Search results for ""University of California Press""

What makes a place? "Infinite City", Rebecca Solnit's brilliant reinvention of the traditional atlas, searches out the answer by examining the many layers of meaning in one place, the San Francisco Bay Area. Aided by artists, writers, cartographers, and twenty-two gorgeous color maps, each of which illuminates the city and its surroundings as experienced by different inhabitants, Solnit takes us on a tour that will forever change the way we think about place. She explores the area thematically - connecting, for example, Eadweard Muybridge's foundation of motion-picture technology with Alfred Hitchcock's filming of "Vertigo". Across an urban grid of just seven by seven miles, she finds seemingly unlimited landmarks and treasures - butterfly habitats, queer sites, murders, World War II shipyards, blues clubs, Zen Buddhist centers. She roams the political terrain, both progressive and conservative, and details the cultural geographies of the Mission District, the culture wars of the Fillmore, the South of Market world being devoured by redevelopment, and much, much more. Breathtakingly original, this atlas of the imagination invites us to search out the layers of San Francisco that carry meaning for us - or to discover our own infinite city, be it Cleveland, Toulouse, or Shanghai. Contributors include: Cartographers - Ben Pease and Shizue Seigel; Designer - Lia Tjandra; Artists - Sandow Birk, Mona Caron, Jaime Cortez, Hugh D'Andrade, Robert Dawson, Paz de la Calzada, Jim Herrington, Ira Nowinski, Alison Pebworth, Michael Rauner, Gent Sturgeon and Sunaura Taylor; Writers and researchers - Summer Brenner, Adriana Camarena, Chris Carlsson, Lisa Conrad, Guillermo Gomez-Pena, Joshua Jelly-Schapiro, Paul La Farge, Genine Lentine, Stella Lochman, Aaron Shurin, Heather Smith and Richard Walker; and, Additional cartography - Darin Jensen, Robin Grossinger and Ruth Askevold, as well as San Francisco Estuary Institute.

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Why has the turn of the twenty-first century been rocked by a new religious rebellion? From al Qaeda to Christian militias to insurgents in Iraq, a strident new religious activism has seized the imaginations of political rebels around the world. Building on his groundbreaking book, "The New Cold War?: Religious Nationalism Confronts the Secular State", Mark Juergensmeyer here provides an up-to-date road map through this complex new religious terrain. Basing his discussion on interviews with militant activists and case studies of rebellious movements, Juergensmeyer puts a human face on conflicts that have become increasingly abstract. He revises our notions of religious revolution and offers positive proposals for responding to religious activism in ways that will diminish the violence and lead to an accommodation between radical religion and the secular world.

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Described in the "2008 Saveur 100" as 'At the top of our bedside reading pile since its inception in 2001', the award-winning "Gastronomica: The Journal of Food and Culture" is a quarterly feast of truly exceptional writing on food. Designed both to entertain and to provoke, "The Gastronomica Reader" now offers a sumptuous sampling from the journal's pages - including essays, poetry, interviews, memoirs, and an outstanding selection of the artwork that has made Gastronomica so distinctive. In words and images, it takes us around the globe, through time, and into a dazzling array of cultures, investigating topics from early hominid cooking to Third Reich caterers to the Shiite clergy under Ayatollah Khomeini who deemed Iranian caviar fit for consumption under Islamic law. Informed throughout by a keen sense of the pleasures of eating, tasting, and sharing food, "The Gastronomica Reader" will inspire readers to think seriously, widely, and deeply about what goes onto their plates. Gastronomica is a winner of the "Utne Reader's" Independent Press Award for Social/Cultural Coverage.

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This history of Japanese mass culture during the decades preceding Pearl Harbor argues that the new gestures, relationship, and humor of ero-guro-nansensu (erotic grotesque nonsense) expressed a self-consciously modern ethos that challenged state ideology and expansionism. Miriam Silverberg uses sources such as movie magazines, ethnographies of the homeless, and the most famous photographs from this era to capture the spirit, textures, and language of a time when the media reached all classes, connecting the rural social order to urban mores. Employing the concept of montage as a metaphor that informed the organization of Japanese mass culture during the 1920s and 1930s, Silverberg challenges the erasure of Japanese colonialism and its legacies. She evokes vivid images from daily life during the 1920s and 1930s, including details about food, housing, fashion, modes of popular entertainment, and attitudes toward sexuality. Her innovative study demonstrates how new public spaces, new relationships within the family, and an ironic sensibility expressed the attitude of Japanese consumers who identified with the modern as providing a cosmopolitan break from tradition at the same time that they mobilized for war.

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This magnificent volume is a clear and comprehensive review of the African mammalian fossil record over the past 65 million years. "Cenozoic Mammals of Africa" includes current taxonomic and systematic revisions of all African mammal taxa, detailed compilations of fossil site occurrences, and a wealth of information regarding paleobiology, phylogeny, and biogeography. Primates, including hominins, are particularly well covered. The discussion addresses the systematics of endemic African mammals, factors relating to species richness, and a summary of isotopic information. The work also provides contextual information about Cenozoic African tectonics, chrono stratigraphy of sites, paleobotany, and global and regional climate change. Updating our understanding of this important material with the wealth of research from the past three decades, this volume is an essential resource for anyone interested in the evolutionary history of Africa and the diversification of its mammals.

