Search results for ""author manus"

Glorious works of art as well as documents of bygone eras, painted illuminated manuscripts supply perhaps the greatest and by far the best-preserved evidence of daily life during the Middle Ages and Renaissance. This Tiny Folio draws on one of the greatest collections in the world to illustrate the angels, demons, and everyday denizens of the medieval world.

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`The Index of Middle English Prose when completed will be a monumental achievement.' REVIEW OF ENGLISH STUDIES This handlist indexes 82 manuscripts from twelve Midlands collections. The collections examined are diverse in origin: the cathedral libraries include Hereford and Worcester, whose collections include manuscripts in their possession continuously since the middle ages, and Gloucester, Lichfield, Peterborough and Southwell Minster, whose early libraries were largely dispersed at the dissolution or during the Civil War and whose present libraries are modern foundations. Also included are manuscripts on deposit in Record Offices in Gloucester and Leicester, the private collections on deposit in Nottingham University Library and manuscripts acquired by university or college libraries inthe twentieth century. Of note are several Wycliffite bibles, a number of sermon collections (including one not previously described), several works by Rolle, Hilton's Scale of Perfection, Chaucer's prose tales and the chronicle Brut.Dr VALERIE EDDEN is Senior Lecturer in the Department of English,University of Birmingham.

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This is a lavishly illustrated survey of the J. Paul Getty's collection of illuminated manuscripts from Belgium and the Netherlands. During the Middle Ages, the region now occupied by Belgium and Netherlands flourished economically and artistically. While widely known as the era of Jan van Eyck - the master oil painter - the 15th and 16th centuries also witnessed the greatest flowering of the art of illumination anywhere in Europe. The region's colourful, naturalistically painted books were eagerly sought after across the continent. "Illuminated Manuscripts of Belgium & the Netherlands" is a magnificently illustrated volume that includes works by the finest and most original artists for the most discerning patrons - "The Prayer Book of Charles the Bold", illuminated by Lievin van Lathem for the Duke of Burgundy, 1469; "The Visions of Tondal" by Simon Marmion for Margaret of York, Duchess of Burgundy, 1475; "The Spinola Hours", 1510-20, considered to be one of the most important Flemish manuscripts of the 16th century; and "The Brandenburg Prayer Book", illuminated by Simon Bening for Cardinal Albrecht of Brandenburg, 1525-30.

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Dans ce volume IV, 1 des Oeuvres de Jean Potocki (1761-1815) est publie le texte du "Manuscrit trouve a Saragosse" dans la version achevee telle qu'elle a ete reellement ecrite par son auteur, version dite "de 1810". Celle-ci differe sensiblement de celle - dite "de 1804" - qu'il avait elaboree precedemment, sans toutefois la conduire a son terme. La version de 1804 est editee dans le vol. IV, 2 de la presente serie. Ces deux etats du roman-culte de Potocki presentent deux conceptions esthetiques tres differentes appliquees a une meme matiere narrative. Bien que l'une d'elles soit demeuree inachevee, il sera desormais necessaire, pour se faire une idee pleine de ce chef-d'oeuvre, de prendre connaissance de ces deux versions. On dispose ainsi pour la premiere fois d'une edition integrale et fiable, etablie sur la base de toutes les sources disponibles, dont une partie etait restee inconnue a ce jour.

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Once a vibrant part of religious life for many Pennsylvania Germans in the eighteenth and nineteenth centuries, Fraktur manuscripts today are primarily studied for their decorative qualities. The Word in the Wilderness takes a different view, probing these documents for what they tell us about the lived religious experiences of the Protestant communities that made and used them and opening avenues for reinterpretation of this well-known, if little understood, set of cultural artifacts.The resplendent illuminated religious manuscripts commonly known as Fraktur have captivated collectors and scholars for generations. Yet fundamental questions about their cultural origins, purpose, and historical significance remain. Alexander Lawrence Ames addresses these by placing Fraktur manuscripts within a “Pietist paradigm,” grounded in an understanding of how their makers viewed “the Word,” or scripture. His analysis combines a sweeping overview of Protestant Christian religious movements in Europe and early America with close analysis of key Pennsylvania devotional manuscripts, revealing novel insights into the religious utility of calligraphy, manuscript illumination, and devotional reading as Protestant spiritual enterprises. Situating the manuscripts in the context of transatlantic religious history, early American spirituality, material culture studies, and the history of book and manuscript production, Ames challenges long-held approaches to Pennsylvania German studies and urges scholars to engage with these texts and with their makers and users on their own terms. Featuring dozens of illustrations, this lively, engaging book will appeal to Fraktur scholars and enthusiasts, historians of early America, and anyone interested in the material culture and spiritual practices of the German-speaking residents of Pennsylvania.

