Search results for ""author lauren"

New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel. It is normally thought that the bass viol or viola da gamba dropped out of British musical life in the 1690s, and that Henry Purcell was the last composer to write for it. Peter Holman shows how the gamba changed its role and function in the Restoration period under the influence of foreign music and musicians; how it was played and composed for by the circle of immigrant musicians around Handel; how it was part of the fashion for exotic instruments in themiddle of the century; and how the presence in London of its greatest eighteenth-century exponent, Charles Frederick Abel, sparked off a revival in the 1760s and 70s. Later chapters investigate the gamba's role as an emblem of sensibility among aristocrats, artists, and intellectuals, including the Countess of Pembroke, Sir Edward Walpole, Ann Ford, Laurence Sterne, Thomas Gainsborough and Benjamin Franklin, and trace Abel's influence and legacy far into the nineteenth century. A concluding chapter is concerned with its role in the developing early music movement, culminating with Arnold Dolmetsch's first London concerts with old instruments in 1890. PETER HOLMAN is Professor of Historical Musicology at Leeds University, and director of The Parley of Instruments, the choir Psalmody, and the Suffolk Villages Festival.

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The first comprehensive monograph on the work of one of the world’s most influential art directors, Ezra Petronio Having a strong brand identity has never been more vital than it is today, and yet the real creative visionaries who can transform and reinvigorate a brand are few. Ezra Petronio is a true master, and his work with leading fashion and beauty brands is bold and impactful. An immersive visual survey of 25 years of impactful art direction, product design, and image making, with examples taken from across the entire range of his work, this book includes work for Chanel, Chloé, Comme des Garçons, Gucci, Hermès, Louis Vuitton, Prada, Saint Laurent, and Jil Sander, as well as Glossier, H&M, Revlon, and Zara. With 1,000 images of ad campaigns, branding, Self Service magazine spreads, graphics, and his polaroid series, which features the likes of Louise Bourgeois, Edward Enninful, Kim Kardashian, Kylian Mbappé, Kylie Minogue, Rick Owens, and Juergen Teller, it also includes texts that reflect on the process of image making; conversations with industry insiders on the art of art direction; and quotes from the likes of Honey Dijon, Marc Jacobs, and Chloë Sevigny on their creative process. This impressive book is the first retrospective monograph on his career, illustrating the full breadth of his creative vision, from ad campaigns to his iconic Polaroid series, and demonstrating what it takes to make a brand truly stand out.

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This book explores Chinese artistic and stylistic influences on Modernist practice in early twentieth century Britain. This volume examines the ways in which an intellectual vogue for a mythic China was a constituent element of British modernism. Traditionally defined as a decorative style that conjured a fanciful and idealized notion of China, chinoiserie was revived in in London's avant garde circles, the Bloomsbury group, the Vorticists and others, who like their eighteenth century forebears, turned to China as a cultural and aesthetic utopia. As part of Modernism's challenge to the 'universality' of so called Western values and aesthetics, the turn to China would contribute much more than has been acknowledged to Modernist thinking. As these 10 new chapters demonstrate, China as an intellectual and aesthetic utopia dazzled intellectuals and aesthetes. At the same time the consumption of Chinese exoticism became commercialized. The essays show that from cutting edge Modernist chic to mass culture and consumer products, the vogue for chinoiserie style and motifs permeated the art and design of the period. The 10 original chapters from leading international figures in the field, including Elizabeth Chang, David Porter and Patricia Laurence. It includes 28 figures (10 in colour) to illustrate the text. It offers a coverage of literature, painting and poetry, as well as performance and visual media, theatre, fashion, film and dance, interior and garden design, Ideal Home and international exhibitions.

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Focusing on the past, present, and future of American eighteenth-century studies.In a section commemorating the fiftieth anniversary of the American Society for Eighteenth-Century Studies, Howard D. Weinbrot, Felicity A. Nussbaum, and Heather McPherson trace the history of the Society. Logan J. Connors, Jason H. Pearl, Jessica Zimble, Adam Schoene, Rebecca Messbarger, and Morgan Vanek then assess the disciplinary divides that still stymie the field. Melissa Hyde's Presidential Address recovers the lives and careers of two female artists in Paris. Laurent Dubois's Clifford Lecture examines the centrality of theater to political action in Saint-Domingue.In the next section, "Consumption and Remediation," Alison DeSimone, Amy Dunagin, Erica Levenson, and Julia Hamilton consider the reception in England of foreign music and theater, including Italian opera, French comic troupes, and abolitionist "African" songs. These are followed by Michael Edson's investigation of marginalia in Anne Hamilton's Epics of the Ton and Anaclara Castro-Santana's rethinking of the relation between Sophia Western and the Jacobite celebrity Jenny Cameron in Tom Jones.In "Teaching Tough Texts," Anne Greenfield, Holly Faith Nelson and Sharon Alker, and W. Scott Howard offer innovative tactics for engaging students. The penultimate section, "Eighteenth-Century Bodies," features essays by Olivia Carpenter on the politics of The Woman of Colour and Meghan Kobza on masquerade costumes. The final section, "Disability in the Eighteenth Century," assembles work by Travis Chi Wing Lau, Madeline Sutherland-Meier, D. Christopher Gabbard, Jason S. Farr, Hannah Chaskin, and Declan Kavanagh that aims to push the field forward toward more historically nuanced interpretations of disability.

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An important figure during the golden age of Broadway, John C. Wilson staged such famous productions as Kiss Me, Kate and Gentlemen Prefer Blondes. He also worked with many of the greatest actors, playwrights, producers, and other artists from the 1920s through the 1950s, including Alfred Lunt, Lynn Fontanne, Laurence Olivier, Vivien Leigh, Carol Channing, and Tennessee Williams. In his twenties, Wilson met Noel Coward and became both his lover and manager. Following Wilson’s marriage to Russian princess Natalie Paley in 1937, he remained close friends with Coward until John’s death in 1961. In Noel, Tallulah, Cole, and Me: A Memoir of Broadway’s Golden Age, producer-director Wilson provides an eye witness account of a never-to-be-seen-again period in American theatre and culture. The narrative covers Wilson’s youth, his education at Yale, his experience working in silent films, and details of his professional and personal relationship with Coward. Wilson also recounts his theatrical career on Broadway and in London, his marriage to Paley, and life within international high society. The people Wilson befriended—Tallulah Bankhead, Cecil Beaton, Claudette Colbert, Cole Porter, and Richard Rodgers, among others—are described with affection, candor, and colorful panache. Wilson also shares behind-the-scenes stories about such landmark theatre productions as Private Lives, Blithe Spirit, Gentlemen Prefer Blondes, and Kiss Me, Kate. Completed in 1958, just three years before his death, Wilson’s autobiography sat idle for decades. Wilson’s great nephew Jack Macauley and theatre historian Thomas Hischak have edited the original manuscript and added commentary to help guide the reader through the myriad names and productions that are mentioned. From his long-term relationship with Coward to his enduring marriage to Paley, Wilson’s life was as charmed as it was celebrated. Featuring nearly forty photos, Noel, Tallulah, Cole, and Me is an engaging account of one of the most important periods in Broadway’s history, as well as a fascinating look into the lives of the glamorous men and women of the era.