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This beautifully-designed pocket reference - more a compact encyclopedia than a dictionary - presents ancient Egypt in stunningly-produced photographs and concise textual descriptions of Egyptian art, culture, and government. Not merely a travel guide, this handy and easy-to-use guide provides an overall view of the civilization as a whole, including a fascinating section on the history of Egyptology, the invasions and excavations, and a section on where the artifacts can be seen today. This is a must-have addition to the library of anyone interested in ancient Egypt, and a necessary companion for the traveler.

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This excellent collection contains 13 essays from Gadamer's "Kleine Schriften", dealing with hermeneutical reflection, phenomenology, existential philosophy, and philosophical hermeneutics. Gadamer applies hermeneutical analysis to Heidegger and Husserl's phenomenology, an approach that proves critical and instructive.

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Whether viewed as an influence or in and for themselves, the Symbolists are a tantalizing group. Paralleling similar movements in art and music, their intensely personal poetry leans more heavily on oblique suggestions and evocation than on overt statement. It sets its perceptions, intuitive and nonrational, squarely against intellectual and scientific thinking - and this with a music that is flexible, intrepid, and subtle, sometimes even dissonant and jazzy. But the poetry itself is the movement's best definition. Here with bilingual text en face, an introduction, and illuminating notes, are some forty carefully selected poems of that movement. They range from the remote beginnings in Nerval and Baudelaire, through the humor and irony of Corbiere and Laforgue, to the technical brilliance of Valery, who died as recently as 1945. For those who wish an overall view of the movement, this is a generous sampling.

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This beautifully illustrated guide to the ancient civilization of Mesopotamia, the region between the Tigris and Euphrates rivers, is the perfect companion for travelers and armchair travelers alike. It provides a concise survey of three ancient cultures that have often been misunderstood, both because of Biblical and neoclassical traditions, and because of twentieth- and twenty-first-century events. Lavishly illustrated in full color on every page, the book is arranged topically to cover the broad areas of life, such as people, politics, religion, the world of the dead, and important places and monuments. The text emphasizes the archaeological and literary evidence pertaining to Mesopotamia during the period before the arrival of Alexander the Great, beginning with the written sources, including the list of Sumerian kings and the epic of Gilgamesh, and continuing with the major personages, such as the Akkadian monarchy from Sargon through Nabonedo. The book also brings together the principal Mesopotamian works of art that have been dispersed in museums worldwide - notably the materials from the Baghdad Museum that were damaged or lost in the present war. Packed with information, images, maps, diagrams, and reconstructions, "Mesopotamia" is the perfect companion to an important ancient civilization.

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Art museums have emerged in recent decades as the most vibrant and popular of all cultural institutions. Though art museums have never been more popular, their direction and values are now being contested as never before - both in the media and in the art world itself. This engaging thematic history of the art museum from its inception in the eighteenth century to the present offers an essential framework for understanding contemporary debates as they have evolved in Europe and the United States. From the visionary museums of Boullee in the eighteenth century to the new Guggenheim in Bilbao and beyond, it explores key aspects of museum theory and practice: ideals and mission; architecture; collecting, classification, and display; the public; commercialism; and restitution and repatriation. The only single volume to give a comprehensive account of the issues critical to museums, the book also highlights the challenges they will face in the future.

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Andre Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinema, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protege of Francois Truffaut, who honors him touchingly in his forword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not."

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In 1984 Sebastiao Salgado began what would be a fifteen-month project of photographing the drought-stricken Sahel region of Africa in the countries of Chad, Ethiopia, Mali, and Sudan, where approximately one million people died from extreme malnutrition and related causes. Working with the humanitarian organization Doctors Without Borders, Salgado documented the enormous suffering and the great dignity of the refugees. This early work became a template for his future photographic projects about other afflicted people around the world. Since then, Salgado has again and again sought to give visual voice to those millions of human beings who, because of military conflict, poverty, famine, overpopulation, pestilence, environmental degradation, and other forms of catastrophe, teeter on the edge of survival. Beautifully produced, with thoughtful supporting narratives by Orville Schell, Fred Ritchin, and Eduardo Galeano, this first U.S. edition brings some of Salgado's earliest and most important work to an American audience for the first time. Twenty years after the photographs were taken, "Sahel: The End of the Road" is still painfully relevant. Born in Brazil in 1944, Sebastiao Salgado studied economics in Sao Paulo and Paris and worked in Brazil and England. While traveling as an economist to Africa, he began photographing the people he encountered. Working entirely in a black-and-white format, Salgado highlights the larger meaning of what is happening to his subjects with an imagery that testifies to the fundamental dignity of all humanity while simultaneously protesting its violation by war, poverty, and other injustices. 'The planet remains divided,' Salgado explains. 'The first world in a crisis of excess, the third world in a crisis of need.' This disparity between the haves and the have-nots is the subtext of almost all of Salgado's work.

