Search results for ""author lauren"

S-337473 accompanies Sarah Oppenheimer’s (born 1972) exhibition at the Wexner Center. The project spotlights Oppenheimer’s current investigation of the switch, and how such a device might be able to work in space to generate a matrix of views that cannot be experienced by an individual simultaneously. The illustrated catalog includes new photography of the work in situ and documentation of her cross-disciplinary collaborations, along with newly commissioned essays by scholars, including Alexander R. Galloway (Professor of Media, Culture and Communication at NYU) and Laurent Stalder (Chair for the Theory of Architecture at the ETH in Zurich).

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Fifteen years ago Una and Ray had a relationship.They haven't set eyes on each other since.Now, years later, she's found him again.Blackbird premiered at King's Theatre as part of the Edinburgh International Festival, in August 2005, and transferred to the Albery Theatre in London's West End in 2006. The production received the 2007 Laurence Olivier Award for Best New Play. In 2007, the play opened simultaneously at the Manhattan Theater Club in New York and and at American Conservatory Theatre, San Francisco.

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She can save himif he'll let herKitty will do anything for the foundation inspired by her tumultuous childhood. Even agree to a fake relationship to help Laurence, the impossibly guarded man from her past, land his next deal. Only their chemistry is anything but make-believe!He wants herand his baby! One soul-stirring night with notorious tycoon Alejandro leaves Calandra pregnant. She plans to raise the baby alone. He's determined to prove he's parent materialand tempt her into another smouldering encounter

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Policy Analysis in the United States brings together contributions from some of the world’s leading scholars and practitioners of public policy analysis including Beryl Radin, David Weimer, Rebecca Maynard, Laurence Lynn, and Guy Peters. The volume represents an invaluable contribution to public policy analysis and can be used widely in teaching at both graduate and undergraduate levels in schools of public affairs and public policy as well as in comparative politics and policy.

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Policy Analysis in the United States brings together contributions from some of the world’s leading scholars and practitioners of public policy analysis including Beryl Radin, David Weimer, Rebecca Maynard, Laurence Lynn, and Guy Peters. The volume represents an invaluable contribution to public policy analysis and can be used widely in teaching at both graduate and undergraduate levels in schools of public affairs and public policy as well as in comparative politics and policy.

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CLEVER AND CONTEMPORARY ILLUSTRATIONS - 50 witty illustrations by Baltimore-based illustrator, designer and educator George WylesolTHE PERFECT GIFT - Design-led, high-spec illustrated product for maximum gifting potentialLEARN ABOUT ART, YOUR WAY - These portable cards can be taken with you everywhere and encourage the development of a highly personal approach to artTEXT BY ART EDUCATOR - Accessible ideas for learning about art from practicing art educatorDISCOVER THE SERIES - Collect the series with mindfulness-based Ways of Tuning Your Senses, and wanderlust-whetting Ways of Travelling, also by Laurence KingTransform your relationship to art with 50 illustrated prompts. Rethink how you see - each card offers a different way of looking at anything from graffiti to sculpture, painting to tapestry. Have a fresh encounter with whatever artwork comes your way.

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The Moravians, or Bohemian Brethren, early Protestants who settled in Pennsylvania and North Carolina in the eighteenth century, brought a musical repertoire that included hymns, sacred vocal works accompanied by chamber orchestra, and instrumental music by the best-known European composers of the day. Moravian composers -- mostly pastors and teachers trained in the styles and genres of the Haydn-Mozart era -- crafted thousands of compositions for worship,and copied and collected thousands of instrumental works for recreation and instruction. The book's chapters examine sacred and secular works, both for instruments -- including piano solo -- and for voices. The Musicof the Moravian Church demonstrates the varied roles that music played in one of America's most distinctive ethno-cultural populations, and presents many distinctive pieces that performers and audiences continue to find rewarding. Contributors: Alice M. Caldwell, C. Daniel Crews, Lou Carol Fix, Pauline M. Fox, Albert H. Frank, Nola Reed Knouse, Laurence Libin, Paul M. Peucker, and Jewel A. Smith. Nola Reed Knouse, director of theMoravian Music Foundation since 1994, is active as a flautist, composer, and arranger. She is the editor of The Collected Wind Music of David Moritz Michael.

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Populism in politics and policy orientations in law have thrown the jurisdiction of the academy and the disciplines of interpretation into disarray. Critique flounders in abstraction and negativity, law loses itself in particularity. Administering Interpretation brings together philosophers, humanists, and jurists from both continental and Anglophone jurisdictions to reassess the status and trajectory of interpretative theory as applied in the art of law. Tracking the thread of philosophical influences upon the community of legal interpretation, the essays move from the translation and wake of Derrida to the work of Agamben, from deconstruction to oikononmia. Sharing roots in the philological excavation of the political theology of modern law, contributors assess the failure of secularism and the continuing theological borrowings of juridical interpretation. The book brings contemporary critique to bear upon the interpretative apparatuses of exclusion, the law of spectacular sovereignty, and the bodies that lie in its wake. Contributors: Giovanna Borradori, Marinos Diamantides, Allen Feldman, Stanley Fish, Pierre Legrand, Bernadette Meyler, Michel Rosenfeld, Bernhard Schlink, Jeanne Schroeder, Laurent de Sutter, Katrin Trüstedt, Marco Wan

