Search results for ""author laurence"

'Outstanding ... This book is a must-read for scholars and activists interested in the impact of grassroots knowledge-making on individuals, institutions and society' Rebecca Tarlau, author of Occupying Schools, Occupying Land 'In social movements, people [learn how to] re-imagine their worlds. This powerful and inspiring book shows that movement education is not a luxury but a central part of effective struggle' Laurence Cox, author of Why Social Movements Matter Laboratories of Learning proves, through exploring inspiring social movements around the world, that the education and knowledge-making happening inside these movements is crucial for the future of social justice for all. It asks three simple but profound questions: How do movements learn and make knowledge? What kinds of knowledge do movements make? And what is its effect on individual activists, movements and even whole societies? Written in collaboration with leading activists from different movements in Turkey, Colombia, Nepal and South Africa, each case shows that these activists in the Global South can offer exciting insights into the myriad of ways that movements learn and produce knowledge as they struggle for a better world. Designed to inspire and innovate, Laboratories of Learning is an opportunity for activists to learn new, ground-breaking ideas, born out of moments working at the intersection of theory and practice, pushing the boundaries of new thinking and the limits of the possible.

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First published in 1970. This collection of essays covers the work of Milton, Dryden, Sir John Vanburgh, Defoe, Mandeville, Joseph Addison, Laurence Sterne, Byron, Hazlitt, Walter Savage Landor, Robert Smith Surtees, Thackeray and Maria Louise (de la) Ramee better known as Ouida.

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Churchward's 2 cylinder Saint Class 4-6-0s were arguably one of the most important locomotive developments of the twentieth century. The seventy-seven members of the class were so successful that most of the other railway companies in this country used the same 2 cylinder 4-6-0 formula in the design of their own mixed traffic locomotives. Over the years the Saints saw a number of modifications, with many of the class passing into BR ownership. The last member of the class, no. 2920 Saint Martin, was withdrawn from service in 1953 and was sadly not preserved. However, the Great Western Society are now constructing a replica Saint at Didcot Railway Centre. Numbered 2999 it will be named Lady of Legend. In this book author Laurence Waters charts the remarkable history of the class from the construction of the prototype Saint at Swindon in 1902, right through to the final withdrawals in 1953. Using many previously unpublished black and white photographs, accompanied by informative captions, each member of the class is illustrated.This book should appeal to those interested in the history of Great Western Locomotive development as well as modellers of the Great Western and Western Region.

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In this volume a distinguished group of international scholars draws from history, folklore, political anthropology, historiography, and cultural criticism to reexamine critical issues surrounding the birth of Israel. The authors explore such issues as the transition form yishuv to state, early state policy toward the Arab minority, the origins of the Palestinian refugee problem, the conflict over myths and symbols in the early state, early attitude toward Holocaust victims and survivors, Arab historiography of the 1948 war, Israel-Diaspora relations, and the shaping of Israeli foreign policy. The contributors to the book include: Myron J. Aronoff (Rutgers University), Uri Bialer (Hebrew University of Jerusalem), Neil Caplan (Vanier College, Montreal), Benny Morris(Hebrew Univeristy of Jerusalem), Don Peretz (State University of New York, Binghamton), Dina Porat (Tel Aviv University), Jehuda Reinharz (Brandeis University), Elie Rekhess (Tel Aviv University), Avraham Sela(Hebrew University of Jerusalem), Anton Shammas(University of Michigan), Laurence J. Silberstein (Lehigh University), Kennethy STein (Emory University), Yael Zerubavel(University of Pennsylvania), and Ronald W. Zweig (Tel Aviv University).

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This is a new collection of some of David Hare's finest work, including Skylight (Winner of the Laurence Olivier Award for Best New Play, 1996), Amy's View, The Judas Kiss and My Zinc Bed.

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A Regency-era romantic comedy with a deliciously feminist and queer twist, from the New York Times bestselling author of Gwen & Art Are Not in Love.There''s a new governess at Fairmont House, and she''s going to be nothing but trouble.Emily Laurence is a liar. She is not polite, she''s not polished, and she has never taught a child in her life. This position was meant to be her sister''sbrilliant, kind Amy, who isn''t perpetually angry, dangerously reckless, and who does (inexplicably) like children.But Amy is unwell and needs a doctor, and their father is gone and their mother is useless, so here Emily is, pretending to be something she''s not.If she can get away with her deception for long enough to earn a few month''s wages and slip some expensive trinkets into her pockets along the way, perhaps they''ll be all right.That is, as long as she doesn''t get involved with the Edwards family''s dramas. Emily refuses to

