Search results for ""unbridled books""

While writing a biography of his famous namesake, Bill Lewis, a high-school history teacher, nearly loses himself in his attempts to understand one of the great untold stories in American history--the adventures and subsequent suicide of Meriwether Lewis. Even as he struggles to illuminate that strange and exuberant time and and falls under the spell of the elusively seductive persona of Capt. Lewis, Bill finds himself fighting his own personal crisis, brought on by a clinical depression that threatens not only his book, but his job, his family, his 13-year marriage, and his own survival past the age of 40. In this rich, confident debut novel, Michael Pritchett not only authentically recreates the world through which Lewis and Clark forced their way, but also finds extraordinary parallels between Capt. Lewis's doubt about manifest destiny and the contemporary uncertainty of the introspective modern male at a time when all our values are in question.

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Set against a backdrop of the current political and cultural upheaval in the US and Eastern Europe, The Unmade World is a thoughtful, scope-y literary novel with a dose of suspense that moves from Poland to California to the Hudson Valley and back to Poland. It covers a decade in the lives of an American journalist and a Polish small businessman turned petty criminal and the wrenching aftermath of an accidental, tragic encounter between these two on a snowy night in 2006 on the outskirts of Krakow. The accident costs the lives of the American journalist Richard Brennan’s wife and daughter, an event that colors the rest of his life. It also leads to a downward spiral for Bogdan Baranowsk, leaving emotional scars as he suffers the seemingly inevitable loss of his business, his home, and his wife. The Unmade World is a story of ordinary, otherwise decent people from various backgrounds and circumstances who must learn how to live with the personal grief, sense of guilt, and the emotional consequences of violence. Along the way, the novel grapples with a spectrum of cultural and political issues. It includes a murder mystery wrapped around the corruption of major college sports, the pressures on immigrants and refugees in both the US and Poland, the fallout of political change, economic upheavals and armed conflicts--including the horrific destruction of Luhansk, Ukraine in 2014. It also references the 2016 presidential campaign, cultural politics in the American university, and the demise of print journalism, etc., though never in a dogmatic or overtly partisan way.

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In Mercy 6, David Bajo's courageous new medical thriller, four people collapse dead in the same instant within a newly renovated Los Angeles hospital. Dr. Mendenhall, the woman who is head of the emergency room, isn't convinced the cause of death is a contagion. But it's in the interests of the hospital administrators -- and of the world at large -- for people to think that it is. If the world knew the truth there could only be widespread panic. The hospital is immediately locked down. Information is suddenly being strictly controlled. Government troops encircle the hospital to enforce the quarantine, and other bodies arrive in ER. Working with an ally in pathology and a colleague outside the hospital, Mendenhall develops her understanding that what has taken these lives has global implications ...and whatever it is, it's not a virus.

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On the windswept plains of northwestern China, Mongol bandits swoop down upon an American missionary couple and steal their small child. The Reverend sets out in search of the boy and becomes lost in the rugged, corrupt countryside populated by opium dens, sly nomadic warlords and traveling circuses. This upright Midwestern minister develops a following among the Chinese peasants and is christened Ghost Man for what they perceive are his otherworldly powers. Grace, his young ingenue wife, pregnant with their second child, takes to her sick bed in the mission compound, where visions of her stolen child and lost husband begin to beckon to her from across the plains. The foreign couple's savvy and dedicated Chinese servants, Ahcho and Mai Lin, accompany and eventually lead them through dangerous territory to find one another again. With their Christian beliefs sorely tested, their concept of fate expanded, and their physical health rapidly deteriorating, the Reverend and Grace may finally discover an understanding between them that is greater than the vast distance they have come.

