Search results for ""university of pittsburgh press""

The Poetics of Plants in Spanish American Literature examines the defining role of plants in cultural expression across Latin America, particularly in literature. From the colonial georgic to Pablo Neruda's Canto general, Lesley Wylie's close study of botanical imagery demonstrates the fundamental role of the natural world and the relationship between people and plants in the region. Plants are also central to literary forms originating in the Americas, such as the New World Baroque, described by Alejo Carpentier as nacido de árboles. The book establishes how vegetal imaginaries are key to Spanish American attempts to renovate European forms and traditions as well as to the reconfiguration of the relationship between humans and nonhumans. Such a reconfiguration, which persistently draws on indigenous animist ontologies to blur the boundaries between people and plants, anticipates much contemporary ecological thinking about our responsibility towards nonhuman nature and shows how enviro

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The monumental American Guide Series, published by the Federal WritersÆ Project, provided work to thousands of unemployed writers, editors, and researchers in the midst of the Great Depression. Featuring books on states, cities, rivers, and ethnic groups, it also opened an unprecedented view into the lives of the American people during this time. Untold numbers of projects in progress were lost when the program was abruptly shut down by a hostile Congress in 1939.One of those, "The Negro in Pittsburgh," lay dormant in the Pennsylvania State Library until it was microfilmed in 1970. The WPA History of the Negro in Pittsburgh marks the first publication of this rich body of information. This unique historical study of the cityÆs black population features articles on civil rights, social class, lifestyle, culture, folklore, and institutions from colonial times through the 1930s.

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Popular natural history periodicals in the nineteenth century had an incredible democratizing power. By welcoming contributions from correspondents regardless of their background, they posed a significant threat to those who considered themselves to be gatekeepers of elite science, and who in turn used their own periodicals to shape more exclusive communities. Making Entomologists reassesses the landscape of science participation in the nineteenth century, offering a more nuanced analysis of the supposed amateur-professional divide that resonates with the rise of citizen science today. Matthew Wale reveals how an increase in popular natural history periodicals during the nineteenth century was instrumental in shaping not only the life sciences and the field of entomology but also scientific communities that otherwise could not have existed. These publications enabled many actors - from wealthy gentlemen of science to working-class naturalists - to participate more fully within an extended network of fellow practitioners and, crucially, imagine themselves as part of a wider community. Women were also active participants in these groups, although in far smaller numbers than men. Although periodicals of the nineteenth century have received considerable scholarly attention, this study focuses specifically on the journals and magazines devoted to natural history.face=Calibri>

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In Jesse Lee Kercheval’s sixth collection, I Want to Tell You, her searching, incantatory poems speak directly and forcefully to the reader in a voice that is by turns angry, elegiac, wry, or witty but always sharply alive. Crossing through the bewildering territory of grief, Kercheval argues with god and the universe about the deaths of people she loves. She also writes movingly about the complications of family life and love, the messy puzzle of life itself.

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Millions of scientific articles are published each year, making it difficult to stay abreast of advances within even the smallest subdisciplines. Traditional approaches to the study of science, such as the history and philosophy of science, involve closely reading a relatively small set of journal articles. And yet many questions benefit from casting a wider net: Is most scientific change gradual or revolutionary? What are the key sources of scientific novelty? Over the past several decades, a massive effort to digitize the academic literature and equip computers with algorithms that can distantly read and analyze a digital database has taken us one step closer to answering these questions. The Dynamics of Science brings together a diverse array of contributors to examine the largely unexplored computational frontiers of history and philosophy of science. Together, they reveal how tools and data from automated textual analysis, or machine “reading,” combined with methods and models from game theory and cultural evolutionary theory, can begin to answer fundamental questions about the nature and history of science.

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Americans love sports, from neighborhood pickup basketball to the National Football League, and everything in between. While no city better demonstrates the connection between athletic games and community than Pittsburgh, Pennsylvania, the common association of the city’s professional sports teams with its blue-collar industrial past illustrates a white nostalgic perspective that excludes the voices of many who labored in the mines and mills and played on local fields. In this original and lyrical history, Robert T. Hayashi addresses this gap by uncovering and sharing overlooked tales of the region’s less famous athletes: Chinese baseball players, Black women hunters, Jewish summer campers, and coal miner soccer stars. These athletes created separate spaces of play while demanding equal access to the region’s opportunities on and off the field. Weaving together personal narrative with accounts from media, popular culture, legal cases, and archival sources, Fields of Play details how powerful individuals and organizations used recreation to promote their interests and shape public memory. Combining this rigorous archival research with a poet’s voice, Hayashi vividly portrays how coal towns, settlement houses, municipal swimming pools, state game lands, stadia, and the city’s landmark rivers were all sites of struggle over inclusion and the meaning of play in the Steel City.

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From majestic Amazonian macaws and highland Andean hawks to tiny colorful tanagers and tall flamingos, birds and their feathers played an important role in the Inka empire. Claudia Brosseder uncovers the many meanings that Inkas attached to the diverse fowl of the Amazon, the eastern Andean foothills, and the highlands. She shows how birds and feathers shaped Inka politics, launched wars, and initiated peace. Feathers provided protection against unpredictable enemies, made possible communication with deities, and brought an imagined Inka past into a political present. Richly textured contexts of feathered objects recovered from Late Horizon archaeological records and from sixteenth- and seventeenth-century accounts written by Spanish interlocutors enable new insights into Inka visions of interspecies relationships, an Inka ontology, and Inka views of the place of the human in their ecology. Inka Bird Idiom invites reconsideration of the deep intellectual ties that connected the Amazon and the mountain forests with the Andean highlands and the Pacific coast.