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Did you know that herrings use their farts to communicate with each other, that seals are notorious for having the smelliest farts in the animal kingdom, or that the Sonoran coral snake uses its farts as a defence mechanism when threatened by predators?In this simple to play, colourful and engaging matching memory game, match 25 animals to the pumps, toots and trumps they let off and turn over more pairs than your opponent to win the game! Learn all about why zebra farts are so incredibly loud and how manatees use flatulence to help them float in the accompanying booklet, packed full of animal facts.MATCH 26 ANIMALS to their toots, turn over more pairs than your opponent to win the gameSCREEN-FREE FUN for 2-4 players, fun for all the familyPLAY AND LEARN fascinating facts about your favourite animal and their farts in the bookletLAURENCE KING has been capturing imaginations and inspiring creativity in new and un

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?? THIS IS NOT A ROMANCE: A twisted story of obsession and female desire, Rush explores the dark and toxic side of the world''s sexiest sport ??''Totally absorbed in the world of Lena and Nico' Reader Review ?????I devoured this book over the course of two days an absolute page-turner' Reader review ?????I love how this story celebrates relationships that buoy women emotionally without breaking their spirit' Reader review ?????* * * *His desire will consume her. And all she can do is surrender.Lena Aden came to Los Angeles to make it big as a writer. Five years later, she's still chasing the dream and wondering if it's time to start over.Nico Laurent is the Formula 1 World Champion and the most desirable bachelor in the world. He's used to getting any woman he wants, and he's decided he wants Lena.After their first night together, Lena can't get Nico out of her head. She engineers a second meeting and suddenly Lena is pulled into a heady world of fast cars, parties, and money. Lena h

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A publication on the extraordinary vessels and glazes by the Belgian company Amphora. With a reprint of an old Amphora sales catalogue. Large scale photographs allow an in-depth study of the hand-thrown vessels. Rogier Vandeweghe established himself as an independent potter in Sint Andries, near Bruges, after leaving the ceramic workshop Per Ignem, which he had founded with his brother Laurent in 1947. Under the name Amphora, from 1960 on, his quickly expanding workshop produced entirely hand-thrown vessels. His modern forms - with glazes developed in-house and experimental firing techniques - rapidly earned the workshop an international reputation. Participation in major contemporary exhibitions led to numerous awards and acquisitions by leading ceramic museums across Europe. In 1975 all production ceased, and the workshop faded into obscurity. The present publication is a tribute to Rogier Vandeweghe and his wife, Myranna Pyck, for their unwavering commitment and their continuous quest for high-quality modern beauty in their ceramics. Text in English, French and Dutch.

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The second in the Lyonesse trilogy, following Tristan, Isolde, and Mark further into the forbidden as they wrestle with their love for each other and the growing secrets that surround them.He thinks I''ll destroy him. It''s hard to love someone you know is actually a knife pressed against your throat.I should know.Isolde Laurence is an uncommon bride.She''s been raised to do as her father told her, put elegance and duty above all elsebut unbeknownst to him, her loyalty has shifted. Now she''s in service to the Church, one of the elite spies who work for her uncle, a cardinal. Her latest assignment from the Church? Marry Mark Trevena, the owner of a notorious club in DC where the rich and powerful come to play, and seduce him.But what was supposed to be a simple lie has become far more complicated: Isolde has fallen for Mark''s handsome and emotionally wounded bodyguard, Tristan. Even worseshe''s falling for her future husband hi

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A key figure in the international avant-garde, Piet Mondrian (1872–1944) was at once an extraordinary painter and leading art theoretician whose influence resonates to this day. Coining the term “Neo-plasticism”, he pursued a style of painting composed only of primary colors against a grid of black vertical and horizontal lines and a white base background. Mondrian’s vision was that this essential painting would help to achieve a society in which art as such has no place, but rather exists for the total realization of “beauty.” With stints in Amsterdam, Paris, London, and New York, Mondrian drew upon the modern metropolis and modern music, especially jazz, as points of inspiration. In 1917, he cofounded De Stijl, originally a publication, and subsequently a circle of practitioners, committed to a strictly geometrical art of horizontals and verticals. With key works and succinct texts, this introductory book presents Mondrian's distinctive and pioneering oeuvre, an abiding inspiration for fashion, art, architecture, and design, from White Stripes album covers to Yves Saint Laurent dresses. 2016 © US Mondrian/Holtzman Trust

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Lonely Planet’s Montreal & Quebec City is our most comprehensive guide that extensively covers all the cities have to offer, with recommendations for both popular and lesser-known experiences. Stroll the cobblestoned streets of Old Montreal, catch some summer jazz, and sip beer and watch the world go by in the Quartier Latin; all with your trusted travel companion.Inside Lonely Planet’s Montreal & Quebec City Travel Guide: What’s NEW in this edition?Up-to-date information - all businesses were rechecked before publication to ensure they are still open after 2020’s COVID-19 outbreakNEW top experiences feature - a visually inspiring collection of Montreal and Quebec City’s best experiences and where to have them What's NEW feature taps into cultural trends and helps you find fresh ideas and cool new areas NEW Accommodations feature gathers all the information you need to plan your accommodationHighlights and itineraries help you tailor your trip to your personal needs and interestsEating & drinking in Montreal & Quebec City - we reveal the dishes and drinks you have to tryColor maps and images throughoutInsider tips to save time and money and get around like a local, avoiding crowds and trouble spotsHonest reviews for all budgets - eating, sleeping, sightseeing, going out, shopping, hidden gems that most guidebooks missCultural insights give you a richer, more rewarding travel experience - history, people, music, landscapes, wildlife, politicsOver 30 maps Covers Old Montréal, Parc Jean-Drapeau, Downtown, Quartier Latin, the Village, Plateau Mont-Royal, Little Italy, Mile End, Outremont, Southwest Montréal, Outer Montréal, Québec City, Trois-Rivieres, the Laurentians, the Eastern Townships, and moreThe Perfect Choice: Lonely Planet’s Montreal & Quebec City, our most comprehensive guide to the cities, is perfect for both exploring top sights and taking roads less travelled. Visiting Montreal and Quebec City for a week or less? Lonely Planet’s Pocket Montreal & Quebec City guide is a handy-sized guide focused on the cities’ can’t-miss experiences.About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveler since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travelers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more, enabling you to explore every day. 'Lonely Planet guides are, quite simply, like no other.' – New York Times'Lonely Planet. It's on everyone's bookshelves; it's in every traveler's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' – Fairfax Media (Australia)

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'Heir to Christie' Daily Mail'Clever, classy and captivating' CHRIS WHITAKER_______________________________One happy couple.Two divided families.A wedding party to die for.On the private island of Castello Fiore - surrounded by the glittering waters of Lake Garda - the illustrious Heywood family gathers for their son Laurence's wedding to Italian influencer Eva Bianchi.But as the ceremony begins, a blood-curdling scream brings the proceedings to a devastating halt.With the wedding guests trapped as they await the police, old secrets come to light and family rivalries threaten to bubble over.Everyone is desperate to know . . .Who is the killer? And can they be found before they strike again?________________________________________PRAISE FOR TOM HINDLE'A new heir to Agatha Christie . . . classic crime for the 21st century' Ragnar Jónasson'This is riveting stuff, breathing new life into the traditional locked-room mystery. Hindle puts a 21st century spin on a Golden Age tale that's both captivating and cunning' Sun'Tricksy, expertly plotted and kept me guessing till the end' Adam Simcox'Twist after gut-punching twist' M. W. Craven'Dazzling' Crime MonthlyMurder on Lake Garda was a no. 8 Sunday Times bestseller 04/02/24

