Search results for ""author manus"

This book examines how manuscript practices interacted with an expanding print marketplace to nurture and transform the period's literary culture. It unearths the alternative histories manuscripts tell us about British Romantic literary culture, describing the practices by which handwritten documents were written, shared, altered and preserved, and explores the functions they served as instruments of expression and sociability. By demonstrating how literary manuscript culture co-evolved with print culture, this study illuminates the complex entanglements between the media of script and print.

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A complete catalogue of Tibetan Chan Texts in the Dunhuang Manuscript Collections

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With its rich symbolism, complex narrative, and stunning imagery, the Apocalypse, or Revelation of John, is arguably the most memorable book in the Christian Bible. In Apocalypse Illuminated, Richard Emmerson explores how this striking visionary text is represented across seven centuries of medieval illustrations.Focusing on twenty-five of the most renowned illustrated Apocalypse manuscripts, from the earliest extant Carolingian ones produced in the ninth century to the deluxe Apocalypse made for the dukes of Savoy and completed in 1490, Emmerson examines not only how they illustrate the biblical text, but also how they interpret it for specific and increasingly diverse audiences. He discusses what this imagery shows us about expectations for the Apocalypse as the year 1000 approached, its relationship to Spanish monasticism on the Christian-Muslim frontier and to thirteenth-century Joachimist prophetic beliefs, and the polemical reinterpretations of Revelation that arose at the end of the Middle Ages. The resulting study includes historical and stylistic comparisons, highlights innovative features, and traces iconographic continuities over time, including the recurring apocalyptic patterns, events, figures, and motifs that characterize Apocalypse illustrations throughout the Middle Ages.Gorgeously illustrated and written in lively and accessible prose, this is a masterful analysis of over seven hundred years of Apocalypse manuscripts by one of the most preeminent scholars of medieval apocalypticism.

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One of the great repositories of a people's world view and religious beliefs, the Huarochirí Manuscript may bear comparison with such civilization-defining works as Gilgamesh, the Popul Vuh, and the Sagas. This translation by Frank Salomon and George L. Urioste marks the first time the Huarochirí Manuscript has been translated into English, making it available to English-speaking students of Andean culture and world mythology and religions.The Huarochirí Manuscript holds a summation of native Andean religious tradition and an image of the superhuman and human world as imagined around A.D. 1600. The tellers were provincial Indians dwelling on the west Andean slopes near Lima, Peru, aware of the Incas but rooted in peasant, rather than imperial, culture. The manuscript is thought to have been compiled at the behest of Father Francisco de Avila, the notorious "extirpator of idolatries." Yet it expresses Andean religious ideas largely from within Andean categories of thought, making it an unparalleled source for the prehispanic and early colonial myths, ritual practices, and historic self-image of the native Andeans.Prepared especially for the general reader, this edition of the Huarochirí Manuscript contains an introduction, index, and notes designed to help the novice understand the culture and history of the Huarochirí-area society. For the benefit of specialist readers, the Quechua text is also supplied.

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The Bodleian Library possesses a significant collection of Latin medieval manuscripts from Germany, most of them acquired and donated by Archbishop Laud in the 1630s. They are precious survivals from the period of the Thirty Years’ War. Their significance arises not just from the number of individual manuscripts but from the fact that they represent substantial portions of the libraries of ecclesiastical houses in Würzburg, Mainz and Eberbach. This book presents a detailed description of the fifty-six manuscripts from Würzburg in the Bodleian, most of them from the cathedral chapter (the Domstift St. Kilian). The majority date from the ninth century, and are extremely important from a textual and palaeographical point of view: they constitute the most important single library of Carolingian manuscripts in the British Isles. Würzburg was one of the leading Anglo-Saxon foundations on the continent of Europe, planting cultural roots which are manifested in almost every aspect of the manuscripts themselves. The catalogue provides authoritative and superbly detailed descriptions of these manuscripts in all their aspects, especially their texts – there are many important early copies of the texts of the Church Fathers – and their scripts, some of whose forms are unique to Würzburg. Detailed attention is also paid to the physical characteristics of the manuscripts, their decoration, binding, and provenance. Each of the manuscripts is illustrated.