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Cuban Studies is the preeminent journal for scholarly work on Cuba. Each volume includes articles in English and Spanish and a large book review section. In publication since 1970, and under Alejandro de la Fuente's editorial leadership since 2013, this interdisciplinary journal covers all aspects of Cuban history, politics, culture, diaspora, and more. Cuban Studies 51 includes a dossier on Cuban social history.

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Since the period in which the Jewish liturgy was standardized, there has hardly been a time when it was not somehow in a state of flux. Eric L. Friedland explores the countless ways that the Siddur, Mahzor, and Haggadah have been adjusted, amplified, or transformed so as to faithfully mirror modern Jews' understanding of themselves, their place in society, and their sancta. In the tradition of liturgologists such as Elbogen, Idelsohn, and Petuchowski, Friedland focuses on latter-day adaptations of the prayerbook, giving proper recognition to the recent concern for intellectual integrity, cultural congruity, group and individual self-redefinition, and honest speech in Jewish prayer. The prayerbooks themselves are witnesses to innovation in the Jewish liturgy. From David Einhorn's Olath Tamid (Baltimore 1855), to Isaac Mayer Wise's Minhag Amerika (Cincinnati 1857) and Marcus Jastrow's 1873 revision of Benjamin Szold's Abodath Israel (Baltimore 1864), Friedland analyzes evidence of creativity in British and American Reform Jewish liturgy. Various rites for the Days of Awe provide a particularly accurate glimpse of how Jewish communities here and abroad experience the sacred, consider eternal mysteries, and communicate with God. Friedland also sets the Reform Gates of Prayer in historical and denominational perspective by considering it alongside the Reconstructionist Kol Haneshamah, and the Israeli Progressive HaAvodah shebaLev. The state and direction of liturgical change emerges from a survey of commonalities and divergences in nineteenth- and twentieth-century prayerbooks in terms of Sephardic and mystical influences, attitudes toward the messianic hope, and collective sentiments of forgiveness or vengeance toward Israel's enemies. Liturgical approaches to the commemoration of the Ninth of Av suggest that even an ancient fast day can recover relevance, credibility, and authenticity for Liberal Jews in the postmodern era.

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A work entitled the "Book of Giants" figures in every list of the Manichaean "canon" preserved from antiquity. Both the nature of this work and the intellectual baggage of the third-century Persian prophet to whom it is ascribed remained unknown to scholars until 1943, when fragments of several Middle Iranian versions of the Book of Giants were published by W. B. Henning. Twenty-eight years later, at Qumran, J. T. Milik discovered several copies of a fragmentary Aramaic work which is unquestionably the precursor of the later Manichaean recension. One other important work, Mani's "autobiography," the so-called Cologne Mani Codex, was brought to scholarly attention in 1970 with evidence that Mani spent his youth among the Elchasaites, a Judeo-Christian sect that observed the Sabbath, strict dietary laws, and rigorous purification practices. Although leading Orientalists of the nineteenth and twentieth centuries have consistently stressed the Iranian component in Mani's thought, Reeves argues, in the light of evidence drawn from the above-mentioned discoveries and from a rich panorama of other textual sources, that the fundamental structure of Manichaean cosmogony is ultimately indebted to Jewish exegetical expansions of Genesis 6:1-4. Reeves begins with an examination of the ancient testimonies about the contents of Mani's Book of Giants. Then, using documents from Second Temple Judaism, classical Gnostic literature, Christian and Muslim heresiological reports, Syriac texts, and Manichaean writings, he provides a detailed analysis of both the Qumran and Manichaean rescensions of the work, demonstrating additional interdependencies and suggesting new narrative arrangements. He addresses a series of quotations from an unnamed Manichaean source found in a paschal homily of the sixth-century Monophysite patriarch Severus of Antioch and a narrative from Thoeodore bar Konai. In sum, Reeves demonstrates that the motifs of Jewish Enochic literature, in particular those of the story of the Watchers and Giants, form the skeletal structure of Mani's cosmological teachings, and that Chapters 1 to 11 of Genesis fertilized Near Eastern thought, even to the borders of India and China.

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First published in 1938, Jacob Rader Marcus's The Jews in The Medieval World has remained an indispensable resource for its comprehensive view of Jewish historical experience from late antiquity through the early modern period, viewed through primary source documents in English translation. In this new work based on Marcus's classic source book, Marc Saperstein has recast the volume's focus, now fully centered on Christian Europe, updated the work's organizational format, and added seventy-two new annotated sources. In his compelling introduction, Saperstein supplies a modern and thought-provoking discussion of the changing values that influence our understanding of history, analyzing issues surrounding periodization, organization, and inclusion. Through a vast range of documents written by Jews and Christians, including historical narratives, legal opinions, martyrologies, memoirs, polemics, epitaphs, advertisements, folktales, ethical and pedagogical writings, book prefaces and colophons, commentaries, and communal statutes, The Jews in Christian Europe allows the actors and witnesses of events to speak for themselves.

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Leyb Naydus (1890-1918) expanded the possibilities of Yiddish poetry via his rich cosmopolitan works, introducing a wealth of themes and forms seldom seen in that language, including some of its first sonnets of literary merit. A devotee of European Symbolism, Naydus’s poems shimmer with his love of nature, especially that of his native Lithuania. His groundbreaking poetry explores classicism, exoticism, eroticism, Orientalism, and Judaism with equal verve.Naydus’s work adds to our understanding of the creation of a major literature in a minor language. Indeed, this book shows how the poetics of minor-language literatures innovate simultaneously from within and without, and how those interactions can offer even greater creative possibilities than the major language literatures with which they were in conversation. Naydus’s unique body of work not only expanded the repertoire of Yiddish poetry but also cemented it’s place on the world literary stage, convincing young Yiddish writers that this was a language that could fulfill their artistic aspirations.Literary critic Naftoli Vaynig’s lengthy essay on Naydus, written in 1943 in the Vilne Ghetto, makes a remarkable case for why the poems of this cosmopolitan aesthete, who died so tragically young, should serve as a fitting emblem for a culture threatened with extinction. Finkin’s Exile as Home, published here with a translation of Vaynig’s essay, Naydus Studies, extends that argument.