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Social capital is fundamentally concerned with resources in social relations. This Handbook brings together leading scholars from around the world to address important questions on the determinants, manifestations and consequences of social capital. Various mechanisms of formal and informal social involvement, its relationship with other forms of social exclusion and its role in civic, instrumental and expressive domains of our socio-economic and community lives are explored. This unique Handbook:* combines cutting-edge theory with appropriate data and methods* explores the mechanisms of formal and informal social involvement including the role of parental class and cultural influence, and the consequences for our personal and community lives* links social capital with other domains of social inequality such as cultural practice and philanthropic behaviour in an in-depth examination of the social stratification processes* conducts a thorough analysis of formal and informal social involvement, and bonding and bridging social ties on trust, tolerance, community cohesion, educational attainment, labour market position, quality of life and ethnic entrepreneurism* analyzes social capital as both an outcome and as a mediating variable at the micro, meso and macro levels.Accessible yet rigorous, this Handbook presents a challenge to both social capital researchers interested in explaining social inequality and to policy-makers with responsibility for designing effective measures for combating social exclusion. It will also be essential reading for students in sociology, political science, developmental economics and management studies.Contributors: N. Allum, R. Andersen, L. Bécares, Y. Bian, F. Buscha, C. Cheng, R.R. Côté, D. Cutts, N. Demireva, F. Devine, J.K. Dhillon, L. Donato, B.H. Erickson, J. Fiel, J. Field, E. Fieldhouse, A. Gamoran, A. García-Macías, D. Griffiths, A. Heath, X. Huang, P.S. Lambert, J. Laurence, Y. Li, M. Lubbers, J.L. Molina, J. Nazroo, J. Pampalona, R. Patulny, J. Rodríguez Menés, M. Savage, M. Shoji, P. Sturgis, E.M. Uslaner, H. Valenzuela-García, P.-P. Verhaeghe, W. Wang, A. Warde, M. Western, L. Zhang, L. Zhang, W. Zhang

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Social capital is fundamentally concerned with resources in social relations. This Handbook brings together leading scholars from around the world to address important questions on the determinants, manifestations and consequences of social capital. Various mechanisms of formal and informal social involvement, its relationship with other forms of social exclusion and its role in civic, instrumental and expressive domains of our socio-economic and community lives are explored. This unique Handbook:* combines cutting-edge theory with appropriate data and methods* explores the mechanisms of formal and informal social involvement including the role of parental class and cultural influence, and the consequences for our personal and community lives* links social capital with other domains of social inequality such as cultural practice and philanthropic behaviour in an in-depth examination of the social stratification processes* conducts a thorough analysis of formal and informal social involvement, and bonding and bridging social ties on trust, tolerance, community cohesion, educational attainment, labour market position, quality of life and ethnic entrepreneurism* analyzes social capital as both an outcome and as a mediating variable at the micro, meso and macro levels.Accessible yet rigorous, this Handbook presents a challenge to both social capital researchers interested in explaining social inequality and to policy-makers with responsibility for designing effective measures for combating social exclusion. It will also be essential reading for students in sociology, political science, developmental economics and management studies.Contributors: N. Allum, R. Andersen, L. Bécares, Y. Bian, F. Buscha, C. Cheng, R.R. Côté, D. Cutts, N. Demireva, F. Devine, J.K. Dhillon, L. Donato, B.H. Erickson, J. Fiel, J. Field, E. Fieldhouse, A. Gamoran, A. García-Macías, D. Griffiths, A. Heath, X. Huang, P.S. Lambert, J. Laurence, Y. Li, M. Lubbers, J.L. Molina, J. Nazroo, J. Pampalona, R. Patulny, J. Rodríguez Menés, M. Savage, M. Shoji, P. Sturgis, E.M. Uslaner, H. Valenzuela-García, P.-P. Verhaeghe, W. Wang, A. Warde, M. Western, L. Zhang, L. Zhang, W. Zhang

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A literary and cultural history of the intimate space of the eighteenth-century closet—and how it fired the imaginations of Pepys, Sterne, Swift, and so many other writers Long before it was a hidden storage space or a metaphor for queer and trans shame, the closet was one of the most charged settings in English architecture. This private room provided seclusion for reading, writing, praying, dressing, and collecting—and for talking in select company. In their closets, kings and duchesses shared secrets with favorites, midwives and apothecaries dispensed remedies, and newly wealthy men and women expanded their social networks. In The Closet, Danielle Bobker presents a literary and cultural history of these sites of extrafamilial intimacy, revealing how, as they proliferated both in buildings and in books, closets also became powerful symbols of the unstable virtual intimacy of the first mass-medium of print.Focused on the connections between status-conscious—and often awkward—interpersonal dynamics and an increasingly inclusive social and media landscape, The Closet examines dozens of historical and fictional encounters taking place in the various iterations of this room: courtly closets, bathing closets, prayer closets, privies, and the "moving closet" of the coach, among many others. In the process, the book conjures the intimate lives of well-known figures such as Samuel Pepys and Laurence Sterne, as well as less familiar ones such as Miss Hobart, a maid of honor at the Restoration court, and Lady Anne Acheson, Swift's patroness. Turning finally to queer theory, The Closet discovers uncanny echoes of the eighteenth-century language of the closet in twenty-first-century coming-out narratives.Featuring more than thirty illustrations, The Closet offers a richly detailed and compelling account of an eighteenth-century setting and symbol of intimacy that continues to resonate today.

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Se reúne aquí los escritos de los viajes de Vernon Lee por Alemania, Italia, Francia y Suiza en busca del espíritu del lugar. Pese a que su infancia estuvo repartida en períodos de seis meses entre esos cuatro países, Vernon Lee cuenta cómo su familia no viajaba, sino que simplemente se trasladaba entre domicilios evitando cualquier actividad turística. La consecuencia fue que su pasión viajera no nació de visitar distintos lugares sino de la fascinación infantil producida por lecturas y conversaciones. La escritora regresa a los lugares habitados o imaginados en su infancia, adentrándose por el Rin hasta el corazón de Alemania, por las carreteras italianas hasta Portofino, en tren por Francia hasta Montreuil, y por los Alpes hasta Berna. La experiencia viajera, casi siempre acompañada de alguna amiga, se enriquece con el acervo estético y cultural de la autora sobre leyendas, lecturas y personajes literarios que llegan hasta el Viaje sentimental de Laurence Sterne. Vernon Lee no prete

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An Yves R. Simon Reader is the first collection of texts from the entirety of the philosopher’s work. French Catholic (and then American) political philosopher Yves R. Simon was a student of Jacques Maritain and one of the most important figures in the revival of Thomism. His work, however, is still little known in English, and there is as yet no English biography of him. In An Yves R. Simon Reader: The Philosopher’s Calling, Michael D. Torre provides an erudite and helpful introduction to Simon’s life and thought. The volume contains selected key texts from all of Simon’s twenty books, half of which were published posthumously, dividing them into three sections. The first fundamentally defends the Aristotelian and Thomistic account of human knowing. The second begins with his groundbreaking discussion of human freedom and ends with his account of practical wisdom. The third then expands this account to cover the chief concerns of his social and political philosophy. The selections are long enough to be substantive and contain sustained and complete arguments. Each selection has its own foreword by an eminent commentator, familiar with Simon’s work, who lays out the necessary context for the reader. An Yves R. Simon Reader includes sections from several of Simon’s last and most important essays: on sensitive knowledge and on the analogous nature of “act.” It includes a number of excerpts from his justly famous account and defense of democratic government. The hallmarks of his work—his careful conceptual analysis, his genius for finding undervalued examples, and his talent for creating expressions that revivified an outworn idea—are on display throughout. Indeed, as one of the book’s contributors says, Simon touched nothing that he did not adorn. The result is a highly readable introduction to the thought of a key and underappreciated modern philosopher. Contributors: Michael D. Torre, Jude P. Dougherty, Raymond Dennehy, John C. Cahalan, Steven A. Long, Ralph Nelson, John P. Hittinger, Ralph McInerny, David B. Burrell, CSC, Laurence Berns, Catherine Green, W. David Solomon, V. Bradley Lewis, Joseph W. Koterski, SJ, James V. Schall, SJ, George Anastaplo, Walter J. Nicgorski, John A. Gueguen, Jr., Thomas R. Rourke, Jeanne Heffernan Schindler, and Robert Royal.