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Islands have always been fascinating places, their separateness evoking a sense of mystery and inspiring a yearning for exploration. California's islands are unique evolutionary laboratories, places where plants and animals have grown and interacted in isolation for millions of years. This comprehensive book discusses both the human and the natural history of the islands of California, including all eight Channel Islands, Ano Nuevo, the Farallons, and the islands of San Francisco Bay. It is also useful as a field guide for visitors, and details on reaching the islands are contained in the first chapter. The authors explore the formation of the islands; discuss the history of human habitation, beginning with the Native Americans who first visited the islands 12,000 years ago; and provide a thorough introduction to the marine and terrestrial biotas of the islands. The authors also discuss past damage and ongoing threats to island ecosystems, including devastation caused by the introduction of non-native animals and plants. Large herbivorous animals in particular have caused considerable damage, since island plants evolved in the absence of herbivores and therefore have no defenses against them. At present all of California's islands are managed by conservancies and public agencies such as the National Park Service and State Park system, and various environmental organizations are working with them to return the islands to their original condition.

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In this landmark exploration of the origins of nationalism and cultural identity in China, Pamela Kyle Crossley traces the ways in which a large, early modern empire of Eurasia, the Qing (1636-1912), incorporated neighboring, but disparate, political traditions into a new style of emperorship. Drawing on a wide variety of primary sources, including Manchu, Korean, and Chinese archival materials, Crossley argues that distortions introduced in seventeenth- and eighteenth-century historical records have blinded scholars to the actual course of events in the early years of the dynasty. This groundbreaking study examines the relationship between the increasingly abstract ideology of the centralizing emperorship of the Qing and the establishment of concepts of identity in the seventeenth and eighteenth centuries, before the advent of nationalism in China. Concluding with a broad-ranging postscript on the implications of her research for studies of nationalism and nation-building throughout modern Chinese history, A Translucent Mirror combines a readable narrative with a sophisticated, revisionary look at China's history. Crossley's book will alter current understandings of the Qing emperorship, the evolution of concepts of ethnicity, and the legacy of Qing rule for modern Chinese nationalism.

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For much of its history, philosophy was not merely a theoretical discipline but a way of life, an 'art of living'. This practical aspect of philosophy has been much less dominant in modernity than it was in ancient Greece and Rome, when philosophers of all stripes kept returning to Socrates as a model for living. The idea of philosophy as an art of living has survived in the works of such major modern authors as Montaigne, Nietzsche, and Foucault. Each of these writers has used philosophical discussion as a means of establishing what a person is and how a worthwhile life is to be lived. In this wide-ranging, brilliantly written account, Alexander Nehamas provides an incisive reevaluation of Socrates' place in the Western philosophical tradition and shows the importance of Socrates for Montaigne, Nietzsche, and Foucault. Why does each of these philosophers - each fundamentally concerned with his own originality - return to Socrates as a model? The answer lies in the irony that characterizes the Socrates we know from the Platonic dialogues. Socratic irony creates a mask that prevents a view of what lies behind. How Socrates led the life he did, what enabled or inspired him, is never made evident. No tenets are proposed. Socrates remains a silent and ambiguous character, forcing readers to come to their own conclusions about the art of life. This, Nehamas shows, is what allowed Montaigne, Nietzsche, and Foucault to return to Socrates as a model without thereby compelling them to imitate him. This highly readable, erudite study argues for the importance of the tradition within Western philosophy that is best described as 'the art of living' and casts Montaigne, Nietzsche, and Foucault as the three major modern representatives of this tradition. Full of original ideas and challenging associations, this work will offer new ways of thinking about the philosophers Nehamas discusses and about the discipline of philosophy itself.

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James Charlton has produced a ringing indictment of disability oppression, which, he says, is rooted in degradation, dependency, and powerlessness and is experienced in some form by five hundred million persons throughout the world who have physical, sensory, cognitive, or developmental disabilities. Nothing About Us Without Us is the first book in the literature on disability to provide a theoretical overview of disability oppression that shows its similarities to, and differences from, racism, sexism, and colonialism. Charlton's analysis is illuminated by interviews he conducted over a ten-year period with disability rights activists throughout the Third World, Europe, and the United States. Charlton finds an antidote for dependency and powerlessness in the resistance to disability oppression that is emerging worldwide. His interviews contain striking stories of self-reliance and empowerment evoking the new consciousness of disability rights activists. As a latecomer among the world's liberation movements, the disability rights movement will gain visibility and momentum from Charlton's elucidation of its history and its political philosophy of self-determination, which is captured in the title of his book. Nothing About Us Without Us expresses the conviction of people with disabilities that they know what is best for them. Charlton's combination of personal involvement and theoretical awareness assures greater understanding of the disability rights movement.

