Entertainment

In 1974, with Apple winding down, George Harrison still aspired to help new artists, so rather than trying to salvage Apple, he set up his own label Dark Horse Records, on a much smaller scale. His plan was to release records from new artists as well as some of his old friends, with an eye to eventually releasing his own music. While Dark Horse had an encouraging beginning with a hit single from Splinter, the label Suffered increasing problems, failing to establish itself in the way Harrison hoped. However, some incredible and varied music was created from 1974 to 1977, including some of Harrison’s best solo material. Towards the end of its initial life, Dark Horse dropped most of its artists and released mainly Harrison’s solo work. Thankfully, since 2020, Dhani Harrison has taken the reins and has made Dark Horse viable once again, signing Cat Stevens and Billy Idol and releasing music from Joe Strummer and Leon Russell. Finally, in 2023, it was announced that Harrison’s entire solo catalogue was going to be re-released on Dark Horse. This book tells the story of the label from the beginning, through its struggles and on to its exciting renaissance in the new millennium.

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This best-selling text gives music majors and minors a solid foundation in the theory of music. It strengthens their musical intuition, builds technical skills, and helps them gain interpretive insights. The goal of the text is to instruct readers on the practical application of knowledge. The analytical techniques presented are carefully designed to be clear, uncomplicated, and readily applicable to any repertoire. The two-volume format ensures exhaustive coverage and maximum support for students and faculty alike. Volume I serves as a general introduction to music theory while Volume II offers a survey of the theoretical underpinnings of musical styles and forms from Gregorian Chant through the present day. The supplemental instructor's materials provide clear-cut solutions to assignment materials. Music in Theory and Practice is a well-rounded textbook that integrates the various components of musical structure and makes them accessible to students at the undergraduate level.

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Derided as seventies throwbacks upon their arrival and misremembered by the wider population as one-hit wonders, Marillion rode the 1980s as one of the most successful bands in Britain. Delivering the musical and conceptual density of early progressive rock with the caustic energy of punk, the Aylesbury heroes both spearheaded the neo-prog revival and produced its crown jewel in their number one album Misplaced Childhood and its Top 5 singles 'Kayleigh' and 'Lavender.' Musically, their influence reaches from prog legends Dream Theater and Steven Wilson to household names like Radiohead and Muse. The 1980s encapsulated Marillion's birth, commercial apex, and near-implosion. This book combines meticulous history with careful musical analysis to chronicle their most turbulent decade from their first gig, through the dizzying success and destructive decadence of their time with frontman Fish, to his bitter departure and replacement by Steve Hogarth. It turns an experienced critical eye not only on their five albums of the decade - from the seminal Script For A Jester's Tear to Season's End - Hogarth's debut - and a line-up that remains as active as ever. The book also discusses demos, singles, and Fish's solo debut to dissect a band which critics still love to hate, even as today's music industry stands upon their shoulders as pioneers of self-promotion and internet-based crowd funding

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Linda Ronstadt is one of the most important women and people in the history of popular music. Starting her solo career in 1969, she redefined what a music superstar could be by expanding her repertoire from her country rock roots, crossing over to mainstream success with pop music, and then evolving into operetta, American jazz standards, and mariachi. This work provides a track-by-track breakdown of the first twenty years of her solo career when her output totalled an amazing 17 albums. Transcending genres and applying her own vision to not only her career, but each song she interpreted, Linda Ronstadt garnered a wide fan base and left shattered records in her wake. Those familiar with her work, as well as those entirely new to it, will find something to discover through this analysis of her work through 1989. All the best-known hits are covered in this volume; however, the real fun is finding new favourites by visiting or revisiting lesser-known works. So sit back, put some of her songs on, crack this book open, and indulge in the voice that sold over 100 million records worldwide.