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Sources inestimables d’information sur l’histoire des livres, les colophons sont caractérisés, en arménien comme dans d’autres langues, par l’emploi de tournures stéréotypées, récurrentes d’un manuscrit à l’autre. Cet ouvrage définit une méthodologie pour l’étude philologique et historique des formules de colophon et étudie la formule « d’après un exemplaire bon et de choix » avec ses nombreuses variantes. Plusieurs formulaires de colophon, véritables œuvres littéraires réactualisées de manuscrit en manuscrit, font l’objet d’une édition critique. L’emploi de cette formule en contexte renseigne sur le regard que les copistes portaient à la fois sur leur propre production et sur les modèles qu’ils recopiaient. Grâce à une étude approfondie de ses variantes, l’auteur précise l’activité de certains centres de copie et épingle des personnalités cruciales dans la propagation d’un texte donné. Les connaissances acquises en matière de circulation des manuscrits démontrent l’importance des parcours individuels et des relations interpersonnelles dans les dynamiques de création et de diffusion des livres anciens.

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First full-length study of what the manuscript contexts can reveal about early reactions to Chaucer, and in particular his treatment of women. Readers have disagreed for centuries about the way Chaucer represented female voices in his Hous of Fame, Parliament of Foules, Anelida and Arcite, Legend of Good Women, and Book of the Duchess; but little attention has hitherto been paid to the earliest manuscript contexts in which these poems appear -- a gap which this study aims to fill. It demonstrates that, even in unrelated manuscripts, Chaucer's earliest compilers repeatedly create for these poems a mixed-gender audience well versed in the lively French poetic conversation about the problem of a lack of interest on a woman's part: can she legitimately refuse the advances of her suitor on the grounds that men's fin'amor language cannot be trusted? By highlighting this French controversy and its echoes in the English poetry of Chaucer, Hoccleve, Lydgate, Roos, and others, these manuscript compilers construct a Chaucer who participates posthumously in an ongoing literary debate about female voice, female agency, female scepticism, and the false promises of male fin'amor suitors. This book also expands understanding of Chaucer's early reception by showing how the manuscript context of his shorter poems painted a French-centred, woman-friendly picture of his literary interests - a picture that some early printers would subsequently find difficult, and, in extreme cases, actively work to dismiss.

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Though it may not be immediately obvious why articles on topics from such distantly removed areas of western Europe - the Iberian peninsula and southern Italy - should appear in the same volume (the fourth collection by Roger Reynolds), the materials covered illustrate that they are indeed closely related, both in their differences and their similarities. Both peninsulas had their own indigenous liturgies and music (Old Spanish and Beneventan), distinctive written scripts (Visigothic and Beneventan), and legal and theological traditions, and repeatedly these worked their influence on other areas of western Europe. Although there were frequent attempts by the papacy and secular rulers from the 9th to the 13th century to suppress these distinctive traditions in both areas, elements of these nonetheless survived well into the 16th century and beyond. Despite the differences in these traditions, the articles in this volume also demonstrate through manuscript evidence the continued exchange of the distinctive customs between the Iberian peninsula and southern Italian cultures from the very early Middle Ages through the 12th century.

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In two decades of traveling throughout Mexico, Central America, and Europe, French priest Charles Étienne Brasseur de Bourbourg (1814-1874) amassed hundreds of indigenous manuscripts and printed books, including grammars and vocabularies that brought to light languages and cultures little known at the time. Although his efforts yielded many of the foundational texts of Mesoamerican studies - the pre-Columbian Codex Troana, the only known copies of the Popol Vuh and the indigenous dance drama Rabinal-Achi, and Diego De Landa's Relacián de la cosas de Yucatán - Brasseur earned disdain among scholars for his theories linking Maya writings to the mythical continent of Atlantis. In The Manuscript Hunter, translator Katia Sainson reasserts his standing as the founder of modern Maya studies, presenting three of his travel writings in English for the first time. While civil wars raged throughout Mexico and Central America and foreign interests sought access to the region's rich resources, Brasseur focused on uncovering Mesoamerica's mysterious past by examining its ancient manuscripts and living oral traditions. His ""Notes from a Voyage in Central America,"" ""From Guatemala City to Rabinal,"" and Voyage across the Isthmus of Tehuantepec document his travels in search of these texts and traditions. Brasseur's writings weave vivid geographical descriptions of Central America and Mexico during the mid-1800s with keen social and political analysis, all steeped in vast knowledge of the region's history and interest in its indigenous cultures. Coupled with Sainson's thoughtful introduction and annotations, these captivating, accessible accounts reveal Brasseur de Bourbourg's true accomplishments and offer an unrivaled view of the birth of Mesoamerican studies in the nineteenth century. Brasseur's writings not only depict Central America and Mexico through the eyes of a European traveler at a key moment, but also illuminate the remarkable efforts of one man to understand and preserve Mesoamerica's cultural traditions for all time.