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At a moment of unprecedented creativity in men's fashion, and continuing reflections on gender, contemporary designers are questioning established forms, seeking to liberate wearers from traditional models of masculine dress. This book combines fashion with artistic and broader cultural histories - looking at the designers, tailors and artists who have constructed and performed masculinity from the Renaissance to the present day. It traces connections across and beyond European menswear, celebrating both rich traditions and daring individualists. Divided into three parts, Undressed reveals the role of the body and underwear in fashioning masculinities. Overdressed explores the power dynamics of sartorial bravado, while Redressed deconstructs a modern masculine uniform: the black suit. Featuring a staggering range of cultural touchstones from Hercules to Virgil Abloh, Giovanni Battista Moroni to Jawaharlal Nehru, Yves Saint Laurent to Kehinde Wiley, Marcus Rashford, Marlene Dietrich and even Captain America, Fashioning Masculinities challenges our preconceptions about menswear, revealing the fascinating historical roots beneath the power, artistry and diversity of masculine attire and appearance today.

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Viewed through the eyes of those on the ground, Black Watch reveals what it means to be part of the legendary Scottish regiment, what it means to be part of the war on terror, and what it means to make the journey home.This book contains Gregory Burke's award-winning script, with production notes by the director John Tiffany and colour photographs that capture the powerful and inventive use of movement in this urgent piece of theatre.The National Theatre of Scotland's production of Black Watch opened at the Edinburgh Festival Fringe in 2006, where it won a Herald Angel, a Scotsman Fringe First, the Critics' Circle Award and the South Bank Show Award for Theatre. During a world tour it won the Laurence Olivier Award for Best New Play and the New York Drama Critics' Circle Award for Best Foreign Play.

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Shakespeare by McBean collects 300 images, many never before published, taken by the renowned photographer Angus McBean. Incorporating images from every one of Shakespeare’s plays performed at the RSC, with some from the Old Vic, between the years 1945–62, it is a veritable who’s who of the British stage. Richard Burton, Vivien Leigh, Robert Donat, Alec Guiness, Michael Redgrave, Peggy Ashcroft, Laurence Olivier, Edith Evans, Paul Scofield, Diana Rigg, Anthony Quayle, Charles Laughton, John Gielgud, Peter O’Toole and Dorothy Tutin are just some of the names that appear.Angus McBean was an exceptional talent, whether he was transforming the photography of rehearsals, inspiring the Beatles, or entertaining his admireres with his light-hearted espousal of surrealism in portraiture. In a career lasting half a century his influence can be seen in everything from advertising to pop culture.

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Telescope is a story cycle about Lawrence Teitel, the protagonist of Living Room (Boheme Press, 2001). The collection deals with seeing distances: above all, the growing distancing of Lawrence's family as they cope with new challenges and Lawrence's own maturation, physical and spiritual. The cycle is made up of nine stories, each covering a different stage in Lawrence's development after his family has moved from their old neighbourhood in Montreal to a somewhat wealthier suburb, Ville St. Laurent.

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Lose the fear of drawing and discover just how much fun it is! This book provides hours of doodling activity for anyone with a pen. Look at the world differently by making crazy and inventive drawings around simple household objects. For The Drawing Game, Nunes has gathered numerous photos of everyday things accompanied by suggestions for the doodles you can make out of them. And there are examples of doodles by some of Laurence King's favourite illustrators. The rest is up to you.

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The Mad Women's Ball, Victoria Mas's debut novel, has won several prizes in France (including the Prix Stanislas and Prix Renaudot des Lycéens) and was the bestselling debut of the year. Victoria has worked in film in the United States, where she lived for eight years. She graduated from the Sorbonne in Contemporary Literature.The Mad Women's Ball is now an Amazon Prime Video Original Film starring Mélanie Laurent and Lou de Louâge.

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In the midst of the Covid pandemic, a fax machine offers an alternative form of visual communication In the spring of 2020, Aaron Stern and Lucy Helton began exchanging images via a thermal fax machine in an attempt to navigate Covid isolation by engaging in virtual conversation. As the pandemic continued throughout 2020 and into 2021, they began inviting other artists to submit work to the fax machine. OK, No Response presents 140 examples of these works from 20 contributors: Juan Brenner, Antony Cairns, Madeline Cass, Jerald Cooper, Jeremy Everett, Christian Filardo, Fryd Frydendahl, Matthew Genitempo, Lucy Helton, Anthony Hernandez, Kovi Konowiecki, Gabby Laurent, Pixy Liao, Susan Lipper, Mark Mattock, Christian Patterson, Aaron Schuman, Bryan Schutmaat, Nick Sethi and Aaron Stern. The transmission of these photographs reduced them to their most basic forms, introducing errors, static and random glitches. While the source images were varied and diverse, their translation, transmission and recomposition as thermal prints on paper unified them in surprising ways. What began as an impulse to connect during a time of isolation became an unexpected visual manifestation of our interconnectedness. Aaron Stern is a curator, writer and photographer based in New York City. He has collaborated with Vogue, Purple Magazine and the New York Times. His books, poems and curatorial projects have been included in exhibitions at Chateau Marmont, the International Center of Photography and Milk Gallery. Stern is the co-founder and owner of the curatorial service A Medium Format. Lucy Helton received a MFA in photography from the Hartford Art School in 2014. Her work examines the intersection of human beings and the landscapes they inhabit, often incorporating concept-specific technologies including HAM radio and fax machines. Her photobooks are in the libraries of the International Center of Photography, the Cleveland Museum of Art and the Metropolitan Museum of Art, New York.