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Since 1974, German filmmaker Ulrike Ottinger has created a substantial body of films that explore a world of difference defined by the tension and transfer between settled and nomadic ways of life. In many of her films, including Exile Shanghai, an experimental documentary about the Jews of Shanghai, and Joan of Arc of Mongolia, in which passengers on the Trans-Siberian Express are abducted by Mongolian bandits, she also probes the encounter with the other, whether exotic or simply unpredictable. In Ulrike Ottinger Laurence A. Rickels offers a series of sensitive and original analyses of Ottinger’s films, as well as her more recent photographic artworks, situated within a dazzling thought experiment centered on the history of art cinema through the turn of the twenty-first century. In addition to commemorating the death of a once-vital art form, this book also affirms Ottinger’s defiantly optimistic turn toward the documentary film as a means of mediating present clashes between tradition and modernity, between the local and the global. Widely regarded as a singular and provocative talent, Ottinger’s conspicuous absence from critical discourse is, for Rickels, symptomatic of the art cinema’s demise. Incorporating interviews he conducted with Ottinger and illustrated with stunning examples from her photographic oeuvre, this book takes up the challenges posed by Ottinger’s filmography to interrogate, ultimately, the very practice-and possibility-of art cinema today. Laurence A. Rickels is professor of German and comparative literature at the University of California, Santa Barbara, and the author of several books, including The Case of California, The Vampire Lectures, and the three-volume Nazi Psychoanalysis (all published by Minnesota). He is a recognized art writer whose reflections on contemporary visual art appear regularly in numerous exhibition catalogues as well as in Artforum, artUS, and Flash Art.

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The study of and interest in adolescence in the field of psychology and related fields continues to grow, necessitating an expanded revision of this seminal work. This multidisciplinary handbook, edited by the premier scholars in the field, Richard Lerner and Laurence Steinberg, and with contributions from the leading researchers, reflects the latest empirical work and growth in the field.

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Chief Daniel Bread (1800-1873) played a key role in establishing the Oneida Indians' presence in Wisconsin after their removal from New York, yet no monument commemorates his deeds as the community's founder. Laurence M. Hauptman and L. Gordon McLester, III, redress that historical oversight, connecting Bread's life story with the nineteenth-century history of the Oneida Nation.Bread was often criticized for his support of acculturation and missionary schools as well as for his working relationship with Indian agents; however, when the Federal-Menominee treaties slashed Oneida lands, he fought back, taking his people's cause to Washington and confronting President Andrew Jackson. The authors challenge the long-held views about Eleazer Williams's leadership of the Oneidas and persuasively show that Bread's was the voice vigorously defending tribal interests.

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"More than fifty years ago, Laurence Perrine pioneered an engaging approach to teaching literature ... Since then, millions of students have used Perrine's introductions to plot, character, theme, and other elements of fiction, gaining an understanding of fiction and developing essential skills in critical reading, analysis, and writing"--P. [4] of cover.

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Did you know that octopuses can eject ink in the shape of a ghostly octopus or detach a wiggling arm while jetting away to safety? Or that their skin can change color for camouflage? Octopuses are the subject of this latest installment of the successful Strange and Wonderful series. Covering the entire life cycle of these mysterious ocean dwellers and their anatomical details and behavioral quirks, Laurence Pringle's investigation of octopuses is both a comprehensive and accessible introduction and resource.

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'L-d! said my mother, what is all this story about? - A COCK and a BULL, said Yorick - And one of the best of its kind, I ever heard'Laurence Sterne's great masterpiece of bawdy humour and rich satire defies any attempt to categorize it, with a rich metafictional narrative that might classify it as the first 'postmodern' novel. Part novel, part digression, its gloriously disordered narrative interweaves the birth and life of the unfortunate 'hero' Tristram Shandy, the eccentric philosophy of his father Walter, the amours and military obsessions of Uncle Toby, and a host of other characters, including Dr Slop, Corporal Trim and the parson Yorick. A joyful celebration of the endless possibilities of the art of fiction, Tristram Shandy is also a wry demonstration of its limitations.The text and notes of this volume are based on the acclaimed Florida Edition, with a critical introduction by Melvyn New and Christopher Ricks's introductory essay from the first Penguin Classics edition.'The book that I would never tire of ... Sterne was about 250 years ahead of his time'Roy Porter, author of Enlightenment: Britain And The Creation Of The Modern World

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This title features contributions from James Alexander, Michael Beenstock, Philip Booth, Eamonn Butler, Tim Congdon, Laurence Copeland, Kevin Dowd, John Greenwood, Samuel Gregg, John Kay, David Llewellyn, Alan Morrison, D. R Myddelton, Anna Schwartz and Geoffrey Wood. This book challenges the myth that the recent banking crisis was caused by insufficient statutory regulation of financial markets. Though it finds that statutory regulation failed, and that market participants took more risks than they should have done, it appears that statutory regulation made matters worse rather than better. Furthermore the fifteen experts who have contributed to this study find that government policy failed in other respects too. As with the boom and bust that led to the Great Depression, loose monetary policy on both sides of the Atlantic helped to promote an asset price bubble and credit boom which, at some stage, was bound to have serious consequences. Rejecting the failed approach of discretionary detailed regulation of the financial system, the authors instead propose specific and incisive regulatory tools that are designed to target, in a non-intrusive way, particular weaknesses in a banking system that is backed by deposit insurance. This study, by some of the most eminent authors in the field, is essential reading for all those who are interested in the policy implications of recent events in financial markets.