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The century from 1750 to 1850 was a period of dramatictransformations in world history, fostering several types of revolutionary change beyond the political landscape. Independence movements in Europe, the Americas, and other parts of the world were catalysts for radical economic, social, and culturalreform. And it was during this age of revolutions—an era of rapidly expanding scientific investigation—that profound changes in scientific knowledge and practice also took place. In this volume, an esteemed group of international historians examines key elements of science in societies across Spanish America, Europe, West Africa, India, and Asia as they overlapped each other increasingly. Chapters focus on the range of participants in eighteenth- and nineteenth-century science, their concentrated effort in description and taxonomy, and advances in techniques for sharing knowledge. Together, contributors highlightthe role of scientific change and development in tightening global and imperial connections, encouraging a deeper conversation among historians of science and world historians and shedding new light on a pivotal moment in history for both fields.

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This is the first book to examine the oeuvre of Shmuel Yosef Agnon, 1966 Nobel laureate in literature, through a reading that combines perspectives from economic theory, semiotics, psychoanalysis, narrative theory, and Jewish and religious studies. Sagiv outlines the vital role economy plays in the construction of religion, subjectivity, language, and thought in Agnon’s work, and, accordingly, explores his literary use of images of debt, money, and economy to examine how these themes illuminate other focal points in the canonical author’s work, excavating theeconomic infrastructure of discourses that are commonly considered to reside beyond the economic sphere. Sagiv’s analysis of Agnon’s work, renowned for its paradoxical articulation of the impact of modernity on traditional Jewish society, exposes an overarching distrust regarding the sustainability of any economic structure. The concrete and symbolic economies surveyed in this project are prone to cyclical crises. Under what Sagiv terms Agnon’s “law of permanent debt,” the stability and profitability of economies are always temporary. Agnon’s literary economy, transgressing traditional closures, together with hisprofound irony, make it impossible to determine if these economic crises are indeed the product of the break with tradition or, alternatively, if this theodicy is but a fantasy, marking permanent debtas the inherent economic infrastructure of human existence.

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Happiness and connection prove fickle in this debut collection of eleven linked stories introducing Babbie and Donnie. She is a thrice-divorced former call girl, and he is a sobriety-challenged trucker turned yogi. Along with their community of exes, in-laws, and coworkers, Babbie and Donnie share a longing to reforge their lives, a task easier said than done in Mobile, Alabama, which bears its own share of tainted history. Despite overwhelming challenges and the ever-looming specters of status, race, and class, the characters in It Falls Gently All Around and Other Stories strive for versions of the American dream through modern and often unconventional means. Told with humor and honesty, these stories remind us not only about the fallibility of being human and the resistance of some to change but also about finding redemption in unlikely places.

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In the late nineteenth century, medical educators intent on transforming American physicians into scientifically trained, elite professionals swiftly recognized the value of medical school design for their reform efforts. Between 1893 and 1940, nearly every medical college in the country rebuilt or substantially renovated its facility. In Building Schools, Making Doctors, Katherine Carroll reveals how the new buildings constructed during this fifty-year period did more than passively house a new system of medical training; they actively participated in defining and promoting a reformed pedagogy, modern science, and the new physician. Interdisciplinary and wide ranging, her study moves architecture from the periphery of medical education to the center, revealing a network of medical educators, architects, and philanthropists who believed that the educational environment itself shaped how students learned and the type of physicians they became. Carroll offers the first comprehensive study of the science and pedagogy formulated by new facilities, the influence of donors and architects, the impact of educational centers on the urban landscape and the local community, and the privileging of white men within the medical profession during this formative period for physicians and medical schools.

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General John Forbes’s campaign against Fort Duquesne was the largest over-land expedition during the Seven Years’ War in America. While most histories of the time period include the Forbes Campaign as an aside, McConnell documents how and why Forbes and his army succeeded, and what his success meant to the subsequent history of the mid-Atlantic colonies, native inhabitants of the Ohio Country, and the empire he represented. A close look at the Forbes Campaign and its personnel reveals much about both British relations with native peoples and the nature of Britain’s American empire during a time of stress. Unlike other campaigns, this one was composed largely of colonial - not professional British - troops. In addition, individual colonies negotiated their role in the campaign and frequently placed their own local interests ahead of those of the empire as a whole. The campaign thus suggests the limits of imperial power and how Britain’s hold over its American frontiers was, at best, tenuous and helped lead to an eventual break-down of empire in the 1760s and 1770s.

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Written over a decade while the author lived on four continents, A Gaze Hound That Hunteth by the Eye maps the cultural legacies we cherish against those we reject. Playful and wrenching by turns, with lines inflected by the spoken music of their Arabic, Oshiwambo, Xhosa, and Italian contexts, these profound poems explore a life where displacement is the norm. From choosing not to have children to wrestling with a left-hand stick shift in Johannesburg traffic to braising a camel loin for friends in Damascus, V. Penelope Pelizzon’s poems transport us into unexpected depths of feeling with language that is scintillant, luxurious, and wise.