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A man as tormented as he was beloved, Oscar Wilde (1854 1900) overcame a life of extraordinary ups and downs to become a world-renowned playwright, author and poet. Oppressed by a largely homophobic world, Wilde remained resilient. He used his experiences to form brilliant, if controversial, literary works, including The Importance of Being Earnest. Today, he is remembered as one of the most influential writers of the Victorian era.

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Miguel de Cervantes Saavedra (1547–1616) is widely regarded as the greatest writer in the Spanish language. His best-known novel, Don Quixote, is a classic of Western literature. We are honoured to be able to share this handwritten letter he wrote the king requesting permission to publish his great work on this Paperblanks pencil case.

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Essays examining the compiler and contents of two of the most important and significant extant late medieval manuscript collections. The Yorkshire landowner Robert Thornton (c.1397- c.1465) copied the contents of two important manuscripts, Lincoln Cathedral, MS 91 (the "Lincoln manuscript"), and London, British Library, MS Additional 31042 (the "London manuscript") in the middle decades of the fifteenth century. Viewed in combination, his books comprise a rare repository of varied English and Latin literary, religious and medical texts that survived the dissolution of the monasteries, when so many other medieval books were destroyed. Residing in the texts he copied and used are many indicators of what this gentleman scribe of the North Riding read, how he practised his religion, and what worldly values he held for himself and his family. Because of the extraordinary nature of his collected texts - Middle English romances, alliterative verse (the alliterative Morte Arthure only exists here), lyrics and treatises of religion ormedicine - editors and scholars have long been deeply interested in uncovering Thornton's habits as a private, amateur scribe. The essays collected here provide, for the first time, a sustained, focussed light on Thornton and hisbooks. They examine such matters as what Thornton as a scribe made, how he did it, and why he did it, placing him in a wider context and looking at the contents of the manuscripts. Susanna Fein is Professor of Englishat Kent State University; Michael Johnston is an Assistant Professor of English at Purdue University. Contributors: Julie Nelson Couch, Susanna Fein, Rosalind Field, Joel Fredell, Ralph Hanna, Michael Johnston, George R. Keiser, Julie Orlemanski, Mary Michele Poellinger, Dav Smith, Thorlac Turville-Petre.

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This book reproduces in colour, with commentary and full contextual discussion, all the miniatures from unpublished illuminated manuscripts of Le Roman de la Rose in the National Library of Wales. A central work in medieval culture, the Rose was among the most consistently illustrated of medieval secular texts. By presenting all the illuminations from all five illuminated Aberystwyth manuscripts the present study enables absorbing comparisons to be made. This is a book that will stir controversy through its scepticism about moral readings of Rose illustrations and through its insistence on an "accidental" element in the interpretative value of miniatures in secular texts. It will interest anyone who studies art and literature, including students of Chaucer - a poet who absorbed the Roman de la Rose to the core by translating it. The reader is first introduced to the narrative and to characteristic sites of illustration within it. The introduction goes on to identify existing published sources of reproductions, and then to argue the crucial role that a grasp of the practical circumstances of production should play in interpreting medieval miniatures. A final complementary chapter formally describes all seven Aberystwyth Rose manuscripts.

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Marie Sklodowska Curie (1867–1934) was a Polish and naturalized French scientist known for her pioneering research on radioactivity. Seemingly contradicting the principle of energy conservation, her discoveries forced a reconsideration of the foundation of physics. For this journal we have reproduced a page from one of Marie’s laboratory notebooks.

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Founded in 1284, Peterhouse is the University of Cambridge's oldest college. Its stated objective was to forward the study of theology,and before the Reformation it was a small community comprising a master and fourteen scholars.And yet by the late Middle Ages it had built up a substantial reference library. Today the college collection contains 277 manuscripts, almost all of which were at the College before the reformation, geared to the European university curriculum of the late middle ages.

