploring both top sights and lesser-known gems.About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveler since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travelers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more, enabling you to explore every day. 'Lonely Planet guides are, quite simply, like no other.' – New York Times'Lonely Planet. It's on everyone's bookshelves; it's in every traveler's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' – Fairfax Media (Australia)

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"The magic here is not the supernatural kind, but rather an attention to the grace of the ordinary. It is the magic of watching these women come into their power."-New York Times"There's romance and a familial drama and examinations of identity, and though there's nothing quite supernatural, it creates a magic entirely its own." - Kevin Wilson, author of Nothing to See HereIn this glittering triptych novel, Suzette, Maple and Agnes, three Black women with albinism, call Shreveport, Louisiana home. At the bustling crossroads of the American South and Southwest, these three women find themselves at the crossroads of their own lives. Suzette, a pampered twenty-year-old, has been sheltered from the outside world since a dangerous childhood encounter. Now, a budding romance with a sweet mechanic allows Suzette to seek independence, which unleashes dark reactions in those closest to her. In discovering her autonomy, Suzette is forced to decide what she is willing to sacrifice in order to make her own way in the world.Maple is reeling from the unsolved murder of her free-spirited mother. She flees the media circus and her judgmental grandmother by shutting herself off from the world in a spare room of the motel where she works. One night, at a party, Maple connects with Chad, someone who may understand her pain more than she realizes, and she discovers that the key to her mother's death may be within her reach.Agnes is far from home, working yet another mind-numbing job. She attracts the interest of a lonely security guard and army veteran who's looking for a traditional life for himself and his young son. He's convinced that she wields a certain "magic," but Agnes soon unleashes a power within herself that will shock them both and send her on a trip to confront not only her family and her past, but also herself.This novel, told in three parts, is a searing meditation on grief, female strength, and self-discovery set against a backdrop of complicated social and racial histories. Nobody's Magic is a testament to the power of family-the ones you're born in and the ones you choose. And in these three narratives, among the yearning and loss, each of these women may find a seed of hope for the future.

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In 1861, Francis Moore appeared to be a perfectly ordinary, twenty-three year old man: a carriage maker in the bustling Mississippi River town of Quincy, Illinois. And there he might well have lived out his life in unadventurous comfort. But then the Civil War burst out, and Moore, along with most of his friends, like young men North and South, rushed to enlist in the army. His cavalry regiment soon set off for what proved to be four years of warfare, plunging him into harrowing experiences of battle that would have been unimaginable back in his small hometown and that uprooted him, body and soul, for the remainder of his life. Enter The Story of My Campaign, the remarkable Civil War memoir of Captain Francis T. Moore, which historian Thomas Bahde here offers in an original edition to contemporary readers for the first time. Moore began the war as a private in Company L of the Second Illinois Volunteer Cavalry, and was soon promoted to lieutenant and then captain of his company. He spent most of the war fighting guerillas in Missouri, Kentucky, Tennessee, Mississippi, and Louisiana. He fought at the battle of Belmont, Kentucky, in 1861 and raided Mississippi with General Benjamin Grierson in 1864. He also battled Confederate leaders, such as Nathan Bedford Forrest and Leonidas Polk. His unflinching chronicle of small-scale and irregular warfare, combined with his intimate account of military life, make his memoir as absorbing as it is historically valuable. Moore was also an unusually articulate young man with strong opinions about the war, the preservation of the Union, the institution of slavery, African Americans, the people of the South, and the Confederacy: his wartime observations and his postwar reflections on these themes provide not only a captivating narrative, they also provide readers with an opportunity to examine how the conflict endured in the memory of its veterans and the nation they served. The enormous social upheaval and staggering loss of human life during the Civil War cannot be overstated: the estimated 2 percent of Americans—or 620,000 people—who died in the conflict would be the equivalent of 6,000,000 people today. The Story of My Campaign offers an indelible account of this conflagration from the perspective of one of its survivors. It is evidence of a hard war fought—and the long hard life that followed.