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On October 27, 2018, three congregations were holding their morning Shabbat services at the Tree of Life Synagogue in Pittsburgh’s Squirrel Hill neighborhood when a lone gunman entered the building and opened fire. He killed eleven people and injured six more in the deadliest anti-Semitic attack in American history. The story made international headlines for weeks following the shooting, but Pittsburgh and the local Jewish community could not simply move on when the news cycle did.The essays in this anthology, written by local journalists, academics, spiritual leaders, and other community members, reveal a city’s attempts to come to terms with an unfathomable horror. Here, members from each of the three impacted congregations are able to reflect on their experiences in a raw, profound way. Local journalists who covered the story as it unfolded explore the personal and public aspects of reporting the news. Activists consider their work at a calm distance from the chaotic intensity of their daily efforts. Academics mesh their professional expertise with their personal experiences of this shattering event in their hometown. A local rabbi shares his process for crafting messages of comfort even as he attempts to reckon with his own feelings.Bringing these local voices together into a chorus raises them over the din of international chroniclers who offer important contributions but cannot feel the intensity of this tragedy in the same way as Pittsburghers. The essays in this anthology tell a collective story of city shaken to its very core, but determined that love will ultimately win.A portion of the proceeds from the sale of this book will go to Jewish Family and Community Service of Pittsburgh (href="https://www.jfcspgh.org/">https://www.jfcspgh.org/), which serves individuals and families of all faiths throughout the Greater Pittsburgh community.

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Philanthropy has long been associated with images of industrial titans and wealthy families. In Pittsburgh, long a center for industry, the shadows of Carnegie, Mellon, Frick, and others loom especially large, while the stories of working-class citizens who uplifted their neighbors remain untold. For the first time, these two portraits of Pittsburgh philanthropy converge in a rich historic tapestry. The Gift of Belief reveals how Pittsburghers from every strata, creed, and circumstance organized their private resources for the public good. The industrialists and their foundations are here but stand alongside lesser known philanthropists equally involved in institution building, civic reform, and community empowerment. Beginning with sectarian philanthropy in the nineteenth century, moving to scientific philanthropy in the early twentieth century and Pittsburgh Renaissance-era institution-building, and concluding with modern entrepreneurship, twelve authors trace how Pittsburgh aligned with, led, or lagged behind the national philanthropic story and explore how ideals of charity and philanthropy entwined to produce distinctive forms of engagement that has defined Pittsburgh's civic life.

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Ukrainian cooking embodies national and ethnic tastes and reflects the spiritual and social awareness of Ukrainians. More than just a cookbook, Festive Ukrainian Cooking is a definitive account of traditional Ukrainian culture as perpetuated in family rituals and celebrated with elegantly prepared food and drink. Working from original sources in Ukrainian, Russian, and Polish, and drawing on experience as an accomplished cook, Marta Pisetska Farley arranges these recipes as they were enjoyed throughout the year, beginning with kolach, a glazed braided bread sprinkled with poppy seeds, for Christmas Eve, and ending with succulent dishes made with wild mushrooms harvested in the fall. Chapter introductions describe the folkways associated with major holidays and family events and the symbolic and celebratory role of food appropriate to each. Festive Ukrainian Cooking, originally published in 1990 and now newly repackaged in paperback, records these traditions and adapts old-style recipes for the modern kitchen.

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Since the end of World War II, the United States has come to dominate the world economically and politically, leading many to describe the United States as an empire. Scholars have analyzed how the US government has worked through international financial institutions, its Central Intelligence Agency, and outright warfare to achieve its will. In this book, Timothy M. Gill spotlights how the US government also worked through democracy promotion to undermine governments abroad, including in Venezuela. President Hugo Chávez, who ruled from 1999 until his death in 2013, was among the democratically elected Latin American state leaders who embraced socialism and challenged the idea of US global power. Gill shows how US government agencies funded and trained opposition parties and activists, and how such intervention often was justified in neocolonial and racist terms. Through analysis of documents obtained through Freedom of Information Act requests, embassy cables, and interviews with US government and Venezuelan nonprofit members, Gill details such operations and the imperial thinking behind them.

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Writing has always been digital. Just as digits scribble with the quill or tap the typewriter, digits compose binary code and produce text on a screen. Over time, however, digital writing has come to be defined by numbers and chips, not fingers and parchment. We therefore assume that digital writing began with the invention of the computer and created new writing habits, such as copying, pasting, and sharing.Habitual Rhetoric: Digital Writing before Digital Technology makes the counterargument that these digital writing practices were established by the handwritten cultures of early medieval universities, which codified rhetorical habits—from translation to compilation to disputation to amplification to appropriation to salutation—through repetitive classroom practices and within annotatable manuscript environments. These embodied habits have persisted across time and space to develop durable dispositions, or habitus, which have the potential to challenge computational cultures of disinformation and surveillance that pervade the social media of today.

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Often, the process of modern state formation is founded on the marginalisation of certain groups, and Latin America is no exception. In The Language of the In-Between, Erika Almenara contends that literary production replicates this same process. Looking at marginalised communities in Chile and Peru, particularly writers who are travesti, trans, cuir/queer, and Indigenous, the author shows how these writers stake a claim for the liminal space that is neither one thing nor the other. This allows a freedom to expose oppression and to critique a national identity based on erasure. By employing a language of non-normative gender and sexuality to dispute the state projects of modernity and modernisation, the voice of the poor and racialised travesti evolves from powerlessness to become an agent of social transformation.