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Ardennes Thrush is an award-winning movie star who suddenly and mysteriously quit acting at the height of her fame. She is in Hollywood now, at the Hotel Muse, visiting her husband Andre, a world-renowned director struggling through his latest film. Ardennes, a contemplative woman, is also something of a voyeur, and as she watches the comings and goings in the hotel she begins to fear that perhaps she is being stalked. Her period of anonymity ends after a box of dead roses is delivered to her suite. When a Beverly Hills detective comes to investigate, a powerful attraction turns unexpectedly unprofessional and quickly carnal. When the stalker turns out to be real, Ardennes's private journey escalates into real danger, and we watch rapt as she searches her past for the answer to how she brought herself here. Hollywood Boulevard is the track of a very real emotional journey. With a deceptively simple style, the novel takes a compassionate look at a complicated character readers won't be able to let go without regret.

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To escape an addiction, a young blind man in California steps into a station wagon with his friends and their foster kids to deliver a handmade casket to a dying grandfather in Florida. As they battle their way across the southern half of the nation, this rag-tag American family falls prey to love and lies, greed and violence, crime and Katrina. With a voice reminiscent of John Irving, Nodine produces a classic "road-picture" novel that is part Travels with Charley, part As I Lay Dying, and part On The Road. Touch and Go is a rich and rangy story about the careful and careless ways we treat each other--and ourselves--in a fast-paced, changing world. Kevin, the novel's blind narrator, is one of the most perceptive figures in recent fiction. And his desire to do no harm is contagious. Through Kevin's rich senses and boundless compassion, Nodine gives us a multicultural portrait of a true America. And he does so with deep affection for everyone along the way.

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This masterful historical novel by Deborah Noyes, the lauded author of Angel & Apostle, The Ghosts of Kerfol, and Encyclopedia of the End (starred PW) is two stories: The first centers upon the strange, true tale of the Fox Sisters, the enigmatic family of young women who, in upstate New York in 1848, proclaimed that they could converse with the dead. Doing so, they unwittingly (but artfully) gave birth to a religious movement that touched two continents: the American Spiritualists. Their followers included the famous and the rich, and their effect on American spirituality lasted a full generation. Still, there are echoes. The Fox Sisters' is a story of ambition and playfulness, of illusion and fear, of indulgence, guilt and finally self-destruction. The second story in Captivity is about loss and grief. It is the evocative tale of the bright promise that the Fox Sisters offer up to the skeptical Clara Gill, a reclusive woman of a certain age who long ago isolated herself with her paintings, following the scandalous loss of her beautiful young lover in London. Lyrical and authentic--and more than a bit shadowy--Captivity is, finally, a tale about physical desire and the hope that even the thinnest faith can offer up to a darkening heart.

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In just three years, CEO Robbie Case has grown Core Communications, a data technology company, from 30 people to over 5,000. Now a $20 billion company made legendary by its sudden success, Core is based on a technology no other company can come close to copying, a revolutionary breakthrough known as "drawing blood from a mainframe." And Robbie, its 35-year-old CEO, is acclaimed worldwide for his vision, leadership and wealth. Except that all of it is based on a lie. The technology doesn't work, the finances are built on a Ponzi scheme of stock sales and shell corporations, and Robbie is struggling to keep the company alive, to protect the friends who work for him and all that they've built. Each day, Robbie tries to push the catastrophe back a little further, while his employees believe that they are all moving closer to "grace," the day their stock options vest, when they will be made rich for their faith and loyalty and hard work. The details of the lie are all keyed into a shadowy interface that Robbie calls Shimmer, an omniscient mainframe that hides itself, calculates its own collapse, threatens to outsmart its creator and to reveal the corporation's illegal, fragile underpinnings. Shimmer is the story of a high-tech crusade nearing its end. The shell game Robbie has created is finally running out of room.