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Ken Loach''s 1969 drama Kes, considered one of the finest examples of British social realism, tells the story of Billy, a working class boy who finds escape and meaning when he takes a fledgling kestrel from its nest.David Forrest's study of the film examines the genesis of the original novel, Barry Hines' A Kestrel for a Knave (1968), the eventual collaboration that brought it to the screen, and the film''s funding and production processes. He provides an in depth analysis of key scenes and draws on archival sources to shed new light on the film's most celebrated moments. He goes on to consider the film's lasting legacy, having influenced films like Ratcatcher (1999) and This is England (2006), both in terms of its contribution to film history and as a document of political and cultural value. He makes a case for the film''s renewed relevance in our present era of systemic economic (and regional) inequality, alienated labour, increasingly narrow edu

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Winner of the Leila Webster Memorial Music Award for the International Alliance for Women in Music of the 2022 Pauline Alderman Awards for Outstanding Scholarship on Women in Music Chen Yi is the most prominent woman among the renowned group of new wave composers who came to the US from mainland China in the early 1980s. Known for her creative output and a distinctive merging of Chinese and Western influences, Chen built a musical language that references a breathtaking range of sources and crisscrosses geographical and musical borders without eradicating them. Leta E. Miller and J. Michele Edwards provide an accessible guide to the composer's background and her more than 150 works. Extensive interviews with Chen complement in-depth analyses of selected pieces from Chen's solos for Western or Chinese instruments, chamber works, choral and vocal pieces, and compositions scored for wind ensemble, chamber orchestra, or full orchestra. The authors highlight Chen's compositional strategies, her artistic elaborations, and the voice that links her earliest and most recent music. A concluding discussion addresses questions related to Chen's music and issues such as gender, ethnicity and nationality, transnationalism, border crossing, diaspora, exoticism, and identity.

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Beethoven’s piano sonatas form one of the most important collections of works in the whole history of music. Spanning several decades of his life as a composer, the sonatas soon came to be seen as the first body of substantial serious works for piano suited to performance in large concert halls seating hundreds of people. In this comprehensive and authoritative guide, Charles Rosen places the works in context and provides an understanding of the formal principles involved in interpreting and performing this unique repertoire, covering such aspects as sonata form, phrasing, and tempo, as well as the use of pedal and trills. In the second part of his book, he looks at the sonatas individually, from the earliest works of the 1790s through the sonatas of Beethoven’s youthful popularity of the early 1800s, the subsequent years of mastery, the years of stress (1812–1817), and the last three sonatas of the 1820s. Composed as much for private music-making as public recital, Beethoven’s sonatas have long formed a bridge between the worlds of the salon and the concert hall. For today’s audience, Rosen has written a guide that brings out the gravity, passion, and humor of these works and will enrich the appreciation of a wide range of readers, whether listeners, amateur musicians, or professional pianists. The book includes a link to recordings of Rosen performing extracts from several of the sonatas, illustrating points made in the text.

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Iconic and never-before-seen images of punk and post-punk’s quintessential bands Photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York as punk rock morphed into the post-punk and new wave movements that dominated from the late ’70s to the early ’90s. From Sex Pistols to Blondie, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, The Ramones, and many others, Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. In addition to concert photography, he shot album covers and promotional pieces that round out his impressively extensive photo collection. The Grammy Museum in Los Angeles has offered Grecco an exhibition of his photographs to coincide with publication.

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Why has Serge Gainsbourg crossed over to the English-speaking world when so many of his contemporaries have remained largely confined to the Francosphere? What is it about this unshaven provocateur that so appeals to us? And who was the real Serge Gainsbourg anyway? Was he the sensitive seducer and songwriting colossus of the 60s and 70s? Was he Lucien Ginsburg, the son of Russian Jewish refugees who had to wear a yellow star during the Nazi Occupation of Paris? Or was he Gainsbarre, the deplorable, attention-seeking drunk who shamelessly propositioned Whitney Houston on live TV? Gainsbourg s cult has only grown since his death in 1991, and Histoire de Melody Nelson is now regarded as a classic in France and internationally. The 1971 album had only sold eighty thousand copies by 1986 when it finally went gold fifteen years after its release; its canonical elevation is a remarkable story, and there are many more remarkable stories attached to all of Gainsbourg s genre-defying, transgressive long-players. In Relax Baby Be Cool, writer Jeremy Allen takes each studio album in turn while exploring themes pertinent to Gainsbourg s life and music: jazz, performance, provocation, appropriation, postmodernism, aesthetics, metamorphosis, muses, Nazis, film and TV, Surrealism, fame, and decline. French pop music is more popular than it s been since the mid-90s, when the French touch was breaking. Gainsbourg s influence has also been huge on alternative music: from Pulp to Massive Attack, De La Soul to Danger Mouse, Black Grape to Iggy Pop, Luke Vibert to Die Antwoord, Air to Kylie Minogue. This book is full of new interviews from people who knew him, as well as younger artists who ve discovered him long after his death. Contributors include Jane Birkin, Charlotte Gainsbourg, Jacqueline Ginsburg (Gainsbourg s sister), Anna Karina, Mike Patton, Etienne Daho, Sly Dunbar, Alan Hawkshaw, Alan Parker, Jean-Claude Vannier, Tony Frank, Tony Allen, Mick Harvey, Bertrand Burgalat, Acid Arab, Jehnny Beth, Alain Chamfort, Metronomy, David Holmes, Blonde Redhead, Air, Sparks, Will Oldham, and many more.

