Search results for ""Author Volker""

Volker Hermes: Hidden Portraits gathers the essential works by one of the most beguiling artists of the present era, in a very modern reinterpretation of historical privilege.Using only elements of the original paintings, Volker Hermes masterfully alters photos of historical portraits to mask the faces of their subjects. With each figure concealed under their own ceremonial attire, these one-time elites quickly lose their individuality in a plume of decorations and accessories.In this official collection, Hermes delivers his wry commentary on wealth, fame and social status with taut imagery, intense focus and a suitably shrewd sense of humour. His immaculately reproduced artworks are accompanied by the thoughts of German art historian Till-Holger Borchert and Professor Francesca Raimondi of Berlin's Institute for Philosophy, as well as the artist himself.A must-have revision of classical portraiture from a celebrated digital creator.

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Otto von Bismarck (1815-98) has gone down in history as the Iron Chancellor, a reactionary and militarist whose 1871 unification of Germany set Europe down the path of disaster to World War I. But as Volker Ullrich shows in this new edition of his accessible biography, the real Bismarck was far more complicated than the stereotype. A leading historian of nineteenth- and twentieth-century history, Ullrich demonstrates that the "Founder of the Reich" was in fact an opponent of liberal German nationalism. After the wars of 1866 and 1870, Bismarck spent the rest of his career working to preserve peace in Europe and protect the empire he had created. Despite his reputation as an enemy of socialism, he introduced comprehensive health and unemployment insurance for German workers. Far from being a "man of iron and blood," Bismarck was in fact a complex statesman who was concerned with maintaining stability and harmony far beyond Germany's newly unified borders. Comprehensive and balanced, Bismarck shows us the post-reunification value of looking anew at this monumental figure's role in European history

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Text in English & German. Cosmetically-enhanced beauty is something that has existed for decades. Over the course of the last century, however, a cosmetics industry has arisen that is worth millions. Its products claim to optimise visual appearance, to bestow inner and outer health and to delay aging, under a veneer of medical credibility and reliable results. Cosmetics deals in alleged 'deep-acting' substances, which are supposed to detoxify and to purify the body from within. However, the whole arsenal of cosmetic ingredients is founded more on persuasion than conviction. Cosmetics is always a matter of mimicking an ideal. To this extent, cosmetic discourse deals in what might be described as an iconography of hunger -- it requires and is predicated upon a feeling of lack. At the same time, it promises to remedy that lack. The referential frame for cosmetics is constituted by cultural history and iconology, by semiotics and sociology, by psychology and rhetoric. Like fashion, it has called into being a linguistic system of considerable depth and complexity; one that draws its subtexts from futurology and history, from medicine and alchemy, from nostalgia and from heritage preservation. Cosmetics are supposed to make one more attractive and more seductive -- to make one positively irresistible, in fact. Cosmetics hold out the prospect of sexiness to women and men alike. All that one has to do is to acquire the right creams and lotions, the right palette of powders and rouges, of lipsticks and mascara, and one has a form of beauty that can be bought! The persuasive power of cosmetics is as dominant as it is irresistible. All of us could resist it if we wished to. And yet we don't wish to. This book exposes the rhetorical system behind the promises of cosmetics in terms of the histories of cultures and of mentalities, analysing the verbal/visual messages of selected examples. The internationally known architecture and design historian Volker Fischer was deputy director of the Deutsches Architekturmuseum in Frankfurt am Main for over ten years. Since 1995 he has built up a new design department in the Museum for Applied Arts in Frankfurt; in addition to his museum work he teaches history of architecture and design at the Hochschule für Gestaltung in Offenbach. Volker Fischer is already represented in Edition Axel Menges by books on Stefan Wewerka, Richard Meier, the Commerzbank in Frankfurt by Norman Foster, Hall 3 of Messe Frankfurt am Main by Nicholas Grimshaw, and the design activities of Lufthansa.