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The Good Doctor Guillotin follows five characters to a common destination--the scaffold at the first guillotining of the French Revolution: Dr. Guillotin, of course, a physician and member of the National Assembly, involved in many important events, including the Tennis Court Oath. Nicolas Pelletier, the first victim--or "patient," as they were sometimes called, since the new beheading machine was seen as a humanitarian medical intervention in the state's technique of dealing death. Father Pierre, the cure who accompanies Pelletier in his last days, a man torn between his religious commitment, and an equally strong commitment to the poor and their revolution. Sanson, the famous executioner of Paris who, 9 months later would execute the king and retire from remorse. Tobias Schmidt, builder of the new machine, a German piano maker working in Paris, a freethinker predicting the Terror that will follow, but allowing himself to initiate it. The revolution, after all, had reduced the sale of pianos. Various other interesting figures briefly appear: Damiens, Mozart, Mesmer, Louis XVI, the Marquis de Sade, Marat, Robespierre, Demoulins among them. The eighteenth century narrative is divided into several sections, each introduced by an essay in the author's voice, the first on five-ness and Pentagons; a second on hope and Utopia; a third on revolutionary violence; and a fourth on capital punishment. This is no "historical novel." It is, rather, a fictive meditation on a contemporary conundrum using an eighteenth century drum.

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Sometimes Bone King cannot go through doors. He has no physical impairment, but at times his brain and muscles simply can’t recall how to walk him through them. Perhaps it has something to do with his being distracted thinking about grammar and etymology all the time, or maybe it’s anxiety that his wife is having an affair with the yardman. But then renowned neurologist Arthur Limongello offers a diagnosis as peculiar as the ailment: Bone’s self is starting to dislodge from his brain. The treatment is a series of therapeutic tasks; Bone must compliment a stranger each day, do good deeds without being asked, and remind himself each morning, that “Today is a good day!”But first, as a temporary measure, he also suggests Bone simply try to dance through the doorways. And for a time, Bone’s square dancing, the only kind of dance he knows how to do, seems to more or less work.Bone’s condition begins to improve, but then his wife leaves him, and after a harrowing ordeal during which he nearly loses his life, Bone makes an astounding discovery about the man who has been calling himself Dr. Limongello. Is Limongello’s remedy the product of a deranged imagination or the cure for a modern epidemic threatening the very self?

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From the woods where he hides with his nearly grown son Clarke and his young daughter King, ex-Army Ranger Dominick Sawyer watches Agent Charlie Basin's flashlight beam bounce on the walls inside his cabin. Dom's wife is missing. His post-trauma hallucinations rip at him explosively and bring him to his knees. And a local deputy sheriff is dead. When the FBI agents recede into the night, the Sawyers begin to run, across the country in stolen trucks, leaving a trail of blood behind them. Together with a young girl they pick up on the road, they hope to run until they find a peaceable place in the American Northwest. But Agent Basin sees his own troubled family reflected in Dom's haunted existence, and his pursuit is relentless. All any of them want is to spirit King away to someplace safe. All she wants is not to be afraid of her father and to find out why her mother disappeared.

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"I can write the pants off any man," declares Sybil Weatherfield, the plucky hero of Jennifer Spiegel's Love Slave. A literary novel set in 1995 New York, Love Slave follows Weatherfield and her strange friends as they frustrate chick-lit expectations (though they're unaware that they're doing so) in this uproarious, genre-breaking spree. By day Sybil is an office temp, and by night she's a columnist for New York Shock, a chatty rag in which she writes a column called "Abscess" - a wound that never heals. Her friends include a paper-pusher for a human rights organization, and the lead singer of a local rock band called Glass Half Empty. Full of cultural detail, mid-'90s observations, and early adulthood anxieties, Weatherfield's story of finding love ultimately casts an ironic eye on what it means to be a love slave.