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This study conceives of Thomas Hoccleve’s Regement of Princes (1410-1413) as an essentially performative text, one that expresses its awareness of the manuscript culture in which it is so firmly rooted. The openness of manuscripts is a recurring subject in the Regement and is not only expressed through mere descriptions of, but through complex references to this manuscript context. Performances of manuscript culture manifest themselves in several aspects of the text. The first is the narrator persona, and especially the question of how persona and text are intertwined. The second is the constantly recurring interpretation of quotes from authoritative sources that pervades the Regement. This urge to interpret is expressed both in the tradition of adding marginal glosses and in the process of subjecting the text to an exegetical reading. The third aspect is the relation between text and images in the Regement’s manuscripts, which shows how mediality is performed and how the manuscript context is made the focus of this performance. In this monograph, all of these aspects are studied in a mindset that combines the concept of performativity with the postulations of Material Philology.

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The manuscripts transcribed and reproduced in this volume of the Cornell Yeats were written from spring 1933 through December 1934. "Parnell's Funeral and Other Poems" is the third section of W. B. Yeats's book A Full Moon in March (1935), following the two plays A Full Moon in March and The King of the Great Clock Tower. David R. Clark's introduction relates biographical events to what the manuscripts show about the chronological order in which the poems were written. The poems, which illuminate such facets of Yeats's life as the poet's flirtations with fascism and Hinduism and his concern, at age sixty-eight, that his poetic powers were waning, are presented in the order in which they appeared in A Full Moon in March. Of the twenty-one poems here, eighteen are called songs. Only "Parnell's Funeral" itself is un-songlike, a somber and powerful declaration made by a Parnellite. Each poem is accompanied by comments on its content and its manuscripts. Ninety-nine illustrations show Yeats's handwritten drafts, typescripts, and revisions. Because of the poems' exotic references, a long section of the introduction provides relevant material from Yeats's letters and commentary and an independent analysis of each poem. Early in his career Yeats, with his fellow poets in the Rymers' Club, had "taken delight in poetry that was, before all else, speech or song, and could hold the attention of a fitting audience like a good play or a good conversation." Throughout "Parnell's Funeral and Other Poems," Yeats's desire for a direct lyrical urge is evident.

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British Library MS Harley 2253 is one of the most important literary works to survive from the English medieval era. In rarity, quality, and abundance, its secular love lyrics comprise an unrivaled collection. Intermingled with them are contemporary political songs as well as delicate lyrics designed to inspire religious devotion.

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Ce volume de mélanges rassemble 27 contributions en l'honneur de Paul Géhin, directeur de recherche émérite au CNRS, qui fut pendant 15 ans directeur de la Section grecque et de l'Orient chrétien de l'IRHT (1997-2011). Spécialiste d'Évagre le Pontique et de manière plus large de la transmission de la littérature patristique et ascétique dans les domaines byzantin et oriental (syriaque et arabe), P. Géhin, membre du Comité international de Paléographie grecque, est également un grand connaisseur des manuscrits tant grecs que syriaques et arabes. Les contributions qui lui sont offertes reflètent ces divers intérêts et proposent des éditions de textes, des études de manuscrits et de copistes, des enquêtes sur les textes et les pratiques ascétiques et monastiques; plusieurs d'entre elles concernent des livres ou des hommes en lien direct avec le Sinaï.

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A fine research tool which has so many applications. SPECULUM

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For the first time, exquisite and rarely seen ancient Hebrew manuscripts are presented in this stunning volume as “encounters”, highlighting their similarities and differences in a striking, visual conversation between manuscripts from two outstanding collections. This cleverly designed and richly illustrated dual language English and Hebrew publication will accompany the first temporary exhibition in the new building of the National Library of Israel in Jerusalem. It draws its objects from both the Library’s collection and the highly prestigious, privately owned Braginsky Collection of Zurich, Switzerland. Vibrant new photography brings these manuscripts, printed books, Esther Scrolls and marriage contracts to life. Engaging texts examine such themes as community, migration, spirituality, mysticism, and inspiration, which will be enlightening to all interested in Hebrew manuscripts and the history and culture of the Jewish people. Text in English and Hebrew.

