Entertainment

The Pearson Edexcel GCSE Anthology of Music CD introduces the GCSE set works to a new generation of musicians and will inspire them to develop their music knowledge, understanding and skills and will help them prepare for their assessment. Published in partnership with Edition Peters and Faber Music, and edited by Julia Winterson, the audio CD contains: · all 8 set works on one CD · performances which correspond to the scores in the printed Anthology.

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A miracle of still-plentiful hair, raw sex-appeal, and strutting talent . The frontman of one of the most influential and controversial groups of all time. A musical genius with a career spanning over four decades. He is a testament to British glamour, the ultimate architect and demi-god of rock. Bestselling biographer Philip Norman offers an unparalleled account of the life of a living legend, Mick Jagger. From Home Counties schoolboy, to rebel without a cause to Sixties rock sensation and global idol, Norman unravels with astonishing intimacy the myth of the inimitable frontman of The Rolling Stones. MICK JAGGER charts his extraordinary journey through scandal-ridden conspiracy, infamous prison spell, hordes of female admirers and a knighthood while stripping away the colossal fame, wealth and idolatry to reveal a story of talent and promise unfulfilled. Understated yet ostentatious; the ultimate incarnation of modern man's favourite fantasy: 'sex, drugs and rock 'n' roll', yet blessed with taste and intelligence; a social chameleon who couldn't blend in if he tried; always moving with the Jagger swagger yet modest enough to be self-deprecating, Mick was a paradoxical energy that reconfigured the musical landscape. This revelatory tour de force is ample tribute to a flawed genius, a Casanova, an Antichrist and a god who, with characteristic nonchalance realised the dreams of thousands of current contenders and rocker pretenders, longevity, while coasting on a sea of fur rugs.

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In its open improvisations, lapidary lyrics, errant melodies, and relentless pursuit of spontaneity, the British experimental band Henry Cow pushed rock music to its limits. Its rotating personnel, sprung from rock, free jazz, and orchestral worlds, synthesized a distinct sound that troubled genre lines, and with this musical diversity came a mixed politics, including Maoism, communism, feminism, and Italian Marxism. In Henry Cow: The World Is a Problem Benjamin Piekut tells the band’s story—from its founding in Cambridge in 1968 and later affiliation with Virgin Records to its demise ten years later—and analyzes its varied efforts to link aesthetics with politics. Drawing on ninety interviews with Henry Cow musicians and crew, letters, notebooks, scores, journals, and meeting notes, Piekut traces the group’s pursuit of a political and musical collectivism, offering up its history as but one example of the vernacular avant-garde that emerged in the decades after World War II. Henry Cow’s story resonates far beyond its inimitable music; it speaks to the avant-garde’s unpredictable potential to transform the world.

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To celebrate its 30th anniversary of publication, a brand new edition of the ultimate combination of traditional hymns and modern worship songs.Mission Praise' is a much-loved hymn book, and has remained so since its outset in 1984. Initially used for Billy Graham's Mission England rallies where thousands of people converted to Christianity it has become a staple of worship throughout the UK and across the world.It was the first hymn book of its kind, introducing more modern styles of music into worship yet retaining the best of traditional hymnody loved by churchgoers of every age. This new, expanded edition of the complete Mission Praise' includes the whole of the existing collection of over 1000 songs and hymns, and adds the best new songs in various styles from the past few years.This brand new edition has been put together by Mission Praise''s original editorial team of Peter Horrobin and Greg Leavers, and contains in this 30th anniversary year over 100 new songs and has, by p