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Laurent Lin, Alain Robbe and Rolf Seiler are the protagonists of the Geneva office founded in 1999. Since then, a dozen competition successes have resulted in several residential developments, a school building, an old people's home, commercial and administrative buildings, and individual homes. The designs are always pointedly critical and creative engagements with the building programme, the location and building regulations. Text in German and French.

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This original, field-changing collection explores the plasticity and unfinishedness of human subjects and lifeworlds, advancing the conceptual terrain of an anthropology of becoming. People's becomings trouble and exceed ways of knowing and acting, producing new possibilities for research, methodology, and writing. The contributors creatively bridge ethnography and critical theory in a range of worlds on the edge, from war and its aftermath, economic transformation, racial inequality, and gun violence to religiosity, therapeutic markets, animal rights activism, and abrupt environmental change. Defying totalizing analytical schemes, these visionary essays articulate a human science of the uncertain and unknown and restore a sense of movement and possibility to ethics and political practice. Unfinished invites readers to consider the array of affects, ideas, forces, and objects that shape contemporary modes of existence and future horizons, opening new channels for critical thought and creative expression. Contributors. Lucas Bessire, João Biehl, Naisargi N. Dave, Elizabeth A. Davis, Michael M. J. Fischer, Angela Garcia, Peter Locke, Adriana Petryna, Bridget Purcell, Laurence Ralph, Lilia M. Schwarcz

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From Azzedine Alaïa, Cristóbal Balenciaga, and Coco Chanel to Alexander McQueen, Yves Saint Laurent, and Vivienne Westwood, more than a century’s worth of fashion greats are celebrated in this new edition of Fashion Designers A–Z. An accessibly priced and updated volume features photographs of hundreds of garments selected from the Fashion Institute of Technology (FIT) museum's permanent collection. Elegant gowns from the turn of the century, Mondrian-style minimalist chic, and everything inbetween. Each of these works of art is chosen not only for its beauty but also for exemplifyingthe unique philosophy, skill, and aesthetics of each of the featured designers. In her introductory essay, the museum’s director and chief curator, Valerie Steele, writes about the rise of the fashion museum and the emergence of the fashion exhibition as a popular and controversial phenomenon. The foreword is contributed by international style maven Suzy Menkes, texts by the museum’s curators help shine historical light on each label and garment pictured, and beautifully drawn portraits by the artist Robert Nippoldt pay homage to the creators behind them.

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Agriculture has been the unruly horse of the GATT/WTO system for a long time and efforts to halter it are still ongoing. This Research Handbook focuses on aspects of agricultural production and trade policy that are recognized for their importance but are often kept out of the limelight, such as the implication of national and international agricultural production and trade policies on national food security, global climate change, and biotechnology. It provides a summary of the state of the WTO agriculture negotiations as well as the relevant jurisprudence, but also, and uniquely, it focuses on the new and emerging issues of agricultural trade law and policy that are rarely addressed in the existing literature. With contributions from a multi-disciplinary team of leading analysts from around the world, this Research Handbook will appeal to trade negotiators, international trade law and policy academics as well as postgraduate students in the field. Contributors include: K. Anderson, D. Blandford, M. Cardwell, I. Carreno, M.G. Desta, G. Dutfield, C. Haberli, L.A. Jackson, T. Josling, E. Laurenza, A. Matthews, J.A. McMahon, F. Smith, S. Switzer

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Two of the world’s leading scholars of the Aztec language and culture have translated Sahagún’s monumental and encyclopedic study of native life in Mexico at the time of the Spanish Conquest. This immense undertaking is the first complete translation into any language of Sahagún’s Nahuatl text, and represents one of the most distinguished contributions in the fields of anthropology, ethnography, and linguistics.Written between 1540 and 1585, the Florentine Codex (so named because the manuscript has been part of the Laurentian Library’s collections since at least 1791) is the most authoritative statement we have of the Aztecs’ lifeways and traditions—a rich and intimate yet panoramic view of a doomed people.The Florentine Codex is divided by subject area into twelve books and includes over 2,000 illustrations drawn by Nahua artists in the sixteenth century.Book One describes in detail the gods of the Aztec people, including Uitzilopochtli, Tlatoc, and Quetzalcoatl. This colorful and clear translation brings to life characteristics of each god, describing such items as clothing or adornment worn by individual gods, as well as specific personality traits.

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The Art of David Webb celebrates the designer s dedication to artistry over more than seven decades. When David Webb came to New York at the age of 17, he was captivated by the museums, architecture, and fashions of the day. By the time he opened shop in 1948, the city had become his muse. In his only published article, Why Not Hang Gems?, of 1963, he wrote that jewelry deserved to be regarded as art and collected by museums. That conviction fuels The Art of David Webb. Here is jewelry shown as art in more than 120 images all specially photographed for this book that speak to the variety of artistic and cultural periods that inspired David Webb and the company he founded. Examples include Webb s enameled and diamond Mondrian Bracelet, an homage to Piet Mondrian s Broadway Boogie Woogie and Yves Saint Laurent s 1960s sheath dress with its famed color blocking; a gemstone-rich dragon brooch taken from a Scythian animal pommel; and a scored rock crystal and diamond bracelet that updates art deco classics. Throughout, work by photographers, painters, sculptors, architects, couturiers, and photographers form a visual dialogue with the sumptuous David Webb jewelry. The imaginative pairings, in-depth descriptive captions, and elegantly designed publication are resounding proof that jewelry is both art and culture.