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Ancient manuscripts of John’s Gospel containing hermeneiai have long puzzled scholars, provoking debate about their origins, purpose, and use. The fragmentary nature of the early evidence has impeded progress towards a better understanding of these specialized books. The present study shows that these books are "Divining Gospels"—editions of John’s Gospel incorporating lot divination materials for use in fortune-telling. The study centers on material presented here for the first time: the text and translation of a unique sixth-century Syriac manuscript, the earliest and most complete example of a hermeneia Gospel. An analysis of the Syriac along with evidence from Greek, Coptic, Latin, and Armenian versions show they all preserve vestiges of the same apparatus, disseminated widely at an early time throughout many different Christian communities. These books must be situated squarely within the development of divinatory practices in early and late antique Christianity. However, they represent a true hermeneutic, a method by which interpreters brought the potency of the Bible to bear on the everyday concerns of people who consulted them for help. Furthermore, the Divining Gospel draws on the special aura that John’s Gospel held in the Christian imagination, both as text and as textual object. An analysis of the interplay between the biblical text and sacred codex, the oracles, the ritual practitioner, and the client enrich our appreciation of this distinctive hermeneutic. Contextualizing these materials in popular use illuminates the fraught relationships between the ecclesial establishment, ritual experts operating on the margins of orthodox respectability, and lay clients seeking knowledge and help.

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An illustrated reference book for students and scholars of Persian art, poetry, and literature. With this book, Barbara Brend provides thorough consideration of two celebrated Persian manuscripts housed in the British Library. These two copies of the Khamsah (Quintet) a set of five narrative poems by twelfth-century poet Nizami, a master of allegorical poetry in Persian literature, were produced in Herat in the fifteenth century, one of the greatest periods of Persian painting. Although well known, the manuscripts have never before been written about in relation to each other. Brend tells the story of each poem and the painting that illustrates it, and she formally analyzes the images, placing them in their historical and artistic context. The images from both highly prized manuscripts are beautifully reproduced in color, and the ownership history of one of the manuscripts-recorded in the form of seal impressions and inscriptions- is also included. Ursula Sims-Williams provides a translation and commentary of these important marks of ownership which identify the Mughal rulers Akbar, Jahangir, Shah Jahan, and Aurangzeb, among many others.

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Guillermo Rendueles pone a prueba, en este lúcido libro, la conocida tesis de Marx: La esencia humana no es algo abstracto inherente a cada individuo, es, en realidad, el conjunto de las relaciones sociales. Para en ello ha librado del polvo del archivo del manicomio de Ciempozuelos la historia clínica n 6966 correspondiente a la interna Aurora Rodríguez, madre de Hildegart.Este trabajo ha sido realizado con la paciencia y la minuciosidad del etnógrafo, pero sin su frialdad. Sirviéndose de la historia oral, de la documentación histórica, y de un riguroso análisis realizado sobre el manuscrito encontrado en el manicomio, Guillermo Rendueles elabora un modelo teórico que le permite, no solo insertar a Aurora en su entorno social sino, a la vez, poner al descubierto el funcionamiento de las instituciones de socialización y resocialización aún vigentes en nuestras sociedades.

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Marshall Waingrow's opus magnum is not a corrected edition of the printed text of Boswell's Life of Johnson. Rather, Waingrow presents an edition of the manuscript which enables us to follow Boswell's compositional process through successive revisions.

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General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America’s most important poets. Notebooks and Unpublished Prose Manuscripts gathers Whitman’s autobiographical notes, his views on contemporary politics, and the writings he made as he educated himself in ancient history, religion and mythology, health (including phrenology), and word-study. Included is material on his Civil War experiences, his love of Abraham Lincoln, his descriptions of various trips to the West and South and of the cities in which he resided, his generally pessimistic view of America’s prospects in the Reconstruction and the Gilded Age, and his reminiscences during his final years and his preoccupation with the increasing ailments that came with old age. Many of these notes served as sources for his poetry—first drafts of some of the poems are included as they appear in the notes—and as the basis for his lectures.

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Published in 1969, Maya Angelou’s coming-of-age memoir, I Know Why the Caged Bird Sings, was an immediate national bestseller and a critical success. The book, the first in a series that chronicled her early life through the 1960s, helped to establish Angelou (1928–2014) as a major figure in American letters.On this manuscript page from the book, Angelou captures the moment when she and her brother, Bailey, arrived in Arkansas to be raised by their paternal grandmother and presages the personalities that she and Bailey would later develop. We are honoured to partner with The New York Public Library to bring this important document to our Paperblanks collection.

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