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In the twentieth century, Appalachian migrants seeking economic opportunities relocated to southwestern Ohio, bringing their music with them. Between 1947 and 1989, they created an internationally renowned capital for the thriving bluegrass music genre, centered on the industrial region of Cincinnati, Dayton, Hamilton, Middletown, and Springfield. Fred Bartenstein and Curtis W. Ellison edit a collection of eyewitness narratives and in-depth analyses that explore southwestern Ohio’s bluegrass musicians, radio broadcasters, recording studios, record labels, and performance venues, along with the music’s contributions to religious activities, community development, and public education. As the bluegrass scene grew, southwestern Ohio's distinctive sounds reached new fans and influenced those everywhere who continue to play, produce, and love roots music. Revelatory and multifaceted, Industrial Strength Bluegrass shares the inspiring story of a bluegrass hotbed and the people who created it.Contributors: Fred Bartenstein, Curtis W. Ellison, Jon Hartley Fox, Rick Good, Lily Isaacs, Ben Krakauer, Mac McDivitt, Nathan McGee, Daniel Mullins, Joe Mullins, Larry Nager, Phillip J. Obermiller, Bobby Osborne, and Neil V. Rosenberg.

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Since She Bop was first published in 1995, digital downloading has transformed the music landscape. But has issue of gender inequality changed too? For She Bop, Lucy O Brien conducted over 250 interviews with female artists and women working behind the scenes in A and R, marketing, music publishing, and production to write a groundbreaking exploration of sexism in the music industry. Fusing many untold stories, O Brien presents a feminist history of women in popular music, from 1920s blues to the present day. Talking to iconic artists from Eartha Kitt and Nina Simone to Debbie Harry, Poly Styrene, and Beyonce, she charts how women have negotiated old boy power networks to be seen and to get their music heard. This revised edition updates that story through many fresh interviews and new perspectives. In a new introduction and additional closing chapter, O Brien asks why, in 2020, women own just 13 percent of music publishing and are still a minority among festival headliners. She celebrates the rise of unique women such as Lizzo and Billie Eilish who are bursting through and creating new possibilities for female artists, while also looking at the struggles of artists like Kesha and Aaliyah, and wondering whether the pop industry has had its #MeToo moment. When she first wrote She Bop, O Brien questioned the way the music press lumped female artists together under the term Women in Rock , saying that the ultimate goal was to make that phrase redundant. Now, despite the gender inequalities that still exist, greater awareness means few magazine editors would dare to feature women in such a derogatory way. Published to celebrate the original book s 25th anniversary and in the year that also marks the 50th anniversary of Women s Liberation this new She Bop will appeal to a huge cross-section of readers, from music fans to the LGBT audience and women of all generations.

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Felix Mendelssohn Bartholdy war als Komponist faszinierend vielseitig. Und so nannte ihn Robert Schumann den „Mozart des 19. Jahrhunderts“, Johannes Brahms und Max Reger verehrten ihn jedoch als romantischen Sinnstifter. Zu Lebzeiten gefeiert, postum seit Richard Wagner mit antisemitischer Hetze überschüttet und von den Konzertpodien verdrängt, hat kein anderer Komponist so unter seiner eigenen Rezeptionsgeschichte leiden müssen wie Mendelssohn. Das Handbuch bringt Einzelwerkbesprechungen zu allen Werkgruppen, allgemeine Darstellungen von Lebens- und Kompositionskonzepten im musikalischen und kulturellen Kontext sowie Aspekte der Wirkungsgeschichte in kompositorischer und historischer Perspektive. Ziel dieses Handbuches ist es, Mendelssohns Position in seiner Zeit besser zu verstehen und verschiedenste Zugänge zu seinen Kompositionen aufzuzeigen.