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"Playing in an orchestra in an intelligent way is the best school for democracy."--Daniel Barenboim The Chicago Symphony Orchestra has been led by a storied group of conductors. And from 1994 to 2015, through the best work of Daniel Barenboim, Pierre Boulez, Bernard Haitink, and Ricardo Muti, Andrew Patner was right there. As music critic for the Chicago Sun-Times and WFMT radio, Patner was able to trace the arc of the CSO's changing repertories, all while cultivating a deep rapport with its four principal conductors. This book assembles Patner's reviews of the concerts given by the CSO during this time, as well as transcripts of his remarkable radio interviews with these colossal figures. These pages hold tidbits for the curious, such as Patner's "driving survey" that playfully ranks the Maestri he knew on a scale of "total comfort" to "fright level five," and the observation that Muti appears to be a southpaw on the baseball field. Moving easily between registers, they also open revealing windows onto the sometimes difficult pasts that brought these conductors to music in the first place, including Boulez's and Haitink's heartbreaking experiences of Nazi occupation in their native countries as children. Throughout, these reviews and interviews are threaded together with insights about the power of music and the techniques behind it--from the conductors' varied approaches to research, preparing scores, and interacting with other musicians, to how the sound and personality of the orchestra evolved over time, to the ways that we can all learn to listen better and hear more in the music we love. Featuring a foreword by fellow critic Alex Ross on the ethos and humor that informed Patner's writing, as well as an introduction and extensive historical commentary by musicologist Douglas W. Shadle, this book offers a rich portrait of the musical life of Chicago through the eyes and ears of one of its most beloved critics.

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At one time a star in her own right as a singer, Anna Magdalena (1701-60) would go on to become, through her marriage to the older Johann Sebastian Bach, history's most famous musical wife and mother. The two musical notebooks belonging to her continue to live on, beloved by millions of pianists young and old. Yet the pedagogical utility of this music--long associated with the sound of children practicing and mothers listening--has encouraged a rosy and one-sided view of Anna Magdalena as a model of German feminine domesticity. Sex, Death, and Minuets offers the first in-depth study of these notebooks and their owner, reanimating Anna Magdalena as a multifaceted historical subject--at once pious and bawdy, spirited and tragic. In these pages, we follow Magdalena from young and flamboyant performer to bereft and impoverished widow--and visit along the way the coffee house, the raucous wedding feast, and the family home. David Yearsley explores the notebooks' more idiosyncratic entries--like its charming ditties on illicit love and searching ruminations on mortality--against the backdrop of the social practices and concerns that women shared in eighteenth-century Lutheran Germany, from status in marriage and widowhood, to fulfilling professional and domestic roles, money, fashion, intimacy and sex, and the ever-present sickness and death of children and spouses. What emerges is a humane portrait of a musician who embraced the sensuality of song and the uplift of the keyboard, a sometimes ribald wife and oft-bereaved mother who used her cherished musical notebooks for piety and play, humor and devotion--for living and for dying.

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In one corner, a godless young warrior, Voltaire’s heralded ‘philosopher-king’, the It Boy of the Enlightenment. In the other, a devout if bad-tempered old composer of ‘outdated’ music, a scorned genius in his last years. The sparks from their brief conflict illuminate a turbulent age. Behind the pomp and flash, Prussia's Frederick the Great was a tormented man, son of an abusive king who forced him to watch as his best friend (probably his lover) was beheaded. In what may have been one of history's crueler practical jokes, Frederick challenged ‘old Bach’ to a musical duel, asking him to improvise a six-part fugue based on an impossibly intricate theme (possibly devised for him by Bach's own son). Bach left the court fuming, but in a fever of composition, he used the coded, alchemical language of counterpoint to write ‘A Musical Offering’ in response. A stirring declaration of faith, it represented ‘as stark a rebuke of his beliefs and world view as an absolute monarch has ever received,’ Gaines writes. It is also one of the great works of art in the history of music. Set at the tipping point between the ancient and the modern world, the triumphant story of Bach's victory expands to take in the tumult of the eighteenth century: the legacy of the Reformation, wars and conquest, the birth of the Enlightenment. Brimming with originality and wit, ‘Evening in the Palace of Reason’ is history of the best kind – intimate in scale and broad in its vision.

