Search results for ""Louisiana""

As the acclaimed author of The Autobiography of Miss Jane Pittman and A Lesson Before Dying, Ernest J. Gaines (b. 1933) has been publishing stories and novels for more than sixty years. His brilliant portrayals of race, community, and culture in rural south Louisiana have made him one of the most respected and beloved living American writers.Ernest J. Gaines: Conversations brings together the author's own thoughts and words in interviews that range from 1994 to 2017, discussing his life, his work, and his literary legacy. The interviews cover all of Gaines's works, including his two latest books, Mozart and Leadbelly: Stories and Essays (2005) and The Tragedy of Brady Sims (2017). The book provides a retrospective of his work from the viewpoint of a senior writer, now eighty-five years old, and gives an important international perspective on Gaines and his work.Among the many things Gaines discusses in his interviews are the recurrent themes in his works: the search for manhood, the importance of personal responsibility and standing with dignity, the problems of fathers and sons, and the challenges of race and racism in America. He examines his fictional world and his strong sense of place, his role as teacher and mentor, the importance of strong women in his life, and the influence of spirituality, religion, and music on his work. He also talks about storytelling, the nature of narrative, writing as a journey, and how he sees himself as a storyteller.

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How did the ideology that inspired the American Revolution and the U.S. Constitution translate into foreign policy? John Adams, Thomas Jefferson, James Madison, and Alexander Hamilton each struggled with this question as they encountered foreign powers. The French Revolution, the purchase of the Louisiana Territory, and the illegal seizures of U.S. ships and sailors on the high seas all brought diplomatic challenges. In the process of developing foreign policy, the founding generation refined the meaning of republicanism. In Keeping the Republic, Robert W. Smith identifies three contending brands of republicanism—classical, whig, and yeoman—that shaped the founders' thinking. Jefferson and Madison pursued a yeoman republicanism with its faith in economic sanctions rather than military might as a means of diplomacy. Nations dependent upon American agricultural exports, they thought, would bow to American interests. Both Adams and Hamilton, originally admirers of classical republicanism and its belief in public virtue, came to adopt a whig republicanism that applied the balance-of-power principle, exemplified by the three branches of the federal government, to the international community. In this view, nations should have equal naval power. Ideology had real consequences: Jefferson's insistence on imposing a trade embargo rather than considering alternative solutions resulted in the War of 1812. This process of translating ideology into foreign policy, so ably described in Keeping the Republic, continues to shape American international relations in the twenty-first century.

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In this original and provocative book, Colin Dayan tackles head-on the inexhaustible world, at once tender and fierce, of dogs and humans. We follow the tracks of dogs in the bayous of Louisiana, the streets of Istanbul, and the humane societies of the United States, and in the memories and myths of the humans who love them. Dayan reorients our ethical and political assumptions through a trans-species engagement that risks as much as it promises. She makes a powerful case for questioning what we think of as our deepest-held beliefs and, with dogs in the lead, unsettles the dubious promises of liberal humanism. Moving seamlessly between memoir, case law, and film, Dayan takes politics and animal studies in a new direction-one that gives us glimpses of how we can think beyond ourselves and with other beings. Her unconventional perspective raises hard questions and renews what it means for any animal or human to live in the twenty-first century. Nothing less than a challenge for us to confront violence and suffering even in the privileged precincts of modernity, this searing and lyrical book calls for another way to think the world. Theoretically sophisticated yet aimed at a broad readership, With Dogs at the Edge of Life illuminates how dogs-and their struggles-take us beyond sentimentality and into a form of thought that can make a difference to our lives.

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Known for its soaring towers that mark the skylines of the world's great cities, Pelli Clarke Pelli Architects is also a leading designer of performing arts centres, including critically acclaimed venues for opera, dance, plays, and concerts. The firm's award-winning work in this highly demanding field is vast, with examples ranging from one of largest performing arts centres in the United States to intimate theatres on college campuses. Highlighting the firm's technically rigorous and aesthetically inspiring designs, Perform features a selection of concert halls and theatres, and cultural centres, including such prominent and distinctive works as the Overture Center for the Arts in Madison, Wisconsin, and the Adrienne Arsht Center in Miami. Designed with renowned acousticians and theatre planners, these performance halls are both architecturally exciting and technically advanced. This book explores the design of beautiful and uplifting spaces that allow the performing arts to shine while adding life to their surroundings. Selected Projects: - Hancher, University of Iowa - The George S. and Dolores Doré Eccles Theater - Wintrust Arena - Multi-purpose Auditorium, Hong Kong University - Science and Technology - The Theatre School, DePaul University - St. Katherine Drexel Chapel, Xavier University of Louisiana - BOK Center - Renée and Henry Segerstrom Concert Hall and Samueli Theater - The Adrienne Arsht Center for the Performing Arts of Miami-Dade County - Overture Center for the Arts - South Coast Repertory Theater - Schuster Performing Arts Center - Dewan Filharmonik at Petronas Towers - Aronoff Center for the Arts - North Carolina Blumenthal Performing Arts Center.

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From one of rap’s most personal and evocative writers comes a stirring memoir about how Boosie Badazz, one of the industry’s most controversial figures, was able to overcome insurmountable odds to make his music dreams a reality.A Baton Rouge native who began rapping at age fourteen, Boosie Badazz was already a cult hero in Louisiana when, in 2009, he was sentenced to two years in prison. The next year, he was indicted on even more serious charges, eventually landing him on Death Row. Prosecutors played Boosie’s music in the courtroom in an attempt to paint him as a thug with no chance of redemption. However, against overwhelming odds and the backdrop of a social media campaign to #FreeBoosie, he was freed in March of 2014 with a rare second chance to make his music dreams come true. In this evocative and compelling memoir, Boosie explores the relationship between his life on the streets with his ceaseless tear through the rap industry. From near-death experiences to a ruthless bout with kidney cancer to a life-threatening diabetes diagnosis, Boosie has overcome remarkable challenges to make a name for himself as one of rap’s most influential voices. A redemptive story with an urgent voice, Cross the Tracks is the survival tale of a man who wasn’t sure he would live to see another day...but who rose from the ashes to change the rap industry forever.

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Featured on LeVar Burton Reads “Like Oscar Wilde or Ray Bradbury, E. Lily Yu writes the kind of delicious short stories that come with a sting in the tail. Utterly beguiling.” —Kelly Link, bestselling author of Get in Trouble“Each story here is a gem. A trove of fantastical treasures.” —Kirkus Reviews STARRED REVIEW “An astonishing collection of stories…transformative.” —Library Journal STARRED REVIEWThe strange, the sublime, and the monstrous confront one another with astonishing consequences in this collection of twenty-two stories from award-winning writer E. Lily Yu.In the village of Yiwei, a fallen wasp nest unfurls into a beautifully accurate map. In a field in Louisiana, birdwatchers forge an indelible connection over a shared glimpse of a Vermilion Flycatcher, and fall. In Nineveh, a judge who prides himself on impartiality finds himself questioned by a mysterious god. On a nameless shore, a small monster searches for refuge and finds unexpected courage.At turns bittersweet and boundary-breaking, poignant and profound, these twenty-two stories sing, as the oldest fables do, of what it means to be alive in this strange, terrible, beautiful world. For readers who loved the intelligence and compassion in Kim Fu's Lesser Known Monsters of the 21st Century and the dreamlike prose of Kelly Link's Magic for Beginners, this collection introduces the short fiction of E. Lily Yu, winner of the Astounding Award for Best New Writer and author of the Washington Book Award–winning novel On Fragile Waves, praised by the New York Times Book Review as "devastating and perfect.""A lovely story." —LeVar Burton, on "The Pilgrim and The Angel" (from Jewel Box: Stories)

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The best professional advice Henry Horenstein ever received was to “shoot what you love.” He’s been doing that for more than four decades, capturing photographs that often richly evoke older cultures and places, especially ones that are disappearing: country musicians in Branson, horse racing at Saratoga Springs, nightlife in Buenos Aires, fais do-dos in Cajun Louisiana, old highways everywhere. Horenstein brings these images together in this rich visual memoir, along with behind-the-scenes stories, insights, and tips and suggestions for being a better photographer. His photographs and engaging, often humorous stories chronicle a career that begins in the 1960s, when photography was a trade and even the greatest photographers were not considered to be artists. He amusingly recounts his early assignments. Using his family and friends as subjects for a book on drug abuse was not too much of a stretch, he says, and while shooting Dolly Parton for what would become the Boston Phoenix, the star told him, “Honey, people don’t come out to see me looking like them.” He engagingly recalls his shoots with stars like the Lennon Sisters and Emmylou Harris, as well as his encounters with Ansel Adams, Minor White, Aaron Siskind, Harry Callahan, Nan Goldin, and many other photo legends. Commanding these pages, though, are the subjects with whom Horenstein has chosen to spend most of his professional career, shooting what he loves. His images of honky-tonk stars, stock car drivers, exotic sea creatures, mixed-race residents of rural Maryland, and Venezuelan baseball players tell what he calls “a good story . . . with humor and a punch line, if possible.”