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In 1925 the artists Edward Bawden and Eric Ravilious moved to the Essex village of Great Bardfield, at first sharing lodgings. Over the course of several years and encouraged by Bawden and Ravilious' work, other artists came to live in the village, forming a community of artists and designers that has continued to the present. Among the first to join them were the Rowntrees, Kenneth and Diana, and Michael Rothenstein and his wife Duffy Ayers. They were followed by John Aldridge, painter and designer of wallpapers (printed, like Bawden's papers, by the Curwen Press); Walter Hoyle, printmaker and also a wallpaper designer; Marianne Straub, textile designer and weaver; illustrators and printmakers Bernard Cheese and his wife Sheila Robinson. Though the careers of Bawden and Ravilious are well-documented, many of the other artists are less well-known but equally talented, such as George Chapman, Stanley Clifford-Smith and Laurence Scarfe.This book tells the story of Great Bardfield and its artists, and their famous 'open house' exhibitions, showing how the village and neighbouring landscape nurtured a distinctive style of art, design and illustration from the 1930s to the 1970s and beyond. '..their shared artistic legacy is immediately obvious from this beautiful book.' --Country Life 16th 23rd December 2015'..Beautifully designed.' --Evening Standard 24th December 2015'..splendidly illustrated' -- The Spectator, 28th November 2015

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HISTORICAL FICTION BOOK OF THE MONTH - THE TIMESOne night in autumn 1944, a gunshot echoes through the alleyways of a small town in occupied Poland. An S.S. officer is shot dead by a young Polish Jew, Margarita Ejzenstain. In retaliation, his commander orders the execution of thirty-seven Poles - one for every year of the dead man's life. First hidden by a German couple, Margarita must then flee the brutal advance of the Soviet army with her new-born baby. So begins a thrilling panorama of intermingled destinies and events that reverberate from that single act of defiance. KINGDOM OF TWILIGHT follows the lives of Jewish refugees and a German family resettled from Bukovina, as well as a former S.S. officer, chronicling the geographical and psychological dislocation generated by war. A quest for identity and truth takes them from Displaced Persons camps to Lübeck, Berlin, Tel Aviv and New York, as they try to make sense of a changed world, and of their place in it. Hypnotically lyrical and intensely moving, Steven Uhly's epic novel is a finely nuanced and yet shattering exploration of universal themes: love, hatred, doubt, survival, guilt, humanity and redemption.For readers of HHHH by Laurent Binet, THE KINDLY ONES by Jonathan Littell, THE ZONE OF INTEREST by Martin Amis, and ALL THE LIGHT WE CANNOT SEE by Anthony DoerrTranslated from the German by Jamie Bulloch

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École de Paris steht seit jeher für die internationale Pariser Kunstszene zu Beginn des 20. Jahrhunderts, untrennbar verbunden mit auratischen Namen wie Picasso oder Matisse. Doch daneben wirkten in der École de Paris auch Porträtisten und Porträtistinnen, deren mondäne Damenporträts in der Pariser Gesellschaft sehr beliebt waren: U.a. Paul-César Helleu, Giovanni Boldini, Marie Laurencin, Kees van Dongen und Jacqueline Marval kreierten mit dem Portrait à la mode ein eigenes Genre, das – im Schatten der Avantgarde – kunsthistorisch bisher wenig Beachtung fand. Stets auf der Höhe der Zeit bieten die Portraits à la mode Anlass zu einer kritischen Betrachtung der Gesellschaft, der Mode und des sich wandelnden Frauenbildes während der Belle Époque, der Zwischenkriegszeit und der „Verrückten Zwanziger“.

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The Blackwell Guide to Aesthetics is the most authoritative survey of the central issues in contemporary aesthetics available. The volume features eighteen newly commissioned papers on the evaluation of art, the interpretation of art, and many other forms of art such as literature, movies, and music. Provides a guide to the central traditional and cutting edge issues in aesthetics today. Written by a distinguished cast of contributors, including Peter Kivy, George Dickie, Noël Carroll, Paul Guyer, Ted Cohen, Marcia Eaton, Joseph Margolis, Berys Gaut, Nicholas Wolterstrorff, Susan Feagin, Peter Lamarque, Stein Olsen, Francis Sparshott, Alan Goldman, Jenefer Robinson, Mary Mothersill, Donald Crawford, Philip Alperson, Laurent Stern and Amie Thomasson. Functions as the ideal text for undergraduate and graduate courses in aesthetics, art theory, and philosophy of art.

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The Blackwell Guide to Aesthetics is the most authoritative survey of the central issues in contemporary aesthetics available. The volume features eighteen newly commissioned papers on the evaluation of art, the interpretation of art, and many other forms of art such as literature, movies, and music. Provides a guide to the central traditional and cutting edge issues in aesthetics today. Written by a distinguished cast of contributors, including Peter Kivy, George Dickie, Noël Carroll, Paul Guyer, Ted Cohen, Marcia Eaton, Joseph Margolis, Berys Gaut, Nicholas Wolterstrorff, Susan Feagin, Peter Lamarque, Stein Olsen, Francis Sparshott, Alan Goldman, Jenefer Robinson, Mary Mothersill, Donald Crawford, Philip Alperson, Laurent Stern and Amie Thomasson. Functions as the ideal text for undergraduate and graduate courses in aesthetics, art theory, and philosophy of art.