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A quirky collection of true stories from the weird and wonderful world of Shakespearean theatre, featuring distinguished actors falling off stages, fluffed lines, performances in the dark, and why you must never, ever say the name of that Scottish play, especially if you are Peter O'Toole. A fascinating playbill of stories from the weird and wonderful world of Shakespearean theatre through the centuries, including distinguished actors falling off stages, fluffed lines, performances in the dark, and why you must never, ever say the name of that Scottish play, especially if you are Peter O'Toole. Discover a wealth of Shakespearean shenanigans over the years, including the terrible behaviour of the groundlings at Shakespeare's Globe, how the 'rude mechanicals' in A Midsummer Night's Dream got recast as a bunch of ladies from the WI, and how Dame Maggie Smith got even with Sir Laurence Olivier. Published to coincide with the 400th anniversary of Shakespeare’s death, this treasury of curious tales is a must-read for all Shakespeare lovers and theatre fans. Word count: 45,000

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Within the pages of Allie Esiri's gorgeous poetry collection, A Poem for Every Autumn Day you will find verse that will transport you to vibrant autumnal scenes, from harvest festival to Remembrance Day.The poems are selected from Allie Esiri’s bestselling poetry anthologies A Poem for Every Day of the Year and A Poem for Every Night of the Year.Perfect for reading aloud and sharing with all the family, this book dazzles with an array of familiar favourites and remarkable new discoveries. These seasonal poems – together with introductory paragraphs – have a link to the date on which they appear.Includes poems by Robert Louis Stevenson, John Betjeman, Amy Lowell, Paul Laurence Dunbar, William Shakespeare and Christina Rossetti who sit alongside Seamus Heaney, John Agard, Simon Armitage, Patience Agbabi and Imtiaz Dharker.This soul-enhancing book will keep you company for every day of Autumn. Enjoy more seasonal poetry collections with A Poem for Every Summer Day and A Poem for Every Winter Day.

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THE SCHOOL FOR GOOD AND EVIL is now a major motion picture from Netflix – starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Sofia Wylie, Sophie Anne Caruso, Jamie Flatters, Earl Cave, Kit Young and more! What rises . . . must fall.Two brothersOne Good.One Evil.In exchange for power and immortality, they watch over the Endless Woods and rule the School for Good and Evil.Yet all School Masters must face a test.Theirs is loyalty.But what happens when loyalty is corrupted? When the bonds of blood are broken?Who will survive? Who will die? And what will become of the school and its students?The journey that started a hundred years ago throttles towards its end. This final chapter in the duology that began with the RISE OF THE SCHOOL FOR GOOD AND EVIL brings the tale of the twin School Masters to the brink of war and a shocking conclusion that will change the course of the school forever.

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Timothy Findley (1930-2002) was one of Canada's foremost writers--an award-winning novelist, playwright, and short-story writer who began his career as an actor in London, England. Findley was instrumental in the development of Canadian literature and publishing in the 1970s and 80s. During those years, he became a vocal advocate for human rights and the anti-war movement. His writing and interviews reveal a man concerned with the state of the world, a man who believed in the importance of not giving in to despair, despite his constant struggle with depression. Findley believed in the power of imagination and creativity to save us. Tiff: A Life of Timothy Findley is the first full biography of this eminent Canadian writer. Sherrill Grace provides insight into Findley's life and struggles through an exploration of his private journals and his relationships with family, his beloved partner, Bill Whitehead, and his close friends, including Alec Guinness, William Hurt, and Margaret Laurence. Based on many interviews and exhaustive archival research, this biography explores Findley's life and work, the issues that consumed him, and his often profound depression over the evils of the twentieth-century. Shining through his darkness are Findley's generous humour, his unforgettable characters, and his hope for the future. These qualities inform canonic works like The Wars (1977), Famous Last Words (1981), Not Wanted on the Voyage (1984), and The Piano Man's Daughter (1995).

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An ambitious revisionist history of naturalization as a creative mechanism for national expansion.Before borders determined who belonged in a country and who did not, lawyers and judges devised a legal fiction called naturalization to bypass the idea of feudal allegiance and integrate new subjects into their nations. At the same time, writers of prose fiction were attempting to undo centuries of rules about who could—and who could not—be a subject of literature. In Before Borders, Stephanie DeGooyer reconstructs how prose and legal fictions came together in the eighteenth century to dramatically reimagine national belonging through naturalization. The bureaucratic procedure of naturalization today was once a radically fictional way to create new citizens and literary subjects.Through early modern court proceedings, the philosophy of John Locke, and the novels of Daniel Defoe, Laurence Sterne, Maria Edgeworth, and Mary Shelley, DeGooyer follows how naturalization evolved in England against the backdrop of imperial expansion. Political and philosophical proponents of naturalization argued that granting foreigners full political and civil rights would not only attract newcomers but also better attach them to English soil. However, it would take a new literary form—the novel—to fully realize this liberal vision of immigration. Together, these experiments in law and literature laid the groundwork for an alternative vision of subjecthood in England and its territories.Reading eighteenth-century legal and prose fiction, DeGooyer draws attention to an overlooked period of immigration history and compels readers to reconsider the creative potential of naturalization.

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When Lilian Baylis was badly hurt after a car accident, someone at the scene called out, 'It's Miss Baylis. Miss Baylis of the Old Vic.' In spite of her injuries, Baylis drew herself up and imperiously corrected them, 'And Sadler's Wells.' But Baylis was much more than the manager of the Old Vic And Sadler's Wells - she was also a founding mother of the British National Theatre, the Royal Ballet and the English National Opera. She gave career-changing breaks to actors such as John Gielgud and Laurence Olivier, created new roles for Alicia Markova and furthered the careers of stars in the making such as Alec Guinness, Margot Fonteyn and Joan Cross. Even Joan Littlewood desperately wanted to work for Baylis. This biography sets out to discover how Baylis was able to manage two theatres and three companies, bringing what was considered the very best of high culture to working people, and still haul her theatres into profit. Elizabeth Schafer looks beyond the famous comic anecdotes and discovers the private woman behind the public persona. Based on new and original research, the book draws extensively on Baylis autobiographical writing, detailing her early career as a musician and dancer and her love for the company of pioneering, independent and high-powered career women. It reveals how Baylis achieved so much, what it cost her, and gives a glimpse of the autobiography Baylis herself never found time to write.

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'This book brings history alive' BERNADINE EVARISTOWITH A BRAND NEW FOREWORD FROM ZADIE SMITH'Black England is a book that will be relevant for ever' BENJAMIN ZEPHANIAH----------------The idea that Britain became a mixed-race country after 1945 is a common mistake. Georgian England had a large and distinctive Black community. Whether prosperous citizens or newly freed slaves, they all ran the risk of kidnap and sale to plantations. Black England tells their dramatic, often moving stories.In the eighteenth century, Black people could be found in clubs and pubs, there were special churches, Black-only balls and organisations for helping Black people who were out of work or in trouble. Many were famous and respected: most notably Francis Barber, Doctor Johnson's beloved manservant; Ignatius Sancho, a correspondent of Laurence Sterne; Francis Williams, a Cambridge scholar, and Olaudah Equiano whose Interesting Narrative went into multiple editions. But far more were ill-paid and ill-treated servants or beggars, despite having served Britain in war and on the seas. For alongside the free world there was slavery, from which many of these Black Britons had escaped.The triumphs and tortures of Black England, the Ambivalent relations between the races, sometimes tragic, sometimes heart-warming, are brought to life in this wonderfully readable history. Black England explores a fascinating chapter of our shared past, a chapter that has been ignored too long.