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Work on both the satire and the fiction of the English eighteenth century has tended to focus on the transition from a patrician culture to a culture dominated by the logic of the market. This book shifts the focus from the struggle between aristocratic and bourgeois values to another set of important, yet usually unremarked, class relations: those between the gentle classes and the poor. The author reads four eighteenth-century satiric novels—Henry Fielding's Joseph Andrews, Laurence Sterne's A Sentimental Journey, Tobias Smollett's Humphrey Clinker, and Frances Burney's Cecilia—"from below," exploring the ways in which the gentle authors' experiences of the poor shape the novels both thematically and formally. The author argues that in these novels the mental structures of gentlemen and gentlewomen characters are formed through acts of imitation of and identification with the poor. The four novels all concern, in varying degrees of explicitness, the ways the poor were despised and denied politically and socially: the curtailing of popular festivity, the shift from a paternalist to a contractual model of service, the social dislocations caused by enclosure, and the commodification of labor. In the novels' representations of gentle consciousness, the author suggests, the gentry mimic and identify with the socially marginal, their imaginary repertoires formed out of such identification. Claiming that affect is formed in the interrelation of social groups as they react to economic change, this book centers on the conjunction of economic change, novelistic technique, and the constitution of affects. Further, it suggests that satire—which, during this period, was falling into disrepute under the pressure of contemporary attempts to redefine comedy—may be regarded as a generic form that arrests affect, refusing to idealize or cover over the devastating social effects of economic "progress," but at the same time unable to see and say what has been lost. The satiric element in these novels is the moment where anxiety about the gentry's relation to the poor—and hence the gentry's very self-definition—is most richly performed and ritualized.

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Texas is unique, not only because it is the only state to enter the Union by way of a treaty, but because a clause in that treaty gives Texas the right, in perpetuity, to divide into as many as five separate states. These "Five States of Texas" reflect the remarkable geographic variety of this vast landscape. From the plains and mountains, beaches and deserts, forests and rugged canyons, Laurence Parent captures the beauty of the Texas landscapes, places, and people that are as diverse as its many-faceted culture.

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An anthology of plays from the Crooked Mirror, the leading Russian cabaret of the Silver Age “Don’t blame the mirror if your mug is crooked!” Parody dominated early twentieth-century Russian cabaret, but the Crooked Mirror extended its lampooning to theatrical practice itself. Eclectic in its targets, the Saint Petersburg theater mocked not only naturalism but also symbolism, futurism, and “Meyerholditis.” Its shows parodied both the stale conventions of melodrama and opera and the stylized trends in staging, wielding satire to provoke artistic and social reform. Though the theater was liquidated in 1931, many of its innovations would become standard techniques in cabaret repertoires and improv revues. As a cultural phenomenon of the Silver Age, the Crooked Mirror deserves critical attention, yet it has received only fleeting mention in histories of Russian theater and biographies of its major figures. This anthology fills a critical gap in our understanding of that heady era by bringing together key plays—most appearing in English here for the first time—together with short biographies of their authors and robust commentary and annotations. Laurence Senelick guides readers through the artistic and ideological evolution of the Crooked Mirror and provides performers with the material to bring its innovations back to the stage.

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Rigorously inventive and revelatory in its adventurousness, 1650–1850 opens a forum for the discussion, investigation, and analysis of the full range of long-eighteenth-century writing, thinking, and artistry. Combining fresh considerations of prominent authors and artists with searches for overlooked or offbeat elements of the Enlightenment legacy, 1650–1850 delivers a comprehensive but richly detailed rendering of the first days, the first principles, and the first efforts of modern culture. Its pages open to the works of all nations and language traditions, providing a truly global picture of a period that routinely shattered boundaries. Volume 28 of this long-running journal is no exception to this tradition of focused inclusivity. Readers will experience two blockbuster multi-author special features that explore both the deep traditions and the new frontiers of early modern studies: one that views adaptation and digitization through the lens of “Sterneana,” the vast literary and cultural legacy following on the writings of Laurence Sterne, a legacy that sweeps from Hungarian renditions of the puckish novelist through the Bloomsbury circle and on into cybernetics, and one that pays tribute to legendary scholar Irwin Primer by probing the always popular but also always challenging writings of that enigmatic poet-philosopher, Bernard Mandeville. All that, plus the usual cavalcade of full-length book reviews. ISSN: 1065-3112 Published by Bucknell University Press, distributed worldwide by Rutgers University Press.

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Elliot Kruszynski is a London-based illustrator who has worked with clients including the New York Times, Air BnB, Camden Brewery and Deliveroo. He illustrated and designed Bleep Bloop and Spot the Bot (Laurence King, 2019).