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Jenny grew up in a house where no-one was safe. Born one of five children in the East End, her childhood was spent in squalor and terror. Her father's violent beatings, humiliations, and sexual abuse were part of daily life; her mother - also his sexual victim and savagely beaten - was no source of help.Deprived of love and all comforts, the children would turn to each other for support and to the only adult they could trust, Auntie.This is the story of how Jenny, her sister Kim and brother Laurence, not only survived but ultimately transcended the unimaginable degradations heaped on them. With the power of love, cunning, the blackest of black humour and an indestructible self-belief, Jenny eventually broke free of her past.

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'Wickedly Twisty.' *****Laurence, Amazon reviewer'Mind-bending.' ***** Tambok, Amazon reviewerWhere to hide when there's nowhere left to run?Sandrine is asked to empty her late grandmother's house on a small island near the Normandy coast. She soon discovers that its elderly inhabitants haven't left the island since their arrival as children during World War II. Sandrine can tell they are terrified of someone, or something. Yet, they refuse to leave the island. What happened to the children from the holiday camp which was suddenly shut down in 1949? And who was Sandrine's grandmother really?

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The idea that the United States can and should help Latin America achieve democracy has been a recurrent theme in U.S. foreign policy throughout the twentieth century. By the 1990s, it had become virtually unchallenged doctrine, broadly supported on a bipartisan basis. Yet no systematic and comparative study of U.S. attempts to promote Latin American democracy has ever been published - and the policy community often seems unaware of this history. In Exporting Democracy, Abraham F. Lowenthal and fourteen other noted scholars from the United States, Latin America, and Europe explore the motives, methods, and results of U.S. efforts to nurture Latin American democracy. Contributors focus on four periods when such efforts were most intense: the years from World War I to the Great Depression, the period immediately following World War II, the 1960s, and the Reagan years. The book tells a cautionary tale - revealing that U.S. efforts to export democracy in the Americas have met with little enduring success and often have had counterproductive effects. Exporting Democracy is available in two paperback volumes, each introduced by Abraham Lowenthal and organized for convenient course use. In the first paperback volume, Themes and Issues, contributors and their topics are Paul W. Drake, From Good Men to Good Neighbors: 1912-1932; Leslie Bethell, From the Second World War to the Cold War: 1944-1954; Tony Smith, the Alliance for Progress: The 1960s; Thomas Carothers:,The Reagan Years: The 1980s; Elizabeth A. Cobbs, U.S. Business: Self-Interest and Neutrality; Paul G. Buchanan, The Impact of U.S. Labor; John Sheahan, Economic Forces and U.S. Policies; Laurence Whitehead, The Imposition of Democracy; Abraham F. Lowenthal, The United States and Latin American Democracy: Learning from History. In the second paperback volume, Case Studies, the contributors and their topics are: Carlos Escude, Argentina: The Costs of Contradiction; Heraldo Munoz, Chile: The Limits of "Success"; Jonathan Hartlyn, The Dominican Republic: The Legacy of Intermittent Engagement; Lorenzo Meyer, Mexico: The Exception and the Rule; Joseph Tulchin and Knut Walter, Nicaragua: The Limits of Intervention; Elizabeth A. Cobbs, U.S. Business: Self-Interest and Neutrality; Paul G. Buchanan, The Impact of U.S. Labor; John Sheahan, Economic Forces and U.S. Policies; Laurence Whitehead, The Imposition of Democracy; Abraham F. Lowenthal, The United States and Latin American Democracy: Learning from History.

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"Some people's photography is an art. Mine is not. If they happen to be exhibited in a gallery or a museum, that's fine. But that's not why I do them. I'm a gun for hire," Helmut Newton told Newsweek in 2004. This prosaic proclamation from one of the 20th century's most celebrated photographers may be perceived as surprising. Still it firmly positions Newton as the no-frills image-maker that he was. His work is so powerful and striking, that it defies categorization. In refusing to call his work "art," Newton leaves us free to do so. Judging from the amount of museum and gallery shows that have featured his work, it is clear that the option has been widely exercised. A Gun for Hire brings together a selection of Newton's fashion catalog work from the early 1960s to 2003 including campaigns for BiBA (the first fashion catalog in 1962), Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Blumarine, Villeroy & Boch and Absolut Vodka, as well as his last editorial photographs for US and Italian Vogue—encompassing the body of work he made as a "gun for hire." With an introduction by Matthias Harder and statements by Pierre Bergé, Tom Ford, Josephine Hart, June Newton, and Anna Wintour.

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A cross-cultural examination of jewelry spanning 5,000 years that investigates not only the objects themselves but also the bodies they decorated As an art form, jewelry is defined primarily through its connection to and interaction with the body—extending it, amplifying it, accentuating it, distorting it, concealing it, or transforming it. But how is the meaning of jewelry bound to the body that wears it? Establishing six different modes of ornamenting the body—Deconstructed, Divine, Regal, Idealized, Alluring, and Resplendent—this artfully designed book illustrates how these various definitions of the body give meaning to the jewelry that adorns it. More than 200 examples of exceptional jewelry and ornaments, created across the globe from antiquity to the present, are shown alongside paintings and sculptures of bejeweled bodies to demonstrate the social, political, and aesthetic role of jewelry. From earflares of warrior heroes in Pre-Columbian Peru to designs by Yves Saint-Laurent, these precious and most intimate works of art provide insight not only about the wearer but also into the designers, artisans, and cultures that produced them.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (11/12/18–02/24/19)

