Search results for ""author laurence"

Margaret Laurence and Jack McClelland—one of Canada’s most beloved writers and one of Canada’s most significant publishers—enjoyed an unusual rapport. In this collection of annotated letters, readers gain rare insight into the private side of these literary icons. Their correspondence reveals a professional relationship that evolved into deep friendship over a period of enormous cultural change. Both were committed to the idea of Canadian writing; in a very real sense, their mutual and separate work helped bring “Canadian Literature” into being. With its insider’s view of the book business from the late 1950s to the mid-1980s, Margaret Laurence and Jack McClelland, Letters presents a valuable piece of Canadian literary history curated and annotated by Davis and Morra. This is essential reading for all those interested in Canada’s literary culture.

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How can we approach Margaret Laurence's writing in a postcolonial and postmodern age? Challenging Territory is a collection of essays that examine positionality across the range of Laurence's writing, from her early journalism through the fiction to the late nonfiction.

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This fresh classroom edition of the Middle English poems of Laurence Minot, with its introduction, gloss, notes, and glossary, enables students of all levels to encounter Minot's poetry. A difficult figure to identify, Laurence Minot wrote a set of eleven poems celebrating English victories against the French between 1333 and 1352, soon after the conclusion of said victories. This volume offers students valuable insights into fourteenth-century English poetry and an inimitable English poet's perspective on the Hundred Years' War.

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At long last, critics, scholars, and lovers of fiction can experience the full range and imaginative powers of the collected novels of Paul Laurence Dunbar (1872–1906). In these four novels, readers can explore the characters, landscape, atmosphere, and visionary sensibilities of this preeminent African American writer. In the prime of his literary career, between 1898 and 1902, Dunbar published The Uncalled, The Love of Landry, The Fanatics, and The Sport of the Gods. Despite widespread critical interest, the novels have been largely subordinated to his short stories and poetry. The Collected Novels of Paul Laurence Dunbar redresses this imbalance by showing that the novels are also reflections of his exceptional literary talent. While correcting and standardizing the texts, the editors describe the major forms and themes of the novels, putting them in the proper contexts of Dunbar’s creativity, his professional career, and his place in American literary history. Each novel explores, in varying degrees, the issues of race, class, politics, region, morality, and spirituality and challenges the assumption that black novelists should cast only blacks as main characters and as messengers of racial-political unity. The Collected Novels of Paul Laurence Dunbar presents all four novels under one cover for the first time, allowing readers to assess why he was such a seminal influence on the twentieth century African American writers who followed him into the American canon. The Collected Novels of Paul Laurence Dunbar will interest students, teachers, scholars, and general readers for generations to come.

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At long last, critics, scholars, and lovers of fiction can experience the full range and imaginative powers of the collected novels of Paul Laurence Dunbar (1872–1906). In these four novels, readers can explore the characters, landscape, atmosphere, and visionary sensibilities of this preeminent African American writer. In the prime of his literary career, between 1898 and 1902, Dunbar published The Uncalled, The Love of Landry, The Fanatics, and The Sport of the Gods. Despite widespread critical interest, the novels have been largely subordinated to his short stories and poetry. The Collected Novels of Paul Laurence Dunbar redresses this imbalance by showing that the novels are also reflections of his exceptional literary talent. While correcting and standardizing the texts, the editors describe the major forms and themes of the novels, putting them in the proper contexts of Dunbar’s creativity, his professional career, and his place in American literary history. Each novel explores, in varying degrees, the issues of race, class, politics, region, morality, and spirituality and challenges the assumption that black novelists should cast only blacks as main characters and as messengers of racial-political unity. The Collected Novels of Paul Laurence Dunbar presents all four novels under one cover for the first time, allowing readers to assess why he was such a seminal influence on the twentieth century African American writers who followed him into the American canon. The Collected Novels of Paul Laurence Dunbar will interest students, teachers, scholars, and general readers for generations to come.