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Part of the Overture Opera Guides series in association with English National Opera, this new edition of Eugene Onegin contains new illustrations, many revised and newly commissioned articles, updated reference sections and a literal translation of the libretto that will enable the reader to get closer to the intentions and meaning of the original.

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The ground-breaking biography of Ralph Vaughan Williams reveals more than any other the man behind the music. The author examines the considerable range of Vaughan Williams's work, from the English pastoral tradition to Modernism, and shows how Vaughan Williams was influenced by the Boer War, the economic depression after the First World War, the deprivations of the Blitz, and the austerity of the Cold War. He also reveals how the greatest influence on Vaughan Williams's music and creative development was his personal life, involving his seemingly secure marriage and an equally enduring love affair. The author shows how these reflected both the stability and cutting-edge aspects of his music. Like a great symphony, this book ranges from doubt to inspiration. It is the most complete biography of one of Britain's greatest composers.

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Featuring all 29 pieces from the album Lang Lang Piano Book, this is a collection of the most significant pieces from Lang Lang’s personal musical journey. It is beautifully presented as a high-end cased book, featuring marbled endpapers, page-finder ribbon and sewn binding. It includes exclusive photographs, comments from Lang Lang on every piece and an edition of Für Elise annotated with Lang Lang’s own performance notes. This is a book for all pianists to treasure and revisit again and again.

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This book is a record of the Black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London’s precious, embattled multiculture. It tells the story of the linked Black musical scenes of the city, from ska, reggae and soul in the 1970s, to rare groove and rave in the 1980s and jungle and its offshoots in the 1990s, to dubstep and grime of the 2000s. Melville argues that these demonstrate enough common features to be thought of as one musical culture, an Afro-diasporic continuum. Core to this idea is that this dance culture has been ignored in history and cultural theory and that it should be thought of as a powerful and internationally significant form of popular art.

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A no-holds-barred narrative history of the iconic label that brought the world Black Flag, Hüsker Dü, Sonic Youth, Soundgarden, and more, by the co-author of Do What You Want and My Damage.Greg Ginn started SST Records in the sleepy beach town of Hermosa Beach, CA, to supply ham radio enthusiasts with tuners and transmitters. But when Ginn wanted to launch his band, Black Flag, no one was willing to take them on. Determined to bring his music to the masses, Ginn turned SST into a record label. On the back of Black Flag's relentless touring, guerilla marketing, and refusal to back down, SST became the sound of the underground.In Corporate Rock Sucks, music journalist Jim Ruland relays the unvarnished story of SST Records, from its remarkable rise in notoriety to its infamous downfall. With records by Black Flag, Minutemen, Hüsker Dü, Bad Brains, Sonic Youth, Dinosaur Jr, Screaming Trees, Soundgarden, and scores of obscure yet influential bands, SST was the most popular indie label by the mid-80s--until a tsunami of legal jeopardy, financial peril, and dysfunctional management brought the empire tumbling down. Throughout this investigative deep-dive, Ruland leads readers through SST's tumultuous history and epic catalog.Featuring never-before-seen interviews with the label's former employees, as well as musicians, managers, producers, photographers, video directors, and label heads, Corporate Rock Sucks presents a definitive narrative history of the '80s punk and alternative rock scenes, and shows how the music industry was changed forever.

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The 1980s saw Alice Cooper release arguably his most diverse collection of albums, ranging from new wave to metal to full-on radio-friendly rock. They weren't all commercially successful, but all are worth listening to and some are excellent. This book (which follows on from the author's acclaimed Alice Cooper In The '70s) features all new interview material by the author with 45 musicians and performers who worked with Alice over the decade. Many have never been interviewed before and they offer fascinating insight into working with Alice and each other. Key interviewees include Mike Pinera, Jan Uvena, John Nitzinger, Graham Shaw, Ken Mary, Kip Winger, Kane Roberts, John McCurry and Al Pitrelli. Consequently, the book includes a lot of new facts and information that should please fans. The author adds commentary and opinions on all of the songs from the era, Alice's film work and the five live tours. There is also an appendix on the album that could have been but never was. Alice 'contributes' from the contemporary press of the time are referenced, which became more loquacious as the decade goes on. Alice in the '80s, what a thrill ride that was!