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From reviews of The Cornell Yeats series:"For students of Yeats the whole series is bound to become an essential reference source and a stimulus to important critical re-readings of Yeats's major works. In a wider context, the series will also provide an extraordinary and perhaps unique insight into the creative process of a great artists."—Irish Literary Supplement"I consider the Cornell Yeats one of the most important scholarly projects of our time."—A. Walton Litz, Princeton University, coeditor of The Collected Poems of William Carols Williams and Personae: The Shorter Poems of Ezra Pound"The most ambitious of the many important projects in current studies of Yeats and perhaps of modern poetry generally.... The list of both general and series editors, as well as prospective preparers of individual volumes, reads like a Who's Who of Yeats textual studies in North America. Further, the project carries the blessing of Yeats's heirs and bespeaks an ongoing commitment from a major university press.... The series will inevitably engender critical studies based on a more solid footing than those of any other modern poet.... Its volumes will be consulted long after gyres of currently fashionable theory have run on."—Yeats Annual (1983)Yeats first expressed interest in producing translations of Greek classical plays in March of 1903, in the early days of establishing the Abbey Theatre in Dublin. But not until two decades later did he turn his hand to creating his own versions of Sophocles' Oedipus the King and Oedipus at Colonus. Working from Victorian translations into English and French by classicists R. C. Jebb and Paul Masqueray, he completed Oedipus the King in the fall of 1926 and Oedipus at Colonus a year later. The second play, like the first, he gave directly to the Abbey players, prompting him to revise and hone his texts through many versions to achieve his stated goal of putting the play "into simple speakable prose" that he hoped would be his "contribution to the Abbey Repertory." The play had a successful run in September of 1927 but was not published until 1934.The edition presents photographs and transcriptions of three revised typescripts that Yeats prepared and extensively revised over a period of eight-and-a-half months and a reading text based on the first publication of the play, which is presented with an apparatus of collations from the many proofs for three different intended publications. Included also are photographs and transcriptions of the verse choruses, except for the two appearing in The Tower (1928), also in this series; an appendix of other typescripts and proofs that invite detailed treatment; and a brief account of the music written for the play by Lennox Robinson, who was also its first director. The texts are prefaced by a census of manuscripts, an introduction discussing Yeats's development of the play, and a chronology of composition.

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This volume provides a thorough introduction to the Cyrillic collection, and contains the detailed descriptions of the fifty-six Slavonic Cyrillic codices or fragments thereof held by the National Széchényi Library in Budapest, the vast majority of which are here described for the first time. The analysis of the codices has been done using the resources of modern technology. Written from the thirteenth to early nineteenth century, the codices were mostly produced within the confines of the historical Kingdom of Hungary. The catalogue is extensively illustrated with pictures of the most characteristic and decorative pages and a few covers of the codices.This publication is a further step towards the complete documentation of the Cyrillic manuscript heritage of Central Europe.

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This volume is the third and penultimate in the Yale Boswell Editions' transcription of Boswell's heavily revised manuscript of his biography of Johnson. Designed as a research supplement to the Hill-Powell version of the 'Life' and employing the complex but accessible system devised for the series by the late Marshall Waingrow, the edition traces Boswell's processes of composition from first draft to final publication. It restores much deleted material, passages lost or overlooked at proof and revise stage, and corrects a host of compositorial and other errors and misreadings. Professor Bonnell's annotation clarifies a wide range of textual and editorial issues, and sheds new light on Boswell's processes of selection and deletion.

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This catalogue describes over 2,000 Arabic manuscripts acquired by the Princeton University Library since the 1950s, providing information on an important collection of Arabic works, many of which were previously unknown or unrecorded. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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This volume presents the first printed edition of a late sixteenth-century poetic miscellany and provides invaluable insight into understanding the literature of the period. Its owner and principal scribe, Humfrey Coningsby, drew on texts circulating in manuscript , predominantly by contemporary writers of the time—including Philip Sidney, Edward Dyer, Arthur Gorges, Walter Ralegh, Elizabeth I, the Earl of Oxford, Nicholas Breton, George Peele, and Thomas Watson. Coningsby also added at least two of his own compositions, along with anonymous poems not found in any other manuscripts or printed books. This edition preserves the appearance, spelling, and punctuation of the original manuscript while expanding antiquated contractions to provide an easily readable text. Textual notes appear on the page, and in-depth contextual notes and word glosses are provided in the commentary section. The analyses add to our knowledge of early modern manuscript culture and literary manuscript transmission, and a substantial introduction provides context for the compilation of the anthology.