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The son of former slaves, Paul Laurence Dunbar was one of the most prominent figures in American literature at the turn of the twentieth century. Thirty-three years old at the time of his death in 1906, he had published four novels, four collections of short stories, and fourteen books of poetry, as well as numerous songs, plays, and essays in newspapers and magazines around the world. In the century following his death, Dunbar slipped into relative obscurity, remembered mainly for his dialect poetry or as a footnote to other more canonical figures of the period. The Complete Stories of Paul Laurence Dunbar showcases his gifts as a writer of short fiction and provides key insights into the tensions and themes of Dunbar’s literary achievement. The 104 stories written by Dunbar between 1890 and 1905 reveal Dunbar’s attempts to maintain his artistic integrity while struggling with America’s racist stereotypes. Making them available for the first time in one convenient, comprehensive, and definitive volume, The Complete Stories of Paul Laurence Dunbar illustrates the complexity of his literary life and legacy.

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Over a period of forty years, from 1947 to 1986, Margaret Laurence and Adele Wiseman wrote to each other constantly. The topics they wrote about were as wide-ranging as their interests and experiences, and their correspondence encompassed many of the varied events of their lives. Laurence's letters - of which far more are extant than Wisman's - reveal much about the impact of her years in Africa, motherhood, her anxieties and insecurities, and her developement as a writer. Wiseman, whose literary success came early in her career, provided a sympathetic ear and constant encouragement to Laurence. The editors' selection has been directed by an interest in these women as friends and writers. Their experiences in the publishing world offer an engaging perspective on literary apprenticeship, rejection, and success. The letters reveal the important roles both women played in the buoyant cultural nationalism of the 1960s and 1970s. This valuable collection of previously unpublished primary material will be essential to scholars working on Canadian literature and of great interest to the general reading. The introduction contextualizes the correspondence and the annotations to the letters help to clarify the text. The Laurence-Wiseman letters offer a fascinating glimpse into the lives and friendship of two remarkable women whose personal correspondence was written with verve, compassion, and wit.

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Laurence Sterne, the author of the innovative fictions The Life and Opinions of Tristram Shandy, Gentleman and A Sentimental Journey, served most of his life as a rural Anglican clergyman in Yorkshire, England; for twenty years his sermons were his primary written labors. Sterne published the first two volumes of sermons as the Sermons of Mr. Yorick in 1760 after the initial, widely celebrated volumes of Tristram Shandy and the ensuing controversy revealed their complex paradoxes: they are both sacred and earthy, entertaining and instructional, products of art, duty, and the desire for profit and fame. The dozen essays in Divine Rhetoric, including an extensive critical history, examine the rhetorical and theological contexts of the sermons as well as their possible influences, discerning their intrinsic value to scholars of the fiction of Laurence Sterne and eighteenth-century Anglicanism. The book is accompanied by an audio CD of one of Sterne’s sermons

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A captivating, seductive and monumental celebration of the life and career of one of the greatest actors of the 20th century.

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The son of former slaves, Paul Laurence Dunbar was one of the most prominent figures in American literature at the turn of the twentieth century. Thirty-three years old at the time of his death in 1906, he had published four novels, four collections of short stories, and fourteen books of poetry, as well as numerous songs, plays, and essays in newspapers and magazines around the world. In the century following his death, Dunbar slipped into relative obscurity, remembered mainly for his dialect poetry or as a footnote to other more canonical figures of the period. The Complete Stories of Paul Laurence Dunbar showcases his gifts as a writer of short fiction and provides key insights into the tensions and themes of Dunbar’s literary achievement. The 104 stories written by Dunbar between 1890 and 1905 reveal Dunbar’s attempts to maintain his artistic integrity while struggling with America’s racist stereotypes. Making them available for the first time in one convenient, comprehensive, and definitive volume, The Complete Stories of Paul Laurence Dunbar illustrates the complexity of his literary life and legacy.

