Description

Ken Loach''s 1969 drama Kes, considered one of the finest examples of British social realism, tells the story of Billy, a working class boy who finds escape and meaning when he takes a fledgling kestrel from its nest.David Forrest's study of the film examines the genesis of the original novel, Barry Hines' A Kestrel for a Knave (1968), the eventual collaboration that brought it to the screen, and the film''s funding and production processes. He provides an in depth analysis of key scenes and draws on archival sources to shed new light on the film's most celebrated moments. He goes on to consider the film's lasting legacy, having influenced films like Ratcatcher (1999) and This is England (2006), both in terms of its contribution to film history and as a document of political and cultural value. He makes a case for the film''s renewed relevance in our present era of systemic economic (and regional) inequality, alienated labour, increasingly narrow edu

Kes

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Paperback by David Forrest

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Ken Loach''s 1969 drama Kes, considered one of the finest examples of British social realism, tells the story of Billy,... Read more

    Publisher: Bloomsbury Publishing PLC
    Publication Date: 1/2/2024
    ISBN13: 9781839025648, 978-1839025648
    ISBN10: 1839025646

    Non Fiction , Entertainment

    Description

    Ken Loach''s 1969 drama Kes, considered one of the finest examples of British social realism, tells the story of Billy, a working class boy who finds escape and meaning when he takes a fledgling kestrel from its nest.David Forrest's study of the film examines the genesis of the original novel, Barry Hines' A Kestrel for a Knave (1968), the eventual collaboration that brought it to the screen, and the film''s funding and production processes. He provides an in depth analysis of key scenes and draws on archival sources to shed new light on the film's most celebrated moments. He goes on to consider the film's lasting legacy, having influenced films like Ratcatcher (1999) and This is England (2006), both in terms of its contribution to film history and as a document of political and cultural value. He makes a case for the film''s renewed relevance in our present era of systemic economic (and regional) inequality, alienated labour, increasingly narrow edu

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