Search results for ""royal irish academy""

The Stowe Missal, now housed in the Royal Irish Academy in Dublin as MS.D.II.3, is one of the most famous Irish manuscripts to have survived from the middle ages. The first part consists of excerpts from the Gospel of St John (fols. 1-11), the second the Stowe Missal proper (fols. 12-67). It is one of the earliest datable Irish manuscripts and an important witness to the early Irish church and to the Irish language at that time.

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Renaissance Galway is the next ancillary publication from the Irish Historic Towns Atlas. The subject of the book is the remarkable ‘pictorial map’ of Galway, which was produced in the mid-seventeenth century. It offers a bird’s eye view of Galway city at this time and presents insights into the cultural, sociopolitical and religious outlook of the local ruling elite — the so-called ‘tribes’ of Galway. Originally intended as a wall hanging, it was produced to impress and remains a centrepiece of Galway’s visual history. Only two copies of the original printed map are known to exist and it is the well-preserved version from Trinity College, Dublin that is reproduced in Renaissance Galway. Following the format of previous map-guides from the Irish Historic Towns Atlas, the book presents carefully selected extracts from the pictorial map, each accompanied by a commentary. These range from descriptions of particular buildings or areas, to aspects of everyday life that are revealed in the map. In an introductory essay, the author ponders the many mysteries that continue to surround the pictorial map of Galway — its origins, compilers and purpose. Together the map extracts and accompanying texts offer a new perspective — a window into the culture and mindset of Galway’s mid-seventeenth century ruling Catholic elite. The modern viewer is invited to inhabit the world of ‘Renaissance Galway’. The Irish Historic Towns Atlas is a research project of the Royal Irish Academy and is part of a wider European scheme. www.ihta.ie

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Field naturalists have searched across Clare Island for animal groups ranging from the microscopic to birds and mammals. Many more species have been found since the original survey a hundred years ago, due to the availability of modern methods, which greatly add to our knowledge of the biodiversity of Clare Island. The lists of species featured here include some new to the island, some new to Ireland and some new to science. This volume signals the need for further field work and taxonomic research to track biodiversity changes arising from human activity. Land and freshwater fauna is the tenth volume in the New Survey of Clare Island series, which seeks to build on the pioneering work of the first Clare Island Survey (1909–11), the most ambitious natural history project ever undertaken in Ireland and the first major biological survey of a specific area carried out in the world.

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A collection of useful and interesting tips, hacks and insights from people who have made a mark in their field, and that readers might find helpful in their professional and personal lives.

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The complex of passage tombs at Knowth is dated c. 3200–2900 BC, and this volume deals with one of the most significant aspects of the site. It presents a complete catalogue of the 390 recorded carved stones at Knowth, through descriptions, drawings and photographs. Six main styles of art have been identified and these are discussed, together with the motifs and techniques employed. The Knowth carvings constitute c. 46% of all such art in Ireland, and the volume sets the Knowth art in the context of the other Irish carvings, those in western and northern Britain, and also the somewhat earlier art found on megalithic tombs in Atlantic Europe.

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This new historical atlas of Cork will explore the city from its origins to the present day. The emergence of Cork from a monastic settlement on a marshland site through to the thriving city we know today is explained in a thoroughly researched text, illustrated with newly created thematic maps, early views and photographs. Historic maps are reproduced on large-format pages showing how the topography transformed through time. A gazetteer of over 13,000 sites and accompanying essay gives the detailed topographical history of the city up to c. 1900. The Irish Historic Towns Atlas is a long-term research project of the Royal Irish Academy. Since publication began in 1986, thirty atlases of Irish towns and cities, north and south, have been published. The atlases are produced following basic principles making it possible to compare and contrast places with one another. Cork will join the cities of Dublin, Belfast, Galway and Limerick; and regional towns of Bandon and Youghal already cove

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Serial winners and glorious losers, heroes and villains, trailblazing women, role models and rogues, all are here; so too are audacious sporting founders, enduring legends and forgotten or overlooked greats. Through a selection of sixty lives from the Dictionary of Irish Biography, this book celebrates the diversity of Irish sporting history. The Dictionary of Irish Biography is a project of the Royal Irish Academy. It tells the island’s life story through the biographies, at home and overseas, of prominent men and women born in Ireland, north and south, and the noteworthy Irish careers of those born outside Ireland. The online edition of the Dictionary of Irish Biography now features nearly 11,000 lives and continues to grow. dib.ie