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Laurence Irving came from a prominent British theatrical family. He was the grandson of the legendary Sir Henry Irving and the son of actors H.B. Irving and Dorothea Baird. Unlike his forebears, however, Laurence chose not to enter the acting profession, but gained an international reputation as an artist, set designer and art director. In this memoir, Irving recounts his World War I flying career, his art studies and painting in the early 1920s - up to the moment in 1927 when Douglas Fairbanks asked him to design The Iron Mask in Hollywood. In Designing for the Movies, Irving vividly recounts working in Hollywood for such distinguished figures as Mary Pickford, Charlie Chaplin, and William Cameron Menzies. Upon his return to the United Kingdom, he worked on other notable films including Moonlight Sonata and George Bernard Shaw's Pygmalion. Irving's time in Hollywood marked the end of the silent film years and this memoir depicts the effect on all those concerned, with astute and penetrating portraits of the professionals who felt this change so dramatically. Anyone with even the slightest interest in the history of filmmaking and the early characters involved with it will not want to miss this insightful account.

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The New York Times bestseller - a sweeping and heartbreaking Hollywood biography about the passionate, turbulent marriage of Laurence Olivier and Vivien Leigh. In 1934, a friend brought fledgling actress Vivien Leigh to see Theatre Royal, where she would first lay eyes on Laurence Olivier in his brilliant performance as Anthony Cavendish. That night, she confided to a friend, he was the man she was going to marry. There was just one problem: she was already married-and so was he.TRULY, MADLY is the biography of a marriage, a love affair that still captivates millions, even decades after both actors' deaths. Vivien and Larry were two of the first truly global celebrities - their fame fueled by the explosive growth of tabloids and television, which helped and hurt them in equal measure. They seemed to have it all and yet, in their own minds, they were doomed, blighted by her long-undiagnosed mental-illness, which transformed their relationship from the stuff of dreams into a living nightmare.Through new research, including exclusive access to previously unpublished correspondence and interviews with their friends and family, author Stephen Galloway takes readers on a bewitching journey. He brilliantly studies their tempestuous liaison, one that took place against the backdrop of two world wars, the Golden Age of Hollywood and the upheavals of the 1960s - as they struggled with love, loss and the ultimate agony of their parting.

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Laurence Sterne’s A Sentimental Journey through France and Italy continues to be as widely read and admired as upon its first appearance. Deemed more accessible than Sterne’s Life and Opinions of Tristram Shandy, Gentleman, and often assigned as a college text, A Sentimental Journey has received its share of critical attention, but—unlike Tristram Shandy—to date it has not been the subject of a dedicated anthology of critical essays. This volume fills that gap with fresh perspectives on Sterne’s novel that will appeal to students and critics alike. Together with an introduction that situates each essay within A Sentimental Journey’s reception history, and a tailpiece detailing the culmination of Sterne’s career and his death, this volume presents a cohesive approach to this significant text that is simultaneously grounded and revelatory.

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Laurence Sterne’s A Sentimental Journey through France and Italy continues to be as widely read and admired as upon its first appearance. Deemed more accessible than Sterne’s Life and Opinions of Tristram Shandy, Gentleman, and often assigned as a college text, A Sentimental Journey has received its share of critical attention, but—unlike Tristram Shandy—to date it has not been the subject of a dedicated anthology of critical essays. This volume fills that gap with fresh perspectives on Sterne’s novel that will appeal to students and critics alike. Together with an introduction that situates each essay within A Sentimental Journey’s reception history, and a tailpiece detailing the culmination of Sterne’s career and his death, this volume presents a cohesive approach to this significant text that is simultaneously grounded and revelatory.

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A sweeping and heartbreaking Hollywood biography about the passionate, turbulent marriage of Laurence Olivier and Vivien Leigh.A New York Times bestsellerAs seen in the Daily Mail and Mail on SundayIn 1934, a friend brought fledgling actress Vivien Leigh to see Theatre Royal, where she would first lay eyes on Laurence Olivier in his brilliant performance as Anthony Cavendish. That night, she confided to a friend, he was the man she was going to marry. There was just one problem: she was already married-and so was he.TRULY, MADLY is the biography of a marriage, a love affair that still captivates millions, even decades after both actors' deaths. Vivien and Larry were two of the first truly global celebrities - their fame fueled by the explosive growth of tabloids and television, which helped and hurt them in equal measure. They seemed to have it all and yet, in their own minds, they were doomed, blighted by her long-undiagnosed mental-illness, which transformed their relationship from the stuff of dreams into a living nightmare.Through new research, including exclusive access to previously unpublished correspondence and interviews with their friends and family, author Stephen Galloway takes readers on a bewitching journey. He brilliantly studies their tempestuous liaison, one that took place against the backdrop of two world wars, the Golden Age of Hollywood and the upheavals of the 1960s - as they struggled with love, loss and the ultimate agony of their parting.

