Description

When walking down the street, it is not uncommon to see lost items that have escaped their proper receptacles, but how often does one stop to read the messages left behind? David Lazar has stopped often, capturing the pieces of a “lost world on the streets” and thinking about the life of the discarder from the fragments left behind.

Stories of the Street is a series of imaginative meditations—through prose poems, short-short essays, microfictions, and prose pieces without precise genre distinction—of what it means to encounter lost or discarded texts. Rather than simply deconstructing the lists, notes, receipts, or book pages he finds strewn in various cities, Lazar uses them as suggestive, capable of inspiring possible narratives that are at most latent in the text itself. The encounter, then, is an encounter with oneself and the mysteries of cities, where detritus frequently doubles as a sign saying, “Consider this.” Lazar’s

Stories of the Street

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Paperback by David Lazar

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When walking down the street, it is not uncommon to see lost items that have escaped their proper receptacles, but... Read more

    Publisher: University of Nebraska Press
    Publication Date: 11/1/2024
    ISBN13: 9781496238498, 978-1496238498
    ISBN10: 1496238494

    Non Fiction , Art & Photography

    Description

    When walking down the street, it is not uncommon to see lost items that have escaped their proper receptacles, but how often does one stop to read the messages left behind? David Lazar has stopped often, capturing the pieces of a “lost world on the streets” and thinking about the life of the discarder from the fragments left behind.

    Stories of the Street is a series of imaginative meditations—through prose poems, short-short essays, microfictions, and prose pieces without precise genre distinction—of what it means to encounter lost or discarded texts. Rather than simply deconstructing the lists, notes, receipts, or book pages he finds strewn in various cities, Lazar uses them as suggestive, capable of inspiring possible narratives that are at most latent in the text itself. The encounter, then, is an encounter with oneself and the mysteries of cities, where detritus frequently doubles as a sign saying, “Consider this.” Lazar’s

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