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The Penguin English Library Edition of Tristram Shandy by Laurence Sterne'I am got, I know not how, into a cold unmetaphorical vein of infamous writing, and cannot take a plumb-lift out of it for my soul; so must be obliged to go on writing like a Dutch commentator to the end of the chapter, unless something be done ...'Laurence Sterne's great masterpiece of bawdy humour and rich satire defies any attempt to categorize it. Part novel, part digression, its gloriously disordered narrative interweaves the birth and life of the unfortunate 'hero' Tristram Shandy, the eccentric philosophy of his father Walter, the amours and military obsessions of Uncle Toby, and a host of other characters, including Dr Slop, Corporal Trim and the parson Yorick. A joyful celebration of the endless possibilities of the art of fiction, Tristram Shandy is also a wry demonstration of its limitations.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

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Michael Laurence delivers The Elimination Threat, the next installment in a series described as Jack Reacher falling into a plot written by Dan Brown. James Rollins, #1 New York Times bestselling author of Crucible For centuries, a mysterious syndicate known as the Thirteen has staged a silent coup, infiltrating governments and manipulating the course of world events. It's more powerful than any nation, deadlier than any army, and only FBI Special Agent James Mason and his longtime friends stand in its way. After narrowly preventing the release of a toxic chemical weapon, they find themselves pitted against their most terrifying adversary yet: a mass murderer with a twisted signature and a true believer in the cause of the Thirteen known only as the Dragon.With the fate of the nation's capital hanging in the balance and the threat of nuclear destruction on the horizon, Mason's team must unravel a conspiracy involving a greedy inv

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"It's ill-becoming for an old broad to sing about how bad she wants it. But occasionally we do." -Lena Horne"I take a simple view of living. It is: Keep your eyes open and get on with it." -Laurence Olivier"The only sin is mediocrity." -Martha Graham"When I was young, I found out that the big toe always ends up making a hole in a sock. So I stopped wearing socks." -Albert Einstein"Go out on a limb. That's where the fruit is."-Jimmy CarterFull of surprise, insight, humor, perspective, celebration, inspiration, and a kind of offhand, poignant poetry, Age Doesn't Matter Unless You're a Cheese-title courtesy of Billie Burke-shares hundreds of the best things men and women over sixty have said about how to love, work, laugh, and live. Collected by authors with a perfect ear for quotes, Kathryn and Ross Petras, Age Doesn't Matter brings together Albert Einstein's equation for happiness, Colette on the virtues of astonishment, and Julia Child's secret of longevity: "Red meat and gin."

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Laurence Sterne's great masterpiece of bawdy humour and rich satire defies any attempt to categorize it, with a rich metafictional narrative that might classify it as the first 'postmodern' novel. Part novel, part digression, its gloriously disordered narrative interweaves the birth and life of the unfortunate 'hero' Tristram Shandy, the eccentric philosophy of his father Walter, the amours and military obsessions of Uncle Toby, and a host of other characters, including Dr Slop, Corporal Trim and the parson Yorick.

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This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on Oxford Academic and offered as a free PDF download from OUP and selected open access locations.This is a broad and authoritative study of one of the central topics in the study of the mind: the origins of concepts. The authors survey the debate between rationalists and empiricists which stretches back to the very beginnings of philosophy, and has been at the centre of some of the most exciting research in cognitive science. Many have charged that the debate is riddled with confusion or that rationalist approaches, in particular, are deeply problematic. The Building Blocks of Thought offers a comprehensive rethinking of the foundations of this debate, showing that these negative appraisals are based on misunderstandings. Stephen Laurence and Eric Margolis argue that the debate should be understood to concern the nature of the unlearned psychological traits that provid

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'L-d! said my mother, what is all this story about? - A COCK and a BULL, said Yorick - And one of the best of its kind, I ever heard'One of the greatest novels ever written, now in a wonderful new clothbound edition Laurence Sterne's great masterpiece of bawdy humour and rich satire defies any attempt to categorize it, with a rich metafictional narrative that might classify it as the first 'postmodern' novel. Part novel, part digression, its gloriously disordered narrative interweaves the birth and life of the unfortunate 'hero' Tristram Shandy, the eccentric philosophy of his father Walter, the amours and military obsessions of Uncle Toby, and a host of other characters, including Dr Slop, Corporal Trim and the parson Yorick. A joyful celebration of the endless possibilities of the art of fiction, Tristram Shandy is also a wry demonstration of its limitations.The text and notes of this volume are based on the acclaimed Florida Edition, with a critical introduction by Melvyn New and Christopher Ricks's introductory essay from the first Penguin Classics edition.'The book that I would never tire of ... Sterne was about 250 years ahead of his time'Roy Porter, author of Enlightenment: Britain And The Creation Of The Modern World

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Marie Laurencin, in spite of the noticeable reputation she made in Paris in the first half of the twentieth century, has attracted only sporadic attention by late-twentieth century art historians. Until now the substance of her art and the feminist issues that were entangled in her life have been narrowly examined or reduced by an author's chosen theoretical format; and the terms of her lesbian identity have been overlooked. In this case study of une femme inadaptée and an unfit feminist, Elizabeth Kahn re-situates Laurencin in the on-going feminist debates that enrich the disciplines of art history, women's studies and literary criticism. Kahn's thorough reading of the artist's visual and literary production ensures a comprehensive overview which addresses notable works and passages but also integrates those that are less well known. Incorporating feminist theory and building on the work of contemporary feminist art historians, she avoids the heroics of conventional biography, instead allowing her subject to participate in the historical collective of women's work. Provocative and engagingly written, this fresh new study of Marie Laurencin's life and works also explores the multiple valences by which to connect the histories of, and find new connections between, women artists across the twentieth century.

