Description

One Shilling: The Football Programme Design Revolution of 1965-85 is the first-ever exploration of this golden era of football programme design, when the humble football programme suddenly boasted a remarkable variety of eye-catching covers and layouts.

The football programme has been a staple of the national game since Victorian times. Passionate artists and typesetters designed printed programmes for match goers, but unlike the fashion or music industries, the names behind the artworks for these pocket-money priced matchday publications were often uncredited or ignored. Until now.

At its heart, this is the story of John Elvin, the greatest football programme designer, who tore up the formal code of lay-outs and traditional typefaces, and used photos in new and innovative ways. The book also explores the wider cultural and political backstory of British football over a transformative two decades from England’s World Cup victory in 1966, and looking forward, it champions the potential of a new era for programme design.

One Shilling: The Football Programme Design Revolution of 1965-85

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Hardback by Matthew Caldwell , Alan Dein

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Short Description:

One Shilling: The Football Programme Design Revolution of 1965-85 is the first-ever exploration of this golden era of football programme... Read more

    Publisher: Pitch Publishing Ltd
    Publication Date: 29/01/2024
    ISBN13: 9781801508889, 978-1801508889
    ISBN10: 1801508887

    Number of Pages: 224

    Non Fiction , Sport

    Description

    One Shilling: The Football Programme Design Revolution of 1965-85 is the first-ever exploration of this golden era of football programme design, when the humble football programme suddenly boasted a remarkable variety of eye-catching covers and layouts.

    The football programme has been a staple of the national game since Victorian times. Passionate artists and typesetters designed printed programmes for match goers, but unlike the fashion or music industries, the names behind the artworks for these pocket-money priced matchday publications were often uncredited or ignored. Until now.

    At its heart, this is the story of John Elvin, the greatest football programme designer, who tore up the formal code of lay-outs and traditional typefaces, and used photos in new and innovative ways. The book also explores the wider cultural and political backstory of British football over a transformative two decades from England’s World Cup victory in 1966, and looking forward, it champions the potential of a new era for programme design.

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