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In Animals and Other People, Heather Keenleyside argues for the central role of literary modes of knowledge in apprehending animal life. Keenleyside focuses on writers who populate their poetry, novels, and children's stories with conspicuously figurative animals, experiment with conventional genres like the beast fable, and write the "lives" of mice as well as men. From such writers—including James Thomson, Daniel Defoe, Jonathan Swift, Laurence Sterne, Anna Letitia Barbauld, and others—she recovers a key insight about the representation of living beings: when we think and write about animals, we are never in the territory of strictly literal description, relying solely on the evidence of our senses. Indeed, any description of animals involves personification of a sort, if we understand personification not as a rhetorical ornament but as a fundamental part of our descriptive and conceptual repertoire, essential for distinguishing living beings from things. Throughout the book, animals are characterized by a distinctive mode of agency and generality; they are at once moving and being moved, at once individual beings and generic or species figures (every cat is also "The Cat"). Animals thus become figures with which to think about key philosophical questions about the nature of human agency and of social and political community. They also come into view as potential participants in that community, as one sort of "people" among others. Demonstrating the centrality of animals to an eighteenth-century literary and philosophical tradition, Animals and Other People also argues for the importance of this tradition to current discussions of what life is and how we might live together.

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This is the ultimate anthology of theatrical anecdotes, edited by lifelong theatre-lover Gyles Brandreth in the Oxford tradition, and covering every kind of theatrical story and experience from the age of Shakespeare and Marlowe to the age of Stoppard and Mamet, from Richard Burbage to Richard Briers, from Nell Gwynn to Daniel Day-Lewis, from Sarah Bernhardt to Judi Dench. Players, playwrights, prompters, producers--they all feature. The Oxford Book of Theatrical Anecdotes provides a comprehensive, revealing, and hugely entertaining portrait of the world of theatre across four hundred years. Many of the anecdotes are humorous: all have something pertinent and illuminating to say about an aspect of theatrical life--whether it is the art of playwriting, the craft of covering up missed cues, the drama of the First Night, the nightmare of touring, or the secret ingredients of star quality. Edmund Kean, Henry Irving, John Gielgud, Laurence Olivier, Ellen Terry, Edith Evans, Maggie Smith, Helen Mirren--the great 'names' are all here, of course, but there are tales of the unexpected, too--and the unknown. This is a book--presented in five acts, with a suitably anecdotal and personal prologue from Gyles Brandreth--where, once in a while, the understudy takes centre-stage and Gyles Brandreth treats triumph and disaster just the same, including stories from the tattiest touring companies as well as from Broadway, the West End and theatres, large and small, in Australia, India, and across Europe.

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From the dagger mistress Ezili Je Wouj and the gender-bending mermaid Lasiren to the beautiful femme queen Ezili Freda, the Ezili pantheon of Vodoun spirits represents the divine forces of love, sexuality, prosperity, pleasure, maternity, creativity, and fertility. And just as Ezili appears in different guises and characters, so too does Omise’eke Natasha Tinsley in her voice- and genre-shifting, exploratory book Ezili's Mirrors. Drawing on her background as a literary critic as well as her quest to learn the lessons of her spiritual ancestors, Tinsley theorizes black Atlantic sexuality by tracing how contemporary queer Caribbean and African American writers and performers evoke Ezili. Tinsley shows how Ezili is manifest in the work and personal lives of singers Whitney Houston and Azealia Banks, novelists Nalo Hopkinson and Ana Lara, performers MilDred Gerestant and Sharon Bridgforth, and filmmakers Anne Lescot and Laurence Magloire—none of whom identify as Vodou practitioners. In so doing, Tinsley offers a model of queer black feminist theory that creates new possibilities for decolonizing queer studies.

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From the dagger mistress Ezili Je Wouj and the gender-bending mermaid Lasiren to the beautiful femme queen Ezili Freda, the Ezili pantheon of Vodoun spirits represents the divine forces of love, sexuality, prosperity, pleasure, maternity, creativity, and fertility. And just as Ezili appears in different guises and characters, so too does Omise’eke Natasha Tinsley in her voice- and genre-shifting, exploratory book Ezili's Mirrors. Drawing on her background as a literary critic as well as her quest to learn the lessons of her spiritual ancestors, Tinsley theorizes black Atlantic sexuality by tracing how contemporary queer Caribbean and African American writers and performers evoke Ezili. Tinsley shows how Ezili is manifest in the work and personal lives of singers Whitney Houston and Azealia Banks, novelists Nalo Hopkinson and Ana Lara, performers MilDred Gerestant and Sharon Bridgforth, and filmmakers Anne Lescot and Laurence Magloire—none of whom identify as Vodou practitioners. In so doing, Tinsley offers a model of queer black feminist theory that creates new possibilities for decolonizing queer studies.

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The Afro-Latin@ Reader focuses attention on a large, vibrant, yet oddly invisible community in the United States: people of African descent from Latin America and the Caribbean. The presence of Afro-Latin@s in the United States (and throughout the Americas) belies the notion that Blacks and Latin@s are two distinct categories or cultures. Afro-Latin@s are uniquely situated to bridge the widening social divide between Latin@s and African Americans; at the same time, their experiences reveal pervasive racism among Latin@s and ethnocentrism among African Americans. Offering insight into Afro-Latin@ life and new ways to understand culture, ethnicity, nation, identity, and antiracist politics, The Afro-Latin@ Reader presents a kaleidoscopic view of Black Latin@s in the United States. It addresses history, music, gender, class, and media representations in more than sixty selections, including scholarly essays, memoirs, newspaper and magazine articles, poetry, short stories, and interviews.While the selections cover centuries of Afro-Latin@ history, since the arrival of Spanish-speaking Africans in North America in the mid-sixteenth-century, most of them focus on the past fifty years. The central question of how Afro-Latin@s relate to and experience U.S. and Latin American racial ideologies is engaged throughout, in first-person accounts of growing up Afro-Latin@, a classic essay by a leader of the Young Lords, and analyses of U.S. census data on race and ethnicity, as well as in pieces on gender and sexuality, major-league baseball, and religion. The contributions that Afro-Latin@s have made to U.S. culture are highlighted in essays on the illustrious Afro-Puerto Rican bibliophile Arturo Alfonso Schomburg and music and dance genres from salsa to mambo, and from boogaloo to hip hop. Taken together, these and many more selections help to bring Afro-Latin@s in the United States into critical view.Contributors: Afro–Puerto Rican Testimonies Project, Josefina Baéz, Ejima Baker, Luis Barrios, Eduardo Bonilla-Silva, Adrian Burgos Jr., Ginetta E. B. Candelario, Adrián Castro, Jesús Colón, Marta I. Cruz-Janzen, William A. Darity Jr., Milca Esdaille, Sandra María Esteves, María Teresa Fernández (Mariposa), Carlos Flores, Juan Flores, Jack D. Forbes, David F. Garcia, Ruth Glasser, Virginia Meecham Gould, Susan D. Greenbaum, Evelio Grillo, Pablo “Yoruba” Guzmán, Gabriel Haslip-Viera, Tanya K. Hernández, Victor Hernández Cruz, Jesse Hoffnung-Garskof, Lisa Hoppenjans, Vielka Cecilia Hoy, Alan J. Hughes, María Rosario Jackson, James Jennings, Miriam Jiménez Román, Angela Jorge, David Lamb, Aida Lambert, Ana M. Lara, Evelyne Laurent-Perrault, Tato Laviera, John Logan, Antonio López, Felipe Luciano, Louis Pancho McFarland, Ryan Mann-Hamilton, Wayne Marshall, Marianela Medrano, Nancy Raquel Mirabal, Yvette Modestin, Ed Morales, Jairo Moreno, Marta Moreno Vega, Willie Perdomo, Graciela Pérez Gutiérrez, Sofia Quintero, Ted Richardson, Louis Reyes Rivera, Pedro R. Rivera , Raquel Z. Rivera, Yeidy Rivero, Mark Q. Sawyer, Piri Thomas, Silvio Torres-Saillant, Nilaja Sun, Sherezada “Chiqui” Vicioso, Peter H. Wood

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An in-depth look at the influence of the Grateful Dead and hippie culture on contemporary fashion and street style by GQ’s style-in-the-wild correspondent and fashion expert Since the formation of Dead & Company, a new breed of Deadhead has emerged: someone who appreciates stylish streetwear as much as tie-dye. Dead Style is a book that shows the influence of the Grateful Dead and hippie culture on the current world of fashion. Tie-dyed pieces from designer labels like Louis Vuitton, Off-White, Saint Laurent, Balenciaga, Missoni, and Burberry have dominated runway looks. Vintage Grateful Dead shirts are fetching hundreds of dollars online (on fashion auction sites and via Instagram sellers alike) and in stores. This book, visually driven and heavily captioned, is a look book for current Deadhead culture. Dead Style is a surprising, provocative, engaging, and fun work, a Grateful Dead book for a new generation.