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* AN OPRAH'S BOOK CLUB PICK * ‘A spectacular achievement’ ANTHONY DOERR ‘Extravagantly beautiful’ DAILY MAIL ‘One of the greatest writers of all time’ JACQUELINE WOODSON ‘Extraordinary’ GUARDIAN ‘The best book I’ve read in years’ LOUISE KENNEDY ----------------------- The first weapon I ever held was my mother's hand. On a slave plantation in the Carolinas, Annis has survived in the light of her mother’s resilience, comforted by stories of her African warrior grandmother. Everything she knows, she learned from her mother – how to fight, how to be strong, how to grow up in a world shrouded in darkness. When she is sold south by the white enslaver who fathered her, Annis must venture onward through the rich but unforgiving landscapes of the American South alone: from the rice fields of the Carolinas to the slave markets of New Orleans, and into the fearsome heart of a Louisiana sugar plantation. Searching for relief in memories of her mother, she opens herself to a world beyond her own, teeming with spirits of earth, water, history and myth. A reimagining of American slavery as beautifully rendered as it is heart-wrenching, Let Us Descend offers a magnificent portrait of the strength of the human spirit and its ability to emerge from darkness into light. This is a story of beauty, love, rebirth and reclamation – a masterwork for the ages. Praise for Sing, Unburied, Sing ‘A must’ Margaret Atwood ‘One of the most important writers in America today’ Ann Patchett ‘Ward is a lyrical, visceral storyteller’ Daily Mail ‘A searing, urgent read’ Celeste Ng ‘Plays out like a grand epic … Staggering’ Marlon James

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A visionary and poignant novel centered around former newspaperman Sam Cunningham as he prepares to die, Late City covers much of the early twentieth century, unfurling as a conversation between the dying man and a surprising God. As the two review Sam's life, from his childhood in the American South and his time in the French trenches during World War I to his fledgling newspaper career in Chicago in the Roaring Twenties and the decades that follow, snippets of history are brought sharply into focus. Sam grows up in Louisiana, with a harsh father, who he comes to resent both for his physical abuse and for what Sam eventually perceives as his flawed morality. Eager to escape and prove himself, Sam enlists in the army as a sniper while still underage. The hardness his father instilled in him helps him make it out of World War I alive, but, as he recounts these tales on his deathbed, we come to realize that it also prevents him from contending with the emotional wounds of war. Back in the US, Sam moves to Chicago to begin a career as a newspaperman that will bring him close to all the major historical turns of the twentieth century. There he meets his wife and has a son, whose fate counters Sam's at almost every turn. As he contemplates his relationships - with his parents, his brothers in arms, his wife, his editor, and most importantly, his son - Sam is amazed at what he still has left to learn about himself after all these years in this heart-rending novel from the Pulitzer Prize winner.

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In the 150 years since the birth of the petroleum industry oil has saturated our culture, fueling our cars and wars, our economy and policies. But just as thoroughly, culture saturates oil. So what exactly is “oil culture”? This book pursues an answer through petrocapitalism’s history in literature, film, fine art, wartime propaganda, and museum displays. Investigating cultural discourses that have taken shape around oil, these essays compose the first sustained attempt to understand how petroleum has suffused the Western imagination. The contributors to this volume examine the oil culture nexus, beginning with the whale oil culture it replaced and analyzing literature and films such as Giant, Sundown, Bernardo Bertolucci’s La Via del Petrolio, and Ben Okri’s “What the Tapster Saw”; corporate art, museum installations, and contemporary photography; and in apocalyptic visions of environmental disaster and science fiction. By considering oil as both a natural resource and a trope, the authors show how oil’s dominance is part of culture rather than an economic or physical necessity. Oil Culture sees beyond oil capitalism to alternative modes of energy production and consumption. Contributors: Georgiana Banita, U of Bamberg; Frederick Buell, Queens College; Gerry Canavan, Marquette U; Melanie Doherty, Wesleyan College; Sarah Frohardt-Lane, Ripon College, Matthew T. Huber, Syracuse U; Dolly Jørgensen, Umeå U; Stephanie LeMenager, U of Oregon; Hanna Musiol, Northeastern U; Chad H. Parker, U of Louisiana at Lafayette; Ruth Salvaggio, U of North Carolina, Chapel Hill; Heidi Scott, Florida International U; Imre Szeman, U of Alberta; Michael Watts, U of California, Berkeley; Jennifer Wenzel, Columbia University; Sheena Wilson, U of Alberta; Rochelle Raineri Zuck, U of Minnesota Duluth; Catherine Zuromskis, U of New Mexico.

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Over the past quarter century, dramatic technological advances in the production, manipulation, and dissemination of images have transformed the practices of journalism, entertainment, and advertising as well as the visual environment itself. From digital retouching to wholesale deception, the media world is now beset by an unprecedented range of moral, ethical, legal, and professional challenges. Image Ethics in the Digital Age brings together leading experts in the fields of journalism, media studies, and law to address these challenges and assess their implications for personal and societal values and behavior.Among the issues raised are the threat to journalistic integrity posed by visual editing software; the monopolization of image archives by a handful of corporations and its impact on copyright and fair use laws; the instantaneous electronic distribution of images of dubious provenance around the world; the erosion of privacy and civility under the onslaught of sensationalistic twenty-four-hour television news coverage and entertainment programming; and the increasingly widespread use of surveillance cameras in public spaces. This volume of original essays is vital reading for anyone concerned with the influence of the mass media in the digital age.Contributors: Howard S. Becker; Derek Bousé, Eastern Mediterranean U, Cyprus; Hart Cohen, U of Western Sydney; Jessica M. Fishman; Paul Frosh, Hebrew U of Jerusalem; Faye Ginsburg, New York U; Laura Grindstaff, U of California, Davis; Dianne Hagaman; Sheldon W. Halpern, Ohio State U; Darrell Y. Hamamoto, U of California, Davis; Marguerite Moritz, U of Colorado, Boulder; David D. Perlmutter, Louisiana State U; Dona Schwartz, U of Minnesota; Matthew Soar, Concordia University; Stephen E. Weil, Smithsonian Institution’s Center for Education and Museum Studies.

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This gripping study examines slave resistance and protest in antebellum Florida and its local and national impact from 1821 to 1865. Using a variety of sources such as slaveholders' wills and probate records, ledgers, account books, court records, oral histories, and numerous newspaper accounts, Larry Eugene Rivers discusses the historical significance of Florida as a runaway slave haven dating back to the seventeenth century and explains Florida's unique history of slave resistance and protest. In moving detail, Rivers illustrates what life was like for enslaved blacks whose families were pulled asunder as they relocated from the Upper South to the Lower South to an untamed place such as Florida, and how they fought back any way they could to control small parts of their own lives. Against a smoldering backdrop of violence, this study analyzes the various degrees of slave resistance--from the perspectives of both slave and master--and how they differed in various regions of antebellum Florida. In particular, Rivers demonstrates how the Atlantic world view of some enslaved blacks successfully aided their escape to freedom, a path that did not always lead North but sometimes farther South to the Bahama Islands and Caribbean. Identifying more commonly known slave rebellions such as the Stono, Louisiana, Denmark (Telemaque) Vesey, Gabriel, and the Nat Turner insurrections, Rivers argues persuasively that the size, scope, and intensity of black resistance in the Second Seminole War makes it the largest sustained slave insurrection ever to occur in American history.Meticulously researched, Rebels and Runaways offers a detailed account of resistance, protest, and violence as enslaved blacks fought for freedom.