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‘Lovingly detailed and exhaustively researched – easily the most readable and comprehensive guide I've seen to this fascinating hidden history’ Tom Robinson, musician, broadcaster and long-time LGBT rights activist From Sia to Elton John, Dusty Springfield to Little Richard, LGBT voices have changed the course of modern music. But in a world before they gained understanding and a place in the mainstream, how did the queer musicians of yesteryear fight to build foundations for those who came after? Pulling back the curtain on the colourful world that shaped our musical and cultural landscape, Darryl W. Bullock reveals the inspiring and often heartbreaking stories of internationally renowned stars, as well as lesser-known names, who have led the revolution from all corners of the globe. David Bowie Made Me Gay is a treasure trove of moving and provocative stories that emphasise the right to be heard and the need to keep up the fight for equality in the spotlight.

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An outstanding anthology in which notable musicians, artists, scientists, thinkers, poets, and more—from Gustavo Dudamel and Carrie Mae Weems to Ruth Bader Ginsburg and Paul Muldoon—explore the influence of music on their lives and workContributors include: Laurie Anderson ● Jamie Barton ● Daphne A. Brooks ● Edgar Choueiri ● Jeff Dolven ● Gustavo Dudamel ● Edward Dusinberre ● Corinna da Fonseca-Wollheim ● Frank Gehry ● James Ginsburg ● Ruth Bader Ginsburg ● Jane Hirshfield ● Pico Iyer ● Alexander Kluge ● Nathaniel Mackey ● Maureen N. McLane ● Alicia Hall Moran ● Jason Moran ● Paul Muldoon ● Elaine Pagels ● Robert Pinsky ● Richard Powers ● Brian Seibert ● Arnold Steinhardt ● Susan Stewart ● Abigail Washburn ● Carrie Mae Weems ● Susan Wheeler ● C. K. Williams ● Wu FeiWhat happens when extraordinary creative spirits—musicians, poets, critics, and scholars, as well as an architect, a visual artist, a filmmaker, a scientist, and a legendary Supreme Court justice—are asked to reflect on their favorite music? The result is Ways of Hearing, a diverse collection that explores the ways music shapes us and our shared culture. These acts of musical witness bear fruit through personal essays, conversations and interviews, improvisatory meditations, poetry, and visual art. They sound the depths of a remarkable range of musical genres, including opera, jazz, bluegrass, and concert music both classical and contemporary.This expansive volume spans styles and subjects, including Pico Iyer’s meditations on Handel, Arnold Steinhardt’s thoughts on Beethoven’s Grosse Fuge, and Laurie Anderson and Edgar Choueiri’s manifesto for spatial music. Richard Powers discusses the one thing about music he’s never told anyone, Daphne Brooks draws sonic connections between Toni Morrison and Cécile McLorin Salvant, and Ruth Bader Ginsburg reveals what she thinks is the sexiest duet in opera. Poems interspersed throughout further expand how we can imagine and respond to music. Ways of Hearing is a book for our times that celebrates the infinite ways music enhances our lives.

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A revisionist history of minimalism's transformative rise, through the voices of the musicians who created it. When composers like Philip Glass and Steve Reich began creating hypnotically repetitive music in the 1960s, it upended the world of American composition. But minimalism was more than a classical phenomenon—minimalism changed everything. Its static harmonies and groovy pulses swept through the broader avant-garde landscape, informing the work of Yoko Ono and Brian Eno, John and Alice Coltrane, Pauline Oliveros and Julius Eastman, and many others. On Minimalism moves from the style's beginnings in psychedelic counterculture through its present-day influences on ambient jazz, doom metal, and electronic music. The editors look beyond the major figures to highlight crucial and diverse voices—especially women, people of color, and LGBTQ+ musicians—that have shaped the genre. Featuring more than a hundred rare historical sources, On Minimalism curates this history anew, documenting one of the most important musical movements of our time.