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"The Dark King of Kirigami " - The Guardian"A painstaking but rewarding endeavour, made much easier if you follow author Marc Hagan-Guirey's advice" - Sunday ExpressLe Corbusier is a Modernist icon whose buildings and theories have influenced structures the world over. With the help of Marc Hagan-Guirey's new book, Le Corbusier Paper Models, you can create 10 of his most important works in paper using the art of kirigami (cutting and folding). Each project features step-by-step instructions, cutting tips and a template that you can remove from the book. All you need is a scalpel, a cutting mat and a ruler. When you are done, simply display your model and admire your handiwork!Le Corbusier Paper Models is a must for Corbusier fans and architectural model enthusiasts.Marc's first book Paper Dandy's Horrorgami was published by Laurence King in September 2015. His second book, Frank Lloyd Wright Paper Models was released in June 2017 to mark the 150th anniversary of it's namesake's birth.

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SHORTLISTED FOR THE IRISH BOOK AWARDS' CRIME FICTION BOOK OF THE YEAR** A NO. 1 IRISH TIMES BESTSELLER **___________________________If she'd turned off her phone, instead of listening in, perhaps no one would have died...When Cressida Howard catches her entrepreneur husband playing away from home, she hires security expert Brioni O'Brien to get the evidence she needs for a speedy and financially rewarding divorce.But what Brioni uncovers goes beyond simple infidelity. Because Laurence Howard is also in bed with some very dangerous people. Bribery and blackmail are the least of his worries as someone comes after the women in his life - someone who is out to destroy Laurence and his empire, whatever the cost. And Cressida and her teenage daughter could soon be collateral damage, if she and Brioni don't act fast.

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Naomi Novik’s stunning series of novels follow the global adventures of Captain William Laurence and his fighting dragon Temeraire as they are thrown together to fight for Britain during the turbulent time of the Napoleonic Wars. Convicted of treason and stripped of rank and standing, Temeraire and Lawrence are transported to the prison colony at New South Wales. With them travel three dragon eggs destined to be handed over to second-rate officers willing to accept so remote an assignment – including one former acquaintance, Captain Rankin, whose cruelty once cost a dragon its life. They arrive at a young Australian colony in turmoil after the overthrow of the military governor, William Bligh – formerly Captain Bligh, late of HMS Bounty. Eager to escape the political quagmire, Laurence and Temeraire accept a mission to pioneer a route through the forbidding Blue Mountains and into the interior of Australia. But when one of the dragon eggs is stolen, the surveying expedition becomes a desperate race to recover it before the dragonet hatches – a race that leads to a shocking discovery and a dangerous new obstacle in the global war between Britain and France.

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Combining insights from traditional thought and practice and from contemporary political analysis, Madison's Managers presents a constitutional theory of public administration in the United States. Anthony Michael Bertelli and Laurence E. Lynn Jr. contend that managerial responsibility in American government depends on official respect for the separation of powers and a commitment to judgment, balance, rationality, and accountability in managerial practice. The authors argue that public management-administration by unelected officials of public agencies and activities based on authority delegated to them by policymakers-derives from the principles of American constitutionalism, articulated most clearly by James Madison. Public management is, they argue, a constitutional institution necessary to successful governance under the separation of powers. To support their argument, Bertelli and Lynn combine two intellectual traditions often regarded as antagonistic: modern political economy, which regards public administration as controlled through bargaining among the separate powers and organized interests, and traditional public administration, which emphasizes the responsible implementation of policies established by legislatures and elected executives while respecting the procedural and substantive rights enforced by the courts. These literatures are mutually reinforcing, the authors argue, because both feature the role of constitutional principles in public management. Madison's Managers challenges public management scholars and professionals to recognize that the legitimacy and future of public administration depend on its constitutional foundations and their specific implications for managerial practice.

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From Berkeley to the Bronx, teenage addiction has reached epidemic levels. Parents may suspect their teen’s substance use, but often don’t know if their teen is addicted or what to do about it. Dr. Laurence Westreich, an addiction expert and the father of two teenagers, helps parents navigate the fraught addiction landscape in A Parent’s Guide to Teen Addiction. Divided into three sections, this book—based on the author’s decades of experience evaluating and treating teenagers who use substances—guides parents from the moment they suspect their teen has a substance abuse problem to the steps families must take after intensive treatment. Dr. Westreich: •Lays out the facts of teen addiction and explains how to recognize a problem with a teen •Details what parents need to know about the substances that teenagers commonly use •Provides information on what to do about the substance abuse, including how to find good one-on-one addiction therapy, how to encourage a teen to enter an outpatient program or inpatient facility, and how to line up aftercare treatment Best of all, he includes “tough talk” dialogues that parents can tailor to their specific situation with their teen. This practical, hopeful, and reassuring book helps parents put their teen on the healthy and life-affirming road to recovery.