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This memorial volume celebrates the life of Laurence Moss, the scholar, economist, professor, journal editor, lawyer, magician and skeptic. This volume contains a complete listing of Moss’s publications since 1973 together with a sample syllabus of the famous course he taught at Babson College, “Scams and Frauds in Business.” The chosen papers are a representative sample of Moss’s approach to the field of economics, as well as the teaching of economics, and reception of his approach.

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One of the leading theologians of our time, Avery Cardinal Dulles, S.J., has written and lectured on a wide range of topics across his distinguished career, and for a wide range of audiences. Integrating faith and scholarship, he has created a rich body of work that, in the words of one observer, is “both faithful to Catholic tradition and fresh in its engagement with the contemporary world.” Here, brought together for the first time in one volume, are the talks Cardinal Dulles has given twice each year since the Laurence J. McGinley Lectures were initiated in 1988, conceived broadly as a forum on Church and society. The result is a diverse collection that reflects the breadth of his thinking and engages with many of the most important—and difficult—religious issues of our day. Organized chronologically, the lectures are often responses to timely issues, such as the relationship between religion and politics, a topic he treated in the last weeks of the presidential campaign of 1992. Other lectures take up questions surrounding human rights, faith and evolution, forgiveness, the death penalty, the doctrine of religious freedom, the population of hell, and a whole array of theological subjects, many of which intersect with culture and politics. The life of the Church is a major and welcome focus of the lectures, whether they be a reflection on Cardinal Newman or an exploration of the difficulties of interfaith dialogue. Dulles responds frequently to initiatives of the Holy See, discussing gender and priesthood in the context of church teaching, and Pope Benedict’s interpretation of Vatican II. Writing with clarity and conviction, Cardinal Dulles seeks to “render the wisdom of past ages applicable to the world in which we live.” For those seeking to share in this wisdom, this book will be a consistently rewarding guide to what it means to be Catholic—indeed, to be a person of any faith—in a world of rapid, relentless change.

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The definitive biography of a pivotal figure in American literary historyA major poet, Paul Laurence Dunbar (1872–1906) was one of the first African American writers to garner international recognition in the wake of emancipation. In this definitive biography, the first full-scale life of Dunbar in half a century, Gene Andrew Jarrett offers a revelatory account of a writer whose Gilded Age celebrity as the “poet laureate of his race” hid the private struggles of a man who, in the words of his famous poem, felt like a “caged bird” that sings.Jarrett tells the fascinating story of how Dunbar, born during Reconstruction to formerly enslaved parents, excelled against all odds to become an accomplished and versatile artist. A prolific and successful poet, novelist, essayist, playwright, and Broadway librettist, he was also a friend of such luminaries as Frederick Douglass and Orville and Wilbur Wright. But while audiences across the United States and Europe flocked to enjoy his literary readings, Dunbar privately bemoaned shouldering the burden of race and catering to minstrel stereotypes to earn fame and money. Inspired by his parents’ survival of slavery, but also agitated by a turbulent public marriage, beholden to influential benefactors, and helpless against his widely reported bouts of tuberculosis and alcoholism, he came to regard his racial notoriety as a curse as well as a blessing before dying at the age of only thirty-three.Beautifully written, meticulously researched, and generously illustrated, this biography presents the richest, most detailed, and most nuanced portrait yet of Dunbar and his work, transforming how we understand the astonishing life and times of a central figure in American literary history.