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* Specifications: Replica 8 inch x 8 inch folding spirit board with usable planchette* Illustrated mini book included: Learn about using your spirit board and the many roles the board has played on Supernatural with this 32 page, 2 x 3 inch guide complete with full colour images* Perfect gift for Supernatural fans: Use the spirit board alone or with your fellow hunters and celebrate your love of the Winchesters* Officially licensed: Authentic Supernatural collectible

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Bruce Springsteen has been cherished by his fans for decades, from his early days playing high school gymnasiums through globally successful albums and huge stadium shows to solo performances in intimate theaters. As his long and illustrious career has evolved, the legendary devotion of his fans has remained a constant. Springsteen fans have become worthy of study in their own right, with books, memoirs, and even a movie documenting their passion and perspectives. But his fans are not monolithic, and surprisingly little attention has been paid to why so many women from across the world adore The Boss. Mary Climbs In illuminates this once overlooked but increasingly important and multi-faceted conversation about female audiences for Springsteen’s music. Drawing on unique surveys of fans themselves, the study offers insight into women’s experiences in their own voices. Authors Lorraine Mangione and Donna Luff explore the depth of women fans’ connection to Springsteen and the profound ways this connection has shaped their lives. Reflections from fans enliven each page as readers journey through the camaraderie and joy of concerts, the sorrow and confusion of personal loss and suffering, the love and closeness of community, and the search for meaning and for the self. Viewed through a psychological lens, women fans’ relationship with Springsteen is revealed in all its complexity as never before. Mary Climbs In is an important interdisciplinary contribution to the growing field of Springsteen studies and a must-read for any fan.

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Prior to new editions of legendary Man musician Deke Leonard's previous books Rhinos, Winos & Lunatics and Maybe I Should've Stayed in Bed? planned for 2020, we are happy to bring back his 3rd and 4th books in their original editions. This volume picks up his epic journey in 1977. Prog-rock giants Man have imploded and Deke is fighting to resurrect his solo career. Follow his titanic struggle as he stalks the mean streets of LA, searching for the seedy underbelly of the American Dream. Thrill to his ruthless gang warfare with London's criminal underworld and rejoices he makes Smokey Robinson laugh and Phil Lynott cringe before painting the town red with Tina Turner. The inevitable reunion with Man sees the Welsh rock outfit criss-crossing Europe as hey battle to reclaim their status as one of the world's leading acid rock bands. While on tour, Deke gives guitar lessons to Alvin Lee, crosses swords with Wishbone Ash and lectures Eric Burdon on stagecraft - tales told in Deke's inimitable style with his customary dry wit.

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Prior to new editions of legendary Man musician Deke Leonard's previous books Rhinos, Winos & Lunatics and Maybe I Should've Stayed in Bed? planned for 2020, we are happy to bring back his 3rd and 4th books in their original editions. The Twang Dynasty is a book for people who love guitars and the glorious noise they make, written by a musician who has lived and loved the music for 50 years. Deke Leonard reflects on the genre from within in a highly amusing and informative style that makes this an essential read. He shines a light on how and why some musicians changed the landscape forever, tracing the development of modern popular music from its fragmented roots in delta blues, country and early rock 'n' roll to today's guitar based rock. He mixes personal encounters with Hendrix and Clapton with analysis of well-known but equally important players, ending with a chapter on Welsh rock guitarists that have been particularly dear to his heart. The Twang Dynasty is compelling reading, making the reader want to revisit the music and embark on their own personal guitar odyssey.

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The first comprehensive collection of the letters of one of the most successful American songwriters of the twentieth century From Anything Goes to Kiss Me, Kate, Cole Porter left a lasting legacy of iconic songs including "You're the Top," "Love For Sale," and "Night and Day." Yet, alongside his professional success, Porter led an eclectic personal life which featured exuberant parties, scandalous affairs, and chronic health problems. This extensive collection of letters (most of which are published here for the first time) dates from the first decade of the twentieth century to the early 1960s and features correspondence with stars such as Irving Berlin, Ethel Merman, and Orson Welles, as well as his friends and lovers. Cliff Eisen and Dominic McHugh complement these letters with lively commentaries that draw together the loose threads of Porter’s life and highlight the distinctions between Porter’s public and private existence. This book reveals surprising insights into his attitudes toward Hollywood and Broadway, and toward money, love, and dazzling success.

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Today, Metallica are known as consummate musicians, but it wasn t always that way. Their early career is marked by a gradual evolution from garage thrash to sophisticated, progressive heights an evolution driven by their bass player, Cliff Burton, who pushed the band to new heights with his songwriting ability and phenomenal bass skills across the band s first three albums, including their undisputed masterpiece, Master Of Puppets. Cliff s life was short but influential; his death at the age of 24 in a tour bus crash on a Swedish mountain road was sudden and shocking. Following his passing, Metallica went on to huge global success, but by their own admission they never pushed the creative envelope as radically as they had done during the first four years of their career. The cult of Burton grows year on year, and so too the list of bassists acknowledging his influence in metal and beyond. Published to coincide with the 40th anniversary of Metallica s debut album, Kill Em All, this revised and updated edition of To Live Is To Die adds a new chapter on Cliff s enduring legacy as well as a preface from Testament bass master Steve Di Giorgio.