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“A work of art. In each of the pages, you will feel the flow of a powerful energy which will murmur to each of your cells that it is time to come out of hiding, to open the windows, to breathe freely, to dress colorfully… to fly.”—Laura Esquivel, author of Like Water for ChocolateAn illustrated fable for all ages about a Mexican-American girl who transforms into a monarch butterfly and undertakes the great migration to Mexico, Monarca braids together the values of heritage, ecology, and personal transformation.On her thirteenth birthday, Inés receives a mysterious necklace from her abuela in Mexico that turns her into a monarch butterfly—the fulfilment of a prophecy linking Inés’ destiny to her family’s legacy and the butterflies’ survival.The adventure continues as Inés joins the monarchs on their long journey south to the butterfly sanctuary in Mexico—an odyssey that has become increasingly perilous due to human activity. Together, the swarm travels from the northeast to the swamps of Louisiana to the pine-filled mountain tops of the western Sierra Madre, finally alighting at the Sierra Chincua sanctuary. On this wondrous journey in the vein of Jonathan Livingston Seagull and The Little Prince, Inés discovers the connections between all living beings, and the urgent need to protect the monarchs' migration and habitats. Divided into four chapters to mirror the four stages in a monarch’s life—egg, larva, pupa and butterfly—Monarca blends Mexican folklore, environmentalism, and magical realism in an enchanting novella. Illustrated with stunning full-color drawings by Leopoldo Gout, this book will inspire readers to protect and cherish the sacred natural world around them.

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Find Joy in the Beauty and Wonder of Birds Birding is among the most popular outdoor activities—especially in the South, where hundreds of different bird species can be seen and observed. Now is the perfect time to join the fun and let our feathered friends astonish and inspire you. Award-winning author, naturalist, and wildlife photographer Stan Tekiela has written best-selling bird identification guides for every Southern state. In Stan Tekiela’s Birding for Beginners: South, he provides the information you need to become a skilled birder in Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, east Oklahoma, South Carolina, Tennessee, east Texas, Virginia, and West Virginia. The first section of the book presents “how to” information. Learn the basics of bird feeders. Get to know your birdseed. Create a bird-friendly yard—and even make your own bird food with do-it-yourself recipes. The book’s second section is an identification guide, featuring 54 Southern birds that are most likely to be seen at your backyard feeder or near your home. The species are organized by color, making it simple to identify what you see. If you spot a yellow bird, go to the yellow section to discover what it is. Each bird gets a full-page photograph with notations about key field marks, or identification characteristics. The full-color photos are paired with information ranging from the bird’s nest and eggs to favorite foods, as well as Stan’s fascinating naturalist notes. Give birding a try, and get started with the guidance of an expert. You’ll be amazed by how much joy birds can bring, and you’ll have a lifetime to enjoy them.

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JACK LARK: SOLDIER, LEADER, IMPOSTER.The eighth book in the exhilarating military adventure series for fans of Bernard Cornwell, Conn Iggulden and Angus Donald. 'Classic Jack Lark in a classic western... an exceptionally entertaining historical action adventure' Matthew Harffy 'If you are looking for nonstop high-octane adventure with lots of pulsating action, this is for you. Strap on a navy Colt, mount up - and enjoy' Historical Novel Society 'An excellent, gripping, old-fashion Western yarn, with first-class blood-and-guts action sequences - a real white-knuckle page-turner.' Angus DonaldLouisiana, 1863. Jack Lark is on the long and lonely road to nowhere, the battlefield behind him. But soon his soldier skill lands him a job, and a new purpose - defending a valuable wagon train of cotton as it journeys down through Texas to Mexico. Working for another man, let alone the volatile Brannigan, isn't going to be easy. And with the Deep South's most infamous outlaws hot on their trail, Jack knows he is living on borrowed time. As they cross the border, Jack quickly discovers that the usual rules of war don't apply. He will have to fight to survive, and this time the battle might prove one he could lose. THE LOST OUTLAW: JACK LARK BOOK 8 ⭐⭐⭐⭐⭐ READERS CAN'T GET ENOUGH OF JACK LARK: 'A gritty story of murder and betrayal, and eventually revenge' 'Some of the most ruthless characters ever created in historical fiction' 'The action throughout is ferocious, the battles and the gunfights, bloody, vivid and visceral' 'Jack Lark is a hero I'll happily follow' 'Paul Fraser Collard goes from strength to strength'

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Creole Soul: Zydeco Lives is an exquisitely photographed volume of interviews with contemporary zydeco musicians. Featuring the voices of zydeco’s venerable senior generation and its current agents of change, this book celebrates a musical world full of passion, energy, cowboy hats and boots, banging bass, horse trailers, joy, and dazzling dance moves. Author Burt Feintuch captures an important American music in the process of significant—and sometimes controversial—change. Creole Soul draws us into conversations with zydeco musicians from Texas and Louisiana, most of them bandleaders, including Ed Poullard, Lawrence "Black" Ardoin, Step Rideau, Brian Jack, Jerome Batiste, Ruben Moreno, Nathan Williams Jr., Leroy Thomas, Corey Ledet, Sean Ardoin, and Dwayne Dopsie. Some of the interviewees represent the contemporary scene and are among today’s most popular performers along the Creole Corridor. Others are rooted in older French music forms and are especially well qualified to talk about zydeco’s origins. The musicians speak freely, whether discussing the death of a famed musician or describing a memorable performance, such as when Boozoo Chavis played the accordion while dripping blood on stage shortly after a freak barbeque-building accident that sliced off parts of two of his fingers. They address the influence of rap on today’s zydeco music and discuss how to pass music along to a younger generation—and how not to. They weigh the merits of the old-time zydeco clubs versus today’s casinos and African American trailrides, which come complete with horses and the loudest zydeco bands you can imagine. In Creole Soul, zydeco musicians give an unprecedented look into their lives, their music, and their culture.

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In one of America's most notorious prisons, a young man sentenced to life without parole miraculously found faith, forgiveness, redemption, and restoration. In 27 Summers Ronald Olivier shares his dramatic and powerful story and offers proof that God can bring healing and hope to even the darkest circumstances. As a teenager Ronald Olivier ran wild in the streets of New Orleans, selling drugs, stealing cars, and finally killing someone on what was supposed to be the happiest day of the year--Christmas Day. Facing the consequences of his crime, he remembered what his mother once said. "Baby, if you ever have real trouble, the kind that I can't get you out of, you can always call on Jesus." So he did.Ron was sentenced to life in prison without parole. Through the agony of solitary confinement and multiple transfers into increasingly dangerous prison environments, Ron kept seeking God for healing and hope. Finally, after being locked up for twenty-seven summers at the notorious Louisiana State Penitentiary--known as Angola--Ron was miraculously released. Remarkably, he became the director of chaplains at Mississippi State Penitentiary. Today, Ron loves to combat hopelessness, wherever he finds it, by saying, "Don't tell me what God can't do!”Readers will learn new insights about faith and patience from a man who spent almost three decades in a cruel and violent environment; be encouraged, like Ron, to find grace and forgiveness to overcome the pain of their past; and find hope that God can redeem and restore anyone. Ron's fascinating story brilliantly displays God's power to transform individuals, families, and communities, reminding us that there truly is nothing God can't do.

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This collection of essays, comprised of research first presented at the seventh annual Louisiana Conference on Literature, Language, and Culture, explores one of the most pervasive, vexing, and alluring concepts in the Humanities, that of place. Including essays which encompass a broad range of research fields and methodologies, from Geography to Cybernetics, it presents a cross-section of approaches aimed revealing the complex cultural machinations behind what once may have seemed a static, one-dimensional topic.Investigations into the function of place as a force in contemporary culture inevitably reveal a long history of the interplay between place and cultural product, between 'context' and 'text'. Just as traditional cultures mythologize sacred spaces, so too has Western culture sanctified its own places through its literature. Imagined places such as Faulker’s Yoknapatawpha or Joyce’s Dublin become the focus of conferences and festivals; authors’ homes, birthplaces, and gravesites are transformed into sites of pilgrimage; locales created for television shows and movies become actual businesses catering to a public for whom the line between fantasy and reality is increasingly blurred; and persisting through the great cultural shifts of the past two hundred years is the popular and romantic notion that words, performances, narratives, and even national identities are always in some way an expression of the places in which they are created and set. With the idea of place foregrounded in so much contemporary discourse, this collection promises to enter into an already lively debate and one which, due to its relevance to where we live and how we make sense of our own “places” within them, does not show any signs of flagging.

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In American political fantasy, the Founding Fathers loom large, at once historical and mythical figures. In The Traumatic Colonel, Michael J. Drexler and Ed White examine the Founders as imaginative fictions, characters in the specifically literary sense, whose significance emerged from narrative elements clustered around them. From the revolutionary era through the 1790s, the Founders took shape as a significant cultural system for thinking about politics, race, and sexuality. Yet after 1800, amid the pressures of the Louisiana Purchase and the Haitian Revolution, this system could no longer accommodate the deep anxieties about the United States as a slave nation. Drexler and White assert that the most emblematic of the political tensions of the time is the figure of Aaron Burr, whose rise and fall were detailed in the literature of his time: his electoral tie with Thomas Jefferson in 1800, the accusations of seduction, the notorious duel with Alexander Hamilton, his machinations as the schemer of a breakaway empire, and his spectacular treason trial. The authors venture a psychoanalytically-informed exploration of post-revolutionary America to suggest that the figure of “Burr” was fundamentally a displaced fantasy for addressing the Haitian Revolution. Drexler and White expose how the historical and literary fictions of the nation’s founding served to repress the larger issue of the slave system and uncover the Burr myth as the crux of that repression. Exploring early American novels, such as the works of Charles Brockden Brown and Tabitha Gilman Tenney, as well as the pamphlets, polemics, tracts, and biographies of the early republican period, the authors speculate that this flourishing of political writing illuminates the notorious gap in U.S. literary history between 1800 and 1820.

