Description

Book Synopsis

The RSN has worked on regalia for every Coronation since 1902, when Edward VII was crowned, and most recently designed and embroidered the robes of state for their Coronation last year. Its patron, Queen Camilla, has written a charming foreword to this beautifully illustrated book.The Lady
Bees, butterflies, beetles and 24 different plants - the astonishing sewing secrets behind the gorgeous Coronation robes of the King and Queen.The Mail Online
Many initiatives to support women were begun in the late 1800s, but the Royal School of Needlework (RSN) is one of the few that remain. This initiative was born from the desire of three women Princess Helena, Lady Victoria Welby and Lady Marian Alford to popularise the lost art of ornamental needlework and place it on a par with other decorative arts, such as painting and sculpture. Their other, yet no less important goal was to provide employment for women compelled to earn their

An Unbroken Thread

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    £30.00

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    RRP £37.50 – you save £7.50 (20%)

    Order before 4pm tomorrow for delivery by Sat 20 Jun 2026.

    A Hardback by Dr Susan Kay-Williams

    2 in stock

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      Publisher: ACC Art Books
      Publication Date: 01/08/2024
      ISBN13: 9781788842600, 978-1788842600
      ISBN10: 178884260X

      Description

      Book Synopsis

      The RSN has worked on regalia for every Coronation since 1902, when Edward VII was crowned, and most recently designed and embroidered the robes of state for their Coronation last year. Its patron, Queen Camilla, has written a charming foreword to this beautifully illustrated book.The Lady
      Bees, butterflies, beetles and 24 different plants - the astonishing sewing secrets behind the gorgeous Coronation robes of the King and Queen.The Mail Online
      Many initiatives to support women were begun in the late 1800s, but the Royal School of Needlework (RSN) is one of the few that remain. This initiative was born from the desire of three women Princess Helena, Lady Victoria Welby and Lady Marian Alford to popularise the lost art of ornamental needlework and place it on a par with other decorative arts, such as painting and sculpture. Their other, yet no less important goal was to provide employment for women compelled to earn their

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