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“I treat the boy down at the post office like the president of Russia, and the president of Russia like the boy down at the post office.” (David Bailey) Eye presents a selection of Bailey’s photographs spanning from 1962 to 2008. Mostly black-and-white, some in color, they feature influential directors, artists, fashion designers and musicians, including Andy Warhol, Henri Cartier-Bresson, Yves Saint Laurent, John Huston and Ellsworth Kelly. Despite the broad cross-section of subjects and the different creative spheres they inhabit, Bailey approaches them all with the same, egalitarian attitude – each is as important, or unimportant, as the next. This approach, often expressed by Bailey’s lack of props and minimal lighting, enables the photographer to tease from his subjects traits which often absent from more formal portraits – the warm benevolence of I.M. Pei for example, the exuberance of John Galliano, or the brooding look of Jean-Michel Basquiat. Crowned with cover art by Damien Hirst, Bailey’s Eye reveals unexpected facets of the creative minds who have defined and in many cases continue to shape the culture in which we live.

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Handkerchief, pochette, fazelleto, pañuelo, mouchoir de poche, tenugui, hankachi or hank. They all mean one thing. A small innocent square of fabric. Place one in a jacket pocket however, and it transforms into a pocket square. A gentleman’s boldest accessory, it adds the final flourish and character to any wardrobe and is a stylish alternative to the tie when a gentleman needs to look sharp. When, where and how should a gentleman wear the perfect pocket square? The guide features 22 pocket square folds, for linen, cotton and silk, from the simple and elegant ‘Presidential’ to the complex and flamboyant ‘Bouquet’ fold. As well as brief written descriptions and advice on when to wear each style, each fold is also accompanied by easy-to-follow diagrams and bold colour illustrations of how to wear one’s pocket square with style. Names synonymous with elegant and distinctive style from every decade – Cary Grant, Oscar Wilde, the Duke of Windsor, Fred Astaire, JFK and Yves Saint Laurent – provide style inspiration. The Pocket Square is the essential gift for the fashion-conscious gentleman wishing to experiment with the endless possibilties of this precious piece of fabric and turn it into the ultimate signature of their style.

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Celebrating one of the world’s greatest couture houses, this gorgeous book combines Christian Dior’s classics with the newest creations. Christian Dior achieved immortality with his first collection in 1947. His ‘New Look’ amazed the world as it emerged after wartime austerity, and reset the boundaries of modern elegance. Dior’s search for the perfect line and the ideal silhouette has been celebrated by couturiers of the first rank: Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons and Maria Grazia Chiuri have all made their distinctive contribution. This book honours Dior’s influence by celebrating the elements of style for every generation since 1947, through inspired pairings of classic and contemporary photographs. Six thematic chapters express outstanding Dior characteristics, including the silhouette, the evening gown and the eternal muse - in short, the aspects of the House that lend it unique distinction both then and now. The most beautiful fashion plates from Dior’s own time sit beside examples of the house’s creations through the decades. The resonance between classic archive photographs and the latest most up-to-date frames is clear and compelling.

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Now a major Netflix film starring Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Sofia Wylie, Sophie Anne Caruso, Jamie Flatters, Earl Cave, Kit Young, and many more! The first in the New York Times bestselling School for Good and Evil series. A dark and enchanting fantasy adventure perfect for those who prefer their fairy tales with a twist. Two best friends have been chosen to be students at the fabled School for Good and Evil, where ordinary boys and girls are trained to be fairy-tale heroes and villains. One will train for Good, one will become Evil’s new hope. Each thinks they know where they belong, but when they are swept into the Endless Woods, they’re switched into the opposite schools. Together they’ll discover who they really are and what they are capable of. . . because the only way out of a fairy tale is to live through it. Features cover artwork from Netflix’s The School for Good and Evil film and includes Soman Chainani’s exclusive on-set movie diary!

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This is the ultimate field guide to the trees and landscapes of Central Park, with a lively, authoritative text and over 900 color photographs, botanical plates, and extraordinarily detailed maps. Under the direction of the Central Park Conservancy, the park's landscapes have been painstakingly restored to achieve the effects envisioned more than 150 years ago by the park's designers, Frederick Law Olmsted and Calvert Vaux. This book highlights the leading role that trees play in defining 22 of these landscapes and chronicles the history of each of more than 200 tree species and varieties present in the park-where it came from and where the most outstanding specimens are located. Besides being a superb guide to the world's greatest center-city park, this book is a highly informative guide to most of the tree species commonly encountered in the eastern United States. Anyone who loves trees will find this book a very rewarding read, full of fascinating details and beautiful illustrations. Central Park Trees and Landscapes is divided into two major sections: "The Landscapes" opens with a geological account of Manhattan Island-from its position 500 million years ago on the edge of the proto-North American continent to its emergence about 15,000 years ago from the Laurentide Ice Sheet. The effects that human inhabitants had on the ecology of the island are described-from the burning of field stubble by Native Americans to the clearing of forest trees by Europeans. Next, the narrative focuses on the land that would eventually become Central Park-how it was saved from being dissected by John Randel's rigid street grid and how Frederick Law Olmsted and Calvert Vaux became the park's designers. The heart of the section is devoted to the construction of the park in the late 1850s and 1860s. Twenty-two of the park's grand landscapes are pictured in dozens of photographs and in seven detailed maps pinpointing nearly 20,000 trees. Readers can identify each tree on the maps by species using the Tree Maps Key (located on the back of the front flap). "The Tree Guide" contains informative essays full of intriguing botanical and historical facts on over 200 of the park's tree species and varieties. Each two-page entry features illustrations of leaves, fruits, flowers, and bark as well as a striking portrait photograph of a park tree. The entries are organized into groups by leaf shapes shown on an easy-to-use identification key (located inside the front cover).

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Great Plains Literature is an exploration of influential literature of the Plains region in both the United States and Canada. It reflects the destruction of the culture of the first people who lived there, the attempts of settlers to conquer the land, and the tragic losses and successes of settlement that are still shaping our modern world of environmental threat, ethnic and racial hostilities, declining rural communities, and growing urban populations. In addition to featuring writers such as Ole Edvart Rölvaag, Willa Cather, and John Neihardt, who address the epic stories of the past, Great Plains Literature also includes contemporary writers such as Louis Erdrich, Kent Haruf, Ted Kooser, Rilla Askew, N. Scott Momaday, and Margaret Laurence. This literature encompasses a history of courage and violence, aggrandizement and aggression, triumph and terror. It can help readers understand better how today’s threats to the environment, clashes with Native people, struggling small towns, and rural migration to the cities reflect the same forces that were important in the past.

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In 1933, Virginia Woolf wrote a biography of the poet Elisabeth Barret Browning, told in the first person by her cocker spaniel, Flush. In 1936, to write her memoirs, All the dogs of my life, Elisabeth von Arnim chose to tell the story of the 14 dogs that had accompanied her throughout her life. In 1957, the dachshund Lump arrived at the home of Pablo Picasso, whose life he shared until 1973. This book charts Picasso''s intimate family life, with Jacqueline, Claude and Paloma, and with the animals that populate the villa La Californie, as well as his artistic life. Inspired by these references, this collection (whose title is a nod to Picasso and Lump) takes a look at the lives and works of the great artists and art lovers of the 20th and 21st centuries from the perspective of their relationship with the dogs of their lives. These lighthearted, erudite books offer a unique approach to the life and work of Pablo Picasso, Andy Warhol, Peggy Guggenheim and Yves Saint Laurent..