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In this eloquent, intimate exploration of the delights and demands of the piano, world-renowned concert pianist and music writer Charles Rosen draws on a lifetime's wisdom to consider every aspect of the instrument: from what makes a beautiful sound to suffering from stage fright, from the physical challenges of playing to tales of great musicians, including Vladimir Horowitz's recording tricks, Rachmaninov's hands and why Artur Rubenstein applied hairspray to the keys. Gracefully blending anecdote, history, expertise and memoir, Piano Notes will enchant anyone with a passion for music.

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FutureDJs: How to DJ is the ideal resource for anyone interested in the alchemy of mixing records. Perfect for the aspiring student with no prior knowledge as well as DJs looking to extend their skills and explore new genres. This complete guide covers all the technical foundations for DJ-ing in any genre or style, from fundamental skills such as beat-matching right through to using effects, scratching and beat-juggling. Featuring clear step-by-step instructions, stunning diagrams, at-a-glance guides to genres and packed with comments from professional DJs, this book will inspire and guide you through the creative and thrilling techniques required to become a FutureDJ. Every skill can be practised over and over in a range of genres from House, Techno and Trance to Grime, Trap, Hip-hop and Drum and Bass. “At last, a comprehensive and authentic book on the art of DJ-ing. The FutureDJs team have delivered a must-have book for anyone aspiring to become a DJ or enhance their existing skills.” Mark Brown (Cr2 Records) “This brilliant handbook will help you to develop your skills, musical understanding and sense of what makes DJ-ing unique, exciting and important as a modern musical skill. Dig in and enjoy.” Dr Pete Dale

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Paul Harris’s brilliant series of workbooks contains finger fitness exercises, scale and arpeggio studies, key pieces, simple improvisations and composition to help you play scales and arpeggios with real confidence. An invaluable resource for students, Improve your scales! Clarinet Grades 4-5 covers all the keys and ranges required for the Associated Board syllabus, helping you pick up valuable extra marks in exams. This new edition has been devised to support the revised criteria from the ABRSM from 2018.

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Of the many girl-groups that came out of the 1960s, none is more idiosyncratic and influential than the Shangri-Las. They were together only five years, but within that time they subverted pop standards and foreshadowed a generation of tough women in music. Critically, they are not lauded in the way of the Ronettes, and they are certainly not a household name like the Supremes. They were a little too low-brow with an uncouth flair for theatrics that has placed them just left of the girl-group canon. This book examines the still-elusive validation of 1960s girl-groups as a whole, but also paradoxically aims to free the Shangri-Las from that category, viewing them instead with the sort of individuality traditionally afforded to rock groups. They were somehow able to challenge the status quo under the guise of sticky-sweet pop, a feat not many pop groups can achieve, but which they do fleetingly but not insubstantially in Golden Hits of the Shangri-Las.

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When it was first published in 2017, Jesse Fink’s masterful biography of Bon Scott became an international sensation: it made the cover of Classic Rock magazine, threats were made against the author, and there was talk among some AC/DC fans of boycotts and book burnings. So why the uproar? The legend of the man known around the world as `Bon’ grows with each passing year. In death, AC/DC’s trailblazing frontman has become a rock icon. But so much of his story is myth. Bon: The Last Highway tells the unvarnished truth. The 1977–80 period forged the legend of AC/DC. There wasn’t a harder working band on the road in America. But, as Fink reveals in a journey that takes the reader from Austin to Miami to London, the relentless AC/DC machine was threatening to fall apart. With unprecedented access to Bon’s lovers, newly unearthed documents and a trove of never-before-seen photos, this updated edition contains a new introduction and more revelations about the singer’s death, which should dispel once and for all the idea that Scott succumbed to acute alcohol poisoning on 19 February 1980. Meticulously researched and packed with fresh information, Bon: The Last Highway is an affectionate, honest tribute to a titan of rock music.