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Text in English & German. Apple Inc, the Californian computer company, has been marked by unparalleled success over the past three and a half decades. Like no other company, it has succeeded in shifting the focus of use from utility to coveted possessions when it comes to computers and electronic entertainment devices such as the iPod, the iPhone and the iPad. In addition, each of the products in the i-family have changed their product genres technologically and ergonomically to such an extent that not only have all competitors adopted these new 'user guidances', but hundreds of complementary products have been created around these products as well, from a wide range of accessories to docking stations (ie: veritable radios with external speakers for the iPods and iPhones) that allow users to experience the stored music without headphones. The iPhone has compelled all manufacturers of mobile phones to add smart phones with touch sensitive screens, the touch phones, to their programs. And the iPad will fundamentally transform the handling of video and news as well. Since the introduction of the iPhone, over 200,000 special application programs, the so-called apps, have been made available for these i-devices. In their product genres, these devices have each caused a paradigm shift: they are both leading and cult products, and they represent a development that has leveraged the mobile Internet and delocalised the act of surfing from the home to almost anywhere. The book comments upon this process of 'disruptive technologies', which has taken place only very rarely in the history of technology and design. They leaf through the preconditions and position these innovative devices in product-historical, social, and psychological contexts.

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Volker Rabens answers the question of how, according to the apostle Paul, the Holy Spirit enables religious-ethical life. In the first part of the book, the author discusses the established view that the Spirit is a material substance which transforms people ontologically by virtue of its physical nature. In order to assess this "Stoic" reading of Paul, the author examines all the passages from the Hebrew Bible, early Judaism, Hellenism and Paul that have been put forward in support of this concept of ethical enabling. He concludes that there is no textual evidence in early Judaism or Paul that the Spirit was conceived as a material substance. Furthermore, none of these or any of the Graeco-Roman writings show that ethical living derives from the transformation of the "substance" of the person that is imbued with a physical Spirit. The second part of the study offers a fresh approach to the ethical work of the Spirit which is based on a relational concept of Paul's theology. Rabens argues that it is primarily through initiating and sustaining an intimate relationship with God the Father, Jesus Christ, and with the community of faith that the Spirit transforms and empowers people for ethical living. The author establishes this thesis on the basis of an exegetical study of a variety of passages from the Pauline corpus. In addition, he demonstrates that Paul lived in a context in which this dynamic of ethical empowering was part of the religious framework of various Jewish groups.Reviews of the first edition:"Rabens's book is a model of thorough research, lucid argument, and careful exegesis."Peter Orr in Themelios 35 (2010), pp. 452-455"Overall Rabens has provided us with a fascinating and convincing account of how the process of 'walking in the Spirit' takes place."Gary W. Burnett in Journal for the Study of the New Testament 33.5 (2011), p. 84"To conclude, I recommend this monograph for three reasons. One, it is truly a 'model' thesis in that it accomplishes its aims with clarity and simplicity. Secondly, it provides an excellent survey of Pauline pneumatology and ethics. Lastly, another benefit of this monograph is the intentional bridging of continental and English NT scholarship."Carsten Lotz in LST - InSight Spring 2011, p. 17"This is a beautifully written book, detailed, stimulating and fresh. Its central thesis is strongly argued and makes an important contribution to understanding Paul's ethics, theology and pneumatology."Jane Heath in The Expository Times 123 (2011), p. 138"R.'s study is remarkably comprehensive and well-informed."Gitte Buch-Hansen in Theologische Revue 108 (2012), pp. 118-119"Rabens's relational approach is carefully argued and will be of particular use to specialists in Pauline pneumatology and ethics, although the implications [...] will cause this study to be of interest to other specializations within Pauline studies in particular and biblical studies in general (e.g., cosmology, anthropology, soteriology)."Matthew P. O'Reilly in Religious Studies Review 38 (2012), pp. 20-21"And here is the strength Rabens' work offers us. Not only is The Holy Spirit and Ethics in Paul the work of a competent Neutestamentler who is able to realistically place Paul in both his traditional and contemporary context, but it is also a model of what effective biblical theology can offer the Church in a wider conversation."Mark Saucy in Journal of Biblical and Pneumatological Research 4 (2012), pp. 109-122"Overall, R. provides a fascinating and convincing account of the work of the Spirit in the ethical transformation of the individual."Archie T. Wright in Journal for the Study of Judaism 44 (2013), pp. 117-118"Systematisch klar, begrifflich hochpräzise und mit einem Interesse weckenden Spannungsbogen im Aufbau seiner Arbeit nähert sich Rabens einem 'Glaubensthema' und beschreitet dabei den Weg von der Frage zu den Texten. […] Von der Gründlichkeit des Autors zeugt schließlich ein über 50-seitiger Appendix, der die Forschungsgeschichte der letzten 140 Jahre zum Thema 'Paulus und Ethik' aufarbeitet." Hildegard Scherer in Biblische Zeitschrift 56 (2012), S. 306"In der Paulus-Forschung wird die Beziehungs-Dimension in jüngerer Zeit zu Recht stärker wahrgenommen. In diesem Rahmen bietet Rabens' Arbeit eine wichtige und meines Erachtens notwendige Auseinandersetzung mit einem Paradigma der Paulus-Forschung, die zu Korrekturen nötigt."Stefan Schreiber in Biblische Notizen 152 (2012), S. 141