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Nine writers trace the public and private lives of nine sets of sisters. Artists, publishers, writers, educationalists, philanthropists, revolutionaries, suffragists — thinkers all. Independent women with hopes and ideals who overcame barriers, even within their own families, to their participation in public life. Their stories have often been overlooked by the mainstream historical record. These essays take readers on a journey through the centuries from the 1600s to the turbulent years of the independence struggle in 1900s Ireland and uncover the influence, support and rivalries of family. Nualaidh, Máire and Mairghréad Ó Domhnaill Alice, Sara, Lettice, Joan, Katherine, Dorothy and Mary Boyle Katherine, Jane and Mary Conyngham Deborah, Margaret, Mary and Sarah Shackleton Lady Sydney Morgan and Lady Olivia Clarke Anna and Fanny Parnell Constance and Eva Gore-Booth Susan and Elizabeth Yeats Hanna, Margaret, Mary and Kathleen Sheehy

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'The Táin' (meaning ‘The driving-off cows of Cooley’) is a legendary Irish tale set in the first century AD. It tells of a war against Ulster by the Connacht queen Medb and her husband Ailill, who intend to steal the stud bull Donn Cuailnge and are challenged by the Ulster hero Cú Chulainn. Written in the 12th century and set in the pre-Christian first century, the Táin is the central text in the ‘Ulster Cycle’. These stories from the Tain were edited with glossary by the Celtic, Greek and Sanskrit linguist John Strachan, also the author of ‘Old Irish Paradigms’, the ‘Old Irish Workbook’ and ‘Selections from the Old Irish Glosses’. This third edition of 'Stories from the Tain' was revised by the Irish language scholar Osborn Bergin. It is an essential text-book for beginners in Old-Irish.

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Drogheda, the twenty-ninth in the IHTA series, will bring this important Irish settlement into the Irish and European Historic Towns Atlas scheme where it can be compared with towns across Ireland and over 500 in Europe. Drogheda has a rich and varied history that has been carefully compiled by author Ned McHugh who has trawled hundreds of sources to generate histories of thousands of topographic sites in Drogheda. An essay with thematic maps fleshes out the topographical history into the development of the town. IHTA no. 29 will be reproduced in large format with many historic and modern maps and illustrations in loose sheets to accompany the detailed text section.

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The thirteenth volume in the Documents on Irish Foreign Policy (DIFP) series runs from April 1965 to July 1969. It covers the Fianna Fáil governments of Seán Lemass (April 1965 to November 1966) and Jack Lynch (November 1966 to July 1969) in which Frank Aiken was Minister for External Affairs. The four years and three months covered by DIFP XIII saw significant changes in the international context in which Ireland conducted its foreign policy. In 1965 the hope of the Department of External Affairs was that Ireland would enter the European Economic Community (EEC) before 1970. EEC entry would take place alongside that of Britain, an Anglo-Irish Free Trade Area (AIFTA) having come into operation in 1966, cementing trade between Ireland and its principal trading partner. Overall, the United Nations would remain the benchmark of global Irish foreign policy. Peacekeeping, advocating nuclear non-proliferation and ensuring the proper financing of the United Nations as well as promoting decolonisation and the universality of the United Nations system within the bipolar world of the Cold War remained central to 1960s Irish foreign policy. These assumptions were thrown out of balance by the continuing refusal of France to facilitate the expansion of the EEC and EEC membership remained out of reach for Ireland. Dublin’s fragile relations with Belfast were destabilised with the emergence of new social and political forces in Northern Ireland and the recurrence of sectarian violence. The Department of External Affairs proved initially unable to respond comprehensively to this new environment in Northern Ireland, which was the precursor to the outbreak of the Troubles in 1969. Improved economic and political relations with London were affected by local and international economic difficulties and also as a consequence of events in Northern Ireland. At the United Nations, superpower politics constrained Irish attempts to follow up the success of the 1968 Nuclear Non- Proliferation Treaty with a major policy initiative on the financing of international peacekeeping missions.

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From 1918 to 1922 Michael Collins kept working diaries of his busy revolutionary life. They are a collection of hurried notes, necessary lists, names and appointments, things to do, and things not done. They are a record of his long working days, and they got him to where he needed to be on time. Though these diaries do not contain conventional lengthy entries in which Collins finally reveals his innermost thoughts, they still tell us much about this extraordinary man. In this book, Michael Collins’s biographers, Anne Dolan and William Murphy, capture the nature of this new Collins source. They reflect on how the diaries change what we know about him, and challenge us to think differently about his life. The diaries begin with Collins a revolutionary among many; they end in 1922 with Collins as the most powerful figure in Ireland. They begin with Collins a single man; they end with him about to be married. The authors present thematic reflections on what the diaries reveal of his transformed life. As they are also the diaries of his everyday life, the book examines very particular episodes, the curious and ordinary entries, which allow us to see Collins from new angles. Rather than offering the final piece that will solve the Collins puzzle, the diaries pose new questions to be asked. Michael Collins (1890–1922), was born in Co. Cork, he was a staff captain in the GPO in 1916, and emerged as a leading figure during his internment in Frongoch camp. As the Director of Organisation with the Irish Volunteers, he masterminded their campaign in the Anglo-Irish war (1919-21). Having signed the Anglo-Irish Treaty, in 1922 he became chairman of the Provisional Government and commander-in-chief of the National Army. He was killed in an ambush in Co. Cork on 22 August 1922.