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Protecting the Empire’s Frontier tells stories of the roughly eighty officers who served in the 18th (Royal Irish) Regiment of Foot, which served British interests in America during the crucial period from 1767 through 1776. The Royal Irish was one of the most wide-ranging regiments in America, with companies serving on the Illinois frontier, at Fort Pitt, and in Boston, New York, and Philadelphia, with some companies taken as far afield as Florida, Spanish Louisiana, and present-day Maine. When the regiment was returned to England in 1776, some of the officers remained in America on staff assignments. Others joined provincial regiments, and a few joined the American revolutionary army, taking up arms against their king and former colleagues. Using a wide range of archival resources previously untapped by scholars, the text goes beyond just these officers’ service in the regiment and tells the story of the men who included governors, a college president, land speculators, physicians, and officers in many other British regular and provincial regiments. Included in these ranks were an Irishman who would serve in the U.S. Congress and as an American general at Yorktown; a landed aristocrat who represented Bath as a member of Parliament; and a naval surgeon on the ship transporting Benjamin Franklin to France. This is the history of the American Revolutionary period from a most gripping and everyday perspective. An epilogue covers the Royal Irish’s history after returning to England and its part in defending against both the Franco-Spanish invasion attempt and the Gordon Rioters. With an essay on sources and a complete bibliography, this is a treat for professional and amateur historians alike.

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In Biography and the Black Atlantic, leading historians in the field of Atlantic studies examine the biographies and autobiographies of eighteenth- and nineteenth-century African-descended people and reflect on the opportunities and limitations these life stories present to studies of slavery and the African diaspora. The essays remind us that historical developments like slavery and empire-building were mostly experienced and shaped by men and women outside of the elite political, economic, and military groups to which historians often turn as sources. Despite the scarcity of written records and other methodological challenges, the contributors to Biography and the Black Atlantic have pieced together vivid glimpses into lives of remarkable, through previously unknown, enslaved and formerly enslaved people who moved, struggled, and endured in different parts of Africa, the Americas, and Europe. From the woman of Fulani origin who made her way from Revolutionary Haiti to Louisiana to the free black American who sailed for Liberia and the former slave from Brazil who became a major slave trader in Angola, these stories render the Atlantic world as a densely and sometimes unpredictably interconnected sphere. Biography and the Black Atlantic demonstrates the power of individual stories to illuminate history: though the life histories recounted here often involved extraordinary achievement and survival against the odds, they also portray the struggle for self-determination and community in the midst of alienation that lies at the heart of the modern condition. Contributors: James T. Campbell, Vincent Carretta, Roquinaldo Ferreira, Jean-Michel Hébrard, Martin Klein, Lloyd S. Kramer, Sheryl Kroen, Jane Landers, Lisa A. Lindsay, Joseph C. Miller, Cassandra Pybus, João José Reis, Rebecca J. Scott, Jon Sensbach, John Wood Sweet.

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In September 1939, when Nazi Germany invaded Poland and initiated World War II, a strong strain of isolationism existed in Congress and across the country. The U.S. Army stood at fewer than 200,000 men—unprepared to defend the country, much less carry the fight to Europe and the Far East. And yet, less than a year after Pearl Harbor, the American army led the Allied invasion of North Africa, beginning the campaign that would defeat Germany, and the Navy and Marines were fully engaged with Japan in the Pacific.The story of America’s astounding industrial mobilization during World War II has been told. But what has never been chronicled before Paul Dickson’s The Rise of the G. I. Army, 1940-1941 is the extraordinary transformation of America’s military from a disparate collection of camps with dilapidated equipment into a well-trained and spirited army ten times its prior size in little more than eighteen months. From Franklin Roosevelt’s selection of George C. Marshall to be Army Chief of Staff to the remarkable peace-time draft of 1940 and the massive and unprecedented mock battles in Tennessee, Louisiana, and the Carolinas by which the skill and spirit of the Army were forged and out of which iconic leaders like Eisenhower, Bradley, and Clark emerged; Dickson narrates America’s urgent mobilization against a backdrop of political and cultural isolationist resistance and racial tension at home, and the increasingly perceived threat of attack from both Germany and Japan.An important addition to American history, The Rise of the G. I. Army, 1940-1941 is essential to our understanding of America’s involvement in World War II.

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From the world of Good Night Stories for Rebel Girls comes a story based on the life of Madam C.J. Walker, America's first female self-made millionaire.Sarah is the first person in her family who wasn't born into slavery in Delta, Louisiana. But being free doesn't mean that Sarah doesn't have to work. She cooks, she cleans, she picks cotton, she does laundry, and she babysits. And when she works, she wraps up her hair.One day, Sarah's hair starts to fall out! It's itchy, crunchy, patchy, and won't grow. Instead of giving up, Sarah searches for the right products. And then she invents something better than any shampoo or hair oil she's used before. Her hair grows and grows! That's when she decides to rebrand herself as "Madam C. J. Walker," and begins her business empire.Madam C. J. Walker Builds a Business is the story of a leader in the hair care industry, but it's also an inspiring tale about the importance of empowering women to become economically independent.This historical fiction chapter book includes additional text on Madam C. J. Walker's lasting legacy, as well as educational activities designed to encourage entrepreneurship.About the Rebel Girls Chapter Book SeriesMeet extraordinary real-life heroines in the Good Night Stories for Rebel Girls chapter book series! Introducing stories based on the lives of extraordinary women in global history, each stunningly designed chapter book features beautiful illustrations from a female artist as well as bonus activities in the backmatter to encourage kids to explore the various fields in which each of these women thrived. The perfect gift to inspire any young reader!

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Don’t miss this humorous and heartwarming picture book by debut creator Breanna Carzoo about an unlikely everyday hero: a fire hydrant! Perfect for fans of The Good Egg and The Bad Seed.Meet Lou. Lou has an important job . . . as the neighborhood toilet for dogs on their walks.Useful as he may be, he gets the feeling that deep down inside, there might be more to him than that. He just doesn’t seem to know exactly what yet. When disaster strikes, will Lou find out what he’s made of and save the day?From debut creator Breanna Carzoo comes a charming and funny story that reminds us to never let anyone—including yourself—hold you back from sharing your gifts with the world.Kids will fall in love with Lou and his journey of self-discovery as he saves the day from a fire that breaks out in an apartment building nearby. You’ll never be able to look at a fire hydrant the same way again! A BARNES & NOBLE CHILDREN'S BOOK AWARDS SHORTLIST PICK! A KIRKUS BEST PICTURE BOOK OF 2022! A 2024 COLORADO CHILDREN'S BOOK AWARD NOMINEE! A 2023 GRAND CANYON READER AWARD NOMINEE! THE NORTH CENTRAL MICHIGAN COLLEGE CHILDREN'S BOOK OF THE YEAR 2023! A MISSOURI BUILDING BLOCK PICTURE BOOK AWARD NOMINEE! CHOSEN FOR THE 2022 SOCIETY OF ILLUSTRATORS ORIGINAL ART SHOW! A 2024 DONNA NORVELL OKLAHOMA BOOK AWARD NOMINEE! A BLUE CRAB YOUNG READER AWARD HONOR BOOK! A 2024-2025 LOUISIANA YOUNG READERS AWARD NOMINEE! AN OKLAHOMA REDBUD READ-ALOUD AWARD NOMINEE! A 2023 MICHIGAN LIBRARIAN ASSOCIATION TOP ELEVEN MITTEN AWARD FINALIST!