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In 1961, when Amazing Grace Jansen, a firecracker from Appalachia, meets Mary Elizabeth Cox, the daughter of a Black southern preacher, at Kentucky's Berea College, they already carry the scars and traces of their mothers' troubles. Poor and single, Maze's mother has had to raise her daughter alone and fight to keep a roof over their heads. Mary Elizabeth's mother has carried a shattering grief throughout her life, a loss so great that it has disabled her and isolated her stern husband and her brilliant, talented daughter. The caution this has scored into Mary Elizabeth has made her defensive and too private and limited her ambitions, despite her gifts as a musician. But Maze's earthy fearlessness might be enough to carry them both forward toward lives lived bravely in an angry world that changes by the day. Both of them are drawn to the enigmatic Georginea Ward, an aging idealist who taught at Berea sixty years ago, fell in love with a black man, and suddenly found herself renamed as a sister in a tiny Shaker community. Sister Georgia believes in discipline and simplicity, yes. But, more important, her faith is rooted in fairness and the long reach of unconditional love.

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Tears of the Mountain chronicles a single day in one man's life--July 4, 1876--along with a series of flashbacks that all lead up to an eventful Centennial Independence Day celebration in Sonoma, California. Over the course of this surprisingly pivotal moment in his life, Jeremiah McKinley prepares for the celebration and for a reunion with old friends and family. However, as he reflects on past love, the hazardous pioneer journey of his youth across the continent from Missouri, and the many violent conflicts of the West, voices of the long dead come to him, while old wounds and enmities resurface, threatening everything he holds dear. Furthermore, a series of mysterious notes and messages follow him throughout the day. When a visiting senator is found dead, suspicion leads to his old mentor, Professor Applewood, whose sudden disappearance from the festivities makes McKinley a suspected accessory to a fugitive. John Addiego fills this tale of America's coming of age with wit and lively prose, seamlessly moving back and forth through time in a novel that recognizes both our darker side and our promise.

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Two men: One discovers the cost of keeping secrets, of building a career within a government agency where secrets are the operational basis. Noel Leonard works for the Defense Intelligence Agency, mapping coordinates for military actions halfway around the world. One morning he learns that an error in his office is responsible for the bombing of a school in Pakistan. And he knows suddenly that he is as alone as he is wrong. From his windowless office in DC to an intelligence conference in Switzerland, and back to his daughter's college in Virginia, Noel claws his way toward a more personally honest life in which he can tell his family everything every day. Another man learns that family secrets have kept him from who he is and from the ineluctable ways he is attached to a world he has always disdained. This unnamed narrator, a cartographer, is the son of a career diplomat whose activities in Southeast Asia during the Vietnam War and then in Europe during the Cold War may not have been what they were said to be. He, too, travels to Switzerland, but his quest is not to release himself from secrecy--it is to learn how deep the secrets in his own life go. With a voice like John le Carre's and the international sensibility of Graham Greene, Frederick Reuss examines the unavoidably covert nature of lives that make their circles through Washington, DC. A Geography of Secrets is a novel of the time from an acclaimed author who knows the lay of the land.

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A disillusioned and raggedy American reporter and his drunken photojournalist partner are the last to see three Japanese schoolgirls who disappear into Taroko Gorge, Taiwan's largest national park. The journalists--who are themselves suspects-- investigate the disappearance along with the girls' homeroom teacher, their bickering classmates, and a seasoned and wary Taiwanese detective. The conflicts between them--complicated by the outrageousness of the photographer and the raging hormones of the young--raise questions of personal responsibility, truthfulness, and guarded self-interest. The world and its dangers--both natural and interpersonal--are real, changing, and violently pressing. And the emotions that churn in dark rooms overnight as the players gather in the park visitors' center are as intense as in any closet drama. There's enough action and furor here to keep readers turning the pages, and the cultural revelations of the story suggest that the human need for mystery outweighs the desire for answers.