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This volume is the logical follow-up to the military treatment handbook: Living and Surviving in Harm’s Way. Sharon Freeman Clevenger, Laurence Miller, Bret Moore, and Arthur Freeman return with this dynamic handbook ideal for law enforcement agencies interested in the psychological health of their officers. Contributors include law enforcement officers with diverse experiences, making this handbook accessible to readers from law enforcement backgrounds. This authoritative, comprehensive, and critical volume on the psychological aspects of police work is a must for anyone affiliated with law enforcement.

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This collection presents fourteen essays on annotating eighteenth-century literature. Authored by editors and annotators of current standard editions—such as California’s Works of John Dryden, the Florida Edition of the Works of Laurence Sterne, and the Yale Edition of the Works of Samuel Johnson—this book explores theoretical perspectives on critical editing and the practical work of annotation. Through examples from their own editorial work, the contributors illuminate the personal dilemmas and decisions confronting the annotator of texts: What information in the text needs annotation? When does one stop annotating? How does one manage the annotation-versus-interpretation problem?Brimming with erudition, Notes on Footnotes showcases the precision and attentiveness of some of the world’s foremost editors and annotators. The book is necessary reading—not only for scholars of the eighteenth century but also for scholarly editors of texts of all historical periods, book historians, and book lovers in general.In addition to the editors, the contributors include Kate Bennett, Robert DeMaria Jr., Michael Edson, Robert D. Hume, Stephen Karian, Elizabeth Kraft, Thomas Lockwood, William McCarthy, Maximillian E. Novak, Shef Rogers, Robert G. Walker, and Marcus Walsh.

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This collection presents fourteen essays on annotating eighteenth-century literature. Authored by editors and annotators of current standard editions—such as California’s Works of John Dryden, the Florida Edition of the Works of Laurence Sterne, and the Yale Edition of the Works of Samuel Johnson—this book explores theoretical perspectives on critical editing and the practical work of annotation. Through examples from their own editorial work, the contributors illuminate the personal dilemmas and decisions confronting the annotator of texts: What information in the text needs annotation? When does one stop annotating? How does one manage the annotation-versus-interpretation problem?Brimming with erudition, Notes on Footnotes showcases the precision and attentiveness of some of the world’s foremost editors and annotators. The book is necessary reading—not only for scholars of the eighteenth century but also for scholarly editors of texts of all historical periods, book historians, and book lovers in general.In addition to the editors, the contributors include Kate Bennett, Robert DeMaria Jr., Michael Edson, Robert D. Hume, Stephen Karian, Elizabeth Kraft, Thomas Lockwood, William McCarthy, Maximillian E. Novak, Shef Rogers, Robert G. Walker, and Marcus Walsh.

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This thoughtful new abridgment is enriched by the brilliant commentary which accompanies it. In it, Laurence Dickey argues that the Wealth of Nations contains--and conceals--a great deal of how Smith actually thought a commercial society works. Guided by his conviction that the so-called Adam Smith Problem--the relationship between ethics and economics in Smith's thinking--is a core element in the argument of the work itself, Dickey's commentary focuses on the devices Smith uses to ground his economics in broadly ethical and social categories. An unparalleled guide to an often difficult and perplexing work.

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Great Shakespeare Actors offers a series of essays on great Shakespeare actors from his time to ours, starting by asking whether Shakespeare himself was the first--the answer is No--and continuing with essays on the men and women who have given great stage performances in his plays from Elizabethan times to our own. They include both English and American performers such as David Garrick, Sarah Siddons, Charlotte Cushman, Ira Aldridge, Edwin Booth, Henry Irving, Ellen Terry, Edith Evans, Laurence Olivier, John Gielgud, Ralph Richardson, Peggy Ashcroft, Janet Suzman, Judi Dench, Ian McKellen, and Kenneth Branagh. Individual chapters tell the story of their subjects' careers, but together these overlapping tales combine to offer a succinct, actor-centred history of Shakespearian theatrical performance. Stanley Wells examines what it takes to be a great Shakespeare actor and then offers a concise sketch of each actor's career in Shakespeare, an assessment of their specific talents and claims to greatness, and an account, drawing on contemporary reviews, biographies, anecdotes, and, for some of the more recent actors, the author's personal memories of their most notable performances in Shakespeare roles.