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Winner of the SHEAR Book PrizeHonorable Mention, Avery O. Craven Award“Few books have captured the lived experience of slavery as powerfully.”—Ari Kelman, Times Literary Supplement“[One] of the most impressive works of American history in many years.”—The Nation“An important, arguably seminal, book…Always trenchant and learned.”—Wall Street JournalA landmark history, by the author of National Book Critics Circle Award finalist The Broken Heart of America, that shows how slavery fueled Southern capitalism.When Jefferson acquired the Louisiana Territory, he envisioned an “empire for liberty” populated by self-sufficient white farmers. Cleared of Native Americans and the remnants of European empires by Andrew Jackson, the Mississippi Valley was transformed instead into a booming capitalist economy commanded by wealthy planters, powered by steam engines, and dependent on the coerced labor of slaves. River of Dark Dreams places the Cotton Kingdom at the center of worldwide webs of exchange and exploitation that extended across oceans and drove an insatiable hunger for new lands. This bold reconsideration dramatically alters our understanding of American slavery and its role in U.S. expansionism, global capitalism, and the upcoming Civil War.Walter Johnson deftly traces the connections between the planters’ pro-slavery ideology, Atlantic commodity markets, and Southern schemes for global ascendency. Using slave narratives, popular literature, legal records, and personal correspondence, he recreates the harrowing details of daily life under cotton’s dark dominion. We meet the confidence men and gamblers who made the Valley shimmer with promise, the slave dealers, steamboat captains, and merchants who supplied the markets, the planters who wrung their civilization out of the minds and bodies of their human property, and the true believers who threatened the Union by trying to expand the Cotton Kingdom on a global scale.But at the center of the story are the enslaved people who pulled down the forests, planted the fields, picked the cotton—who labored, suffered, and resisted on the dark underside of the American dream.“Shows how the Cotton Kingdom of the 19th-century Deep South, far from being a backward outpost of feudalism, was a dynamic engine of capitalist expansion built on enslaved labor.”—A. O. Scott, New York Times“River of Dark Dreams delivers spectacularly on the long-standing mission to write ‘history from the bottom up.’”—Maya Jasanoff, New York Review of Books

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“Like taking a tour of the White House with a gifted storyteller at your side!” 1.Why, in the minutes before John F. Kennedy was murdered, was a blood-red carpet installed in the Oval Office? 2.If Abraham Lincoln never slept in the Lincoln Bedroom, where did he sleep? 3.Why was one president nearly killed in the White House on inauguration day—and another secretly sworn in? 4.What really happened in the Situation Room on September 11, 2001? History leaps off the page in this “riveting,” “fast-moving” and “highly entertaining” book on the presidency and White House in Under This Roof, from award-winning White House-based journalist Paul Brandus. Reporting from the West Wing briefing room since 2008, Brandus—the most followed White House journalist on Twitter (@WestWingReport)—weaves together stories of the presidents, their families, the events of their time—and an oft-ignored major character, the White House itself. From George Washington—who selected the winning design for the White House—to the current occupant, Barack Obama—the story of the White House is the story of America itself, Brandus writes. You’ll: 1.Walk with John Adams through the still-unfinished mansion, and watch Thomas Jefferson plot to buy the Louisiana Territory 2.Feel the fear and panic as British invaders approach the mansion in 1814—and Dolley Madison frantically saves a painting of Washington 3.Gaze out the window with Abraham Lincoln as Confederate flags flutter in the breeze on the other side of the Potomac 4.Be in the room as one president is secretly sworn in, and another gambles away the White House china in a card game 5.Stand by the presidential bed as one First Lady—covering up her husband’s illness from the nation—secretly makes decisions on his behalf 6.Learn how telephones, movies, radio, TV changed the presidency—and the nation itself Through triumph and tragedy, boom and bust, secrets and scandals, Brandus takes you to the presidential bedroom, movie theater, Situation Room, Oval Office and more. Under This Roof is a “sensuous account of the history of both the home of the President, and the men and women who designed, inhabited, and decorated it. Paul Brandus captivates with surprising, gloriously raw observations.”

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