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When 22-year-old Avery Walker, a senior at Penn State, meets Grant Danko, a 37-year-old performance artist from Brooklyn whose stage name is Saint John of the Five Boroughs, her life changes radically as she leaves college to live with Grant in Brooklyn and pursue a life as an artist. Worried about Avery, her mother, Kate, and her aunt, Lindsey, and Lindsey's husband, Hank, travel to Brooklyn, where they all face a crisis of their own and make life-altering choices. Grant is an angry guy with a curiously attractive personality and a coterie of bright, artistic friends. He's used his good looks and his accomplishments, and the accomplishments of those friends, to get by while he works hauling stolen goods for his gangster uncle. He carries dark secrets that have caused his life to go off the rails. Grant is about as lost as a man can get, adept at making wrong choices. But when he finally faces his explosive moment of truth, something extraordinary happens. Saint John of the Five Boroughs is beautifully turned--a stunning and layered novel about the effects of violence, both personal and cultural, on its characters' lives. It's about the way violence twists character, but also about the possibilities for redemption and change, for achieving a kind of personal grace. Edward Falco once again proves to be a master of urgency and suspense, of events careening out of control, as he brilliantly explores why we make the choices we make--both the ones that threaten to destroy our lives, and those choices that might save us.

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The fourth of Candida Lawrence's stand-alone memoirs, the collection of pieces that is Vanishing reveals a life-long awareness of human fragility and the constant proximity of alienation and separation. A survivor in the truest sense and a woman with the greatest personal resilience, Candida Lawrence recalls what it is to make each day an assertion of independence. Her deeply felt remembrances always grant us an honest account of what it is to live in this unstable world. And the pieces that make up Vanishing are no exception. Vanishing opens with Lawrence's childhood distrust of men's use of words and an assertion that she will ever write only truth. By the second piece in this volume it comes clear that there is no subject she will not address with an eloquent, understated honesty that reveals her heart and her mind and her constant resistance to expectation. By the end of this volume what comes clearest is her sense that modernity has separated us from the most real emotions and the most sensible attachments. As always, Lawrence's writing is filled with smart, gentle anger, sweet sadness, and the most private sense of what is vital and important. To read this memoir is not only to know a remarkable woman; reading all of Lawrence is to see the world through eyes that are unblinking over sixty five years.

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Who would benefit if they really did bring The Rapture on? Marc Estrin follows another of his strange protagonists through a world troubled by what it knows and by how it applies that knowledge. From the first page, we are plunged into a global riot of paranoia, joy, and fear. But something is sadly familiar here, perhaps because we have been taught to anticipate a world in which people suddenly fly off the planet. It might be The Rapture. Or it might be some violation of the force of gravity. Whatever it is, it's spreading madness, religious hysteria, and some truly formidable government powers. The voice of these Lamentations is a sixty-something, club-footed scientist named Julius Marantz, an obsessive researcher who suffers both from forbidden knowledge and an insistent conscience. As his spirit and his heart begin to fail, Julius realizes what is lost to him: a childhood of possibility, the consolation of belief, and the undying optimism of a father who taught him the principles of physics on the roller-coaster and the parachute jump. Partly a portrait of cynical politics and religious fervor, part scientific speculation and even a meditation on the glories of Coney Island, The Lamentations of Julius Marantz traces the rise and fall of science in a truly personal story that finally fairly ascends.

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At once a chess master, a linguist, an athlete and an innocent in love, Arnold passes through the racial tensions of Mansfield, Texas (home of the author of Black Like Me) in the 1950s, the anti-war movement at Harvard, and both the Upper East Side and the Bowery, meeting Noam Chomsky, Al Gore, and Leonard Bernstein in the process, and finally learning the meaning of meaning.

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A large credit reporting company sees the era of Big Data coming. Its CEO dreams of knowing so much about the people it tracks that it will be able to predict what they will do. With the data, he believes, the company will know people better than they know themselves. Meantime, his chief financial officer has come to the corporate world in order to hide in the numbers on his spreadsheets, trying to escape a dark, ambiguous experience from his past in the CIA. Suddenly a hacker breaks into the company's consumer database and alters individual files. This threatens not only the company future but its very existence. As senior executives struggle with what to do next, they find out who they really are.