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'England? It seemed to be raining the whole time . . . Or maybe it was me'MARILYN MONROEIn July 1956, Marilyn Monroe arrived in London, on honeymoon with her husband Arthur Miller, to make The Sleeping Prince (later released as The Prince and the Showgirl) with Laurence Olivier. When the couple arrived at London Airport, they were looking forward to a peaceful stay. Marilyn would work during the day at Pinewood Studios, while Arthur would write. Then, in the evening, the couple would be able to relax together in their private English country cottage. It didn't quite turn out that way.The 'cottage' was actually a mansion, which belonged to Lord Drogheda, the managing director of the Financial Times. Raised in tiny hotel rooms and apartments, Marilyn felt herself being watched. She was, by Lord Drogheda's servants, who were selling stories to the papers. When filming began, it was a disaster. Director Joshua Logan had written to Olivier, offering advice on how to handle Marilyn as an actress, but Olivier ignored him. Instead, he condescended to her in his introduction to the cast, pooh-poohed her views on acting, and dismissed her stage-fright as an inconvenience. Marilyn grew to hate Olivier with a passion; the feeling was mutual.Marilyn found herself torn between settling into married life, being a curiosity for the frequently hostile British press, and her work on The Prince and the Showgirl. She took solace in small acts of kindness from members of the public, and a new fascination with Queen Elizabeth.Marilyn made a point of adopting some of the Queen's favourite brands, buying gloves from Cornelia James, perfume from Floris, and switching from Chanel No. 5 to Yardley's Lavender. Marilyn made a point of asking the film's PR manager to add a royal meeting to her schedule, but each day Olivier would delete the request. Michelle Morgan describes Marilyn's trip to late-1950s' Britain in evocative detail, exploring the making of the film alongside the film star's troubled private life and her quest to meet the Queen.

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This intoxicating and visually rich volume with texts by experts from India, Europe, and North America is published to accompany a major exhibition that celebrates the long historical contributions that Indian dress, textiles, and embroidery have had on Western fashion. From the introduction of chintz dressmaking fabrics in the eighteenth century to the early nineteenth-century vogue for light Indian fabrics, paisleys, and chikan embroideries to larger realities of empire and cultural appropriation, this volume features paintings, fashion magazine editorials, and portraits of influential people who championed Indian style throughout history. Traditional hues of brilliant royal blue, marigold, and fuchsia; intricate ikat and calico patterns; and sumptuous textiles enliven every page. Archival and contemporary fashion stories include kaleidoscopic images by photographers such as Henry Clarke in Udaipur in 1967, Arthur Elgort in Jaipur in 1999, and Mikael Jansson in Goa with Indian actress Lakshmi Menon in 2011. Traditional Indian embroidery techniques; design motifs; and dress forms such as saris, jodhpurs, and turbans are reimagined by renowned designers Paul Poiret, Elsa Schiaparelli, Pierre Balmain, Zandra Rhodes, Halston, Yves Saint Laurent, Oscar de la Renta, Gianni Versace, Jean Paul Gaultier, and Alexander McQueen, in addition to a wealth of contemporary Indian designers.

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Hamlet is probably the most famous play in the world. The distinguished English critic, J. C. Trewin, saw his first performance of it in 1922, and thereafter, professionally, as drama critic successively of the Observer, Punch, and the Illustrated London News, he saw it repeatedly through sixty years of theatrical history. In this most unusual book of theatrical criticism he discusses all the leading Hamlets, including John Barrymore, John Gielgud, Maurice Evans, Michael Redgrave, and Laurence Olivier. He reflects on how the play has sounded through its many productions, how it has looked to audiences, how the critics reacted, what were the backstage arguments and the changing mores of theatrical life. Trewin's criticism is not only judicious. It is impassioned: "In March 1924, I had my first overwhelming theatrical experience. "Great," often implying no more than a night's enthusiasm, is a word like "marvellous" and "wonderful," to use sparely; but after sixty years I use it for the Hamlet of Ernest Milton...an American actor of Jewish descent who had settled in England, and who had conquered the Old Vic with his romantic passion and the surge of his verse-speaking.... On seeing the Ghost he had indeed a supernatural visitation; he became a man possessed. "Angels and ministers of grace defend us!" was breathed, barely audible, as he swung round from Horatio. When he was left alone on the battlements the haunting cry, "Hillo! ho! ho! boy! Come, bird, come!" rose as I would never know it again. From the distant night I think still of throat-tightening excitement, of an emotional force sometimes almost demonic. Speech after speech he double-charged. I cannot say at this distance how many Hamlet problems he answered, though the voice speaks unblurred. For me, with his felicities and faults, his leaping across every chasm, he governed the stage as the man himself, of "the courtier's, soldier's, scholar's, eye, tongue, sword." A joy of a book.

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As new democratic regimes take root in Latin America, two of the most striking developments have been a dramatic rise in crime rates and increased perception of insecurity among its citizens. The contributors to this book offer a collective assessment of some of the causes for the alarming rise in criminal activity in the region. They also explore the institutional obstacles that states confront in the effort to curb criminality and build a fairer and more efficient criminal justice system; the connections between those obstacles and larger sociopolitical patterns; and the challenges that those patterns present for the consolidation of democracy in the region. The chapters offer both close studies of restricted regions in Latin America and broader examinations of the region as a whole. The contributors to this volume are prominent scholars and specialists on the issue of citizen security. They draw on the latest methodologies and theoretical approaches to examine the question of how crime and crime fighting impact the consolidation of democracy and the rule of law in the region. These studies represent a major first step towards evaluating broadly a relative dearth of hard data about the Latin American security situation, as well as identifying future research paths. This book will be important for scholars, policy makers, and students, especially in the fields of Latin American and comparative law, political science, sociology, and criminology. Contributors: Laurence Whitehead, Marcelo Bergman, Claudio Chaves Beato, Frederico Couto Marinho, Lucía Dammert, Mark Ungar, Hugo Frühling, Elena Azaola, Elvira María Restrepo, Luis Pásara, Ana Laura Magaloni, and John Bailey.

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It is said that asphyxiation brings on a state of hallucinatory intoxication...in which case the 71 year old artist who lay in his sprawling Provencal villa died happy. In the early afternoon of Monday 4 October 1999, wracked with Parkinson's, and unable to paint because of a fall in which he had broken his wrist, Bernard Buffet calmly placed a plastic bag over his head, taped it tight around his neck and patiently waited the few minutes it took for death to arrive. Bernard Buffet:The Invention of the Modern Mega-artist tells the remarkable story of a French figurative painter who tasted unprecedented critical and commercial success at an age when his contemporaries were still at art school. Then, with almost equal suddenness the fruits of fame turned sour and he found himself an outcast. Scarred with the contagion of immense commercial success no leper was more untouchable. He was the first artist of the television age and the jet age and his role in creating the idea of a post-war France is not to be underestimated. As the first of the so-called Fabulous Five (Francoise Sagan, Roger Vadim, Brigitte Bardot and Yves Saint Laurent) he was a leader of the cultural revolution that seemed to forge a new France from the shattered remains of a discredited and demoralized country. Rich in incident Buffet’s remarkable story of bisexual love affairs, betrayal, vendettas lasting half a century, shattered reputations, alcoholism, and drug abuse, is played out against the backdrop of the beau monde of the 1950s and 1960s in locations as diverse as St Tropez, Japan, Paris, Dallas, St Petersburg and New York, before coming to its miserable conclusion alone in his studio.