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When these essays first appeared in Artforum in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated-the three issues of Artforum in which they appeared have become nearly impossible to obtain. Having Brian O'Doherty's provocative essays available again is a signal event for the art world. This edition also includes "The Gallery as Gesture," a critically important piece published ten years after the others. O'Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system. These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States. Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (Patrick Ireland) and the precision of the scholar. With an introduction by Thomas McEvilley and a brilliantly cogent afterword by its author, Brian O'Doherty once again leads us on the perilous journey to center to the art world: Inside the White Cube.

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In this first social and cultural history of Japan's construction of Manchuria, Louise Young offers an incisive examination of the nature of Japanese imperialism. Focusing on the domestic impact of Japan's activities in Northeast China between 1931 and 1945, Young considers "metropolitan effects" of empire building: how people at home imagined and experienced the empire they called Manchukuo. Contrary to the conventional assumption that a few army officers and bureaucrats were responsible for Japan's overseas expansion, Young finds that a variety of organizations helped to mobilize popular support for Manchukuo--the mass media, the academy, chambers of commerce, women's organizations, youth groups, and agricultural cooperatives--leading to broad-based support among diverse groups of Japanese. As the empire was being built in China, Young shows, an imagined Manchukuo was emerging at home, constructed of visions of a defensive lifeline, a developing economy, and a settler's paradise.

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For centuries Daoism (Taoism) has played a central role in the development of Chinese thought and civilization, yet to this day only a few of its sacred texts have been translated into English. Now Stephen R. Bokenkamp introduces the reader to ancient scriptures never before published in the West, providing a systematic and easily accessible introduction to early Daoism (c. 2nd-6th C.E.). Representative works from each of the principal Daoist traditions comprise the basic structure of the book, with each chapter accompanied by an introduction that places the material within a historical and cultural context. Included are translations of the earliest Daoist commentary to Laozi's "Daode jing (Tao Te Ching)"; historical documents relating the history of the early Daoist church; a petitioning ritual used to free believers from complaints brought against them by the dead; and, two complete scriptures, one on individual meditation practice and another designed to rescue humanity from the terrors of hell through recitation of its powerful charms. In addition, Bokenkamp elucidates the connections Daoism holds with other schools of thought, particularly Confucianism and Buddhism. This book provides a much-needed introduction to Daoism for students of religion and is a welcome addition for scholars wishing to explore Daoist sacred literature. It serves as an overview to every aspect of early Daoist tradition and all the seminal practices which have helped shape the religion as it exists today.

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In a work of splendid scholarship that reflects both a firm mastery of difficult sources and a keen intuition, one of Britain's foremost medievalists tells the story of the Christianization of Europe. It is a very large story, for conversion encompassed much more than religious belief. With it came enormous cultural change: Latin literacy and books, Roman notions of law and property, and the concept of town life, as well as new tastes in food, drink, and dress. Whether from faith or by force, from self-interest or by revelation, conversion had an immense impact that is with us even today. It is Richard Fletcher's achievement in this superb work that he makes that impact both felt and understood.

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The oldest written tradition of European music, the art we know as Gregorian chant, is seen from an entirely new perspective in Katherine Bergeron's engaging and literate study. Bergeron traces the history of the Gregorian revival from its Romantic origins in a community of French monks at Solesmes, whose founder hoped to rebuild the moral foundation of French culture on the ruins of the Benedictine order. She draws out the parallels between this longing for a lost liturgy and the post-revolutionary quest for lost monuments that fueled the French Gothic revival, a quest that produced the modern concept of 'restoration'. Bergeron follows the technological development of the Gregorian restoration over a seventy-year period as it passed from the private performances of a monastic choir into the public commodities of printed books, photographs, and Gramophone records. She discusses such issues as architectural restoration, the modern history of typography, the uncanny power of the photographic image, and the authority of recorded sound. She also shows the extent to which different media shaped the modern image of the ancient repertory, an image that gave rise to conflicting notions not only of musical performance but of the very idea of music history.

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As we come to the beginning of a new century, we find that the entire vista of modern poetry has dramatically changed. "Poems for the Millennium" captures the essence of that change, and unlike any anthology available today it reveals the revolutionary concepts at the very heart of contemporary poetry. International in its coverage, these volumes bring together the poets and poetry movements that radically altered the ways that art and language express the human condition. Volume 2 offers a dazzling chronicle of the second 'great awakening' of experimental poetry in the twentieth century. Ranging from the period of World War II through the cold war to the onset of the twenty-first century, this volume presents two 'galleries' of individual poets such as Holan, Olson, Rukeyser, Jabes, Celan, Mac Low, Pasolini, Bachmann, Finlay, Ginsberg, Adonis, Rich, U Tam'si, Baraka, Takahashi, Waldman, and Bei Dao. There are also samplings of local and international movements: the Beats, the Vienna Group, the Cobra poets and artists, the Arabic-language Tammuzi poets, the creators of a new 'Concrete Poetry', the 'postwar poets' of Japan, the Italian Novissimi and Avan-Guardia, the Chinese Misty Poets, and the North American Language Poets. In addition, an extended section is devoted to examples of the 'art of the manifesto' and two smaller groupings of traditional 'oral poets' and of experimenters with machine art and cyberpoetics. Poet-editors Jerome Rothenberg and Pierre Joris provide informative and irreverent commentaries throughout. They challenge old truths and propose alternative directions, in the tradition of the manifestos that have marked the art and poetry of the twentieth century. The result is both an essential resource for experiencing the full range of contemporary poetic possibilities and an arresting statement on the future of poetry in the millennium ahead.