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A man murdered during Katrina in a hotel room two blocks from her art-restoration studio was closely tied to a part of Johanna's past that she would like kept secret. But missing from the crime scene is a valuable artwork painted in 1926 by a renowned Belgian artist that might bring it all back. An acquaintance, Clay Fontenot, who has enabled a wide variety of personal violations in his life, some of which he has enjoyed, is the scion of a powerful New Orleans family. And Marion is an artist and masseuse from the Quarter who has returned after Katrina to rebuild her life. When Eli, a convicted art thief, is sent to find the missing painting, all of their stories weave together in the slightly deranged halls of the Quarter.

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In light of the crisis at the Fukushima Daiichi Nuclear Power Station in Japan, the remarkable personal story that comprises Fear Itself becomes a cautionary tale. Unwittingly exposed to low-level radiation in the 1940s, Candida Lawrence has lived courageously with its effects throughout her life. Fear Itself traces her years struggling to have a child and her slow waking to the secrets that governments and institutions withheld from the women of her generation. The task for her--and for women who have shared her experience--has always been to believe herself into wholeness and to survive her losses and her illnesses until there is nothing left to fear. As always, Lawrence's writing is filled with smart, gentle anger, sweet sadness and the most private sense of what is vital and important. In Fear Itself, Lawrence's deeply felt remembrances grant us an honest account of what it is to live in an unstable world. It is a truly personal account that sheds wide light on the world's ongoing nuclear decisions. What personal life story could be more timely?

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An 83-year-old obituary writer for a struggling, small-town newspaper finds herself embroiled in intrigue, stumbling onto the story of her career: a country girl has gone missing, perhaps whisked away by an itinerant aerial photographer. Or so it seems. It all could be simply a hoax, or a delusion, the child and child-thief invented from the desperate imagination of a lonely, lovelorn farm woman. The fragility of childhood, the strength of family, and the powerful rumor mills of small, rural towns--The Coffins of Little Hope tells the story of characters caught in the intricately woven webs of myth, legend and deception. Esther Myles, an obituary writer in her eighties working for a struggling small-town newspaper, finds herself embroiled in intrigue, stumbling upon the story of her career as the story of the girl reaches far and wide, igniting controversy, attracting curiosity-seekers from all over the country to this dying rural town. And what do the gothic tales of Miranda and Desiree, the storybook sisters of Muscatine's series of novels, play in this town's survival and in the enduring mystery of Lenore?

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In July of 1995, the news photographer Gray Banick disappeared into the Bosnian war zone and doing so took away pieces of the hearts of three people who loved him: Emil Todorovic, his interpreter and friend; Jack MacKenzie, his mentor who taught Gray to hold his camera steady between himself and the worst that war presents; and Lian Zhao, who didn't have the strength to love him as he wanted her to. Now, almost five years later, they have gathered in Sarajevo to find out what happened to Gray, the man who had taught them all what love is. Each driven character in this novel believes fully that there is a love strong enough to sustain them, even in the extreme circumstances of war. But each time they have uncovered a glimpse of such a thing, they have failed tragically love itself. Or, to see it another way, this is a novel about how love fails us every time--or almost every time.

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The Wonder Singer is an operatic literary caper about one young writer's manic ambition. The ghostwriter's best chance at fame almost disappears when his Diva dies suddenly in her bath. His solution is to steal the tapes, liberate the Diva's aging husband, and write the autobiography on the run.

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As recorded in Rick Collignon s second novel, Perdido, a tall black man with one arm longer than the other walked into Guadalupe, New Mexico one morning about 50 years ago, stayed pretty much to himself for seven years, and then walked back out of town. No one knew who he was or what became of him. Now, as his last act, an old man named Ruffino Trujillo tells his grown son Cipriano a story about what became of the black man. After Ruffino s death, Cipriano discovers an old canvas bag bearing the name of Madewell Brown. Inside are a hand-carved doll, an old blanket, an unlabeled photo of a Negro League baseball team, and a small, yellowing envelope that was never posted. Thinking it the least he can do, Cipriano mails the letter. When it arrives in Cairo, Illinois, it comes into the hands of a young woman named Rachael, who believes it is from her lost grandfather.