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This book offers an introduction to medieval English book-history through a sequence of exemplary analyses of commonplace book-historical problems. Rather than focus on bibliographical particulars, the volume considers a variety of ways in which scholars use manuscripts to discuss book culture, and it provides a wide-ranging introductory bibliography to aid in the study. All the essays try to suggest how the study of surviving medieval books might be useful in considering medieval literary culture more generally. Subjects covered include authorship, genre, discontinuous production, scribal individuality and community, the history of libraries and the history of book provenance.

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Writing an academic book is a daunting task. Where to start? This workbook. So, you’ve written a dissertation. Congratulations! But how do you turn it into a book? Even if you know what to do when revising your dissertation, do you know how to do those things? This workbook by Katelyn E. Knox and Allison Van Deventer, creators of the successful online Dissertation-to-Book Boot Camp, offers a series of manageable, concrete steps with exercises to help you revise your academic manuscript into publishable book form. The Dissertation-to-Book Workbook uses targeted exercises and prompts to take the guesswork out of writing a book. You’ll clarify your book’s core priorities, pinpoint your organizing principle, polish your narrative arc, evaluate your evidence, and much more. Using what this workbook calls “book questions and chapter answers,” you’ll figure out how to thread your book’s main ideas through its chapters. Then, you’ll assemble an argument, and finally, you’ll draft any remaining material and revise the manuscript. And most important, by the time you complete the workbook, you’ll have confidence that your book works as a book—that it’s a cohesive, focused manuscript that tells the story you want to tell. Indispensible to anyone with an academic manuscript in progress, the prompts, examples, checklists, and activities will give you confidence about all aspects of your project—that it is structurally sound, coherent, free of the hallmarks of “dissertationese," and ready for submission to an academic publisher.

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First comprehensive examination of the ways in which printers, publishers and booksellers adapted and rewrote Arthurian romance in early modern France, for new audiences and in new forms. Arthurian romance in Renaissance France has long been treated by modern critics as marginal - although manuscripts and printed volumes, adaptations and rewritings, show just how much writers, and especially publishers, saw its potential attractions for readers. This book is the first full-length study of what happens to Arthur at the beginning of the age of print. It explores the fascinations of Arthurian romance in the sixteenth and early seventeenth centuries, from the magnificent presentation volumes offered by Antoine Vérard or Galliot du Pré in the early years of the century to the perfunctory abbreviated Lancelot published by Benoît Rigaud in Lyon in 1591; from PierreSala's dutiful "translation" of Yvain to Jean Maugin's exuberant rewriting of the prose Tristan; from attempts at "new" romance like the little-known Giglan to the runaway best-seller Amadis de Gaule.The book's primary focus is the techniques and stratagems employed by publishers and their workshops to renew Arthurian romance for a new readership: the ways in which the publishers, the translators and the adapters of the Renaissance tailor romance to fit new cultural contexts. Their story - which is the story of the rise and fall of one of the great genres of the Middle Ages - allows privileged insights into socio-cultural and ideological attitudes in the France of the Renaissance, and into issues of literary taste, particular patterns of choice and preference. Jane H.M. Taylor is Emeritus Professor of French at Durham University.