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The definitive biography of a pivotal figure in American literary historyA major poet, Paul Laurence Dunbar (1872–1906) was one of the first African American writers to garner international recognition in the wake of emancipation. In this definitive biography, the first full-scale life of Dunbar in half a century, Gene Andrew Jarrett offers a revelatory account of a writer whose Gilded Age celebrity as the “poet laureate of his race” hid the private struggles of a man who, in the words of his famous poem, felt like a “caged bird” that sings.Jarrett tells the fascinating story of how Dunbar, born during Reconstruction to formerly enslaved parents, excelled against all odds to become an accomplished and versatile artist. A prolific and successful poet, novelist, essayist, playwright, and Broadway librettist, he was also a friend of such luminaries as Frederick Douglass and Orville and Wilbur Wright. But while audiences across the United States and Europe flocked to enjoy his literary readings, Dunbar privately bemoaned shouldering the burden of race and catering to minstrel stereotypes to earn fame and money. Inspired by his parents’ survival of slavery, but also agitated by a turbulent public marriage, beholden to influential benefactors, and helpless against his widely reported bouts of tuberculosis and alcoholism, he came to regard his racial notoriety as a curse as well as a blessing before dying at the age of only thirty-three.Beautifully written, meticulously researched, and generously illustrated, this biography presents the richest, most detailed, and most nuanced portrait yet of Dunbar and his work, transforming how we understand the astonishing life and times of a central figure in American literary history.

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This memorial volume celebrates the life of Laurence Moss, the scholar, economist, professor, journal editor, lawyer, magician and skeptic. This volume contains a complete listing of Moss’s publications since 1973 together with a sample syllabus of the famous course he taught at Babson College, “Scams and Frauds in Business.” The chosen papers are a representative sample of Moss’s approach to the field of economics, as well as the teaching of economics, and reception of his approach.

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These thirteen essays have been collected to honor Melvyn New, professor emeritus (Florida), and are prefaced by a description of his scholarly career of more than forty years. Suggesting the wide range of that career, the first eight essays offer various critical perspectives on a diverse group of eighteenth-century authors. These include a reading of Eliot in the shadow of Pope; a comparison of Gainsborough’s final paintings and Sterne’s Sentimental Journey; a study of Johnson and casuistry; a discussion of Smollett’s view of slavery in Roderick Random; a bibliographical study of a Lyttelton poem; a comparison of Swift and Nietzsche; and two essays about Fielding’s Joseph Andrews. Laurence Sterne, the primary focus of Professor New’s scholarship, is also the focus of the final five essays, which treat Sterne in contexts as disparate as the kabbalah, abolitionist discourse, local English church politics, the use of the fragment, and, finally, the culture of modernity.

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This book explores the religious teachings of best-selling Victorian author and former Member of Parliament, Laurence Oliphant (1829–1888). While several biographies have been written on his captivating life, the stage of his life when Oliphant first established ‘The Household' commune has, until now, been largely unexplored. This book focuses on this later stage of his life, exploring Oliphant’s religious teachings. Additionally, this study incorporates a newly discovered archive, which reveals many behind-the-scenes details of The Household's teachings. Jeffrey D. Lavoie shows that Oliphant provided a unique interpretation of sexuality from a mystical Christian perspective, which opposed the restrictive contemporaneous “Victorian morality."

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The writings of two influential Elizabethan thinkers testify to the influence of Old English law and literature on Tudor society and self-image. Full of fresh and illuminating insights into a way of looking at the English past in the sixteenth century... a book with the potential to deepen and transform our understanding of Tudor attitudes to ethnic identity and the national past. Philip Schwyzer, University of Exeter. Laurence Nowell (1530-c.1570), author of the first dictionary of Old English, and William Lambarde (1536-1601), Nowell's protégé and eventually the first editor of theOld English Laws, are key figures in Elizabethan historical discourses and in its political and literary society; through their work the period between the Germanic migrations and the Norman Conquest came to be regarded as a foundational time for Elizabethan England, overlapping with and contributing to contemporary debates on the shape of Elizabethan English language. Their studies took different strategies in demonstrating the role of early medieval history in Elizabethan national -- even imperial -- identity, while in Lambarde's legal writings Old English law codes become identical with the "ancient laws" that underpinned contemporary common law. Their efforts contradict the assumption that Anglo-Saxon studies did not effectively participate in Tudor nationalism outside of Protestant polemic; instead, it was a vital part of making history "English". Their work furthers our understanding of both the history of medieval studies and the importance of early Anglo-Saxon studies to Tudor nationalism. Rebecca Brackmann is Assistant Professor of English, Lincoln Memorial University.