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'A must-read for managing your career' Laurence Moor, Guardian Jobs 'If you want to be in charge of your own career-you must have this book' Daily Telegraph 'It's like having your own career coach with you every step of the way' Monster Bored with your job? Frustrated at work? Need a career change but don’t know what? Perhaps you’ve watched as colleagues have successfully fast-tracked or reinvented their careers and wished you could do the same. If you’re feeling dissatisfied or stuck career-wise, you need the help of a career coach – and that’s what you’ll find in this book. Career Coach will give you the tools to match your experience and skills to your new career - and help you take the practical steps to make your career aspirations a reality. Career Coach shows you how to take back control over your career. Using the latest career management techniques, you’ll develop your own personal step-by-step action plan to achieving your career goals. This practical workbook takes you through a full career analysis in the same way as working with a real life specialist career coach. Follow the programme and complete the insightful quizzes and questionnaires to help you pinpoint your personal strengths and skills. It will show you how to explore your options, make smart decisions and then successfully implement your career plan. Inside this fully up to date second edition you’ll find an inspiring new chapter on real-life career success stories as well as expanded sections on practicalities of a successful job search campaign and starting your own business. You'll also find new advice sections for career changers, post-grads, women returning to work, pre- and post-retirement jobs and an exploration of other challenges like health issues, internal promotions and the threat of redundancy. Written by the UK’s leading career management expert, Corinne Mills, you can be sure you’re getting the best advice from someone who knows the job market inside out.

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The first book to explore how African American writing and art engaged with visions of Ethiopia during the late nineteenth and early twentieth centuriesAs the only African nation, with the exception of Liberia, to remain independent during the colonization of the continent, Ethiopia has long held significance for and captivated the imaginations of African Americans. In Black Land, Nadia Nurhussein delves into nineteenth- and twentieth-century African American artistic and journalistic depictions of Ethiopia, illuminating the increasing tensions and ironies behind cultural celebrations of an African country asserting itself as an imperial power.Nurhussein navigates texts by Walt Whitman, Paul Laurence Dunbar, Pauline Hopkins, Harry Dean, Langston Hughes, Claude McKay, George Schuyler, and others, alongside images and performances that show the intersection of African America with Ethiopia during historic political shifts. From a description of a notorious 1920 Star Order of Ethiopia flag-burning demonstration in Chicago to a discussion of the Ethiopian emperor Haile Selassie as Time magazine’s Man of the Year for 1935, Nurhussein illuminates the growing complications that modern Ethiopia posed for American writers and activists. American media coverage of the African nation exposed a clear contrast between the Pan-African ideal and the modern reality of Ethiopia as an antidemocratic imperialist state: Did Ethiopia represent the black nation of the future, or one of an inert and static past?Revising current understandings of black transnationalism, Black Land presents a well-rounded exploration of an era when Ethiopia’s presence in African American culture was at its height.

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The first book to explore how African American writing and art engaged with visions of Ethiopia during the late nineteenth and early twentieth centuriesAs the only African nation, with the exception of Liberia, to remain independent during the colonization of the continent, Ethiopia has long held significance for and captivated the imaginations of African Americans. In Black Land, Nadia Nurhussein delves into nineteenth- and twentieth-century African American artistic and journalistic depictions of Ethiopia, illuminating the increasing tensions and ironies behind cultural celebrations of an African country asserting itself as an imperial power.Nurhussein navigates texts by Walt Whitman, Paul Laurence Dunbar, Pauline Hopkins, Harry Dean, Langston Hughes, Claude McKay, George Schuyler, and others, alongside images and performances that show the intersection of African America with Ethiopia during historic political shifts. From a description of a notorious 1920 Star Order of Ethiopia flag-burning demonstration in Chicago to a discussion of the Ethiopian emperor Haile Selassie as Time magazine’s Man of the Year for 1935, Nurhussein illuminates the growing complications that modern Ethiopia posed for American writers and activists. American media coverage of the African nation exposed a clear contrast between the Pan-African ideal and the modern reality of Ethiopia as an antidemocratic imperialist state: Did Ethiopia represent the black nation of the future, or one of an inert and static past?Revising current understandings of black transnationalism, Black Land presents a well-rounded exploration of an era when Ethiopia’s presence in African American culture was at its height.

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In 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. The National, still based at the Old Vic, was at a moment of transition awaiting the move to its vast new home on the South Bank. Relying on generous subsidy, it would need an extensive network of supporters in high places. Olivier, a scrupulous and brilliant autocrat from a previous generation, was not the man to deal with these political ramifications. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. As in other aspects of British life, the ethos of public service, which Olivier espoused, was in retreat. Having staged eight productions for the National, Blakemore found himself increasingly uncomfortable under Hall's regime. Stage Blood is the candid and at times painfully funny story of the events that led to his dramatic exit in 1976. He recalls the theatrical triumphs and flops, his volatile relationship with Olivier including directing him in Long Day's Journey into Night, the extravagant dinners in Hall's Barbican flat with Harold Pinter, Jonathan Miller and the other associates, the opening of the new building, and Blakemore's brave and misrepresented decision to speak out. He would not return to the National for fifteen years.

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'Levy portrays a tech company where no one is taking responsibility for what it has unleashed' Financial Times'This fascinating book reveals the imperial ambitions of Facebook's founder' James Marriott, Sunday Times'The inside story of how Facebook went from idealism to scandal' Laurence Dodds, TelegraphToday, Facebook is nearly unrecognizable from the simple website Zuckerberg's first built from his dorm room in his Sophomore year. It has grown into a tech giant, the largest social media platform and one of the biggest companies in the world, with a valuation of more than $576 billion and almost 3 billion users. There is no denying the power and omnipresence of Facebook in daily life. And in light of recent controversies surrounding election-influencing fake news accounts, the handling of its users' personal data and growing discontent with the actions of its founder and CEO, never has the company been more central to the national conversation. Based on years of exclusive reporting and interviews with Facebook's key executives and employees, including Mark Zuckerberg and Sheryl Sandberg, Steven Levy's sweeping narrative digs deep into the whole story of the company that has changed the world and reaped the consequences.

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Le francais n'echappe pas a la caracteristique generale des langues qu'est leur variabilite. En l'absence d'observatoire direct du langage, la variabilite constitue la principale voie d'acces aux parametres stables qui le rendent possible. La question de savoir ce qui est contingent et ce qui est necessaire dans les associations d'informations qui forment les signes a travers les varietes de francais reunit les contributions a cet ouvrage. Ces travaux developpent les rapports du sens aux interpretations - la polysemie de bien (Dostie et Bouchaddakh), celle des verbes axiologiques (Larrivee), des temps surcomposes (Burgi), du connecteur Pourtant (Marengo) -, des interpretations aux contraintes syntaxiques - les traits generaux de la predication seconde (Riegel) et de la subordination par comme (Pierrard), les constructions particulieres de la preposition suivie d'un adjectif (Melis), de gallicismes quantifiants (Gaatone), d'emplois idiosyncrasiques de si dans l'ancienne langue (Soutet) -, des categories referentielles a leurs marqueurs - sur la distinction massif/comptable (Kleiber), les categories predicatives de SN (Gross), l'aspect (Laurendeau) -, des marqueurs aux categories textuelles - le role enonciatif du pronom moi (Chevalier), la structure du discours dictionnairique (Mercier et Thiffault), les metaphores dans l'argumentation politique (Forget). La variation inherente a la pratique de la langue ecrite par des peu lettres (Martnibeau) et l'acquisition de la langue seconde (Hadermann) sont egalement envisagees. Ces contributions designent les causes de la variabilite, qui tient a un rapport de compatibilite entre des representations intervenant a differents niveaux, et non a des correspondances mecaniques entre des couches successives. Les propositions faites dans ce volume refletent l'ampleur et la precision du travail de Jean-Marcel Leard, a qui il est presente.

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