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Achille Mbembe is one of the most brilliant theorists of post colonial studies writing today. In "On the Postcolony" he profoundly renews our understanding of power and subjectivity in Africa. In a series of provocative essays, Mbembe contests diehard Africanist and nativist perspectives as well as some of the key assumptions of post colonial theory. This thought-provoking and groundbreaking collection of essays - his first book to be published in English - develops and extends debates first ignited by his well-known 1992 article 'Provisional Notes on the Postcolony', in which he developed his notion of the 'banality of power' in contemporary Africa. Mbembe reinterprets the meanings of death, utopia, and the divine libido as part of the new theoretical perspectives he offers on the constitution of power. He works with the complex registers of bodily subjectivity - violence, wonder, and laughter - to profoundly contest categories of oppression and resistance, autonomy and subjection, and state and civil society that marked the social theory of the late twentieth century. This provocative book will surely attract attention with its signal contribution to the rich interdisciplinary arena of scholarship on colonial and post colonial discourse, history, anthropology, philosophy, political science, psychoanalysis, and literary criticism.

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In this innovative analysis of medicine and disease in colonial India, David Arnold explores the vital role of the state in medical and public health activities, arguing that Western medicine became a critical battleground between the colonized and the colonizers. Focusing on three major epidemic diseases - smallpox, cholera, and plague - Arnold analyzes the impact of medical interventionism. He demonstrates that Western medicine as practiced in India was not simply transferred from West to East, but was also fashioned in response to local needs and Indian conditions. By emphasizing this colonial dimension of medicine, Arnold highlights the centrality of the body to political authority in British India and shows how medicine both influenced and articulated the intrinsic contradictions of colonial rule.

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In the summer of 1985, a mostly Hawaiian crew set out aboard Hokule'a, a reconstructed ancient double canoe, to demonstrate what skeptics had steadfastly denied: that their ancestors, sailing in such canoes and navigating solely by reading stars, ocean swells, and other natural signs, could intentionally have sailed across the Pacific, exploring the vast oceanic realm of Polynesia and discovering and settling all its inhabitable islands. Their round-trip odyssey from Hawai'i to Aotearoa (New Zealand), across 12,000 nautical miles, dramatically refuted all theories declaring that--because of their unseaworthy canoes and inaccurate navigational methods--the ancient Polynesians could only have been pushed accidentally to their islands by the vagaries of wind and current. Voyage of Rediscovery is a vivid, immensely readable account of this remarkable journey through the Pacific, including tales of a curiosity attack by sperm whales and the crew's welcome to Aotearoa by Maori tribesmen, who dubbed them their sixth tribe. It describes how Hawaiian navigator Nainoa Thompson guided the canoe over thousands of miles of open ocean without compass, sextant, charts, or any other navigational aids. In so doing, it documents the experimental voyaging approach, developed by Ben Finney, which has both transformed our ideas about Polynesian migration and voyaging and been embraced by present-day Polynesians as a way to experience and celebrate their rich ancestral heritage as premier seafarers. By sailing in the wake of their ancestors, the Hawaiians and other Polynesians who captained, navigated, and crewed Hokule'a made the journey described here a cultural as well as a scientific odyssey of exploration.

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This wide-ranging examination of Arab society and culture offers a unique opportunity to know the Arab world from an Arab point of view. Halim Barakat, an expatriate Syrian who is both scholar and novelist, emphasizes the dynamic changes and diverse patterns that have characterized the Middle East since the mid-nineteenth century. The Arab world is not one shaped by Islam, nor one simply explained by reference to the sectarian conflicts of a "mosaic" society. Instead, Barakat reveals a society that is highly complex, with many and various contending polarities. It is a society in a state of becoming and change, one whose social contradictions are at the root of the struggle to transcend dehumanizing conditions. Arguing from a perspective that is both radical and critical, Barakat is committed to the improvement of human conditions in the Arab world.