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El 30 de junio de 2003 en Cútar, provincia de Málaga, aparecieron unos documentos árabes escondidos en el muro de una casa. Eran tres volúmenes y varios documentos sueltos, todos escritos en lengua árabe, hoy restaurados y referenciados con las signaturas L-14028: Corán; L-14029; L-14030. El primero, un Corán posiblemente de finales del siglo XII y primeros del XIII, fue editado por la Junta de Andalucía. Los otros dos volúmenes de carácter misceláneo y de época nazarí son los que aquí se presentan. El denominado L-14029 contiene copias de una serie de obras de consulta completas o parciales, a modo de obra de cabecera de un alfaquí que necesita acudir a ella para aclarar algún caso relativo a su trabajo. Las obras incluidas en el volumen L14030 entran más en la esfera de lo personal o colectivo y contiene, entre otros, poemas, sermones, tradiciones, capítulos de carácter religioso, de magia y de astronomía popular. Los textos árabes o documentos figuran al final del libro para respeta

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Michelangelo Buonarroti’s (1475–1564) mind was an incessant battlefield. The opposing forces of religious faith and pagan beauty warred across his consciousness. They also helped spur him to create a pantheon of artistic masterpieces.Considered one of the masters of the Italian Renaissance, over the course of his lifetime he produced the finest frescoes and many of the most revered sculptures in the world. Michelangelo possessed a genius as severe and uncompromising as it was fertile. He was renowned for his fierce solitude, yet was one of the great chroniclers of the human form. His anatomical studies are haunting in their expressiveness and precision, while his tombs, such as those designed for Julius II and the Medicis, inspire wordless awe and perhaps even dread.This letter, written in Michelangelo’s own hand, demonstrates with every stroke of the pen the refinement and passion of one of the greatest artists humanity has produced. And with the Sistine Chapel’s The Creation of Adam featured on the back cover, the point of creation beautifully bookends this Embellished Manuscript notebook.

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Una mezcla perfecta de erudición y espíritu aventurero29 de mayo de 1525. Un peregrino es asesinado poco antes de llegar a la ciudad de Burgos; se trata de una más de un serie de extrañas muertes que se vienen produciendo en las diferentes etapas del Camino Francés. El arzobispo de Santiago le pide a Fernando de Rojas que se haga cargo de la investigación del caso.El célebre pesquisidor tendrá que hacer el Camino de Santiago en pos de las huellas de los criminales y para ello contará con la ayuda de Elías do Cebreiro, clérigo y archivero de la catedral compostelana. En su recorrido se encontrarán con toda clase de retos y peligros, se adentrarán en lugares recónditos y misteriosos y conocerán a numerosos viajeros, cada uno con su secreto a cuestas.Gracias a su cuidada ambientación histórica, esta novela muestra una cara inédita de la ruta jacobea en una época de gran turbulencia en la que la peregrinación está en entredicho a causa de

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A Brilliant, Buoyant Guide to Publishing Your Book Hundreds of thousands of books come out every year worldwide. So why not yours? In The Book Bible, New York Times bestseller and wildly popular Manhattan writing professor Susan Shapiro reveals the best and fastest ways to break into a mainstream publishing house. Unlike most writing manuals that stick to only one genre, Shapiro maps out the rules of all the sought-after, sellable categories: novels, memoirs, biography, how-to, essay collections, anthologies, humor, mystery, crime, poetry, picture books, young adult and middle grade, fiction and nonfiction. Shapiro once worried that selling 16 books in varied sub-sections made her a literary dabbler. Yet after helping her students publish many award-winning bestsellers on all shelves of the bookstore, she realized that her versatility had a huge upside. She could explain, from personal experience, the differences in making each kind of book, as well as ways to find the right genre for every project and how to craft a winning proposal or great cover letter to get a top agent and book editor to say yes. This valuable guide will teach both new and experienced scribes how to attain their dream of becoming a successful author.

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The Chester Beatty Library in Dublin has a world-famous collection of oriental manuscripts assembled by the late Sir Alfred Chester Beatty during the last century. A catalogue of the Armenian manuscripts was prepared by the eminent historian of Armenian art, Sirarpie Der Nersessian, in the 1950's. The present catalogue presents some manuscripts which Dr. Der Nersessian did not catalogue and those which entered the collection after her catalogue was completed. It was prepared by Michael Stone, Professor of Armenian Studies at the Hebrew University of Jerusalem and Nira Stone, lecturer in Armenian Art at the same university. It deals in considerable detail with each manuscript, its codicology, its structure and its text (M.E. Stone) and a study of its illuminations (Nira Stone). The book contains onomastic and iconographical indexes. It completes the publication of the Armenian manuscripts of the Chester Beatty Library and will eventually be followed by a further volume dedicated to other Armenian holdings, notably old printed books and metal bindings.