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Two of the world’s leading scholars of the Aztec language and culture have translated Sahagún’s monumental and encyclopedic study of native life in Mexico at the time of the Spanish Conquest. This immense undertaking is the first complete translation into any language of Sahagún’s Nahuatl text, and represents one of the most distinguished contributions in the fields of anthropology, ethnography, and linguistics. Written between 1540 and 1585, the Florentine Codex (so named because the manuscript has been part of the Laurentian Library’s collections since at least 1791) is the most authoritative statement we have of the Aztecs’ lifeways and traditions—a rich and intimate yet panoramic view of a doomed people. The Florentine Codex is divided by subject area into twelve books and includes over 2,000 illustrations drawn by Nahua artists in the sixteenth century. Book Four delves into the Aztec’s complex astrological beliefs. The date of birth was so significant that it ultimately determined one’s personality and future; for example, almost all born on the second day sign called One Ocelot became slaves. Book Five explains the meaning of the many evil omens Aztecs believed in, which usually take the form of animals and insects. It describes the consequences of each omen, and the remedies, if any, that will reverse these effects.

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"The leading academic vehicle for scholarly publication in the field of medieval warfare." Medieval Warfare The twenty-first volume of the Journal of Medieval Military History begins with three studies examining aspects of warfare in the Latin East: an archaeological report on the defenses of Jerusalem by Shimon Gibson and Rafael Y. Lewis; a study of how military victories and defeats (viewed through the lens of carefully shaped reporting) affected the reputation, and the flow of funds and recruits to, the Military Orders, by Nicolas Morton; and an exploration of how the Kingdom of Jerusalem quickly recovered its military strength after the disaster of Hattin by Stephen Donnachie. Turning to the other side of the Mediterranean, Donald J. Kagay analyzes how Jaime I of Aragon worked to control violence within his realms by limiting both castle construction and the use of mechanical artillery. Guilhem Pépin also addresses the limitation of violence, using new documents to show that the Black Prince's sack of Limoges in 1370 was not the unrestrained bloodbath described by Froissart. The remaining three contributions deal with aspects of open battle. Michael John Harbinson offers a large-scale study of when and why late-medieval men-at-arms chose to dismount and fight on foot instead of acting tactically as cavalry. Laurence W. Marvin reconsiders the Battle of Bouvines, concluding that it was far from being a ritualized mass duel. Finally, Michael Livingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.

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In the night of Rome, nothing is what it seems. It's all change in Rome. The new Pope, determined to bring radical reform to the Vatican, proclaims an extraordinary Jubilee year of Mercy. A new centre-left government replaces its disgraced predecessor, and sets about to rejuvenate the language of politics. And with crime lynchpin Samurai in jail, his protégé Sebastiano Laurenti attempts to establish himself as his designated successor. But he must reckon not only with a new generation of enterprising gangsters and racketeersout to carve for themselves a slice of the profits and opportunities offered by the major public works planned for the Jubileebut also with ambitious newly elected politician Chiara Visoni, and his own heart. Betrayals, alliances forged and broken, ambushes and infighting will inevitably alter the fragile political balance. As the sharks circle and the street-dogs fight, some tenuous hope endures, in the unlikely alliance of an incorr

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Goossens is one of the most prestigious names in haute couture jewelry of the last half century. Robert Goossens worked with Coco Chanel in the 1950s, and went on to design jewelry for the world’s foremost fashion houses, pursuing notable collaborations with Balenciaga, Grès, and Yves Saint Laurent. As well as the emblematic rock crystal jewelry, baroque pearl brooches, and Byzantine cuffs famously associated with Chanel, Maison Goossens’ designs combine real and faux gemstones, making fashion jewelry both precious and bold at once. Robert’s son, Patrick, has reimagined many original Goossens styles, for Dior, Alexander McQueen and Louis Vuitton among others. Martine, his daughter, collaborates regularly with architect Peter Marino to decorate the interiors of the most famous couture houses in the world. Maison Goossens is now part of the stable of exceptional craft practitioners owned by Chanel’s Paraffection subsidiary.

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THE SCHOOL FOR GOOD AND EVIL is the #1 movie now streaming on Netflix—starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Sofia Wylie, Sophie Anne Caruso, Jamie Flatters, Earl Cave, Kit Young, and many others! Soman Chainani’s New York Times bestselling series The School for Good and Evil returns with The Ever Never Handbook! Gorgeous full-color illustrations bring your favorite characters like Sophie, Agatha, and Tedros back to school through maps, quizzes, alumni portraits, and more.Wish you could go to the School for Good and Evil? Join the ranks of heroes and villains who have walked these hallowed halls and mastered what it takes to succeed in their own fairy tales.Surviving the trials and tribulations of the school is no walk in the park. The Ever Never Handbook is here to help. This handbook

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Few actors are more eloquent, honest or entertaining about their life and their profession than Simon Callow. Being an Actor traces his stage journey from the letter he wrote to Laurence Olivier that led him to his first job, to his triumph as Mozart in the original production of Amadeus. This new edition continues to tell the story of his past two decades onstage. Callow discusses his occasionally ambivalent yet always passionate feelings about both film and theatre, conflicting sentiments partially resolved by his acclaimed return to the stage with his solo performances in The Importance of Being Oscar and The Mystery of Charles Dickens, seen in the West End and on Broadway in 2002. Being an Actor is a guide not only to the profession but also to the intricacies of the art, told with wit, candour, and irrepressible verve by one if the great figures of the stage.