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In the early twentieth century, the Saturday Evening Post was perhaps the most popular and influential magazine in the United States, establishing literary reputations and shaping American culture. In the popular imagination, it is best remembered for Norman Rockwell’s covers, which nostalgically depicted a wholesome and idyllic American way of life. But beneath those covers lurked a more troubling reality. Under the direction of its longtime editor, George Horace Lorimer, the magazine helped justify racism and white supremacy. It published works by white authors that made heavy use of paternalistic tropes and demeaning humor, portraying Jim Crow segregation and violence as simple common sense.Circulating Jim Crow demonstrates how the Post used stereotypical dialect fiction to promulgate white supremacist ideology and dismiss Black achievements, citizenship, and humanity. Adam McKible tells the story of Lorimer’s rise to prominence and examines the white authors who provided the editor and his readers with the caricatures they craved. He also explores how Black writers of the Harlem Renaissance pushed back against the Post and its commodified racism. McKible places the erstwhile household names who wrote for the magazine in conversation with figures such as Paul Laurence Dunbar, F. Scott Fitzgerald, Ann Petry, W. E. B. Du Bois, and William Faulkner. Revealing the role of the Saturday Evening Post in normalizing racism for millions of readers, this book also offers a new understanding of how Black writers challenged Jim Crow ideology.

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Dark Back of Time is a compelling story of the way in which reality blurs into fiction by Javier Marías, whose highly-anticipated new novel The Infatuations is published in 2013. It is translated by Esther Allen in Penguin Modern Classics. 'We lose everything because everything remains except us', says the mysterious narrator of this extraordinary novel, which meditates on the transience, chance and fragility of life. As a man called Javier Marías recalls the strange events and people that shaped his past, including ghostly literary figures, a pilot, an adventurer, a brother who died as a child and the king of an island in the Caribbean, we begin to question the nature of time, memory and reality itself. Here the writer is both a keeper of memories and a purveyor of illusions, destined to be lost in the dark back of time.Javier Marías was born in Madrid in 1951. He has published ten novels, two collections of short stories and several volumes of essays. His work has been translated into thirty-two languages and won a dazzling array of international literary awards, including the prestigious Dublin IMPAC award for A Heart So White. He is also a highly practised translator into Spanish of English authors, including Joseph Conrad, Robert Louis Stevenson, Sir Thomas Browne and Laurence Sterne.'I was enthralled by his strange mix of made-up memories, lost experiences and real-life fantasies' Marina Warner, Guardian 'He uses language like an anatomist uses a scalpel to lay bare the innermost secrets of that strangest of species, the human being' W. G. Sebald, author of Austerlitz

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In My Best Fiend Angela is Charlie's best friend, or best fiend as Charlie accidentally wrote in her essay. But fiend is probably a better word, as it's Angela who puts a spider in Miss Menzies' sandwich, and plasters glue all over Laurence Parker's chair... Angela has a knack of getting Charlie into heaps of trouble but friend or fiend, life is never dull for Charlie when Angela is around!

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Written in the 1840s and published here for the first time, Julia Ward Howe’s novel about a hermaphrodite is unlike anything of its time—or, in truth, of our own. Narrated by Laurence, who is raised and lives as a man and is loved by men and women alike, yet can respond to neither, this unconventional story explores the realization “that fervent hearts must borrow the disguise of art, if they would win the right to express, in any outward form, the internal fire that consumes them.” Laurence describes his repudiation by his family, his involvement with an attractive widow, his subsequent wanderings and eventual attachment to a sixteen-year-old boy, his own tutelage by a Roman nobleman and his sisters, and his ultimate reunion with his early love. His is a story unique in nineteenth-century American letters, at once a remarkable reflection of a largely hidden inner life and a richly imagined tale of coming-of-age at odds with one’s culture.

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God occupies our nation’s consciousness, even defining to many what it means to be American. Nonbelievers have often had second-class legal status and have had to fight for their rights as citizens. As R. Laurence Moore and Isaac Kramnick demonstrate in their sharp and convincing work, avowed atheists were derided since the founding of the nation. Even Thomas Paine fell into disfavor and his role as a patriot forgotten. Popular Republican Robert Ingersoll could not be elected in the nineteenth century due to his atheism, and the suffragette Elizabeth Cady Stanton was shunned when she questioned biblical precepts about women’s roles. Moore and Kramnick lay out this fascinating history and the legal cases that have questioned religious supremacy. It took until 1961 for the Supreme Court to ban religious tests for state officials, despite Article 6 of the Constitution. Still, every one of the fifty states continues to have God in its constitution. The authors discuss these cases and more current ones, such as Burwell v. Hobby Lobby Stores, Inc., which address whether personal religious beliefs supersede secular ones. In Godless Citizens in a Godly Republic, the authors also explore the dramatic rise of an "atheist awakening" and the role of organizations intent on holding the country to the secular principles it was founded upon.