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This autobiography of mathematician Stanislaw Ulam, one of the great scientific minds of the twentieth century, tells a story rich with amazingly prophetic speculations and peppered with lively anecdotes. As a member of the Los Alamos National Laboratory from 1944 on, Ulam helped to precipitate some of the most dramatic changes of the postwar world. He was among the first to use and advocate computers for scientific research, originated ideas for the nuclear propulsion of space vehicles, and made fundamental contributions to many of today's most challenging mathematical projects. With his wide-ranging interests, Ulam never emphasized the importance of his contributions to the research that resulted in the hydrogen bomb. Now Daniel Hirsch and William Mathews reveal the true story of Ulam's pivotal role in the making of the 'Super,' in their historical introduction to this behind-the-scenes look at the minds and ideas that ushered in the nuclear age. It includes an epilogue by Francoise Ulam and Jan Mycielski that sheds new light on Ulam's character and mathematical originality.

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"Rethinking Popular Culture" selects some of the best and most important recent work analyzing popular culture. Drawing upon recent developments in cultural theory and the exciting new techniques of critical analysis, the essays in this volume break down disciplinary boundaries in a fresh and innovative fashion. Eclectic and wide-ranging, "Rethinking Popular Culture" includes works by authors in the humanities and social sciences. The essays touch on a variety of features of popular culture, from photography to fashion, romance novels to television, jokes to food habits. The editors' comprehensive introduction sets each essay in the context of intellectual developments in history, sociology, literature, and anthropology and in the study of popular culture as a whole. Arguing that recent scholarship has revolutionized our understanding of popular culture, the editors articulate what that new perspective is while introducing some of the most influential and important work that gave rise to it.

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Three substantial new chapters and a new preface in this third edition explore and elaborate the relationship between the evaluation of programs and the study of their implementation. The authors suggest that tendencies to assimilate the two should be resisted. Evaluation should retain its enlightenment function while the study of implementation should strengthen its focus on learning.

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This study is a philosophical critique of the foundations of Sigmund Freud's psychoanalysis. As such, it also takes cognizance of his claim that psychoanalysis has the credentials of a natural science. It shows that the reasoning on which Freud rested the major hypotheses of his edifice was fundamentally flawed, even if the probity of the clinical observations he adduced were not in question. Moreover, far from deserving to be taken at face value, clinical data from the psychoanalytic treatment setting are themselves epistemically quite suspect.

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"The author has managed to combine successfully the professional approach of an anthropologist with that of a novelist to the description of an Indian village community...Srinivas has made a virtue out of the misfortune of losing all his field notes: The Remembered Village is a piece of art which is bound to become a classic of Indian ethnography." (T. Scarlett Epstein, Times Higher Education Supplement). "The real virtue of this most recent contribution by Dr. Srinivas is the consistently human, humane, and humanistic tone oft he observations and of the narration; the simple, straightforward style in which it is written; and the richness of anecdotal materials...He writes modestly as a wise and knowledgeable man. He restores faith in the best tradition of ethnography. Without being popular, in the pejorative sense, it is a book any uninitiated reader can read with pleasure and enlightenment." (Cora Du Bois, Asian Student). "Few accounts of village life give one the sense of coming to know, of vicariously sharing in, the lives of real villagers that this book conveys...The work is holistic in the best anthropological manner; the principal aspects of Rampura life are lucidly sketched and the interrelations among them are cogently considered. ..our collective knowledge and its practical relevance become enhanced." (David G. Mandelbaum, Economic and Political Weekly). "[Srinivas] has described and analyzed life in Rampura in the late 1940s with charm and insight. His book is enjoyable as well as illuminating...In addition to the rich detail of village life and of a number of individual villagers, Srinivas gives us valuable insights into the nature of ethnographic research. He relates how he came to study this particular village. He tells us how he got established in the village, and describes vividly his living quarters...He describes, at various places throughout the book, his reactions to the villagers and his perceptions of their reactions to him. He freely admits his own negative reactions to certain things and certain behavior. He discusses the factors that could and did bias his research...illuminate[s] both the problems and the rewards of the ethnographer...must reading." (Robert H. Lauer, Sociology: Reviews of New Books).

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"Substantially the book that devotees of the director have been waiting for: a full-length critical work about Ozu's life, career and working methods, buttressed with reproductions of pages from his notebooks and shooting scripts, numerous quotes from co-workers and Japanese critics, a great many stills and an unusually detailed filmography." (Sight and Sound). Yasujiro Ozu, the man whom his kinsmen consider the most Japanese for all film directors, had but one major subject, the Japanese family, and but one major theme, its dissolution. The Japanese family in dissolution figures in every one of his fifty-three films. In his later pictures, the whole world exists in one family, the characters are family members rather than members of a society, and the ends of the earth seem no more distant than the outside of the house.