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Irish writing, we are told, is currently enjoying a renaissance. Strange, original talents are blossoming, wielding styles and perspectives as variant as the inspirations they bring to bear on their work. The Other Irish Tradition seeks to situate this recent flowering within the centuries-long efforts of Irish writers to experiment and to innovate, to make the form of the novel new and strange again. From Laurence Sterne to Flann O’Brien and beyond, this anthology presents both highly familiar and relatively obscure writers from across the history of Irish fiction, offering afresh perspective on and a provocative reshuffling of the literary canon.

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Oscar François de Jarjayes is the commander of the French Royal Guards, but even this fearless noblewoman may have met her match. Enter Loulou de la Laurencie, Oscar’s mischievous young niece. Loulou was sent to Oscar's house to improve her manners, but instead finds herself entangled in a bevy of adventures. She quickly becomes the key to helping Oscar and her loyal friends André and Rosalie solve some thrilling mysteries! This volume collects the four new stories written and illustrated by Riyoko Ikeda in 1984 & 1985, collectively known as The Rose of Versailles Side Stories: The Great Detective Loulou.

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The fiery star of the company of players called Lord Westfield's Men, Laurence Firethorn, is hot for a lady, wife of the Lord Mayor elect. A tryst at London's Nine Giants Inn is arranged. Meanwhile, the lugubrious landlord of the actors' home base is laid even lower by a plot to take over ownership of the inn. A young apprentice actor is subjected to a horrible assault and a waterman pulls a mangled corpse from the Thames. The drama comes to a climax at the annual Lord Mayor's show as his barge moves grandly down the river....

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This timely book provides the first legal and policy analysis of the intellectual property (IP) aspects of a rapidly-growing category of regulatory measures affecting the presentation and advertising of certain health-related goods. The key goods examined are tobacco, alcohol, food, and pharmaceuticals. Chapters focusing on both distinct policy areas and specific country examples serve to unearth the inherent tension emerging between these new measures as well as other categories of public health measures and IP regimes. This book discusses how to balance the legitimate interests of governments to promote human health and the protection and enforcement of IP rights. It also further explores how to amend IP regimes with a view to encouraging companies to produce and market healthier products.Comprehensive and engaging, this book will provide innovative research angles to academics and students in the areas of both health and IP law. Its wealth of examples and analytic style will also prove insightful to legal professionals who advise on issues related to IP and public health as well as policy makers, governments and NGOs.Contributors include: A. Alemanno, J. Blum, E. BonadioI, I. Calboli, I. Carreno, M. Chon, M. Davison, M. Elsmore, M.T. Fujiye, E. Laurenza, A. Marsoof, A. Mitchell, V. Vadi

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Two of the world’s leading scholars of the Aztec language and culture have translated SahagÚn’s monumental and encyclopedic study of native life in Mexico at the time of the Spanish Conquest. This immense undertaking is the first complete translation into any language of SahagÚn’s Nahuatl text, and represents one of the most distinguished contributions in the fields of anthropology, ethnography, and linguistics. Written between 1540 and 1585, the Florentine Codex (so named because the manuscript has been part of the Laurentian Library’s collections since at least 1791) is the most authoritative statement we have of the Aztecs’ lifeways and traditions—a rich and intimate yet panoramic view of a doomed people. The Florentine Codex is divided by subject area into twelve books and includes over 2,000 illustrations drawn by Nahua artists in the sixteenth century. Book Two gives comprehensive accounts of the religious ceremonies and days of feasting during the time of the Aztecs, including prayers, songs, and the duties and roles of Aztecs inside the temples during the ceremonies. This book also details the various tributes and sacrifices given to specific gods.

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The first and only comprehensive overview of Givenchy’s collections, presented through catwalk photography and published in collaboration with the celebrated fashion house. Founded by the dashing Hubert de Givenchy in 1952, the house would go on to symbolize the height of effortless elegance, as embodied by Givenchy’s muse (and close friend) Audrey Hepburn. After its founder’s retirement in 1995, John Galliano first took the reins of the house, before being succeeded by a young Alexander McQueen, who created his first (and only) haute couture collections for Givenchy. More recently, Italian designer Riccardo Tisci took the brand into a resolutely contemporary direction following his appointment in 2005 (dressing icons such as Beyoncé), followed by Clare Waight Keller and American designer Matthew M. Williams. This definitive publication – the only monograph in print on the house of Givenchy – opens with a concise history of the fashion house before exploring the collections themselves, which are organized chronologically. Each new era in Givenchy’s history opens with a brief overview and biography of the new designer, while individual collections are introduced by a short text unveiling their influences and highlights, illustrated with carefully curated catwalk images. A rich reference section, including an extensive index, concludes the book. After Chanel, Dior, Louis Vuitton, Yves Saint Laurent, Prada, Vivienne Westwood, Versace and Chloé, Givenchy is the ninth in a series of high-end, clothbound books that offer an unrivalled overview of the collections of the world’s top fashion houses through original catwalk photography.