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For western colonists in the early American backcountry, disputes often ended in bloodshed and death. Making the Frontier Man examines early life and the origins of lawless behavior in Pennsylvania, Virginia, Kentucky, and Ohio from 1750 to 1815. It provides a key to understanding why the trans-Appalachian West was prone to violent struggles, especially between white men. Traumatic experiences of the Revolution and the Forty Years War legitimized killing as a means of self-defense—of property, reputation, and rights—transferring power from the county courts to the ordinary citizen. Backcountry men waged war against American Indians in state-sponsored militias as they worked to establish farms and seize property in the West. And white neighbors declared war on each other, often taking extreme measures to resolve petty disputes that ended with infamous family feuds.Making the Frontier Man focuses on these experiences of western expansion and how they influenced American culture and society, specifically the nature of western manhood, which radically transformed in the North American environment. In search of independence and improvement, the new American man was also destitute, frustrated by the economic and political power of his elite counterparts, and undermined by failure. He was aggressive, misogynistic, racist, and violent, and looked to reclaim his dominance and masculinity by any means necessary. face=Calibri>

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By 1920, Buenos Aires was the largest and most cosmopolitan city of Latin America due to mass immigration from Europe. Unbridled urban expansion had drastic effects on the social and cultural topography of the Argentine capital, raising ideological and aesthetic issues that shaped the modernist landscape of the country. Artists across disciplines responded to these changes with conflicting depictions of urban space. Centering these conflicts as a cognitive map of modernity’s new realities in the city and in understandings of the city itself, Buenos Aires and the Arts looks at the interaction between modernity and modernism in literature, photography, film, and painting during the interwar period. This was a time of profound change and heightened cultural activity in Argentina. Eleni Kefala analyzes works by Jorge Luis Borges, Oliverio Girondo, José Ferreyra, Xul Solar, Roberto Arlt, and Horacio Coppola, with a focus on the city of Buenos Aires as a playground of modernity.

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'I spent a year in the Terezin ghetto, but as bad as it was, it cannot be compared to a single month in Auschwitz or Mauthausen. Rather than taking time to describe Terezin, I will only briefly record the most important events, because I am writing this during a period in my life when time matters and I would rather describe in greater detail my experiences in the concentration camps.' Twelve-year-old Michael Kraus began keeping a diary while he was still living at home in the Czech city of Nachod but continued writing while a prisoner at Theresienstadt (Terezin). When he was shipped with other prisoners to the death camp at Auschwitz-Birkenau, all of his writings were confiscated and destroyed. After his liberation and while convalescing, he began to draw and make notes again about his experiences in Theresienstadt, in Auschwitz, the first death march out of Mauthausen and its satellite camps in Melk and Gunskirchen. As a teenager confronting the traumas of these experiences, Kraus found that recording his memories in words and pictures helped him overcome his hatred for those who had murdered his parents. The process of writing and drawing also helped him begin the painful transition to a so-called normal life. As a survivor, Kraus also felt the need to recount his experiences for the benefit of future generations, especially on behalf of the many who did not survive. The present edition makes this memoir, originally written in Czech and significant for having been written so close to the author's liberation, widely available to English readers for the first time. It also reproduces pages from the original booklets that show how the teenage Kraus illustrated his memories with pencil drawings that both complement and extend his story, giving readers a sense of its character as an unusual and important historical document.

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It is not common to think that Jews were interested in happiness or that Judaism has anything to say about happiness. On the contrary, the concept of happiness was a central concern of Jewish thinkers. Hava Tirosh-Samuelson shows that rabbinic Judaism regarded itself primarily as a prescription for the attainment of happiness, and that the discourse on happiness captures the evolution of Jewish intellectual history from antiquity to the seventeenth century. These claims make sense if one understands happiness as human flourishing on the basis of Aristotle's thought in the Nichomachean Ethics. Linking virtue, knowledge, and well-being, Aristotle's analysis of happiness can be traced in Jewish understanding of human flourishing as early as the Greco-Roman world, but the fusion of Greek and Judaic perspectives on happiness reached its zenith in in the Middle Ages in the thought of Moses Maimonides and his followers. Even the controversies about Maimonides' ideas could be viewed as discussions about the meaning of happiness and the way to attain it within Judaism. Much of this book, then, concerns the reception of Aristotle's Ethics in medieval Jewish philosophy. This book shows how a certain notion of happiness reflects the intellectual culture of a given period, including cultural exchanges among Judaism, Islam, and Christianity. Demonstrating the discourse on happiness as a dramatic interplay between Wisdom and Torah, between philosophy and religion, between reason and faith, Hava Tirosh-Samuelson presents, to specialists and non-specialists alike, a fascinating tour of Jewish intellectual history.

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This scholarly study sheds important new light on the politics of Polish Jewry on the eve of its destruction. Drawing from sources in the Polish Jewish and non-Jewish press and from archives in Europe, Israel, and the United States, Emanuel Melzer examines the efforts of Jews in this major center of Jewish life to secure its existence and advance its interests in the late 1930s, when the radicalization of antisemitism became an increasingly prominent theme in the countrys political life. With the death of Pilsudski, the prognosis for the Polish Jews appeared increasingly bleak, as hostile forces sought to abrogate their constitutional rights and force them to leave the country en masse. The enmity they experienced drew in no small measure from the example of Nazi Germany, which did not hesitate to portray the Jews as the common enemy of Germans and Poles alike. In the face of these developments, Polish Jews attempted to wage a coordinated and concerted political battle against the economic persecution, hostile administrative practices, discriminatory legislation, and violent riots that increasingly pervaded their daily lives. Melzer recounts those attempts and analyzes their failure. Of the three primary groups among Polish Jewrythe Zionists, Agudas Yisroel, and the Bundonly the last was capable of carrying on effective opposition to anti-Jewish forces. But it was not prepared to join with nonproletarian Jewish groups in an all-Jewish defense. The Jewish press, too, was not able to forge a unified Jewish organizational framework, tied as it was to the existing political parties and reflecting their attitudes and shortcomings. The only official political voice of Polish Jewry was the small Jewish parliamentary caucus. Although respected by much of the Jewish public, the Sejm and Senat deputies were not recognized as its legitimate spokesmen and usually acted without coordinating their interventions with one another. As a result, the most effective Jewish actions were undertaken on the local levelnotably the self-defense organized during the Przytyk pogrom and the stubborn battle of Jewish students against the ghetto benches. Melzer demonstrates that the vociferous Jewish public debate over questions of policy and the tenacious daily struggles against discrimination had little effect upon Polish Jewrys deteriorating situation. Without charismatic leadership and an organizational framework based on common Jewish destiny and mutual identification, its ability to confront the grave challenges that lay ahead was seriously impaired. With the approach of war, many felt they were trapped with no way out, left to face the Nazi onslaught virtually alone.