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A fresh appraisal of late medieval manuscript culture in England, examining the ways in which people sustained older books, exploring the practices and processes by which manuscripts were crafted, mended, protected, marked, gifted and shared. During the "long fifteenth century" (here, 1375-1530), the demand for books in England flourished. The fast-developing book trade produced them in great quantity. Fragments of manuscripts were often repurposed, as flyleaves and other components such as palimpsests; and alongside the creation of new books, medieval manuscripts were also repaired, recycled and re-used. This monograph examines the ways in which people sustained older books, exploring the practices and processes by which manuscripts were crafted, mended, protected, marked, gifted and shared. Drawing on the codicological evidence gathered from an extensive survey of extant manuscript collections, in conjunction with historical accounts, recipes and literary texts, it presents detailed case studies exploring parchment production and recycling, the re-use of margins, and second-hand exchanges of books. Its engagement with the evidence in - and inscribed on - surviving books enables a fresh appraisal of late medieval manuscript culture in England, looking at how people went about re-using books, and arguing that over the course of this period, books were made, used and re-used in a myriad of sustainable ways.

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The group of Hebrew manuscripts at Corpus Christi College Oxford forms one of the most important collections of Anglo-Jewish manuscripts in the world. Although few in number, the College's holdings are outstanding in rarity and value. Corpus Christi College was founded at a time when universities were putting considerable effort into providing better facilities for the study of Greek and Hebrew. Bishop Richard Fox, the founder of Corpus Christi, and John Claymond, the college's first President, therefore ensured that the library should be adequately stocked with the necessary printed books and manuscripts. In a famous letter to Claymond in June 1519, Erasmus predicted a great future forthe College and alluded to its well-stocked trilingual library (Hebrew, Greek, and Latin). Although few in number, the College's Hebrew manuscripts are outstanding in rarity and value. Seven Hebrew manuscripts donated byClaymond were probably produced in Oxford and Cambridgeshire in the thirteenth century. They include texts from the Hebrew Bible - the Tanakh - presented in parallel Hebrew and Latin versions, often with a literal translation into Latin written directly above the Hebrew text. It is thought that the manuscripts were the product of co-operation between Jewish and Christian scholars, and were used by non-Jews to learn Hebrew and understand the primary textsof a shared scriptural tradition. In addition to the Claymond bequest, the collection contains a second, nearly complete copy of Rashi's commentaries, and an Ashkenazi prayer book both produced in northern Europe in the twelfth century. The prayer book is one of the oldest surviving prayer books produced in Europe. It later came into the possession of a Sephardic Jew who settled in England, and who used some of its blank pages to record business. He did this in Judaeo-Arabic (Arabic written in Hebrew letters). This document is the only one written in this language in England during the Middle Ages to survive. Taken together, the Corpus collection forms one of the most important collections of Anglo-Jewish manuscripts in the world. PETER E. PORMANN is Professor of Classics and Graeco-Arabic Studies and Director of the John Rylands Research Institute at the University of Manchester.

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Corpus Christi College was founded at a time when universities were putting considerable effort into providing better facilities for the study of Greek and Hebrew. Bishop Richard Fox, the founder of Corpus Christi, and John Claymond, the college's first President, therefore ensured that the library should be adequately stocked with Greek printed books and manuscripts. In a famous letter to Claimond in June 1519, Erasmus predicted a great future for the College and alluded to its well-stocked library. Claymond gave the library more than half the present collection of Greek manuscripts, besides seven in Hebrew. His Greek books came largely from the collection of William Grocyn, who had gone to Florence in 1488 to study with Angelo Poliziano and Demetrius Chalcondyles, and doubtless acquired some of his manuscripts there. Remarkably, at the end of the fifteenth century there was a local source of supply for some Greek texts, in the person of Ioannes Serbopoulos, a refugee from Constantinople who had taken up residence near Reading, who supplied Grocyn with MSS 23 and 106 in 1499 and 1495 respectively. It is worth noting in passing that when Grocyn arrived in Florence the printing of Greek texts had barely begun, but by the time the College was founded the demand for manuscript copies of the principal texts used by students and scholars was much reduced, thanks largely to the editions issued by Aldus Manutius After the substantial initial acquisitions of manuscripts the College was not fortunate enough to attract significant additions to its collection, and there is nosign that it contemplated an active policy of enlarging this element of the library's holdings. But it is worth noting that the one manuscript in the collection which is of truly outstanding importance, the ninth-century copy of Aristotle's zoological works (MS 108), was given by one of the Fellows in 1623.