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'No musician or music lover should be without it.' BBC Music MagazineRobert Schumann was far ahead of his time: his music anticipated a multitude of trends that would spread in the 150 years after his death, and almost every major composer who followed him acknowledged his influence. He was also revolutionary in his attitude to young people; in 1848 he wrote his famous Advice to Young Musicians, a book that is still deeply relevant today. In this volume, celebrated cellist Steven Isserlis has taken Schumann's words of wisdom and set them in a modern context with his own extensive commentary. By turns practical, humorous and profound, this book is a must for aspiring musicians and music-lovers of all ages.

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Become a different drummer Drumming is natural to all of us—after all, it mimics the regular beat of our hearts. But some of us want to go further and really lay down a big beat. And no wonder—whether you want to become the powerful backbone of a band or just learn how to play a hand drum for pleasure, drumming is a lot of fun. Oh, and it’s scientifically proven to make you smarter. Bonus: healthier! Drums For Dummies gets you going on the road to becoming the drummer you want to be. Get started with the basics—what drums to buy, exercises that build your skills, and playing simple rhythms. Then move into more complex topics, explore drumming styles from around the world, and add other percussion instruments to your repertoire. Written in an easy-to-follow step-by-step style by respected instructor Jeff Strong, you’ll go from banging out basic rhythms—with or without sticks—to acquiring versatility with different styles and types of drum. The book also provides online audio files to drum along with, as well as suggestions for solo approaches to wow your bandmates. Understand fundamental techniques. Hone your technique with exercises. Explore other percussion instruments. Care for your drums. The all-time drumming great Neal Peart of the band Rush once said that when he saw a good drummer, all he wanted to do was practice. Drums For Dummies is your best way to do just that—and start hitting your perfect groove. P.S. If you think this book seems familiar, you’re probably right. The Dummies team updated the cover and design to give the book a fresh feel, but the content is the same as the previous release of Drums For Dummies (9780471794110). The book you see here shouldn’t be considered a new or updated product. But if you’re in the mood to learn something new, check out some of our other books. We’re always writing about new topics!

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'A real treat for Can fans.' SpectatorAll Gates Open is the definitive story of the most influential and revered avant-garde band of the late twentieth century: Can. In part one, Rob Young gives us the full biography- an in-depth and exhilarating history of the band.In part two, Irmin Schmidt presents an oral history of Can, drawing on extensive interviews with many musicians who cite the band as an influence, including Bobby Gillespie and Mark E. Smith.An essential book for Can fans, All Gates Open is illustrated throughout with previously unseen art, photographs and ephemera from the band's archive.

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Personally compiled and curated by Yoko Ono, Imagine John Yoko is the definitive inside story – told in revelatory detail – of the making of the legendary album and all that surrounded it: the locations, the creative team, the artworks and the films, in the words of John & Yoko and the people who were there. Features 80% exclusive, hitherto-unpublished archive photos and footage sequences of all the key players in situ, together with lyric sheets, Yoko’s art installations, and exclusive new insights and personal testimonies from Yoko and over forty of the musicians, engineers, staff, celebrities, artists and photographers who were there – including Julian Lennon, Klaus Voormann, Alan White, Jim Keltner, David Bailey, Dick Cavett and Sir Michael Parkinson. ‘A lot has been written about the creation of the song, the album and the film of Imagine, mainly by people who weren’t there, so I’m very pleased and grateful that now, for the first time, so many of the participants have kindly given their time to “gimme some truth” in their own words and pictures’ Yoko Ono Lennon, 2018 In 1971, John Lennon & Yoko Ono conceived and recorded the critically acclaimed album Imagine at their Georgian country home, Tittenhurst Park, in Berkshire, England, in the state-of-the-art studio they built in the grounds, and at the Record Plant in New York. The lyrics of the title track were inspired by Yoko Ono’s ‘event scores’ in her 1964 book Grapefruit, and she was officially co-credited as writer in June 2017. Imagine John Yoko tells the story of John & Yoko’s life, work and relationship during this intensely creative period. It transports readers to home and working environments showcasing Yoko’s closely guarded archive of photos and artefacts, using artfully compiled narrative film stills, and featuring digitally rendered maps, floorplans and panoramas that recreate the interiors in evocative detail. John & Yoko introduce each chapter and song; Yoko also provides invaluable additional commentary and a preface. All the minutiae is examined: the locations, the key players, the music and lyrics, the production techniques and the artworks – including the creative process behind the double exposure polaroids used on the album cover. With a message as universal and pertinent today as it was when the album was created, this landmark publication is a fitting tribute to John & Yoko and their place in cultural history.