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Hungry for your favorite meal from Chili's, P.F. Chang's, or The Cheesecake Factory? You can satisfy those cravings at home-without the expensive bill after dessert.Bestselling authors Bruce Weinstein and Mark Scarbrough are the authorities on getting the most out of your Instant Pot, having sold hundreds of thousands of copies of their Instant Pot Bible cookbooks. Now, they reveal the secrets to bringing all the flavor and excitement from dozens of beloved restaurants into your own Instant Pot-from Applebee's and Buca di Beppo to Olive Garden and Ruby Tuesday.Not only do these 175 original recipes taste like the real thing, they put you in control of the cooking. That means you can avoid processed foods, use the ingredients you prefer, and adjust each dish to meet your dietary needs. Plus, they have all been tested to work with every model of Instant Pot.With Instant Pot Bible: Copycat Recipes, any night can taste like dining out on the weekend, featuring original Instant Pot versions of:- Chipotle's Queso Blanco- Hale and Hearty's Chicken Pot Pie Soup- Red Robin's Creamy Artichoke and Spinach Dip- The Capital Grille's Lobster Mac-and-Cheese- P. F. Chang's Spicy Miso Ramen- Applebee's Three Cheese Chicken Penne- Buca di Beppo's World-Famous Meatballs- Cracker Barrel's Sunday Pot Roast- Café Rio's Sweet Pork Barbacoa Tostadas- Noodles & Company's Pad Thai with Shrimp- Popeye's Louisiana Kitchen's Cajun Rice- Marie Callender's Famous Golden Cornbread- The Cheesecake Factory's Marshmallow S'mores Cheesecake...and other dishes inspired by Buffalo Wild Wings, Rao's, Outback Steakhouse, Red Lobster, TGI Friday's, and more!

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NOW A NEW YORK TIMES BESTSELLER! ‘AN INTENSE AND BROODING THRILLER ’ – THE OBSERVER A intensely romantic and atmospheric thriller for young adults, full of twists and turns with a simmering supernatural undercurrent. Perfect for fans of Holly Jackson, Karen McManus and Delia Owens’ Where the Crawdads Sing When seventeen-year-old Grey makes her annual visit to La Cachette, Louisiana – the tiny bayou town that proclaims to be the “Psychic Capital of the World” – she knows it will be different from past years: her childhood best friend Elora went missing several months earlier and no one is telling the truth about the night she disappears. Grey can’t believe that Elora vanished into thin air any more than she can believe that nobody in a town full of psychics knows what happened. But as she digs into the night that Elora went missing, she begins to realize that everybody in town is hiding something—her grandmother Honey; her childhood crush Hart; and even her late mother, whose secrets continue to call to Grey from beyond the grave. When a mysterious stranger emerges from the bayou – a stormy-eyed boy with links to Elora and the town’s bloody history – Grey realizes that La Cachette’s past is far more present and dangerous than she’d ever understood. She doesn’t know who she can trust. In a town where secrets lurk just below the surface, and where a murderer is on the loose, nobody can be presumed innocent—and La Cachette’s dark and shallow lies may just rip the town apart.

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101st Airborne Division was activated in August 1942 in Louisiana, and its first combat mission was Operation Overlord. On D-Day—June 6, 1944—101st and 82nd Airborne dropped onto the Cotentin peninsula hours before the landings, tasked with capturing bridges and positions, taking out German strongpoints and batteries, and securing the exits from Utah and Omaha Beaches. Things did not initially go smoothly for 101st Airborne, with cloud and antiaircraft fire disrupting the drops resulting in some units landing scattered over a large area outside their designated drop zones and having to waste time assembling—stymied by lost or damaged radio equipment—or trying to achieve their objectives with severely reduced numbers. Casualties were high in some areas due to heavy pre-registered German fire. Nevertheless, the paratroopers fought on and they did manage to secure the crucial beach exits, even if they only achieved a tenuous hold on some other positions. A few days later, 101st Airborne were tasked with attacking the German-held city of Carentan as part of the consolidation of the US beachheads and establishment of a defensive line against the anticipated German counteroffensive. The 101st forced their way into Carentan on 10 and 11 June. The Germans withdrew the following day, and a counteroffensive was put down by elements of the 2nd Armored Division. This fully illustrated book details the planning of the airborne element of D-Day, and the execution of the plans until the troops were withdrawn to prepare for the next big airborne operation, Market Garden.

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Discipline and the Other Body reveals the intimate relationship between violence and difference underlying modern governmental power and the human rights discourses that critique it. The comparative essays brought together in this collection show how, in using physical violence to discipline and control colonial subjects, governments repeatedly found themselves enmeshed in a fundamental paradox: Colonialism was about the management of difference—the “civilized” ruling the “uncivilized”—but colonial violence seemed to many the antithesis of civility, threatening to undermine the very distinction that validated its use. Violation of the bodies of colonial subjects regularly generated scandals, and eventually led to humanitarian initiatives, ultimately changing conceptions of “the human” and helping to constitute modern forms of human rights discourse. Colonial violence and discipline also played a crucial role in hardening modern categories of difference—race, gender, ethnicity, sexuality, and religion.The contributors, who include both historians and anthropologists, address instances of colonial violence from the early modern period to the twentieth century and from Asia to Africa to North America. They consider diverse topics, from the interactions of race, law, and violence in colonial Louisiana to British attempts to regulate sex and marriage in the Indian army in the early nineteenth century. They examine the political dilemmas raised by the extensive use of torture in colonial India and the ways that British colonizers flogged Nigerians based on beliefs that different ethnic and religious affiliations corresponded to different degrees of social evolution and levels of susceptibility to physical pain. An essay on how contemporary Sufi healers deploy bodily violence to maintain sexual and religious hierarchies in postcolonial northern Nigeria makes it clear that the state is not the only enforcer of disciplinary regimes based on ideas of difference.Contributors. Laura Bear, Yvette Christiansë, Shannon Lee Dawdy, Dorothy Ko, Isaac Land, Susan O’Brien, Douglas M. Peers, Steven Pierce, Anupama Rao, Kerry Ward

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The perfect guide to the birds of the southeastern United States, from the #1 birding website AllAboutBirds.orgThe All About Birds Regional Field-Guide Series brings birding enthusiasts the best information from the renowned Cornell Lab of Ornithology’s website, AllAboutBirds.org, used by more than 21 million people each year. These definitive books provide the most up-to-date resources and expert coverage on bird species throughout North America.This dynamic guide is the perfect companion for anyone interested in the birds of the southeastern United States. The guide offers fascinating details about the birds around you, useful bird ID tips, and handy bird-watching information. It presents full accounts of the 210 species most commonly seen in the Southeast; beautiful photographs of male, female, and immature birds, as well as morphs, and breeding and nonbreeding plumage (so you can ID birds all year long); current range maps; and so much more. The southeastern USA edition of All About Birds is easy to use and easy to share.This volume features the following states: Alabama, Arkansas, Delaware, Florida, Georgia, Kentucky, Louisiana, Maryland, Mississippi, North Carolina, South Carolina, Tennessee, Virginia, and West Virginia, as well as Washington, DC. Descriptions of 210 bird species, including four photos for each bird chosen specifically for better ID and sourced from the Macaulay Library (a collection of bird photos from citizen scientists) Quick and easy index with illustrations on cover flaps, with complete index at the back Information on Cornell Lab citizen-science programs and how to participate Bonus content includes identification best practices and tips on bird photography, birdscaping, food and feeding, and more Free MERLIN Bird ID app (downloaded more than 5 million times) for quick ID in the wild using photos and birdsong

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On the morning of January 24, 1848, James W. Marshall discovered gold in California. The news spread across the continent, launching hundreds of ships and hitching a thousand prairie schooners filled with adventurers in search of heretofore unimagined wealth. Those who joined the procession - soon called 49ers - included the wealthy and the poor from every state and territory, including slaves brought by their owners. In numbers, they represented the greatest mass migration in the history of the Republic. In this first comprehensive history of the Gold Rush, Malcolm J. Rohrbough demonstrates that in its far-reaching repercussions, it was the most significant event in the first half of the nineteenth century. No other series of events between the Louisiana Purchase and the Civil War produced such a vast movement of people; called into question basic values of marriage, family, work, wealth, and leisure; led to so many varied consequences; and, left such vivid memories among its participants. Through extensive research in diaries, letters, and other archival sources, Rohrbough uncovers the personal dilemmas and confusion that the Gold Rush brought. His engaging narrative depicts the complexity of human motivation behind the event and reveals the effects of the Gold Rush as it spread outward in ever-widening circles to touch the lives of families and communities everywhere in the United States. For those who joined the 49ers, the decision to go raised questions about marital obligations and family responsibilities. For those men - and women, whose experiences of being left behind have been largely ignored until now - who remained on the farm or in the shop, the absences of tens of thousands of men over a period of years had a profound impact, reshaping a thousand communities across the breadth of the American nation.