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The Irish struck out across America’s frontiers, built its railroads, fought on both sides of the civil war, captured its major historic moments in print, paint and bronze, led many of its religious denominations, policed its streets, set up its banks, educated its masses, entertained America on its stages and screens and in its sporting arenas, and made ground-breaking contributions in science and engineering. This collection documents fifty Irish people who made an indelible mark on American society, politics and culture. People like the pirate Anne Bonney and Gertrude Brice Kelly, one of New York City's first surgeons, feature alongside more familiar names such as Maureen O'Hara, Maeve Brennan, Rex Ingram and the architect of the White House James Hoban. About the Dictionary of Irish Biography: The Dictionary of Irish Biography, a research project of the Royal Irish Academy, is the most comprehensive and authoritative biographical dictionary yet published for Ireland. It comprises over 10,000 lives, which describe and assess the careers of subjects in all fields of endeavour, including politics, law, religion, literature, journalism, architecture, music and the arts, the sciences, medicine, entertainment and sport.

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Can a long-term perspective on human adaptations to climate change inform Ireland’s response to the crisis we face today? Climate and Society in Ireland is a collection of essays, commissioned by the Royal Irish Academy, that provides a multi-period, interdisciplinary perspective on one of the most important challenges currently facing humanity. Combining syntheses of existing knowledge with new insights and approaches, contributors explore the varied environmental, climatic and social changes that occurred in Ireland from early prehistory to the early 21st century. The essays in the volume engage with a diversity of pertinent themes, including the impact of climate change on the earliest human settlement of Ireland; weather-related food scarcities during medieval times that led to violence and plague outbreaks; changing representations of weather in poetry written in Ireland between 1600 and 1820; and how Ireland is now on the threshold of taking the radical steps necessary to shed its ‘climate laggard’ status and embark on the road to a post-carbon society. With contributions by Máire Ní Annracháin, Katharina Becker, David M. Brown, Lucy Collins, Lisa Coyle McClung, Bruce M.S. Campbell, Rosie Everett, Benjamin Gearey, Raymond Gillespie, Seren Griffiths, James Kelly, Francis Ludlow, Meriel McClatchie, Conor Murphy, Simon Noone, Aaron Potito, Gill Plunkett, Phil Stastney, Graeme T. Swindles, John Sweeney, Graeme Warren.

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Irish Art 1920-2020: Perspectives on change by Catherine Marshall and Yvonne Scott, is a generously-illustrated book in which eleven authors examine different aspects of Irish art through the hundred years or so since independence. During this time, art in Ireland has borne witness to unprecedented social and political transformation, and this book of essays considers how some of the established perspectives in Irish visual culture were challenged and represented during this time. Art in Ireland has been shaped by a range of factors – the country’s geographic position, post-colonial history, political upheaval, religious environment – and of course the complex interconnections both within and beyond the country, prompted by shifting patterns within society – identities, migration, technology, for example – as well as the artists’ evolving engagement with the wider world. This is not a linear story; each chapter explores a particular aspect of art, how it reflected the interests of artists, the environments in which they worked both in Ireland and abroad, and how subjects and methods changed over time. The extensive richness of the last century or so, as well as the diversity, creativity and originality of the artists means that no single text can ever be comprehensive, and this one makes no such claims. Rather, his book, however, is a kind of map; it does not pretend to fully represent the entire narrative but may provide some useful clues to negotiating parts of it, or at least the basis for further exploration and debate.