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Stravinsky in the Americas explores the “pre-Craft” period of Igor Stravinsky’s life, from when he first landed on American shores in 1925 to the end of World War II in 1945. Through a rich archival trove of ephemera, correspondence, photographs, and other documents, eminent musicologist H. Colin Slim examines the twenty-year period that began with Stravinsky as a radical European art-music composer and ended with him as a popular figure in American culture. This collection traces Stravinsky’s rise to fame—catapulted in large part by his collaborations with Hollywood and Disney and marked by his extra-marital affairs, his grappling with feelings of anti-Semitism, and his encounters with contemporary musicians as the music industry was emerging and taking shape in midcentury America. Slim’s lively narrative records the composer’s larger-than-life persona through a close look at his transatlantic tours and domestic excursions, where Stravinsky’s personal and professional life collided in often-dramatic ways.

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This treasure trove of an anthology is full to the brim with songs and seasonal verses that will delight children and encourage them to sing and play. Illustrated throughout with colour images, the Summer Songbook features four thematic sections: `Animals and Birds', `Nature', `Dancing, Rounds and Games' and `Silly Verses'. Providing ample material for teachers and parents, the book also includes selections of rhyming words, commentary on the significance of repetition, rhythm and beat, suggestions for incorporating movement and gesture, and practical teaching and parenting tips. For years, teachers, parents and students have requested that Sally Schweizer publish her collections of songs and verses - so here they are, presented in four wonderful anthologies to inspire the imagination and to celebrate the seasonal cycle!

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ÊThe Complete Singer-SongwriterÊ is the ultimate guide for the modern performer chock-full of tips tools and inspiration for both aspiring troubadours and those looking to take their craft and career to the next level. Author Jeffrey Pepper Rodgers draws on firsthand interviews with songwriting legends and rising stars; expert advice from managers agents lawyers and publishers; and his own experiences as a performing songwriter. He offers this invaluable companion for singer-songwriters on their journey from idea to song to the stage studio and beyond.ÞNew in the second edition:ÞÛ A songwriter's guide to chord progressionsÞÛ Understanding song form and rhymeÞÛ Dozens of songwriting games and exercisesÞÛ Essential info on copyrighting your songs music publishing and digital royaltiesÞÛ Online companion at completesingersongwriter.com with playlists and additional resourcesÞSongwriting tips and techniques from more than 100 artists including Joni Mitchell John Mayer Paul Simon Rosanne Cash Jewel Jeff Tweedy Ani DiFranco James Taylor John Fogerty Brandi Carlile Richard Thompson Jason Mraz Rodney Crowell Jerry Garcia Dar Williams and more.

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When Twin Peaks debuted on the ABC network on the night of April 8, 1990, thirty-five million viewers tuned in to some of the most unusual television of their lives. Centered on an eccentric, coffee-loving FBI agent’s investigation into the murder of a small town teen queen, Twin Peaks brought the aesthetic of arthouse cinema to a prime time television audience and became a cult sensation in the process. Part of Twin Peaks’ charm was its unforgettable soundtrack by Angelo Badalamenti, a longtime musical collaborator of film director and Twin Peaks co-creator David Lynch. Badalamenti’s evocative music, with its haunting themes and jazzy moodscapes, served as a constant in a narrative that was often unhinged and went on to become one of the most popular and influential television soundtracks of all time. How did a unique collaborative process between a director and composer result in a perfectly postmodern soundtrack that ran the gamut of musical styles from jazz to dreamy pop to synthesizer doom and beyond? And how did Badalamenti’s musical cues work with Twin Peaks’ visuals, constantly evolving and playing off viewers’ expectations and associations? Under the guidance of Angelo Badalamenti’s beautifully dark sonic palette, Clare Nina Norelli delves deep into the world of Twin Peaks to answer all this and more.