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Nach wie vor besteht Unbehagen, eine evangelische Verhältnisbestimmung von Kirche und Staat mit Hilfe von Luthers Zwei-Reiche-Lehre vorzunehmen. Das liegt unter anderem auch daran, dass Luthers historische Voraussetzungen bislang nicht hinreichend untersucht wurden. Volker Mantey schließt diese Lücke, indem er sich der spätmittelalterlichen Traditionsgeschichte der Zwei-Reiche-Lehre Luthers widmet. Dies geschieht anhand einer Analyse der Zwei-Schwerter-Lehre ab 1300, wie sie für das Verhältnis von Staat und Kirche maßgeblich war. Sie wurde sowohl verwendet, um den päpstlichen Anspruch auf weltliche Oberhoheit zu untermauern, als auch, um sich gegen den Papst abzugrenzen und eine weltliche Eigenständigkeit zu behaupten.Der Autor stellt Luthers Zwei-Reiche-Lehre vor ihrem spätmittelalterlichen Horizont dar. Dabei zeigt sich, in welchem Verhältnis der Reformator sich theologisch zwischen Thomas von Aquin und Wilhelm von Ockham positioniert.

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Text in English and German. The distinguished architect and Pritzker laureate Richard Meier has attracted public attention mainly with his museum and cultural buildings including the Atheneum in New Harmony, Indiana, the Museum für Angewandte Kunst in Frankfurt, the High Museum of Art in Atlanta, the Getty Center in Los Angeles, the Stadthaus in Ulm and the Museu d'Art Contemporani de Barcelona. The book accompanies the exhibition of the same name at the Museum for Applied Arts in Frankfurt, which has recently been relaunched with differently conceived museum facilities and new service areas; these are addressed in detail in an appendix to the book.

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Get a length up on the competition with cutting-edge technique, training, and racing information. Let the world’s top coaches, rowers, and sport scientists steer you to ultimate success, starting with sound training and racing principles and adding increasingly advanced instruction and insights all the way to the finish. Rowing Faster is the most comprehensive and detailed guide for achieving excellence in the sport. You’ll find techniques for mastering every phase of the stroke; training strategies for increasing strength and efficiency for maximizing speed; and tapering plans for peak performance at the highest levels of competition. With contributions from Olympic medalists and rowing experts from around the globe, Rowing Faster also includes the latest research on adaptive rowing, advice on managing a team, detailed plans for the long-term development of rowers, insights on training and competition for female rowers, and a look at the future of the sport from the general secretary of the FISA. From the technical details of equipment and training to classifications of boats and rowers, Rowing Faster has it all. Offering a truly global perspective and authoritative coverage of the sport, it is the one guide that every serious rower and coach should own.

