Description

This book is a glorious celebration of Rhoda Pritzker’s collection of 20th-century British art, much of which has been donated to the Yale Center for British Art. Pritzker, who was born in Manchester in1914 and emigrated to the United States during the Blitz, was an avid and daring collector of paintings, sculptures, and drawings. Keen to support artists whose reputations were still emerging, and loyal to no single school or style, she developed a unique and impressively diverse collection. While Pritzker most actively purchased pieces in the 1950s and 1960s, her collection offers a fascinating window onto postwar artistic production. Beautifully illustrated, this catalogue features a number of unpublished works and archival materials. Among the artists discussed are key figures, including L. S. Lowry, Barbara Hepworth, Anthony Caro, and Henry Moore, as well as lesser-known artists. The texts elucidate the factors that made Pritzker’s method of collecting so singular—namely her relationship to an evolving transatlantic artistic community and the deeply personal nature of the works she procured.

Distributed for the Yale Center for British Art


Exhibition Schedule:

Yale Center for British Art, New Haven
(05/11/2016-08/21/2016)

Modernism and Memory: Rhoda Pritzker and the Art of Collecting

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Hardback by Ian Collins , Eleanor Hughes

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Short Description:

This book is a glorious celebration of Rhoda Pritzker’s collection of 20th-century British art, much of which has been donated... Read more

    Publisher: Yale University Press
    Publication Date: 03/05/2016
    ISBN13: 9780300214871, 978-0300214871
    ISBN10: 0300214871

    Number of Pages: 224

    Non Fiction , Art & Photography

    Description

    This book is a glorious celebration of Rhoda Pritzker’s collection of 20th-century British art, much of which has been donated to the Yale Center for British Art. Pritzker, who was born in Manchester in1914 and emigrated to the United States during the Blitz, was an avid and daring collector of paintings, sculptures, and drawings. Keen to support artists whose reputations were still emerging, and loyal to no single school or style, she developed a unique and impressively diverse collection. While Pritzker most actively purchased pieces in the 1950s and 1960s, her collection offers a fascinating window onto postwar artistic production. Beautifully illustrated, this catalogue features a number of unpublished works and archival materials. Among the artists discussed are key figures, including L. S. Lowry, Barbara Hepworth, Anthony Caro, and Henry Moore, as well as lesser-known artists. The texts elucidate the factors that made Pritzker’s method of collecting so singular—namely her relationship to an evolving transatlantic artistic community and the deeply personal nature of the works she procured.

    Distributed for the Yale Center for British Art


    Exhibition Schedule:

    Yale Center for British Art, New Haven
    (05/11/2016-08/21/2016)

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