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The fascinating story of a hugely popular instrument, detailing its rich and varied history from the Middle Ages to the present The recorder is perhaps best known today for its educational role. Although it is frequently regarded as a stepping-stone on the path toward higher musical pursuits, this role is just one recent facet of the recorder’s fascinating history—which spans professional and amateur music-making since the Middle Ages. In this new addition to the Yale Musical Instrument Series, David Lasocki and Robert Ehrlich trace the evolution of the recorder. Emerging from a variety of flutes played by fourteenth-century soldiers, shepherds, and watchmen, the recorder swiftly became an artistic instrument for courtly and city minstrels. Featured in music by the greatest Baroque composers, including Bach and Handel, in the twentieth century it played a vital role in the Early Music Revival and achieved international popularity and notoriety in mass education. Overall, Lasocki and Ehrlich make a case for the recorder being surprisingly present, and significant, throughout Western music history.

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The long-awaited, definitive book for lovers of the low-end. Willie G. Moseley, Senior Writer for Vintage Guitar Magazine, profiles more than 100 historic and unique electric bass models from such makers as Alembic, Danelectro, Fender, Gibson, Gretsch, Guild, Hamer, Kramer, Rickenbacker, and many others. Rare and legendary instruments, from the earliest attempts at amplified basses in the mid-1930s to the cutting-edge instruments of today, are presented in more than 250 color and period photos. The main feature of this book is the exclusive coverage of historic and one-of-a-kind basses owned and played by such famed musicians as Bill Black (Elvis Presley), Tim Bogert (Vanilla Fudge), Mark Egan (Pat Metheny Group), John Entwistle (the Who), Paul Goddard (Atlanta Rhythm Section), Bruce Hall (REO Speedwagon), Greg Lake (Emerson, Lake & Palmer), Benjamin Orr (the Cars), Tom Petersson (Cheap Trick), Carl Radle (Derek and the Dominos), Gene Simmons (Kiss), Steve Wariner, and others.

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The works of Edgard Varèse (1883-1965) represent the most radical expression of 20th-century Modernism in music. Not only did he create such orchestral showpieces as "Ameriques" and "Arcana" and such mainstays of the instrumental repertoire as "Octandre" and "Density 21:5"; he also pioneered works for percussion ensemble and electronic music, both on tape and using electronic instruments. Yet books about Varèse are few. Either they are biographical studies by non-musicians, or severely analytical treatises beyond the reach of the majority of music lovers who are likely to hear his works in concert. This book takes a different approach. Within a chronological scheme, its core is a series of descriptive analyses; accessible to any literate music-lover, of all Varese's available works. Malcolm MacDonald relates them to the ideas, both aesthetic and scientific, which underlay Varèse's boldly original view of sound and musical structure.He shows how Varèse's conception of a music that "explodes into space", of "intelligent sounds moving in space" arose from 20th-century man's expanding consciousness of his place in the universe, but also from the esoteric philosophies of late 19th-century Paris, inspired by Renaissance alchemists such as Paracelsus. Much of Varèse's output is destroyed, but it is possible to infer much about his lost early works, his vast stage of composition about communication with the star Sirius, and the unachieved choral symphony "Espace", designed to be performed simultaneously in the various capitals of the world. This is also the first book to discuss the previously unpublished Varèse scores released for performance in 1998 by Varèse executor, Chou Wen Chung. An extensive bibliography is included.