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Create, Produce, Consume explores the cycle of musical experience for musicians, professionals, and budding entrepreneurs looking to break into the music industry. Building on the concepts of his previous book, Making Money, Making Music, David Bruenger provides readers with a basic framework for understanding the relationships between the artist and audience and the producer consumer by examining the methods underlying creation-production-reception and creation-consumption-compensation. Each chapter offers a different perspective on the processes and structures that lead listeners to discover, experience, and interact with music and musical artists. Through case studies ranging from Taylor Swift’s refusal to allow her music to be streamed on Spotify to the rise of artists supported through sites like Patreon, Bruenger offers highly relevant real-world examples of industry practices that shape our encounters with music. Create, Produce, Consume is a critical tool for giving readers the agile knowledge necessary to adapt to a rapidly changing music industry. Graphs, tables, lists for additional reading, and questions for further discussion illustrate key concepts. Online resources for instructors and students will include sample syllabi, lists for expanded reading, and more.

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Lives in Transit chronicles the dangerous journeys of Central American migrants in transit through Mexico. Drawing on fieldwork in humanitarian aid shelters and other key sites, Wendy A. Vogt examines the multiple forms of violence that migrants experience as their bodies, labor, and lives become implicated in global and local economies that profit from their mobility as racialized and gendered others. She also reveals new forms of intimacy, solidarity, and activism that have emerged along transit routes over the past decade. Through the stories of migrants, shelter workers, and local residents, Vogt encourages us to reimagine transit as a site of both violence and precarity as well as social struggle and resistance.

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A profound portrait of the hidden injustices that trap fathers in a cycle of punishment and debt. In the first study of its kind, sociologist Lynne Haney travels into state institutions across the country to document the experiences of the millions of fathers cycling through the criminal justice and child support systems. Prisons of Debt shows how these systems work together to create complex entanglements—rather than "piling up" in men's lives, these entanglements form feedback loops of disadvantage. The prison–child support pipeline flows in both directions, deepening parents' debt and criminal justice involvement. Through moving accounts of men struggling to be fathers from behind prison walls and under the weight of support debt, Prisons of Debt exposes how the criminalization of child support undermines the most essential of familial relationships. Haney argues that these state systems can end up producing exactly the kind of parent they fear and loathe: bitter, unreliable, and cyclical fathers. Based on observations of 1,200 child support cases and interviews with 145 indebted fathers in New York, California, and Florida, Prisons of Debt reveals the actual practices of child support adjudication and enforcement alongside the lived realities of fathers trapped in those systems. The result is a rigorously documented analysis of how poor men are too often denied their rights of citizenship and of fatherhood.

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Since late 2001 more than fifty percent of the babies born in California have been Latino. When these babies reach adulthood, they will, by sheer force of numbers, influence the course of the Golden State. This essential study, based on decades of data, paints a vivid and energetic portrait of Latino society in California by providing a wealth of details about work ethic, family strengths, business establishments, and the surprisingly robust health profile that yields an average life expectancy for Latinos five years longer than that of the general population. Spanning one hundred years, this complex, fascinating analysis suggests that the future of Latinos in California will be neither complete assimilation nor unyielding separatism. Instead, the development of a distinctive regional identity will be based on Latino definitions of what it means to be American. This updated edition now provides trend lines through the 2010 Census as well as information on the 1849 California Constitutional Convention and the ethnogenesis of how Latinos created the society of "Latinos de Estados Unidos" (Latinos in the US). In addition, two new chapters focus on Latino Post-Millennials-the first focusing on what it's like to grow up in a digital world; and the second describing the contestation of Latinos at a national level and the dynamics that transnational relationships have on Latino Post-Millennials in Mexico and Central America.

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Paul Klee experienced his 1914 trip to Tunisia as a major breakthrough for his art: Color and I are one," he famously wrote. I am a painter." Kandinsky and Klee in Tunisia sets the scene for Klee's breakthrough with a close study of the parallel voyage undertaken in 1904 5 by Wassily Kandinsky and Gabriele Munter, who would later become Klee's friends. This artist couple, then at an early stage in their celebrated careers, produced a rich body of painting and photography known only to specialists. Paul Klee's 1914 trip with August Macke and Louis Moilliet, in contrast, is a vaunted convergence of cubism and the exotic. Roger Benjamin refigures these two seminal voyages in terms of colonial culture and politics, the fabric of ancient Tunisian cities, visual ethnography, and the tourist photograph. The book looks closely at the cities of Tunis, Sousse, Hammamet, and Kairouan to flesh out a profound confrontation between European high modernism and the wealth of Islamic lifeways and architecture. Kandinsky and Klee in Tunisia offers a new understanding of how the European avant-garde was formed in dialogue with cultural difference.

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A foundation of Chinese life sciences and medicine, "The Huang Di Nei Jing Su Wen" is now available for the first time in a complete, fully annotated English translation. Also known as "Su Wen," or "The Yellow Emperor's Inner Classic," this influential work came into being over a long period reaching from the 2nd century bce to the 8th century ce. Combining the views of different schools, it relies exclusively on natural law as conceptualized in "yin/yang" and Five Agents doctrines to define health and disease, and repeatedly emphasizes personal responsibility for the length and quality of one's life. This two-volume edition includes excerpts from all the major commentaries on "The Su Wen," and extensive annotation drawn from hundreds of monographs and articles by Chinese and Japanese authors produced over the past 1600 years and into the twentieth century.