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In 1937, the young Yiddish poet Berl Feldman bade farewell to his family in Radzivil and emigrated to the land of Israel, where he became the Hebrew poet Amir Gilboa. In this comprehensive study, Warren Bargad describes and interprets Gilboa's works at the various stages of his career and defines his place in the tradition of modern Hebrew poetry. Spanning nearly fifty years and collected in eight volumes, his works reflect the multiplicity of norms that dominated Israeli poetry in the thirties and forties as well as the personal artistic vicissitudes that moved Gilboa from one set of poetics to another in the course of his life's work.Bargad explains the romantic themes and lyrical style that characterize Amir Gilboa’s early poetry as the combined result of his leaving behind the strident tone of Yiddish proletarian verse and his fervid enthrallment with the Land of Israel as a source of spiritual, ideological, and personal fulfillment. Later, Gilboa experimented with other approaches: the poetics of figurative profusion in the 1940s, the poetics of ambivalence in his Holocaust poetry, the poetics of ideological lyricism in the 1950s, and the poetics of ambiguity in his later modernist phase. From the late 1960s until his death in 1984, Gilboa created a highly idiosyncratic blend of romantic preoccupations and new modernist structures.Bargad addresses two additional dimensions of Gilboa's poetry: its multiple linguistic strata and its autobiographical nature. Although Gilboa's frequent borrowings from the language of Hebrew romanticism show his abiding attachment to the modes of expression of Bialik and his followers, the dominant narrative voice in all of Gilboa's poetry is his own. He describes past experiences and everyday incidents—his frustrations, his delights, his sorrows. Even in his poems on biblical figures, where the poetic voice is most distanced, a live image of the poet emerges. The result is an interweaving of autobiography, even if a mythical one, and ancient history. The poems on poetry and the poetic process go much further, disclosing a virtually unmasked autobiographical voice, one which provides much of the force, fervor, charm, and poignancy of Gilboa's unique style.

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Solomon Bennett Freehof (1892-1990) was one of America's most distinguished, influential, and beloved rabbis. Ordained at Hebrew Union College in 1915, he was of the generation of rabbis from east European immigrant backgrounds who moved Reform Judaism away from its classical form toward a renewed appreciation of traditional practices. Freehof himself was less interested in restoring discarded rituals than in demonstrating how the Reform approach to Jewish religious practice was rooted in the Jewish legal tradition (halakhah). Opposed to any attempt to create a code of Reform practice, he nevertheless called for Reform Judaism to turn to the halakhah, not in order to adhere to codified law, but to be guided in ritual and in all areas of life by its values and its ethical insights. For Reform Jews, Jewish law was to offer "guidance, not governance," and this guidance was to be provided through the writing of responsa, individual rulings based on legal precedent, written by an organized rabbinic authority in response to questions about real-life situations. After World War II, the earlier consensus about what constituted proper observance in a Reform context vanished as the children of east European immigrants flocked to new Reform synagogues in new suburbs, bringing with them a more traditional sensibility. Even before Freehof was named chairman of the Central Conference of American Rabbis Responsa Committee in 1956, his colleagues began turning to him for guidance, especially in the situations Freehof recognized as inevitably arising from living in an open society where the boundaries between what was Jewish and what was not were ambiguous or blurred. Over nearly five decades, he answered several thousand inquiries regarding Jewish practice, the plurality of which concerned the tensions Jews experienced in navigating this open society-questions concerning mixed marriage, Jewish status, non-Jewish participation in the synagogue, conversion, and so on-and published several hundred of these in eight volumes of Reform responsa. In her pioneering study, Friedman analyzes Freehof's responsa on a select number of crucial issues that illustrate the evolution of American Reform Judaism. She also discusses the deeper issues with which the movement struggled, and continues to struggle, in its attempt to meet the ever-changing challenges of the present while preserving both individual autonomy and faithfulness to the Jewish tradition.

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Andrew Carnegie, industrialist and a major American philanthropist, sought to bring world-class art and culture to Pittsburgh. This book looks at how the Carnegie International exhibit came into being in 1895, the early exhibitions, the art, artists, and the public reception to it.

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The "1007 Anonymous," an imaginative, brief text composed in the third or early fourth decade of the thirteenth century, illustrates the proper relations between Jews and their lay rulers and the pope. The pope, consistent in applying laws that both restricted and protected Jews, is seen as a just ruler. Kings and dukes, by contrast, were inconsistent and capricious, threatening Jewish life. This message had to be conveyed indirectly, and the "1007's" vehicle for doing so was a fictional story of murderous attack and forced conversion known as "The Terrible Event of the Year 1007." Yet, by examining the details of this story-which include a direct borrowing from The Quest of the Grail composed in 1221, and a reference to coinage that could only have been made during the early thirteenth century-the actual time-and the purpose-of the 1007's composition is revealed. Claims that the veracity of the story and the actuality of the supposed massacre are demonstrated thorough a comparison with the chronicles of Raoul Glaber and Ademar of Chabannes are shown to be incorrect, as part of Stow's larger discussion of the correct approach to reading medieval Hebrew texts. Students of the 1007 have in fact inverted the order, using the 1007 to give credence to the fantasies of the two Christian writers. That the 1007 was not substantiable by such comparisons was demonstrated by the great French scholar Israel Levi at the turn of the twentieth century. No one, however, paid him heed-regrettably, for he was absolutely correct. Appropriately, this book is titled Levi's Vindication.