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New Orleans in the 1920s and '30s was a deadly place. In 1925, the city's homicide rate was six times that of New York City and twelve times that of Boston, despite having a fraction of the population. Jeffrey S. Adler has explored every homicide officially recorded in New Orleans between 1925 and 1940--over two thousand in all--scouring police and autopsy reports, old interviews, and crumbling newspapers. More than simply quantifying these cases, Adler places them in larger contexts--legal, political, cultural, and demographic--and emerges with a tale of racism, urban violence, and vicious policing that has startling relevance for today. Murder in New Orleans shows how whites were convicted of homicide at far higher rates than blacks leading up the mid-1920s. But by the end of the next decade, this pattern had reversed completely, despite an overall plummet in municipal crime rates. This sharp rise in arrests was compounded by the increasingly harsh treatment of black subjects by New Orleans police, marked by acts of extreme brutality. Adler also explores counter-intuitive trends in violence, particularly how murder soared during the flush times of the Roaring Twenties, how it plummeted during the Great Depression, and how the vicious response to African American crime occurred as such violence plunged in frequency, revealing that the city's cycle of racial policing and punishment was connected less to actual patterns of wrongdoing than to the national enshrinement of Jim Crow. Rather than some hyperviolent outlier, this Louisiana city was a harbinger of the endemic racism at the center of today's criminal justice state. Murder in New Orleans lays bare how decades-old crimes, and the racially motivated cruelty of the official response, once again have baleful resonance in the age of Black Lives Matter.

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The uplifting and unforgettable true story of a US Marine, the stray dog he met on an Afghan battlefield, and how they saved each other and now travel America together, "spreading the message of stubborn positivity."In 2010, Sergeant Craig Grossi was doing intelligence work for Marine RECON—the most elite fighters in the Corps—in a remote part of Afghanistan. While on patrol, he spotted a young dog "with a big goofy head and little legs" who didn’t seem vicious or run in a pack like most strays they’d encountered. After eating a piece of beef jerky Craig offered—against military regulations—the dog began to follow him. "Looks like you made a friend," another Marine yelled. Grossi heard, "Looks like a 'Fred.'" The name stuck, and a beautiful, life-changing friendship was forged.Fred not only stole Craig’s heart; he won over the RECON fighters, who helped Craig smuggle the dog into heavily fortified Camp Leatherneck in a duffel bag—risking jail and Fred’s life. With the help of a crew of DHL workers, a sympathetic vet, and a military dog handler, Fred eventually made it to Craig’s family in Virginia. Months later, when Craig returned to the U.S., it was Fred’s turn to save the wounded Marine from Post-Traumatic Stress. Today, Craig and Fred are touching lives nationwide, from a swampy campground in a Louisiana State Park to the streets of Portland, Oregon, and everywhere in between. A poignant and inspiring tale of hope, resilience, and optimism, with a timeless message at its heart—"it is not what happens to us that matters, but how we respond to it"—Craig & Fred is a shining example of the power of love to transform our hearts and our lives.

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In 2017 the Salvator Mundi was sold at auction for $450m. But is it a real da Vinci? In a thrilling narrative built on formidable research, Ben Lewis tracks the extraordinary journey of a masterpiece lost and found, lied and fought over across the centuries. In 2017, Leonardo da Vinci’s small oil painting, the Salvator Mundi was sold at auction for $450m. In the words of its discoverer, the image of Christ as saviour of the world is ‘the rarest thing on the planet by the greatest human being who ever lived’. Its dazzling price also makes it the world’s most expensive painting. For two centuries art dealers had searched in vain for the Holy Grail of art history: a portrait of Christ as the Salvator Mundi by Leonardo da Vinci. Many similar paintings of greatly varying quality had been executed by Leonardo’s assistants in the first half of the sixteenth century. But where was the original by the master himself? In November 2017, Christie’s auction house announced they had it. But did they? The Last Leonardo tells a thrilling tale of a spellbinding icon invested with the power to make or break the reputations of scholars, billionaires, kings and sheikhs. Lewis takes us to Leonardo’s studio in Renaissance Italy; to the court of Charles I and the English Civil War; to Holland, Moscow and Louisiana; to the galleries, salerooms and restorer’s workshop as the painting slowly, painstakingly, emerged from obscurity. The vicissitudes of the highly secretive art market are charted across five centuries. It is a twisting tale of geniuses and oligarchs, double-crossings and disappearances, where we’re never quite certain what to believe. Above all, it is an adventure story about the search for lost treasure, and a quest for the truth.

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In a year when the Southern Foodways Alliance asks, “Where is the South?”, the Fall 2023 issue of Gravy examines Southern food inside and outside the region. Readers will follow traditional Southern foods as they transcend the region’s historic geographic borders. Meanwhile, newcomers to the South adapt to regional tastes and introduce new flavors to the canon. Mackenzie Martin tells of culinary entrepreneur Annie Fisher, who built a booming catering business at the turn of the twentieth century with her signature beaten biscuits—all without investors or access to a bank loan, as a Black woman in Jim Crow Missouri. In a story by Mikeie Reiland, two professional soccer players of African Muslim ancestry find a taste of home in Nashville, at iftar, the fast-breaking meal of Ramadan. Chris Jay serves up Shreveport stuffed shrimp, a dish perfected by a network of Black chefs in Shreveport, Louisiana, through five generations of restaurant ownership. Gravy columnist Hanna Raskin tracks Bojangles’ expansion into the Midwest, asking: does a fast food biscuit lose its fluff outside the South? Adrian Miller digs into the menu archives at the Carter Center to find out exactly how “Southern” the First Family ate in the White House. SFA oral historian Sarah Rodriguez shares excerpts from the new oral history project, Tapping into Richmond Beer, which chronicles craft brewing in Richmond, Virginia, through the city’s vibrant and diverse beer scene. Poet Reyes Ramirez explores Latino foodways in Texas in verse from his debut collection El Rey of Gold Teeth, forthcoming from Hub City Press. Erika Council talks biscuits and business in a Q&A about her new book, Still We Rise: A Love Letter to the Southern Biscuit with Over 70 Sweet and Savory Recipes.

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Thirty-five years of South African artist William Kentridge’s dynamic, cross-genre art, with essays by Ann McCoy, Zakes Mda, and Ed Schad, a conversation between the artist and Walter Murch, and an unpublished lecture by Kentridge. This far-reaching book presents Kentridge’s dynamic art practice, which originates in charcoal drawing and expands into intersections with film, sculpture, opera and theater performances, printmaking and many other mediums. The volume is organized chronologically and thematically, emphasizing Kentridge’s destabilizing of South African and global narratives through openness to uncertainty, the generative power of the artist’s studio and perpetual change, all as conditions for illuminating repressed and silenced voices in historical records. An essay by curator Ed Schad is presented along with studio photography, archival material and illuminating illustrations of Kentridge’s work, joining essays by globally recognized literary figures and thinkers Zakes Mda and Ann McCoy. Notably, the volume features a conversation between Kentridge and the famous film and sound editor Walter Murch, as well as a never-before-published lecture by the artist. The work of William Kentridge (born 1955) has been seen in museums and galleries around the world since the 1990s, including the Museum of Modern Art in New York, the Albertina Museum in Vienna, Musée du Louvre in Paris, Whitechapel Gallery in London, Louisiana Museum in Copenhagen, the Reina Sofia museum in Madrid, the Kunstmuseum in Basel and Zeitz MOCAA and the Norval Foundation in Cape Town. Opera productions include Mozart’s The Magic Flute, Shostakovich’s The Nose and Alban Berg’s operas Lulu and Wozzeck. In 2016 Kentridge founded the Centre for Less Good Idea in Johannesburg, a space for responsive thinking and making through experimental, collaborative and cross-disciplinary art practices. The center hosts an ongoing program of workshops, public performances and mentorship activities.

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The multi-author Essays in Later Mediaeval Metaphysics focuses primarily on 13th and 14th century Latin treatments of some of the most important metaphysical issues as conceived by many of the most important thinkers of the day. Thomas Aquinas, John Duns Scotus, William of Ockham, Walter Chatton, John Buridan, Dietrich of Freiburg, Robert Holcot, Walter Burley, and the 11th century Islamic philosopher Ibn-Sina (Avicenna) are among the figures examined here. The work begins with standard ontological topics—e.g., the nature of existence, and of metaphysics generally; the status of universals, form, and accidents. Here, a number of questions are considered. What is the proper subject matter of metaphysical speculation? Are essence and existence really distinct in bodies? Furthermore, does the body lose its unifying form at death? Can an accident of a substance exist in separation from that substance? Are universals real, and if so, are they anything more than general concepts? There is also an emphasis on metaphysics broadly conceived. Thus, discussions of theories of mediaeval logic, epistemology, and language are added to provide a fuller account of the range of ideas included in the later mediaeval worldview. Many questions are raised in this context as well. What are the objects of propositional attitudes? How does Aristotelian logic stand up against modern predicate calculus? Are infinite regress arguments defensible in metaphysical contexts? How are the notions of analogy and equivocation related to the concept of being? Contributors include scholars of mediaeval philosophy from across North America: Rega Wood (Indiana), Gyula Klima (Fordham), Brian Francis Conolly (Bard College at Simon’s Rock ), Charles Bolyard (James Madison), Martin Tweedale (emeritus, Alberta), Jack Zupko (Winnipeg), Susan Brower-Toland (St. Louis), Rondo Keele (Louisiana Scholars’ College), Terence Parsons (UC-Irvine), and E. J. Ashworth (emeritus, Waterloo).