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Family and Frontier in Colonial Brazil was originally published by the University of California Press in 1992. Alida Metcalf has written a new preface for this first paperback edition.

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SPECIAL COMMENDATION in Africa's 100 Best Books of the Twentieth Century. The series is illustrated throughout with maps and black and white photographs. A history of Africa from the 16th to the 18th centuries, this study concentrates on the continuing evolution of African states and cultures, the increase in external trade, and the consequences of the slave trade. The seriesis co-published in Africa with seven publishers, in the United States and Canada by the University of California Press, and in association with the UNESCO Press.

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SPECIAL COMMENDATION in Africa's 100 Best Books of the Twentieth Century. The series is illustrated throughout with maps and black and white photographs. Africa has moved from international conflict under foreign domination to struggles for political sovereignty and economic independence. Looking at the changes in Africa's fortunes since 1935, this volume examines the challenges ofnation-building and socio-cultural changes affecting the continent. The series is co-published in Africa with seven publishers, in the United States and Canada by the University of California Press, and in association with the UNESCO Press.

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Duo Duo is the same generation as Bei Dao, and was likewise heavily involved in restarting the anthology of Chinese literature, “Today.” Duo Duo is the proverbial “poets’ poet,” and a major collection of his work has not previously appeared due to the complexity of his verse. This book was originally accepted by the University of California Press, but the editor who accepted the MS departed, and Eliot Weinberger helped me to extricate it from their vaults. ND had originally hoped to do a book of Duo Duo’s, but after Laughlin’s death, less enthusiasm existed for new Chinese literature in the ND line.

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Demonstrates the reciprocal influences between Christianity and politics throughout South African history. Almost three-quarters of South Africans in the late-1990s call themselves Christians. From colonial times, when missionaries embroiled themselves in frontier conflicts, until recently, when both defenders and opponents of apartheid draw heavily upon Christian doctrine and ritual, Christian impulses have shaped South Africa. North America: University of California Press; South Africa: David Philip/New Africa Books

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With a mix of political commentary and lyricism in a range of forms, Touche evokes an adrenaline rush as the reader is swept up into Rod Smith's unique blend of humor. I am no I I slight I've taught myself to unwrite & then wreathed, saturate, blank the severed glinting worlds rebelieve or they all access overall not-so, a not-so lucid, a lucid one, the squirrels that I live there ^.^ ~ alright then, alright mr squirrel there, yep. Rod Smith edits the journal Aerial, publishes Edge Books, and manages Bridge Street Books in Washington, DC. Smith co-edited The Selected Letters of Robert Creeley, (University of California Press, 2014).

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Galileo’s Dialogue Concerning the Two Chief World Systems, published in Florence in 1632, was the most proximate cause of his being brought to trial before the Inquisition. Using the dialogue form, a genre common in classical philosophical works, Galileo masterfully demonstrates the truth of the Copernican system over the Ptolemaic one, proving, for the first time, that the earth revolves around the sun. Its influence is incalculable. The Dialogue is not only one of the most important scientific treatises ever written, but a work of supreme clarity and accessibility, remaining as readable now as when it was first published. This edition uses the definitive text established by the University of California Press, in Stillman Drake’s translation, and includes a Foreword by Albert Einstein and a new Introduction by J. L. Heilbron.

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SPECIAL COMMENDATION in Africa's 100 Best Books of the Twentieth Century. The series is illustrated throughout with maps and black and white photographs. Covers the major forces at work in African society at the beginning of the 19th century until the onset of the European scramble for colonial territory in the 1880s. This study also looks at Africa's changing role in the world economy, and the effects of the abolition of the slave trade. The series is co-published in Africa with seven publishers, in the United States and Canada by the University of California Press, and in association with the UNESCOPress.

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SPECIAL COMMENDATION in Africa's 100 Best Books of the Twentieth Century. The series is illustrated throughout with maps and black and white photographs. Assesses the importance attached by African societies to their past and the growth and development of African historiography. This is followed by accounts of the primary literary sources, the oral and living traditions and Africanarchaeology and its techniques. There are further chapters on linguistics, migrations and historical geography before the second part of the book which deals specifically with earliest man and the prehistory of Africa according to geographical area. Specific chapters are also devoted to prehistoric art, agricultural techniques and the development of metallurgy. The series is co-published in Africa with seven publishers, in the United States and Canada by the University of California Press, and in association with the UNESCO Press.

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SPECIAL COMMENDATION in Africa's 100 Best Books of the Twentieth Century. The series is illustrated throughout with maps and black and white photographs. The twelfth to the sixteenth centuries constitute a crucial phase in the continent's history, and a period in which written records became more common. The period covered by this volume has several major themes: the triumph of Islam; the extension of trading relations; cultural exchanges and human contacts; and the development of kingdoms and empires. The series is co-published in Africa with seven publishers, in the United States and Canada by the University of California Press, and in association with the UNESCO Press.

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