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In 1967, a 17-year-old aspiring photographer named Ed Caraeff found himself front row at the Monterey Pop Festival, California. Caraeff had never seen Hendrix before, nor was he familiar with his music. But Caraeff had his ever-present camera and as Hendrix lit his guitar, he snapped a photo. That picture - Hendrix burning his guitar at Monterey - has become one of the most iconic images of rock and roll. A photo that defined Hendrix as an artist, appeared on the cover of Rolling Stone magazine not once, but twice, and launched Caraeff's photographic career. Timed to celebrate the 50th anniversary of the Monterey Pop Festival, Burning Desire reveals never-before published images from the magnificent, Hendrix-dedicated archive that Caraeff has compiled. From onstage to backstage, Jimi Hendrix was as electric in front of the camera as he was when he strummed his guitar. In Burning Desire, Caraeff showcases more than 100 images, including rare shots and contract sheets, and discusses his experiences with this incredible musician. Contents: Monterey International Pop Music Festival: June 18, 1967 Hollywood Bowl: August 18, 1967 Anaheim Convention Center: February 9, 1968 Ackerman Union Ballroom: February 13, 1968 Hollywood Bowl: September 14, 1968 Whiskey-A-Go-Go: October 1968 Newport '69: June 20-22, 1969

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Nostalgia for the Future is the first collection in English of the writings and interviews of Luigi Nono (1924–1990). One of the most prominent figures in the development of new music after World War II, he is renowned for both his compositions and his utopian views. His many essays and lectures reveal an artist at the center of the analytical, theoretical, critical, and political debates of the time. This selection of Nono’s most significant essays, articles, and interviews covers his entire career (1948–1989), faithfully mirroring the interests, orientations, continuities, and fractures of a complex and unique personality. His writings illuminate his intensive involvements with theatre, painting, literature, politics, science, and even mysticism. Nono’s words make vividly evident his restless quest for the transformative possibilities of a radical musical experience, one that is at the same time profoundly engaged with its performers and spaces, its audiences, and its human and social motivations and ramifications.

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Roger Steffens toured with Bob Marley for two weeks of his final tour of California in 1979 and the music icon was the first guest of Steffens’ award-winning radio show. In So Much Things To Say, Steffens draws on a lifetime of scholarship to tell the story of Marley’s childhood abandonment, his formative years in Trench Town, his seemingly meteoric rise to international fame and his tragic death at 36. Weaving together the voices of Rita Marley, Peter Tosh and Bunny Wailer—as well as band members, family and friends—Steffens reveals extraordinary new details, dispels myths and highlights the most dramatic elements of Marley’s life; his psychic abilities and his overriding commitment to the peace and love message of Rastafari. This landmark work will reshape our understanding of this legendary performer.

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ABRSM's official Music Theory Practice Papers 2023 are essential resources for candidates preparing for our online Music Theory exams. They provide authentic practice material and are a reliable guide as to what to expect in the exam. *Essential practice material for ABRSM Grade 1 Theory exams *Model answers also available

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Popoff assembles a panel of Lizzy scholars and devotees. Together they deconstruct each Thin Lizzy studio albums and every single song inside of them. It's likely that the most demanding fans will come away with fresh perspectives on the band. A reminder of why he or she fell in love with Thin Lizzy in the first place.

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A powerful personal journey with multi-platinum country star John Denver, featuring intimate stories and never-before-seen photographs. This memoir from Lowell Norman, a close friend and videographer of the late star, offers a rare and fascinating look inside Denver’s successful but turbulent life.The award-winning country star, John Denver was once described as a complicated man who wrote simple songs. In Rocky Mountain Highway, close friend and videographer, Lowell Norman reveals rare stories and never-before-seen photos of a John Denver that is at turns familiar and shockingly unexpected. He recounts the emotional live performances and the challenges of shooting such a big star. He describes in harrowing detail the frightening experience of being harassed by gun wielding soldiers with Denver on his tours of Africa for The Hunger Project. He tells the riveting story of dangling from a helicopter with a video camera while the intrepid singer tried to swim with hum

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Few artists have had as great an impact with their debut single as Procol Harum. Mesmerising and perplexing in equal measure, 'A Whiter Shade of Pale' remains the perfect distillation of the possibilities of psychedelia in that brief period when British pop seemed to promise a summer of love that would last forever.

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