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Set in southern Louisiana in the weeks preceding the great flood of 1927, this novel depicts a place and way of life about to be forever changed. On the verge of manhood and a stone's throw of the rising Mississippi River, Louis Proby is pulled between his love of the natural world and the glittering temptations of New Orleans, between the beautiful Nanette Lancon and a father who no longer seems larger-than-life, between the simplicity of childhood and the complicated decisions of adulthood. Louis comes of age at a time when the country is coming of age. In Louisiana, it's a time when the powerful prove themselves willing to sacrifice the poor to protect their position. As the people of Cypress Parish go about their daily lives, bankers in New Orleans are plotting to alter those lives irrevocably. Like so many calamities, the one that befalls Cypress Parish has both natural and human causes. Based on historical events and narrated on the eve of another disaster, The Unnatural History of Cypress Parish tells the story of a young man growing up in a time and place not quite like any other. And in doing so it reveals the complexity of our own relationship to the past. This a beautifully turned novel of love and natural history, married to the shadowy politics of Louisiana, a novel about what manhood means now and what it meant in the south in the 1920s.

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In her first memoir--Immortelles: Memoir of a Will-o'-the-Wisp--Mireille Marokvia described her life growing up in a small village near Chartres, France, in the first decades of the 20th Century. We learned in that beautiful book that the people in her life so long past still live like ghosts in her memory. This extraordinarily sensitive and assured writer brings that same dear voice and sharp vision to bear in her new book. But Sins of the Innocent covers the most difficult years of her life. From Paris in 1939, a young Mireille follows her artist husband, Abel, when he returns to Germany to care for his mother. Once Hitler begins his invasions across Europe the displaced couple must find a way to survive the war in a country they both consider foreign. Abel finally takes work, but it requires extensive travel through the war zones, and so Mireille is left essentially alone. With France lost to her, and horribly misfit in wartime Germany, suspected by her neighbors of spying for the Allies, Mireille has to define a life for herself, a life that is as quiet as possible in a dangerous world. Sins of the Innocent is a lyrical portrait of those harsh years, infused with doubt, anger, and the author's love of life. These were the years in which Mireille learned the difference between quiet persistence and courage--during WWII in Europe, a time when so many had to find their own small places in history. It was the era that determined who Mireille Marokvia was--and who she still is. Read Mireille Marokvia's account of the making of the manuscript in "History of a Story."

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At the end of Nathaniel Hawthorne's classic novel, The Scarlet Letter, we know that Pearl, the elf-child daughter of Hester Prynne, is somewhere in Europe, comfortable, well set, a mother herself now. But it could not have been easy for her to arrive at such a place, when she begins life as the bastard child of a woman publicly humiliated, again and again, in an unrelentingly judgmental Puritan world. With a brilliant and authentic sense of that time and place, Deborah Noyes envisions the path Pearl takes to make herself whole and to carve her place in the New World. Beautifully written with boundless compassion, Angel and Apostle is a heart-rending and imaginative debut in which Noyes masterfully makes Hawthorne's character her own.

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Tom "T" Walker, a 57-year-old businessman, knows better than to pick up a beautiful young woman hitchhiking with her dangerous-looking boyfriend, but he stops for them anyway. He's been living alone, his life ruinously off course, in such utter isolation from everyone he has ever loved that he welcomes the company and the excitement. But as T finds himself pulled into the chaos of their world in a way he will barely survive, he comes to see his personal history and experiences in an altered and troubling light. Author Edward Falco brings stunning emotional depth and tense action to unforgettable characters as they journey through the mundane world to places where illusions fail and they must face their hidden selves.