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Step into the world of the Irish wit, poet, and dramatist Oscar Wilde. Spot scenes from all across his works, including The Picture of Dorian Gray, The Importance of Being Earnest and The Happy Prince, alongside key figures from Wilde's life as you learn about his incredible creativity and the tragic life story that has made him an LGBTQ+ icon.1000-PIECE PUZZLE that measures 48.5 x 68 cm (19 x 27 in.) when completed.INCLUDES A PULL-OUT POSTER so you can spot all the characters and read their stories.'THE WORLD OF...' JIGSAWS are a fun way of celebrating the lives and works of creative greats. Also available in the series: The World of Frida Kahlo, The World of Jane Austen, The World of the Brontës, The World of James Joyce and more.PUBLISHED BY LAURENCE KING - Laurence King has been capturing imaginations and inspiring creativity in new and unexpected ways for

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Poems to celebrate spring. A sublime bedside companion to enjoy as the frost melts and days grow longer, with poems to immerse yourself in the season. From William Blake and Emily Dickinson to Robert Browning and Eleanor Farjeon, some of the finest poets that ever put pen to paper describe this wondrous season of new beginnings. With one entry for every day through spring, from 1st March until 31st May, this collection of 91 poems will invigorate you in the warmer and wetter months of Spring, from Robert Herrick’s first drops of March dew and the breaking blossoms of Laurence Binyon’s April day to William Blake’s meadow-sweet May and Emily Dickinson’s promise of light to come. This beautiful and collectable anthology of poems derives from the popular A Poem for Every Night of the Year and features poems inspired by springtime by Laurence Binyon, Margaret Cavendish, Amy Lowell, William Wordsworth and many more.

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Developing applications for the Android mobile operating system can seem daunting, particularly if it requires learning a new programming language: Kotlin, now Android's official development language. With this practical book, Android developers will learn how to make the transition from Java to Kotlin, including how Kotlin provides a true advantage for gaining control over asynchronous computations. Authors Pierre-Olivier Laurence, Amanda Hinchman-Dominguez, G. Blake Meike, and Mike Dunn explore implementations of the most common tasks in native Android development, and show you how Kotlin can help you solve concurrency problems. With a focus on structured concurrency, a new asynchronous programming paradigm, this book will guide you through one of Kotlin's most powerful constructs, coroutines. Learn about Kotlin essentials and the Kotlin Collections Framework Explore Android fundamentals: the operating system and the application container and its components Learn about thread safety and how to handle concurrency Write sequential, asynchronous work at a low cost Examine structured concurrency with coroutines, and learn how channels make coroutines communicate Learn how to use flows for asynchronous data processing Understand performance considerations using Android profiling tools Use performance optimizations to trim resource consumption

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This beautifully illustrated book of avant-garde art furniture design highlights a generation of creators whose energy and vision made a break with the past. Profiled here are Mark Brazier-Jones, Franck Evennou, Elizabeth Garouste, Marco de Gueltzl, Hubert Le Gall, Thierry Peltrault, Laurence Picot, Andrea Salvetti, and Claude de Wulf. All have been represented since the 1980s by Elisabeth Delacarte, whose Galerie Avant-Scène in Paris continues its mission of promoting these and other extraordinary furniture and jewellery designers to this day. Text in English and French.

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Drawing on a wide range of recent research, WOMEN IN ENGLAND is an intimate social history of women who experienced life between the Reformation and the Industrial Revolution.Anne Laurence writes about marriage, sex, childbirth, work within and outside the household, education, religion and women's activity in the community and the wider world.'A marvellously rich and fresh survey of English women from the Reformation to the dawn of the Industrial Revolution' Roy Porter, The Sunday Times

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THE SCHOOL FOR GOOD AND EVIL is now a major motion picture from Netflix, starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Cate Blanchett, and many more! The fairy tale of Sophie and Agatha comes to a dramatic conclusion in this sixth and final book in the bestselling series. Who will sit on Camelot’s throne and rule the Endless Woods? Who will be the One True King? Prepare yourself for the End of Ends…

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When approached from the Lean perspective, Henry Laurence Gantt's Organizing for Work provides a window into the American origins of the 2nd Pillar of Lean - Respect For People. Henry Gantt, the creator of Gantt charts, galvanized the human aspect of efficiency with razor sharp clarity. Production improvements go astray because we have "ignored the human factor and failed to take advantage of the ability and desire of the ordinary man to learn and improve his position."

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Artemisia Gentileschi was the greatest female artists of the Baroque age. In Artemisia Gentileschi, critic and historian Jonathan Jones discovers how Artemisia overcame a turbulent past to become one of the foremost painters of her day.As a young woman Artemisia was raped by her tutor, and then had to endure a seven-month-long trial during which she was brutally examined by the authorities. Gentileschi was shamed in a culture where honour was everything. Yet she went on to become one of the most sought-after artists of the seventeenth century. Yet she went on to become one of the most sought-after artists of the seventeenth century. Gentileschi's art communicated a powerful personal vision. Like Frida Kahlo, Louise Bourgeois or Tracey Emin, she put her life into her art.'Lives of the Artists'is a new series of brief artists biographies from Laurence King Publishing. The series takes as its inspiration Giorgio Vasari's five-hundred-year-old masterwork, updating it with modern takes on the lives of key artists past and present. Focusing on the life of the artist rather than examining their work, each book also includes key images illustrating the artist's life.

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