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Covers the entire mixing process – from fundamental concepts to advanced techniques Features new sections on console emulation, the loudness war, LUFS targets, and DIY mastering, as well as updated figures and illustrations throughout Offers a robust companion website featuring over 2,000 audio samples as well as Pro Tools/ Multitrack Audio Sessions

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From Dolly Parton to Carrie Underwood, Kenny Rogers to Merle Haggard, Country Legends Alphabet is a toe-tappin’, boot scootin’ A to Z of the voices that have shaped country music over the years. Written and illustrated with a good dose of Nashville pride, this book is a must-read for every country music loving family.

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For Bob Dylan enthusiasts and anyone with an interest in the history of music. This, the third book in the Troubadour Tales series takes us back to Minnesota and Dylan's hometown of Duluth. Bob Dylan born in Duluth in Minnesota, grew up in Hibbing, Minnesota and cut his musical teeth in the folk scene of Dinkytown, Minnesota. This guide brings together wonderful stories from each of these key locations and provides detailed information about the roots and the early life of Bob Dylan. We travel back in time to hear stories from his early teacher, tales of the mysterious wandering rabbi, eye-witness accounts from early Dinkytown musical collaborators, as well as being privy to secrets from behind the scenes of the classic Blood On The Tracks album. Fascinating insights into the history and life of one of the most important songwriters in music history and told with Minnesota voices, each with their own personal stories to tell.

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**FEATURING A NEW INTRODUCTION BY KATE BUSH**Selected and arranged by the author, How To Be Invisible presents the lyrics of Kate Bush in a beautiful new paperback edition featuring a new cover by illustrator Jim Kay. 'The greatest singer-songwriter of the past 40 years, whose work is complex, ethereal and filled with so many secrets that one can listen to the albums for decades and still discover new delights every time [. . .] There's not a spare word anywhere in Bush's work. Everything means something.' Irish Times

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Since their formation in the early 1970s, Earth, Wind & Fire have been at the forefront of popular music. Led by the fearless Maurice White, the band imprinted their funky style onto the world's psyche, with tracks like 'September', 'Let's Groove', 'That's The Way of The World' and 'Reasons' becoming instantly recognisable in the process, transforming the group into one of the biggest pop acts of all time. Walking the fine line between pop hits, jazz compositions and fusion playing, Maurice surrounded himself with some of the best players of the time in order to realise his vision. Al McKay, Verdine White, Larry Dunn, Andrew Woolfolk and vocalist extraordinaire Philip Bailey were players of the highest order, committing stunning performances to tape and becoming icons in the process. Earth, Wind & Fire On Track gives a complete overview of the group's recorded output. From 1971s self-titled debut to 2014's Holiday, with smash hits like I Am, All 'N All and Spirit in between, here you will find every song delved into with facts and insightful analysis. No stone is left unturned in this career overview, giving both longtime fans and newcomers something fresh to find out about one of popular music's greatest acts.

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Forged in a West London fire ritual in 1979 and reborn with their original line-up in 2008, Killing Joke have been creating uncompromising music for 44 years. In addition to their incandescent self-titled debut in 1980, they have released essential albums in each of the past four decades: Night Time (1985), Pandemonium (1994), Killing Joke (2003) and Pylon (2015). But Killing Joke are more than a band; they are a primal force that exerts an intangible gravity on both its members and its fans. They have influenced countless groups across multiple genres - including Metallica, Nirvana and Nine Inch Nails - while their own style ranges across post-punk, dub, industrial, world music, electronica and alt-metal. Their equally eclectic lyrics traverse social alienation, dystopian futures, the folly of hubris, Cold War dread, paganism and the occult. Above all, their work embodies a process of self-discovery whose aim is nothing less than the revelation and integration of our darkest urges. Killing Joke On Track covers the 15 studio albums and almost 200 songs of Killing Joke's vocation to date. It's a celebration of a band who are often challenging, always provocative, but ultimately life-affirming.

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