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Enjoy old standards and new classics with this very topical collection of slow cooker recipes. They've been refined to meet the needs of people who subscribe to the Paleo or Primal lifestyle. The Paleo diet is currently one of the most popular diets being followed today and has been embraced by millions of people. The recipes don't contain any grains or legumes (therefore making all of them gluten-free), no refined sugars, no refined oils or processed ingredients - the basic principles of the diet. Slow cookers are hugely popular because they're so convenient and the results so delicious - all the recipes in this book pay very close attention to Paleo guidelines while also recognizing that there's a wide variety of reasons that people choose to eat Paleo that go beyond weight loss. So there's room to be flexible depending on your personal requirements and expectations of the diet. It's all here: from great family food to more sophisticated recipes for entertaining, not to mention luscious desserts: Starters and Snacks - Eggplant Caviar, Country Terrine, Swedish Meatballs, Braised Tomato Topping; Soups - Shrimp Bisque, Double Tomato Soup with Arugula-Walnut Pesto; Poultry - Chicken Provencal, Texas-Style Chicken Stew, Tomato-Braised Turkey Breast; Fish and Seafood - Braised Swordfish, Caribbean Pepper Pot, Florida Fish Chowder; Beef and Veal - Short Ribs in Rich Mushroom Gravy, Meatball Goulash, Mom's Sunday Pot Roast; Pork and Lamb - Ancho-Embraced Pork with Tomatillos, Pork Columbo, Irish Stew; Meatless Mains - Louisiana Ratatouille, Cumin Beets, Braised Red Cabbage, Onion-Braised Potatoes with Spinach; Desserts - The Ultimate Baked Apples, Peruvian Cream. Now even people who follow the Paleo lifestyle can enjoy easy delectable meals that reflect an outstanding variety of fresh flavours, cuisines and textures.

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The quirky paranormal murder mystery about a small town where only outsiders fit in . . . now a major TV seriesFrom Charlaine Harris, the bestselling author who created Sookie Stackhouse, the world of Bon Temps, Louisiana, comes a new, darker world - populated by more strangers than friends. But then, that's how the locals prefer it.Welcome to Midnight, Texas, a town with many boarded-up windows and few full-time inhabitants, located at the crossing of Witch Light Road and Davy Road. It's a pretty standard dried-up western town.There's a pawnshop (someone lives in the basement and is seen only at night). There's a diner (people who are just passing through tend not to linger). And there's new resident Manfred Bernardo, who thinks he's found the perfect place to work in private (and who has secrets of his own).Stop at the one traffic light in town, and everything looks normal. Stay awhile, and learn the truth...Readers can't put down Midnight Crossroad:'Another compelling book by Charlaine Harris. I love her storytelling style and the wonderful characters she creates' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'If I could give this book six stars I would. Every page was a delight' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Midnight Texas is just as magical as Bon Temps only the characters are much more mysterious! . . . I loved each and every resident of Midnight, even though they are ALL hiding secrets' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'Potential to be a better series and cast of eccentric, unique, and unforgettable characters surpassing the True Blood stories. Loved this book and the quirky town!' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

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Love, Daddy: Letters from My Father examines the complexities of father-and-son relationships through letters and photographs. Willie Morris wrote scores of letters to his only son, David Rae Morris, from the mid-1970s until Willie’s death in 1999. From David Rae’s perspective, his father was often emotionally disconnected and lived a peculiar lifestyle, often staying out carousing well into the night. But Willie Morris was an eloquent and accomplished writer and began to write his son long, loving, and supportive letters when David Rae was still in high school. An aspiring photographer, David Rae was confused and befuddled by his father’s warring personalities and began photographing Willie using the camera as a buffer to protect him and his emotions. The collection begins in early 1976 and continues for more than twenty years as David Rae moved about the country, living in New York, Massachusetts, Texas, Mississippi, Tennessee, and Minnesota, before finally settling in Louisiana. "All the while my father was writing to me I somehow managed to save his letters," David Rae wrote. "I left them in storage and in boxes and in piles of clutter on desks and in basements. They were kind, offering a love that he found difficult to express openly and directly. He simply was more comfortable communicating through letters." The letters cover topics ranging from writing, the weather, Willie’s return to Mississippi in 1980, the Ole Miss football season, and local town gossip to the fleas on the dog to just life and how it’s lived. Likewise, the photographs are portraits, documentary images of daily life, dinners, outings, and private moments. Together they narrate and illuminate the complexities of one family relationship, and how, for better or worse, that love endures the passage of time.

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A Billion Dollars a Day “This text provides a good narrative on the economics of government intervention, the structure of the world food system and history of the WTO, and the provision of farm subsidies by developed economies, with a special focus on the U.S. and EU.”P. Lynn Kennedy, Louisiana State University“This extremely well-researched and documented book provides a comprehensive overview of the impact (both intentional and unintentional) that developed nations’ agricultural policies can have on underdeveloped agricultural-based nations.”Jay E. Noel, Cal Poly State University “This text’s discussion and explanation of subsidies is well developed in a historical and international context that is not found elsewhere.” Conrad Lyford, Texas Tech University “Peterson has done a nice job of taking complicated issues and explaining them in a manner that is understandable for students with limited background in policy, development, and trade. This well-written text brings both a U.S. and a world perspective to the timely and important topics of government farm policy and food prices.”Rick Whitacre, Illinois State UniversityWhy do Europe, the United States, and some key Asian countries spend, in aggregate, a billion dollars a day on various agricultural price supports, when much of this money ends up in the hands of large agribusiness? In a lively, non-technical, and up-to-date account, this book addresses the core questions that surround the issues of agricultural subsidies.Peterson provides a detailed examination of subsidy histories and the current policies of the United States, various European countries, Australia and New Zealand, and Korea and Japan. Also included is a discussion of how these policies affect developing countries – examining, in particular, their impact on farmers in low-income countries.

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Winner of the 2015 Rachel Carson Prize presented by the Society for Social Studies of Science Residents of a small Louisiana town were sure that the oil refinery next door was making them sick. As part of a campaign demanding relocation away from the refinery, they collected scientific data to prove it. Their campaign ended with a settlement agreement that addressed many of their grievances—but not concerns about their health. Yet, instead of continuing to collect data, residents began to let refinery scientists' assertions that their operations did not harm them stand without challenge. What makes a community move so suddenly from actively challenging to apparently accepting experts' authority? Refining Expertise argues that the answer lies in the way that refinery scientists and engineers defined themselves as experts. Rather than claiming to be infallible, they began to portray themselves as responsible—committed to operating safely and to contributing to the well-being of the community. The volume shows that by grounding their claims to responsibility in influential ideas from the larger culture about what makes good citizens, nice communities, and moral companies, refinery scientists made it much harder for residents to challenge their expertise and thus re-established their authority over scientific questions related to the refinery's health and environmental effects. Gwen Ottinger here shows how industrial facilities' current approaches to dealing with concerned communities—approaches which leave much room for negotiation while shielding industry's environmental and health claims from critique—effectively undermine not only individual grassroots campaigns but also environmental justice activism and far-reaching efforts to democratize science. This work drives home the need for both activists and politically engaged scholars to reconfigure their own activities in response, in order to advance community health and robust scientific knowledge about it.