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The breadth of Werner Weinberg’s scholarship was prodigious, yielding monographs on ancient Hebrew epigraphy and biblical exegesis; the syntax of Rabbinic Hebrew; medieval grammars; and numerous studies on various aspects of Modern Hebrew. Both Weinberg and Lisl, his wife, survived internment at the Bergen-Belsen concentration camp.This collection of essays reprinted here, a little more than three decades after it first appeared, conveys Weinberg’s ongoing struggle to put into words something that might offer understanding to post-Holocaust generations. But they are also about a survivor’s own desire for meaning and sense in a senseless world. Most essays are framed around a series of questions which constitute Weinberg’s “prison,” and each time he attempts to pass through its portal, he finds himself “held back at the threshold.”Self-Portrait of a Holocaust Survivor fuses together Weinberg’s most personal of reflections alongside careful analysis by an erudite theologian fully versed in traditional Jewish sources and historiography. He moves between resisting and acquiescing to the implications of Bergen-Belsen, never shying away from the most painful questions about God, morality, virtue, and the individual’s potential to do good. While today there is a vast literature penned by holocaust survivors and historians, this collection grapples with the concept of survivorship from a unique perspective.

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Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.

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Winner of the 2023 Drue Heinz Literature PrizeSmall in Real Life invokes the myth and melancholy of Southern California glamor, of starry-eyed women and men striving for their own Hollywood shimmer and the seamy undersides and luxurious mystique of the Golden State. Exiled to a Malibu rehab, an alcoholic paparazzo spies on his celebrity friend for an online tabloid. Down to her last dollar, a Hollywood hanger-on steals designer handbags from her dying friend's bungalow. Blinded by grief, an LA judge atones after condescending to a failed actress on a date. When hunger for power, fame, and love betrays the senses, the characters in these nine stories must reckon with false choices and their search for belonging with the wrong people. Small in Real Life offers an insider's view of California and the golden promises of possibility and redemption that have long made the West glitter.

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A Poetic Autobiography—Intimate, Sorrowful, and Funny Lynn Emanuel’s sixth collection of poetry is not sequential or straightforward. It has no conventional chronology, no master narrative. Instead, it is a life story, with all the chaos and messiness entailed therein. Transcript of the Disappearance, Exact and Diminishing is a commotion of grief and wit, audacious images, poems, and paragraphs. It explores and centers on the possibilities and limitations of art in the face of disappearances of many kinds, including the disappearance that is most personal—the poet’s own.

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New poetry by John Paul Davis.

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Octobers traces the four great tumults of the author’s life, all of which originated in that jagged month of different years: The US invasion and occupation of her native Afghanistan, the death of her father, the sudden end of a love, and the birth of her daughter. The poems chart heartbreak along a helix, progressively and recursively, where “echoes are inevitable.” Ultimately, the collection is concerned with language - as witness and buoy in the white waters of loss, as a tool for violences small and state-crafted, as an asymptote both approaching ideas of “home” and estranged from it, and, beyond it all and still, as a source of wild wonder.

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Stylistically innovative, deeply moving, carefully researched, Martha Collins's eleventh volume of poetry combines her well-known attention to social issues with the elegiac mode of her previous book. She focuses here on race, gun violence, recent wars, and, in an extended sequence, the history of coal - first as her ancestors mined it, then from its geological origins to our ecologically threatened present. Casualty Reports is both indictment and lament, a work that speaks forcefully to our troubled history and our present times.

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Before the advent of radio, conceptions of the relationship between science and religion circulated through periodicals, journals, and books, influencing the worldviews of intellectuals and a wider public. In this volume, historians of science and religion examine that relationship through diverse mediums, geographic contexts, and religious traditions. Spanning within and beyond Europe and North America, chapters emphasize underexamined regions—New Zealand, Australia, India, Argentina, Sri Lanka, Egypt, and the Ottoman Empire—and major religions of the world, including Christianity, Hinduism, Buddhism, Confucianism, and Islam; interactions between those traditions; as well as atheism, monism, and agnosticism. As they focus on evolution and human origins, contributors draw attention to European scientists other than Darwin who played a significant role in the dissemination of evolutionary ideas; for some, those ideas provided the key to understanding every aspect of human culture, including religion. They also highlight central figures in national contexts, many of whom were not scientists, who appropriated scientific theories for their own purposes. Taking a local, national, transnational, and global approach to the study of science and religion, this volume begins to capture the complexity of cultural engagement with evolution and religion in the long nineteenth century.

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The BBC Latin American Service was created in 1938, funded by the British Ministry of Information, to counter fascist propaganda broadcast to Latin America. Now considered one of the major Latin American novelists of the twentieth century, Brazilian writer Antônio Callado (1917–1997) got his start writing radio drama scripts for the BBC LAS during and after World War II. Largely forgotten until Daniel Mandur Thomaz collected them in a 2018 volume published in Brazil, these radio scripts were propaganda in their own right and were part of a concerted effort to win sympathy for Britain and the Allies in Latin America. They reveal how Callado’s experiences during the war influenced his writing and had a critical impact on themes he would revisit consistently throughout his literary career. Transatlantic Radio Dramas analyzes the scripts themselves, but also examines the institutions, material practices, and beliefs that allowed modernist transatlantic networks like the BBC LAS to flourish.