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This impressive Handbook presents the quantitative techniques that are commonly employed in empirical finance research together with real-world, state-of-the-art research examples.Written by international experts in their field, the unique approach describes a question or issue in finance and then demonstrates the methodologies that may be used to solve it. All of the techniques described are used to address real problems rather than being presented for their own sake, and the areas of application have been carefully selected so that a broad range of methodological approaches can be covered.The Handbook is aimed primarily at doctoral researchers and academics who are engaged in conducting original empirical research in finance. In addition, the book will be useful to researchers in the financial markets and also advanced Masters-level students who are writing dissertations.Contributors: E.I. Altman, M. Ammann, K. Anderson, A.R. Bell, C. Brooks, D.A. Carter, G. Cerqueiro, K. Chen, H. Degryse, D. Erdemlioglu, A. Golubov, M. Guidolin, Ó.T. Henry, T. Johann, A. Katsaris, S. Laurent, Y. Lee, W.S. Leung, H. Liu, P. Molyneux, C.J. Neely, D. Oesch, N. Olekalns, S. Ongena, D. Petmezas, S.-H. Poon, M. Prokopczuk, D.A. Rogers, M. Schmid, K.K. Shields, B.J. Simkins, S. Stanescu, L. Stentoft, N. Taylor, E. Theissen, N.G. Travlos, S.D. Treanor, R. Tunaru, J.O.S. Wilson, Y. Wu, W.T. Ziemba

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Containing a wealth of new scholarship and rare primary documents, The Black Jacobins Reader provides a comprehensive analysis of C. L. R. James's classic history of the Haitian Revolution. In addition to considering the book's literary qualities and its role in James's emergence as a writer and thinker, the contributors discuss its production, context, and enduring importance in relation to debates about decolonization, globalization, postcolonialism, and the emergence of neocolonial modernity. The Reader also includes the reflections of activists and novelists on the book's influence and a transcript of James's 1970 interview with Studs Terkel. Contributors. Mumia Abu-Jamal, David Austin, Madison Smartt Bell, Anthony Bogues, John H. Bracey Jr., Rachel Douglas, Laurent Dubois, Claudius K. Fergus, Carolyn E. Fick, Charles Forsdick, Dan Georgakas, Robert A. Hill, Christian Høgsbjerg, Selma James, Pierre Naville, Nick Nesbitt, Aldon Lynn Nielsen, Matthew Quest, David M. Rudder, Bill Schwarz, David Scott, Russell Maroon Shoatz, Matthew J. Smith, Studs Terkel

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Mysterious disappearances, domestic cases, noiseless, bloodless snuffings-out… the law can look as deep as it likes, but when the crime itself goes unsuspected… oh yes, there's many a murderer basking in the sun...When Thérèse Raquin is forced to marry the sickly Camille, she sees a bare life stretching out before her, leading every evening to the same cold bed and every morning to the same empty day. Escape comes in the form of her husband’s friend, Laurent, and Thérèse throws herself headlong into an affair. There seems only one obstacle to their happiness; Camille. They plot to be rid of him. But in destroying Camille they kill the very desire that connects them…First published in 1867, Thérèse Raquin has lost none of its power to enthral. Adam Thorpe’s unflinching translation brings Zola’s dark and shocking masterwork to life.A NEW TRANSLATION BY ADAM THORPE‘Adam Thorpe's version deserves to become the standard English text’ Daily Telegraph

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Experimenting with Ethnography collects twenty-one essays that open new paths for doing ethnographic analysis. The contributors—who come from a variety of intellectual and methodological traditions—enliven analysis by refusing to take it as an abstract, disembodied exercise. Rather, they frame it as a concrete mode of action and a creative practice. Encompassing topics ranging from language and the body to technology and modes of collaboration, the essays invite readers to focus on the imaginative work that needs to be performed prior to completing an argument. Whether exchanging objects, showing how to use drawn images as a way to analyze data, or working with smartphones, sound recordings, and social media as analytic devices, the contributors explore the deliberate processes for pursuing experimental thinking through ethnography. Practical and broad in theoretical scope, Experimenting with Ethnography is an indispensable companion for all ethnographers. Contributors. Patricia Alvarez Astacio, Andrea Ballestero, Ivan da Costa Marques, Steffen Dalsgaard, Endre Dányi, Marisol de la Cadena, Marianne de Laet, Carolina Domínguez Guzmán, Rachel Douglas-Jones, Clément Dréano, Joseph Dumit, Melanie Ford Lemus, Elaine Gan, Oliver Human, Alberto Corsín Jiménez, Graham M. Jones, Trine Mygind Korsby, Justine Laurent, James Maguire, George E. Marcus, Annemarie Mol, Sarah Pink, Els Roding, Markus Rudolfi, Ulrike Scholtes, Anthony Stavrianakis, Lucy Suchman, Katie Ulrich, Helen Verran, Else Vogel, Antonia Walford, Karen Waltorp, Laura Watts, Brit Ross Winthereik

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En pleno fragor de la Primera Guerra Mundial, poco después de que en Zúrich naciera el Dadaísmo y en Rusia el Suprematismo, un reducido grupo de artistas funda en Holanda la revista De Stijl y establece los principios fundamentales de la estética neoplástica. Hoy son de sobra conocidos los productos de la moda y del marketing que utilizan el lenguaje de Mondrian: desde el famoso vestido de Yves Saint Laurent a los frascos de cosméticos de l?Oréal. Pero muy pocos saben qué se esconde en realidad detrás de esas líneas y de esos colores tan característicos. En el presente volumen, Charo Crego desentraña lo que nos quieren decir los cuadros de Mondrian, los muebles de Rietveld o las casas de Oud. Tras un detallado estudio histórico del grupo y de sus relaciones con las demás corrientes de vanguardia de la época, la autora analiza las obras artísticas y las ideas estéticas de estos artistas, ofreciéndonos un apasionante y riguroso retrato de este movimiento artístico

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