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Margaret Laurence instinctively turned to the epic mode to create archetypal narratives of loss, exile, and redemption. Drawing on the Bible, Dante, and Milton, Laurence absorbed the epic structure and populated it with the Manawaka world of Hagar Shipley, Rachel Cameron, Stacey MacAindra, and Morag Gunn. Paul Comeau traces the development of Margaret Laurence's voice from its tentative beginnings in her African fiction to its culmination in the Manawaka Cycle. According to Comeau, Laurence's ability to illustrate the epic dimension in her characters' strengths and weaknesses has ensured her a lasting place among great Canadian writers.

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Look closely behind the lives of the stars who appeared in a host of legendary war films and discover how memories of their real-life experiences in the armed forces were haunted with heartbreak and yet filled with extraordinary heroism. Just what did America's most decorated soldier Audie Murphy go through in battle which led him to star as himself in the classic war film, To Hell and Back? When the Japanese attacked Pearl Harbor in December 1941, Murphy joined the US Army aged just 17. He went on to fight at Anzio, the Colmar Pocket, and Nuremberg. And for single-handedly holding off an enemy attack he was awarded the Congressional Medal of Honor. But Murphy's military and celebrity stardom did little to extinguish the pain of his private battle to fit in to a new post-war world he perceived as disappointing, shallow and unfulfilling. Tormented by PTSD Murphy was a man unable to escape from his past. Only the great director and decorated wartime documentary maker John Huston gained Murphy's true respect. When war broke out on 3 September 1939, a number of British stars, including Laurence Olivier, his future wife Vivien Leigh, and David Niven, were in the United States under contract to the Hollywood Studios. Keen not to 'shirk their duties at home', and against advice from the British Consul, they made their way back to Blighty. Olivier joined the Royal Navy's Fleet Air Arm as a pilot. Then with Churchill's approval he directed and starred in powerful propaganda films, including Shakespeare's Henry V. In 1943 the beautiful Vivien Leigh ruined her health by enduring the brutalities of the North African climate to entertain the troops in the desert. Meantime, Dirk Bogarde was a British Army intelligence officer seconded to the pioneering RAF Medmenham where he studied aerial photographs and pinpointed enemy targets for Bomber Command. As Lieutenant van den Bogaerde he was posted to France just after D-Day. He went on to star in many leading war films such as Appointment in London (1953) and King and Country (1964). Years later in 1991 Sir Dirk Bogarde was interviewed by the author of this book. He had witnessed the horrors of Belsen in April 1945 and said it changed his attitude to life forever. In this book, the author honours the real-life stories of some big screen idols who showed true grit behind the glamour.

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FROM THE BOOKER PRIZE-WINNING AUTHOR OF THE PROMISEWinner of the Commonwealth Writers' Prize and shortlisted for the Man Booker, The Good Doctor is a powerful tale of a friendship overshadowed by betrayal, set against the tawdry hopes and disappointments of a post-apartheid South Africa'The Good Doctor will be seen as one of the great literary triumphs of South Africa's transition... by a novelist of great and growing power.' -- Rian Malan, author of My Traitor's HeartLaurence Waters arrives at his rural hospital postingfull of optimism. Frank, the disgruntled deputy, is forced to share his room with the new arrival but is determined to stay out of Laurence's ambitious schemes. When the dilapidated hospital is looted, the two men find themselves uneasy allies in a world where the past is demanding restitution from the present.

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