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ART AND ARCHITECTURE OF IRELAND is an authoritative and fully illustrated survey that encompasses the period from the early Middle Ages to the end of the 20th century. The five volumes explore all aspects of Irish art – from high crosses to installation art, from illuminated manuscripts to Georgian houses and Modernist churches, from tapestries and sculptures to oil paintings, photographs and video art. This monumental project provides new insights into every facet of the strength, depth and variety of Ireland’s artistic and architectural heritage. MEDIEVAL c. 400-c. 1600 An unrivalled account of all aspects of the rich and varied visual culture of Ireland in the Middle Ages. Based on decades of original research, the book contains over 300 lively and informative essays and is magnificently illustrated. Readers will enjoy expanding their knowledge of medieval Ireland through explorations of the objects and buildings produced there and the people who created them.Published for the Paul Mellon Centre for Studies in British Art in association with the Royal Irish Academy

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ART AND ARCHITECTURE OF IRELAND is an authoritative and fully illustrated survey that encompasses the period from the early Middle Ages to the end of the 20th century. The five volumes explore all aspects of Irish art – from high crosses to installation art, from illuminated manuscripts to Georgian houses and Modernist churches, from tapestries and sculptures to oil paintings, photographs and video art. This monumental project provides new insights into every facet of the strength, depth and variety of Ireland’s artistic and architectural heritage. TWENTIETH CENTURY An examination of the works of art created in twentieth-century Ireland and the critical contexts from which they came. Focusing on painting, photography and new media, rather than on sculpture, this volume considers the work of conceptual and digital artists as well as those who have used more traditional approaches. Definitive biographies of many of the key artist of the era are included, and the volume also addresses the main political and social issues that lay behind twentieth century Irish art. Through its many fine illustrations, it recreates the vibrancy of the art world of the period.Published for the Paul Mellon Centre for Studies in British Art in association with the Royal Irish Academy

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Winner of the 2021 Joan Thirsk Memorial Prize from the British Agricultural History Society​2020 Choice​ Outstanding Academic Title​Winner of the 2020 Turriano Prize from ICOHTECShort-listed and highly commended for the Antibiotic Guardian Award from Public Health England​Long-listed for the Michel Déon Prize from the Royal Irish Academy​Pyrrhic Progress analyses over half a century of antibiotic use, regulation, and resistance in US and British food production. Mass-introduced after 1945, antibiotics helped revolutionize post-war agriculture. Food producers used antibiotics to prevent and treat disease, protect plants, preserve food, and promote animals’ growth. Many soon became dependent on routine antibiotic use to sustain and increase production. The resulting growth of antibiotic infrastructures came at a price. Critics blamed antibiotics for leaving dangerous residues in food, enabling bad animal welfare, and selecting for antimicrobial resistance (AMR) in bacteria, which could no longer be treated with antibiotics. Pyrrhic Progress reconstructs the complicated negotiations that accompanied this process of risk prioritization between consumers, farmers, and regulators on both sides of the Atlantic. Unsurprisingly, solutions differed: while Europeans implemented precautionary antibiotic restrictions to curb AMR, consumer concerns and cost-benefit assessments made US regulators focus on curbing drug residues in food. The result was a growing divergence of antibiotic stewardship and a rise of AMR. Kirchhelle’s comprehensive analysis of evolving non-human antibiotic use and the historical complexities of antibiotic stewardship provides important insights for current debates on the global burden of AMR. This Open Access ebook is available under a CC-BY-NC-ND license, and is supported by a generous grant from Wellcome Trust.

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Winner of the 2021 Joan Thirsk Memorial Prize from the British Agricultural History Society​2020 Choice​ Outstanding Academic Title​Winner of the 2020 Turriano Prize from ICOHTECShort-listed and highly commended for the Antibiotic Guardian Award from Public Health England​Long-listed for the Michel Déon Prize from the Royal Irish Academy​Pyrrhic Progress analyses over half a century of antibiotic use, regulation, and resistance in US and British food production. Mass-introduced after 1945, antibiotics helped revolutionize post-war agriculture. Food producers used antibiotics to prevent and treat disease, protect plants, preserve food, and promote animals’ growth. Many soon became dependent on routine antibiotic use to sustain and increase production. The resulting growth of antibiotic infrastructures came at a price. Critics blamed antibiotics for leaving dangerous residues in food, enabling bad animal welfare, and selecting for antimicrobial resistance (AMR) in bacteria, which could no longer be treated with antibiotics. Pyrrhic Progress reconstructs the complicated negotiations that accompanied this process of risk prioritization between consumers, farmers, and regulators on both sides of the Atlantic. Unsurprisingly, solutions differed: while Europeans implemented precautionary antibiotic restrictions to curb AMR, consumer concerns and cost-benefit assessments made US regulators focus on curbing drug residues in food. The result was a growing divergence of antibiotic stewardship and a rise of AMR. Kirchhelle’s comprehensive analysis of evolving non-human antibiotic use and the historical complexities of antibiotic stewardship provides important insights for current debates on the global burden of AMR. This Open Access ebook is available under a CC-BY-NC-ND license, and is supported by a generous grant from Wellcome Trust.

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