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Pedro Menéndez de Avilés (1519-1574) founded St. Augustine in 1565. His expedition was documented by his brother-in-law, Gonzalo Solís de Merás, who left a detailed and passionate account of the events leading to the establishment of America's oldest city.Until recently, the only extant version of Solís de Merás's record was one single manuscript that Eugenio Ruidíaz y Caravia transcribed in 1893, and subsequent editions and translations have always followed Ruidíaz's text. In 2012, David Arbesú discovered a more complete record: a manuscript including folios lost for centuries and, more important, excluding portions of the 1893 publication based on retellings rather than the original document.In the resulting volume, Pedro Menéndez de Avilés and the Conquest of Florida, Arbesú sheds light on principal events missing from the story of St. Augustine's founding. By consulting the original chronicle, Arbesú provides readers with the definitive bilingual edition of this seminal text.

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Most of the women and men who practiced magic in Tudor England were not hanged or burned as witches, despite being active members of their communities. These everyday magicians responded to common human problems such as the vagaries of money, love, property, and influence, and they were essential to the smooth functioning of English society. This illuminating book tells their stories through the legal texts in which they are named and the magic books that record their practices.In legal terms, their magic fell into the category of sin or petty crime, the sort that appeared in the lower courts and most often in church courts. Despite their relatively lowly status, scripts for the sorts of magic they practiced were recorded in contemporary manuscripts. Juxtaposing and contextualizing the legal and magic manuscript records creates an unusually rich field to explore the social aspects of magic practice. Expertly constructed for both classroom use and independent study, this book presents in modern English the legal documents and magic texts relevant to ordinary forms of magic practiced in Tudor England. These are accompanied by scholarly introductions with original perspectives on the subjects. Topics covered include: the London cunning man Robert Allen; magic to identify thieves; love magic; magic for hunting, fishing and gambling, and magic for healing and protection.

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A man as tormented as he was beloved, Oscar Wilde (1854 1900) overcame a life of extraordinary ups and downs to become a world-renowned playwright, author and poet. Oppressed by a largely homophobic world, Wilde remained resilient. He used his experiences to form brilliant, if controversial, literary works, including The Importance of Being Earnest. Today, he is remembered as one of the most influential writers of the Victorian era.

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As the 587 colourful images in this magnificent volume reveal, animals were a constant—and delightful—presence in illuminated manuscripts throughout the Middle Ages. They were illustrated not only in bestiaries—the compendiums of animal fact and fable that were exceedingly popular in the 12th and 13th centuries—but in every sort of manuscript, sacred and profane, from the Gospels to the Romance of the Rose. This book is arranged in manner of a proper bestiary, with essays on the medieval lore and iconography of one hundred creatures alphabetised by their Latin names, from the alauda, or lark, whose morning song was thought to be a hymn to Creation, to the vultur, whose taste for carrion made it a symbol of the sinner who indulges in worldly pleasures. The selection includes a number of creatures that would now be considered fantastic, including the griffin, the manticore, and of course the fabled unicorn.

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A key member of the Impressionist movement, Claude Monet (1840–1926) painted more than 250 canvases inspired by the play of light and colour upon the lily pond at his Giverny home. This Paperblanks Embellished Manuscript journal sets an 1888 letter written by Monet to Berthe Morisot, a fellow Impressionist, against a backdrop of one of these famous oil paintings.

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