Search results for ""toupee""

This must-read book is an innovative and deceptively simple journey of words that rhyme (or don't) with 'parfait.' Each page turn brings on the laughs as the clever story bounces from an uneaten parfait to seemingly random characters, including a duck, a toupée-wearing Shar-pei, horses playing 'Pin-the-Tail-on-the-Donkay', and even. . .

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The pocket-sized FLAME TREE COLLECTABLE CRIME CLASSICS are chosen to create a delightful and timeless gift library of classic crime and mystery thrillers. Each stunning unabridged edition features deluxe cover treatments, ribbon markers, luxury endpapers and gilded edges. The first best-selling title in S.S. Van Dine’s series of Philo Vance detective mysteries, The Benson Murder Case (1926), was inspired by the real-life unsolved murder of Joseph Bowne Elwell (1873–1920) in which the victim was shot from within his locked house. Intellectual dandy and amateur sleuth Vance – ‘a man of unusual culture and brilliance’ – finds the case of murdered playboy stockbroker Alvin Benson fascinating, the missing toupee and false teeth being especially curious… Vance kindly comes to the aid of his friend District Attorney Markham and sets about tracking down the killer using his cerebral powers of deduction in contrast to the short-sighted methods of the police. A specially commissioned biography of the author and a glossary of Victorian and Literary terms make this new edition essential for all classic crime fans!

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This volatile memoir from Doug Crandell weaves a darkly comic and thoroughly heartbreaking coming-of-age tale set in 1990 as the author is about to graduate from college. With very few job prospects and in need of tuition money, he joins his father working at a ceiling tile factory in tiny Lagro, Indiana. As his father moves headlong into a midlife crisis—complete with a bad toupee and a penchant for drinking on the job—Crandell’s mother struggles with depression and talks in the third person as she manages a fast-food joint, where she compels her crew to dress in homemade costumes. As the author struggles to finish his degree, he also fights the urge to stay where he is and end up a “lifer” like his father. But before long, the monotonous work takes its toll on Crandell, making him realize just how similar he and his dad are. From their joint substance abuse to their feelings about the coworkers they watch buried from asbestosis, the Crandell men struggle to find a way to communicate. This powerful book explores themes of modern manhood, hope, and the power of labor to bring together workers, families, and even macho men.

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Of the all the people surrounding the assassination of President Kennedy, few are more mysterious and enigmatic than David William Ferrie of New Orleans. Author Judyth Vary Baker knew David Ferrie personally and worked with him in a covert project in New Orleans during the summer of 1963, and this book examines his strange and puzzling behavior both before and after the assassination. At the time of the assassination, Ferrie was a 45-year-old New Orleans resident who was acquainted with some of the most notorious names linked to the assassination: Lee Oswald, Clay Shaw, Guy Banister, Jack Ruby, and Carlos Marcello. He possessed assorted talents and eccentricities: he was at one time a senior pilot with Eastern Airlines until he was fired for homosexual activity on the job; he was also a hypnotist; a serious researcher of the origins of cancer; an amateur psychologist; and a victim of a strange disease, alopecia, which made all of his body void of hair. His odd lifestyle was embellished with an equally bizarre appearance featuring a red toupee and false eyebrows. This is the first book focused solely on David Ferrie and his alleged involvement in the conspiracy to assassinate President John F. Kennedy.

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Frank follows the motto, "Honesty is the best policy." He tells the truth, the whole truth, and nothing but the truth. Frank never lies to his schoolmates, he always tells the truth to adults, and he’ s always honest with police officers. The balancing act of finding tact, that fine line between telling the truth and telling too much truth, is the main theme of this story, and it's very funny— although not necessarily to his friend Dotti whose freckles remind Frank of the Big Dipper, or to the teacher who hears that her breath smells like onions, or to the principal who is told that his toupee looks like a weasel. No one is quite as impressed with Frank's honesty as he thinks they should be. He is sweet and straightforward, and, well, very frank, but with everyone annoyed at him, Frank is now honestly unhappy. He decides to visit his confidante and pal, Grandpa Ernest, who has a history of frankness himself. With a few lessons from Grandpa, Frank begins to understand that the truth is important, but so is not being hurtful. With amusing characters and expressive artwork, this story tells the powerful message of finding the good in everything— a lesson that sends compassion and understanding to take the place of rudeness in the complex concept of truth.

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