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Born on 17 June 1900, Martin Ludwig Bormann became one of the most powerful and most feared men in the Third Reich. An obsessive bureaucrat, it was Bormann who helped steer Hitler's apparatus of terror so effectively that he became the clandestine ruler of Nazi Germany. After joining the Nazi Party in 1927 Bormann rose through its ranks. Indeed, by July 1933 Bormann had manoeuvered himself into the position where he became the Chief of Cabinet in the Office of the Deputy F hrer, Rudolf Hess. In this role Bormann gradually consolidated his power base, so that when Hess carried out his infamous flight to the United Kingdom in 1941, Bormann stepped into his shoes. As the head of the Party Chancellery, Bormann duly took control of the Nazi Party. By the end of 1942, he was in effect Hitler's deputy and his closest collaborator. With the F hrer increasingly preoccupied with military matters, Hitler came to rely more and more on Bormann to handle Germany's domestic affairs. On 12 April 1943, Bormann was appointed Personal Secretary to the F hrer. Feared by ministers, Gauleiters, civil servants, judges and generals alike, Bormann identified strongly with Hitler's ideas on racial politics, destruction of the Jews and forced labour and made himself indispensable as the F hrer's executioner. Cold as ice, he decided the fate of millions of people. In January 1945, with the Third Reich collapsing, Bormann returned to the F hrerbunker with Hitler. Following Hitler's suicide on 30 April, Bormann was named as Party Minister, thus officially confirming his rise to the top of the Party. Late the following day he fled from the bunker in an attempt to escape the encircling Red Army; his fate remaining a mystery for many years. In October 1946 he was found guilty in absentia by the International Military Tribunal at Nuremberg and sentenced to death. Drawing heavily on recently declassified documents and files, the historian and journalist Volker Koop reveals the full story of the most faithful member of Hitler's inner circle, an individual who, whilst little known to the German people, became the second most powerful man in the Third Reich.

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From the late 1930s to the early 1970s, two brothers, Burton G. Tremaine and Warren D. Tremaine, and their respective wives, Emily Hall Tremaine and Katharine Williams Tremaine, commissioned approximately thirty architecture and design projects. Richard Neutra and Oscar Niemeyer designed the best-known Tremaine houses; Philip Johnson and Frank Lloyd Wright also created designs and buildings for the family that achieved iconic status in the modern movement. Focusing on the Tremaines’ houses and other projects, such as a visitor center at a meteor crater in Arizona, this volume explores the Tremaines’ architectural patronage in terms of the family’s motivations and values, exposing patterns in what may appear as an eclectic collection of modern architecture. Architectural historian Volker M. Welter argues that the Tremaines’ patronage was not driven by any single factor; rather, it stemmed from a network of motives comprising the clients’ practical requirements, their private and public lives, and their ideas about architecture and art.

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The moral and political role of German journalists before, during, and after the Nazi dictatorshipJournalists between Hitler and Adenauer takes an in-depth look at German journalism from the late Weimar period through the postwar decades. Illuminating the roles played by journalists in the media metropolis of Hamburg, Volker Berghahn focuses on the lives and work of three remarkable individuals: Marion Countess Dönhoff, distinguished editor of Die Zeit; Paul Sethe, “the grand old man of West German journalism”; and Hans Zehrer, editor in chief of Die Welt.All born before 1914, Dönhoff, Sethe, and Zehrer witnessed the Weimar Republic’s end and opposed Hitler. When the latter seized power in 1933, they were, like their fellow Germans, confronted with the difficult choice of entering exile, becoming part of the active resistance, or joining the Nazi Party. Instead, they followed a fourth path—“inner emigration”—psychologically distancing themselves from the regime, their writing falling into a gray zone between grudging collaboration and active resistance. During the war, Dönhoff and Sethe had links to the 1944 conspiracy to kill Hitler, while Zehrer remained out of sight on a North Sea island. In the decades after 1945, all three became major figures in the West German media. Berghahn considers how these journalists and those who chose inner emigration interpreted Germany’s horrific past and how they helped to morally and politically shape the reconstruction of the country.With fresh archival materials, Journalists between Hitler and Adenauer sheds essential light on the influential position of the German media in the mid-twentieth century and raises questions about modern journalism that remain topical today.

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