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Winner of the Bancroft PrizeLouisiana Endowment for the Humanities Book of the YearA Publishers Weekly Book of the Year“The main thrust of Horowitz’s account is to make us understand Katrina—the civic calamity, not the storm itself—as a consequence of decades of bad decisions by humans, not an unanticipated caprice of nature.”—Nicholas Lemann, New YorkerHurricane Katrina made landfall in New Orleans on August 29, 2005, but the decisions that caused the disaster can be traced back nearly a century. After the city weathered a major hurricane in 1915, its Sewerage and Water Board believed that developers could safely build housing near the Mississippi, on lowlands that relied on significant government subsidies to stay dry. When the flawed levee system failed, these were the neighborhoods that were devastated.The flood line tells one important story about Katrina, but it is not the only story that matters. Andy Horowitz investigates the response to the flood, when policymakers made it easier for white New Orleanians to return home than for African Americans. He explores how the profits and liabilities created by Louisiana’s oil industry have been distributed unevenly, prompting dreams of abundance and a catastrophic land loss crisis that continues today.“Masterful…Disasters have the power to reveal who we are, what we value, what we’re willing—and unwilling—to protect.”—New York Review of Books“If you want to read only one book to better understand why people in positions of power in government and industry do so little to address climate change, even with wildfires burning and ice caps melting and extinctions becoming a daily occurrence, this is the one.”—Los Angeles Review of Books

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The Last Wild Road is a raucous, gripping, sometimes terrifying, often hilarious, and deeply meditative journey through the heart of the outdoors in the modern world. Collected from more than 20 years of hunting and fishing cover stories, columns, and adventure tales written by T. Edward Nickens for Field & Stream, this book is a road trip that takes in a huge sweep of the North American landscape—blackwater rivers in the wilds of eastern North Carolina, deserts and prairies of the American West, remote tundra of northern Canada, and the wildest rivers of Alaska. Along every rutted road and rough trail, with a rod, gun, and pen, Nickens meets unforgettable characters—old French-speaking Cajuns at Louisiana squirrel camps, a one-armed fly-tyer in the ancient Appalachians, Pennsylvania brothers who lost their father in a hunting accident decades ago and return to the scene for a powerful, poignant encounter with history. He explores remote wilderness waters to chase trout and ducks, but finds rich meaning, too, in the familiar and close-to-home: fishing with his children, plumbing the forests of local farms, and butchering deer in his basement as a thanksgiving for the gifts of the outdoors.When it comes to hunting and fishing, writing often falls into the categories of where-to-go, the how-do-it, and the-what-to-bring. This book embarks on the question of “why.” Why does the pursuit of game and fish, and the travel to the wild places where they thrive, bring meaning and clarity to living in the modern world? Why do we laugh more, and live more deeply, far from the sidewalk? If you’ve ever felt that way, you’ll find yourself in The Last Wild Road.

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In the tradition of Bury My Heart at Wounded Knee, a stunningly vivid historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West, centering on Quanah, the greatest Comanche chief of them all. Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second is the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined just how and when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. Against this backdrop Gwynne presents the compelling drama of Cynthia Ann Parker, a nine-year-old girl who was kidnapped by Comanches in 1836. She grew to love her captors and became infamous as the "White Squaw" who refused to return until her tragic capture by Texas Rangers in 1860. More famous still was her son Quanah, a warrior who was never defeated and whose guerrilla wars in the Texas Panhandle made him a legend. S. C. Gwynne's account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told.

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“Set in New Orleans, this important and powerful novel follows the Boisdoré family . . . in the months after Katrina. A profound, moving and authentically detailed picture of the storm’s emotional impact on those who lived through it.” —People In this dazzling debut about family, home, and grief, C. Morgan Babst takes readers into the heart of Hurricane Katrina and the life of a great city. As the storm is fast approaching the Louisiana coast, Cora Boisdoré refuses to leave the city. Her parents, Joe Boisdoré, an artist descended from freed slaves who became the city’s preeminent furniture makers, and his white “Uptown” wife, Dr. Tess Eshleman, are forced to evacuate without her, setting off a chain of events that leaves their marriage in shambles and Cora catatonic—the victim or perpetrator of some violence mysterious even to herself. This mystery is at the center of Babst’s haunting and profound novel. Cora’s sister, Del, returns to New Orleans from the successful life she built in New York City to find her hometown in ruins and her family deeply alienated from one another. As Del attempts to figure out what happened to her sister, she must also reckon with the racial history of the city and the trauma of a disaster that was not, in fact, some random act of God but an avoidable tragedy visited on New Orleans’s most vulnerable citizens. Separately and together, each member of the Boisdoré clan must find the strength to remake home in a city forever changed.The Floating World is the Katrina story that needed to be told—one with a piercing, unforgettable loveliness and a vivid, intimate understanding of this particular place and its tangled past.

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In The Ledger and the Chain, prize-winning historian Joshua D. Rothman tells the disturbing story of the Franklin and Armfield company and the men who built it into the largest and most powerful slave trading company in the United States. In so doing, he reveals the central importance of the domestic slave trade to the development of American capitalism and the expansion of the American nation.Few slave traders were more successful than Isaac Franklin, John Armfield, and Rice Ballard, who ran Franklin and Armfield, and none were more influential. Drawing on source material from more than thirty archives in a dozen states, Rothman follows the three traders through their first meetings, the rise of their firm, and its eventual dissolution. Responsible for selling between 8,000 and 12,000 slaves from the Upper South to Deep South plantations over a period of eight years in the 1830s, they ran an extensive and innovative operation, with offices in New Orleans and Alexandria in Louisiana and Natchez in Mississippi. They advertised widely, borrowed heavily from bankers and other creditors, extended long term credit to their buyers, and had ships built to take slaves from Virginia down to New Orleans. Slavers are often misremembered as pariahs of more cultivated society, but as Rothman argues, the men who perpetrated the slave trade were respected members of prominent social and business communities and understood themselves as patriotic Americans.By tracing the lives and careers of the nation's most notorious slave traders, The Ledger and the Chain shows how their business skills and remorseless violence together made the malevolent entrepreneurialism of the slave trade. And it reveals how this horrific, ubiquitous trade in human beings shaped a growing nation and corrupted it in ways still powerfully felt today.

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Renowned for A Ballad of the West, his epic trilogy about the American West from the era of mountain man Jim Bridger to the closing of the frontier, Bobby Bridger has had a career in show business that spans the rockabilly-to-"Music City, USA" era in Nashville, the cosmic cowboy scene in Austin, the flowering of folk music, and even Broadway theater. His multifaceted talents have found expression in singing, acting, writing, painting, and sculpting. In this engrossing account of the personal and artistic journey that led him to create a new American art form, the epic ballad, Bridger touches on almost every major musical, entertainment, and cultural movement of the second half of the twentieth century, with a cast of characters that reads like a "Who's Who" of American popular culture.Bridger's story begins in a small town in northeast Louisiana, where he first experienced the twin attractions of painting and music. He recounts his early efforts to become a successful Nashville singer-songwriter and his growing awareness that the commercial music business would never support his evolving desire to become a historical balladeer. Bridger recalls how his interest in folk music and folk ballads fired his ambition to tell the story of the American West. He movingly describes how this dream eventually became A Ballad of the West, an epic trilogy about Jim Bridger, the Lakota Sioux, and Buffalo Bill that has taken form in an acclaimed cycle of songs, a one-man show, books, full-cast stage performances, and other media.Included in the book is a DVD that offers songs from A Ballad of the West and a sample from the forthcoming documentary Quest of an Epic Balladeer, based on Bobby Bridger's life and work.

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The multi-author Essays in Later Mediaeval Metaphysics focuses primarily on 13th and 14th century Latin treatments of some of the most important metaphysical issues as conceived by many of the most important thinkers of the day. Thomas Aquinas, John Duns Scotus, William of Ockham, Walter Chatton, John Buridan, Dietrich of Freiburg, Robert Holcot, Walter Burley, and the 11th century Islamic philosopher Ibn-Sina (Avicenna) are among the figures examined here. The work begins with standard ontological topics—e.g., the nature of existence, and of metaphysics generally; the status of universals, form, and accidents. Here, a number of questions are considered. What is the proper subject matter of metaphysical speculation? Are essence and existence really distinct in bodies? Furthermore, does the body lose its unifying form at death? Can an accident of a substance exist in separation from that substance? Are universals real, and if so, are they anything more than general concepts? There is also an emphasis on metaphysics broadly conceived. Thus, discussions of theories of mediaeval logic, epistemology, and language are added to provide a fuller account of the range of ideas included in the later mediaeval worldview. Many questions are raised in this context as well. What are the objects of propositional attitudes? How does Aristotelian logic stand up against modern predicate calculus? Are infinite regress arguments defensible in metaphysical contexts? How are the notions of analogy and equivocation related to the concept of being? Contributors include scholars of mediaeval philosophy from across North America: Rega Wood (Indiana), Gyula Klima (Fordham), Brian Francis Conolly (Bard College at Simon’s Rock ), Charles Bolyard (James Madison), Martin Tweedale (emeritus, Alberta), Jack Zupko (Winnipeg), Susan Brower-Toland (St. Louis), Rondo Keele (Louisiana Scholars’ College), Terence Parsons (UC-Irvine), and E. J. Ashworth (emeritus, Waterloo).

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