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Between 1870 and 1940, life expectancy in the United States skyrocketed while the percentage of senior citizens age sixty-five and older more than doubled—a phenomenon owed largely to innovations in medicine and public health. At the same time, the Great Depression was a major tipping point for age discrimination and poverty in the West: seniors were living longer and retiring earlier, but without adequate means to support themselves and their families. The economic disaster of the 1930s alerted scientists, who were actively researching the processes of aging, to the profound social implications of their work—and by the end of the 1950s, the field of gerontology emerged.Old Age, New Science explores how a group of American and British life scientists contributed to gerontology's development as a multidisciplinary field. It examines the foundational "biosocial visions" they shared, a byproduct of both their research and the social problems they encountered. Hyung Wook Park shows how these visions shaped popular discourses on aging, directly influenced the institutionalization of gerontology, and also reflected the class, gender, and race biases of their founders.

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Hebrew literature, from the second half of the nineteenth century to well into the twentieth, was unmistakably influenced in style and substance by Russian prose and poetry. These influences have been readily acknowledged but have been studied only in an episodic and fragmented way. Rina Lapidus systematically identifies those Hebrew authors and poets upon whom Russian influence is most striking and upon whom it seems to have exerted the greatest power. After examining the textual parallels in the works of both the influencing and the influenced authors, she presents intertextual sources for the passages discussed, focusing on various idioms or linguistic and literary patterns commonly found in Russian literature.Nine case studies illustrate this influence. For each case, Lapidus answers three questions: How, precisely, is the literary influence expressed? With what belletristic, intellectual, ideological, or philosophical category may it be connected? and What were its primary sources, even before the influencing author absorbed them from authentic Russian culture? Lapidus explores the influence of Russian language, literature, and culture upon Y. H. Brenner in his novel Around the Point; the influence of the Russian version of decadence as found in Turgenev's novels Rudin and Fathers and Sons on Yeshaya Bershadsky's novel Aimless; the poetics of humor and satire in the fiction of Gogol and Mendele Mocher Sefarim; the influence of classic Russian autobiographical novels - primarily the Tolstoy trilogy Childhood, Boyhood, Youth-on Y. D. Berkowitz's Chapters of Childhood; the impact of the poetry of Afanasii Fet on Hayyim Lensky; Russian influences on two novels by Hayyim Hazaz; and the poetic influence of Mikhail Lermontov on the works of the young Saul Tchernichowsky. A theoretical introductory chapter discusses the contributions of Harold Bloom, Julia Kristeva, and others to the contemporary study of influence.

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What was piety like before the commandments were revealed? How did Abraham live in a way that fulfilled the ideals of piety without the Torah? This question, raised in the ancient Jewish theology of Philo and central to the struggle of Paul with his own Judaism and his emerging Christian faith, was raised once again by the Hasidic masters of Eastern Europe in the eighteenth century. In a series of powerful and spiritually searching sermons, the Hasidic masters reinterpret spiritually the ancient rabbis' insistence that the patriarchs lived within the Law. In centering their spiritualization of Judaism around the figure of Abraham, these latter-day Jewish thinkers express a position that stands midway between the claims of the Talmud and those of the Christian apostle. Arthur Green uses this Hasidic debate on the patriarchs and the commandments as a point of departure for a wide-ranging consideration of the relationship between piety and commandment in Hasidic Judaism. The result of this effort is a series of rather remarkable mystical defenses of the commandments and an original contribution of Hasidic thought to the ongoing history of Judaism.

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Nearly 20,000 clay tablets have been excavated from Kultepe in central Turkey, site of the ancient trade city of Kanish. Of these, about 3,000 have appeared in line drawing and only 800 or so of those have been published in translation, a mere 4% of the total cache. Modern philological studies of these cuneiform texts are outstanding, but translations are critical if these Old Assyrian business documents are to be available to scholars outside of Assyriology. W. C. Gwaltney, Jr. helps to rectify this situation by providing transliterations and translations of the 82 tablets and fragments that constitute the collection of unpublished Old Assyrian texts in the University Museum of the University of Pennsylvania, together with notes and indices, giving scholars from a wide variety of disciplines interested in ancient economies access to these valuable primary texts.

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The Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. With a history spanning nearly a century, it stands as a chronicle of Jewish scholarship through the twentieth century and into the twenty-first.

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David B. Ruderman's groundbreaking studies of Jewish intellectuals as they engaged with Renaissance humanism, the Scientific Revolution, and the Enlightenment have set the agenda for a distinctive historiographical approach to Jewish culture in early modern Europe, from 1500 to 1800. From his initial studies of Italy to his later work on eighteenth-century English, German, and Polish Jews, Ruderman has emphasized the individual as a representative or exemplary figure through whose life and career the problems of a period and cultural context are revealed. Thirty-one leading scholars celebrate Ruderman's stellar career in essays that bring new insight into Jewish culture as it is intertwined in Jewish, European, Ottoman, and American history. The volume presents probing historical snapshots that advance, refine, and challenge how we understand the early modern period and spark further inquiry. Key elements explored include those inspired by Ruderman's own work: the role of print, the significance of networks and mobility among Jewish intellectuals, the value of extraordinary individuals who absorbed and translated so-called external traditions into a Jewish idiom, and the interaction between cultures through texts and personal encounters of Jewish and Christian intellectuals. While these elements can be found in earlier periods of Jewish history, Ruderman and his colleagues point to an intensification of mobility, the dissemination of knowledge, and the blurring of boundaries in the early modern period. These studies present a rich and nuanced portrait of a Jewish culture that is both a contributing member and a product of early modern Europe and the Ottoman Empire. As director of the Herbert D. Katz Center for Advanced Judaic Studies at the University of Pennsylvania, Ruderman has fostered a community of scholars from Europe, North America, and Israel who work in the widest range of areas that touch on Jewish culture. He has worked to make Jewish studies an essential element of mainstream humanities. The essays in this volume are a testament to the haven he has fostered for scholars, which has and continues to generate important works of scholarship across the entire spectrum of Jewish history.

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