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From the heartlands of the 1880s Upper Midwest comes a morality tale of survival and destiny told in the convincing language of a patriarch's journal, evoking a real sense of the time and place. Gerhardt Praeger, a farmer of some education and plenty experience, understands the mixture of hard work, ingenuity, ethic, grace and steadiness of spirit needed to hold his settler family and neighboring community together while homesteading the hard territory of the Dakotas. He, along with his wife and seven sons, must constantly contend with natural disasters and manmade challenges to carve out their holdings in an unforgiving environment that has defeated so many of their neighbors, sending them home to their families back east. Praeger believes that God will provide sufficiently if not in abundance to those who can resist over-reaching. But a new neighbor, the bold Beidermann, who seems at times almost larger than life, stirs both his curiosity and envy, and tests Praeger's moral beliefs. Between his remarkable journal entries that observe the increasingly tense events between them, is also a narrative that moves the everyone toward calamity. What results is an almost biblical story of moral imperatives and self-revelation, of man striving to civilize his own impulses along with the wild land.

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In this personal and revealing book, Anthony Poon takes us on a creative journey that begins with his re-envisioning of a seaside public space as a very young architect. Poon has designed hundreds of buildings across the United States and internationally, from eco-friendly homes to public schools, from intimate retail venues and restaurants to sports arenas, from university housing to retreats and places of worship. Sticks & Stones / Steel & Glass takes us inside a purposive yet open mind always hoping to "design it all," to weave together light and material, culture and commerce, music and design, a good meal and the joy of gathering to share it. In these pages we engage the creative processes of a thoughtful and intense architect whose works--public and private--all strive to enhance his clients' stories and identities. Poon's goal in each commission is to reward those who will enjoy and inhabit the structures he designs. In every building designed by Anthony Poon art is shelter and architecture is a social good.

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Maisie at 8000 Feet is the story of an eight-year old girl who can fly and her idyllic summer in the Pine Barrens of New Jersey that ends in a moment of catastrophic loss. Following the death of her mother, Maisie travels the Pine Barrens with her artist/archaeologist father; meets his cousin and confidante, Sally, who wants to repair the little girl's heart; and flies over it all trying to see how her life could have taken such a turn. Many years later, her son gone to college and her marriage ended, Maisie struggles to reconnect with the aging Sally. Doing so, she hopes to understand why her father didn't raise her, what that long-ago summer was all about, and whether she has ever really been attached to anyone in any place. Seen from the heights of Maisie's childlike imagination and the rootless perspective of the woman she becomes, the fractures in her life reveal the slippery connection between childhood and identity -- and between remembering and forgetting.

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On the windswept plains of northwestern China, Mongol bandits swoop down upon an American missionary couple and steal their small child. The reverend sets out in search of the boy and becomes lost in the rugged, corrupt countryside populated by opium dens, sly nomadic warlords, and traveling circuses. This upright Midwestern minister develops a following among the Chinese peasants and is christened Ghost Man for what they perceive as his otherworldly powers. Grace, his young wife, pregnant with their second child, takes to her sick bed in the mission compound, where visions of her stolen child and lost husband begin to beckon to her from across the plains. The foreign couple's savvy and dedicated Chinese servants, Ahcho and Mai Lin, accompany and eventually lead them through dangerous territory to find one another again. With their Christian beliefs sorely tested, their concept of fate expanded, and their physical health rapidly deteriorating, the reverend and Grace may finally discover an understanding between them that is greater than the vast distance they have come.

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No other obsession strikes as hard as the love that hits a teenaged boy -- especially if he's the sort of kid who is no saner than he wants to be. From the moment Adam Webb sees Francine Haggard--in the van that is supposed to return them to the Institute Loiseaux--the two young mental patients are inextricably connected. Adam will never let this girl go. From hiding her in his bedroom to spiriting her away to Minnesota's north woods, "Miss Entropia" becomes the focus of Adam's every thought and of everything he does. He believes her to be a goddess, his own goddess. But the pyromaniacal Miss Entropia will be neither worshiped nor owned. And so Adam's possessiveness is destined to push her to the breaking point. Theirs is an incendiary love story, an unbalanced Romeo and Juliet, that spins and arcs its way strangely toward tragedy.

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